- hace 5 meses
Uno de los huéspedes del hotel muere mientras duerme, pero Basil no se da cuenta y sigue con lo suyo, llevándole el desayuno a la habitación y quejándose de que el hombre fue grosero y no le dio las gracias. Polly pronto se da cuenta de que está muerto y Sybil le pide a otro huésped, el Dr. Price, que se ocupe de la situación. Basil cree que la causa fue el pescado salado caducado, pero el hombre llevaba muerto casi toda la noche. Se desata el caos cuando intentan retirar el cadáver sin que ninguno de los huéspedes se entere de lo sucedido. Las cosas no salen según lo previsto.
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TVTranscripción
00:00Faulty Towers
00:30He has a sweet tooth, he eats peanuts, he also likes walnuts and those little cheese balls, right, my little one?
00:39Oh, that's beautiful!
00:42Beautiful, yes, truly. What breed is he?
00:45A dwarf chichu.
00:46Don't tell me. What kind of dog is it?
00:50Well, it's... Well, let's just say it's a lapdog.
00:54A lapdog? Of course, it's hard to imagine him chasing the deer.
00:58Major Gowen, can I get you another one?
01:00Ah, yes, the last one.
01:02And you, madam?
01:03Nothing, thank you very much. But Prince likes to have a nice warm glass of milk before bed.
01:08Yes, Paolo. Paolo is here to attend to your every wish. I'm very busy.
01:13Come here, Paolo. Paolo, please take care of the lady's dwarf.
01:18Ah, good evening, Dr. Price.
01:20Good night.
01:20What would you like to drink?
01:22A whiskey. I haven't had dinner yet. Is it too late for something to eat?
01:25Would you like something in particular?
01:26Well, I'd eat some sausages.
01:29Oh, the cook has left. That can't be right.
01:32Ah.
01:32Could we make you a ham or cheese sandwich?
01:35Uh, ham.
01:36Very well. I'll take care of it right away.
01:38Vasil?
01:39Yes, dear.
01:41Make some ham sandwiches, will you?
01:42But I'm...
01:43For Dr. Price.
01:44Oh, of course. Right now, doctor. Here's Major.
01:49Excuse me.
01:50Another draft, ma'am?
01:52You have to be very careful, Mr. Fawlty. My prince is very fragile.
01:55Yes, of course. A sudden gust could be fatal for him.
01:59What if you carried it in an airtight box?
02:02I couldn't breathe, Mr. Fawlty.
02:04It wouldn't be bad.
02:05Not bad.
02:06Do you want anything else?
02:07No, no. Thank you very much. It's a bit late. We'll go up now, yes.
02:12Don't deprive yourselves.
02:14Excuse me, doctor. Is it a double or single sandwich?
02:16It's simple, please.
02:18Very good.
02:20No, no. That's the one who was with him the third time.
02:24I'm talking about the first one. That horrible woman.
02:26He ended up getting married to the second one and then...
02:30Oh, yes. Wait a moment. Please.
02:32Twelve, right?
02:34Yeah.
02:35Thank you so much.
02:37Ah, yes, that's true. Of course. What a woman!
02:42The older they are, the less demanding they are.
02:46I'm really sorry.
02:47No, it doesn't matter. We'll talk tomorrow.
02:49The journey has been long.
02:50You should get some sleep.
02:51Is it okay, really?
02:52Yes, yes, really. It's just a little...
02:54Yes of course.
02:55Go to bed. We'll come for you tomorrow at nine-thirty.
02:57The director is expecting us at ten.
02:59Very well thank you.
03:01Good night. See you tomorrow.
03:03Bye bye.
03:03Sleep well.
03:04Good night.
03:05See you tomorrow.
03:06What a mess.
03:08Harris, don't tell me you're alone again.
03:10Oh no. But he spends all day watching football on TV.
03:14Number eight.
03:15Yes, thanks.
03:16Number eight.
03:19Are you okay?
03:20No, not quite right.
03:22Oh, gosh. I'll make you something hot.
03:23No, no. Thank you very much.
03:25Let me know if you need anything.
03:26Yes, thanks.
03:27No, woman. It was a new guest.
03:29Good night.
03:32I said goodnight.
03:34Oh, good night.
03:35It doesn't cost that much.
03:37Basil.
03:37You have to be well-mannered.
03:39He's not feeling well, Basil.
03:41I didn't ask him for a verse. Just to say good night.
03:44When a person is not feeling well...
03:46It's just two words.
03:47What does it cost to please others?
03:50Excuse me.
03:50Yes, Mr. Liman. What would you like?
03:51Could you bring breakfast up to my room?
03:54To the room?
03:55Uh, yeah.
03:55Of course, Mr. Liman.
03:57We can fix it, right?
03:58I'll call you back.
04:00His legs are bad.
04:01What do you say?
04:02Most guests manage to get off in the morning.
04:06Full or continental breakfast?
04:08Oh, well, not me.
04:09We make a very complete breakfast.
04:11With bacon, sausages, tomato, fried eggs and...
04:14Continental.
04:15And will they smoke it?
04:16Ah, yes. Very well. I'll make sure you do.
04:18Butter, jam?
04:19Yes, thanks.
04:20Tea or coffee?
04:21Yes, uh, I prefer tea.
04:23Any newspaper?
04:24The Telegraph.
04:25Understood. Rest easy.
04:26Good night.
04:28Mahogany, oak or pine.
04:32Excuse me, what do you say?
04:33What wood would you like your breakfast tray to be made of?
04:36I don't care.
04:37Sure?
04:38Well, go upstairs and sleep soundly.
04:40I also hope to get a couple of hours of sleep.
04:42before getting up to serve him breakfast in bed.
04:45If you can, sleep with your mouth open and you won't have to wake up.
04:48I'll put the pieces of sand in his mouth myself.
04:51That way I hope you don't tire yourself out too much.
04:56Basil.
04:57Sausages, please.
05:01Just sausages?
05:03Just sausages?
05:04Tea or coffee?
05:04Coffee, thank you.
05:06No, no, bring a deep plate.
05:08Stuff?
05:09A soup bowl.
05:10Soup?
05:11Yes, I make soup and heat the milk.
05:13It's cold and I asked for it warm.
05:15Big piú, Paolo, with the thecalda.
05:18I could catch pneumonia.
05:20And a thicker cushion.
05:22It doesn't come across well on the table with this one.
05:25Sausages for six, Terri.
05:26Marching.
05:26One of those, Manuel.
05:27Leyland strike again.
05:29It's incredible.
05:30Keep these herrings, Basil.
05:31More than factories, they look like recreation centers.
05:34In the fridge do you want?
05:35They are overdone.
05:36They expired on the sixth.
05:37Oh, it's okay.
05:38They put it in the package.
05:40They're fine, Mr. Folti.
05:41The sixth day.
05:42They always last longer.
05:43Sausages and eggs, Poli.
05:44Sausages and eggs, Poli.
05:44Sausages and eggs.
05:50What are you doing?
05:51Put it on the table.
05:54No.
05:55Stuff?
05:56That.
05:59And now under the ass.
06:02No, the cushion, the cushion.
06:05Yes, no, yes.
06:08Oh!
06:10He bit me!
06:11Of course, it scared him.
06:13Stuff?
06:13With such abrupt gestures he scares him.
06:16Of course it bit him.
06:17There are no dogs in Calcutta.
06:20Oh!
06:23Excuse me, ma'am.
06:24Have you ordered eggs and sausages on separate plates?
06:26Yes, sausages are for Prince.
06:29Oh!
06:30What's wrong, Paolo?
06:32He bit me!
06:33Please cut into very small pieces.
06:37Oh!
06:38But what does it do?
06:39Not the eggs.
06:40Cut the sausages.
06:42Excuse me.
06:43Ah!
06:44Bitten!
06:45What a surprise!
06:46Pets are allowed in the dining room, right?
06:48Well, they should know how to treat them.
06:50Don't worry, I'll cut them in the kitchen.
06:52Very small strokes, huh?
06:54Ah!
06:54Wow!
06:56Herrings.
06:58Aunt, take your bath.
06:58Look.
06:59Oh!
07:00But what are you doing?
07:01How many are we, Sibyl?
07:02Do you want to bring up breakfast right away?
07:04Those herrings are fine, Mr. Folti.
07:06Is this color normal?
07:07Basil, put that up at once and shut up.
07:09What's wrong with you?
07:10That hairy mosquito has bitten us.
07:12That?
07:12The caninón should go into the dining room.
07:14Pay extra for the dog.
07:16Basil, it's already after eight.
07:17In this country it is against the law to poison people.
07:20Do you want to hurry up?
07:21The laundry people are coming today.
07:22Oh my gosh, handing over their dirty laundry is a backbreaking job.
07:27What are you doing, Polly?
07:28I season the dog sausages.
07:32Bravas sausages.
07:33Good morning, breakfast.
07:43Breakfast?
07:47Here you are.
07:49Strike at Leyland.
07:50Here we go again.
07:51Taxpayers pay them millions, they get paid, and then they go on strike.
07:54That's socialism.
07:55If making cars doesn't suit them, they should change their occupation and dedicate themselves to drawing plans.
08:00of cathedrals or to compose violin concertos, concerto british, leila, molto piano
08:04with four hours for the sandwich.
08:06Do you know what's going on?
08:07They don't want to work, but rather lie next to the assembly lines and steal my money.
08:11Do you mind if I turn it off?
08:13Enjoy.
08:14Sorry, what did you say?
08:21You're welcome, you don't deserve it.
08:24I find it incredible.
08:26Incredible, not one fucking syllable.
08:30You get up at half past five so they can laze around until twelve and they don't give you
08:34not even thanks.
08:35Where are you going?
08:36He forgot the milk.
08:37Well, don't give him any conversation.
08:39It's incredible.
08:41I make him breakfast, I bring it up to him, I put it in front of him, I give him the newspaper, I
08:44I tidy the room, open the curtains and since you don't know what he said to me.
08:50Do you know what he told me?
08:52Nothing.
08:55Your friend, the one from eight, nothing, not a word.
08:58Can you hear me?
08:59Attention, someone is listening to me here.
09:02It's that I've died, I've become invisible.
09:04Yes, Bill, yes, Bill, do you see me?
09:06No.
09:08Well, I'm going to sleep.
09:09No, better yet, I'm going to beat up the customers.
09:12Poor.
09:12No, poor thing, her tummy hurts.
09:18Sausages for the doctor.
09:23What's up, Polly?
09:25He's dead.
09:26Who's dead?
09:28The one at number eight.
09:29Liman.
09:30But Basil just brought up his breakfast.
09:32Well, it's cold.
09:33Oh, no.
09:34What's wrong with that dog?
09:40Hey, I'm dead.
09:42He certainly fights for life.
09:44Dead Dog in the Dining Room could be an Agatha Christie novel.
09:48No, no, and Mr. Liman, I'm dead.
09:51Well, that explains everything.
09:52No, Mr. Fonti.
09:54Polly has really seen him, he is dead.
09:56But I just brought up the herring.
09:59Oh, mother!
10:03Liman has died, I'm going to tell the doctor.
10:04No, wait!
10:07I left the milk on the tray and...
10:09What are you going to do?
10:11What are you doing?
10:12Why does he do that?
10:13I told you, they're over the moon.
10:15We could get twenty years for this.
10:17Herring, herring.
10:19Mr. Fonti, he's been dead for several hours.
10:22Mr. Fonti, it's cold.
10:24He must have died in his sleep.
10:27Mr. Fonti, you haven't even tried those herrings.
10:31Look at them.
10:32Touch it.
10:35Touch it and you will see.
10:40Is it cold as ice?
10:41Yeah.
10:41Oh, good!
10:45Thank you, my God!
10:47How wonderful!
10:48What happiness!
10:49Viva!
10:50He's dead!
10:51What a shame!
10:57Could you tell me...
10:59It smells bad, doesn't it?
11:01I will open the window.
11:02You said.
11:04Who found the body?
11:05Ah, Polly!
11:07I've added a little milk.
11:09We had forgotten.
11:11Didn't you bring it at the same time?
11:12No!
11:13We had already brought up breakfast.
11:16Who brought up the breakfast then?
11:20I uploaded it myself.
11:23What's that?
11:25A little bit of that.
11:26A little bit of what?
11:27For breakfast.
11:30Have you served it?
11:31Yeah.
11:32And have you reported his death?
11:33Uh, yeah.
11:35Then I don't understand why...
11:38Why has your milk increased?
11:41Because?
11:42Yes, why?
11:45When he said he was dead, I understood that he was asleep.
11:49Actually, he didn't say he was dead.
11:51Very quiet, I said.
11:53Reserved?
11:53Yes sir.
11:54You were telling him about the British Leyland strike, weren't you, Basil?
11:58Thank you, Sibyl.
12:00I don't understand.
12:01He must have been dead for ten hours.
12:03Definitely, huh?
12:03Basil!
12:04If he's been dead for ten hours, he's dead, and very dead.
12:08But didn't you realize he was dead?
12:10Nobody talks much in the morning.
12:12I just brought up his breakfast and just because he wasn't singing I wasn't going to think.
12:16Another one who died overnight.
12:18Another one for the Fawlty Towers list.
12:21We are in a hotel, not a Burmese hospital.
12:23Basil!
12:23Also, they put it at the entrance to the hotel.
12:25Or maybe we should be more specific.
12:27Hotel for people who are not too likely to die during the night.
12:31Why are you looking at me like that?
12:34Why are you looking at me like that?
12:37Basil!
12:38You can see some grit between your sweater and your shirt.
12:44I was here.
12:45I looked it up and look where it appears.
12:48We'll see you downstairs, doctor.
12:50Should I call the funeral home?
12:51Yes please.
12:52Is that what I get up at 5:30 for?
12:57Today I was leaving the hotel.
12:59There is a reservation for noon.
13:00We'll put it in another room.
13:02There are none free.
13:03Please throw that away.
13:04Put it in the office until the funeral home arrives.
13:08Now?
13:09When the doctor finishes.
13:14What are you doing?
13:15The bill.
13:17And who do you think you'll give it to?
13:18I'll put it in your wallet.
13:19They will look, for sure.
13:20I don't charge you for breakfast.
13:22Mr. Simkins, I'm calling from Fawlty Towers.
13:27A client died last night.
13:29Can you come for the body?
13:31What does it matter who?
13:32Come get it.
13:33Good morning.
13:34You're always so cheerful in the morning, Mr. Fawlty.
13:37Well, a client just died.
13:38Oh, you are terrible.
13:43Paolo, Paolo, Paolo.
13:46Paolo, let's put a corpse.
13:48Cop, Cop, Cop.
13:50Could you please?
13:51Could you?
13:52Yes, thanks.
13:52Can I call the coroner from here?
13:59To the coroner?
14:00In these cases, Mrs. Fawlty, the coroner must be notified.
14:03Ah, I understand.
14:04Come here, please.
14:07Clear path, Poli?
14:08Yes, there is no one.
14:10It weighs, love.
14:11Come on, Paolo.
14:12Good morning, Paolo.
14:14Good morning.
14:16It's heavy, woman, leave it.
14:17Don't worry, I can do it.
14:18Don't bother, I'll do it.
14:19It's annoying.
14:20Please leave it.
14:21It doesn't cost anything, we fold it like this.
14:23Besides, yes, let's go, Paolo.
14:27I'll do it, Miss Tiggs.
14:29Oh, I can do that.
14:30Oh, a port!
14:32I should come.
14:33Oh my God!
14:35Calm down!
14:35Shut up!
14:36Please be quiet!
14:37Please be quiet!
14:38Hit him, Poli, hit him!
14:40Slap her, she's hysterical!
14:42Hit him, Poli, hit him!
14:47Splendid blow.
14:48Congratulations, you've killed it.
14:50Miss Tiggs.
14:51They have two, only twenty-five left.
14:54Poli, quick, quick, hurry.
14:57Come on, Paolo.
14:59Presto.
15:01Sirs.
15:01Come on, come on, Paolo.
15:02I dropped a ring.
15:05Here it is.
15:08Excuse me, I'm blocking your way.
15:10It doesn't matter.
15:11Is this your room?
15:16Yeah.
15:16Pretty, huh?
15:17Very pretty.
15:19Did you have a good breakfast?
15:20Yes, yes, thank you.
15:22It allows us to pass.
15:23Let's grab some things.
15:24No, you can't.
15:25What do you say?
15:27You see, Mr. Folti is cleaning it.
15:29We have to grab some things.
15:30We're going out.
15:31Oh, it'll be two or three minutes.
15:33We are in a hurry.
15:34I'm sorry.
15:34Excuse me.
15:35Excuse me.
15:36Mr. Folti?
15:37Mr. Folti?
15:39Clear path.
15:39Mr. Folti.
15:41Can I go out?
15:43Mr. and Mrs. White want to come in.
15:52Hello.
15:53Hello.
15:54Can we come in?
15:56I've already explained to you that I was cleaning.
15:58I'll be done soon.
15:59And couldn't I do it later?
16:02Paolo, please pick up that ashtray.
16:05that you dropped.
16:06It's heavy, huh?
16:06Can I do it later?
16:08We want to take the coats.
16:09It will take a couple of minutes.
16:10We want our coats now.
16:13Yes, thanks.
16:14Very kind.
16:17Has it closed?
16:19Yeah, well, it's just a precaution.
16:22Have you closed the latch?
16:23Just a little.
16:27Will you let us in?
16:29Yes, right away.
16:32The coats.
16:33Take out the coats.
16:35What the hell is he doing?
16:37He's just a perfectionist.
16:41Ready!
16:43What does that mean?
16:45We wanted to move the furniture around,
16:46but it didn't look good.
16:47Paolo, the coats.
16:52Oh, my sun!
16:54Oh, my sun!
16:56He is Neapolitan.
16:57You know how they are.
16:57What is that noise?
17:00It's my back.
17:01No!
17:01It's a moan!
17:04Yes, how strange.
17:05No, no, it's coming from the closet.
17:07We'll put some oil on it, have fun.
17:09Is anyone inside?
17:10That?
17:10Yes, listen.
17:11No, no, no, no.
17:13Open.
17:14Wow, they were right.
17:16Open.
17:16Good idea, yes, of course.
17:18Come on, open up.
17:19Yes, yes, now I was going to do it.
17:20By the way, if you were thinking of visiting the museum,
17:22hurry up or they'll close you down.
17:23Open up, would you please?
17:24Okay, okay.
17:25Open up!
17:28Oh, hell, it's closed!
17:30And the key?
17:31Yes, do you know where the key is, Poli, Paolo?
17:33He'll probably be at the reception desk.
17:35Stuff?
17:36The key?
17:36In his pocket.
17:37No no.
17:38Yes!
17:38No, no, no, no.
17:39No, leave it, Paolo!
17:40In your pocket, Paolo, it's quite still!
17:44Great, Paolo, thank you very much.
17:45Come, he has finally appeared.
17:47I'm opening, I'm opening, what a rush.
17:52I'm tired of telling him to lock himself in his closet.
18:01and not in that of others.
18:03I'm sorry, please excuse this poor woman.
18:05He entertains himself like this, things of old age.
18:07He has a problem with his arm,
18:09that's why it's locked in the closet.
18:11Exact!
18:11Oh, poor woman!
18:12His arm has come off!
18:14Always the same!
18:16He's dead!
18:17Her husband died 30 years ago and you see.
18:20The arm is hanging!
18:22In the closet!
18:24No, not again!
18:25That's enough for today!
18:26But what is that?!
18:26Water!
18:29Water!
18:38Oh, poor thing!
18:40Paolo!
18:41Enough, Paolo!
18:42Thank you, that's enough.
18:43That's enough, Paolo.
18:45Can I do anything else for you?
18:47It was horrible, Mrs. Folti.
18:52You have no idea.
18:54Oh, I take care of it!
18:55It was completely dark.
18:57And that thing, with the hand like this...
18:59Yes I know.
19:02Now you must rest and try to forget it.
19:05What if he does something to me?
19:07He was dead, wasn't he?
19:08A man is a man, Mrs. Folti.
19:11Yes I know.
19:13That man is going to hear me.
19:14What man?
19:15Mr. Folti.
19:17I'm also your client, Edda.
19:18Yes, but rest first.
19:20Scare me like that.
19:21I'm going to talk to him.
19:22Will you hear me?
19:22Yes, of course he will talk to him,
19:24but when you feel better.
19:26OK?
19:28Yes, thank you very much.
19:30Okay, there's a room available at Sibio.
19:32For today?
19:33Yeah.
19:33Let's see how it is.
19:34Come on.
19:35If we don't like it, we sleep in a brothel.
19:37Wherever.
19:40There is no one.
19:46How heavy this is, dead!
19:51Good morning.
19:53Hello, Major Bowen.
19:54Has the newspaper arrived yet?
19:56Yes, you have it.
19:58Don't tell me.
19:59Oh, wow, that's true.
20:01Wow, this guy has a bad face.
20:03Are you feeling unwell?
20:04Listen, Major, no one should know about this.
20:08He's dead.
20:09Ah, with a shot, right?
20:12No, no, he died in his sleep.
20:14While I was sleeping?
20:15Of course, you let your guard down and...
20:18Yes, yes.
20:19Folti, I don't think you should leave the body here.
20:22No, no, we called the funeral home.
20:24Ah, because it attracts flies and...
20:29Hey, I'm waiting.
20:31As?
20:32They haven't served me breakfast.
20:33Oh, excuse me, I'll be right there, right now, okay?
20:37I just want some sausages.
20:38Mr. Folti, Mr. Folti, I want to talk to you right now.
20:47Please...
20:50Sorry for the delay, doctor.
20:55We have now restored normal service.
20:57Shall I serve you some coffee?
21:03Those screams...
21:04Tea?
21:04Go ahead, I'm going to turn off the radio.
21:14Miss Tibbs!
21:16This is amazing.
21:17But why did you leave it there?
21:18Because it didn't fit in the safe, dear.
21:20There is no right.
21:22What guests!
21:24Even when they are dead they do not stop bothering us.
21:26Where are you taking him?
21:28To the kitchen.
21:31Oh!
21:32One moment.
21:33See you later.
21:44Oh, dear, look.
21:56It's very serious.
21:59What do you say?
21:59But do something, tell the vet.
22:02Yes, ma'am.
22:02Oh, they pawned it!
22:03Come on, Paolo.
22:06Put it on the table.
22:10Open there, open.
22:15Sorry, overcooked, right?
22:17We will send them to the crematorium.
22:20What are you doing?
22:21You can't have a dead body next to your food.
22:24It can't be done?
22:25Of course not.
22:26Sorry, Paolo.
22:27Here, here.
22:28All good.
22:29Inside the basket.
22:30So.
22:31There isn't either.
22:32As?
22:33In the kitchen, no.
22:34Alright.
22:48Civil!
22:49I'm with Miss Timbs Basil.
22:51It's better now, dear.
22:53One moment, please.
22:56Excuse me, doctor.
22:57First, wash your hands.
22:58Oh, yeah, sure.
23:00And before preparing food, you have to wash everything well.
23:02Of course.
23:03You can make the sausages right now.
23:05I'll take the risk.
23:06Of course, tout sweet.
23:11Leave that.
23:12I must withdraw it.
23:13Don't take it.
23:14No, no, it's time.
23:15I must take it back, gentlemen.
23:16It's my table.
23:17The food is in the etor.
23:18I haven't had breakfast yet.
23:21Breakfast?
23:22Breakfast is finite, gentlemen.
23:24I'll have sausages.
23:25It's not impossible.
23:27Give it back.
23:28Hey, I'm a doctor.
23:29I'm a doctor and I want my sausages.
23:31I say I'm done, capiche.
23:33Please go away, per carita.
23:39Listen.
23:41Go away.
23:42Give that back to me.
23:44Give it back to me.
23:45No.
23:46The regulation.
23:52Any setbacks?
23:53He wants to have breakfast.
23:54I was trying to sit down, but he's knocking me off my feet.
23:57Oh I'm sorry.
23:58I tell him I haven't had breakfast and he ignores me.
24:00Paolo.
24:03Paolo, I'll explain it to you.
24:06That?
24:06Do you understand now, Paolo?
24:08Yes, don't worry.
24:09I'll be right back.
24:13Here you are.
24:13Number eight, Mr. Ingrams.
24:16Go up the stairs and to the right.
24:18Sorry I can't join you.
24:19There is an unwell guest.
24:20Thank you.
24:23To the office.
24:28Excuse me.
24:31Excuse me.
24:32Yeah.
24:33We are waiting for Mr. Liman.
24:36Do you know where it is?
24:38Well, then...
24:40Let's see.
24:43Maybe it's in the dining room.
24:45And in your room?
24:48In your room, let me think.
24:52We came to look for you, you understand?
24:54We must take him to...
24:55As?
24:56We have come to look for him.
24:58Ah, have you come here looking for him?
25:00Yeah.
25:00Of course, sorry, I hadn't realized.
25:03Modern your outfit.
25:05As?
25:06Her outfit is very modern.
25:07I didn't know there were women in this.
25:11In what?
25:14It's down there.
25:16No, no, in the basket.
25:18Do they file in the basket?
25:20Yes, in the basket.
25:21Am I serious?
25:22Yeah.
25:23Hello.
25:25That...
25:25What is it doing in the basket?
25:27Tell me.
25:30What is the poor man going to do?
25:33What are you talking about?
25:35Don't you believe it?
25:36Look, look.
25:46My God, he's gone.
25:48Where is?
25:49The laundry.
25:50Come on, come on.
25:50They've taken him away!
25:51High!
25:52Wait!
25:53Wait!
25:54Don't go!
25:55Don't go!
25:56Wait!
25:57Wait!
25:58High!
26:07Masil!
26:08Excuse me.
26:09It will only be a moment.
26:10Just a second!
26:12I'm sorry.
26:14That's it.
26:15We have it now.
26:17It's in the basket.
26:19We couldn't have it in the kitchen.
26:22and we have brought it here.
26:23It is more hygienic.
26:24Masil!
26:25Yeah.
26:30Do you work here?
26:31Yeah.
26:32I would like to speak to the director.
26:33It's me.
26:34Is there a problem?
26:37Is he for real?
26:39You see, there must have been some confusion here.
26:42We came to see a colleague, Mr. Lehman.
26:46We have an important meeting.
26:47A meeting?
26:48Yes, a meeting.
26:50With the company director.
26:51Ah, I understand, Mr. Lehman.
26:56Yeah.
26:58We thought you were from the laundry.
27:00Great, yes, from the laundry.
27:03Sorry for the delay.
27:05Hello, honey.
27:05What is this, Basil?
27:06It's a bit complicated.
27:08We thought these gentlemen thought we thought they...
27:10No, Mr. Faldino.
27:11No, that's not it.
27:12These gentlemen come to look for Mr. Lehman
27:14and we thought they were coming for clothes.
27:17To Mr. Lehman?
27:18Yes, but everything is already cleared up, so I'll take the clothes upstairs, okay?
27:22Ah, yes, thank you, Basil.
27:23You're welcome, grab it there.
27:26That is.
27:28Above.
27:29Please come into the office for a moment.
27:33We're almost there.
27:38Another one, Fawlty?
27:40No, it's the same one.
27:41Oh, sorry, I blew, I blew.
27:50They have gone to the museum.
27:51Let's put it in there.
28:01What's happening?
28:02What's happening?
28:03Have we made a mistake?
28:05He sounded very tired.
28:08Very, very tight.
28:11Hurry up.
28:14To the basket, let's go.
28:16Come on, man.
28:17Holy Madonna.
28:18Is anyone coming?
28:19Bear, Mr. Fawlty, I'm not going to work here anymore.
28:22Open the basket.
28:23No.
28:23Open the basket right now.
28:28And now inside.
28:30No, not you.
28:32Resignations.
28:32Get out of there right now.
28:34I'm warning you, Paolo.
28:35I'm not going out, it sounded better here.
28:37Have you seen this one?
28:39You'll end up the same.
28:41Believe me, I'm really sorry.
28:43Thank you.
28:43Thank you.
28:44Good morning.
28:45Bye bye.
28:45Bye bye.
28:45Bye bye.
28:46Yes, thanks.
28:46Bye bye.
28:48Bye bye.
28:48See you around.
28:49Bye bye.
28:51Yeah.
28:53My hat.
28:55That?
28:57I would like my hat.
28:58Yes, I will send it to you.
29:00That?
29:00Give me his address.
29:01Do you have any cards?
29:03I can't pick it up.
29:05Do you need it right now?
29:08Well yes.
29:09Don't you see that you're going to lose it?
29:10With the gale outside.
29:12But I would like to take it with me.
29:15You'll see.
29:17Paolo.
29:18Paolo.
29:19He got in there.
29:21Poli, get Paolo out of that basket.
29:23To Paolo?
29:24Yes, come on.
29:24Waiting?
29:25Take it out.
29:25Isn't it there?
29:26Yes, it's there.
29:28It is not.
29:28Yes, look for it!
29:31I'm sorry.
29:33You traitorous bastard!
29:34Do you see it?
29:37Please take this gentleman's hat.
29:39Which is it?
29:40That.
29:41On the hanger.
29:43Excuse me, what color is it?
29:44Brown.
29:44Brown.
29:45No, that's not it.
29:47Thank you.
29:48Mr. Fawlty, I want to speak to you in your office.
29:50When would be a good time for you?
29:52I am 79 years old.
29:54What the hell is going on here?
29:55I'm sorry about your room.
29:57My little one, my little one is dying.
29:59They poisoned him.
30:01And your son?
30:02Sibyl!
30:02They haven't called the vet.
30:04Veterinarian?
30:05Sibyl!
30:06These sausages are overcooked, according to the package they showed on the third day.
30:10Ah, Sibyl, my dear, you look radiant!
30:12Ladies and gentlemen, ladies and gentlemen, the clothes are ready.
30:16Ladies and gentlemen, there has been some disorder here this morning and you deserve an explanation.
30:21My lovely wife will be happy to give it to you.
30:23Here.
30:24Very kind, very kind.
30:25Explain to me, what is all this, young man?
30:37Basil!
30:39Basil!
30:40Basil!
30:41Basil!
30:43Basil!
30:44Basil!
30:45Basil!
30:46Basil!
30:47Basil!
30:48Basil!
30:49Basil!
30:50Basil!
30:51Basil!
30:52Basil!
30:53Basil!
30:54Basil!
30:55Basil!
30:56Basil!
30:57Basil!
30:58Basil!
30:59Basil!
31:00Basil!
31:01Basil!
31:02Basil!
31:03Basil!
31:04Basil!
31:05Basil!
31:06Basil!
31:07Basil!
31:08Basil!
31:09Basil!
31:10Basil!
31:11Basil!
31:12Basil!
31:13Basil!
31:14Basil!
31:15Basil!
31:16Basil!
31:17Basil!
31:18Basil!
31:19Basil!
31:20Basil!
31:21Basil!
31:22Basil!
31:23Thanks for watching the video.
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