Project Runway Season 6 Episode 5

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Transcript

00:00Athea, you are the winner of this challenge.

00:30You've just aged her 10, 15 years, which for the model world is like dog years.

00:37Crystal, you're out.

00:42This is Project Runway.

00:43Of course I'm the best.

00:45Let's do this.

00:46The search for the next big fashion designer.

00:48I have to win.

00:50You better watch out.

00:5116 designers.

00:53Ivan, you're out.

00:54Don't get cut.

00:55Three finalists will make it to Mercedes-Benz Fashion Week.

00:58I'm the best designer here.

01:00I have no fear.

01:01Make it work.

01:02That's my one.

01:03But only one can be the winner.

01:06This is my dream.

01:07For these 16 designers, Project Runway is the chance of a lifetime.

01:11The winner of Project Runway will receive a fashion spread in Marie Claire Magazine, a Paris vacation courtesy of Avion, and $100,000 from L'Oreal Paris to start their own line.

01:23As people go home, we're kind of narrowing down the designers to the people who really have it together.

01:46But someone has to go home, so that's a little bit scary.

01:50I wonder what the next challenge will be.

01:52Whatever it is, I'm sure there is a twist to it, as usual.

01:56I'm just never going to be in that bottom three again.

02:02Being in the bottom three is probably the most empty feeling I've ever felt.

02:08It's like being punched in the stomach and having the air taken out of you.

02:11My mindset is pretty focused on what I need to do now.

02:14I really want to get to Bright Park, so I'm really trying to get my job done.

02:17I don't want the judges to think she made one good garment.

02:20Is it luck or is it that she's actually talented?

02:22So I really want to show that I can continue to produce great work.

02:27All right, girls, you ready?

02:28Althea ends up winning, and I was in utter shock.

02:32I'll be the first one to congratulate anyone that wins if I feel like it was well earned, and that wasn't.

02:39I'm nervous.

02:40I'm not.

02:41The people that do not deserve to be here is obviously Johnny, and Irina is slowly creeping up that list.

02:50Everybody doesn't deserve to be here because I'm supposed to win.

02:52But this is a new challenge.

02:55New challenge.

03:13Hello.

03:15How are you?

03:16How's everyone?

03:16Good.

03:17Althea, you won the last challenge, so you have immunity, and you cannot be eliminated this week.

03:24Tim is waiting for you, and he's going to take you on another little field trip.

03:28This challenge will definitely be tough, but the answers will all be in black and white.

03:34All right, I wish you all good luck, and I'll see you on the runway.

03:42Bye.

03:43Bye.

03:49Heidi tells us that our challenge is based on something black and white, and because we're

03:54in L.A., my thoughts instantly go to, like, old Hollywood black and white movies.

04:01Any ideas?

04:03Hi, everybody.

04:04Hi.

04:05You ready for your field trip?

04:06Yes.

04:07Follow me.

04:09There are a lot of really big buildings.

04:11I'm starting to think, okay, we're going to some sort of factory.

04:17Designers, welcome to the Los Angeles Times, the destination for your challenge.

04:22Follow me.

04:23We arrive at a huge building that is where they make all the newspapers.

04:39I'm like, okay, this is newspapers.

04:41What does this have to do with fashion?

04:43I'm going this way.

04:49Designers, I am honored to introduce Booth Moore, the celebrated fashion critic of the

04:53Los Angeles Times.

04:54As all of you know, many elements of fashion are derived from today's headlines, from politics

05:00to pop culture to finance.

05:02Fashion is news, and there's no one better to expand on this topic than Booth.

05:06Thanks, Tim.

05:07So, for your next challenge, you're going to bring all this down to a practical level,

05:12and you're going to use pages from the newspaper to create your next look.

05:19Behind us are five pallets, each containing a different section of the Los Angeles Times.

05:23We have news, business, sports, calendar, and image.

05:28This is the fabric for your challenge, okay?

05:32Our material is newspaper.

05:35Um, yeah.

05:38I'm speechless.

05:40There are plastic bags for each of you, and you have three minutes to gather as much paper

05:45as you can.

05:46All right?

05:47And your three minutes begins now.

05:55As soon as that time starts, I sprint for it.

05:57I already have a point of view, and it's based off of, like, a strip of color that I see from

06:03a stack of papers.

06:07Designers, 30 seconds.

06:08We have three minutes to collect all the paper, and everyone else is going insane, grabbing

06:15stacks and stacks of paper.

06:17I'm like, what are you guys doing?

06:18I mean, you're dressing a human, not an elephant.

06:22All right, everyone, time is up.

06:25That's it.

06:29Designers, come with me.

06:30Well, can't get in.

06:43This challenge is to create a garment entirely out of paper, and it can be anything from a

06:51bikini to a wedding dress.

06:52All right, in preparation for our newspaper challenge, we have dyes, we have brushes,

07:00we have markers, and you can use muslin as an infrastructure, however, it may not show.

07:06Great.

07:07Paper clothing has quite a distinguished history.

07:10The first paper dress was created in 1968, 40 years ago, and it made headline news, and

07:17there was quite a fervor for paper clothing.

07:19Paper clothing, not just dresses, pants, whatever you want.

07:23There were even paper slippers.

07:26So continue this tradition, but rebrand it for 2009, and have a great time.

07:32You have until midnight tonight for this challenge, and the winner of this challenge will have

07:37immunity.

07:39All right.

07:40I will be back to check in on you later.

07:42Okay?

07:43Thanks, everybody.

07:44Make it work.

07:45I'm trying to be really ambitious with this newspaper dress.

07:52I want to do a really fitted, rigid bodice, and then this dress that goes out into hundreds

07:59of feathers created out of newspaper.

08:01So that's a lot of work to do, and I'm getting a little nervous.

08:04Tell me something I can do in fabric, and I can tell you what fabrics are good for what.

08:12I have no idea what paper shapes make the best things.

08:16I mean, it's just, like, seriously, starting from, like, the bottom and trying to work in

08:20your, like, fashion sense into it.

08:22I just really want to experiment, because I don't know what to do.

08:28I figured out the silhouette I wanted and what I kind of wanted to do, but I knew that

08:33I would have to first dye all the paper so it could dry in time.

08:38This does not look pretty to me.

08:39Depends on where you go with it, though.

08:42Womp womp.

08:43Womp womp.

08:43I have never worked with newspaper before.

08:48I don't know how to work with newspaper.

08:50I have never sewn newspaper.

08:53So, basically, right now I'm thinking that I'm going home tomorrow, and it's not a very

08:59good feeling.

09:00I seriously have no clue what I'm doing.

09:07My whole thing is I'm going to mix materials and colors and sort of really make it look like

09:13a fabric, and it doesn't have to still look like newspaper.

09:16So, I think I'm just going to do a dress and sort of create a print with newspaper.

09:28I think I'm going to paper mache a bodice and then make some crazy origami-esque skirt.

09:35I'm, like, shellaccer into this dress.

09:38I'm going to have glue all over me when this is over.

09:41Ah!

09:43It's okay.

09:44We're good.

09:47My hands are so sticky.

09:50Ah!

09:51I don't think I've ever really met a small woman like that that makes so much noise.

09:56I feel like I'm groping this man again.

09:58I'm like, ah!

09:59Oh, you know what will be fun later, though, is peeling the glue off of your hands.

10:06I know we're kind of the same age, but it just makes me feel like I'm 40 around her.

10:10Like, she turns into this, like, 11-year-old kid who just, like, does not shut up.

10:14Does anybody name their mannequin?

10:19Nobody?

10:20Be quiet, you know, just, like, sit there and do your work.

10:23I might divulge that information later.

10:25I really can't deal with it right now because I really have to get my s**t together.

10:29I'm doing this really great dress that looks like origami and it has origami cranes coming

10:41off the shoulder that are actually holding the dress up.

10:43Are you serious?

10:44My dress is looking like this very pretty draped and wrapped and folded piece of large-scale

10:49origami, and I'm really stoked by my dress, so I get some weird idea to start painting

10:54it with a fabric dye.

10:57I'm sitting next to Johnny, and for the whole time that he was draping his garment, I keep

11:01looking over at it, and I'm in a little bit of shock.

11:04It is just awful, and this is just some wrinkled-up paper with pig's blood all over it.

11:10This ought to be interesting.

11:14Coming up on Project Garnway.

11:18Just looking at the design, it's very ho-hum.

11:20You are going to have a time challenge.

11:22I do.

11:23So, do it.

11:24It looks like a bunch of kindergartners did it.

11:27Ouch.

11:36I have, like, all this paper, and I'm totally blanking all of a sudden.

11:39The fact that I can use, like, an unconventional material to convey, like, a point of view is

11:44really, really exciting to me.

11:46So, I'm being inspired by unexpected pattern within the paper, but then also the idea of

11:51cubism and origami.

11:53My plan is to make a headline dress.

12:00It's a dress completely decoupaged from headlines that I'm clipping out of the newspaper.

12:06Hi, everybody.

12:07Hello.

12:08I'm here to check in and see how you're doing, and I'm going to start with Jordana.

12:13All right.

12:14I'm creating, actually, two garments.

12:17One of them is going to be talking about what is happening in the world today, and I'm going

12:23to put, like, time to change on it.

12:27I have great respect for your idea, Jordana.

12:30It's more about a political statement.

12:33And just looking at the design, it's very ho-hum.

12:36Huh.

12:37And looking at the design of this, this is the antithesis of ho-hum.

12:41This is the change.

12:42It's all through your fashion, through your point of view as a designer.

12:45Yeah.

12:46Put your time and energy into this.

12:47Okay.

12:49I will.

12:49And is there an infrastructure of muslin or anything?

12:51No.

12:51Is it just newspaper?

12:52I love you.

12:54Stunning.

12:55Thank you, everyone.

12:55Okay?

12:56Just keep going.

12:58All right.

12:59What a great way to start.

13:01Hi, Althea.

13:02Hey.

13:02How are you?

13:03Talk to me.

13:04What are you doing?

13:05So, I was thinking, make some shoulder pads and then use this as sort of, like, drape and

13:10almost create fabric out of it.

13:12I mean, the nice thing is you have immunity.

13:13You can do whatever you want.

13:14Yeah.

13:16But it disappoints me in a way.

13:18I would encourage you to look at the paper upside down.

13:21That way, you'll just look at it as abstract shapes and forms.

13:24That's a really good advice.

13:26Okay.

13:27Go, go, go.

13:27All right.

13:28Irina, talk to me.

13:38I started with this little dress, but I just don't like the way it dries and how stiff

13:46it is.

13:47So, then I was actually thinking of doing sort of like a trench coat.

13:50Okay.

13:50But, um, I just don't think without the muslin base, it would really work.

13:571968, the paper raincoat wasn't on muslin.

14:00All right.

14:00Okay.

14:01Okay.

14:02Thank you, Tim.

14:04All right, Johnny.

14:05What's going on?

14:06It's basically a large-scale organ.

14:09There's birds on the shoulder coming around from the outside.

14:13I'm woeful, Johnny, because right now it looks like a craft project gone awry.

14:19That's not good.

14:20No.

14:20It looks like a bunch of kindergartners did it.

14:22I guess we should start something different.

14:24Because what's going to happen is the birds are actually going to look like they're holding

14:27the dress up.

14:29And they look like the birds attacked the dress.

14:34Ouch.

14:34It's my reaction.

14:36I've got to do something else.

14:37I've got to do it in four and a half hours.

14:39So, I'm starting over.

14:47Hi, Tim.

14:47Nicholas, how are you?

14:49At this point, I'm just sort of, like, going with it and seeing where it takes me.

14:54You have a good trajectory going.

14:57Just sustain your momentum here.

14:59But you think I'm going in a good direction, though?

15:01You just need to ensure that this doesn't end up looking too costuming.

15:06Right, exactly.

15:07At the same time, you want it to be...

15:09Interesting.

15:11All right, Tim, thank you.

15:12Thank you, Nicholas.

15:13I need to work.

15:13Okay.

15:16Christopher.

15:17Tim.

15:17How are you doing?

15:19I wanted, like, a showstopper.

15:21So, I wanted to do this full-length feather.

15:24Good God.

15:25Is this your plan?

15:26Yeah.

15:26I think you're going to have a showstopper.

15:29I want to do these paper feathers all the way down.

15:32I was inspired by the newspaper.

15:34I love just the black and white, the clean print.

15:37The last thing you need to do is talk to me.

15:39Okay.

15:39So, do it.

15:41I can't wait to see this.

15:42All right, thanks, Tim.

15:43Okay, thank you.

15:44Yep.

15:45Designers, I am absolutely wowed.

15:48And I'm really inspired.

15:49I cannot wait for this runway show.

15:52And your models will be coming in in a little while.

15:55All right, thank you, everybody.

15:57I will see you tomorrow.

15:58All right?

16:05After I throw the dress away, I have all these extra squares that I was going to fold into origami birds.

16:09So, I start laying it out, tiling the squares on the muslin, hoping and praying that, God, please let this work.

16:15Let something good come out of this.

16:18Hermann, does this look like fur to you?

16:21I want to do like a shawl collar trench coat.

16:24I had the idea of the trench coat in the beginning.

16:27But when Tim said, you know what?

16:29There was a version of a coat made out of paper.

16:32And it clicked.

16:33I said, you know what?

16:34If it was made, then it's possible.

16:37Then I could do it.

16:37When I first moved to New York City at the age of 17, and back then I used to hang out with a lot of punk rock kids down in the East Village.

16:44So, I thought, oh, you know, maybe I should do kind of like a 90s, the millennium version of punk rock.

16:50And so, I sort of went from there.

16:52I looked for images, and then I really started, like, getting the sort of idea of my dress and piecing together the different images to create a dress.

17:05And how can I use this challenge to my advantage?

17:09At this point, I'm kind of bewildered.

17:11I'm not really loving it at all now because I thought I had a good idea in the first place, and it turns out that it really wasn't that good of an idea.

17:17Oh, my God, that's so cool.

17:22Man's paper.

17:24I can work with that.

17:25Why don't you wear it?

17:26Um, well, we're going to figure that out now.

17:31It's going to be really cold.

17:32No!

17:32Oh, it's so cool.

17:35It's, like, so chic.

17:37You know, I'm slightly worried about the paper tearing.

17:39You know, when you're designing a non-fabric material, you have to consider her moving because she's not, you know, she's not a mannequin.

17:47She's not going to stand still the whole time.

17:48The skirt is really, really heavy, and the dress being a strapless, that's going to be my only challenge, I think, is trying to keep that dress from falling off on the runway.

18:05Does that feel better?

18:15You're not going to wear those birds, you know?

18:17When Emory comes in for the model fitting, I'm feeling really, really just disappointed in myself, and I'm kind of nervous.

18:24Do you want to know what else happened?

18:25Is that when I was ironing it, because it was an iron paper, the steamer decided it was going to start spilling, and watered up all over it.

18:32He just starts spewing this whole sob story, how the whole thing was ruined by a steamer, like, this mysterious steamer accident.

18:39We didn't even have a steamer in the sewing room that day.

18:41We find out that Johnny had made up this lie.

18:44So, basically, Johnny tore up his first dress just because Tim Gunn came and said it was pretty bad.

18:52Figure it out, I guess.

18:53That's okay.

18:54Love you so much.

18:55Love you.

18:55Okay.

18:56I'm fucking tired.

18:57Towards the end of the night, I'm getting really tired, and I hate what I've done.

19:06So, I started doing a crossword puzzle.

19:08The majority of the designers are really sick of the whole Johnny attitude, the lack of passion that he puts into his designs, and the lack of time spent on it.

19:21I looked over, and I saw he was, like, doing a crossword puzzle.

19:24Some people just don't really have the follow-through as others.

19:35All right, kids.

19:36We got to go.

19:37What a day.

19:45Who would have thought paper would be so difficult?

19:48I know.

19:50I love this challenge.

19:52I love the idea of it.

19:52It's something that I really wanted.

19:54Tim tore my ass apart.

19:56Did he?

19:56What did he say?

19:57The first dress he did?

19:58Oh, my God.

19:59Wait, so you have an all-new piece?

20:01All new.

20:03To be completely honest with you, because I was ironing it,

20:06and the iron decided to sputter, and the top just started to rip.

20:11Johnny complaining and maybe making up a story with the steamer is kind of BS.

20:17As soon as I put it down, it went, whew, because I know that Tim came in at about 7 o'clock,

20:22and that's when he threw his dress out.

20:24I'm really curious to see what the judges are going to do.

20:28What did Tim say?

20:30Birds are attacking his dress.

20:32Because right now, it looks like a craft project going awry.

20:36Coming up on Project One Way.

20:49Some of you look like you're kind of stalling out.

20:51I'm just really struggling.

20:53Oh, my God.

20:54I'm so nervous.

20:55If I go home on an arts and crafts project, I'm not going to be happy.

20:58It's just a nightmare.

21:00Oh, man.

21:12All right, so who do you, like, like the most?

21:14I like Althea's, the way it's turning out.

21:18Working with paper is a lot different than I expected,

21:21but even though I have immunity, I'm still working just as hard.

21:25Who do we think is going to be in the bottom?

21:27Do you like Nicholas's?

21:28I'm not wild about it.

21:32It's the morning of the runaway show.

21:33I'm just really struggling with the newspaper challenge.

21:37Everybody else seems to be having a blast.

21:40What do you think Johnny has under his shroud?

21:42I think he wants an unveiling.

21:44He always wants an unveiling.

21:46He's still here for a reason.

21:48Yes.

21:49I'll make relief.

21:52I really don't care what other designers think about me.

21:55I don't give a damn.

21:57Get over it.

21:58You're time to go.

21:59Yep.

22:00All right, Heidi.

22:01Tear us apart in the runaway.

22:03Yeah, literally.

22:04Tear us apart in the runaway.

22:05Exactly.

22:06All right.

22:17Nothing fell off yet.

22:18I took an approach that not a lot of people took and they did separates.

22:26I did a top and I did a skirt.

22:28So I'm a little anxious.

22:30So I decided to go with my trench coat idea.

22:37It's definitely risky doing a coat because I don't know if the sleeves are ever going to

22:41happen or not.

22:42It's just a nightmare.

22:44Good morning, everybody.

22:45Good morning, everyone.

22:46I'm very excited about today's show.

22:48It's going to be interesting, to say the least.

22:51I'm about to send in your models.

22:53You have two hours to achieve the following.

22:55Send them to the Garnier hair studio, to the L'Oreal Paris makeup room, and fit them in

23:00your garments.

23:01Please use the Macy's accessory wall.

23:04And I will tell you, I took a look around the room this morning.

23:07Some of you look like you're kind of stalling out.

23:10Don't let that happen.

23:11Okay?

23:12Rally.

23:13I'm going to send in your models.

23:14Bullshit.

23:18Well, I'm going to put the bodice on you.

23:20I think it's pretty cool.

23:21I think it's really cool.

23:23I think you're trying to lift my spirits, but I don't have enough time to do what I

23:27would want to do to it.

23:28If they like it, they like it.

23:29If they don't, sorry.

23:31I definitely feel like I'm ahead of the game.

23:34I have constructed the dress perfectly.

23:36You wouldn't even be able to tell that it's made out of paper.

23:39Yay, me.

23:42Can you even walk in there, too?

23:44Yeah.

23:44Really?

23:46I'm so nervous.

23:47I finished my dress, and then I realized, not only do I have to get it on my model, first

23:55I have to get it off of my mannequin.

23:58Hooray!

23:59Hooray!

24:01Hooray!

24:02Hooray!

24:03Hooray!

24:04Yeah, it's one of the lines I'm coming.

24:06I'm like, it's like, it looks blah, and like, compared to all the work everyone else did,

24:11it looks very easy.

24:12I'll see it.

24:13I see her glancing at me with these sort of weird eyes.

24:16So, I don't know what that's all about, but I don't even really want to know.

24:20Let's go get your hair did.

24:21We're going to get her herded.

24:27Just put it up.

24:31Higher.

24:31Yeah.

24:31So, just like, bulbs and reds in the crease.

24:36I think that's really cute.

24:38All on hand drop.

24:45Designers and models, in exactly five minutes, we are going to the runway.

24:53Pack up a little emergency repair kit, including lots of tape.

24:57It's like giving birth.

25:00It's like giving birth.

25:04Oh my God, it's so cute.

25:07If I go home on an arts and crafts project, I'm not going to be happy.

25:11Johnny thinks very highly of himself, and the dress that he's about to send down the runway,

25:17I hope the judges tear him apart for it.

25:21Nicholas's design looks a little stupid.

25:23It's definitely not punk rock.

25:25It's, I don't know, stump rock?

25:28It's dinosaur chic.

25:30All right, designers and models.

25:32Time is up.

25:33Follow me, please.

25:34We're going down to the runway.

25:36Oh my God.

25:38Yeah.

25:40Come, everybody.

25:41Awesome, we're done.

25:43Ladies.

25:47Coming up on Project Runway.

25:49Looks like an insect.

25:51That's probably my mistake.

25:52I have a feeling he wasn't telling the truth.

25:55Jerk.

26:02Hello.

26:04Hi.

26:05Welcome to the runway.

26:06As you know in fashion, one day you're in, and the next day, you're out.

26:10There are 12 of you here, and after tonight, there will be 11.

26:16This week you visited the LA Times, where you were asked to use newspapers to create your look.

26:23And these papers weren't just inspiration, they were your actual fabrics.

26:28And I really look forward to seeing your creativity hit the runway today.

26:34All right, let's meet the judges.

26:37First we have American designer, Tommy Hilfiger, who has a new collection exclusive at Macy's.

26:42Senior editor for Mary Claire Magazine, Zoe Glasner.

26:48And star of the hit ABC show, Desperate Housewives, Eva Longoria Parker.

26:57We will score your designs as they come down the runway.

27:01One of you will be named the winner, and one of you will be out.

27:04Let's start the show.

27:11The more I looked at the dress, the more I realized how much Asian inspiration I got from it.

27:16The coloring that I used ended up looking like bamboo leaves.

27:20I feel confident.

27:23My model looks great.

27:25If I want to be experimental, if I want to be daring, I'm going to do it.

27:29Hopefully, this garment will get me in the top three.

27:36I'm never just designing to be safe.

27:39I always want to be in the top.

27:42I like to play with hard and soft, and I think this is speaking to my design aesthetic.

27:50It looks absolutely amazing.

27:53It's sexy and fun and flirty, and it feels like me.

28:03I've never made anything out of paper before.

28:06It was like arts and crafts, but at the same time, you had to get your point across.

28:11So I watched my design coming down the runway.

28:14Honestly, I don't like it.

28:15I don't think it's to any sort of up to par to my abilities.

28:20I think the original dress would have got a better response.

28:26I am proud of what I have created in this challenge.

28:31I really think that I have made something out of nothing.

28:40Seeing my dress is really amazing.

28:46My goal in this was to create a gown that looks like it's not made out of paper.

28:52I see my model, Ebony, walk down the runway, and I'm just praying to God that the thing stays on her.

29:03I'm pretty happy with it, and the makeup looks awesome.

29:06They put these, like, feathers in her eyelashes.

29:13I am amazed and happy.

29:17It's exactly what I want it to be.

29:19It's different than anything else.

29:23I was breathless.

29:28I really feel that even though this dress was made in paper, it still really represents me as a designer.

29:34I like to design intellectually.

29:37I really try to make the body look good.

29:43It was a really difficult challenge.

29:44I'm a little worried about the dress because it wasn't as polished as I would have liked it.

29:50I'm expecting I'm either going to be in the bottom or safe.

29:53If I call your name, please step forward.

29:54If I call your name, please step forward.

29:58Johnny.

29:59Nicholas.

30:00Christopher.

30:01Althea.

30:02Jordana.

30:03Irina.

30:04If I did not call your name, congratulations.

30:05Your scores have qualified you to move on to the next challenge.

30:06You can leave the runway.

30:07You can leave the runway.

30:08The remaining designers have the highest.

30:09You can leave the runway.

30:10You can leave the runway.

30:11You can leave the runway.

30:12You can leave the runway.

30:13A.

30:14You have to be coming to thehome.

30:15You can leave the runway.

30:16I can't leave the runway.

30:18Cool.

30:19U.S.

30:20Salährt.

30:21Hazel.

30:22If I did not call your name, congratulations.

30:23Your scores have qualified you to move on to the next challenge.

30:26You can leave the runway.

30:27The remaining designers have the highest and the lowest scores.

30:30One of you will be named the winner and one of you will be out of the race.

30:31the remaining designers have the highest and the lowest scores one of you will be named the winner

30:40and one of you will be out let's bring out your models

30:45althea tell us about your design i saw this image of a building and i thought well how cool if i

30:59could sort of layer them in a way that they were almost like fans and i tried to contour like her

31:06bum i love it this is a classic dress that i wear all the time and i always accentuate my bum

31:13because that's my asset i think it's pretty genius i thought the execution was well done considering

31:22what you had to work with because you have a lot of pieces i probably used about 100 newspapers

31:27i think it's exquisite the sort of detail work that you've done the pattern if that wasn't paper i

31:32would totally want to wear it thank you jordana tell us about your look uh first of all i knew that

31:38we were using already unconventional fabric so i wanted to create a conventional look i think the

31:43top is very architectural very cool i think the pattern's nice thank you i have to say when your

31:49garment came down the runway i was a little bit bored because it is so wearable and it is so real

31:56looking in a way i was understanding that we should make wearable something out on wearable

32:01fabrics so that's probably my mistake the only fault that you have in this competition was that

32:08everybody else's was so amazing there's a lot of creativity up there irina initially when i heard

32:16the newspaper challenge for some reason i thought trench coat i was blown away that was one of the

32:20moments when it came out and i and i was like oh you know and i love that you went against doing a

32:25dress i think it looks coco chanel meets saint laurent meets givanchi in the 60s and 70s i think that

32:34if you turn around i don't like seeing the scotch tape and it could be a little shorter i love the

32:41collar i love the sleeves and i like that you gave it the sort of volume this dimension it's something new

32:47thank you i love that you played with the paper and crinkled it up and mushed it all together

32:52i just literally tore tiny pieces of paper and i'd scrunch them up open them back up just really make

32:58it soft new alternative to fur newspaper yeah johnny what's going on here how much time did you spend

33:07on your dress i did two of them why what happened uh the first one i was ironing it and the steamer

33:14started to sputter it got water all over the and the whole thing was destroyed but i'm not making

33:19excuses i'm really not doesn't look like a lot of time was spent under stress i also am not loving

33:24the way it is put together it looks like she's gonna work with the red shoes and the hair and makeup

33:31like work like like work like a pro like work work oh that's fun

33:37i like the idea you had i feel like it wasn't executed as well the belt up there is it should

33:43be at the waist or it should be an empire i'm not a fan of the pointy thing this up here yeah

33:49but i like classic dresses i kind of was digging the whole pop art print the hair was a little 80s the

33:56shoe was a little 80s i felt like you were trying to take us somewhere and i you know i was going there

33:59with you thank you if i could talk like say but the other dress was was pretty was hardcore i have

34:06to admit it had it was very like that dior kind of draping around and wrapping back up look how come

34:12are you shaking it and like is that going on is there more to the story that you want to tell us uh it

34:16was not dior what it was a red mess it was a red thanks that's sweet one of tim's comments was that

34:25the birds attacked the dress thanks nicholas that's really nice throw me right under the bus

34:30jerk nicholas so um when i started cutting out the newspaper it's just sort of reminded me when

34:36i first moved to new york and i used to hang out in the east village a lot with all the punk kids so

34:41i kind of wanted to go back to that time and sort of create a little punk rock look i think that

34:46doesn't look like the punk thing i wrote looks like an insect you know she's got the sort of like

34:54little the shell casings which is also very new york right the cockroaches last but not least

35:02christopher my first thought that came to my head was it has to be a showstopper and so what i did is

35:08i created this kind of this the feather look that goes down here and i also wanted to retain the news

35:13print i love the black and white i love the big full skirt how did you do the top it looks kind of

35:19hard yes it's like a shell and what did you do it's um like a pattern board or like pattern paper

35:26really rigid i love that it's like armor i love that you gave it a little detail in the hair i love her

35:32hair soft like guinevere it really looks like art i mean it's really beautiful i too love the top i

35:38think it was very very creative it nothing on the runway was like it it just swayed down the runway and

35:44it did not look like newspaper if you squint your eyes it looks like feathers it's uh sexy i think

35:50it's glamorous it's a wow thank you so much okay we've heard what you had to say we're gonna have

35:57a little chat and then i'm gonna call you back you can leave the runway thank you thank you

36:01so let's talk about the designers that we liked christopher i just thought was so creative he and

36:15and that bodice i'd like to think of how to construct that i don't even know how to begin to do that with

36:21paper it was a risk where some of the others were just like strapless little shifts you know

36:25let's go to althea that was also a beautiful dress it had some structure i loved the architecture

36:33of it i mean it really accentuated the bottom it accentuated the bosom i i thought it was just

36:38well crafted she made a print within a print and had a whole storyline behind it it was very cool

36:47and then arena oh yeah it was so well done it was like like couture she had these little trompe

36:54lois stitches that she made with sharpie and she had belt loops which i thought was very very clever

36:58it was dramatic without being gimmicky let's talk about those designers with the lower scores

37:06i have mixed feelings with jordana it wasn't made badly i just thought as a whole it was

37:12a bit boring not as exciting as the other two you know it was safe

37:16all right let's go to nicholas i didn't like this one at all i didn't get the punk thing i didn't get

37:26the inspiration and then it wasn't well done it was just tacky punk should have been something so

37:32different all right let's move on to johnny it felt like a save it ended up it actually was a save the print

37:40was cool but then looking at the dress and looking at the construction it was a big letdown

37:46i have a feeling he wasn't completely telling the truth how bad can it spit the steam too

37:51tommy doesn't iron honey he doesn't actually he'll get it together

37:56so we've made our decision okay let's bring them back out

38:12one of you will be named the winner and one of you will be out

38:16one of you will be named the winner and one of you will be out

38:32althea you're in you can leave the runway thank you

38:36alina you are the winner of this challenge thank you it's an honor thank you congratulations

38:54your originality and your risk taking really paid off this time thank you you also will have

39:00immunity for the next challenge and cannot be eliminated you can leave the runway thank you

39:06it feels good i finally won i mean it's it's past due i feel like

39:17christopher you're in you can leave the runway thank you very much

39:21jordana you're in you can leave the runway thank you very much

39:36jordana you're in you can leave the runway thank you very much for the next challenge

39:47nicholas johnny one of you will be out

39:55nicholas we saw where you were trying to go but you really didn't get there it was all too arts and

40:03crafty johnny you gave us a lot of excuses today but as always we can only judge on what we see

40:13your dress was not well made and it was just a mess overall

40:22nicholas

40:23you're in thank you you can leave the runway

40:35that means johnny you're out thank you very much i had a wonderful opportunity thank you thank you

40:42thank you guys thank you very much

40:51right now i feel a little lost i feel a little

40:55empty again i guess is the best word to say it

40:58giving up addiction was probably easier to do than this

41:01i don't think people realize how hard and emotionally taxing this competition is

41:06i just really wanted to go to bryant park but i guess it means there's something bigger on the

41:11horizon for me so i can i can deal with that

41:15how is everybody i have to send you to the work room to clean up your space

41:19you know you take care later bye johnny bye guys you guys rock be careful rock rock

41:27i'm incredulous of that utterly preposterous feeling of fiction that johnny did on the runway

41:34i seriously i snapped i'm sorry i couldn't take it anymore it was ridiculous like what was that yeah

41:39i'm at peace right now with with the whole situation you can't dwell in the past you definitely

41:44can't sit there and wallow and i'm not going to stop being a designer just because of this in fact

41:48i'm probably going to grow from this as a designer it's not the end of johnny sackless there's still

41:52more to come next week on project runway we are in los angeles it's about time to see what this town

41:59is known for what the hell's going on here it's a one-day challenge which is crazy

42:06oh my god i am pretty panicked because my dress is not completed at all i'm going to be in the bottom

42:12three ow right through my fingernail this could be sublime or it could be a big hot mess this is

42:19looking kermit the frog gone wrong i really don't like the dress it's too safe it's not special enough

42:25it's just hard to see that you can actually sew in this outfit visit mylifetime.com to learn more

42:31about the fashion you've seen on tonight's show

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