Project Runway Season 7 Episode 10

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Transcript

00:01Previously on Project Runway...

00:03Designers, for this challenge, we're sending you out into the city.

00:07You will be working in teams of two.

00:11Jay, you're working with Mila.

00:12Wow.

00:17Ew.

00:18Welcome to Harlem, baby.

00:19Amy's style in Upper East Side might be a little bit of a clash.

00:23I just have to get over the fact that I don't like her.

00:26Jay hasn't even started a tank top yet.

00:28I have about a million pleats to make.

00:30Oh, shoot.

00:32We're .

00:38Emilio, congratulations.

00:40You are the winner of this challenge.

00:42Seth Aaron, you are also the winner of this challenge.

00:45Yes!

00:46Amy, you're out.

00:48Which model will be in?

00:50I'm gonna stay with Brittany.

00:53I'm sorry, Holly, that means you're out.

00:57This is Project Runway.

00:59Yes!

01:00I am fashion.

01:01Look at me.

01:02It's cut or be cut.

01:03Just make it work.

01:04Great clothes.

01:05Great style.

01:06Three finalists will make it to Mercedes-Benz Fashion Week.

01:09Well, I won't do anything to win.

01:11I will.

01:12But only one can be the winner.

01:14My weapon of choice.

01:16For these 16 designers, Project Runway is the chance of a lifetime.

01:20The winner of Project Runway will receive a fashion spread in Marie Claire magazine.

01:24An opportunity to sell their line on bluefly.com.

01:27A $50,000 technology suite to create, design and run their business from HP and Intel.

01:33And $100,000 from L'Oreal Paris to launch their line.

01:37Losing Amy was really tough.

01:52The only thing that's saving me from being completely overwrought by this is that she's

01:59so strong.

02:00So, it's game on from this point forward.

02:02Everybody know what my black sunglasses are.

02:05I am closer to Bryan Park than I think most people probably ever expected me to get in

02:10this competition.

02:12But my eye and my focus is still on the prize.

02:16I'm a little jealous that, you know, Seth Aaron and Amelia won the challenge.

02:24I'm one of two girls, and I'm the youngest one.

02:27You know, it's definitely scary now that there's only a few of us left.

02:31Let's go.

02:32All right.

02:33Let's go.

02:34I won yesterday, but I'm normal today.

02:36You're normal.

02:37I'm normal.

02:38Hello.

02:39Hi.

02:40Now there are only seven of you left.

02:54So, for your next challenge, we want you to take your creativity to the next level.

02:58Let's just say the next challenge will involve more than just choosing your fabric.

03:03What does that mean?

03:04Are we going to get a couple pocket elves to help us sew?

03:05I mean, what is it?

03:06Good morning, designers.

03:07Good morning.

03:08Good morning.

03:09I am thrilled to introduce Vivian Tam.

03:10I'm so excited to be here.

03:19Yeah.

03:21Yeah.

03:23Yeah.

03:25Yeah.

03:26Yeah.

03:27Yeah.

03:28Yeah.

03:29Yeah.

03:30Yeah.

03:31Yeah.

03:32Vivian is a designer who understands how to marry the art of fashion with the science

03:36of technology.

03:37You're going to be doing something that every fashion designer dreams about, but seldom

03:42realizes.

03:43You're going to be designing, creating your own textile to serve as the core of the design

03:51that you developed for this challenge.

03:52Wow.

03:53Yes.

03:54Exciting.

03:55Very exciting.

03:56I am so excited about creating fabric, and I'm completely confident that I'm going

04:00to be able to really create something that's me.

04:03You've all been using your HP TouchSmart notebooks.

04:05Now you're going to carry it over into a TouchSmart all-in-one desktop to design your textile.

04:12And that textile will be digitally printed for you.

04:15Working with HP, they make the computer more personal.

04:17Today, the challenge is all about fashion myth technology.

04:21My vision started with this beautiful butterfly, and it turned into this beautiful fabric.

04:26My prints are my inspiration.

04:29Now it's your turn to make your designs.

04:32HP and Intel are proud to bring you the technology.

04:35Now you have to supply the vision.

04:37So designers, you will have an hour to develop your design, and your design will be manufactured

04:44by Dynamics.

04:45So you will receive it tomorrow morning.

04:47It's so challenging, huh?

04:49Yeah.

04:50So you have two days for this challenge.

04:53We will be going to Mood, where you will buy supplementary fabric.

04:57And then today, you can prototype in muslin.

04:59And Vivian, we have you and HP and Intel to thank.

05:02So thank you so much.

05:03I'm looking forward to seeing your prints.

05:04So we're going to let you design.

05:05I'm so excited about this because I've never designed my own fabric.

05:11It's amazing.

05:13Absolutely amazing.

05:15I've never made my own fabric before.

05:17It's exciting, but at the same time, it's challenging and nerve wracking.

05:22Prints don't typically work for Anthony, so this is just a challenge.

05:26However, I'm trying to remain focused because ultimately, we have like an hour to design a

05:31textile and print it out.

05:32So here we go.

05:35My idea is to create something that emulates giant drips of paint on a canvas.

05:43I am using a paintbrush to create my design and it truly feels like I'm painting.

05:48I've chosen to use a technique to create my pattern that's actually subtractive.

05:53It's kind of scrolling, organic, very painterly.

05:57This is fun.

05:58I want one of these.

05:59I want one of these.

06:00I wouldn't need a TV anymore.

06:02As a designer, I think branding is what we want to do.

06:06So I chose to do a graffiti print with my initials.

06:10Ryan Park.

06:11Here we go.

06:12Do we have time to print so I can see what it may look like?

06:14All you have to do is press print.

06:16Oh.

06:17And it'll automatically just go.

06:18I want to show the judges that I can use color and I am using black again but I'm using red

06:33and a little bit of bright orange in this palette.

06:37All right, designers.

06:40This is very exciting.

06:41We're sending off your fabric to be manufactured and we're heading off to move to get supplemental

06:46fabric.

06:47All right?

06:48So come with me.

06:50All right, designers.

06:54You have $100 and 20 minutes.

06:57So surely after all this designing of the textile, you know what you're doing.

07:01I see looks of fear.

07:04Your 20 minutes starts now.

07:14I design five to ten sketches really quickly and then I look for fabric.

07:18The fabric that I find that best suits the design is what I go with.

07:22Girl, this looks like algebra.

07:28Give me an eighth of that.

07:29Okay.

07:30All right.

07:31All right.

07:32All right.

07:33That's it.

07:34Time, everyone.

07:35You need to be at the counter ready to pay.

07:36I'm like running like crazy.

07:37Oh my God.

07:38I can't wait.

07:39Thanks.

07:40Woo.

07:41Off we go.

07:44Come on, everyone.

07:45Let's go back to Parsons.

07:49I'm doing three pieces.

08:04A jacket, a skirt, and a top.

08:06With the more time, the judges are gonna want to see more work.

08:10My plan of attack is to first start drafting and designing a strapless dress with a V neck.

08:17I'm also using a giant piece of the print on one entire side of the dress.

08:23Jonathan, hi.

08:24I'm sunshine.

08:25Oh my God.

08:26That's the brightest yellow I've seen in my life.

08:28It's so bright, isn't it?

08:29Mila.

08:30There's just a lot of things wrong with the fabric that she designed.

08:35I think that like when we were children, we played with Legos.

08:38I don't want to wear Legos.

08:39I just want to play with them.

08:41I'm just hoping.

08:42What is your print look like?

08:43Can I look at it?

08:44Well, this is it.

08:45But it's actually.

08:46Where is it?

08:47It was so transparent.

08:48It has to be printed.

08:49Oh, this is it.

08:50My print was so light that when I printed a mock-up of it, I actually couldn't even see

08:55what it looked like.

08:56So I'm worried that that could jeopardize my original vision.

09:00What are you making?

09:01A jacket.

09:02A little foreign ass out of myself.

09:04I figured I'd try something new this time around.

09:09Anthony's trying separates again.

09:12In this challenge, I'm thinking about doing separates simply because I'm trying to create

09:17a more edgy look for myself, but already I'm feeling a little iffy about it.

09:23Lord, I'm gonna pray now for this jacket.

09:26Cause I've never made one L in my life.

09:29Okay, I'm gonna run with it.

09:32But I'm fighting my viscera.

09:35So I started draping a blue leather, like, bustier.

09:40And then when I had it all completed, I put it on the dress form and I hate it.

09:43Do it this way.

09:44If it was somebody else's garment coming down the runway, what would you say about it?

09:49It's now or never.

09:50I'm not gonna have a second chance if I don't do this right.

09:53Okay.

09:54Okay.

09:55Think.

09:56Think.

09:57Think.

09:58Think.

09:59Think.

10:00Think.

10:01Think.

10:02Think.

10:03Think.

10:04Think.

10:05Think.

10:06Think.

10:07Think.

10:08Think ¡D Forson Balúcle.

10:10Okay.

10:11My viscera tells me to abandon the blue.

10:14Leather bustier.

10:15No honey, trust your guessed.

10:17You don't like the blue?

10:18I don't like the blue.

10:19I'm not crazy about the blue.

10:20It's not talking to me.

10:22As a designer, I think I have the right

10:24or just the preference to change directions

10:26any time I feel like it.

10:27So I just took it apart and started over again.

10:32Maya, you must be dying something.

10:33Dying something? No.

10:35I'm having some difficulty with the print challenge

10:38because I don't normally work with prints.

10:40I think I might be in trouble this time.

10:43You know, I blame Beyonce for everything

10:46that go wrong in my life.

10:48It's something about her song

10:50that will make you think, first of all,

10:52that you are a size four,

10:54that you can conquer the world,

10:56and that, I don't know, you are all powerful.

10:59Do you think Beyonce has a song

11:01for the people who can't find jobs?

11:03Or the interview that you didn't do so well in?

11:05Do she sing any songs about that?

11:07I think everyone loves Anthony.

11:10I don't even think he tries to be funny.

11:14I love that about him.

11:15I wouldn't like Oprah,

11:17because out of all the days she could book me for her show,

11:19she booked me for the show,

11:20where she gonna be screaming,

11:21you'll get a car, you'll get a car, you'll get a car.

11:24Oprah don't book me on the,

11:26my husband has a porn addiction.

11:28No, Oprah, I don't want to be on that show

11:31because my uncle Leroy got that same problem.

11:33I do not purposely try to be entertaining in the workroom.

11:37Even when I'm like pouring out my heart

11:39and like being like somber and all that,

11:41people still laugh at me for some reason.

11:43Ah!

11:44What?

11:51I can't wait to see my fabric.

11:54You know, if the colors are off,

11:55it's gonna look like crap.

11:57I feel great leaving the workroom tonight.

11:59Myself and all the designers included

12:01are so excited to see our printed fabrics.

12:03Now we can leave.

12:05Woo!

12:13Hello?

12:14Hey, how are you?

12:16Happy birthday.

12:17Thanks.

12:18So how's the puppy?

12:19I think so fine.

12:20If I sit and think about how much I miss my family,

12:24it will affect why I'm here.

12:28I'm here to win Project Runway season seven.

12:31OK, I'll call you again, baby.

12:33OK, I love you.

12:35Love you, too.

12:35Bye.

12:42Jesus, Jesus, Jesus.

12:43Oh, my God.

12:47Oh, my God.

12:49All of us walk into the workroom,

12:51and our textiles are ready for us.

12:54Now we're watching our beautiful creations unfold.

12:57Ah, I love it.

12:59We made our own fabric.

13:00Oh, my God.

13:02I love you, and I don't even know you yet.

13:05Oh.

13:07Oh, my God.

13:08Wow.

13:10I open my roll, and it's beautiful.

13:12It's the most beautiful grayish blue.

13:14There's this beautiful oil spot effect kind of going on,

13:18and the sheer layers are.

13:20It's just really gorgeous fabric.

13:21Wow, it's so vivid.

13:23Yeah, the color's so great.

13:24Did you want it to be this vivid?

13:25Yeah.

13:26Oh, my God.

13:27Can we make out with our fabric?

13:28I'm like a mother looking at her bag.

13:29This is amazing.

13:31S-A-E-S-O-S.

13:35E-S-O-S-A.

13:38OK, I don't get it.

13:39E-Sosa.

13:41E-Sosa.

13:42Emilio Sosa.

13:43Oh, got it.

13:44E-Sosa.

13:44Sorry, it's early still.

13:46Damn, Mercedes.

13:47I think Emilio's print is probably one of the worst in the room.

13:53Emilio is good at fitting things, but I feel like his taste is

13:58questionable.

13:59I am so freaking stoked on this.

14:03My fabric looks freaking amazing.

14:05So I think I have a very, very powerful look in front of me.

14:08Yours looks like he's coming along beautiful.

14:12I like the print.

14:14I'm just having a hard time with-

14:17The dream?

14:18Well, I just don't know how me it is.

14:20I'm kind of, you know, wondering what I should do.

14:23This isn't really a challenge where I can be very sculptural.

14:26So I'm really trying to put something together that

14:29represents me.

14:34All right, designers.

14:35I'm eager to see the outcomes of your custom textiles.

14:40So I'm just here to check in with all of you.

14:41And Milo, I want to start with you.

14:43Okay, great.

14:44I'm so happy with the way it turned out.

14:46I know it looks kind of evening, but the twill makes it feel,

14:50you know, more daytime to me.

14:52So you want it to read evening?

14:53I don't want it to read evening.

14:54But isn't it the length, sort of by definition?

14:56Well, yeah, but I just thought it was like, you know,

14:58maxi dress kind of for a spring event kind of thing.

15:02All right.

15:02All right, well, I'll just-

15:04Carry on.

15:05Carry on.

15:06Thanks, Milo.

15:07Thank you, TG.

15:08I did a three-piece suite.

15:09I see it as being early spring.

15:11So I'm doing a lightweight leather jacket.

15:14It's a wrap jacket.

15:15She'll have a prim, little fitted dress with a blouse.

15:19My one concern, the proportion of this to this.

15:24Too much here.

15:24Just look at that when it's on her.

15:26Yeah.

15:27Thank you, Tim.

15:29This is my textile, which is a graphic.

15:32What is it supposed to say?

15:34Uh, it says E Sosa.

15:37And S-A is Seth Aaron?

15:38Seth Aaron.

15:39Emilio Sosa, S-O-S-A.

15:42I see.

15:43Seth Aaron Emilio Sosa.

15:45Oh, I didn't see that.

15:46That's all I see.

15:48Well, I don't see that.

15:50Emilio Sosa, S-O-S-A.

15:52I see.

15:54Wow.

15:55All right.

15:56I have to recalibrate my thinking, because that's not

15:58what I see at all.

15:59So basically what I wanted to create was a 1940 silhouette

16:03combined with, like, a graffiti print.

16:05That's why I did the text.

16:07I wanted the print to be the thing.

16:10And that is what it is, because if you take the print away,

16:13it's a pretty basic silhouette.

16:15Well, I would say it's a classic silhouette.

16:17Tim Gunn comes in, and automatically, he mocks it.

16:19And I'm like, OK, great, Tim.

16:23But you know what?

16:24I do not listen to Tim, whether he likes it or not.

16:27Tell Seth Aaron, this is my sketch.

16:29When creating my textile, I went for a British pop punk feel.

16:33Do I say it?

16:34Oh, absolutely.

16:35It printed wonderfully.

16:36The tiles are a little larger than I thought they would be.

16:39This is fantastic.

16:43This needs to be just as good.

16:46All right.

16:47All right.

16:47Thank you, Seth Aaron.

16:49So for this challenge, it's a little bit of a challenge for me,

16:55because I'm not really a print type person.

16:57Really?

16:58You'd fool me.

16:59I mean, I'm trying to make it as me as possible,

17:02but I kind of had a block on this challenge, to be honest.

17:05I'm trying to work it out.

17:06Unblock.

17:06I know.

17:07Unblock.

17:07Someone's going home.

17:08You don't want it to be you.

17:09I know.

17:10I'll figure it out.

17:12OK, thank you.

17:13Thank you so much.

17:15So talk to me about what you're designing.

17:18What I'm designing is just celebrating the lines that are in the pattern without being

17:23so literal, like showing them in the skirt and showing a little detailing in the bodice.

17:28I'm concerned that the judges may say to you that you weren't ambitious enough.

17:33So, work away.

17:34Well, thank you, Tim.

17:35Thank you, Anthony.

17:36All right, designers.

17:37So you have until midnight tonight.

17:38All right.

17:39I'll see you tomorrow.

17:42That is so cool.

17:43It's perfect.

17:44Good.

17:45I hope they don't see that I got wet right there.

17:48A lot of designers never get the chance to design their own fabric.

17:55No.

17:56Carrie tries on the blouse.

17:57We get the dress on her.

17:58It's great.

17:59There's minor alterations to it.

18:00But overall, the look looks fantastic on her.

18:03You know, I'm completely convinced that I've got a really great look on my hands.

18:06This is, like, getting so hard.

18:10Just, like, most of my work, I like to be dimensional and prints are, like, so flat.

18:15It was hard in the beginning, but I feel like it's harder now.

18:18And I really want to win a challenge.

18:20That's, like, all I'm focusing on.

18:23I don't want to be safe.

18:24I don't want to be in the top and not win.

18:26I want to win a challenge.

18:29Mila and her white teepee of a dress I'm baffled by.

18:34How can someone call themselves a designer and not be able to work in color?

18:39I'm very confident in my color and fabric choices.

18:43It's definitely taking a risk, but I feel like at this point in the competition,

18:47I have to take risks and I have to listen to what the judges are saying.

18:57Anthony, how is your fitting?

18:58I'm trying to figure out if I want to keep working with this bodice or abort.

19:03Anthony's taste is questionable sometimes.

19:05I mean, he's a joy to have around.

19:07I'll be sad to see him go if he does before me, but I just can't imagine him making a collection for Bryant Park.

19:14Bidaboom. Bidaboom.

19:16So runway's tomorrow, and I feel good.

19:19I know it's totally me.

19:20Obviously, I created the fabric.

19:22How's it going?

19:23Oh, it's going, Maya.

19:25The bodice, it's just too big.

19:27It's large, and I just think that it's going to be really cumbersome to try to work through these alterations.

19:33I basically scrapped my first top.

19:35The fit wasn't incredible, and it was one of those, do I keep working on this top, or do I go to something I know I can make fit and look fabulous?

19:43It's given me quite a conundrum trying to work through my reality and what may happen tomorrow.

19:50What did I do to do therapy?

20:05Whew, so tired.

20:08I didn't sleep last night.

20:10Really?

20:11I'm feeling so exhausted this morning.

20:13This is definitely not the easiest challenge for me.

20:16It just feels a lot more intense than it has so far.

20:19You look like a gay Christmas ornament.

20:23Why'd you say that?

20:24Yeah, now he's going to want to change.

20:26No, you look beautiful.

20:27I'm sorry.

20:28Babe, I'm sorry.

20:29Babe.

20:30Babe.

20:31It's going to be a nice runway show today.

20:33I feel so strong about my fabric and my design, but you never know how the runway is actually going to go, because in Project Runwayland, anything can happen.

20:43Are we leaving?

20:44I'm going to change my pants.

20:46I think you look hot.

20:47Oh, my God.

20:48Thanks, Anthony.

20:49Sabotage.

20:50All right, fellas.

20:51We are leaving as three.

20:52We're coming back as three.

20:53Returning as three.

20:54Three.

20:55I still think I have a great chance of going to Bryant Park.

20:59I'm trying to focus a lot on being very consistent and pushing the boundaries with my design.

21:06If I can't get sleeved on a jacket in an hour, then there's just something wrong.

21:11Wait, wait, wait, there is something wrong with me.

21:12I did a lot of pieces.

21:13I did a lot of pieces.

21:14I did a shirt, a tie, a blazer, pants.

21:16So I'm pushing it to the last second today.

21:17Anthony has a lot on his plate this morning.

21:18Right now, I'm trying to figure out what can I do to make it better.

21:19I'm trying to figure out what can I do to make it better.

21:20I'm trying to figure out what can I do to make it better.

21:21I still think I have a great chance of going to Bryant Park.

21:22I'm trying to focus a lot on being very consistent and pushing the boundaries with my design.

21:29If I can't get sleeved on a jacket in an hour, then there's just something wrong.

21:33Wait, wait, there is something wrong with me.

21:34I did a lot of pieces.

21:35I did a shirt, a tie, a blazer, pants.

21:39So I'm pushing it to the last second today.

21:43Anthony has a lot on his plate this morning.

21:45Right now, I'm trying to figure out what can I do to make my dress a little more special.

21:51Yay, turtleneck.

21:52Done.

21:53I'm definitely ready for the runway show based on the amount of work I put in last week.

21:57But you can't even tell anymore who is in trouble or who's going home.

22:02It's such a tight competition at this point.

22:06Good morning, everyone.

22:08Good morning.

22:09I'm about to send in your models.

22:11You know the drill.

22:12You'll have an hour to send them to the Garnier Hair Salon in the L'Oreal Paris Makeup Room.

22:16Use the bluefly.com wall very thoughtfully and strategically.

22:20I will be back to take you down to the runway a little later.

22:23Thank you, Tim.

22:24All right, make it work, everyone.

22:31Can I try something on you real quick?

22:35So I didn't do it just plain down and do a little kick, please tell me that.

22:38Nice.

22:39I don't really care for Jonathan's look.

22:41It's really pale.

22:42And then when you look at the colors, they're really pale.

22:45And Jonathan's really pale.

22:46And it's just like, I just want to take a bucket of paint and just throw it over on this side of the room.

22:50Because everything is pale as hell.

22:53I'm so happy with this print, too.

22:55I couldn't be happier.

22:57I think Mila is in trouble due to the fact that her dress is so stiff and that Brandeis can't walk.

23:04Oh, I think it's so cool.

23:05Yeah, I like the hair like that.

23:06Oh, I like it.

23:07Okay.

23:08And let's go down to hair and makeup.

23:14And a little bit of black smoky at the top, not at the bottom, no.

23:17Really dark.

23:18No colors.

23:19I just want to hear it pulled back in upon the tail and blunt.

23:30Structured to the side.

23:34Designers, in 10 minutes, we are all going down to the runway.

23:4110 minutes.

23:43I think it's cool.

23:44I think it's cool.

23:45I think it looks great on you.

23:46I love the way the dress came out.

23:47I think it's totally me.

23:48But it's going to be a real matter of taste this time.

23:49So we'll see what the judges think.

23:50Go to Jay and Brittany.

24:03There's nothing else in that room that can top this.

24:09The print is smart, is bold.

24:12I feel good.

24:13I love the way that it's loose.

24:15Because it is a day look, so.

24:17I don't want to go home.

24:19My biggest fear is getting so close that I can see Bryant Park out of the corner of my eye and then losing it.

24:27Designers and models, we're off to the runway.

24:30Right here.

24:31Right here.

24:32Right here.

24:40Thank you, everyone.

24:41Welcome to the runway.

24:52As you know, in fashion, one day you're in.

24:54And the next day, you're out.

24:56You're out.

24:57For this challenge, we gave you the tools to design your own fabric.

25:01This is a project runway first and an opportunity that a lot of designers dream of.

25:07I hope you'll wow us because now the competition is tougher than ever.

25:12Okay, let's meet the judges.

25:14First, we have top American designer, Michael Kors.

25:17Hey, guys.

25:18Hi, Michael.

25:19Hi, Michael.

25:20Fashion director for Marie Claire Magazine, Nina Garcia.

25:22Hi, Nina.

25:23Hi, everyone.

25:24And fashion designer, Vivian Tam.

25:27Hi.

25:29We will score your designs as they come down the runway.

25:32One of you will be named the winner and one of you will be out.

25:37Let's start the show.

25:42It's pretty amazing because 24 hours ago, I was drawing this pop art on a computer screen.

25:48And now it's walking down a runway.

25:54It's crisp.

25:55It's clean.

25:56It's fully finished.

25:57And it's just everything I wanted it to be.

26:02I think my garment has definitely achieved everything I set it out to achieve.

26:09The print is soft and subtle.

26:11And the mix of the textures is really beautiful.

26:13And the colors look great on Carrie.

26:26The dress looks very electric and it looks like it's moving, which is what I wanted.

26:31It's very bold and powerful.

26:33There's the textural element and the print element.

26:36I love it.

26:45As I watch Lorena, I'm like, we got this.

26:48The print is graphic, it's bold, it's energetic.

26:52It says everything that we were challenged to do.

26:55My print is spot on.

27:01I love my dress.

27:06I love the little jacket with it.

27:08But then Brandeis has picked the dress up on the side to walk with it.

27:13And I'm really freaking out about that.

27:16But I used print in a way that no one else did.

27:28I am very proud of the look that I created for Christina.

27:32She looks polished and she looks feminine.

27:35She looks like a lady.

27:36That's everything that I try to exude as a designer.

27:49The whole look turned out the way I wanted it to be.

27:51It has this very military-inspired attitude and the fabric has this tribal feeling to it with the black and the green.

28:00J, congratulations.

28:13Your scores have qualified you to move on to the next challenge.

28:16You can leave the runway.

28:23The six of you have the highest and the lowest scores.

28:27One of you will be named the winner.

28:29And one of you will be out.

28:32Let's bring out your models.

28:42Emilio, tell us about your print and your design.

28:46For this challenge, I wanted to showcase two of my greatest influence, which is graffiti and 1940s French fashion.

28:54So I decided to create a print using text.

28:58It says E Sosa, which is my name.

29:01And the hearts represent the O's.

29:03I have to say, I am in love with the whole outfit.

29:07The coat is just a different, unique shape.

29:10She looks very sophisticated.

29:11And then the dress underneath is stunning.

29:14You nailed it.

29:15You nailed it.

29:16I mean, you nailed it.

29:17To come up with a signature pattern and that it's abstract, how great is that?

29:23I would love to wear it, but I would love to see the heart shape in the neck or in the waist area with the black.

29:29So it ties back to the print.

29:31The unexpected juxtaposition of the 40s and the graffiti was fantastic.

29:37She looks great from head to toe.

29:39Thank you very much.

29:40Mila.

29:41Okay, I wanted to create something painterly for my print.

29:45I thought because it was such a large scale, I wanted to show a big piece of it.

29:50I worked on the strap detailing and I just made a little jacket to show some versatility in the way that it could be worn.

29:58I don't find anything intriguing about this print.

30:02It's like a Mexican Serape gay flag.

30:05And no matter how great your model is, she literally was hobbling down that runway.

30:12I love that it's finished, but this dress is definitely something that you've seen in the 70s before.

30:19It looks too stuck in time.

30:21This is not much of a print.

30:23You used it very modestly.

30:25This print, it doesn't go with this dress.

30:28It's like a mixed message.

30:31Anthony.

30:32I thought to myself, hmm, Anthony, let's try playing with color and geometric shapes to see if we can give you a little edge this time around.

30:40I wanted something that was structured, but something that was a little festive at the same time.

30:44I think there's a few things that are going on that I don't quite understand.

30:48Is the shrug, is this a shrug?

30:50Um, that's an interesting question, Nina.

30:53Nina, the initial jacket that I created, honey, she died.

30:58So in the final hour, I had to create a different piece.

31:01Like, you stop explaining.

31:02Just say it was a shrug.

31:03I didn't know.

31:04It was a shrug.

31:05You're trying to go more modern.

31:06But you still hold on to some of the things, quite honestly, that make it look very normal.

31:12The sweetheart line may be too sweet for the architectural prints.

31:15I can see your effort.

31:17But you didn't go further enough to develop it.

31:20I feel like I've seen this many times from you, this silhouette.

31:23I just would love to see something different.

31:28Seth Ann, tell us about your design.

31:31I like to draw pop art.

31:32So this is hand-drawn and represents a vibe of a young lady's face.

31:38And then I gridded it in thick windowpane.

31:41This complete look represents me 100%.

31:44What I like about you, Seth Aaron, is that you're always true to yourself.

31:48You know, the whole color combination is wild and crazy, but it works at the same time.

31:53It's impeccable.

31:54It's got personality.

31:56And each piece on its own, they're great pieces.

32:00I thought your print was very charming.

32:03And I love the fact that you did this jacket.

32:06It looks sharp.

32:07It looks very well made.

32:09Adorable.

32:11Maya.

32:12Well, for this challenge, I wanted to create a textile that had a lot of movement.

32:16And I'm really trying to pull the flat and the textural quality to combine a total architectural, sculptural look.

32:24And I really like the way it came out.

32:27I think it's very me.

32:28I think you did a brilliant job with your print.

32:31It's almost like electricity.

32:33However, you have the print, the textured panel, and then you have her hair.

32:37There's a lot going on.

32:39The coolest thing about this is that this look has this weird juxtaposition going on.

32:46She's kind of like a romantic warrior.

32:49Every way I look at the dress, I'm intrigued.

32:52In general, I do love the print.

32:54And I think that you give, like, a textural effect to your designs.

32:57It's very, very good.

32:58Give it more three-dimensional.

33:00I like it.

33:01Thank you very much.

33:02Jonathan, tell us about your fabric and your overall design.

33:06I laid layers of sheer polka dots, and when they came over the different sheer fields of color, they almost gave, like, a watercolor effect.

33:13Instead of doing it a wrap jacket in the front, I chose to turn it around and give it a different twist.

33:18And then underneath, Carrie has a double-layered silk chiffon trapeze blouse under the cocktail dress, which is completely made out of the print.

33:25The jacket, first off, is just, it's like a disco straitjacket.

33:29It doesn't make any sense.

33:31Then I get to the print, which looks like a dirty tablecloth that food just kind of randomly spilled on.

33:39To refer to it as a dirty tablecloth, I think it's just preposterous.

33:43There's nothing compelling about that print.

33:45I just can't see the emotional attachment that anyone would have.

33:50Oh, God, look at that.

33:52Your husband helps you back into your straitjacket.

33:55Oh, that's not a good thing, sweetie.

34:01This is a full-on catastrophe.

34:05That kick pleat on the back is beyond upsetting to me.

34:09It looks dirty, it looks poor, it looks soiled.

34:11The emotion that I get is sadness.

34:14I feel sad.

34:15But is sad not an emotion?

34:17I actually think there have been many clothes over the years, quite frankly, that are sad or melancholic, but in a beautiful way.

34:26But I definitely stand by my print.

34:27It's more organic.

34:29It is a different emotion than the other pieces on the stage, but I think that's okay.

34:35Okay, we've heard what you had to say.

34:37We're gonna have a little chat, and then I call you back.

34:40You can leave the runway.

34:49Let's talk about the designers that we didn't like.

34:52Let's start with Anthony.

34:53My problem with Anthony is that there is always an explanation.

34:58There's always an excuse.

34:59He always does this kind of silhouette, every time, over and over and over again.

35:04I mean, I think he just takes very basic forms, and he decorates them.

35:08Yeah.

35:09You need to be more adventurous.

35:11Let's move on to Mila.

35:13I feel she took the easy road in here.

35:14She could have given us something more creative.

35:15I mean, the poor model looked like she was walking in a striped teepee, and you know what?

35:26This is the sundress that everyone's mom wore in 1972 on a patio.

35:30Yeah.

35:31You know, there's nothing special about this dress.

35:33Let's talk about Jonathan's dress.

35:34He got very offended when he said that, you know, his print was reminding you of a dirty

35:43tablecloth.

35:44He was like...

35:45It looked poor.

35:46I think this was a total car crash today.

35:49We have told him in the past that, yes, we praise him for taking chances and being conceptual

35:54and all that, but this time around, that's what killed him here.

35:59It's too conceptual.

36:00It's too weird.

36:03Let's talk about the designers that we did like.

36:06Let's start with Seth Aaron.

36:09Talk about making clothes that look unbelievably polished on not a lot of money and not a lot

36:17of time.

36:18Seth Aaron, I feel like, is always full of ideas.

36:21Yep.

36:22He gets it.

36:23He's true to himself, thinks outside of the box.

36:26I like the print.

36:28It's whimsical.

36:31Emilio.

36:32I love his print, and I love the dress.

36:34I would love to have that dress.

36:35The slip shape and the jacket, the back drape, it's so beautiful.

36:38Yeah.

36:39Adorable.

36:40That was great.

36:41This print could work smaller, bigger, many colors, different fabrics.

36:47Doesn't matter what you would do it in.

36:49Exactly.

36:52Let's talk about Maya.

36:54The side silhouette of it, I thought, was really fabulous.

36:57I mean, when she said, I wanted to give my print movement, she totally got me, because

37:03yes, you can totally see that in her print.

37:06She makes beautiful clothes, and in terms of fabric, she probably did the nicest print.

37:10I agree.

37:11Maya's print is my favorite print today.

37:13It's flattering, easy to work with, and it's special.

37:17It's special.

37:20All right, so we've made our decision.

37:25Okay, let's bring them back out.

37:26One of you will be named the winner, and one of you will be out.

37:41One of you will be named the winner, and one of you will be out.

37:47Emilio, you are the winner of this challenge.

37:55You did a great job both with the print and the design.

37:59The final result was polished, spirited, and cool.

38:04Congratulations.

38:05You can leave the runway.

38:06Thank you very much.

38:07I win the challenge.

38:08That's cool.

38:09The third time.

38:10Three, baby.

38:11This one just showed everyone that I'm a force to be reckoned with.

38:13Seth Aaron, another great job.

38:14You're in.

38:15You can leave the runway.

38:16Thank you so much, guys.

38:17Maya, you're in.

38:18You can leave the runway.

38:19Thank you so much.

38:20It's definitely frustrating that I have been so close to having wins three times now.

38:39I was really hoping to win this challenge.

38:43Mila, you're in.

38:47You can leave the runway.

38:49Anthony, Jonathan, one of you will be out.

38:58Anthony, this was yet another simple cocktail dress.

39:02Your print was very safe.

39:04And again with the excuses.

39:06You don't need to point out your mistakes.

39:09We do see them.

39:12Jonathan, despite your protests, this look was bizarre and quite sad.

39:18We appreciate that you take risks.

39:20But this was a complete and utter misfire.

39:29Anthony.

39:34You're out.

39:37We will miss you.

39:38Thank you for everything.

39:39Jonathan, that means you're in.

39:40You can leave the runway.

39:41Jonathan, that means you're in.

39:42You can leave the runway.

39:44You're in.

39:45You're in.

39:59Hey boo! What's going on? I think that life has taught us that you don't have to have

40:10the crown to be the queen. I don't know what song to sing. Bye bye birdie? Hell I don't

40:16know. Ultimately considering where I've come from and the type of people that I grew up

40:23with never in a million years did I think I'd be in this place. Some levity. Good. Anthony I hope

40:33you are as proud of what you've achieved as I am for you. Thank you Tim for everything. I have to

40:41send you to the work room to clean up your space but I want you to think about the legacy you're

40:44going to have. You're on the cover of Mary Claire magazine. I know Tim. Y'all be good. We love you

40:53Anthony. I got eliminated today but I still have breath in my body to change my tomorrow so

40:59don't cry for Anthony honey. Matter of fact toss back one for me. I still think that greatness awaits.

41:14Stop laughing.

41:16I love you!

41:18Take me too much!

41:19I jest!

41:21Take me too much.

41:22I love you!

41:23Take me too much.

41:24You did I love you?

41:25Take me too much!

41:26Watch out for now.

41:27Take you too much!

41:28Take me toocare!

41:29Take me too much.

41:30Anti- outlined dollar bills.

41:31Montella minutes will take me just see you.

41:34TENK wenn I'm ready!

41:38Take me too much for you!

41:40Take me too.

41:41I'm ready to do one thing to pick you up.

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