- hace 2 días
A Emilio le cumple el plazo para abandonar la portería y decide declararle la guerra a la comunidad. Acampa delante de la portería y, aconsejado por Carmen, demanda a la comunidad por los años que ha estado trabajando sin contrato. Carlos y Lucía siguen como pareja y descubren los celos mutuos. Lucía, ya harta de ser una mantenida, pone un sitio de masajes en la portería y contrata a un fisioterapeuta, pero, entretanto, en Natalia aflora un repentino interés por Carlos. Mauri, por su parte, va a tener que elegir entre volver con Fernando que se lo ha pedido y parece que ahora va en serio, y Diego, que ya se arrepiente de haberse casado.
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00:00:30Hello, good morning, darling.
00:00:33Good morning my love.
00:00:39What's that?
00:00:40Nothing, just something I wanted to check.
00:00:45See? I snore. You didn't tell me anything.
00:00:48But no, man, it's not very little. I don't care.
00:00:51Yeah, because we're at that I forgive you everything phase.
00:00:54The hairs in the bathtub, the drool on the pillow...
00:00:56But the book says that one in twelve couples ends because of apneas.
00:01:00Let's see...
00:01:02But, if it's not snoring, it's heavy breathing.
00:01:05Yeah.
00:01:06Oh, and I think that's me.
00:01:08No, no, no. You're more like...
00:01:11No, no, sorry, I don't do that.
00:01:19What's that?
00:01:20Well, it was Emilio, wasn't it?
00:01:21No, no, he's not coming until eleven.
00:01:24No, no, give me something, give me something, give me something.
00:01:26What is this?
00:01:30Be careful, Carlos, okay?
00:01:34They're out of orange juice. I left you a note on the fridge.
00:01:38But what are you doing here?
00:01:39Well, having a little breakfast. I'm not even doing any shopping while I'm at the gate.
00:01:44But anyway, Mariano, I mean, your son working here doesn't give him the right to come into my house whenever he wants.
00:01:48Hey, hey, pretty girl, besides making you a juice, what I'm going to do with the pulp is great for cleansing the intestines.
00:01:55It absorbs like a valletta and cleans everything completely.
00:01:59Emilio. Emilio, please, get angry, let it all out, but say something. Break this silence.
00:02:07You are a traitorous and miserable bug.
00:02:09Well, it's a start. I trust that we'll be able to recover our friendship, despite what happened.
00:02:15But what friendship? For me, Mr. Juana is over. And you're the bastard president who kicked me out of here.
00:02:19It wasn't me. It was the administrator who came with the Navarro plan under his arm and is turning everything upside down.
00:02:24Well, look, I now work at Casa de los Pijos and I earn in 15 days what I didn't earn here in a month.
00:02:29I'm going to buy a storage room with a view. Or else, I'll wait to see if they'll let me get one of those 30-square-meter apartments.
00:02:33I've always wanted to live in a very big house.
00:02:36Son, that service job comes with half board. He just doesn't listen to me.
00:02:41I found her having breakfast at home. No, and wait, she had just taken a shower.
00:02:44And she used my moisturizing cream around the eyes.
00:02:47But it was not to talk about a state of being on one's feet.
00:02:49Come on, come on, come on. Get inside, now you and I can talk.
00:02:53Forgive him, sir, but with age he gets weak-kneed.
00:02:56And besides, if you're at death's door, what happens is that you see that those on the other side, well, they don't open the door.
00:03:00But I swear to you that this will never happen again.
00:03:02No, that's for sure because you're fired.
00:03:04Carlos, don't rush it either. Have breakfast first.
00:03:07That on an empty stomach a lot of nonsense is said.
00:03:11Awesome. No work on the streets in the spring. And I have my caramion allergy.
00:03:14And you don't have anything saved to get by?
00:03:16Oh, right. I'd forgotten that when I went to Andorra to buy a Walkman, there would be an account there.
00:03:20Go on, go away, because I have a lot of pent-up anger and I don't know where it's going to come out, okay?
00:03:23Well, look, I want you to know that if you need me, I'll always be here.
00:03:27Well, it's better to be out there. Hey! Bye!
00:03:30Dad, come here!
00:03:34Before you say or do something you'll regret,
00:03:37Do you remember what Chanquete did when they wanted to take his boat?
00:03:40And what do I know, but you wouldn't let me see a blue one because you told me it had two rhombuses.
00:03:43Because I wanted to see the tour.
00:03:45Come, sit down and listen to my plan.
00:03:48Let's see your plan, let's see your plan, because I'll come at you like this and I'll sink you.
00:03:51Here, here, here there is no one who lives, not here, not here.
00:03:55Every day is like this, I couldn't imagine it when I came here.
00:04:00I was just looking for some peace, waking up every day in the middle of a hurricane.
00:04:05Here, here, here there is no one who lives, not here, not here.
00:04:08Here, here, here there is no one who lives, not here, not here.
00:04:13No, no, the house is collapsing around me, I can't find the doorman.
00:04:18The neighbors dissuade me and listen, I can't stand being here.
00:04:23Here, here, here, not all my neighbors have them, if not, come to my apartment, come to the neighborhood, cousin, I love you and I'll teach you.
00:04:28Where clowns cry, thieves, they steal from us and stones break down into something to tell.
00:04:33Put it in a cocktail shaker, you in an earthquake and a mouthful.
00:04:39Here, here, here there is no one who lives, here ...
00:05:09Well, that's it.
00:05:14Mine's a little low anyway, huh?
00:05:16I swear that in 25 years of being in the profession, this is the first time I've been asked to install three peepholes in a door.
00:05:23Yes, just because of the height, which I couldn't reach well.
00:05:25Because we're so old, anything that involves avoiding bending down or standing on tiptoes...
00:05:32The peephole is like a toothbrush. It's better for everyone to have their own.
00:05:36Sure, sure, sure. Well, that's it, see you soon, okay?
00:05:39Bye bye!
00:05:47Good morning.
00:05:49Sausage.
00:05:50Corrupt.
00:05:50Thief.
00:05:51Honey, I told you it was better if we took the elevator up.
00:05:53Sorry, but I've already returned all the money I took to the community.
00:05:56Well, technically I returned it.
00:05:58But anyway, it's all the same, that's it, it's over.
00:06:00Go back to your lives, let's forget the past, let's look to the future.
00:06:04Look at her eyes, she's high.
00:06:06Cuesta, call an urgent meeting. We don't want a corrupt president.
00:06:12I don't make any calls anymore. If they have a problem, they call the administrator, which is what we pay him for.
00:06:17Of course we thought about calling him.
00:06:19You'll see when Gregor comes. He'll give you two slaps.
00:06:22Okay, but with positive energy, okay? Pad and love.
00:06:25Cuesta, be careful, we're coming for you.
00:06:29That. Pad and love.
00:06:31What's going on down here? Hey, if there's trouble around here, let us know, okay?
00:06:35Nothing, Nivel, nothing's wrong. Go back home.
00:06:36Come up, Mauri! Come up, Mauri!
00:06:41Let's test the peepholes!
00:06:44To me, to me, to me, to me, to me, to me, to me.
00:06:48How are you?
00:06:49Mine looks really good.
00:06:51Man! Is this something else?
00:06:52Mine is a little low.
00:06:54What's coming, what's coming!
00:06:56Ladies, what are you doing with three peepholes?
00:06:59Hey! I know you're there.
00:07:01It's a bluff.
00:07:03How strange it looks so close!
00:07:05Well, look, at least it's original.
00:07:08Oh, but I don't understand why you don't like it. It's delicious.
00:07:10Look, look. Look, Mom.
00:07:13Look, stop eating now.
00:07:16Hey, those in front have three peepholes.
00:07:19Now they can spy on us in Dolby Surround.
00:07:21His name is Fernando, I can't reach you on your cell phone.
00:07:23I know, I have seven missed calls from him.
00:07:25Why don't you pick up the phone?
00:07:26Because I don't know what to say to him.
00:07:28Besides, I can't cope with this new phone.
00:07:30It has more menus than a Chinese restaurant.
00:07:32What do you mean you don't know what to say to him?
00:07:33Well, Fernando, darling, I love you, I want to get back with you.
00:07:36I don't know, you don't have to be very original, just a clear, forceful message.
00:07:39I just don't know if I want to get back with him.
00:07:42Bea, she's already left me twice and they say there's no two without three.
00:07:44He leaves me again and I become a drag queen or a gossip columnist.
00:07:48But how many times have you told me that he is the man of your life?
00:07:50About 185.
00:07:51But then I didn't have him.
00:07:52Now he's the one who wants to get back with me and that changes everything.
00:07:55Because?
00:07:56I don't know, your myth is shattering a bit, I don't know.
00:07:59Look, Mauri, while you're messing around, Fernando might meet someone else and everything will go to hell.
00:08:04You see? I hadn't thought of that.
00:08:06You really like stressing me out, huh?
00:08:07Look, I think deep down you love to complicate your life.
00:08:10Yes, yes, you must have a hormonal imbalance or high triglycerides or...
00:08:14Mauri, we need to talk.
00:08:16What's happening?
00:08:18I screwed up.
00:08:19Shouldn't I have married Abel?
00:08:21It's just that we've been living together for two weeks and I can't take it anymore.
00:08:23It's hell, she's like a housewife.
00:08:25It's like living with my wife, so why should I become gay?
00:08:28Calm down, sit down.
00:08:29Look, I think if she does, she menstruates.
00:08:34Mauri, I love you, you are the man of my life.
00:08:35Stop, stop, stop, stop, we're all going to crash, huh?
00:08:39Let's talk things over.
00:08:41Yes, yes, yes, yes, speak calmly, I'm here with the child, I don't understand anything, okay?
00:08:47Diego, what did I tell you about the wedding?
00:08:50That it was too soon, that we need to get to know each other better, and then what happens, happens.
00:08:53Well, I'm getting a divorce and that's it.
00:08:55The important thing is that I know that you love me.
00:08:56Well, a lot has happened in these two weeks, huh?
00:08:59My life is not the same.
00:09:00I know, Mauri, that you live with Bea, but I love you just the same, with a rabbit, with a child, and with a lesbian friend.
00:09:04Look, let's do this: let's all calm down and think things through, okay?
00:09:10Okay, huh? Are we having dinner tonight?
00:09:11Hey?
00:09:13Well, I'll call you back later, okay?
00:09:14Okay.
00:09:18Tonight is impossible if I have dinner with Fernando.
00:09:21I told you these two weren't going to last, did I tell you or didn't I, huh?
00:09:24And why haven't you told Diego that your ex is back?
00:09:27Well, so as not to close a door on me before its time.
00:09:30It seems I'm on the mend now.
00:09:32Look, the first option is Fernando, but what if I'm not sure?
00:09:36Honestly, no one can understand you.
00:09:37Bea, we are at a very bad age.
00:09:40You have to be on the safe side.
00:09:41Look, you played a card with Rosa, she left you and now you're alone.
00:09:48Woman, that was a bit of a silly example, don't be like that.
00:09:51Come on, it's over.
00:09:52Yes, how sensitive.
00:09:55But how come you're leaving?
00:09:56You can't leave, it's the end of the month and Concha is coming in three days to collect my rent.
00:10:00Belén, I can't continue living in this house.
00:10:02Every night I hear Carlos and Lucía making love.
00:10:04Well, we changed rooms.
00:10:06In mine you only hear a little bit, at the end during orgasm.
00:10:10But besides, what do you care if I leave?
00:10:11If not, you put up with me.
00:10:12Yes, yes, I can put up with you, now I've grown fond of you.
00:10:16Well, yesterday when you fell asleep on the couch, I covered you with a blanket.
00:10:19And the other day when you washed my breakfast cup, you didn't see me.
00:10:23But I cried.
00:10:24It was a precious moment.
00:10:27Belén, find another roommate, sorry.
00:10:30Okay, fine.
00:10:31I make your bed, I fold your socks.
00:10:33Roberto, for God's sake, don't abandon me.
00:10:38Bye bye.
00:10:38Hello.
00:10:44Where are you going?
00:10:45He's going home to his parents, leaving me hanging.
00:10:48I didn't want to say goodbye, in case you were busy.
00:10:51Well yes, the truth is that now we were going to have some...
00:10:53Carlos, would you excuse me for a moment?
00:10:55Yes, yes, yes, it's okay.
00:10:57There's no hurry.
00:10:58Sorry.
00:11:02And why are you leaving?
00:11:03Lucia, I have no business here anymore.
00:11:05It looks good, doesn't it? Right?
00:11:07I came here for you, but I've already lost you.
00:11:09No, silly, no.
00:11:10Stay if Carlos's thing isn't going to last.
00:11:12Nativity scene.
00:11:12Yes, it will last!
00:11:13Hey, Carlos, please.
00:11:16Wait.
00:11:24How are you going to get back to your parents' house at this point?
00:11:27Well, until I save up a little.
00:11:28I have a colleague from college who is going to hook me up with an architectural firm.
00:11:31Are you not going to work as an architect if you don't like it?
00:11:33Yeah, but that's life, isn't it?
00:11:36Yeah.
00:11:37Well, we'll see each other.
00:11:39Be happy, okay?
00:11:40And you?
00:11:47Roberto.
00:11:48That?
00:11:49Hey...
00:11:51Your gum.
00:11:52Thank you.
00:12:11Damn, Lucia.
00:12:12You could have worked a little harder on it, right?
00:12:14I don't know, a Bethlehem needs you, or I'm not clear about my feelings, I don't know, something.
00:12:19Are you okay, honey?
00:12:25Well no, no, the truth is no, Carlos.
00:12:27It's just that I felt so sorry for him.
00:12:29I've experienced so many things here with Roberto that...
00:12:32Many bad ones.
00:12:33Of course, there are too many memories in this apartment,
00:12:36But why don't you want us to go to the chalet with a friend,
00:12:38with a dog and undocumented gardeners like everyone else?
00:12:40Well, because I don't want to be a kept woman.
00:12:43But don't pay any attention to the neighbors.
00:12:46Don't you see that they would do the same if they could?
00:12:48In fact, just yesterday, Marisa made a pass at me in the doorway.
00:12:54No, no, Carlos, no.
00:12:55The thing is, I see myself in ten years as a bored snob there,
00:12:58with the lips and collagen,
00:13:00with 50 liposuctions and hooking up with my personal trainer.
00:13:03That's why I've never been a big fan of personal trainers.
00:13:06I just like living in this apartment, darling.
00:13:09Among other things, because it's mine.
00:13:10Okay, okay.
00:13:11But come on, chapter 7 of 100 recipes for love as a couple
00:13:14It expressly says that it is important that everyone has their own space
00:13:16and since there isn't any here...
00:13:18Do you know what I have to do?
00:13:19Get to work, now.
00:13:21Yes, that's what he says too, that it's good for...
00:13:23Okay, okay.
00:13:28Vicenta, don't scrub me with vinegar, it makes the whole staircase stink.
00:13:31Leave it for the lentils, woman, because there's no one here who can breathe.
00:13:35Vinegar is what gives the best shine.
00:13:37And it's also a mosquito repellent.
00:13:39My mother used it all her life and I still haven't had to sand the parquet.
00:13:42But if you don't have a parquet floor.
00:13:44What do you mean no?
00:13:45Oh no, that's true.
00:13:47Ah, well, look, that's what I'm saving...
00:13:49No, I understand you, Vicenta.
00:13:50When you started to screw the cotton steward,
00:13:53he had not yet been weaned.
00:13:54But times are changing, now there are scented detergents.
00:13:58The bald guy, hunks, is doing very well.
00:14:01On your turn, you use whatever you want,
00:14:03but now I do what I want.
00:14:05Well, Andrés, you tell him something, and I'll tell you about these ladies.
00:14:09I really don't understand why we pay the administrator.
00:14:12He said he was going to get us an assistant.
00:14:14It's been a week and the asshole still hasn't been...
00:14:17Good morning.
00:14:20Man, Gregorio, how are you?
00:14:23This is Rosana, the new cleaning lady.
00:14:26What's happening?
00:14:27Ah, good, how fast.
00:14:29I'm Vicenta.
00:14:30Come, I'll introduce you to the neighbors.
00:14:31You'll see, but I already have the taximeter running.
00:14:34No, I'd better start working now.
00:14:36You can change at the back right in the meter room.
00:14:39I'll go with you.
00:14:41Spiders are long-legged, but they don't bite.
00:14:47Damn, with Rosana, how is she?
00:14:50Well, how do you manage it, eh, Gregor?
00:14:52You being silly.
00:14:53Sorry, but I'm gay.
00:14:55What are you kidding, silly?
00:14:59I also have my sense of humor.
00:15:02No, no, no, no, you can see it, okay?
00:15:04No, I didn't laugh just in case.
00:15:06Fuck, you, you!
00:15:08Juan!
00:15:10Juan!
00:15:11Juan!
00:15:12Juan!
00:15:13Juan!
00:15:14Juan!
00:15:15Juan!
00:15:16I can't go on like this.
00:15:17He hasn't even thrown my clothes out into the yard and even kept the clothespins.
00:15:21Or do you talk to her?
00:15:22Or do we buy a dryer?
00:15:23Well, don't be so suspicious, it might have been the air.
00:15:26Yes, woman, in that courtyard when it's windy a strange vortex forms.
00:15:30Juan!
00:15:30That the neighbors are coming for us.
00:15:32Who do you think calls at four in the morning and hangs up?
00:15:35Or who asked for our name in the folding pool, on the teleshopping?
00:15:38Hey, hey, don't look at me, okay?
00:15:40Dad, don't worry.
00:15:42You've returned the money you stole to the community, they'll get it back.
00:15:44Yes, well look, I don't think so.
00:15:50You don't have to be a graphologist to know who you've been to.
00:15:52What you're going to do right now, I'm going to talk to the administrator, he's painting this door for me in the community.
00:15:57Well, you wear it, of course!
00:15:59Well, that's an average of five screw-ups a day, so now we're down to just three.
00:16:03Sorry, I wanted to talk to you for a moment, I have a proposal to make.
00:16:06Corrupt, don't forget the ladder.
00:16:11Well, I'll get straight to the point.
00:16:13I have space problems upstairs, and since you obviously have problems living with your neighbors, well...
00:16:18It's nothing, it can't be fixed with a couple of targeted killings.
00:16:22Oh my God!
00:16:22The basis of capitalism is taking advantage of other people's misfortunes, so I'm going to offer you 45 million for the apartment.
00:16:28Huh? So Lucía and I can become a pair, connect over what's...
00:16:31Oh, oh! Oh, oh! Yes! Okay, that's it, so where do we sign?
00:16:37No.
00:16:37Well, Juan, I know the apartment is yours, but come on.
00:16:40Look, Carlos, I appreciate it, but we have no intention of going anywhere at the moment.
00:16:45Oh yes, because things have to be talked about.
00:16:48Dad, we could go to a terraced house with a garden to have a barbecue on Sundays.
00:16:51That brings the family together a lot.
00:16:53Hey, I'll pass, okay? I have all my friends here.
00:16:56Well, but you can come see them.
00:16:58I'll buy you a motorcycle.
00:16:59Oh, well, I'll pay for your taxis.
00:17:01Look, honey, I understand what you're going through, but...
00:17:04I've lived through worse political times, and I know I can win back the affection of my neighbors.
00:17:09Good morning.
00:17:10Who fancies relatives for Juan Cuesta?
00:17:12Well, I'll almost leave you and you think about it.
00:17:17It's 225.50.
00:17:19They're cold, it's a shame. I don't want them.
00:17:25Well, and one more bad thing. Or so, we only have two left.
00:17:30Hi, Carlos, I was looking for you.
00:17:33Me? What's wrong?
00:17:34Hey, you're with Lucía, right? Congratulations, you're a winner.
00:17:38As much as a winner.
00:17:40Hey, what was I going to say? Do you need someone at the video store?
00:17:43I'm looking for a low-stress, simple job.
00:17:46Well, if Paco knew how to do it, it's because it's not very complicated.
00:17:48Well, in principle we don't need anyone.
00:17:52I don't know, maybe I could bring a different approach to the business.
00:17:56I don't know.
00:17:57Ah, man, marketing is always important.
00:18:02And maybe it would be good for us to change our image.
00:18:05When could you start?
00:18:06Me? Right now? Am I okay this way, or should I change?
00:18:10No, it's fine. It's modern, fine.
00:18:13Well, if you want, we can go down and I'll show you the facilities.
00:18:16Although there isn't much to teach either.
00:18:18You know you're more handsome since you have a girlfriend.
00:18:21Oh yeah?
00:18:25A little delicacy, please.
00:18:27Let's wait at least until they leave.
00:18:29I would go and get them out.
00:18:30They are able to attach themselves to a radiator.
00:18:33As soon as the gate is rented, the fees will be reduced,
00:18:37which will range between 46 and 54 euros.
00:18:41This man is a pleasure, he is our very own Rodrigo Rato.
00:18:44What he said is pure numerical demagoguery.
00:18:46The numbers don't add up for me.
00:18:48And before either, because you kept it for yourself.
00:18:50Corrupt!
00:18:51And where are Emilio and Mariano going now?
00:18:53What if we welcome them into our home?
00:18:55Shut up, they might hear you.
00:18:56Also, if you voted to kick them out.
00:18:58Yes, but sadness comes over me now.
00:19:01Man, what good people gathered together.
00:19:03What are they here for? To kick us in the ass, Spaghetti Western style?
00:19:06Hey, that mop belongs to the community.
00:19:09I made you some croquettes for the trip.
00:19:11No, it's not necessary, if we're not going too far.
00:19:13Thank you so much.
00:19:16But what are you doing?
00:19:18What is this?
00:19:19I'm not moving from here until I get my job back.
00:19:25I'm already tired of pushing.
00:19:26I'm not a dog that can be abandoned at a gas station when summer comes.
00:19:30I have my rights.
00:19:31Emilio, we're not going to take you back.
00:19:33Stop acting like an Indian.
00:19:34And it couldn't be better said.
00:19:36Dinner is for everyone.
00:19:37You've been left without the tip we were going to give you.
00:19:40And without a letter of recommendation.
00:19:41And it was 20 euros, mind you, we all put it in.
00:19:45Emilio, you can't have a protest camp here.
00:19:47Do you know the image our community is going to give?
00:19:49But that's what it's about.
00:19:50And if you'll excuse me, I'm going inside, I have to decorate my chalet.
00:19:54It is almost the same size as the goal.
00:19:57And open plan, like a loft!
00:20:00Now, with the nice weather you're having, you can pull out a chair here outside the door and it's all very well.
00:20:05But what's he saying? How are they going to stay here?
00:20:07Gregor, get your act together.
00:20:09Do something.
00:20:10I'm sorry, but they're on the street and that's a police matter.
00:20:13And I'm leaving, I have a neighborhood meeting in an assembly hall,
00:20:15and I have to warm up my voice.
00:20:18Mame mi momu.
00:20:20Don't you want to be an administrator?
00:20:22Well, there you have it, effective management.
00:20:24Shut up! Sausage!
00:20:34Imagine my situation, really.
00:20:35I just can't go on like this.
00:20:36I have a boyfriend who pays for everything, everything, everything.
00:20:38Oh yeah.
00:20:39You must be having a bad time.
00:20:40Now I understand Roberto perfectly.
00:20:42Come on, it's really uncomfortable.
00:20:43Yes, yes, yes, a suffering.
00:20:45I don't understand how you haven't gotten into drugs.
00:20:47Belén, I'm telling you seriously, I really am.
00:20:49I can't maintain a relationship like that.
00:20:51Lucia, get your bag and live life.
00:20:53Like a heart-stopper.
00:20:55Okay, it's not Fran Rivera, it's Carlos.
00:20:58But hey, what I don't understand is how, with your resume, they don't call you.
00:21:01Yes, they do call me and offer me things.
00:21:03The thing is, I don't feel like it.
00:21:05Damn, give him my phone number.
00:21:07Damn, what a friend.
00:21:07I don't want to be anyone's employee anymore.
00:21:09I want my own business.
00:21:11And how much have you saved?
00:21:13717 euros.
00:21:14Well, a little less, because I had to buy the anti-cellulite cream.
00:21:17And of course, that is sacred.
00:21:18Yes, yes, that is sacred.
00:21:19I hate that Carlos supports me, I really do.
00:21:21Girls, what do I do?
00:21:24Rent the goal.
00:21:25You open a second-hand store with all the clothes from your Visa Gold era that you no longer wear.
00:21:29In a posh charity flea market kind of way.
00:21:31But charging.
00:21:32You put a sign on the door and see what happens.
00:21:34Well yes.
00:21:35Oh, can I be okay?
00:21:36Hey, if you want, I can give you a hand and give you something.
00:21:39Since Mauri has so many clothes at home, I hardly have any space.
00:21:42And do you have any old clothes like that that I like?
00:21:44I?
00:21:45Yeah.
00:21:45All.
00:21:45But I'm not going to go out naked on the street.
00:21:48Oh, look, the ticket collector.
00:21:50Maybe this is already pretty.
00:21:52My sister and I have never gotten along.
00:21:54But when Manolo left her, I took her home.
00:21:57What could I do, poor thing?
00:21:59I saw what Manolo did coming.
00:22:02Because between us, he was always in love with me.
00:22:06But girl, he never dared.
00:22:07I think I seemed unapproachable.
00:22:10That's been my problem with men.
00:22:12The other day I was reading an interview with Noemi Campbell.
00:22:14And he understood her so well.
00:22:17Come on, Vicenta, let the girl work.
00:22:20Tomorrow I'll tell you about Paloma's accident.
00:22:23Let's see what you think.
00:22:24It's like Kennedy.
00:22:26There are many theories.
00:22:30Forgive her, okay?
00:22:31There comes an age when they don't realize when they're getting annoying.
00:22:36Do you want something?
00:22:38It's just that I disconnect with Camela.
00:22:40Camela?
00:22:41I love Camela.
00:22:42I'm Andrés Guerra, from Deportes Guerra.
00:22:45Countryside, beach and mountains.
00:22:47Whatever you need, huh?
00:22:48A pair of sneakers, a sports bra so that when you bend over you don't...
00:22:53With all confidence, eh?
00:22:55Look, I'll write down my phone number here.
00:22:57Are you pulling my eyebrows?
00:22:58No, no, I don't want to look like the typical desperate older man who chases after the first assistant who passes by his landing.
00:23:07Well, what a shame, because you're looking very good.
00:23:10You've had hair transplants, haven't you?
00:23:11No, no, it's natural.
00:23:13Pull, pull.
00:23:14Andrés, the food.
00:23:21Yes, yes, yes, yes.
00:23:22The elevator grille, huh?
00:23:25Don't leave it there, because a lot of dust accumulates here.
00:23:27As president of our community, I insist that this is a garbage dump, not suitable for commercial purposes.
00:23:39Furthermore, the statutes expressly prohibit...
00:23:41Only in homes.
00:23:43They do not specify anything about this space.
00:23:45Logically, because it is not a habitable area.
00:23:47So what was the doorman doing living here?
00:23:51Gregory, Gregory.
00:23:52Juan, really, why do you always have to be annoying? I just don't get it.
00:23:56If it's for your own good. You'll see what a mess they'll give you when the ladies find out.
00:24:00How do you see it? My armhole is a little tight.
00:24:03Oh, what a shame!
00:24:05How well it suits the bun.
00:24:07Well, this is really annoying to me. I'll take it.
00:24:09And what are you not going to pay with?
00:24:11With your money. And some more silly questions?
00:24:13Perfect. 500 euros.
00:24:15You have the goal for a month.
00:24:17Yes, and another one who has to leave bail.
00:24:21Concha, I'm not giving you a discount.
00:24:22Oh, what do I care!
00:24:24If it's no use to me.
00:24:25How cute I always look now!
00:24:28Ladies, please do not support businesses that have not been approved by the board.
00:24:31We already have enough problems because of that gentleman.
00:24:33Let's see how this top goes for me.
00:24:35I feel pretty bomb.
00:24:36Are you too old for that?
00:24:37What do you mean? And now the good weather is coming, damn it.
00:24:40You have to teach a little.
00:24:41Oh me!
00:24:42I have to go on a diet!
00:24:45Already!
00:24:45Hello my love.
00:24:47How's everything going?
00:24:48Well, very well.
00:24:49Look, I think Marisa is going to be a very good client.
00:24:51Hey, but this is mine.
00:24:55It's just horrible.
00:24:56Honey, huh?
00:24:57We need to start updating the wardrobe a little.
00:24:59Hey, Lucía, I'll keep this skirt because I love it, okay?
00:25:02Sure, yes, yes.
00:25:03Take.
00:25:04Which glass is there?
00:25:07I don't like at all that Bea is helping you with the store.
00:25:10And why not?
00:25:11Well, because she's a lesbian.
00:25:14And technically it's like I have a penis.
00:25:16Carlos, are you jealous of Bea?
00:25:19It's clear that he likes you.
00:25:20Otherwise, what's a veterinarian doing selling clothes?
00:25:23It's still absurd if it were a pet store.
00:25:25Honey, look, if there's one thing I can't stand in a relationship, it's jealousy.
00:25:28Yeah, I know, I know.
00:25:30I have to control myself, but the book, besides...
00:25:32Oh, no, no, please, put that damn book down.
00:25:34Lucia, I'm going to try on this shirt.
00:25:39Oh, beautiful, beautiful!
00:25:41Try it on, you'll see how good it looks on you.
00:25:42Yes, this way.
00:25:44Very pretty.
00:25:44In the background on the right.
00:25:47It's good.
00:25:48You have to sell.
00:25:53Let's see, deep existential doubt.
00:25:56What should I wear for dinner?
00:25:57I like the white one.
00:25:59It gives more light to the face.
00:26:00I said, no, the black one is more elegant.
00:26:02If you don't put a tie on it, it looks very dull.
00:26:05Well, decide soon, because...
00:26:08But what am I doing asking these people for advice?
00:26:10Look at the black one, I almost never wear the white one anymore.
00:26:12Give it to me for Lucia's shop.
00:26:14The Virgin, who...
00:26:16Yes, Fernando, I'm coming. I got a bit confused.
00:26:20Okay, but where do we stand?
00:26:22You haven't told me anything?
00:26:23Well, I sent you a message at 10 on the escalini.
00:26:25Well, it hasn't arrived yet.
00:26:27It's that I have a new cell phone and there's no way.
00:26:29Well, whatever.
00:26:30Heard kitchen, see you there.
00:26:31Come on.
00:26:33Well, I sent the message to someone.
00:26:34Well, it brings what you see here, in sent elements.
00:26:38Let's see.
00:26:38Oh, calm down.
00:26:41You have sent it to Diego.
00:26:43What are you saying?
00:26:43Look how nice, this is how they know each other.
00:26:45Damn, with technology, I could have sent it to my mother.
00:26:48Of course, he sent me one and I'll write about it...
00:26:51Well, call Diego and tell him it was a mistake.
00:26:53Oh no, poor thing, I feel so sorry for him.
00:26:55Besides, it has to be there already.
00:26:56Well, call Fernando and tell him you'll meet another day.
00:26:58I really want to see him.
00:27:00Well, I'll see how I manage.
00:27:02Goodbye, Ezequiel, my life.
00:27:03I'm going to dinner.
00:27:06Hey, this kid, he doesn't say dad, he's taking too long.
00:27:08Mauri, he is five months old.
00:27:10Well, Moza, at your age I already played the piano.
00:27:12Mauri.
00:27:13That?
00:27:13Be careful, you know what happens when two people you really like meet.
00:27:17That?
00:27:19Oh, what I'm telling you, son.
00:27:22That dad loves to complicate his life.
00:27:23Carlos, man, what are you doing?
00:27:29Well, Bea is helping him with the store and I can't get it out of my head.
00:27:32Ah, why?
00:27:33But why?
00:27:34Because Lucia likes it.
00:27:37And I imagine them both putting together clothes.
00:27:39And suddenly a small touch on the clothes carries a caress.
00:27:42And a caress, a silly kiss.
00:27:44And a silly kiss...
00:27:45Ah!
00:27:46Oh, go on, go on, go on, yes.
00:27:48But Paco, for God's sake.
00:27:49Oh, man, you always leave me hanging.
00:27:51Carlos, I need change.
00:27:52Oh, and we have to talk about this.
00:27:54Look, I'm here as a worker directing movies.
00:27:56And she is the intern.
00:27:57Behind the counter, like a queen.
00:27:59Yes, but in three hours we have doubled the number of members.
00:28:02Sure, anyone.
00:28:02I can do that neckline too.
00:28:04Well, hey, you dressed up as Priscilla, Queen of the Desert, that day, maybe it wouldn't be bad.
00:28:09I'll think about it.
00:28:10Look.
00:28:11How sweet, how sweet, how sweet.
00:28:12We have sold a lot of clothes.
00:28:14Business is booming.
00:28:16I'm so glad, because we're doing great here too, yes.
00:28:19Hello, Lucia.
00:28:20Hello.
00:28:21And what does Natalia do behind the counter?
00:28:24It started today, it's giving the business a new focus.
00:28:26Ah, if you don't have a clue about cinema.
00:28:29Please, there's no need.
00:28:33But, but if she makes you jealous, I'll fire her immediately.
00:28:37Carlos, I mean, I'm jealous of that little brat.
00:28:41Come on.
00:28:42Okay, okay, okay.
00:28:45I'll kill her, okay? I'll kill this woman, really. I'll just grab her by the hair and drag her out of the video store.
00:28:49But what happened?
00:28:50Well, suddenly Carlos likes her and starts working at the video store.
00:28:53Oh, so I got her before me.
00:28:55What was that?
00:28:56I mean, the guy I start dating, the guy who starts liking me, really.
00:28:59If he did the same thing to Roberto, you couldn't be more childish.
00:29:02What's wrong with this girl?
00:29:03Hey, maybe it's a genetic thing, it comes from his mother.
00:29:06The slopes and you have incompatible phenomena or something.
00:29:08Anyway, relax, okay? Natalia's no match for you.
00:29:11I don't know, huh? Those tits solved a lot of problems for me.
00:29:15Look how quickly he finds a job.
00:29:17Carlos is with you, he doesn't believe it.
00:29:19And he's not going to fool around with a kid who's fine, because she's fine,
00:29:22but that has nothing to do with your... your... everything.
00:29:25So why does the video store take it?
00:29:27When men achieve something, they stop giving it value.
00:29:29I'm sure he doesn't see you as so wonderful now.
00:29:32Man, we haven't even been dating for a month.
00:29:34Lucia, that men are unfaithful.
00:29:35If she wants to get him, she's going to get him.
00:29:37Give it up for lost.
00:29:38Hey, are you always so optimistic?
00:29:41It's that I'm on a diet.
00:29:42Well, if Natalia wants war, she's going to have war.
00:29:44She has a boyfriend too, right?
00:29:46Are you going to hit on Pablo?
00:29:47No, no, no, no, let him realize that where they give, they take.
00:29:51Oh, and that's not childish.
00:29:52No, it's self-defense.
00:29:58Hello good evening.
00:29:59I had one reservation under the name Mauricio Hidalgo, but there will be two.
00:30:02Yes, two people.
00:30:03No, two reservations.
00:30:04Has a tall, dark, handsome boy arrived?
00:30:06Ah, yes.
00:30:07Bauri?
00:30:09Well, there are also going to be two.
00:30:10One at each table, okay?
00:30:12How are you?
00:30:13Good, good.
00:30:15Hey, but this table is like right by the door, right?
00:30:17No, you don't have a more intimate one in the back, where no one can see us.
00:30:21It's just that we're gay and we immediately feel watched.
00:30:24I think there's one in the background.
00:30:25Wait, I'll see.
00:30:27No, leave it.
00:30:28We'll see.
00:30:30That's more romantic, isn't it?
00:30:31Yeah.
00:30:34Yeah.
00:30:35I'm here.
00:30:35Where are you?
00:30:36Hang on a minute.
00:30:38Hey, go sit down, I'm talking to the newsroom and I don't have good coverage here.
00:30:41Get him a beer or something.
00:30:47Hey, hey, hey!
00:30:47What were you here for?
00:30:49How are you?
00:30:50Very good.
00:30:51Oops!
00:30:51Look at that nice table.
00:30:53But I wasn't really at the door.
00:30:54No, it's perfect.
00:30:59We have the right to have a roof over our heads.
00:31:02We have the right to have a roof over our heads.
00:31:06Dad, pass me the pot, I'm going to heat the fabada.
00:31:09It's that if we pause the message gets diluted.
00:31:12Emilio, is this your concept of a romantic scene?
00:31:13Well, we're outdoors, under a blanket of stars, with music in the background, thanks to a little bit of yours.
00:31:19Shut up already!
00:31:20That the pill won't work for me.
00:31:22And you can't hear the TV!
00:31:24But hey, this is something from a schoolyard.
00:31:26They're not going to pay any attention to you.
00:31:27Watch out, we've called the TV people.
00:31:29If this is going to be heard.
00:31:30The thing is, it's allied with the New Pope thing.
00:31:32But hey, they will come, they will come.
00:31:34Things are done differently.
00:31:35So you know the only thing you're going to get.
00:31:41I shit on everything shittable.
00:31:43What a bad day to claim, eh!
00:31:46How the weather has changed!
00:31:47Madam, may I know what this is about?
00:31:49Nieves, please, let's not turn this into a war of the balconies.
00:31:51They've fallen for it, son.
00:31:54This works.
00:31:54Now is when you have to put pressure.
00:31:57You take the pan.
00:31:59But hit it from below, or the Teflon will be scratched.
00:32:01No, I'm going home, I'm not 15 years old.
00:32:03I've been fired, that's why I'm making noise.
00:32:08I've been fired, that's why I'm making noise.
00:32:11I'm going to heat some oil.
00:32:12Oh, careful.
00:32:13Hang on a minute.
00:32:14Let me go talk to them.
00:32:16I've been fired, that's why I'm making noise.
00:32:19Well, I'm going to heat some oil too.
00:32:20I've been fired, that's why I'm making noise.
00:32:23I've been fired, that's why I'm making noise.
00:32:26I've been fired.
00:32:26Wait, be quiet for a moment.
00:32:28Look, they're coming to return the goal to us.
00:32:29No, no, no, that's not it.
00:32:31I wanted to talk to you.
00:32:32Hit it harder, I've been fired.
00:32:34If you want to listen, man.
00:32:35Things are running high up there.
00:32:37Couldn't you continue this in the morning?
00:32:39It's just that if we get upset it's not funny.
00:32:41But I agree with you, but I am tied hand and foot.
00:32:44I would like to help you, but I need a gesture of goodwill from you.
00:32:47Otherwise, I cannot guarantee your safety.
00:32:50And if we keep quiet, what do you do?
00:32:51Well, let you sleep in the attic.
00:32:53Let's all rest a little and tomorrow we'll calmly resume our conversations without tension.
00:32:58So, I'll try to convince the neighbors to resend you.
00:33:02You can't put that in writing.
00:33:03Trust me, man.
00:33:05Of course, don't let anyone know that you're up there, you're just trying to get me into trouble.
00:33:09Thank you, Mr. Juan.
00:33:10I knew you weren't going to leave me stranded.
00:33:12No, these are the keys to the attic.
00:33:17Dad, you were right.
00:33:18In this life, to get some attention, you have to grind your teeth a little.
00:33:22But we left the bar here, just in case.
00:33:25Come on, let's go.
00:33:29Hey, well they've shut up.
00:33:31How did you do it?
00:33:32With spirit and firmness.
00:33:33I've made it very clear to them that with that attitude they weren't going anywhere.
00:33:36You can now sleep in peace.
00:33:37No, in the end the cost is going to be worth something.
00:33:40But of course you can, if you don't value what you have.
00:33:42He stole money.
00:33:43And I will never forget that.
00:33:45Poor thing, he was unemployed.
00:33:48An idle mind is the devil's playground.
00:33:51Juan, keep going like this.
00:33:52Maybe you'll get a second chance.
00:33:54I'm glad you're overcoming your prejudices towards me.
00:33:56You can't crucify a person for a small mistake.
00:33:59We have to talk things over.
00:34:00The Greek Sophists already demonstrated in their time that dialogue is the fundamental weapon for getting the people to...
00:34:06Let's go inside because this one is going to take off.
00:34:08What are you talking about?
00:34:09Well, I don't know of any Greek sophists.
00:34:12Honey, do you see how you can regain people's trust?
00:34:14Clinton received untimely fellatio and the people understood.
00:34:18Well, there is only one step from trust to lynching.
00:34:21If I were you, I wouldn't rule out selling the apartment.
00:34:25I would have it there, like in the air.
00:34:29Do you know when I realized how much I loved you?
00:34:32No.
00:34:34Since the other day.
00:34:35When you told me about your relationship with Lucía's brother.
00:34:37That guy...
00:34:39Diego.
00:34:40Diego.
00:34:41Diego.
00:34:42Ah, yes.
00:34:45Diego.
00:34:45He would have been killed while he was telling me.
00:34:47Yeah.
00:34:48And look, I don't know him at all, right?
00:34:50If not...
00:34:50No, you don't know him.
00:34:52Yeah?
00:34:53Mauri.
00:34:53May I know where you are?
00:34:55I'm going for three beers.
00:34:55I'm starting to think the waitress is pretty.
00:34:58Already.
00:34:59Okay.
00:35:00Yeah.
00:35:01All good?
00:35:01Yeah.
00:35:02Well, average.
00:35:03Something I ate up until midday didn't agree with me, and I had to go to the bathroom for a second.
00:35:06Do you need anything?
00:35:07Yes, a bathroom.
00:35:08What stress, my God.
00:35:10This is unbearable.
00:35:11I'm here now.
00:35:14Hey, out of curiosity, what does already, okay, yeah mean?
00:35:18He's on the other line, Diego.
00:35:20I have to go to the newsroom urgently.
00:35:22A columnist has gone crazy and left them in their underwear for tomorrow's edition.
00:35:26I'm really sorry.
00:35:27Okay, fine.
00:35:28Don't worry.
00:35:29You go ahead, I'll go to the bathroom.
00:35:31I'll pay and that's it.
00:35:33Okay, see you tomorrow.
00:35:34Go on.
00:35:34Hey, I had a great time.
00:35:36Good things come in short.
00:35:37That?
00:35:37Diego.
00:35:45Fernando.
00:35:46What the fuck, man, it's been a long time.
00:35:49You see, since first year of law.
00:35:51Yes, yes, of course, you left it in second.
00:35:52Yes, yes, yes.
00:35:53Maury.
00:35:54Maury, come.
00:35:55Come, come, come.
00:35:56I?
00:35:57Come.
00:35:58Oh, you know him?
00:35:59Yes, yes, yes, of course.
00:36:00Go on.
00:36:00Well, what are you doing here?
00:36:02Are you having dinner with your girlfriend?
00:36:03No, no, I came to have dinner with him.
00:36:04Oh, me too.
00:36:11This is the famous Diego.
00:36:12This is the famous Fernando.
00:36:15The accounts, please.
00:36:17Ray, how do you know each other?
00:36:19Chance?
00:36:23Well yes.
00:36:26Andrés, what are you doing in the bathroom?
00:36:28You've been here for half an hour.
00:36:29I'm brushing my teeth.
00:36:31Come, I'm waiting to talk to you.
00:36:35What's happening?
00:36:36Have you touched yourself?
00:36:38That?
00:36:39You were touching yourself thinking about the assistant, weren't you?
00:36:42But you can tell me.
00:36:43If I don't get angry.
00:36:44No, I was flossing.
00:36:46Andrés, I've had brothers and I know what this is about.
00:36:49But of course, it's my fault.
00:36:51Because I don't give you what you want.
00:36:52But I'm not an easy girl.
00:36:54I'm not one of those who gives up first.
00:36:56No, it's not that you don't give in at the first try, Nieves.
00:36:59You are already in lost and found.
00:37:01For God's sake, you're 48.
00:37:04What are you waiting for?
00:37:05What if a dove appears from the sky?
00:37:07Well, if necessary, take me right here.
00:37:10I close my eyes and abandon myself.
00:37:12But how do you want us to do it like this?
00:37:14I want to make love, not an autopsy.
00:37:17Well, if you think the assistant is going to do it better than me,
00:37:19go with her.
00:37:20And here goes the assistant, I was just trying to be nice.
00:37:23Come on, man, get on the couch right now.
00:37:25Well, you see what a problem.
00:37:27And don't move my cushions.
00:37:30What's happening?
00:37:31Your father, who touches himself thinking about the assistant.
00:37:34Damn, that's a strong thing about war.
00:37:37Marisa, you go to sleep.
00:37:39Dad, cut it out, we're in his house.
00:37:42If I was brushing my teeth.
00:37:43Pick it up, they're calling you!
00:37:58No, it's the alarm clock.
00:38:02Come on up, we're leaving.
00:38:04Damn, getting up at six thirty in the morning to do nothing.
00:38:08It's just completely stupid.
00:38:10Doña Concha has been in the spotlight since seven o'clock and we have to leave earlier.
00:38:13And my cheers and my carajello, if not, I'm not a person.
00:38:16And now we prepare breakfast at the camping gas.
00:38:18And no cheers, I have your kiwis in my backpack.
00:38:22And why do I want to go to the bathroom if we don't have one?
00:38:29And the store?
00:38:30Oh my God, they've left us with nothing.
00:38:33What a neighborhood, they don't even respect revolutionaries.
00:38:36But who's going to steal a three-pan booze from us?
00:38:38That's gratuitous evil.
00:38:42Oh, come on, I have to close.
00:38:43There's a taxi stand around the corner.
00:38:45I want to sing another one.
00:38:47He was going to sweep us away with Operation Triumph.
00:38:50But they throw me away because I'm ugly.
00:38:52Come on, yes, Bisbal!
00:38:54Come on, come on!
00:38:55Paquito, our things have been stolen.
00:38:58Have you seen anything?
00:38:58What things?
00:38:59Well, the Camp of Hope that we had set up here.
00:39:01Oh, don't worry, last night he saw Juan picking everything up.
00:39:04Well, I'm not going to sleep, I have a video store in three hours.
00:39:07See you tomorrow.
00:39:08Is that right, you bastard?
00:39:09But where is it going?
00:39:10It was Cuesta, you don't understand.
00:39:12If you're helping us, you'll have collected everything so the garbage truck doesn't take it away.
00:39:16Yeah?
00:39:17You sold them out, Judas!
00:39:18Hey, excuse me, Mr. Juan, but you get really stupid when you're fasting.
00:39:23Please give us back our things.
00:39:25No, I'm sorry, Emilio, but I can't do that.
00:39:27That?
00:39:27I told you!
00:39:29Come down here if you have balls!
00:39:30Emilio, if I did it for you, it's part of the plan.
00:39:33As soon as he has the trust of the neighbors and takes back the reins of the community,
00:39:36The first thing I do is readmit you.
00:39:38In politics it is known as the boomerang effect.
00:39:40The further you throw, the faster you come back.
00:39:42Yeah, and in the meantime, how are we supposed to live?
00:39:45Well, can you turn to the usual charities?
00:39:49No, no, no, no.
00:39:49I've already done the convent route and the nuns have captured my face.
00:39:53They won't let me repeat.
00:39:55Trust me.
00:39:56I promise I won't leave you stranded.
00:39:58No, we're already stranded.
00:40:01Hey, I'm saying that as long as this boomerang effect works,
00:40:04we could call mom.
00:40:05What's the time, Nige, to tell a joke?
00:40:08Well, you tell me what we'll do.
00:40:10because my resume fits in a posi.
00:40:12The good thing about hitting rock bottom is that we can only go up.
00:40:15We'll be good for something, I say.
00:40:19Do you see it?
00:40:23Damn, one for each of us.
00:40:28Pretty Ana, that landing isn't very clean.
00:40:30Hey?
00:40:31The landing, give it another wipe, you're not wringing the mop out properly.
00:40:35Madam, the landing is destroyed.
00:40:37No.
00:40:38Look, take a look.
00:40:39Come closer.
00:40:45Oops!
00:40:47Careful, girl, you're going to fall.
00:40:50Caro, do you wear heels for everything?
00:40:52Come on, man, but I'll bring the bread,
00:40:54you just have to put what's inside,
00:40:56some bark, some jelly beans...
00:40:57No, Carlos tells everything and then my hair falls out.
00:41:00Paquito, I'm homeless now.
00:41:01and at my age no one is going to sponsor me anymore.
00:41:04Emilio.
00:41:05I just solved your life.
00:41:07I have spoken to my lawyer.
00:41:08He told me that you can ask them for compensation.
00:41:10for all the years you've been working here without a contract.
00:41:12No, Carmen, I don't want any trouble.
00:41:13I don't even know what I'm going to put in Sangüey.
00:41:15Honey, we're a couple, let me help you.
00:41:17The lawyer says you've got it made,
00:41:18that you can get up to 60,000 euros from them.
00:41:21A million pesetas?
00:41:23But that's a lot of money, let's crack him up.
00:41:25Emilio, 60,000 euros is 10 million.
00:41:28Ah!
00:41:29Boy, what joy the euro brings all of a sudden.
00:41:32Come on, let's talk to my lawyer.
00:41:33Wait, wait.
00:41:36What the fuck?
00:41:38And what am I going to do with so much money?
00:41:40Should I invest in real estate or is the real estate bubble going to burst?
00:41:42Well, wait, don't get excited, they haven't given you anything.
00:41:44But this is already won, isn't it?
00:41:46Yeah.
00:41:50Thank you very much, ma'am, may God reward you.
00:41:52Hey, isn't that your father?
00:41:54Dad, what are you doing?
00:41:55Come on, get up from there, you're going to catch a cold.
00:41:57Son, this is the deal of the century.
00:41:59It took me an hour and a half, 45 euros.
00:42:02And what is this?
00:42:02My son needs a kidney.
00:42:04Because you have to kick the dictionary,
00:42:06If not, you're not pathetic.
00:42:08Hey, why don't you stay at the traffic light?
00:42:11And we covered more ground.
00:42:12But if it is no longer necessary, if I have reported the community
00:42:14and they're going to pay us a fortune.
00:42:16Another sucker who believes in the system.
00:42:19Where have I failed as a father?
00:42:20Come on, get up from there.
00:42:24Hey, there's the finger, it looks like it's mine.
00:42:26Now I give it to you, now I give it to you.
00:42:27You see? I like this one too.
00:42:29But like... like I don't fill it.
00:42:31Damn, I don't even have a chest anymore.
00:42:33They look like two socks turned inside out.
00:42:35Yes, Marisa, very well, whatever you want.
00:42:37But decide now because, daughter,
00:42:38you're trying on the whole store.
00:42:39Yes, I like everything.
00:42:40Oh, this with a little skirt, I'm going to burst, vengeful.
00:42:49Hello, Pablo.
00:42:50Hello.
00:42:51How are you?
00:42:52Why don't you come in and try something on?
00:42:54Thank you so much.
00:42:55The thing is, I'm not really into the suit thing.
00:42:57T-shirts suit me better.
00:42:58Yeah, well, but you with that great body
00:43:00you feel good about anything.
00:43:02Of course a suit would still suit me.
00:43:04You never know when you're going to have a baptism.
00:43:05Come in.
00:43:06And try this one.
00:43:10Hey?
00:43:10Do you like it?
00:43:11In the background on the right.
00:43:13If you have any questions, need anything,
00:43:15that the suit grabs you from behind,
00:43:16whatever, call me and I'll go.
00:43:17Okay, okay, okay.
00:43:19Then go out, let me see you put it on.
00:43:22I specialize in dressing handsome boys.
00:43:27Damn, Marisa, for God's sake.
00:43:29Look, since you're here,
00:43:30How do you see it?
00:43:31I have breast surgery.
00:43:34Lucia, our assistant fell down the stairs.
00:43:37Grego summoned together with Urgente.
00:43:40Hey, have you seen Marisa?
00:43:41Yes, yes, yes, yes.
00:43:42She's here in the bathroom trying on clothes with Pablo.
00:43:44Come on, ma'am, cover up, please.
00:43:46Boy, don't make that face,
00:43:48You're the first one to see me in ten years.
00:43:51Marisa.
00:43:52Of course, Maure, who would think of that?
00:43:53have dinner with both of them at the same time?
00:43:54Normally, they end in disaster.
00:43:56But how could I have imagined that they knew each other?
00:43:58Well, they coincided one year at the faculty.
00:44:00Come on, there are no races.
00:44:01And what excuse did you give them?
00:44:03Nothing, I got confused with the new phone.
00:44:05and I quoted them at the same time without meaning to
00:44:07and then I was too embarrassed to cancel it.
00:44:08I lie very well, don't you see that I am a journalist?
00:44:10And they didn't want to kill you?
00:44:11Well no, the truth is no.
00:44:13They were so busy telling each other stories
00:44:15that they didn't pay much attention to me.
00:44:16It's like they suddenly mutated into college kids.
00:44:20Oh, you're holding me back.
00:44:21It's that yesterday when I got home
00:44:22I sent him a message to come.
00:44:24I want to talk things over calmly.
00:44:25You're right.
00:44:26In life you have to take risks,
00:44:27you can't be playing both sides.
00:44:29Well yes.
00:44:31What's up, man?
00:44:33I called Diego to come.
00:44:34You don't care, do you?
00:44:35Then we're going to play a little basketball game,
00:44:38Yes, to remember old times.
00:44:40What? Are you in?
00:44:41Sure, I'm in.
00:44:42Who would have told me?
00:44:43that we were going to meet again
00:44:44after so long, huh?
00:44:45Thanks to Mauri.
00:44:46The last time we saw each other
00:44:47It was at that party
00:44:48of the redhead that she...
00:44:50Oh, Maite!
00:44:51Oh, what an ass he had, huh!
00:44:53Well, do you want something to drink?
00:44:54An isotonic drink
00:44:55that gives energy, I don't know...
00:44:56Bea, help me.
00:44:58Go on.
00:44:58Ah!
00:45:02Dude, I had no idea.
00:45:03that you were gay.
00:45:04Nor would I believe you were one.
00:45:07Someone told me you got married.
00:45:08You see, life is all about twists and turns.
00:45:11Then I met this piece
00:45:12and look, all the shit.
00:45:13You see? They're like they're undergoing a mutation.
00:45:15Yes, yes, heterosexual festival.
00:45:17Mauri, tonight we could go out the three of us.
00:45:19to have a drink, right?
00:45:20Ah, fucking great, a few drinks.
00:45:24Yes, yes, be careful, these two get into a relationship.
00:45:26But why?
00:45:26If everything was wonderful.
00:45:27Serves you right, bad people.
00:45:30What the fuck?
00:45:39I suppose you will have included it in the agenda
00:45:41the very serious matter of the graffiti on my door.
00:45:44Let's take it one step at a time, okay?
00:45:46The new assistant presents
00:45:47the following clinical picture.
00:45:49Scaphoid fracture in right wrist,
00:45:51fissure of the third vertebra
00:45:52and anterior cruciate ligament sprain
00:45:54of the left knee.
00:45:55Oops!
00:45:56Ronaldo caught that at Inter
00:45:58and since then he has not raised his head.
00:46:00The bad girl pushed her.
00:46:01Attempted homicide.
00:46:03Sorry, you slipped on Vicenta's vinegar.
00:46:06which formed a slippery film.
00:46:08It's true.
00:46:09This morning I skidded out of my house.
00:46:11My vinegar does not slip,
00:46:12moisturizes the wood
00:46:13and increases good cholesterol.
00:46:16If there is no good cholesterol,
00:46:17It's that you believe everything.
00:46:18The fact is that he will be on leave
00:46:20between one and two months.
00:46:22So, we'll have to go back.
00:46:22to the cleaning shift system.
00:46:24No, not at all.
00:46:26I'm never picking up a mop again.
00:46:27But hey, why don't we hire someone else?
00:46:29Look at the kept woman.
00:46:31Since it doesn't cost her the money.
00:46:33Oh, come on, I live off my business.
00:46:35Yes, they have set up the Barbie store
00:46:37to keep him entertained.
00:46:40Well at least my boyfriend
00:46:41he's not chasing maid's asses on the stairs.
00:46:44The posh girl tunes into radiopatio
00:46:46and is not subscribed.
00:46:47The signal is breaking down on us.
00:46:49Please, let's avoid making fools of ourselves.
00:46:51that now everything is recorded.
00:46:53As for the subject of my door,
00:46:54Who's doing it for me?
00:46:56Next item of business.
00:46:58Emilio Delgado has filed
00:46:59a lawsuit against the community
00:47:00for having had him for seven and a half years
00:47:02without contract.
00:47:04He is seeking compensation of 60,000 euros.
00:47:07That?
00:47:08But hey, how come he doesn't tell us that before?
00:47:11That is a very clear first point of the day.
00:47:13This gentleman does not know the procedure.
00:47:15I have it in alphabetical order.
00:47:17A for assistant,
00:47:18P for goalkeeper.
00:47:20P for bitch.
00:47:21But really Emilio
00:47:21were you going to take that money from us?
00:47:23And how did you come up with the idea of suing us?
00:47:25and I didn't even know what the CPI was?
00:47:26It's our fault
00:47:27for letting him out
00:47:28with that smart girl.
00:47:30We should have dynamited
00:47:31that relationship from the beginning.
00:47:32Oh, but between now and the trial.
00:47:34we don't even see it.
00:47:36You see it, I bet.
00:47:38Tomorrow is the preview
00:47:39and I of you
00:47:40I would try to reach an agreement with him.
00:47:42An agreement?
00:47:43I don't plan on paying a penny.
00:47:45That gentleman only needs to find
00:47:46a single neighbor
00:47:48to declare that he has been working here
00:47:50since 1996
00:47:51without a contract to win the trial.
00:47:54So it's clear.
00:47:55Law of silence.
00:47:56Here not even God opens his mouth.
00:47:58And now as for the subject of my door
00:47:59I would like to express my most energy.
00:48:02Hey, listen to me, this is a very serious matter.
00:48:04And you say something.
00:48:06It has not been weighed,
00:48:06but if that graffiti
00:48:07anyone could have done it.
00:48:09Who knows.
00:48:09This neighborhood is full of hooligans.
00:48:11Your son, for example.
00:48:13Listen, I'll bring you here.
00:48:14a calligraphy expert
00:48:15and I'm going for the penalty
00:48:16if necessary.
00:48:16Juan, Juan, Juan, please,
00:48:18that is not necessary.
00:48:19So that's all for what's left for us.
00:48:20of being in the convent.
00:48:21Maquito,
00:48:23give me a beer.
00:48:24That Pedis does not see
00:48:25which dehydrates.
00:48:26Yes,
00:48:27that Lucía has flirted with me,
00:48:28I tell you that he likes me.
00:48:29Allah, Allah,
00:48:29Pablito, don't freak out.
00:48:30Look at him, how nerdy he is!
00:48:31if he has bought a suit and everything.
00:48:33Hey, I'm serious,
00:48:34If for a moment I thought
00:48:34who was messing with me
00:48:35in the bathroom.
00:48:36I do believe it, huh?
00:48:37The cock is out of control.
00:48:39That is, a year of abstinence
00:48:40and you want to go through the stone
00:48:41to the entire community.
00:48:42Damn, and I'm not growing at all.
00:48:44What I do?
00:48:45I've always liked Lucia.
00:48:46Dude, Lucía is a lot of Lucía.
00:48:47and you are making a qualitative leap.
00:48:50Let's get to it, kid.
00:48:51that you are 19 years old,
00:48:52than me at your age
00:48:53I even liked the weatherman.
00:48:55Then you get married
00:48:56and the brain takes a back seat.
00:48:58It's already in bad taste.
00:48:59Pablo,
00:49:00These opportunities
00:49:00They only happen once in a lifetime.
00:49:01Yes, but it's wrong.
00:49:03I'm dating Natalia,
00:49:04I don't want to cheat on him.
00:49:05Also, Lucia,
00:49:06you're dating Carlos.
00:49:08It doesn't matter.
00:49:09Also, screw the bosses, you know?
00:49:12I'm going to continue with the business.
00:49:13Natalia.
00:49:16That?
00:49:17We're done.
00:49:20There, there, contact.
00:49:22But nothing is going to happen to you.
00:49:24You just have to go to the sight
00:49:25and tell the gentleman
00:49:26of the toa and the wig
00:49:27that I've been working here
00:49:28nine years.
00:49:29But what wig?
00:49:30If that's in England.
00:49:31Well, the one with the hammer,
00:49:32you already understand me.
00:49:33Well, I testify,
00:49:34but when you got here
00:49:36I was three years old.
00:49:37I don't know if I'm going to remember everything.
00:49:38But you weren't super gifted.
00:49:39Damn, just improvise a little.
00:49:41Okay, fine, I'll work on it.
00:49:42Besides, man, I don't want you to go.
00:49:44What they are doing to you
00:49:45it's a pain.
00:49:46Well, send it to your room.
00:49:47What's happening?
00:49:47If we are talking.
00:49:48To your room, I said.
00:49:49Okay, but take it easy, okay?
00:49:51Emilio, my son
00:49:52he is not going to testify to anything.
00:49:53First, because he is a minor.
00:49:54and second, because I don't feel like it.
00:49:56Oh no?
00:49:56Well this is an obstruction
00:49:57to justice
00:49:58that I saw in Alimabí.
00:49:59But how does it occur to you?
00:50:00report the community?
00:50:01What did I tell you?
00:50:02That you would trust me
00:50:03now that he was winning me over
00:50:04to the neighbors.
00:50:04Well, what you told me,
00:50:06the boomerang effect.
00:50:07You throw me out on the street
00:50:08and I come back with a demand.
00:50:09Emilio, that's not the way.
00:50:11No neighbor is going to support you in this.
00:50:12We'll see.
00:50:13You, just in case,
00:50:14start preparing a levy.
00:50:15If I'm on your side, Emilio,
00:50:21but if I testify in your favor,
00:50:23you leave with your millions
00:50:24and I have to stay
00:50:25to live here.
00:50:26Understand it,
00:50:26I have a small child
00:50:27the one I would like to see
00:50:28make your first communion,
00:50:29at least.
00:50:30But if these people threaten a lot,
00:50:31but it's all lip service.
00:50:32Also, we have to help each other
00:50:33among favored minorities.
00:50:36I'm sorry, Emilio.
00:50:37Wait.
00:50:39Let me see if I understand you.
00:50:41Do you want us to help you?
00:50:42to win the trial
00:50:43for you to take
00:50:44compensation
00:50:44that we are going to pay later?
00:50:47Man, that sounds bad,
00:50:49but the important thing
00:50:49is that the truth comes out
00:50:50and that's how you win in heaven,
00:50:52which is your next stop.
00:50:53It's that the truth
00:50:54It is very relative,
00:50:55especially when it costs money.
00:50:57Besides,
00:50:57we are already very old
00:50:59and it goes to our heads.
00:51:02Who are you?
00:51:03As?
00:51:05But,
00:51:06one moment.
00:51:09Oh, Emilio,
00:51:10let's not fool ourselves.
00:51:11My father is very close
00:51:12of the 50s
00:51:12and it is an age of risk.
00:51:14You may have problems
00:51:14cardiovascular,
00:51:15of renal prostate,
00:51:16sciatica,
00:51:17uric acid,
00:51:18congestive hemorrhoids,
00:51:19hair in the ears.
00:51:21If it's my fault
00:51:21a spill falls on him,
00:51:22he might as well go to the hole.
00:51:25Natalia,
00:51:26don't talk to the unionist
00:51:27that corrupts you.
00:51:28Come on.
00:51:37Paquito,
00:51:37please,
00:51:38for our friendship,
00:51:38I ask you.
00:51:39No, Emilio,
00:51:40that if I help you,
00:51:40Carlos says goodbye to me,
00:51:41Joe,
00:51:41look,
00:51:42I,
00:51:42If that last hour happens to you,
00:51:43I can keep peeling you off.
00:51:49Nativity scene,
00:51:49It was my last hope,
00:51:51if I'm not going to end up underneath
00:51:51of a bridge
00:51:52or above,
00:51:53but to throw myself.
00:51:54Ah,
00:51:54now yes,
00:51:55You miss me,
00:51:56No?
00:51:56But don't be spiteful,
00:51:57do it for the good times
00:51:58that we have been through.
00:51:59But what good times?
00:52:00The orgasms you have had
00:52:01that big,
00:52:02but if it has improved you
00:52:03skin and circulation
00:52:04and all.
00:52:05No, Emilio,
00:52:06no,
00:52:06that I can't help you,
00:52:07what do you want,
00:52:08to be thrown out of the building?
00:52:09Besides,
00:52:10look,
00:52:10you'd better go.
00:52:11But,
00:52:11what are you saying?
00:52:12But you're crazy
00:52:12for my bone,
00:52:13if you bring a photo of me
00:52:14in the wallet.
00:52:15And what do you take for?
00:52:16my wallet?
00:52:16Well,
00:52:17but is it true
00:52:17or is it not true?
00:52:18Well,
00:52:19Yeah,
00:52:19what's happening?
00:52:19I still like you a little.
00:52:21That's why I want
00:52:21that you disappear from my life.
00:52:23But don't you realize?
00:52:24that you have a contradiction
00:52:25with yourself?
00:52:25If you like it,
00:52:26you have to help me.
00:52:27No,
00:52:28that I want to forget about you.
00:52:29I want a man
00:52:30that makes my life easy,
00:52:31high,
00:52:31handsome and with a future.
00:52:32Those are gays,
00:52:33all.
00:52:34Look,
00:52:34I'm willing to do anything.
00:52:35If you want that,
00:52:36Well, I sacrifice myself
00:52:37with foreplay and nibbles.
00:52:39No, Emilio,
00:52:40no,
00:52:40that you flirt with me.
00:52:41But Bethlehem,
00:52:42If I leave your life,
00:52:43what do you have left?
00:52:49Hey, Emilio.
00:52:53What do you want?
00:52:56Look,
00:52:56I'll get to the point.
00:52:57I declare your favor
00:52:58if I get a piece.
00:53:00What are you saying?
00:53:00Do not take chinchón on an empty stomach,
00:53:01eat a muffin first.
00:53:03You need a witness
00:53:04and I want to return to Benidorm
00:53:05to die there
00:53:06like Libby in Las Vegas.
00:53:08Germans,
00:53:09chinchón,
00:53:09rock and roll.
00:53:10Let's go halfway
00:53:11with the compensation
00:53:1250-50.
00:53:13Ah,
00:53:14Yeah,
00:53:14clear,
00:53:1460-30.
00:53:15Well,
00:53:16if you can manage with that...
00:53:17No,
00:53:17No,
00:53:1760% for me
00:53:19and 30% for you.
00:53:20Clear,
00:53:20And the 10% for retention?
00:53:22of the Treasury?
00:53:22No,
00:53:23let's see,
00:53:23let's see
00:53:23why are we messing around.
00:53:24Let's go halves
00:53:25and then we'll see
00:53:26how we distribute them.
00:53:27What I say
00:53:28and let's not waste time
00:53:29that I don't have enough of.
00:53:32Yeah!
00:53:34Oh,
00:53:34My God,
00:53:34keep her alive for me until tomorrow.
00:53:36Alive and sober.
00:53:41Hey,
00:53:41can you lie down
00:53:42a little further over there?
00:53:43It's that if they see me together
00:53:44someone from the upper middle class
00:53:45they don't give me anything.
00:53:46Don't worry,
00:53:47that as soon as Emilio comes out
00:53:48we're leaving.
00:53:48Do you want to hear poetry?
00:53:49that I'm going to distribute
00:53:50on the subway?
00:53:51Well man,
00:53:52if I can avoid it.
00:53:54How are you?
00:53:55Have you already found
00:53:55to someone who testifies?
00:53:56Yeah,
00:53:57We already have a witness,
00:53:58but I won't tell you who
00:53:59because we are
00:53:59in Comanche territory.
00:54:00Ah,
00:54:00Okay,
00:54:01So let's go home
00:54:01and you tell me there.
00:54:02Come on,
00:54:03now yes,
00:54:03goes to a single little house
00:54:04that this asking
00:54:05It is very tiring.
00:54:06No,
00:54:06is that for you
00:54:07there is no room,
00:54:07I only have one room.
00:54:08Women,
00:54:09but we are not going to do it either
00:54:09to leave on the street.
00:54:10So we looked for him.
00:54:11a pension,
00:54:11I don't know.
00:54:12Don't worry,
00:54:13son,
00:54:13I don't want to be either
00:54:18that I'm staying here with him.
00:54:20He gives me that sad face
00:54:21like a Calimero chicken
00:54:22that I then have
00:54:23remorse
00:54:24all night.
00:54:24Already,
00:54:25but now
00:54:25the one who feels terrible
00:54:26it's me.
00:54:26No,
00:54:27no,
00:54:27that nothing happens.
00:54:27Come on,
00:54:28See you tomorrow
00:54:28in court.
00:54:29Well,
00:54:30bye.
00:54:32What's more beautiful than this?
00:54:33Give me a hug,
00:54:34Pussy.
00:54:34Take it away,
00:54:35let's see where we sleep now.
00:54:36In a suite that shits you,
00:54:38Tonight's on me.
00:54:39But how much money do you have?
00:54:40have you taken out asking?
00:54:41Look,
00:54:42278.50.
00:54:46This face is business.
00:54:47But how do they have?
00:54:48a witness?
00:54:49Who?
00:54:50Hey,
00:54:50it never fails,
00:54:51there always has to be
00:54:52a transformation.
00:54:53It was the slut.
00:54:54Tomorrow I'll put it on the street.
00:54:56Well,
00:54:56Well, we have to do it
00:54:56selective interrogations
00:54:57until the traitor is found.
00:54:59Me at school
00:54:59I did it with those who copied
00:55:00and half an hour later
00:55:01they were all collapsing on me.
00:55:03Wait for me,
00:55:03that Marisa warns.
00:55:04Yeah,
00:55:05I am Marisa Benito,
00:55:06the same room as always.
00:55:08And I arrive tomorrow.
00:55:10No,
00:55:10I don't set a release date.
00:55:12When my body asks for it.
00:55:15That?
00:55:16How is the German bar?
00:55:18No,
00:55:19Belgians,
00:55:20No,
00:55:20that are very boring.
00:55:22And the uncle tells me
00:55:23to testify in his favor
00:55:24with all the nerve.
00:55:25If what I want
00:55:26is to lose sight of him.
00:55:27Well,
00:55:28if I could have,
00:55:29I would have left here.
00:55:30But let's see where you find it.
00:55:31such a cheap rent
00:55:32like this one in the center.
00:55:33Nativity scene,
00:55:33you've been here for three-quarters of an hour
00:55:34talking about Emilio.
00:55:35Won't it be?
00:55:35that you sit at the bottom
00:55:36a little guilty?
00:55:37Who?
00:55:38I?
00:55:38About what?
00:55:39Besides,
00:55:40it will be good for you
00:55:40get out of here,
00:55:41travel,
00:55:42know other portals,
00:55:43other cultures.
00:55:45If I'm doing you a favor.
00:55:46Nativity scene,
00:55:47if you have made a mistake,
00:55:48rectify,
00:55:48swallow your pride,
00:55:49rectify,
00:55:50you hold on.
00:55:51Well,
00:55:51you are a woman,
00:55:51you can also throw in
00:55:52blame it on the rule.
00:55:53Lucia,
00:55:54do you have a moment?
00:55:54Yeah,
00:55:55little ones,
00:55:56No,
00:55:56thank you.
00:55:58How are you,
00:55:59Pablo?
00:56:00How about the suit?
00:56:01I've left Natalia.
00:56:02As?
00:56:03Yeah,
00:56:03Well,
00:56:04I wanted you to be
00:56:04the first to know.
00:56:05Well,
00:56:06the first one was her,
00:56:07you are the second,
00:56:08although there were more people
00:56:08in the videoclume.
00:56:09Well,
00:56:09The important thing is that you know,
00:56:11so if you want to talk
00:56:12or what do we give or something,
00:56:13whatever.
00:56:14Hey,
00:56:14if you like,
00:56:15take the rest of the afternoon off
00:56:16that we are already staying here.
00:56:18Well,
00:56:18Do you know what happens?
00:56:19What is that already,
00:56:20I'll call you.
00:56:20We have so much trouble here.
00:56:22because how we ended up
00:56:22to open the store,
00:56:23well...
00:56:24Whatever you want,
00:56:24whatever you want.
00:56:25For me, the age difference
00:56:25I don't mind.
00:56:26I am very mature,
00:56:27I've always wanted to go out
00:56:28with an older woman.
00:56:29I'll call you back,
00:56:30I'll call you.
00:56:32I'm going to be up there,
00:56:33I say this in case you want to call me
00:56:34through the video intercom,
00:56:35that's how I see you,
00:56:35Hey?
00:56:36Yeah.
00:56:37What a beautiful moment,
00:56:38my mosín.
00:56:40Did he leave Natalia for you?
00:56:41Hey,
00:56:41who called me an old woman.
00:56:43Hey,
00:56:43If you want, we can call Vicente,
00:56:44come down and tie a bun for you.
00:56:45Poor Natalia,
00:56:47you've gone too far.
00:56:48Hey,
00:56:48but how was I supposed to know?
00:56:49that he was going to leave her,
00:56:50I just wanted to make you a little jealous.
00:56:51If it is to be bad
00:56:52you have to know.
00:56:53And what do I do now?
00:56:54Well, talk to her.
00:56:55and you explain it to him.
00:56:56Yes, man,
00:56:56No.
00:56:57Lucia,
00:56:58you were wrong,
00:56:59you swallow your pride
00:57:00and you rectify.
00:57:01You can always throw it at him
00:57:02blame it on the rule.
00:57:03Clear.
00:57:08But what are you doing?
00:57:10That had to be done.
00:57:11position in the community.
00:57:12Have you saved the ticket?
00:57:12of painting?
00:57:13Oh,
00:57:14Juana,
00:57:14I didn't know that varnish
00:57:15I got so high and I
00:57:18like a pedal.
00:57:22Well,
00:57:22look,
00:57:23I've been looking
00:57:24some shawls
00:57:24very cute townhouses.
00:57:25Of dovecote type,
00:57:26I mean the tray
00:57:27from breakfast
00:57:28it doesn't fit up the stairs.
00:57:29But the advantage
00:57:30that they have
00:57:30is that they are finished.
00:57:32That is to say,
00:57:32we pack our suitcase.
00:57:33Bye bye.
00:57:34Isabel,
00:57:35I don't like it
00:57:35run away from problems.
00:57:36I prefer to stay
00:57:37and solve them.
00:57:38I thought you had
00:57:39in love with me
00:57:39that's why.
00:57:41No,
00:57:41Yeah,
00:57:42that's very good
00:57:43also,
00:57:43but let's go that neither
00:57:44I mean
00:57:45that I'm going to you
00:57:46to continue loving
00:57:47even if we see each other.
00:57:48We are trying
00:57:49start a family
00:57:49from scratch
00:57:50and that costs.
00:57:51Sometimes it's hard,
00:57:52but we must fight.
00:57:58What's wrong with you now?
00:58:00That you have reminded me
00:58:01to the famous teacher.
00:58:02Well,
00:58:05look,
00:58:06Juan,
00:58:07if this thing of ours
00:58:08you want it to be a family,
00:58:09this is not the place.
00:58:11And why?
00:58:12Well, because here
00:58:12they throw people away
00:58:14up the stairs
00:58:14me too,
00:58:15I don't have
00:58:16enough
00:58:17yoga level
00:58:19as to control
00:58:20so much stress.
00:58:21Dear,
00:58:21give me a little time.
00:58:23People are
00:58:23accepting me again.
00:58:25In the matter of the claim
00:58:25we are working
00:58:26side by side.
00:58:27I'm back again
00:58:27Juan Cuesta,
00:58:28president of the community.
00:58:30Well, look,
00:58:31Mr. President,
00:58:32with lucidity
00:58:33that gives me the varnish,
00:58:34I'm going to speak to you clearly.
00:58:35Or you sell
00:58:36or I'll go without you.
00:58:37I'm not staying here.
00:58:39I mean
00:58:40that is not a threat
00:58:40good a little.
00:58:41Yeah,
00:58:42but I make good energy
00:58:43and such.
00:58:44Man,
00:58:45look,
00:58:45finish the frame
00:58:46because when I look
00:58:47up
00:58:47I fall backwards.
00:58:59Yeah,
00:58:59boat.
00:59:00What is this?
00:59:01The scenery
00:59:01from the reports
00:59:02Lola's.
00:59:03There's the minibar.
00:59:04and the letter
00:59:05of the service
00:59:06of rooms
00:59:06in case you wish
00:59:07the gentlemen have dinner.
00:59:09If you prefer
00:59:09can go down
00:59:10to the restaurant.
00:59:11No,
00:59:11better here.
00:59:12Let's see if I go
00:59:13to find
00:59:13with Botino,
00:59:14with Florentino Pérez
00:59:15that are put on
00:59:16very heavy.
00:59:17Take,
00:59:18kid,
00:59:18circulates.
00:59:19Thank you.
00:59:20How much have you given him?
00:59:21What should be turned off?
00:59:21the rooms
00:59:22in advance?
00:59:23Ignorant of life,
00:59:24in the environments
00:59:25select
00:59:25tips are given
00:59:26select.
00:59:27They have to see
00:59:27that we have power,
00:59:29but,
00:59:29they don't respect us.
00:59:30Look at the bed.
00:59:31If mom and you
00:59:32you would have had
00:59:32one like this,
00:59:33you would still be together,
00:59:34Hey?
00:59:35Yeah.
00:59:36Yeah,
00:59:36suite 3,
00:59:372,
00:59:374.
00:59:39We will take the menu
00:59:40tasting
00:59:40with Riyarbaisas.
00:59:42Yeah,
00:59:42but you're going to change me
00:59:43the crab
00:59:44for two of Barnacles.
00:59:46Clear,
00:59:47albarillo and champagne.
00:59:50Escort service
00:59:51have.
00:59:52Well,
00:59:52Okay,
00:59:52Okay,
00:59:53If so, I'll call later.
00:59:55But you
00:59:56What did you order?
00:59:57Look at that price.
00:59:58That everything is included.
00:59:59Here they don't give you
01:00:00bracelet
01:00:00because you lose glamour.
01:00:02Well,
01:00:03I'm going to give myself
01:00:04a jacuzzi.
01:00:05Yeah.
01:00:05Ann.
01:00:06Be careful,
01:00:07let's see if it drowns you,
01:00:07that you might not be able to stand.
01:00:09Oh,
01:00:10the sofa.
01:00:11This is going to be
01:00:12a Louis XV of that,
01:00:13No?
01:00:14Excellent.
01:00:17Natalia,
01:00:18I'm sorry I got involved
01:00:19in your relationship,
01:00:20but that happens to you
01:00:21for bitch
01:00:22and for having thrown at him
01:00:22the yews to my boy.
01:00:24No,
01:00:24No,
01:00:25No,
01:00:25that is not the way.
01:00:26I've been better
01:00:27at first,
01:00:27Yeah.
01:00:31Hello.
01:00:32What do you want?
01:00:33How are you?
01:00:34I just found out
01:00:35from Pablo's.
01:00:36How are you?
01:00:37Good.
01:00:38If I knew why
01:00:39has left me
01:00:39would affect me,
01:00:40but since he doesn't want to
01:00:41tell me anything,
01:00:42by?
01:00:43No,
01:00:43Well, because it seems to me
01:00:44that I have something
01:00:46what to do with what
01:00:46has happened.
01:00:48How were you walking?
01:00:49behind Carlos,
01:00:49Well, well,
01:00:50I said to myself,
01:00:50I'm going to do the same
01:00:51with Pablo
01:00:51and so it happened to him
01:00:52a little bit of the nose
01:00:53to the fucking girl
01:00:54and well,
01:00:54because he has become infatuated
01:00:55with me and left you.
01:00:56So you now
01:00:57you are alone,
01:00:58I'm still with Carlos
01:00:59and well,
01:00:59It's not that I come here
01:01:00to rub it in
01:01:01my indisputable
01:01:02Victory in the face,
01:01:03that too.
01:01:03No,
01:01:04No,
01:01:04I come to ask for your forgiveness,
01:01:05so sorry.
01:01:06Can I make you
01:01:08a question?
01:01:09How can it be?
01:01:10so dirty
01:01:11and so much his daughter?
01:01:11Sorry, pretty,
01:01:12but you started it,
01:01:13Hey?
01:01:13May I know?
01:01:14What's wrong with me?
01:01:14I don't like Carlos,
01:01:15I needed the job.
01:01:17If I had wanted to hook up with him
01:01:18right now you would be
01:01:18crying on your couch
01:01:19as a posh girl.
01:01:20Sorry, pretty,
01:01:21but to hook up with my boyfriend
01:01:22you need something else
01:01:23that a tight mole
01:01:24and two tits.
01:01:29Oh,
01:01:30those tensions!
01:01:31Let him pay you!
01:01:32You don't have any news.
01:01:33Girls,
01:01:33girls,
01:01:33girls,
01:01:34girls,
01:01:34girls,
01:01:35let you fight for me.
01:01:36No,
01:01:36No,
01:01:37No,
01:01:37they are fighting over me.
01:01:38You haven't said anything yet?
01:01:39Tell me what?
01:01:40That your slutty girlfriend
01:01:41she's going around warming up to my boyfriend.
01:01:43Will it be with you?
01:01:43not enough?
01:01:44Let's see,
01:01:44let's see,
01:01:44let's see,
01:01:45that's true?
01:01:46But that's not true!
01:01:47Runs!
01:01:48What is this family?
01:01:49that has the gem
01:01:50stuck there
01:01:51in the head of whore Lucia?
01:01:52But thanks to that
01:01:53something very beautiful has emerged
01:01:54among us,
01:01:54No?
01:01:55Look how nerdy you are.
01:01:58Sure?
01:02:01I'm sorry,
01:02:01Pablo,
01:02:02No?
01:02:03Natalia,
01:02:04come here,
01:02:04come on.
01:02:05Weren't you
01:02:07the one you couldn't stand
01:02:07jealousy?
01:02:08Because I think that was it
01:02:09what you said.
01:02:10I just can't stand it
01:02:10jealousy.
01:02:11Well at least
01:02:11my jealousy was reasonable,
01:02:13not like you,
01:02:13that you were jealous
01:02:14of a lesbian.
01:02:15Look,
01:02:15Lucia,
01:02:15if we don't communicate well,
01:02:16if there is no trust
01:02:17among us,
01:02:17this isn't going to work.
01:02:18Oh,
01:02:18And where did you read that?
01:02:19In the manual
01:02:20of the happy couple?
01:02:20Well yes,
01:02:21in the manual.
01:02:22And if you had read it
01:02:23you would have talked to me
01:02:23before heating
01:02:25to a beardless teenager.
01:02:26Lucia,
01:02:27please,
01:02:27a little bit of head,
01:02:28that these teenagers
01:02:29they commit suicide,
01:02:29who listen to Nirvana.
01:02:30Well yes,
01:02:31I'm jealous
01:02:31because I love you,
01:02:32what's happening?
01:02:33What did you say?
01:02:36That...
01:02:36that I'm jealous.
01:02:38No no,
01:02:38the other.
01:02:39I don't know,
01:02:40what did I say?
01:02:42This is romantic
01:02:43that you shit.
01:02:44So you love me.
01:02:46Yes,
01:02:46heavy.
01:02:47Where are we going?
01:02:53Before the radiopath
01:02:54send a correspondent.
01:02:55Hey, hey, hey.
01:02:56What, what, what?
01:02:57I forgot
01:02:58that I love you too.
01:03:00I almost screwed up.
01:03:09And when did we go?
01:03:10to the exam review?
01:03:12Roman law
01:03:13I didn't even know our names.
01:03:14Normal,
01:03:15if only they knew us
01:03:15in the cafeteria.
01:03:17Well, that's enough, isn't it?
01:03:20What's the matter?
01:03:20Damn, what are you wearing?
01:03:21all night
01:03:21talking about the same thing.
01:03:24You know each other very well.
01:03:25Surely at the faculty
01:03:26you were busy.
01:03:29No!
01:03:30What an egg!
01:03:33Could you shout more quietly?
01:03:35The child is sleeping.
01:03:37Not anymore.
01:03:40No, this is absurd.
01:03:42Please make room for me.
01:03:44I need to talk to you.
01:03:45Oh yes.
01:03:46Okay?
01:03:46Yes, yes.
01:03:48I don't understand anything.
01:03:49He's back with both of them.
01:03:51Which one of them?
01:03:51will it have gotten complicated?
01:03:52I'm going to speak
01:03:53with the administrator.
01:03:55The gays are riding
01:03:56orgies at home.
01:03:58I'm going to be honest with you.
01:03:59I...
01:03:59I'm in a mess.
01:04:02Just a while ago I was alone
01:04:03and sunk
01:04:03and now suddenly
01:04:04everything has changed.
01:04:05You have appeared,
01:04:07you remain like two ghosts
01:04:08from the past.
01:04:09Two shadows,
01:04:09two war wounds.
01:04:11Diego.
01:04:12It's that when you give them conversation
01:04:14you take them all down, huh?
01:04:15Fernando,
01:04:16I'm serious.
01:04:17Do you want to talk seriously?
01:04:18Ah, very good.
01:04:18Let's get serious,
01:04:19but let's see.
01:04:20What do you think?
01:04:20Do I suck my thumb?
01:04:22You didn't want to come back with me.
01:04:23because you also had him
01:04:24at this shot
01:04:24and so you had time
01:04:25to choose from.
01:04:26But what is this?
01:04:27A gay triumph operation
01:04:28or what?
01:04:28No, but I'm not choosing.
01:04:30I had it in the chamber
01:04:31just in case.
01:04:33Ah, well look,
01:04:33you make me feel more at ease.
01:04:34Fuck,
01:04:35how much you love me, huh?
01:04:36Fernando,
01:04:37I didn't want to go back with you
01:04:38because I wasn't sure
01:04:39that you have already left me
01:04:40twice.
01:04:42Look,
01:04:42I understand
01:04:42that you need to take your time.
01:04:44Come on,
01:04:45I don't understand,
01:04:45but I respect it.
01:04:46I mean,
01:04:47that I respect him,
01:04:48but I don't share it.
01:04:49I don't want to take anything.
01:04:50I want to be with you
01:04:51and everything goes back to how it was before.
01:04:54I want some peace.
01:04:58Well, look,
01:04:58probably
01:04:58now it's me
01:05:00the one who does not want to return.
01:05:01probably.
01:05:03No.
01:05:05Okay.
01:05:07Yes,
01:05:07silly.
01:05:15What a time!
01:05:15that he had fallen asleep.
01:05:19And what do we do?
01:05:20with poor Diego?
01:05:22Put a blanket on him
01:05:23that he's going to catch a cold.
01:05:24Clear.
01:05:31I love you,
01:05:40my love.
01:05:41I love you,
01:05:41treasure.
01:05:42A little please.
01:05:43Don't throw away the rice.
01:05:45Give it to me
01:05:45I'm hungry.
01:05:46But Emilio,
01:05:46what are you doing?
01:05:47I have forgotten
01:05:47on my wedding day.
01:05:48Because of you
01:05:49I lost my mind
01:05:50and now I see myself on the street.
01:05:51Give me something to eat.
01:05:52That's all I ask of you.
01:05:53That it wasn't my fault.
01:05:54I could have declared
01:05:55any other neighbor.
01:05:56This was cowardly.
01:05:57I thought there was something
01:05:58among us.
01:05:59Princess,
01:05:59Is it bothering you?
01:06:00this guy?
01:06:01She was my great love
01:06:02and betrayed me.
01:06:03Sorry,
01:06:04Can you take
01:06:04to this crazy guy here?
01:06:05Nativity scene,
01:06:05you have ruined my life.
01:06:07Nativity scene,
01:06:08I loved you!
01:06:09Nativity scene!
01:06:10Emilio!
01:06:10I loved you, Belén!
01:06:11No, wait, Emilio!
01:06:12Emilio, no!
01:06:12Wait, Emilio!
01:06:13Oh boy!
01:06:14Emilio, let me go!
01:06:15Let me go, let me go!
01:06:16Emilio, Emilio!
01:06:16Give me your pussy
01:06:17you're tearing my dress.
01:06:22What a shitty wedding!
01:06:31Dad, phone.
01:06:35Follow me.
01:06:39Yeah?
01:06:40No, there is no reception here,
01:06:42you have made a mistake.
01:06:44Ah, it's you.
01:06:45Yes, we're leaving at twelve.
01:06:47Start preparing the bill.
01:06:50No, not with a card.
01:06:51I pay in cash.
01:06:53How much will it be?
01:06:55How much?
01:06:57Yes, with invoice
01:06:59I'll transcribe it.
01:07:02What did he tell you?
01:07:03What are you doing?
01:07:04Where is a fire extinguisher?
01:07:07There is one in every movie.
01:07:09But how much have I told you?
01:07:10One thousand three hundred or two thousand three hundred.
01:07:12I didn't understand it well.
01:07:13In any case, it doesn't reach us.
01:07:15Look, I told you, right?
01:07:16The all-inclusives are on the beach.
01:07:18Don't worry.
01:07:18Let's order breakfast
01:07:20and we think about what we do.
01:07:21No more things are asked for here.
01:07:23Oh my God.
01:07:24I have a trial.
01:07:25And what happens?
01:07:25There was no first floor suite?
01:07:27That the Ritz suite
01:07:28They always put them on top
01:07:29so that people don't leave without paying.
01:07:31Well, what do we do now?
01:07:31So they look for the emergency exit.
01:07:33The word itself indicates it.
01:07:36One, get dressed, get dressed.
01:07:40You've done yourself a favor with the invitation, huh?
01:07:42This is my first time doing adventure tourism.
01:07:45Is it done pussy?
01:07:53Son, your father just had an idea.
01:07:57Well, it was good, wasn't it?
01:07:58No, but it's an idea.
01:08:01Come on.
01:08:03What are you doing?
01:08:08That uniform is prettier
01:08:09because I couldn't make the button, right?
01:08:10You can't serve the public with that face.
01:08:12It's obvious.
01:08:13Oh, wait,
01:08:14that the news anchor spoke about.
01:08:15Sorry, my bags.
01:08:17Yes, ma'am, why not?
01:08:18Now then.
01:08:18What are you doing?
01:08:19No, no, listen, I just got here.
01:08:21I just arrived, room 207.
01:08:22Shut up, damn it.
01:08:23Come on, let's go.
01:08:24Hey, hey.
01:08:27Right or left, fast.
01:08:29Wait, where's the subway?
01:08:31Come on, ask me nicely, okay?
01:08:34There are days when life smiles at you.
01:08:37Be careful, and don't step on him,
01:08:38that I have to arrive in one piece to the trial.
01:08:44Are you going somewhere?
01:08:45It's that now, as I am a victim fasion,
01:08:50So I take the old clothes to the parish
01:08:52to see if I can win heaven
01:08:53in stoppage time.
01:08:55And you're not coming to Emilio's trial?
01:08:57No, it's to go to the trials
01:08:59you have to be accused,
01:09:00because if not they are a pain.
01:09:02You tell me.
01:09:10What, on a trip?
01:09:11Should I take her somewhere?
01:09:12No, I ordered a taxi.
01:09:14Let me carry your suitcase.
01:09:15Move it, I can do it now.
01:09:23Marisa,
01:09:24You and I hardly know each other.
01:09:25Why don't we go up to the house?
01:09:26and we have a cortado?
01:09:27It's just that I'm in a hurry.
01:09:29If it's only going to be a moment, woman.
01:09:31Well, if it's a quick cortadito...
01:09:35Listen!
01:09:36Come on, let's get organized.
01:09:41To the courts, quickly.
01:09:42And when we arrive,
01:09:44leave the engine running.
01:09:45Well, it's not going to be that way.
01:09:48War, bastard!
01:09:52Let me out!
01:09:54Calm down, we'll do a little bit.
01:09:55rural tourism.
01:09:57Are you going to throw me into motion like Pinochet?
01:10:01This is the taxi of death.
01:10:03Well, there is no witness now.
01:10:12Everyone to court.
01:10:16Your Honor, the community of owners recognizes
01:10:18that Emilio Delgado has been working as a goalkeeper,
01:10:21but only for the last year and a half
01:10:23and always with a contract.
01:10:25Now that contract has ended
01:10:27and his services are dispensed with.
01:10:29It's that simple.
01:10:30I protest!
01:10:31That's a lie.
01:10:32Emilio, you can't protest.
01:10:34I've been messing around for nine years
01:10:35and more than seven without a contract.
01:10:36And in inhuman conditions,
01:10:39in a garbage room,
01:10:40without bidet and without television,
01:10:42by satellite.
01:10:43Good.
01:10:44We can't be here every day
01:10:45waiting for the arrival of the witness.
01:10:47But I'm sure this lady came to testify.
01:10:49Yes, Mrs. María Luisa Benito.
01:10:51If it has to be there soon.
01:10:53She's my older sister,
01:10:53but I wasn't angry.
01:10:54He's losing his mind.
01:10:56The age that does not forgive.
01:10:57And maybe it doesn't even appear.
01:10:59Lordship,
01:11:00These have poisoned his chinchón or something, huh?
01:11:02He even drinks.
01:11:03Yes, you see.
01:11:04Well,
01:11:05since the witness does not appear,
01:11:08I am forced to suspend this hearing.
01:11:10One moment!
01:11:11One moment!
01:11:12I am a neighbor and I have come to testify.
01:11:15Colfa!
01:11:15Don't even think about it!
01:11:19I am Belén López Vázquez
01:11:20and I have been renting for almost four years in the third B.
01:11:24Without a contract,
01:11:24excellent,
01:11:25That's another topic that...
01:11:26And I affirm
01:11:27that Emilio Delgado
01:11:29has been working as a community goalkeeper
01:11:31all that time.
01:11:32She is not a reliable witness.
01:11:35This girl is in a romantic relationship with Emilio.
01:11:38No, no, I don't...
01:11:41Let's see,
01:11:41They kept them a long time ago.
01:11:42For God's sake,
01:11:43let's not be twisted.
01:11:44Sorry,
01:11:45last week
01:11:46in the accounting room
01:11:47that I heard like John
01:11:48I told it to the herbs in the yard.
01:11:50But that patio
01:11:51It has good acoustics.
01:11:53Lordship,
01:11:53Emilio is dating me.
01:11:55Besides,
01:11:55He is incapable of doing such a thing to me.
01:11:58No, right?
01:12:00Well,
01:12:00I...
01:12:01almost since I...
01:12:03me...
01:12:03No,
01:12:03leave.
01:12:05Bye bye.
01:12:06Are you cheating on me with Belén?
01:12:09Emilio,
01:12:10look at me.
01:12:11Yes, damn it,
01:12:12that has put them on you.
01:12:13What tension!
01:12:14You, you, you, you, you are...
01:12:15you are a...
01:12:17Look, I have helped you,
01:12:19I have supported you,
01:12:20I have trusted you.
01:12:21That's not what's done,
01:12:23Hey?
01:12:23This boy is very lost.
01:12:25Let it count,
01:12:26to tell the details.
01:12:28And you guys be quiet for a moment.
01:12:29if you please.
01:12:32Carmen,
01:12:33I'm not like that.
01:12:34The thing is...
01:12:34I don't know what's wrong with me and Belén.
01:12:36It's all nonsense,
01:12:37but...
01:12:39I...
01:12:39I'm so sorry.
01:12:41It's not fucked up that you're sorry.
01:12:43And you're going to feel it even more.
01:12:46What I do?
01:12:47Leave?
01:12:47Should I stay?
01:12:48What do you think?
01:12:49Who pays you?
01:12:49I'm leaving, I'm leaving.
01:12:51Look, I told you.
01:12:53I'll do just enough.
01:12:54Well, nothing.
01:12:55Mr. John,
01:12:56is that you too...
01:12:58Well, well, well, well.
01:12:59Let's see,
01:12:59what we're getting at.
01:13:01Mr. Delgado,
01:13:02since you have not been able
01:13:03to provide a reliable witness
01:13:06to corroborate your claim,
01:13:08I exempt the community of owners
01:13:10street
01:13:11of that deception 21
01:13:12from any obligation
01:13:13with respect to you.
01:13:14The session is adjourned.
01:13:17Your Honor, excuse me.
01:13:18What happens now?
01:13:20As president of the community,
01:13:21I have no choice
01:13:22to recognize
01:13:23that Emilio Delgado
01:13:23has been working for us
01:13:25since 1996
01:13:26and that until less ago
01:13:27a year and a half
01:13:28He has been doing it without a contract.
01:13:31He said
01:13:32what I think he said.
01:13:36Mr. John.
01:13:37Yeah.
01:13:38What a joy to give thanks
01:13:39for what you have done for me.
01:13:40Not long ago.
01:13:42In this life you have to be honest,
01:13:43even if it is not fashionable.
01:13:45The judge told me
01:13:45what can I demand
01:13:46that I be readmitted
01:13:47or compensation.
01:13:48What I do?
01:13:49That's your decision, Emilio.
01:13:52I, sincerely,
01:13:53I prefer you to stay.
01:13:54Clear,
01:13:54I'll make it cheaper for you.
01:13:55No, that's not it.
01:13:57You and I have always had
01:13:58a relationship
01:13:58that has transcended
01:13:59of the strictly professional.
01:14:01I would like you to see me
01:14:02not like your president,
01:14:04that also,
01:14:05but as a friend.
01:14:07Of course, Mr. Juan.
01:14:08And like the father
01:14:09that I've never had.
01:14:13I heard you.
01:14:14Today you stay
01:14:14without a goodnight kiss.
01:14:17The only thing I don't know
01:14:18how will they receive me?
01:14:19the neighbors.
01:14:20Perfectly, man.
01:14:21If these people
01:14:21has a good heart.
01:14:23They will be more angry
01:14:24to be with me
01:14:24to defend themselves.
01:14:25And look...
01:14:26That's what I say, look.
01:14:28Damn, that's fast.
01:14:31I warn that the ladder
01:14:32it is a common area.
01:14:33This has to be painted
01:14:34the community.
01:14:36José Miguel,
01:14:36may I know what you do?
01:14:38Nothing, here,
01:14:39practicing,
01:14:40since it needs painting.
01:14:41Drop that spray
01:14:41right now,
01:14:42that this is not the Bronx.
01:14:43Well, let me finish this, okay?
01:14:45Also, just like the neighbors
01:14:46they like it.
01:14:47What I do?
01:14:47Should I confiscate the sprays?
01:14:48What I do?
01:14:52But, John,
01:14:53this is too much.
01:14:54I'm leaving early
01:14:54that they put us in
01:14:55a horse's head
01:14:56in bed.
01:14:57Like in The Godfather.
01:14:58Peaceful.
01:14:59Yes maybe
01:14:59It's not a bad idea to sell,
01:15:01I'll talk to Carlos tomorrow.
01:15:02No, not tomorrow,
01:15:02because that means
01:15:03what has to happen here
01:15:04one more night.
01:15:05And it may be the last.
01:15:07Mr. John,
01:15:07But how come they leave?
01:15:09We have to be two
01:15:09to share us
01:15:10hostilities
01:15:11and the insults.
01:15:12Carlos, yes, I do.
01:15:14So...
01:15:15Yes, we sell.
01:15:16Ah, but I already
01:15:17I'm not interested.
01:15:19It's that Lucia and I
01:15:20we don't want to anymore
01:15:20each one our own space.
01:15:22Now I want my space
01:15:23be your space
01:15:24and the less space
01:15:25the better.
01:15:26But what nonsense
01:15:28These are them.
01:15:29You said you were buying.
01:15:30You said it!
01:15:31Isabel, for God's sake.
01:15:33Isabel, darling.
01:15:35Let's eat.
01:15:36And this afternoon, quietly,
01:15:38we noticed a family council
01:15:39and we discussed the options.
01:15:41Yes, yes.
01:15:42Come on, let's eat
01:15:43that they just brought
01:15:4417 Thai menus
01:15:46specials
01:15:47with extra chili.
01:15:49And maybe
01:15:49because they are past their due date.
01:15:51And what do you pay them for?
01:15:52Well, because the delivery man
01:15:53had the face to do it
01:15:55such when...
01:15:57Look what they know
01:15:58I don't like spicy food,
01:15:59that I have the ulcer.
01:16:00They are going to do harm.
01:16:02Don't worry, Mr. John,
01:16:03that I'm now going up with my father
01:16:04and we eat with you.
01:16:05You'll see what a show,
01:16:06how to swallow Noodles.
01:16:13No, I don't trust him.
01:16:15Look at the poster.
01:16:16Drinks
01:16:16are paid on the spot.
01:16:17It's that you and I the act
01:16:18we're never going to do it.
01:16:20Let's face it.
01:16:21Paquito, say something.
01:16:22or is it that you and here
01:16:23you don't matter.
01:16:24Natalia,
01:16:25Thank you very much, really.
01:16:26Because?
01:16:27Well, because thanks to you
01:16:28my relationship with Lucia
01:16:29has taken on a new dimension.
01:16:30We have gone directly
01:16:31from the hesitation phase
01:16:32to the recording phase
01:16:33in two voices
01:16:34the message on the answering machine.
01:16:35So,
01:16:36take,
01:16:37a little extra
01:16:38for your services
01:16:39to the company.
01:16:39Hey?
01:16:40With what a plus?
01:16:41Hey,
01:16:42Do you mind if I go out?
01:16:43me a little earlier?
01:16:44I have to go to the dentist.
01:16:45No, no, no,
01:16:45Of course not, for God's sake.
01:16:46But, but,
01:16:47how do you swallow
01:16:47the dentist's
01:16:48if it's past ten?
01:16:49Fuck,
01:16:50I've been here for over a month
01:16:50asking you for half a morning
01:16:51to renew your passport
01:16:52and you don't leave me.
01:16:53Your passport?
01:16:54And for what?
01:16:55Paco,
01:16:55you have done something
01:16:56for my relationship.
01:16:57Ask yourself that.
01:16:58Damn, man,
01:17:01If I were you, I'd go
01:17:02looking for another donkey.
01:17:03My sister is going to outshine you.
01:17:04Speaking of searching,
01:17:05where are we going to sleep now?
01:17:07Because the goal
01:17:08now he is the pijaporter.
01:17:09Mr. Juan told me
01:17:10that we get into the attic
01:17:11until it runs out
01:17:12the rent
01:17:12or sell all the clothes
01:17:13or get bored.
01:17:14Whichever comes first.
01:17:15There is no bathroom in the attic.
01:17:16and I have no age
01:17:17to sleep far from a toilet.
01:17:19Hey,
01:17:19I have a urinal
01:17:20from the Lion King.
01:17:21No, no, no, no,
01:17:21no urinal,
01:17:22that makes a lot of noise
01:17:23and wakes me up.
01:17:24I'll buy you myself.
01:17:24some of those soakers
01:17:28fools and wouldn't think
01:17:29that you say it with malice.
01:17:30What's happening?
01:17:31One of those
01:17:31for sensitive bottoms?
01:17:33You're going to have a laugh
01:17:34whoever I tell you, eh?
01:17:35Come on, damn it, daddy,
01:17:36don't be angry,
01:17:36that I love you very much.
01:17:37Come here, give me a kiss.
01:17:38Speculate the shit.
01:17:39Give me a kiss.
01:17:40How much loneliness.
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