A.W.P. S04 E06. The End of the Affair.

deaddogsdam

First broadcast 7th February 2004.  Neville learns the truth about his contact, Wyman's mother comes up with a plan to smuggle Oz's girlfriend out of Cuba while Barry continues to languish in jail under suspicion of espionage.  Pat Roach - Bomber Busbridge Tim Healy - Dennis Patterson Kevin Whately - Neville Hope Timothy Spall - Barry Taylor Jimmy Nail - Oz Osborne Christopher Fairbank - Albert Moxey Noel Clarke - Wyman Norris Josefina Gabrielle - Ofelia Ortiz Alexander Hanson - Tarquin Pearce Javier Alcina - Raul Ortiz Caroline Harker - Pru Scott-Johns Clive Russell - Gary Turnbull Sandra James-Young - Chrissie Julia Tobin - Brenda Hope Crispin Bonham-Carter - Stuart Sherman Zoë Eeles - Tina (as Zoe Eeles) Juan Maria Almonte - Angel Hector Then - Neville's Minder Miguel Angel Plaza - Prison Guard

Transcript

00:00That's my mum.

00:03Don't want you to see her.

00:04What cubos?

00:05The powers that be.

00:07Same model your pal Michael uses.

00:09I need a SIM card for it.

00:11Anything to take my mind off the hellish torment

00:13that's been inflicted on me in here.

00:15What would happen, you know, if he was a spy?

00:18Let's not think about that.

00:20I'm not supposed to talk to you.

00:21I'm not supposed to see you.

00:23I have been told the same thing.

00:24I'm not nicking it.

00:26Oh, yes, you are.

00:27I make you nervous, don't I?

00:28Well, you do a bit.

00:30Rumour mill has it that we're sleeping together.

00:33Where do they get that idea?

00:36Get in.

00:37I think I'll walk.

00:38Thanks.

00:38I'm here.

00:39I think I'll walk.

02:21Our hopes are here to take your call at the moment.

02:24Leave a message and the time you rang and we'll get back to you.

02:29It's me.

02:29Listen, I've got myself into a situation here.

02:34I'm way over me head.

02:37If anything happens, I just want you to know I love you, Brenda.

02:42And the girl.

02:42What's the matter?

03:08Yeah, what's up?

03:12Can't sleep.

03:15Too much whizzing around my brain.

03:18Like what?

03:19That talk Oz and I had.

03:25We came up with this plan.

03:27I mean, it was his idea, really, but I'm really up for it.

03:30It was all in the note.

03:32The note you left Ophelia?

03:34Yeah, yeah.

03:35I mean, it's a big decision for her, I know, but...

03:37Oh, it's very romantic.

03:40And the thing is, my boat sails tonight.

03:43Well, what's that got to do with it?

03:46Everything.

03:46I expect you could do with a drink.

04:11What's happening, bro?

04:13I mean, what's going on?

04:14What do you think, Neville?

04:15That's a rough guess.

04:17No idea.

04:18Was I taken hostage and you've been sent to pay the ransom?

04:23How much do you think you're worth?

04:26Look, ever since I got to Cuba, somebody's been yanking me chain.

04:30Can you not just give us a straight answer?

04:32I mean, how are these guys that have grabbed us?

04:35They work for me, as and when.

04:37You?

04:38Yes.

04:41I'm not quite as country-life as you thought.

04:52It's been a tricky time for you out here, hasn't it?

04:55With Tarquin.

04:57You know about that?

04:59I know you were recruited by Heather in London, and he's your contact out here.

05:03Isn't that a secret?

05:04It is.

05:05I know because I also work for Heather's people.

05:08That's our little secret.

05:09Tarquin is not aware of that.

05:12I can't get my head around this.

05:14According to his reports, he's not using you for anything.

05:17Now, we know that's not true.

05:19You've had meets with him on several occasions, and he's had you buddying up with Michael Goy.

05:23Tonight he had you steal confidential papers.

05:26You know that?

05:27His man, Felipe, is also ours.

05:29We took a look at them before he passed them on.

05:33I've got to talk to the ambassador.

05:35I don't think that's a good idea.

05:36Not at four in the morning.

05:38Well, who can I trust?

05:40The point is, Neville, you are now working for me.

05:43You are not working for him.

05:45Who's he working for?

05:47Tarquin was always working for Tarquin.

05:49He told me he was trying to find out what the Chinese would bid for some new smallpox vaccine.

06:01That bit's true, but not for the benefit of the Brits.

06:05He's freelancing on the open market.

06:08I'm sure he's planning to put aside a little nest egg in the Cayman Islands and shag himself silly in the sun.

06:13Where does this leave me?

06:15We need to rumble him.

06:17There's quite a lot to talk about.

06:19Shall I see if I can rustle up some sandwiches?

06:39Oh, bollocks!

06:46What?

06:47Oh, bollocks!

06:49Oh, just wake up, man.

06:50I need to talk to you.

06:56Dennis.

06:57Hi.

06:59Was it graft time?

07:00No, it's only five.

07:02Eh?

07:04Oh!

07:06Did you do the dirty deeds?

07:07Never mind that, man.

07:08Listen, this scheme you've hatched up with Chrissie.

07:10Are you mad?

07:11No.

07:12No.

07:13Well, it's up to Ophelia, eh?

07:15But if she says yes, she could be on your Chrissie's board by tonight.

07:22Childhood memories.

07:24Trip to the dentist.

07:25Mr. Greisney in the schoolyard.

07:28Germany.

07:28Oh!

07:29We thought the hut was a prison.

07:32Settle for it now.

07:33Don't do anything different.

07:35If Tarquin wants to meet, just play along.

07:38Tarquin said it suits his boot that they've banged up Barry.

07:42Took the attention away from me, he thought.

07:45Is that what you all think?

07:47No.

07:47We want him out of there.

07:50And why are they bringing all this heat down on Oz and his girlfriend?

07:53What's that all about?

07:54That's not the authorities.

07:55Our brother's behind that.

07:56A brother?

07:57He has connections in the ministry, but this is purely personal.

08:01It's not political.

08:02He doesn't want Oz as a brother-in-law.

08:05I can see his point.

08:06Hey, lad, I used to think life was simple.

08:08Get up, go to work, make a few modest gains for your family.

08:14You knew who you were, who your friends were.

08:18Life's not like that, is it?

08:20It's complex and devious.

08:38Hello?

08:42Dennis?

08:43I'm sorry to call you, but I can't get Nervy on his mobile.

08:46Thing is, he left this message for me and he sounded very strange.

08:50I've gone out early with a bed.

08:52Hang on, Brenna, just calm down, Pat, right?

08:56What do you mean, very strange?

08:57He left this peculiar message about if anything happened to him.

09:02I'll go and wake him up, OK?

09:04Now, I'm sure it's nothing.

09:06Just hang on there, Pat.

09:18Moxie?

09:20Moxie?

09:21Oi.

09:21What?

09:22Where's Nev?

09:25Where's Nev?

09:29Nev?

09:30How should I know?

09:32Well, was he not with you last night?

09:34No.

09:35Why?

09:36What's going on?

09:39Shh.

09:42Brenda?

09:43Look, I forgot.

09:45I asked him to go early and pick up some timber.

09:50Yeah.

09:51Well, look, don't worry, Pat.

09:52No, I'll get him to ring you as soon as he comes in.

09:55OK, Pat?

09:56Ta-da.

10:00Sorry, I'm a bit worried about Nev and I.

10:02He stayed out all night.

10:04Not the only one, was he?

10:06Did you do the dirty deed, Dan Dan?

10:13He's been acting pretty weird as he's been out here.

10:16I see him with some Oriental crowd the other night.

10:18Yeah, me too.

10:19What's that all about, eh?

10:21What's all what about?

10:22Neville.

10:23Strange behaviour.

10:25He's getting his end away.

10:27Who gives a shit?

10:28How's Dennis Filgers in regarding my situation?

10:30Oh, the Oz and your mum, right, come up with this idea to smuggle Ophelia out the boat with her.

10:37What?

10:38And how'll that work?

10:39She'd hide it in your mother's cabin, and then the boat sails tonight, and she gets up in the morning in Jamaica.

10:46This is just typical of my mum to come up with something like this.

10:48You know, the thing is, if this all gone's pear-shaped, you know, we're all in the clots.

10:53It won't.

10:54Million-dollar question.

10:56Will Ophelia go for it?

10:58I don't know.

10:59I've sent her a note, like, explaining me plan and asking how to meet us.

11:04This is just totally extreme.

11:06Fraught with danger.

11:07Anyone want an egg sandwich?

11:10Ah!

11:10Hello, hello, hello!

11:11Hey!

11:13What, you gonna just sneak in before you snuck back out again?

11:17What are you all doing up?

11:18Waiting for you.

11:19Forbidden worry set.

11:21You wanna tell us where you've been, then?

11:22No.

11:23We'll only speculate if you don't.

11:25Paint flirty pictures in our imaginations.

11:28Oh, bugger off.

11:30Brenda run.

11:32What?

11:34When?

11:35Well, about half an hour ago.

11:36She said you'd call her.

11:38Hey, she was in a right panic ring.

11:40Oh, shit!

11:43Hey!

11:44You been out collecting timber?

11:47Don't ring her the next hour.

11:48She's at Debbie's Dance Class.

11:50So, look, there.

12:10Supposing she does make her to Jamaica, you know, and you join her there.

12:14What are you gonna do, then?

12:17Take her, yeah?

12:17I'm not without a visa.

12:21Oh, I'll be able to sort that hoop, man.

12:24For the embassy there, I'm OED, aren't I?

12:27Well, say you do get her back to the North East.

12:29Well, how do you think that'll work?

12:32What do you mean?

12:33Well, it's a bit of a culture shock, isn't it?

12:35Well, I'll just quick enough, man.

12:37Oh, man, seriously, man.

12:40I mean, look at all these South American footballers, right?

12:44I mean, the same for the Premier League.

12:46In one minute, it's sunshine and samba.

12:48The next minute, it's Middlesbrough.

12:51She'll be like one of those exotic hothouse orchids who turns into a dandelion.

12:56Hey, do you want this troll in your goblet?

12:58No, I'm just saying.

13:00How could you inflict Wall's Ends on a girl like Ophelia?

13:03Wall's End?

13:05I was thinking of Pontieland.

13:07Nice mock tour of the monkey tree.

13:11OK, so today's shore excursion is Hemingway's Havana,

13:15a guided tour of the literary lion's favourite haunts.

13:19She should meet us at three at La Bodeguita del Medio.

13:23That's B...

13:25Neville, we have to meet now.

13:31I'm at work.

13:32Yes, I know you're at work.

13:33Just make an excuse.

13:35I can't, right?

13:36I'll try and see you tonight.

13:46You all right, Neville?

13:49You didn't risk the shrimp, did you?

13:52Oh, it's just bloody stress, man.

13:55Yeah, well, when you lead the double life, that's what happens.

13:58What are you talking about?

14:00Well, you're obviously having a way with someone.

14:03You've got a wife and family back in, Blighty.

14:06It's not right, is it?

14:08It's not what you think, Bom.

14:10Oh, come on, Neville.

14:11Bom, I wasn't born yesterday.

14:13I transgressed myself, but there's a cost.

14:16Just when you think it's out of sight, out of mind,

14:18it comes back and bites you in the bum one day.

14:21Hey, then we'll get some work done.

14:23I'll use a hand here, Neville, while I've been away.

14:27Where's Oz the way to?

14:29To talk it over with the guy.

14:31Talk what over?

14:34You missed all this, didn't you?

14:36Come on, Harry.

14:36Hey!

14:37You've got to stop Oz, lad.

14:39This defection thing of his is it's insane.

14:42It's likely to get us all in this shit.

14:44And it's not going to help Barry's case, is it?

14:46Look, I've tried talking to him.

14:47He won't listen to me.

14:49Well, suppose she agrees.

14:50First thing she's going to do is get home,

14:52talk it over with her family, right?

14:54And the bloke cousin all the bother here is that brother of hers.

14:57Raoul.

14:57You are.

14:59What?

14:59The one that took us to the centre of everything.

15:01Aye.

15:01Bloody hell after all the work we did on their gaff.

15:04It doesn't matter.

15:05He's got the right needle for Oz.

15:07And he can pull strings, man.

15:09He's got connections.

15:10If he finds out what's going on,

15:12he'll kick Oz off the island.

15:13And probably all of us too

15:14for being part of his stupid bloody scheme.

15:16How do you know about all this, mate?

15:18Yeah?

15:20Because I've got connections too, all right?

15:23You've got connections too?

15:24What's all the connections?

15:25Er, pull it off with Prue, is it?

15:28Yeah, yeah.

15:30That was it.

15:30She told us.

15:32Now, where's he meeting Ophelia?

15:33We've got to stop it!

15:42Well, that's a dance academy.

15:44They must have met within walking distance,

15:46so just fan out, yeah?

15:54Mum, what are you doing here?

16:23Why aren't you at work?

16:24Because of you.

16:26Listen, this deal with Oz and Ophelia

16:27just ain't gonna happen, Chrissie.

16:28What do you mean?

16:29I mean, it's total lunacy.

16:30What were you and Oz thinking?

16:31Don't shout at me.

16:32I'm not.

16:33Yes, you are.

16:34You're always shouting at me.

16:36Look, they're in love.

16:37They deserve to be together.

16:39I've got it all sorted.

16:41They can stay in my cabin.

16:42Yeah, we know all this.

16:43But when her brother finds out,

16:44a whole ton of crap is gonna land on our heads.

16:46I was just thinking of them.

16:48I know, Mum.

16:49But you were way out of line.

16:50Well, I'm sailing tonight,

16:53so you'll be well shot of me.

16:57Come on, don't be like that.

16:59I mean, you'll have a good trip.

17:00You'll enjoy Jamaica.

17:02Go visit Uncle Percy.

17:06Do I get a hug?

17:09Of course you do.

17:10Do I get a hug?

17:40I cannot do this thing, Oz.

17:46You must know that

17:47to change my whole life in six hours

17:50is impossible.

17:57Seemed like a good idea yesterday.

18:02This is not about what I feel for you.

18:03Well, this is about me.

18:07My family.

18:08My work.

18:09My home.

18:10Yeah.

18:15I suppose it was a bit, uh...

18:18reckless.

18:23You're a crazy man.

18:26You're a Zorro.

18:28You get the mask and the cape

18:30and you carry me off to the mountains.

18:33Across the sea was what I had in mind.

18:35What did my brother say to you last night?

18:39I didn't talk to him about this.

18:42I will talk to him.

18:44He has friends.

18:47What if they won't help?

18:49Then I will go to the ballet

18:50and say we'll no longer dance.

18:53No, you can't do that.

18:54Yes, I can.

18:55These stupid people telling me

18:56who I can't be with.

19:01You've got some bollocks, Pet.

19:02I'll give you that.

19:06When you're up on that stage, you know,

19:08dancing,

19:10you look so...

19:13fragile.

19:16But really,

19:18you're made out of tungsten.

19:26Where are you going to rent a cape?

19:28Shh, shh, shh.

19:49What are you doing here?

19:59We're all in town looking for you.

20:01You've got to abort the whole thing, Noss.

20:03All of money, bummer.

20:05It's not going to happen.

20:06Oh, thank God for that.

20:09Can't expect the lassie to just up sticks like that, man.

20:14Even if the ultimate prize is Newcastle.

20:17I will show it something else, Nellson.

20:18She's going to talk to her brother.

20:20Oz?

20:22It's her brother who's behind breaking the pair of you up.

20:26What?

20:29What about that bastard, eh, Raul?

20:32Didn't find no wrong with this when I was up on his roof working me bollocks off, did he?

20:36Overprotective, very letting.

20:38Very sudden, devious.

20:39Well, there's no harm doing you enough.

20:41If she got on that boat, man, it would have been catastrophic.

20:44I do not know how I ever let your mother talk us into this in the first place.

20:47Hang her, Val.

20:47She said it was your idea.

20:50Well, yes, but...

20:50Now, why didn't you talk her out of it?

20:52What, she didn't tell us about the four o'clock in the morning?

20:55Oh, right.

20:55During your wild night of passion, yeah?

20:57Look, it was a personal, private moment between two adult people.

21:03All right.

21:05That's fair enough.

21:06Well, that'd be huckin' off if you shagged me, mother.

21:23Oh, bollocks.

21:25Gary's here.

21:27All right, tell him.

21:30All right.

21:30We're going out for lunch now, aren't we?

21:34No, no, no.

21:35Yeah.

21:36We've been able to kick around in the park, football.

21:38You've got to stay in shape in this job, you know?

21:40You know I'm bringing the ambassador's way through.

21:42Yes.

21:42Yes, I do.

21:44This job better be in shape and on schedule, boys.

21:47Start dicking around,

21:48and you'll be back on a building site in the northeast.

21:52Anyone want that?

21:53No.

21:54Oh, not anymore.

21:57Better walk me through the site, Dennis.

21:59Yeah, right.

22:01Oh, I've got a message from Prue for you, Neville.

22:05Oh, yeah?

22:06She wants you to meet her at the drama society tonight.

22:10The drama society?

22:12They're holding auditions at six for She Stoops to Conquer.

22:16All right.

22:18Fine.

22:19Dennis.

22:19She Stoops to Conquer.

22:26What's that?

22:28It's a play, isn't it?

22:30Yeah.

22:30Me and Tina's trying out for that.

22:32When did you get this edge?

22:34Oh, I've always been interested in drama.

22:37Have you?

22:38Not to my knowledge, no.

22:40I was Nanky Poo in the school in Mercado.

22:42Now it's Nanky Panky with Pouty Poo.

22:46Look, I'm not allowed to have a private life of me own.

22:49Something I'd do just for myself.

22:52I mean, what do the rest of you do with your lives?

22:54Sit around getting boozed up and make bad jokes.

22:58Talk about football.

23:02So, how's Oz taking it all, then?

23:05Well, look, better than if you've been thrown in the nick.

23:07If those two want my advice...

23:11I don't think they do, you know, Chrissie.

23:15Butt out.

23:15Is that what you're saying?

23:17Well, I just think it's their problem, you know, that...

23:20They should sort it out themselves.

23:21All right, then?

23:29What about Chrissie and Dennis?

23:34Will you want to see me when you come back to England?

23:36Well, that's not for a while yet.

23:38That's not an answer.

23:40Were you happy about what happened between us?

23:42Of course I was, yeah.

23:44Well, why wouldn't you want it to happen again?

23:46I'm pushing you, I know.

23:48That's just my way and it's too late to change.

23:50I'll put this one down to the rom and the son and blame it on the boss and over.

24:02No, no, no, it's not.

24:03That just didn't help my situation, you know,

24:06knowing the six pairs of eyes watching our every move.

24:10And one of them's your son.

24:15When I get back to England, I'll, uh...

24:18I'll give you a bell, you know.

24:20I'll just take it from there.

24:27Fair enough.

24:29Must leave it at that.

24:37So when will that be, then?

24:43I know the strange reserve of his temper is such

24:47that if abruptly informed of it,

24:49he would instantly quit the house before his plan,

24:52before our plan was ripe for execution.

24:55But I...

24:57I have another line.

24:59We must move on.

25:00Let's hear Tina and her friend.

25:03Yes.

25:03I don't think I got the part.

25:06I don't think I got the part.

25:11You were nervous.

25:13Stuart's a little prick.

25:15I think I'd have learned something about that from working for you a lot.

25:19Darwin's in her tears, is he?

25:20Well, he's ran three times.

25:22It's because something's missing from the documents you pinched.

25:29How do you know?

25:31We extracted it.

25:33You did?

25:35What did it tell you?

25:36What the Chinese are bidding.

25:37So, haven't you got everything you need to know?

25:42Not quite.

25:43We don't know who Tarkman's going to shop this to.

25:46And we don't know how much he's compromised us before.

25:48So, here's how we play.

25:51What accident am I to ascribe this happy meeting?

25:54Rather, let me ask the same question.

25:56How are you going to tell Ophelia?

25:57I want a brother.

25:58I don't know.

26:01I can't risk ringing the dance place again.

26:03If you ask me, you should sleep in Dan's life for a while.

26:07Aye, good idea.

26:09I'll play their game.

26:11Neat calls, neat contact, neat notes.

26:14And then when the guard's down, I'll whip in.

26:17Whip Ophelia off out of the country somewhere.

26:19Get married.

26:20Married?

26:21Aye.

26:22Why not?

26:23What have you asked him?

26:25Not yet.

26:26But when the time's right...

26:27Hey, this isn't Vegas, you know.

26:29You need to permit here for everything.

26:30And if you're lucky enough to get one, you need another one.

26:33Ophelia can handle that, man.

26:35She's a prima donna.

26:36Or whatever they call it.

26:37Would that make you a citizen?

26:39I don't know.

26:40But I'd be marrying a Cuban national, wouldn't I?

26:42So they couldn't hire you.

26:43That's a hell of a church, man.

26:45I could handle it then.

26:46I like it, yeah.

26:48I like the people.

26:49I like the music.

26:50Love the drink.

26:52Wouldn't you want to go back home, Nick?

26:54Well, of course.

26:55Especially now we've been in the Champions League.

26:59Right, I'll get some drinks.

27:02This isn't over yet.

27:04I know.

27:04Why couldn't you see me earlier?

27:26I couldn't.

27:28Okay.

27:30It's a panic.

27:32You didn't get everything I wanted.

27:34I'm saying you didn't do a good job.

27:37But there's a crucial page missing from the document.

27:40I know.

27:40I've got it.

27:42What?

27:44I kept it back.

27:46What are you up to, Neville?

27:51Heather rang me last week.

27:53From London.

27:54Spook house.

27:57Why?

27:59She said, sorry, I haven't been activated.

28:02But to bide me time.

28:06In other words, she knew sod all about what we're up to.

28:08Did you tell her?

28:11Nah.

28:15Good.

28:17Well done.

28:20You see, Neville, in this game, you can't always let the left hand know what the right hand's doing.

28:26Nice try.

28:27Good bollocks.

28:28You're going to hop this around, right?

28:36Is it the Yanks?

28:37The Swiss?

28:38Or are you just up to the highest bidder?

28:44It's a shutdown, would you?

28:51Who put you up to this?

28:54What do you mean?

28:55For Christ's sake, you're a thick brickie from Geordieland.

28:58I'm not as thick as you think.

29:01When you've cut me in, I won't be a brickie anymore.

29:05Cut you in?

29:07Aye.

29:08I want to meet your contact.

29:11I want to hear from him what he'll pay for what I've got.

29:20She's at the Dance Academy.

29:22Do you know where that is?

29:23Si.

29:23Yes.

29:23Okay, now, make sure that she gets this, because it's, like, mucho importante.

29:29It's no problem, sir.

29:30No?

29:31All right.

29:32Cheers, amigo.

29:33Okay.

29:33Bye-bye.

29:34Adios.

29:34What did you say?

29:42In the letter.

29:44Oh, just that there was something very important that we'll have to discuss, and that I would

29:48be around this workplace tonight.

29:50On Vendid, isn't he?

29:53Something like that.

29:54Good to see you, mate.

30:11Blamey.

30:15How are you?

30:16I feel like shit.

30:19I look like it too, don't I?

30:20Right, you do, like, quite a little, uh, a little pen.

30:29Oh, thank you.

30:31There.

30:40I can't eat the food in here.

30:42No.

30:43I don't touch the thing.

30:44Except, you know, the stuff that Chrissie brought in.

30:50She's a character, isn't she?

30:52Chrissie, aye.

30:53Aye.

30:54Quite a character.

30:57She's, er...

30:58She's gone.

31:00Ah.

31:00No.

31:01No.

31:05Den shagged her.

31:07Come on.

31:07How's it?

31:09Come on, yeah, yeah.

31:09All right, Den.

31:10Message.

31:11Well, it moves from Harlan, aye.

31:13Yeah.

31:14I wonder if I'll ever have sex again.

31:21You'll have everything again, man, buddy.

31:23How are you?

31:25You know, I was thinking in the middle of the night,

31:27I really miss her heart-to-hearts.

31:31You're very good to me.

31:33No.

31:33No, very patient.

31:36Letting me unload my psyche, the way you did.

31:41I'm here with you, buddy.

31:42That's not gonna change.

31:43There's a rumour that I'm gonna be transferred to an ancient fortress on the other side of Cuba.

32:00I'll be like the Count of Monte Cristo, won't I?

32:03Aye.

32:04The little forgotten man.

32:05Big beard down to me now.

32:06He's like living on cockroaches.

32:16Right, buddy.

32:17Here's what I'm gonna do.

32:19I'm gonna go back and I'm gonna round the lads up.

32:21I'm gonna go to the embassy.

32:23And we'll pull the ambassador's ass you to bed if we have to.

32:25And we're gonna tell them that unless they can get you out of here,

32:28we're gonna down to us and we're gonna go home.

32:31Well, if it doesn't work?

32:32Hmm?

32:33Well, you'd be able to do a job, wouldn't you?

32:35Don't still be in here.

32:35I was thinking of writing to Tatiana.

32:47Well, you know, just so she knows that I forgive her.

32:52Why would you want to do that?

32:54Just to make me peace, you know.

33:01Because I don't think I'm ever gonna get out of here.

33:08I'm scared of us.

33:24I'm scared of us.

33:54I'm scared of us.

33:55I'm scared of us.

33:56I'm scared of us.

33:57I'm scared of us.

33:58I'm scared of us.

33:59I'm scared of us.

34:00I'm scared of us.

34:01I'm scared of us.

34:02I'm scared of us.

34:03I'm scared of us.

34:04I'm scared of us.

34:05I'm scared of us.

34:06I'm scared of us.

34:07I'm scared of us.

34:08I'm scared of us.

34:09I'm scared of us.

34:10I'm scared of us.

34:11I'm scared of us.

34:12I'm scared of us.

34:13I'm scared of us.

34:14I'm scared of us.

34:15I'm scared of us.

34:16I'm scared of us.

34:17I'm scared of us.

34:18I'm scared of us.

34:19I'm scared of us.

34:20I'm scared of us.

34:21Why are you here?

34:43You're not supposed to see my sister.

34:46I'm here to see you.

34:50Hola.

34:51Can you feel any rain on your head, Raul?

35:02What?

35:03No.

35:03No?

35:04Or a draft whistling up your arse.

35:06No.

35:07Because me and my friends fixed your roof.

35:09Fixed the holes in your walls.

35:11Came round here in our own spare time and fixed everything.

35:15We are very grateful for this.

35:16Yeah?

35:17You've got a strange way of showing it, pal.

35:19You know, if you had a problem with me seeing your sister, why didn't you just say it to my face?

35:26Eh?

35:26Then we could have sorted it out man to man.

35:28Mano y mano.

35:30Instead of all that bollocks with pebbles and shells.

35:33You know nothing of Santeria.

35:34I know why you invited us to that fiesta.

35:38You hoped we'd all get whacked.

35:40Eh?

35:40Walloped.

35:41Disgraced ourselves and get sent home.

35:44Well, my mate Barry was the victim of that.

35:46And he's in jail.

35:47It is out of my hands.

35:49Bollocks.

35:50It's your fault he's in there.

35:52And you have the power to get him out.

35:54I wish I had that power.

35:57You had the power to bollocks things up between me and your sister.

36:04Every nerve end in my body is telling me to do one thing.

36:09Smash that right into your teeth.

36:12But I'm not going to do that.

36:19No, I'm going to make your proposition, Raoul.

36:23You use your connections to get Barry out of the jail.

36:28And I'll not see your sister ever again.

36:37Well?

36:42You will make this promise?

36:45Yes.

36:46You bastard.

36:49I will.

37:08What is going on?

37:09Well, a mom brings me a note.

37:13Then I see you at rehearsal and you disappear.

37:28In your note, you say you have something important to tell me.

37:39What is that?

37:48I wanted to say goodbye.

37:50I want to say goodbye.

38:06What is it?

38:11I want to say goodbye.

38:13I want you.

38:14where to

38:29they're transferring me aren't they

38:33tell them I don't want to go

38:36I like it here

38:39I got used to it, tell them

38:41let's go

39:11Oh, uh, thank you.

39:28Mucho gracias.

39:29You've been very kind, very understanding.

39:33Buena fortuna.

39:35Come on, Babel, I've got a little more waiting for you.

39:38Oh, good.

39:39All right?

39:40Yeah, I can't believe you.

39:41It's good to have your back, killer.

39:52At least it will be once you've had a bath.

39:55Oh, go on.

39:58Sorry.

39:59Come on, get in.

40:00Oh, man, I got away, man.

40:03Who was that bloke who said, um, what was it?

40:07Well, mate, you need a bit more help than that, buddy.

40:09I've got it.

40:09Um, what doesn't kill me makes me stronger.

40:15Sounds like you, too.

40:16Oh, it was an eminent philosopher of some kind.

40:19But it's true, isn't it?

40:20I mean, everything is, you know, it's like, I mean, I went through the whole catalogue of emotions.

40:26You know, disbelief, panic, paranoia.

40:29Yeah, but I'm still here.

40:31You know, I'm looking to wake up in the middle of the night with the ABJBs.

40:34I survived.

40:36You know, you go through a thing like that, what else is ever going to possibly bother you anymore?

40:40Validness, relegation.

40:44It's true, though.

40:45It's only through adversity.

40:46I mean, finding something in it that he didn't know existed.

40:49Yeah, I don't know.

40:51Prison improved me.

40:52Did it?

40:53How?

40:54Well, it's like Barry said.

40:56I found an inner strength.

40:58And I took a sheet metal cast.

41:03I'll tell you one thing, buddy.

41:04You don't need that shrink anymore.

41:06I'll save a bob or two.

41:08You're right there, mate.

41:09Now I'm just going to wake up every morning and say it's a beautiful day.

41:13Now that is you two.

41:14I know that one.

41:15When I was inside, I promised myself something.

41:19I said, when I get out of here, I'm going to do things I've never done before.

41:22You know, like climb Kilimanjaro, take tango lessons, go hand gliding.

41:28No, we all should.

41:30Break down the barriers of the boozer and the hoods and embrace life of a capital L.

41:40Better take this outside.

41:42It's a bit noisy in here.

41:43I'll give my love to Brenda.

41:50I'm not sure that was Brenda.

41:53How was going on then?

41:56Have I been missing something?

41:58I've got a guinea pig.

42:00But I think you knew that.

42:03Hola.

42:05I'm not hearing yet.

42:06What do you want?

42:16You should be pleased to see me.

42:18I'm with me mates.

42:21I want to ask you something about your mates, Neville, before we go any further.

42:26Do they know what you're up to?

42:27No, of course not.

42:30Not even one of them, hmm?

42:32They give you some backbone, a bit of moral support.

42:36You don't strike me as the Lone Ranger.

42:38Yeah, well, I am.

42:40Look, I've got a wife and three kids.

42:42That's why I have to work all over the world.

42:44I'm sick of it.

42:45I want some sod you money in.

42:50Now, do we have a deal or not?

42:53Saturday, you can meet the third party.

42:58I'll let you know when and where.

42:59Oh, I've got my gun out of the top, but it's the other thing.

43:10Oh, the world in pitch.

43:12Hi.

43:12You sleep all night, young man?

43:14Oh, yeah, yeah.

43:15Bloody hell.

43:16Can you get up?

43:18This is a bloody luxury.

43:22Hi, so, what's the situation with the lovely Ophelia?

43:26Ophelia, eh?

43:28It's finished.

43:31What's that?

43:33It's over.

43:35Caput.

43:36Finito.

43:39Oh, that's a shame.

43:42It's a shame that is.

43:44Because here was smitten, eh?

43:54What?

43:54You finish with Ophelia, he comes out to Nick, and her brother's got friends in high places.

44:01Am I connecting the right dots?

44:06Didn't have a choice, man, then.

44:09Not after I saw him in that shit hole.

44:15It's a hell of a price to pay, man.

44:16I'll put it down to experience, eh?

44:27That's what you get when you don't get what you want.

44:30What's this?

44:58It's a safe meeting.

45:00I want to not keep out.

45:01I was just going to grab a quick shower before I get off somewhere.

45:04No, it won't keep.

45:05Sit down.

45:11What do you want to talk about?

45:13I want to talk about you, Nev.

45:14The object of this meeting is to talk about you.

45:16It's like, if you were a drug addict, this would be an intervention.

45:20That's what they call it, you say.

45:23Now, you sit there, and we tell you what an arsehole you've been.

45:27Oh, I don't have to listen to this.

45:29Yes, you have.

45:30Look, you've been acting very peculiar ever since you got here.

45:33And we are now, you're bonking that pro.

45:36Hey, that's my concern.

45:38No, it's not, man.

45:39Look, we all know Brenda.

45:41You're the last marriage left, man.

45:42What's going on?

45:43And then there's all that other stuff.

45:46What other stuff?

45:47Him and me have seen you out with Chinese people.

45:50Not that we got anything against Chinese people, man.

45:53It's just very strange that you prefer to go out with them and not with us.

45:57And Tina said you've been hanging out with that talking bloke all the time.

46:01What you and him got in common, eh?

46:02What about this mystery phone call to Brenda?

46:04I mean, she's sounding like you've been kidnapped or something.

46:07Look, there's reasons for all this.

46:11It's personal.

46:12It's private.

46:14Ah, maybe there is now, but how do you explain this?

46:19Eh?

46:23Where do you find that?

46:25Oh, under your matters.

46:29You've got no right going through my things.

46:32Your things?

46:33Hold on a second.

46:34I'm not exactly sure what that thing is.

46:36That is the Man U souvenir shirt from when they won the Champions League.

46:41You wore that in a bar one night.

46:45He told me not to tell none of you.

46:46Why did you do that?

46:47Why did you do that, Nev?

46:48Eh?

46:49What would have driven you to that kind of deception?

46:51All this time, then, we've been living with a closet man you've had?

47:02Look, if you remember, I never wanted to come on this job, leave home again.

47:10But when I went to the Lake District with the girls, you know, I was approached by British

47:15intelligence.

47:16Oh, that's very poor, Nev.

47:19Nice try, Nev, but you'll have to do better than that.

47:23Look, it's true, man.

47:24Why do you think I'm here?

47:27It's the only reason you lot are here.

47:29See, I turned them down.

47:32Then they said that if I played ball, we'd get the gig.

47:36I'm not supposed to say any of this to you.

47:38I've signed the Official Secrets Act.

47:41If you blab about this, I could be shot for treason or whatever it is they do.

47:46You're really serious, aren't you?

47:57Why do you think they changed their mind about Oz?

48:01Well, you did that.

48:02You went back in there and I made a phone call.

48:06And the OED did a complete warning at the time it took us to get a round of drinks in.

48:11Bloody hell.

48:13Never want to spy.

48:14I've hated every minute of it.

48:18Lying to all of you, lying to me wife.

48:21Why do they pick on you, Neville?

48:23I suppose because I'm the least lady.

48:27Just ordinary.

48:28Not anymore.

48:29You could write your memoirs.

48:31They might only publish them in Australia, then.

48:34I'm not even very good at it.

48:37I had a doctor of bloke's drink one night.

48:40You know, knock-out drops.

48:42Go away.

48:44Hell's teeth.

48:45That's bloody hard core.

48:48I drank it myself.

48:55Sorry.

48:56I'm glad this is happening, really.

49:03It's been a terrible story.

49:11I'm really glad you did this, really.

49:13Thanks.

49:18Let it all come in.

49:20Don't hold anything back.

49:22I think this is where we should all fog.

49:26Dear, you and Mum, we didn't know how to cancel our luck.

49:30You're with your friends.

49:33Dear me, you look like you're bloody Sopranos.

49:36Big relief, though, eh?

49:46Yeah.

49:47I bet you feel like you've just passed the bowling ball.

49:50No, it's something like that, Moxie.

49:57Okay, Seymour.

49:58Here you are.

49:58Full speed this time, mate.

49:59Well, that's me off.

50:04Wish us luck.

50:05What's the plan, exactly?

50:07Well, we're meeting in the square by the cathedral.

50:09They'll have some cameras somewhere, I think.

50:11They're trying to flush out Tartwin's contact and then collar them both, I suppose.

50:16Anyway, I've told them.

50:17After that, I'm done.

50:18There he is, nerves of steel and ice in his veins, the comforting bulge of a smith and wesson

50:25tucked under his left armpit.

50:28The name's Hope.

50:29Neville Hope.

50:31Piss off, Mox.

50:32I'd button it, Blofeld.

50:34Mind how you go, Neville.

50:35Oh, I'll be having a drink with the lads tonight.

50:37You can bet on that.

50:48You can bet on that.

51:18I'll be having a drink with the lads tonight.

51:48It's done.

52:02He's leaving.

52:02Stay with him till he reaches the car.

52:04Don't you?

52:05Don't you?

52:06Don't I?

52:06Don't you?

52:07Don't you warm me?

52:19Once you walk behind you?

52:20Don't you?

52:21Go.

52:22Get him!

52:23Go.

52:24Go.

52:25terce стол.

52:25We've lost him.

52:36Oh, shit.

52:38I can see him.

52:39Where?

52:43Help!

52:45Help!

52:55We can climb up that.

53:05Oh, hang on, man.

53:05That scuffling's here to hold the building.

53:07We'll climb up that.

53:08We'll catch the whole lot, don't you know?

53:10Well, that's the only one way to find out.

53:12No, no, no.

53:13You must find it.

53:21What are you doing?

53:25Sit down.

53:31Come on, sit down.

53:34Where?

53:35Who are you working with?

53:45Who are you working with?

53:48Have you got your phone on you?

53:50Phone?

53:50Aye.

53:51Give Neville Bell.

53:52Oh, we are here.

53:55Where is that coming from?

54:04Give it to me.

54:15Over here.

54:16Now you'll tell me.

54:23Who called you on the telephone?

54:25I see.

54:26Who was it?

54:27No one.

54:28Tell me, my friend.

54:29Who called you?

54:30Who know about you?

54:32Come on.

54:34I've already told you.

54:35I'm coming from you.

54:36You will tell me.

54:38You'll tell me.

54:40There's no noggins in that wall.

54:41Who know about you?

54:44Bloska.

54:45Oh, yes.

54:58And where do you think you're going?

55:02Where did you call an intervention now?

55:05Oh, that's to me about this week.

55:07You've already got a photo idea of Tarquin's contact.

55:15Sounded American.

55:17He is.

55:18Name's Frank Chesser.

55:21What is he?

55:22Wheeler-dealer.

55:23Middleman.

55:24He'd be the one who'd shop your info to the drug companies.

55:27Who put them goons under us?

55:30Tarquin.

55:31Cutting you in must have pissed him off.

55:34Against his principles.

55:34What'll happen to him?

55:38Nothing good, Neville.

55:41What'll happen to me?

55:43I want out.

55:44I really do.

55:46No more than you deserve.

55:48And, er...

55:49Thanks, Neville.

55:52Sorry we nearly blew it today.

55:53Fortunate, wasn't it, that your friends were around?

56:03Yeah.

56:05Coincidence?

56:07No idea why they were there at that precise moment.

56:11They'd went to the fiesta, hadn't they?

56:13Hoping to meet some women, I should think.

56:15You know, when someone's done something like you have, Nev, the government usually rewards them.

56:30What do you mean, reward?

56:31Well, you know, something off the honours list.

56:34OBE, KGB, MGB, something like that.

56:37I don't know.

56:37No, no, no, no, no, it's perfectly possible, Nev.

56:41They'd wait a few years, like.

56:43Then your name will pop up on the birthday's honours list.

56:46Or they'll ascribe it to something else, of course.

56:48Services to Brickleon.

56:50Yeah.

56:52You could have your own coat of arms, Nev.

56:54The Bricklea's arms?

56:56I mean, your Brenda, she'd fancy a day down the palace, wouldn't she?

56:59You've got to spring for a new hat, Nev.

57:02It's not going to happen, man.

57:07Can't hear if it did, though, bud.

57:09Aye.

57:11Hey, if we stick with this OED, we'll meet, I'll end up with summit.

57:16I'm in no hurry to leave Cuba.

57:18Yeah, I hear that.

57:19Do you need it?

57:20Well, I still think we should do more to absorb the cultural heritage of this place.

57:25I'll take advantage of it while we're here.

57:27Well, I'm going to smoke cigars and we drink rum and moxie races guinea pigs.

57:36What else is that?

57:37I was thinking more of something that would initiate us into the ritual of Cuban amor.

57:42One, two, three, four, five, six.

57:50And one, two, three, four, five, six.

57:54Muy bien.

57:55Shadera.

57:56Muevanse.

57:57Baila, baila.

57:59Baila, baila.

58:03Baila, baila.

58:06Baila, baila.

58:08Oye.

58:11Baila, baila.

58:14Baila, baila.

58:15Baila, baila, baila, baila.

58:45Baila, baila, baila, baila, baila, baila, baila, baila, baila, baila, baila, baila, baila, baila, baila, baila, baila, baila, baila, baila, baila, baila, baila, baila, baila, baila, baila, baila, baila, baila, baila, baila, baila, baila, baila, baila, baila, baila, baila, baila, baila, baila, baila, baila, baila, baila, baila, baila, baila, baila, baila, baila, baila, baila, baila, b

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