- hace 6 semanas
Basil se muestra en su faceta más servil cuando decide que uno de los huéspedes, el Sr. Hutchinson, es un inspector de hoteles. ¿Por qué si no iba a pedir ese hombre alquilar un televisor y un sinfín de otros servicios fuera de lo común? Basil le adula mientras se muestra de lo más grosero con el resto de huéspedes, incluido el Sr. Walt, que tiene sus propios motivos para alojarse en el Fawlty Towers. Las cosas van de mal en peor cuando Basil decide que puede haber cometido un error.
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00:00FALTY TOWERS
00:24Yes, I know. It all started with that electrician, right?
00:27It was a high voltage cable, with only one watt, but with many volts.
00:36Inside your pants, yes. Or better yet, outside them.
00:43Yes. No, lighting a cigarette, he continues.
00:48I know, I've heard. With his mother in the same room.
00:52Sorry. No, no. No, calm down, you do.
01:02Basil.
01:03Yes, dear.
01:04Oh no. Who saw them? Basil.
01:06Yes, dear.
01:07Would you like to come and look after this gentleman, dear?
01:10Nineteen.
01:11Well, if you're already there, dear.
01:13The last one was only twenty-two. Of course.
01:16I'm very busy, dear. Are you busy out there?
01:19I'm on the phone. My husband will be here right now.
01:22Fine, thanks.
01:22So I'm going to stop working and go out, right, dear?
01:25No, no, no. I'm talking about Maltese.
01:27Great, it's fixed now.
01:29No, no, dear. That was...
01:31Honey, when you're done, why don't you lie down for a while, okay?
01:34I'm so sorry to have kept you waiting, sir. I didn't know my wife was so busy.
01:39Don't worry. I don't care one bit.
01:41What did you say?
01:42I don't care one bit. Fortunately, I'm not pressed for time.
01:47Well, I need some information. This afternoon I have to visit the city for a specific purpose, which isn't of interest to you, I'm pretty sure.
01:53But I need to ask for your help to get me some transportation.
01:57This is a rented vehicle to take me to my first destination.
02:01Are you OK?
02:01Oh, yes. Yes, the air here is most stimulating.
02:04I see. I understood from your first statements that you want a taxi.
02:08In one word.
02:09At a rally.
02:10Goodbye, dear.
02:11At two, please.
02:12Okay, there's the phone.
02:13Oh, no, please, could you call me? Because I never use the phone, so I can avoid it.
02:18Why not?
02:18Risk of infection. What have I been concerned about?
02:21Well, you see, I have a meeting at five o'clock here, but first I have to go to the post office in Queens Square.
02:26Now, since this plan leaves a lot to be desired, I would be very grateful if you could draw me a diagram of the optimal route.
02:32Well, may I ask what's wrong with the plane?
02:34It has a curry stain.
02:35I don't know what, but it's very easy.
02:36It goes all the way to Queens.
02:38It stops and twists.
02:39Do you want to listen?
02:40Would you like to draw me a picture, please?
02:41No, no, it's very simple.
02:42I'd rather you draw me a picture, if you don't mind.
02:44Yes, it is annoying.
02:45I want the drawing, anyway.
02:48Basil.
02:49OK.
02:50Take it.
02:51We have pens.
02:52Oh yeah?
02:52We have pens in the hotel.
02:54Thanks a lot.
02:55Somewhere there are pens.
02:58Have you ever seen anything like this?
02:59A hotel where there are no pens.
03:01It's incredible.
03:04What the hell are they doing there?
03:05I put them there.
03:06Because?
03:07Sign here, Mr. Walt, because you always lose them.
03:10I'm not the one who always loses them.
03:11People take them from me.
03:12Well, they won't take them away from me.
03:13They don't dare.
03:15I'm sorry I didn't realize you'd done this after 12 years, darling.
03:19My psychic powers are slightly low this morning.
03:22Here you go.
03:22Don't be silly, Basil.
03:24It says it clearly on the box cover.
03:26Pens.
03:27It seems more like it says cops.
03:28Well, when the cops come, you can hand them over.
03:31Mr. Walt at 7.
03:33What do you think?
03:33Don't you think it says cops?
03:34No, sir.
03:35Well, to me it does, look, it's a P and...
03:37Listen, I don't quite understand this plan.
03:38Where is the post office?
03:40There, where it says post office.
03:41I'm sorry you're so confused.
03:43Oh.
03:44Ah, yes, O-P.
03:47You have used the abbreviation.
03:49I see we understand each other.
03:50Yes, I thought it said O-B.
03:52Yes of course.
03:52Yeah, you see, I thought O-B was a name, you know?
03:55The name of a district.
03:56This P looks like a B.
03:58What's up?
03:58Yes, B has extended the...
03:59Would you say it's a P or a B?
04:01There, there, it says O-P or you think it says O-B.
04:04Well.
04:04There, there, that's a P, isn't it?
04:05I guess so.
04:06O-P.
04:07What did you say?
04:08O-P, not O-B, there is no post office.
04:11The 9th.
04:13That?
04:13Your room?
04:14The 7th.
04:15Paolo, please take those bags to 7.
04:18Stuff?
04:20He believes O-B is a district.
04:23What do you think?
04:24Something like a province of the Equatorial Torquí.
04:28Paolo will take you to your room.
04:34If you're lucky.
04:35Come on, come on, serve.
04:36Always, thank you, it helps.
04:37Yes, or I read it at 4-4.
04:38There are minutes left until lunch, please.
04:4012.
04:40Leave me, I'll write it for you.
04:42Well, here you go.
04:42Thank you so much.
04:43Oh, don't forget the taxi.
04:44At 2.
04:45Yes, and if anyone needs me, I'll be in the living room.
04:47If someone requires you?
04:48I'll be in the living room.
04:50Someone in particular like Henry Kissinger?
04:53Or just some shrink?
04:54I don't know what will become of this place if we admit someone like that.
04:57What's wrong with you?
04:58Help me a little.
04:59You are always restoring something to yourself.
05:01That?
05:01It's the same, it's the same.
05:03Don't yell at me.
05:04I had a terrible morning.
05:05Oh, wow, what happened to you?
05:07Did you get tangled in the sheets again?
05:09Didn't your bun have cream?
05:11Or have you talked so much with your friends that you haven't had time to make it permanent?
05:16The truth is, Basil, I've been working.
05:20You know what that means, don't you, dear?
05:22It's about getting things done instead of arguing with clients.
05:25It would be a little easier for me to deal with the cretins who live here in my little viper's nest.
05:29if I had a shred of cooperation from you.
05:32Cooperation?
05:33Don't make me laugh.
05:34The day you cooperate you will be in a shameless, smug coffin.
05:37Hey, if you expect me to stoop and do some of the work that's done around here...
05:40This is a hotel, Basil, not a prison.
05:43And business would be much better if you were a little more polite.
05:46Just a little bit.
05:47And talking to Audrey for an hour and a half helps business, huh?
05:50We were just talking about business.
05:52Audrey knows something that might interest you.
05:54Really?
05:55Let me guess.
05:56Do you know that Major Gowen wears your foot?
05:57Has anyone put nail polish on their cat?
05:59I'm getting closer.
06:00Some hotel inspectors have arrived.
06:04That?
06:06What else do you know?
06:07He doesn't know anything else.
06:09How do you know?
06:10A friend of Bill Morton overheard three men at a party comparing notes on some Exeter hotels.
06:15Three men?
06:16I'll call Bill.
06:17You don't have to call him, Basil.
06:18You just have to try to be a little nicer.
06:21Kinder, he says.
06:24Have the newspapers arrived?
06:26No, not yet, Major Gowen.
06:27Sorry.
06:28Thank you.
06:28Yes, I know, Fawlty.
06:29Can you help me, please?
06:42I'm on the phone.
06:43But he hasn't finished scoring, has he?
06:45Listen.
06:46There's a documentary on BBC2 tonight about Squealing Bird, the Blackfeet Indian chief, around 1860.
06:53It starts at 8:45 and lasts approximately three-quarters of an hour.
06:57Excuse me, are you talking to me?
06:58Yes, you do.
06:59Okay, is it possible for me to book BBC Channel 2 for the duration of this television treat?
07:04Why don't you speak Christian?
07:05How do I speak?
07:06I don't feel it.
07:07That?
07:07It is not possible to reserve BBC Channel 2 from the beginning of that television gift until its final termination.
07:13Thanks a lot.
07:14I understand.
07:15Could I suggest that you introduce that change?
07:17No.
07:18I would like to tell you that my experience with hotels is very extensive.
07:22and those who have my approval have had the foresight to introduce this service for the benefit of their clients.
07:27So your experience with hotels is very extensive, right?
07:30Yes, my professional activities require me to be in contact with them.
07:33Oh yeah?
07:34Don't tell me.
07:35Yeah.
07:36So would it be possible for me to rent a device to enjoy the show in the privacy of my room?
07:42What do you say?
07:43Are you able to rent a television to one of your clients?
07:48I'm glad you asked.
07:49No, not at the moment.
07:51Oh.
07:51But we intend to introduce such a service shortly.
07:55Yeah, they're not starting tonight, are they?
07:56No, but we could start offering another service right now.
07:59Following the idea you suggested, we can reserve BBC Channel 2 for you tonight.
08:04That's kindness.
08:05No, no, no way. That's what we're here for, isn't it?
08:07Yeah.
08:08Would you like anything else before I call your taxi?
08:10Yes, one more thing. I heard you have a table tennis team.
08:14And you're right, yes. It's not in optimal condition, but it can certainly be used in an emergency.
08:20You'll find it in the South Wing, which leads to a courtyard with ample parking.
08:25Ah, Polly, Mr. Hutchinson, this is Polly Sherman, an employee of ours.
08:28Ah, nice to meet you.
08:30Nice to meet you.
08:30Wait a minute, I think we've met before.
08:32Yes, I served him breakfast.
08:33Oh yeah, and she spilled the grape juice on me, didn't she, you bad girl?
08:36Because he moved the glass, right?
08:38Thank you, thank you, Polly. She's charming and clever. A very skilled painter.
08:43Really?
08:43Yes, yes, yes.
08:44Good morning. Good morning, ladies.
08:46Good morning.
08:47We like having girls of that caliber with us. They add a certain... Okay, would you like to join us for lunch now?
08:53The dining room is still ready.
08:54Oh, good heavens, we don't worry about that kind of thing here, don't worry. Anyway, this is a hotel, not a prison.
08:58As?
08:59Have you seen? It's not time yet.
09:01As I told the gentleman, dear, this is a hotel, not a prison. It's him.
09:05The chef won't be ready, Basi.
09:07Leave it to me, leave it to me.
09:08Have you called Bill?
09:09No, dear, it is not necessary.
09:11That?
09:11I'll explain. Now I have to attend to Mr. Hutchinson. It's him, it's him.
09:15Vegetable omelet.
09:16Yes, and everything on the plate, please, not on the tablecloth.
09:20Excuse me, you wouldn't happen to be the Duke of Kent, would you?
09:24No, no, no, no. You've got the wrong person.
09:26Ah, Mr. Hutchinson, you've already ordered, haven't you?
09:28Oh yeah, I'll have a vegetable omelet.
09:30Splendido.
09:31Yes, and I assume all the vegetables in the omelet will be fresh.
09:34Yes, yes, yes, yes.
09:35Including peas.
09:35Yes, yes, yes, yes, very fresh.
09:37Won't they be frozen?
09:38Well, they are, yes.
09:40If they're frozen, they're not fresh, right?
09:42I assure you they were very fresh when we froze them.
09:44Oh wow, this is so common in hotels these days.
09:47Oh yeah?
09:48Then I'll have something else.
09:49That?
09:49I only eat fresh vegetables.
09:51Give me a cheese salad.
09:53Well, we can make the omelet without peas.
09:55No, no, no, no, no, no.
09:56For me, peas are an integral part of the resulting flavor, you know?
09:59May I suggest that you stock up on sufficient quantities of this fresh product in the future?
10:03Hey, we're carrying...
10:04Yes, yes, yes, yes, good idea, good idea.
10:05Good.
10:06And are you going to drink something?
10:07Yes, a ginger beer.
10:08Ginger?
10:09Yes, and a glass of fresh water.
10:11Water?
10:12Fresh, yes.
10:12Mr. Hutchinson, you have a call at the front desk.
10:15A call?
10:16Oh dear! Oh dear! Oh!
10:20Dude, that's it.
10:26Holy Madonna.
10:36Good afternoon.
10:37No?
10:40There is no sun today and they are not good, per me.
10:42Sorry, I was saying...
10:44It's not there, like that.
10:44What table am I assigned to?
10:46Stuff?
10:47I'm the one from seven.
10:49Oh yeah, right.
10:50Come on, get up, up, right.
10:52The seven.
10:53No no.
10:53Yes, I pray.
10:54No, listen, I want a table.
10:56A table.
10:57For one.
10:57Oh, table one.
10:59Yes, yes, yes, yes, yes.
11:00Table one.
11:02Excuse me.
11:03It's hard for me.
11:04Thank you.
11:04Table one.
11:05Yes, yes.
11:06Sorry.
11:09Sorry.
11:10Maio capito who wanted the room, eh?
11:12There has been a confusion.
11:13I'm sorry.
11:14No, it's my fault.
11:15I'll try the pâté and the lamb casserole.
11:17You room, huh?
11:18No.
11:19Room seven.
11:20Oh, seven, yes.
11:21Yeah.
11:22No no.
11:23Costs.
11:23It's table one.
11:25It's Wednesday.
11:26For seven, table five.
11:28No, please, yes.
11:29You must get up, pray.
11:32Please, my excuse.
11:36Yes, yes.
11:38Seven is what I believe.
11:40Because I, as if I didn't say anything in my own language,
11:44yo solo posso beber y numeri cuando lio avanti.
11:47The pâté and the lamb.
11:49Lamb pate, lamb pate, lamb pate, lamb pate, lamb pate.
11:51Be careful.
11:52Yes, yes.
11:53Ginger beer and a glass of cold water.
11:58What are you doing here?
12:00Well, I...
12:00He can't sit there, he's busy.
12:02I've already been moved once.
12:04It's the seven o'clock one, right?
12:05Yeah.
12:05And the waiter brought me at five.
12:07But this is not the five.
12:08What's it going to be?
12:08Would you like to come here, please?
12:09This is table five.
12:11Come on.
12:12Hey, I asked the waiter.
12:13You would have done better to ask the cat.
12:15Come on, get that ass out already.
12:17Sorry, what did you say?
12:18Do you want to sit down?
12:20Thank you.
12:23I hate to take up any more of your valuable time,
12:25but I would like to see the wine list.
12:27Now?
12:28Yes please.
12:29Excuse me.
12:30Here you are.
12:32Glad?
12:32An ashtray, please.
12:38Thank you.
12:39Bring a bottle of Halos Cortón from 65.
12:42What about?
12:42The short halos of 65.
12:44Ah, the cut.
12:46The enchanted cut.
12:48Wow, Mr. Hutchinson, brains back.
12:50Yes, not so close, okay?
12:51Not so close.
12:52Sorry, I hope everything is to your liking.
12:54Yes, his earpiece was very greasy.
12:56I cleaned it.
12:56Thank you, very grateful.
12:58Terribly greasy.
12:59Who would have used it?
13:01You could fry eggs on it.
13:04Gosh, it's warm.
13:07Could you bring me an ice bucket, please?
13:09An ice bucket?
13:09Yes, it's for beer.
13:11It's roast hot.
13:11The cop, an ice bucket for Mr. Hutchinson.
13:13Thank you.
13:14Here is the 65 cut.
13:17Thank you.
13:44I'll open another one.
13:49I'm sorry.
13:49I'm sorry.
13:49I'm sorry.
14:14Thank you so much.
14:32I congratulate you on your choice.
14:35Yes, excuse me.
14:36Yeah?
14:37This wine has a cork.
14:40I just took it off, didn't you see me?
14:42Hey?
14:44Look.
14:45No no.
14:46No, you see, I took it away from him.
14:47That's why the wine came out of the bottle into your glass.
14:49I'm not saying that.
14:50I say that wine smells like cork.
14:52The cork has caused a reaction in him.
14:55Sorry.
14:55The wine has reacted with the cork and has spoiled.
14:59Ah, yes.
14:59Can?
15:00Well, if you don't want it, I want a wine that doesn't smell like cork.
15:15It's my fault, right?
15:16Okay, I'll get you another bottle.
15:17I hope you are enjoying the food.
15:20I said I hope you're enjoying the food.
15:22Ah, yes, of course.
15:23Thank you, thank you.
15:24Excuse me.
15:25Excuse me, table five.
15:27Yeah?
15:27Will you have lamb or mackerel?
15:29Lamb.
15:29Well, I'll have another one ready, just in case.
15:33We'll try this one, shall we?
15:35And second?
15:36Polly, will you bring Mr. Hutchinson's plate?
15:38Sorry to keep you waiting, Mr. Hutchinson.
15:40I'll be with you in a moment.
15:42Here you are.
15:44Basil.
15:48Tell me.
15:49How's it going with your hotel inspector?
15:52Good, good.
15:54He sells spoons.
15:58As?
16:01I heard him talking on the phone.
16:03He sells cutlery, but specializes in spoons.
16:07Have you heard him?
16:08Yeah.
16:09Have you ever heard a client's private conversation?
16:11That's it, Basil.
16:12He's very mean.
16:14I pay for them.
16:14Please.
16:15He has deceived me.
16:16What has he deceived you about?
16:17He told me he was a hotel inspector.
16:18He has demanded that I rent the television.
16:20Fresh peas, an ice bucket.
16:22The mistake was yours.
16:23Let me take care of this.
16:24Basil.
16:26Basil, this whole thing has been a figment of your imagination.
16:29It's not his fault.
16:30And I don't want you to be rude.
16:31Did you understand me?
16:33Did you understand me?
16:35Yeah.
16:43Have the newspapers arrived yet?
16:45No, not yet, sir.
16:46Wow, wow.
16:47Spoons, huh?
16:57What do you say?
17:00Spoons.
17:05Sorry, you said.
17:06I heard you sell spoons.
17:07Ah, yes, yes.
17:08Ah, fascinating, fascinating.
17:10How exciting it must be.
17:12Much more interesting than being a hotel inspector.
17:15That?
17:17Oh, thank you.
17:19Mister.
17:20Hey, miss, no.
17:21Yeah.
17:21I didn't ask for this.
17:23Do you need anything, Mr. Hutchinson?
17:25A tea cosy for the pepper jar?
17:27That?
17:27No, no, no, no.
17:28I changed the order, you know?
17:29What's the problem?
17:31I thought I ordered an omelet.
17:33But soon after, Polly changed the order.
17:34It's that simple.
17:35Well, sorry, I wasn't warned.
17:37I told the chef, didn't he warn you?
17:38No, sir.
17:39And it's my fault?
17:40No, and mine?
17:40No, it's yours.
17:41That?
17:42From the chef.
17:42What do you say?
17:43It is clear that when the order has been changed and the chef has been informed, it is his responsibility
17:47from the same take...
17:47Do you want to direct this?
17:48That?
17:48Do you want to manage the hotel?
17:50Mr. Hutchinson will be the boss.
17:51I'll take the tortilla.
17:52I'm sure that with your charm and extensive experience you won't have any problems.
17:55Don't just sit there.
17:56No, there is a lot to do.
17:57Come on, man.
17:58Ready.
17:58Let's see how he does it.
17:59Let's see how he does it.
18:00What's going on here, Basin?
18:00Hello, man.
18:02Tell me.
18:02Does it seem better to you this way?
18:03That?
18:03Are you better?
18:04Yes, thanks.
18:05Okay, so that's all sorted, huh?
18:07Do you have any complaints?
18:08Yes, I have it, yes.
18:09How are you doing?
18:09I have been served the wrong dish.
18:11Thanks, Basin.
18:12I'll take care of it.
18:13Thanks, Poli.
18:14Tell me, Mr. Hutchinson.
18:15Well, you see.
18:15First I ordered an omelet, but then I changed my option.
18:18Oh, I understand.
18:19Well, I'll go to the kitchen to see what happened.
18:21Thank you.
18:25Oh, thank you.
18:29Paolo.
18:29Yeah.
18:31The bottle.
18:32Yeah.
18:33Where is?
18:34Cos.
18:34Where is the...?
18:35Oh, I took it off.
18:36I took it off.
18:37I took it off.
18:38Come here.
18:39You're a zero on the left.
18:46Here you have it.
18:47Oh, no, no, no.
18:48One moment, please.
18:49Yeah.
18:50I didn't ask for this.
18:51Oh no?
18:51No, ma'am.
18:52I'm sorry.
18:53There is an order of pâté for this table.
18:55Oh, wow.
18:56It seems like things are getting complicated for us today, right?
18:58So what?
18:59Taking care of everything?
19:00Yes, thank you, Basin.
19:00Well, it's all to your liking.
19:01Well, it seems that now it is offered to me...
19:03We're already fixing it.
19:03Thanks, Basin.
19:04You didn't order the pâté, did you, Mr. Hutchinson?
19:05No, no, sir.
19:06I have ordered one...
19:07Well, you take care of it, dear.
19:08First I asked...
19:09How did he do that?
19:27That?
19:28Where did you get it from?
19:30What, where did I get it from?
19:30Yes, yes, how did you get it?
19:32Did the waiter open it for me?
19:34The waiter opened it for him.
19:35I have always come against him.
19:39Oh!
19:41Oh, no, no, no, I didn't ask for this.
19:44What's going on?
19:45I didn't order lamb casserole.
19:47No, it's true.
19:48He didn't ask for this, Poli, so why are you serving it to him?
19:50His wife told me to bring him a portion.
19:52No, I slapped him.
19:53And besides, that's what it says here.
19:55Who has noted it?
19:57Don't know.
19:57Paolo.
19:58Paolo, how can it be so difficult to bring a damn cheese salad?
20:02Do you want to direct this?
20:03No, I just want a salad.
20:04Well then, shut up.
20:05Excuse me, what did you say?
20:06I'll bring you your salad, Mr. Casinza.
20:07And don't listen to anyone, you just bring the salad.
20:09But?
20:09Yeah.
20:10Oh, oh!
20:11Excuse me.
20:12I've changed my mind.
20:13I don't want the cheese salad.
20:15Cancel the order.
20:16I'm not used to being spoken to like this, Mr. Folti.
20:19And I don't want to continue with my lunch.
20:20Well, I'm sorry if what I said seemed a little harsh.
20:23Rude?
20:23You have been rude.
20:25I said rude!
20:26I am deeply sorry to see you feel that way.
20:27Nothing could be further from my intention.
20:29You told me to keep quiet.
20:31No, no, it was me he told.
20:33To you?
20:33Did you tell me?
20:34No, I was looking at you, but I was talking to Polly.
20:36Isn't that right, Polly?
20:37Oh, yes.
20:38Didn't you realize that I was looking at you, but talking to her?
20:41That?
20:41You see, he was looking at you, but he was talking to me.
20:43It isn't true?
20:44It's true?
20:45That?
20:45I have been rude.
20:46You bet, Mr. Folti.
20:47Clearly not.
20:48Do you see it?
20:49I?
20:49Yeah.
20:49But if you tell someone to shut up, it's because you want that someone to shut up.
20:52Oh, not necessarily.
20:54Excuse me, were you talking to me?
20:54Yeah.
20:55Excuse me, what do you say?
20:56Ah, how easily a misunderstanding can occur.
20:59Yes it's true.
20:59Is this a cheese salad, please, Polly?
21:01Of course, Mr. Hutchinson.
21:03And if you need anything else, don't hesitate to ask.
21:05Yes, thanks.
21:07What are you doing?
21:10I'm so sorry, he's Neapolitan.
21:15Was the house pâté to your liking?
21:17Yes, yes, thank you.
21:18Good, good.
21:19The chef himself buys it.
21:20Do you buy it?
21:21Oh yes, he insists on it.
21:23I imagine the short is the ideal complement.
21:25Yes, it is very good.
21:27Excellent.
21:28Better than the one in '66.
21:29Oh yeah?
21:30It has a lot of body.
21:31Yeah.
21:33Yes it's true.
21:35Well, it's always a pleasure to meet someone who appreciates the boudoir of grapes.
21:40Most people can't tell a Bordeaux from a Benrush.
21:43Bordeaux is a Benrush.
21:46Bordeaux is a Benrush, yes, yes, yes.
21:47But they don't know it.
21:49It's obvious that you drink a lot.
21:50Hey?
21:51Wine, of course.
21:52Well, not much, quite a lot.
21:53Well, enough for an expert.
21:55I'm not saying it's good.
21:56Well, some people are good at drinking, but they are not experts.
21:58No, not the drunks.
21:59Yes, yes, yes, yes.
22:02Bordeaux is a Benrush, one of them.
22:04Yes, yes.
22:09You're here on business, right?
22:10As?
22:11You will not dedicate yourself to wine.
22:13No, it's not our thing.
22:14Our?
22:15I came here on business with a couple of colleagues and we're not into wine.
22:18Ah, I said that because it's obvious you're an expert.
22:20I am not an expert.
22:21Yes it is.
22:22I am not.
22:22Yes it is.
22:23I am not an expert.
22:25Are there three?
22:25That?
22:27Are there three?
22:28Are there three?
22:29Yes, sir, there are three of us, but the others haven't come.
22:31They are staying in another...
22:32Be quiet!
22:36It's all good, right?
22:37That?
22:37Well, everything in general.
22:39Is the wine good?
22:40Yeah.
22:40And was the pâté good?
22:41Yes, I've already told you.
22:42And the lamb?
22:43I haven't tried it yet.
22:47He hasn't given me the chance.
22:49Oh, no.
22:49One moment, please.
22:50I'm going to see what's going on at Mr. Hutchinson's table.
22:52Wait a minute, but I don't want the tortilla.
22:53How delicious!
22:54I tell him I don't want this.
22:55They had already removed it from me.
22:57Yes, give it to me.
22:57I cannot understand how the truth could have happened.
23:00Look, I'll break it.
23:00I will never see her again.
23:02All I want is a cheese salad.
23:04Thanks, Poli.
23:05A salad.
23:05I suppose, sir, that everything is now to your complete satisfaction.
23:08No, it isn't.
23:09It's absolutely ridiculous.
23:10His job is supposed to be to run a hotel.
23:12Look how good it looks.
23:13It is, it is good.
23:14They brought me an omelette and then a shrimp cocktail with a stupid name.
23:17Look at that cheddar, delicious, huh?
23:18Yeah.
23:18Then a plate of stew and the omelet again.
23:21Would you please speak more quietly?
23:22And I only ordered a cheese salad.
23:24Yes, thanks.
23:24It's not like I'd asked for an elephant's ear on a chicken.
23:26Thank you.
23:27Listen, because all this is absurd and ridiculous.
23:29I'm glad you're happy.
23:29Because for a man, sir, Poli, who chooses a hotel, his behavior, his behavior
23:34It's absolutely ridiculous.
23:36I'm so glad you like everything.
23:38If you need anything else, I'll bring it to you myself, sir.
23:40Look at that delicious cheese.
23:41Don't you like it?
23:42As?
23:43Don't rush.
23:44It's just that it's full.
23:46No no.
23:46Calm down.
23:47The cheese has gone in the wrong place.
23:52That's it.
23:53He has fainted.
23:54Paolo!
23:55Poor man.
23:56The cheese.
23:57Yes please.
23:58What happened?
24:02He has fainted.
24:03Oh yeah?
24:04For eating cheese.
24:05Basil, no one faints from eating a little cheese.
24:07I tapped him on the back and then he choked.
24:10Yes, when I was going to...
24:10What have you done, Basil?
24:12Nothing.
24:12It moved just as I hit it...
24:14Oh my God!
24:14Call the doctor.
24:15I can fix it.
24:15Call the doctor.
24:16I can fix it.
24:17Call the doctor.
24:17I can fix it!
24:18Good!
24:18It's obvious I can't fix it.
24:20I'm a jerk, I'm inept, so we'll do it your way.
24:23Yes, yes, I'm sorry I left you like that.
24:25Did you like lunch?
24:26Yes, thanks.
24:27I wonder...
24:27The lamb was delicious, wasn't it?
24:29Well, it's been good.
24:30Sure, yes, exactly.
24:31I'm afraid the chef for lunch today isn't the same as usual.
24:34And then that poor man choking like that...
24:37I wonder if you have a phone I can use.
24:39Ah, yes, yes, here you go.
24:39I don't know how he did it, but...
24:41Thank you.
24:41Ah, here it is.
24:42Good.
24:43Ah, Mr. Hutchinson, here it is.
24:44What a time I had when that piece of cheese got stuck in his windpipe.
24:47Good.
24:47Do you want us to go there to discuss it?
24:49No, I prefer to go into it and discuss it.
24:51Good.
24:51I'm afraid it's all mixed up.
24:56It seems that the rest has done him very well.
25:02You forgive me.
25:08Are you OK?
25:11I am not a violent man, Mr. Fulti.
25:14Yes it is.
25:15No, I'm not, no.
25:16But when I'm insulted and attacked, I prefer to rely on my own temper rather than call the police.
25:21Oh yeah, don't tell me.
25:22Yes, sir, now stand up like a man, come on.
25:24Sorry, my leg is giving out.
25:25Come on.
25:27Yeah.
25:28I found this.
25:30I hope that is clear.
25:31Of course, I was looking for it.
25:33Yeah, and I mean, I mean this hotel is grossly inefficient, it's poorly run.
25:37and you are the rudest and most discourteous man I have ever met.
25:40Did I say something funny, Mr. Fulti?
25:42Well, it's a shame, I guess, don't you think?
25:44Oh yeah?
25:45Well, this is really going to hurt.
25:48I'll gather my belongings and hope I don't get any bills.
25:53You've fixed everything now, haven't you, Basil?
25:56Yes, dear, thank you, leave it to me.
26:01You see, I don't know if you understand, but he is a regular guest at the hotel.
26:04For him this is his second home.
26:06It just so happens that he really likes the thing about...
26:08And he is determined to always do so.
26:10Really?
26:11Yes, there is a danger that someone might believe that he is not entirely satisfied.
26:15or that the fight is real and that he tells it.
26:17You won't say anything, will you?
26:18How about a nice dinner to show our gratitude?
26:21That?
26:22A good dinner, he wants, he wants.
26:23No, I can't, sorry, thanks.
26:25And tomorrow?
26:26I'm leaving tomorrow, sorry.
26:28So, 50 pounds.
26:31What did you say?
26:3250 pounds for your silence.
26:3350 pounds?
26:3460, if you don't publish this, you know, in articles, books, letters.
26:38I'm afraid I don't understand you.
26:40Please, it has cost us a lot to build this hotel.
26:43If you put it in the book, it will sink us, don't do it, sir.
26:45The book?
26:46What book?
26:46The hotel guide, sorry, because I mentioned it.
26:49Oh, what have I done?
26:52I think he's confusing me with someone else.
26:54I, I have nothing to do with the hotel guide.
27:01Darling!
27:02I came here for an exhibition.
27:05I sell outboard motors.
27:08Should I sell it?
27:10Outboard motors?
27:13Isn't he an inspector?
27:15No.
27:16Incognito?
27:18No.
27:19Swear it.
27:20I told him I had nothing to do with it.
27:22Thank you.
27:23Thanks a lot.
27:25I don't know how to thank you.
27:27I don't know how...
27:30Thank you, Paola.
27:31Come on.
27:3626 rooms, 12 with private bathrooms.
27:39Yeah.
27:40How about you have dinner here and Chris and I go to the Clermont?
27:43OK.
27:44The owner is a certain Basil Fawlty.
27:48Please, gentlemen!
27:49That?
27:49Mr. Fawlty wants to say goodbye.
27:51He will want to apologize.
27:52Oh no!
27:53No!
27:55Hello.
27:56Fawlty, have the newspapers arrived yet?
27:59No, not yet, Major Bowen.
28:00Thank you.
28:00But it won't be long now.
28:12Good afternoon, gentlemen.
28:14Good.
28:14What can I do for you three?
28:17Ah!
28:19Applause!
28:20Applause!
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