- hace 6 semanas
La vena puritana de Basil Fawlty sale a relucir cuando una joven pareja que él sospecha que no está casada intenta reservar una habitación doble. Está dispuesto a darles habitaciones en plantas separadas hasta que Sybil interviene. Resulta que la pareja conoce a Polly, pero cuando él la ve salir de su habitación —ella estaba probándose un vestido que su amiga le había traído para la boda a la que iban a asistir—, Basil empieza a pensar que todo el mundo se ha vuelto loco. Lo único que falta es que otra huésped, la señora Peignoir, se emborrache y le haga insinuaciones. Para Manuel, es su cumpleaños y una noche de celebración le pasa factura.
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00:00FOLTY TOWERS
00:03By Jove, it's hot this afternoon, isn't it, FOLTY?
00:30And you can say it, Major.
00:31Ugh, that's terrible!
00:32Would you like me to serve you another one?
00:34That?
00:34Oh well, why not!
00:37Yes, good idea.
00:39It always reminds me of a seal being machine-gunned.
00:42The heat?
00:43My wife's laughter.
00:44Ah!
00:45Yeah.
00:46Ah, good afternoon, Madame Peignoir!
00:49Good afternoon.
00:51Thanks for the map.
00:51It has been very useful to me.
00:53I must congratulate you.
00:55I had no idea how charming you are, Torky.
00:58Oh, Chante!
00:59Tell me, did you find anything interesting?
01:01There are things that I really liked.
01:04And there's one I have to get.
01:07Oh, by me!
01:08I'm very glad.
01:09Let me introduce you to Major Gowen, our oldest resident.
01:13Nice to meet you, Major.
01:15At your feet, madam.
01:16The lady is an antique dealer.
01:18He's going to stay a few days to see if he can find any relics.
01:20Please don't talk, it's just my wife talking.
01:26They bombed his school and he couldn't finish elementary school.
01:28Oh, Ciel!
01:29Well, that's what I think.
01:30And tell me, what would you like?
01:32A glass of Ricard.
01:34Ricke?
01:35Has Ricke.
01:36Well, I think we're done.
01:38In that case, pour me a sherry.
01:40Of course.
01:40Tell me, you're not French by any chance, are you?
01:45Oui, monsieur.
01:45I was honest.
01:46Holy cow!
01:50Are you having a good time, dear?
01:52We didn't put any nuts in the bowls, did we?
01:55I don't.
01:56I don't know what you've done.
01:57I'll do it now, okay?
01:58It would be the simplest solution, dear.
02:00Where is Paolo?
02:02We have given him the afternoon off.
02:03It's her birthday.
02:04And how old is he?
02:05Two and a half?
02:06Uh, sorry, Sibyl.
02:11There are no nuts.
02:13He ate them all!
02:16They are in the kitchen.
02:18Really?
02:19If you were to detach yourself from Mrs. Peñual, you would find them.
02:23What were we talking about?
02:24So there I was, alone in front of my mom.
02:26Oh really?
02:26And I've already found it.
02:28Have you seen the movie titled How to Kill Your Own Wife?
02:31How to kill your own wife?
02:32Yes, it is very good.
02:33I've seen it six times.
02:35Very funny.
02:36Are you okay, Mr. Forti?
02:41Yes, yes, yes, yes.
02:41Thank you so much.
02:42And you?
02:42Yes, yes, yes.
02:43Good, good.
02:44So we're all good.
02:47It must be the heat.
02:48Yes, I have found it higher.
02:50Don't you think so?
02:51He didn't seem well, dear.
02:52Yes it's true.
02:52You are right.
02:53How are you, dear?
02:53Oh, good.
02:54How are you, dear?
02:56I think I left it in there.
02:57Poor man.
02:58Wait.
03:01Here it is.
03:03Until tonight.
03:04Come here.
03:05Yeah.
03:12Yeah.
03:13A single, right?
03:14Mr. Forti, meet Richard Tanner.
03:17Sorry?
03:17He's a friend of mine.
03:18Ah, yes, it is known.
03:20Not at all.
03:20You're just passing through, aren't you?
03:21Here you go.
03:22Until tonight.
03:23Yes, yes.
03:23Ah, we've opened a bookstore.
03:25Excellent.
03:25Please don't go on my account, Mr. Scoundrel.
03:28I'm sorry, sir.
03:29Listen to me, Poli.
03:30I was saying goodbye.
03:31What do you think this is?
03:32A massage parlor?
03:33This is above all a very respectable and very... house
03:36Did I say something funny?
03:38No, I was just checking it out.
03:40No, no, it's obvious I said something very funny.
03:42No, it's the heat.
03:43After all, that's what I'm here for, to entertain the employees.
03:45Ah, I'll take this inside, okay?
03:47And another thing, Poli.
03:48We have abandoned the idea of serving the snack topless.
03:51So if you don't mind, change.
03:52Don't let customers choke.
03:54I was going to change now.
03:56Poli, would you like to come here, please?
03:58Oh, it's time for sports.
03:58Yes, Mr. Falte.
03:59I know in art school they would say this is decent,
04:02but would you be so kind as not to display it on the reception desk.
04:05I'll take it as soon as I put some clothes on.
04:07Yes please.
04:17Hello, Folti Tetas?
04:20Yes, yes.
04:22Ah, it's you, Audrey, yes.
04:25So he dumped you again.
04:27Wow, wow, wow, how sad.
04:30Yeah.
04:32Ah, hello, major.
04:33Yes, of course, I'll see you right now.
04:34Yes, I'll tell him to call you.
04:36Yes, and don't be discouraged.
04:37Goodbye, bore.
04:41Come here.
04:43It kills me.
04:50We have a reservation.
04:51Oh yeah?
04:51Yes, a double.
04:52On behalf of...
04:53One moment, please.
04:55Nice suit.
04:56That?
04:57Nothing.
04:58Didn't he say anything?
04:59No.
05:01Are you okay?
05:02Yes, thanks.
05:06Are we ready?
05:07We do, thank you.
05:09Can you tell me your last name?
05:10Yes, Bruce.
05:11Mr. and Mrs. Bruce.
05:12That is.
05:13Is the bed a double bed?
05:15What do you say?
05:16Whether the bed is a double bed.
05:18Marriage?
05:19Yeah.
05:20There is only one room with a double bed.
05:22Well, put us in that one.
05:23I'll have to change rooms.
05:25Very good.
05:27Why not...?
05:28It's the same.
05:28Yes ok.
05:29Is it very breezy?
05:31Is there a breeze?
05:33Well, it is airy.
05:35Man, he has air.
05:36I'm not telling you this.
05:37Oh.
05:38There is a letter for me.
05:39That?
05:39That letter is mine.
05:41It's not yours.
05:41Yeah.
05:42Jim Wilson.
05:45Is that you Jim Wilson?
05:46What's going on here?
05:49Aren't you married?
05:51Well, forget about that bed.
05:52Oh, come on, please.
05:53It goes against the law.
05:54What law?
05:54English law.
05:55It's not just me who says it.
05:56You don't say it yourself?
05:58Of course not.
05:59Can I give you two rooms?
06:00But...
06:01Are we going to another hotel?
06:02Excuse me, miss.
06:04Well, here's my key.
06:05I'm going to the village to have a little party.
06:08Thank you so much.
06:09So?
06:10Is it possible that I see you tonight?
06:12Yes, my wife and I will be up this afternoon.
06:14Thank you.
06:15I can't believe it.
06:16Me too.
06:17Excuse me, give us two rooms, if the police allow it.
06:20Two rooms, of course.
06:22Good.
06:23Let them be contiguous.
06:24That they are contiguous.
06:25Wow, impossible.
06:27I'm so sorry.
06:27Good afternoon.
06:29Good afternoon.
06:30A double, right?
06:31We would like that.
06:32Two singles are singles.
06:35As?
06:36Nothing, dear.
06:36I'll fix it.
06:37The 17th and 18th are free.
06:39They will have to share the bathroom.
06:40No, they called Oddy.
06:42Leave it to me.
06:42George has left her again.
06:44Oh, no.
06:45Well, there's one on the first floor and another one right on the top.
06:47So far.
06:48Let me take care of this, Basil.
06:50I'm taking care of it, dear.
06:51Never mind, dear.
06:52So you look individual.
06:52I said I'll do it.
06:53They mind sharing the bathroom.
06:55No, sorry.
06:55I was here first.
06:56But now it's my turn, dear.
07:00I fought in the Korean War, you know.
07:01I killed four men.
07:05I was in the kitchen.
07:06They died of poisoning.
07:07Yeah?
07:13Who is it?
07:13I'm Paola.
07:14What do you want?
07:15Hey, can I go now?
07:16I thought you were gone.
07:17Stuff?
07:18I thought you were gone.
07:20No no.
07:21I turned it off.
07:22That?
07:24It was too high.
07:25No no.
07:25I said I believed.
07:26I have believed.
07:27It doesn't matter.
07:28Stuff?
07:29It doesn't matter.
07:30Ah, I thought I had left.
07:32Yeah.
07:32No, no, no.
07:33I'm going now.
07:34Great.
07:34Does it seem good to you?
07:35Yes, very good.
07:36Thank you.
07:39Yeah?
07:40Cousin, I'm going.
07:41What do you want?
07:43My birthday.
07:44Yes I know.
07:46I want to thank you for your nice present.
07:48Okay, okay.
07:49And for being so good to me since I got here.
07:52You're welcome, it's a pleasure.
07:53Since I came here from Italy, leaving my mother.
07:56Out.
07:57Stuff?
07:58To the street.
07:58Thank you.
08:00Since I came here, from Italy, leaving my five brothers and four sisters.
08:05Give me that.
08:06Out.
08:07Long.
08:10Will you give it to me, Basil?
08:11The fact that?
08:11I want the key.
08:12I only have the key to twelve.
08:13And that's what I want.
08:14Hey, listen, if I...
08:15Basil.
08:17If you were my size.
08:19Since I arrived...
08:20Enough!
08:21Paolo.
08:22Yes, yes.
08:22At twelve, please.
08:24Yes, thanks.
08:25Basil.
08:30No, no, no, no, no.
08:32Excuse me.
08:32Gin!
08:33Hello, Paul!
08:34What are you doing here?
08:35We couldn't accommodate the baby.
08:37Oh no!
08:38Hello, Alan.
08:39It won't be fun.
08:40My parents will arrive tomorrow.
08:42What, here?
08:43This is a madhouse.
08:44Yes, we already know the famous Folti.
08:46Shh!
08:46Don't let him know that I know you.
08:47My goodness.
08:47I love your uniform.
08:49I'll pass you the patterns.
08:53Will you attend Fiona's wedding?
08:55I can't, but I'll be at the reception with my own Jean Wilson creation.
08:58I'd like you to try it on later.
09:00OK.
09:01How's your stepfather?
09:01No, I haven't seen him for a month.
09:03He has been to Singapore.
09:04Oh!
09:05Oops, I forgot to bring the aftershave.
09:08Will anything be open, Polly?
09:09Maybe the pharmacy.
09:10I'll go take a look.
09:12I won't be long.
09:14Will you come, Richard, tonight?
09:15I guess around ten.
09:16Excellent!
09:22Hello.
09:23Yeah.
09:24We got his wife to fix the problem.
09:26Well, I'm not sure.
09:27Do you want something?
09:28Yes, I know it's a little late, but do you know if the pharmacy is open?
09:33What do you say?
09:35Do you know if the pharmacy is open?
09:37You think this is funny, right?
09:40As?
09:40Ah, ah, ah.
09:42No no.
09:44I just want to know.
09:44Oh yeah?
09:45Well, not me.
09:46As far as I know the pharmacy is closed.
09:47You'll have to wait until tomorrow.
09:48I'm sorry.
09:50What a job, I imagine.
09:52That?
09:53He hasn't heard anything.
09:54Anything else?
09:55Well...
09:56Yeah.
09:57You won't have a couple of...
09:58No, no, no.
10:00Don't push your luck, my friend.
10:02I have a limit, you know?
10:03I just want some lotion.
10:09As?
10:10A lotion.
10:11You know what?
10:12You disgust me.
10:14I know what people like you do and I find it disgusting.
10:16What the hell is he talking about?
10:19I just want to buy some aftershave lotion.
10:21Oh yeah?
10:22Yes, he hasn't shaved me yet, you see?
10:24To shave, huh?
10:25That is.
10:26Well, that's what I meant when I said it was disgusting.
10:29It is certainly disgusting that he has not shaved.
10:31But understandable.
10:32I don't shave sometimes either and it's disgusting too.
10:34So I'll send some lotion to your room right away.
10:37Thank you so much.
10:37Bye bye.
10:38Bye bye.
11:08Bye bye.
11:17Hello?
11:19Audrey.
11:20Any news?
11:22Oh, wow.
11:24He has done it.
11:26Oh, I know.
11:29He doesn't deserve you, Audrey.
11:31I'm telling you the truth.
11:34Exact.
11:36I know you do.
11:37I know.
11:40I know.
11:43Oh, I know.
11:44Are you going to be like this all night?
11:46What did you say, Audrey?
11:49Oh, I know.
11:52I know.
11:53So why do you ask?
11:55If I understand you.
11:56I understand you very well.
11:57I can't stand it.
11:59I'm going to clean the roof.
12:02Ah, they're calling me.
12:03Someone who comes back late.
12:04Yes, yes.
12:06He must have forgotten to take the key.
12:08I know.
12:09Someone would have to open the door for him, wouldn't they, darling?
12:10Yeah.
12:11I'll go, okay?
12:12Yes, agreed.
12:14Fine, I'll go.
12:15You know who they are, right?
12:17It's your partner, the Kamasutra boys.
12:19Good night.
12:20Welcome to the Touch Me Fawlty Hotel.
12:23No, honey.
12:24It's just basil.
12:25I'm coming, I'm coming.
12:33I guess you know what time it is.
12:35Oh, Mr. Fawlty.
12:37I'm so sorry.
12:39It's just a bow and a quarter.
12:41I invented it from the bed.
12:43Oh, of course not.
12:44I had a few things to do and...
12:45He is so kind.
12:47Well.
12:48I had a wonderful evening.
12:51Ah, yes, I'm so glad.
12:53I have taken some friends that I haven't seen for years.
12:56And I think I've had a couple of drinks too many.
12:58No, well, what's life for if you can't...?
13:02Give it a try.
13:03Well, it's not that bad.
13:05Ah, Mr. Fawlty.
13:07It's so enchanting.
13:08Well, one does what one can.
13:10I hope Mrs. Fawlty appreciates how lucky she is.
13:14Well, I don't think I appreciate it, actually...
13:16Oh, wait.
13:17I don't know, sorry, excuse me.
13:21Sorry.
13:23Ah, sorry.
13:24Ah, they're here.
13:25What a coincidence.
13:26No, it has been extraordinary.
13:27There was a knock at the door just now, wasn't there?
13:29And I thought...
13:30Ah, I guess it's Alan and...
13:32And I went down and it turned out it wasn't you.
13:34It was Mrs. Peñua.
13:35Allow Alan and...
13:36This is Mrs. Peñua.
13:38She is an antique dealer.
13:38He is dedicated to antiques.
13:40It's not that I'm very old, you know?
13:42So he arrived ten seconds ago.
13:43A of five.
13:44Well, she just said goodnight when she dropped her bag.
13:47I fall, she falls, and just at that moment you arrive.
13:50By the nails of Christ.
13:51Heavens.
13:51Is it so late?
13:52Gosh, I thought it was a quarter past ten.
13:54Oh, God, I have to go to bed.
13:55If I don't sleep, I'm not a person.
13:56Also, I have to get up early.
13:57See you tomorrow.
13:58Bye bye.
13:59Excuse me!
14:00Alright?
14:08Yeah.
14:08Very good.
14:09Good night.
14:10Good night.
14:12I'll go make that call.
14:14Don't take too long.
14:15No.
14:22Who was he?
14:24Hm?
14:24That?
14:24Who was he?
14:25Ah, it was your... your partner.
14:30Good night.
14:31Good night.
14:35Oh, and that... that woman, eh...
14:38Mrs. Peñua.
14:40Uh, yeah, yeah, something like that.
14:41Sleep well, Monsieur Volty.
14:50How is Audrey?
14:52Poor thing, she's in pieces.
14:53Ah, good, good.
14:54Have you called anyone, Sibyl?
15:00Why are you shouting, Basil?
15:01Have I screamed?
15:02Sorry, Sibyl.
15:03Well, I'd better go see who it is, Sibyl.
15:06Some key must have lost its client or something similar.
15:09It must be some nonsense.
15:11Are you ready, Sibyl?
15:11Yes, I'm ready.
15:13Well, I'll go see who it is, Sibyl.
15:14What do you think, Sibyl?
15:20Hello.
15:23Hello.
15:24Good luck!
15:29Oh, excuse me, Mr. Folti.
15:32Oh, poor thing, Mr. Folti.
15:34No, I'm dying, but don't get up.
15:35Teo erito, with how good he is at Conmé,
15:37with the wonderful present that he has given me.
15:39Are you drunk, Paolo?
15:41Oh, no, no, no.
15:43It's very pretty.
15:44I'm going to kill you.
15:47Poor Mr. Folti.
15:48Sorry, please, Mr. Folti.
15:50I love him, I love him.
15:52He is so kind.
15:53It's always so good with me.
15:54I love him, I love him.
15:56Trying to read a little.
15:58Since I arrived here, from Italy, leaving my five mothers and four aunts with the ogre.
16:03Great.
16:11And can you give me a petit café?
16:13Oui, si vous plaît.
16:14Coffee, olé.
16:15Coffee, what?
16:16Olé.
16:16Ah, ole.
16:18Clear.
16:29Oh, thank you.
16:32No, no, no.
16:32Don't go.
16:33I'm really doing very well.
16:34Don't worry.
16:37Very good.
16:38Voila, somos nous.
16:40Café pour vous.
16:40You?
16:41Pas pour toi.
16:42I'll take it later.
16:44Ah, very funny.
16:45Good, good.
16:46Mr. Folti, one more thing.
16:48My bedroom window, I can't open it.
16:50Could...?
16:51Yes of course.
16:51I'll come and fix it, of course.
16:53Yours.
17:00Yours.
17:04Oh.
17:05Oh.
17:07Thanks a lot.
17:10Come on.
17:11Oh, how terrible.
17:12Paolo, to the kitchen.
17:13Can't.
17:13Paolo, into the kitchen right now.
17:15No, no, no.
17:15Come on, Paolo.
17:16No, perpia cherei or morirote.
17:18I apologize.
17:20He's been working very hard for a while now.
17:22Mr. Folti, may I...?
17:23No, I'll take care of it.
17:24Thanks, Paoli.
17:25No, no, no.
17:25Come on, stand up.
17:28We are already behind.
17:30Disgusting.
17:31What did he say?
17:32Nothing.
17:33I thought I heard something.
17:33No, no, no.
17:34Continue.
17:36Come on, Paolo.
17:38Above.
17:43Keep eating breakfast.
17:48Thank you, Mr. Lloyd.
17:49They're only staying one night, right?
17:51That is.
17:51Are you going to eat here?
17:52No, it won't be possible for us.
17:53The wedding is at two thirty.
17:56Do you mind if I make a call?
17:57Please use that phone.
17:59Could you bring some sandwiches up to our room?
18:01Of course, here is the key.
18:03They'll bring up the luggage right now.
18:04Thank you.
18:05Do you want coffee with your sandwiches?
18:07Yes please.
18:09Mother!
18:09Hello darling!
18:12Alan.
18:12Hello, Raquel.
18:13Where is Philip?
18:14Did you have a good trip?
18:15Wonderful, it's up there.
18:17Could you put me through to Mrs. Price, please?
18:19See you now.
18:20Very well, sir.
18:20And I'm going to finish my breakfast.
18:21Well, dear.
18:24There they are.
18:25Give me the key.
18:26He took her, Basil.
18:27Ah, good.
18:29Anne, I'm Raquel Lloyd.
18:31How's it going there?
18:32I'll take your luggage up to your room.
18:34Yes I know.
18:37Philip, that's beautiful.
18:38Oh, thank you!
18:48Civil!
18:49Civil!
18:55Hello.
18:55Hello.
18:57Mrs. Lloyd, right?
18:58The same.
18:59Delighted.
18:59Fawlty.
19:00Basil Fawlty.
19:00How are you?
19:01Pretty good, I'm not complaining.
19:03Glad to hear it.
19:04Yes, this door has been opened recently.
19:06They've done a top-notch job, don't you think?
19:08Yes, it turned out great.
19:10Yes, wonderfully.
19:11And it has changed our lives, you know?
19:12We used to spend all day flipping back and forth, but now all you have to do is open it and...
19:16Wow, it usually works very well.
19:19We pull the door up and then close it.
19:22It's a marvel.
19:23My wife is delighted with it.
19:24Do you want to take the test?
19:25You will see the kitchen and then you can see...
19:26Well, me, me, me, maybe someday, but I think now I'd better go upstairs.
19:30So see you later, okay?
19:32Ah, ah, ah.
19:36Are you okay?
19:37I've got a cramp. I'd better sit here for a moment.
19:39It's shrapnel, you know? From the Korean War.
19:42It's still there, gosh.
19:43And they can't get it out?
19:44No, it's just that it's deep inside.
19:46Well, this is the kitchen, as you can see.
19:48That?
19:48The kitchen, yes. We plastered the ceiling about five years ago.
19:51It had a few... it had a few cracks, but...
19:55Don't worry.
19:58He's taking a nap.
19:59He's Neapolitan, from Italy, you know?
20:02He sleeps a lot, but he's fine.
20:06Yesterday was his birthday.
20:07Anyway, there were... there were some cracks there in the ceiling, but...
20:10Nothing serious.
20:11As I say, it's not the Sistine Chapel, but we're very happy.
20:15Are you sure it's okay?
20:17Yes, yes, okay, yes.
20:19But he's moaning.
20:20Oh yeah? Oh yeah?
20:21He just doesn't hear you.
20:22It's true.
20:23Hey, I just remembered I accidentally left your luggage right outside your room.
20:27He minds going up and putting it inside, unless he wants to see something else.
20:31At least if we lift the lid, he could...
20:33No, no, no, don't worry about him. My wife will take care of it.
20:34Civil?
20:35Fine, if you please.
20:37Come on, get out of there.
20:40Forward.
20:42Your sandwiches, Mr. Joy.
20:44Thank you.
20:45Pauly!
20:46Hello.
20:47How are you?
20:47Fabulous.
20:49Nice to see you.
20:50Still so charming.
20:52Long time no see, huh?
21:03Is there a problem?
21:07Ma'am, may I speak to you?
21:10Are we talking?
21:11Yes, but there's something I want to explain to you.
21:14Good.
21:15Shall we go in there?
21:15Gosh, do you think it's absolutely necessary?
21:18Yes, I'm afraid so.
21:21Very good.
21:26Mrs. Lloyd, I'm sorry, but this room is much nicer than the one we gave you.
21:36That?
21:36I said this room is nicer than yours and I wanted you to see it now.
21:42and by the way, ask for forgiveness in case he ended up finding out and got a little angry with me.
21:47Well, the thing is... What's the thing?
21:49Oh yeah, the thing is if you happen to not like your room, you can move to this one,
21:53but it's not worth doing so until you've decided that you don't like that one as much as you do this one.
21:57Then we'll sit around the table to discuss it and, I don't know, chew on it and...
22:03And there won't be any problem.
22:08To her ankles.
22:10OK?
22:12Good.
22:13Come on.
22:15Oh, sorry.
22:17Allow me.
22:17Oh, thank you.
22:21Very grateful.
22:22But where have you been, my dear?
22:28Darling.
22:29Darling.
22:30Is something wrong?
22:32This room is exactly the same as the one you just showed me.
22:38Jean, it is truly divine.
22:40Too low-cut, perhaps.
22:42Oh, better.
22:43Down, down, down.
22:44Are you sure?
22:45I'll pick it up tonight, okay.
22:46Down, down.
22:47Ah, ah, ah.
22:50That is.
22:51That is.
22:52How wonderful.
22:53How wonderful.
23:04Wow, baby.
23:06Have you taken a course or something similar?
23:08Good.
23:09So, until tonight.
23:12For ten pounds it's really fantastic.
23:17No.
23:30No, no, no, no, no, no.
23:33No, no, no, no, no.
23:34No.
23:35Ah, Poli, grab your hat and coat and come down to reception.
23:43Excuse me?
23:43Grab your hat and coat and come down to reception.
23:46Will they serve you?
23:46No.
23:47No, no, no.
23:48To you, to you.
23:50They leave.
23:51That?
23:51They leave.
24:00I'm sorry, but you have to go.
24:01These rooms were reserved.
24:04Hey.
24:05And she was on top of him.
24:06And five minutes later he was lying on the floor under the waiter.
24:12I'm sorry.
24:14Ah, here they are.
24:15All together, right?
24:16Yes, yes.
24:17I should have known.
24:18Yes, I see.
24:19Of course, here in Torquí we are a bit old-fashioned.
24:21Well, I'm afraid you have to go.
24:22Your rooms are already booked.
24:24Very sorry.
24:26Well, actually, I'm not sorry.
24:28Because they come here for no reason.
24:29Well, to put it bluntly, they're having a wonderful time at our expense.
24:32And you know what I mean.
24:33They are having a great time.
24:35Scary.
24:35Very good, right?
24:36Well, there's no way around it.
24:37Oh, no.
24:38Thank you.
24:38And a very good night.
24:48Well, I've solved the problem.
24:51Basil, what's going on?
24:52And why did you tell Poli to take the coat?
24:54Because he's leaving.
24:55Just like me and that couple of yours.
24:56I've never seen anything like it in my life.
24:58For the love of God.
24:59Basil, what are you talking about?
25:00Why should they leave?
25:01I'm going to tell you why they're leaving.
25:02First I go up there and I find that girl in Mr. Lloyd's arms.
25:05Five minutes later I meet Poli.
25:07What girl?
25:08That.
25:08That girl.
25:09She's his daughter.
25:11As?
25:12The girl is Mr. Lloyd's stepdaughter.
25:15They are all family.
25:31And what is Poli's daughter?
25:33I went to school with Jim.
25:34They have known each other for years.
25:36Years ago, huh?
25:37Yes, years ago.
25:38What have I done?
25:40What have you done?
25:41I've kicked them out.
25:42What did you throw them?
25:43How was I supposed to know any of this?
25:45Why haven't you said a word to me?
25:47Why have they remained silent?
25:48Don't blame me, okay?
25:49Go tell them to stay.
25:50Go tell him yourself.
25:51I didn't kick them out.
25:53Ah, no, no.
25:53I guess it's my fault, isn't it?
25:54Go tell him.
25:56Now.
25:57I won't go.
25:57You will go.
25:58No, no, I won't go.
25:58Ah, yes, yes.
25:59I'll be fine.
26:00Yes, I'll go, yes, I'll go.
26:01Leave it to me.
26:01I'll get you out of this.
26:02I'm only good for that.
26:03Masil, Folt and S.L.
26:04We fix other people's messes
26:05with the permission of my wife, Sibyl.
26:07And what could I tell them?
26:09That you have made a mistake.
26:11Ah, bravo.
26:13Bravo!
26:14Is this how the British Empire was created?
26:15Ah, sorry, I made a mistake.
26:18What do you have for a brain?
26:19A cake?
26:23Very good, very good.
26:25Take that off and get back to work.
26:26Sorry, I made a mistake.
26:28Sorry, I made a mistake.
26:30Sorry, I made a mistake.
26:33Forgive me, forgive me, but my wife has made a mistake.
26:35I don't know how it happened, but it happened.
26:37They've really screwed up, as always.
26:39And I ask you to stay.
26:40I've already fixed it, sorry.
26:42You know how women are.
26:43They all have one brain.
26:44Well, not all of them, but some of them, like my wife.
26:46Please stay.
26:48And we'll see each other later.
26:49Thank you so much.
26:52I was just saying that you guys stay.
26:53My wife has made a tremendous mistake.
26:55Sir, it was certainly when she agreed to marry you.
26:59Good night, Faulty.
27:06Good evening, Major.
27:08Have they reached the newspapers?
27:09Yes, and very late, by the way.
27:11They didn't bring them until five.
27:12I'll give them a shout.
27:13Isn't your beautiful wife around?
27:16He will spend the night with Audrey.
27:17Her husband dumped her again, so she's back to normal.
27:20Still, he must have been a little sad.
27:23Yes, but he always makes it seem like a tragedy.
27:25You don't like Audrey very much, do you?
27:28Horrible, woman, horrible.
27:29Well, I think it's very kind of your wife to go see Audrey and put up with all that crap.
27:35I think he likes it.
27:36Mrs. Faulty is a good woman.
27:38I don't know, I wouldn't say that.
27:41No, me neither.
27:43Good night, Faulty.
27:44Good evening, Major.
27:49Ah, Mr. Faulty.
27:50Ah, good evening, excuse me.
27:52No, don't pay it, please.
27:54I love Chopin.
27:55Really?
27:56Here's your key.
27:59It's so romantic.
28:01Yes, it is.
28:03Is that so romantic, Mr. Faulty?
28:04Oh my God.
28:06No, no, no, no.
28:08Well, I think it is.
28:10I think that beneath that British exterior lies a passion that would make Lord Byron look like a tobacconist.
28:16No, no way, no, sorry.
28:20Don't be so embarrassed.
28:23I'm not going to sit on you again.
28:25And where is your lovely wife tonight?
28:33Yes, Bill is going to spend the night out.
28:36With a friend, a friend of hers.
28:38And when the cat leaves.
28:39Don't believe it, there is a lot to do.
28:41Well, good night.
28:43Bonne nuit.
28:44Ah, Mr. Faulty.
28:45Yeah.
28:45Have you fixed my window?
28:47Oh no, gosh.
28:48If I could do it, it's already very hot.
28:50Yes, yes, okay, good, yes.
29:03That's it.
29:05Oh, it's so strong.
29:07Well, I'm sure you would too, if you tried a little harder.
29:11His wife shouldn't leave him with a stranger.
29:14Well, there's nothing strange about you.
29:16Ah, Mr. Faulty, you are adorable.
29:19Just a little.
29:20Ah, feel the breeze.
29:21Yes, it's nice, isn't it?
29:24Tonight I'm going to sleep on a you gal.
29:26Oh, good idea.
29:28Well, now...
29:29Of course it's not much fun being alone.
29:31That's what imagination is for.
29:34I'll lie down for a while.
29:36Good night.
29:36Good night.
29:37Damn shrapnel.
29:46Who is it?
29:54Mr. Faulty.
29:59Hello.
30:00I'm very sorry, but I have to leave early tomorrow.
30:02Could you call me at seven, please?
30:04Ah, very good.
30:05That's all?
30:06Of course.
30:06At seven.
30:07Bye bye.
30:07Don't leave yet.
30:08Oh, God.
30:09I think you've forgotten something.
30:12Oh yeah?
30:13Oh, well, here I go.
30:15Ah, thank you.
30:17He left it in my room.
30:19Much obliged.
30:20The truth is, you could have come yourself to gather the truth.
30:24Wouldn't you like me to come and call at this time of night?
30:33It might be scary.
30:33He is a very bad man.
30:36Bye bye.
30:36Good night.
30:37Good night.
30:54Hey, go back to your room at once.
31:02Go away.
31:03Open the door.
31:04It's a...
31:05Can't.
31:05My wife just came back unexpectedly.
31:07It's in the bathroom.
31:09What, honey?
31:10I think I put it on the second shelf, civil, darling.
31:13Let me in, Basil.
31:15She'll find another man sooner or later.
31:17Basil.
31:18Try to control yourself a little.
31:20Where do you think you are?
31:20In Paris?
31:21Let me in.
31:22Shut up!
31:24Do you want it, you damn whore?
31:25Go away!
31:26My wife is going to hear us!
31:28I am your wife.
31:36Ah, what a horrible nightmare!
31:42Goes?
31:45There's a thief down there.
31:47Is Audrey's husband back?
31:49There's a thief down there.
31:51That?
31:51A thief, run!
32:15Paolo.
32:16Hello good!
32:21Hello good!
32:25We have been to a wedding.
32:27Applause
32:57Applause
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