- 4 months ago
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00:00Previously on The Apprentice, the candidate set out to sell the latest Trump venture.
00:04I've decided to open up a water distribution company.
00:10Trump eyes!
00:12That's a lot of Trump eyes.
00:13Even though Heidi's mother was diagnosed with cancer, Heidi's courage-inspired protege.
00:19I think we need to dedicate our effort and tasks tomorrow to your mom.
00:23Oh, thank you.
00:24And Omarosa continued working despite being bumped on the head.
00:27How's your noggin?
00:28I'm actually used to the pain now.
00:30I think I've been a trooper throughout the situation.
00:33At Versicore, project manager Erica fell apart in front of Carolyn.
00:37Erica had a slight problem with organizing the papers.
00:39I'm really upset, guys.
00:40She was extremely flustered, just panicking.
00:42She did it in front of Carolyn, which I think was not a smooth move.
00:45And Versicore came up short.
00:47Carolyn?
00:48Well, I'm afraid our group didn't do as well.
00:50Erica was honest with Nick and Bill about who she would take into the boardroom.
00:54I'm taking you and Bill.
00:55It's not personal.
00:56It's not anything.
00:57Well, just because you preface something and say it's not personal, doesn't necessarily
01:01mean it is.
01:01And the men stuck together.
01:03Who would you fire of the two, Bill?
01:04My problem with Erica was that many of my ideas were dismissed.
01:08You think Erica should be fired?
01:10Yes, I do.
01:10Who do you think Nick did the worst job?
01:12Erica.
01:13Erica, you never had a strong game plan.
01:16You were frantic under pressure.
01:18Don't say it, Mr. Trump.
01:19You're fired.
01:19Eight candidates are left.
01:22Who will be fired this week?
01:24You were fired.
01:30Honey, money, money, money, money.
01:33Money.
01:35Money, money, money, money.
01:38Money.
01:40Some people got to have it.
01:44Two things, two things, two things.
01:47Bad things with it.
01:49Dollar bills, y'all
01:53Come on
01:54Leave, oh, leave
01:57Make great
02:00Almighty, darling
02:02I don't know that's money
02:05Give me a nickel, brother
02:09Can you sell that?
02:12Money can drive some people
02:14Out of the mind
02:16Money, money, money, money
02:19How was it? Bad? Good? Why do you look past?
02:36It didn't go well
02:37I supported Erica against the guys
02:39And the guys then turned on us
02:42And it was like
02:42So it was guys versus girls
02:44I don't take away Erica
02:47I really, I really, really, really don't think so
02:50That was a bad move
02:51She probably should have brought
02:52Just me and Katrina in there
02:54Probably would have worked out better, you know
02:56I don't think Nick gave Erica enough credit
02:59I don't think Bill gave Erica enough credit
03:01Where did you go?
03:06Where did she go?
03:08She's gone
03:09Oh my God
03:10Gentlemen
03:13Oh my God
03:14Oh
03:15Oh
03:17End of the woods
03:18The game has just changed
03:21There you go
03:22I think Omarosa's quite happy now
03:25Because Erica's gone
03:26Which makes me sick to my stomach
03:28Considering the fact that Omarosa
03:29Should be the one gone
03:30That Erica
03:30Wow
03:31How much did you go?
03:36Was she okay?
03:37It was not pleasant
03:38It wasn't pleasant?
03:39It was bad
03:39It was bad
03:40She wouldn't shake her hands when she walked
03:41Oh
03:42That's not good
03:43Not bad
03:44Erica was one person that I stood by
03:46Because I believed in what she stood for
03:48Now it's really all about the game and the job
03:50I told her
03:51I was like
03:51Eric, take me in with you
03:52Take me in with you
03:53Take me in with you
03:54If she would have taken you in
03:55Right
03:55I would have been fired
03:56Yep
03:57100%
03:58I'm a little annoyed she didn't shake Bill's hand
04:01Me?
04:01I don't care
04:02But Bill's a nice guy
04:03She wouldn't shake my hand
04:04Hi, it's Mr. Trump's office
04:21He wants you to meet him on the steps of the Metropolitan Museum in one hour
04:25Thank you
04:28Okay
04:51We're going to start by evening out the teams
04:54Versical
04:55You people have gotten clobbered
04:57So that means you're going to have to make a choice
04:59You're going to have to choose somebody from Protégé
05:02Who's your team captain?
05:05Nick, again
05:05You're going to have to start winning, Nick
05:07I know
05:07Yeah
05:08You're losing a lot
05:09I know
05:09All right, who do you choose?
05:11We're going to take Amy
05:12Welcome home
05:13Bring her to bed
05:14Bye
05:15Don't you think you're giving Amy a little too much power?
05:20Absolutely
05:20I would have never chosen Amy
05:22Ever
05:23Maybe what you're telling me is I should just give her the job right now
05:27I think you made a mistake
05:28But if you want to take Amy, that's okay with me
05:30Now, behind me is one of the great institutions of the world
05:37The Metropolitan Museum of Art
05:39You're going to be given a choice
05:41From a group of young, emerging, brilliant artists
05:45Each team is going to choose an artist
05:49You're then going to take this artist to a gallery in Manhattan
05:53And you're going to sell his paintings
05:56And as always, George and Carolyn will be observing you throughout the task
06:01The team that comes up with the most money for the art wins
06:05This is a tough one
06:07Because what makes good art is entirely subjective
06:10There is no set market value
06:13So you really need to think this one through
06:15Good luck
06:16I was nominated the night before to be project manager
06:21And so I knew the challenge was going to be very different
06:23Because art is very subjective
06:25And it's not something that you can kind of push as a normal product
06:28And it's going to be all about really which artist we choose
06:31Hi, I'm Troy
06:34What was your name?
06:35Giles
06:36Giles
06:36I'm Marosa
06:37When we walked into Giles, I thought, okay
06:40Here's this quintessential New York artist
06:42With splatter against the wall
06:44And he calls it art
06:45But this guy had a different edge
06:46Yeah, you know, I don't normally allow this
06:48But if you get up close and touch it
06:50Particularly here, for example
06:51If you run your finger over this
06:52These mounds start out as hair in my paint
06:55If you run your finger
06:57He wanted to insert his DNA into each of his pieces
07:02So essentially he's like shaven under his arms
07:04And his legs
07:05And put hair droppings
07:07And toenail clippings in his artwork
07:09Every painting is authenticated by genetic materials
07:13What is this clear?
07:15I've been here for 10 minutes
07:16And I've already connected with your work
07:18Well, you know
07:19You got to touch his work
07:20I got to touch his work
07:22Well
07:23Check please
07:25Would I choose to work with Marosa in the real world?
07:29Absolutely not
07:30I don't agree with her style
07:31She doesn't agree with my style
07:32I don't like her technique
07:33Some people might find it offensive
07:35If I, for one, is like, oh my god
07:37Andre?
07:44Andre?
07:45Yeah
07:46Hi, I'm Katrina
07:47Pleasure to meet you
07:48How are you?
07:49From the minute I walked in
07:50I knew that Andre was the man
07:51And I really, really felt strongly about him and his work
07:52I'm a nature-based abstract painter
07:55Sometimes the background could look like the inside of an old cave
07:59Right
08:00And on top of it some really gestural effects
08:04What we liked was he was very sincere
08:06His beautiful artwork
08:07And he was basically explaining it to me who doesn't know much about art
08:11And I think that would be a real selling point
08:14I'm not using any trickery
08:16I'm using good old paint
08:18And I'm weaving a story with it
08:20Gotcha
08:21In a very intelligent, sophisticated way
08:23I like it
08:24I love it
08:25I like the way you explain it and everything
08:27That's phenomenal
08:28The next artist we saw was Leah
08:30She's a cute little Italian girl who lived in Brooklyn
08:32Worked out of her house
08:33Nice to meet you
08:34Come on in
08:35Basically she painted snapshots of her life
08:38Oh, I love it already
08:40For people who don't know so much about artists
08:43You know, they can easily relate to the photograph
08:45You look at it and you like it or you don't
08:47I personally loved Leah's work
08:49I thought it was fun
08:50And I thought that she'd be successful
08:52I love it
09:01Hi!
09:02Hi, Theresa
09:03What's her home?
09:04I love it
09:05This is beautiful
09:06Come on in
09:07When we first walked into Megan's apartment
09:09I was so excited
09:10I mean, I thought her apartment was amazing
09:12She seemed passionate
09:13I mean, she seemed a little creepy
09:15This is a series called Psyche and Smut
09:17And it's about a young girl, Psyche, and her twin sister, Smut
09:22Wow
09:23And Psyche is this very prim and proper pinafore little girl
09:26And Smut is this rather aberrant, naughty little girl
09:30And by the way, the city is ruled by frogs and their concubines
09:34She has a lot of different genre
09:37And has this weird kind of theme going on
09:43I don't know if our customers will like it, but I'll tell you what, she's a home run hit
09:47Because her average price per item is $4,000 bucks
09:50Where everybody else's average price is only $1,500 bucks
09:54Megan, what's the average price point of one of your pieces?
09:56I would say about $4,000
09:58Okay
09:59What we liked about Megan was Megan's got 20 pieces
10:01We knew her work was extreme, we knew it was risque
10:04But we looked at her price points and her ability to deliver
10:07If we sell three to four of Megan's work, we're going to win this easily
10:10And the price point on these pieces?
10:12These are $7,000
10:14$7,000
10:16Okay
10:17These are great
10:24You've got to believe in what you're selling
10:26If you don't believe it, if you don't really believe it yourself
10:29It'll never work, it'll never sell, and you're going to be miserable
10:33It comes down to Megan and Leah
10:48In five minutes we need to make a decision
10:50Alright, so let's just discuss
10:51Go ahead
10:52I think Megan has her sh** together
10:54She's weird as hell, but I'm not an artist aficionado
10:57So I don't really care about that
10:58She's risky
10:59If she can get the people out she says that she can get out
11:01And we can get more people
11:03If she doesn't, we're going to be like at zero
11:05I didn't come on this game to be, you know, practical
11:08I had a nice job on Wall Street, an easy life
11:10But I said I had my whole life to be ordinary
11:12And one chance to be extraordinary
11:14I took the same philosophy when it came to being project manager on this task
11:17And making the critical decision as to which artist we're going to go with
11:21You're absolutely right
11:22We would be taking a calculated risk
11:23I'll take two positions
11:25The first, I have some concerns about going with Megan
11:28I will tell you that
11:30The medieval artwork
11:32Her stuff is weird
11:33It's just flat out
11:34Like I could never explain it
11:35Yeah, you're right
11:36Let me just tell you
11:37From an art perspective
11:38I'm just giving you the art perspective
11:39You all can do the numbers
11:40I have big concerns with Megan
11:42Leah
11:43Love her
11:44She's got a great product
11:45She's got something that's whimsical
11:47That's from an artistic perspective
11:49You cannot look at this task in an artistic way
11:52If you do, you're screwed
11:53You have to look at this as a business task
11:55And to be honest
11:56I don't think Mr. Trump gives a rat task about the art
11:58He wants to see who can make the most money
12:00And that's what we do
12:01Will you ask me to be the artist
12:02All right, go ahead
12:03Now let me flip to the business side
12:05I had to break it down that way
12:06Tomorrow, Megan's the only one that's going to drive in the numbers
12:09That we need to win
12:10That's my whole spiel
12:11Good spiel
12:12Good spiel
12:13Kwame wanted to take this major risk
12:15And this was just not the task to do it
12:17The art world is very finagate
12:19And I informed him of that
12:20Because art is all about risk
12:21I just can't do it
12:22Art is all about risk
12:23Art is all about risk
12:24We are officially selecting Megan
12:26Let's take a risk
12:28Risk on three
12:29One, two, three
12:30Risk
12:31We're going to take a risk
12:32Let's do it
12:33I'm going to sell the frog smoking opium
12:44Andre's established, he has a client base
12:46He does
12:47He has two pieces that are practically already sold
12:49He's been in New York for 35-some-odd
12:52Here they are
12:54So it's between Andre and Leah
12:56What do you say?
12:57I mean, they're two totally different artists
13:00Leah's stuff
13:01It's paintings of her and her friends
13:04At the beach and at picnics
13:06Like that
13:07It's a pretty unique painting
13:08Bill and Amy wanted Leah
13:10And I didn't get to see her work
13:13And quite frankly, just from hearing about it
13:15I didn't think it was the way to go
13:17This is like a critical decision we're making here
13:20We need to make a decision
13:21Amy, what do you say?
13:24I support the team
13:25But I think I'd go with Leah
13:27I'll call you right back
13:29I'm making an executive decision at this point
13:31I think Andre's the man
13:33And, um, you know
13:34Either we knock the cover off the ball
13:36Or, uh, we strike out
13:38All right, Nick, what's going on?
13:40I already made a decision
13:41It's Andre
13:42What?
13:43I said I already made a decision
13:44And I'm going to go with Andre, I think
13:46I think it's a good move
13:47Wait, can we pick Leah?
13:48Or is it too late to pick Leah?
13:49No, it's too late
13:50It's done
13:53I think it's important to choose a good artist
13:55In my opinion
13:56That was a very critical decision to be made
13:58But Nick made an executive decision to go with Andre
14:00And then we had to stick with it
14:02Yeah, I just have a sick pit in my stomach
14:03Because I'm not feeling really comfortable with the decision
14:05Hi, how are you?
14:21Hello
14:22How are you?
14:23How are you?
14:24Team Protégé was up around 7 o'clock this morning
14:27Kwame and Troy were going to head out handing out invitations
14:31Heidi and I had the task of working with the artist at the gallery
14:36So that we can hang her art and make the exhibit a success
14:40Okay, so should we get going? Unpack the work?
14:43Yeah, let's get going
14:45Heidi, it's George
14:48Megan Booty, okay
14:50So how did you pick out this artist?
14:51Our thought is that she had an extensive following already
14:54And we needed to build a crowd that would be more likely to purchase her art
14:58And she has just been so cooperative and that's why we selected her
15:03I think that art is a business
15:05And art is very subjective but amorosa
15:08I characterize the art that she picked out as somewhat provocative
15:11Which is really a gamble one way or the other
15:13But it's a business gamble
15:15Thank you for stopping by, George
15:17See you later
15:18But for instance, these two faces with the blood dripping down
15:23What's that supposed to represent?
15:25It's about reconciling oneself with that dark territory
15:29And align yourself with it
15:31Because once you finally harness those forces
15:34Then you're stronger
15:38Okay
15:39I asked Megan about the artwork
15:40I wanted to know the story behind it
15:41Because you need to know about the product before you sell it
15:45I had some crazy nightmares last night
15:46I'm like, what the heck?
15:47And they were weird
15:48And now I'm just remembering
15:49They're artwork
15:51The artwork is freaky
15:53It's weird, but you know what?
15:55I'm just gonna sell it and learn to like it
15:58Bye Megan, we'll see you later
15:59Bye guys
16:00Bye Arthur
16:01Thank you
16:02Thank you
16:03My head is killing me
16:04I've gotta eat something
16:05The thing about it is I can't wait for 20 minutes
16:06My head is killing me right now
16:08Alright, um
16:10You wanna grab a sandwich right there?
16:11The vending?
16:12Hey Kwame
16:15Hey Kwame
16:16No, we don't have time to sit down for two hours
16:18No, I'd like to sit down if that's okay
16:20We do have the time
16:22You have to lock it
16:23I mean, if you wanted
16:24Then tell Kwame
16:25We're not gonna have time
16:26I'm sorry, I can't run like this with a concussion
16:29I need to take my time and take care of myself
16:31Well, so do I
16:33I mean, this is ridiculous
16:35She always has a headache when it's a task time
16:37But when it's reward time, she never has a headache
16:39She's an absolute lunatic bitch
16:42No, Heidi doesn't wanna stop and eat
16:43And I need to sit down
16:44Okay, you guys figure out the eating thing
16:48And we'll move forward
16:49I think you're being really rude, Heidi
16:51I'm not saying f***ing rude
16:52You always have to sit down
16:53I understand your making questions
16:54Don't curse at me, you can curse at other people
16:55Don't curse at me
16:56What are you gonna do about it?
16:57What are you gonna do about it?
16:58Be childish
16:59Oh, you're childish, sweetheart
17:00I don't have to sit down with you
17:02At all
17:03And try to play the game
17:04Whatever
17:05You don't scare me, Omarosa
17:06I could give two s***s about you
17:09Heidi has a trash mouth
17:10And I just was not going to be on the receiving end of it
17:13And I made it very clear to her
17:15She needs to clean up her act
17:16And shut her mouth
17:18You can go to the f*** you want
17:19I can't f***ing stand you
17:21F***ing whine and complain
17:22Bitch, bitch, bitch
17:24I don't really take anything that Heidi says
17:27To heart at all
17:28I mean, look at the source
17:30Alright, thanks Omarosa
17:31Talk to you later
17:33My head, I wanna eat
17:35Dude, it's my head
17:38And if I don't get some catered service
17:40Pretty quick
17:41Alright
17:42I'm calling the president
17:43Heidi and Omarosa are never gonna change
17:45Heidi doesn't gel well with Omarosa
17:48And Omarosa doesn't want to put forth the effort
17:51It keeps the team on an emotional rollercoaster
17:53You can get a sip of one of those, go
17:54I need to take the edge off
17:55Yeah, six to seven, Amy and I are gonna do greeting, food and beverage
18:10Right
18:11It's pretty limited who's gonna come in and actually buy
18:14You're talking about getting someone to come in here and spend $4,000 on a painting
18:17There aren't too many people that I know that shell out that kind of money on paintings
18:20I certainly don't
18:22Come on, baby, let them come
18:24They say the first hour's always slow
18:27I'm worried, should I change my shirt to black?
18:28You think that makes a difference?
18:30No
18:31Even when things look like they're in shambles
18:34You can never, ever let anybody see that you're concerned
18:38Because once they see the leader, the head of the thing's cracking
18:42They no longer believe
18:45We'll be alright
18:47I don't think we'll be alright
18:51Two things I just wanna let you know about tonight
18:53One, it's studio price
18:55And second thing, he will hang the artwork and light it for you
18:58So what is your price range?
19:00I didn't think, but I mean, I would love to own one of his pieces
19:03Okay, well, number one, let's go to number one
19:05I went over to this young lady and she really liked the personal attention we gave her
19:09Bought the painting on the spot
19:11You got a deal, it's shaking
19:13Absolutely
19:14It's very nice to meet you
19:15I'll write this up right now
19:16Okay
19:17Once Bill sold that painting, I knew it was gonna be a great night
19:20I want you to buy me that one
19:21I want you to buy me that one
19:23You wanna buy me the one I want?
19:25Uh oh
19:26Buy the painting tonight
19:28Buy the painting tonight
19:29If you're ever considering buying a piece
19:32I think tonight's the night
19:34You know when I sold your painting
19:36You did?
19:37Yeah, I told you it was gonna move
19:40Don, number 11
19:4210% discount
19:44Yes, dude
19:45Great job, man
19:47I'm really happy for you
19:49This whole competition is not about marketing
19:53It's not about real estate backgrounds
19:56It's not about MBAs
19:58It's about leading people
19:59Why do employees come to work every day?
20:01Because they believe in something
20:02I bring energy, enthusiasm, and a sense that everything is gonna be okay
20:08And that we're gonna win
20:09Why are you there?
20:11Why are you there?
20:12Why are you there?
20:13Why are you there?
20:15Why are you there?
20:17Why are you there?
20:19Greetings
20:21Welcome to Making Booty's show
20:23Oh hi, I'm Heidi
20:24Hi
20:25Good to meet you
20:26We do as well
20:27Thanks for coming out tonight
20:28I'm learning this
20:29Look at that Omarosa show me that
20:30Oh yes, I always do that
20:32Everything fell into place at the gallery
20:33And we're very excited
20:35Everything looks fabulous
20:37And I feel very confident we're gonna sell lots of art today
20:40Again, her thought process is far beyond my comprehension
20:45Just the little innuendos
20:47The snake in the grass over there
20:49The skull of Henry Day
20:51I mean, she is amazing
20:54Art, I mean, if you wanna hit me at my weak spot
20:57That, you found my Achilles heel
21:00Because this old kid doesn't know nothing about art
21:03Not a darn thing
21:05Now you know what that picture is
21:06What it is, is everybody wants a virgin outside of the bedroom
21:09Everybody wants a whore inside of it
21:10Ah, yes
21:12That is what I see
21:14Ah, what a wonderful dichotomy
21:16That is fantastic
21:17Fantastic
21:19Oh man, I'm seeing a genius in her, okay
21:21Fer and Heidi really are not into art
21:24And it's kind of funny to hear them talk about it
21:27Because they really have no appreciation for this particular genre
21:31And so they seem to be fish out of water
21:34You know what, really what I love about her artwork is
21:37She takes a picture and then it's all digitalized
21:40So it's really like unique artwork, it's not your typical painting
21:44But did you see that, I have to show you those
21:46Which one? No, I didn't
21:47No, I didn't
21:48Okay, you ready?
21:49Someone comes into your house, you got a toilet tank here
21:52What do you do?
21:54It's kind of cool
21:55It's different
21:56Yeah, so you're supposed to put this over a toilet
21:59Oh no
22:01Art is, it's all subjective, it's how you see it
22:04This is a cast iron fireplace cover
22:07So what, I made a mistake, I didn't know
22:10I'm gonna sell it as a toilet bowl
22:11It looked like a damn toilet bowl to me
22:13I messed up on some pictures, I messed up on the toilet seat
22:15But hell, that looked like a damn toilet seat
22:18If I ever saw one
22:20Troy?
22:21Yeah?
22:22This is some hard work to sell
22:23What's that?
22:24Did you sell anything?
22:25No, dude, it's the hardest
22:26It's the hardest
22:28Dude, I go in for the
22:29I go in for the clothes and it's like
22:31Yeah
22:32I'm trying to sell this and I'm doing my damnedest
22:35And this lady who put up her art gallery for us to use, Madeline
22:39She said it the best, she said
22:40You guys have MBAs or whatever and she's an artist, this is the gallery
22:46There needs to be some more communication in how you guys operate
22:52Communicate more
22:54I'm keeping the faith, we have another two and a half hours
22:57And hopefully we have some people who are getting more and more interested
22:59And hopefully we can sell a few of these big pieces
23:01I think it only takes two to three pieces for us to win
23:03It's very different art, it's very esoteric, it's very tailored to a different set, you know, very small group of people
23:10I took my time and I did what people do in art galleries
23:14I allowed the patron to explore the piece and to express to me their interest
23:19And once they expressed their interest, that's when I zeroed in on the South
23:22The only thing we have that's not even provocative is a picture of a cat or a picture of a little girl standing alone
23:32And essentially we introduced her to a piece called The Hollowed Pussy
23:38I actually photographed this in a taxidermist studio in Paris
23:45It's not quite clear if this is an undead kitty or not
23:50And it went for $869
23:54Thank you very much
23:55You're welcome
23:56Enjoy meeting you, appreciate that
23:57Thank you so much
23:58You're welcome
23:59I hope we can sell one more piece because $869 is cutting it close
24:04Given that the other team probably played a more of a volume game
24:07So we'll see
24:08We'll see
24:09It's on the edge
24:29How you doing folks?
24:30Good morning
24:31So before we hear the results, I have a few questions to ask
24:37Who chose the artist on the two teams? Who was responsible primarily?
24:40We went to go see a few artists and in the end we were pressed for a decision so I made a decision
24:43We were torn between a few
24:44Who was the we who were torn? Who was against you?
24:45Oh no, nobody was really against me
24:46I was particularly fond of one artist and decided that we were going to go with them
24:50I was for Leah initially as well as Bill
24:51But as soon as we made the decision we were ready to go with Andre
24:53Were you happy with your artist?
24:54Yes
24:55Extremely happy
24:56Good talent
24:57Amazing
24:58Talent or salesmanship
24:59What do you think?
25:00Both
25:01Both
25:02Both
25:03Both
25:04Both
25:05Both
25:06Both
25:07Both
25:08Both
25:09Both
25:10Both
25:11We decided that because of our limited knowledge in the art world, our average price point was higher than all the rest of the artists
25:12So we looked at it from our audience and we were ready to go with Andre
25:13Were you happy with your artist?
25:14Yes
25:15Extremely happy
25:16Good talent
25:17Amazing
25:18Talent or salesmanship, what do you think?
25:19Both
25:20Nick, you went against the advice of your team and what with your gut? Let's see if it paid off
25:25Kwame, who picked your artist?
25:27We chose our artists as a team, we came down to a vote, we actually went with a high risk artist with a high price point
25:32Why did you choose the artist?
25:33We decided that because of our limited knowledge in the art world, our average price point was higher than all the rest of the artists
25:40So we looked at it from a pure number standpoint
25:42Okay
25:43Kwame, were you happy with the artist?
25:45We actually really never liked the artist's work, but we felt that the artist had a ready-made fan following that she could turn out quickly, that she could just really turn the switch
25:53Did you like the artist? Heidi?
25:55Her artwork? No, I wasn't particularly fond of
25:58Alright, Carolyn, what are the numbers?
26:01It looks like VersaCore, which is Nick's group, sold $13,600 and they sold 8 pieces
26:08I think it's the first time I saw Nick's mop
26:11Go ahead, George
26:13Protégé had sold one piece for $869
26:17Wow, that's awful
26:20That's getting creamed
26:22Yes, it is
26:23They loved their product, they loved their artist, they loved everything they were doing and they killed you
26:30You tried to sell something that you didn't believe in
26:33You didn't like your product and you'll never be successful selling a product that you don't like and don't believe it
26:40And that was your biggest mistake
26:42Alright, Nick, as project manager of the winning team, this is your chance to impress me one-on-one
26:48So as a reward, you have 10 minutes with me
26:51You know, a lot of people would like that opportunity, so take advantage of it
26:55Protégé, I'll see you back at the boardroom folks, where somebody has to get fired
27:00Hello, I have an appointment with Mr. Trump
27:15I knew I needed to win, otherwise I would have been fired
27:18I was the project manager, I needed to make a decision
27:21And I stuck with my gut
27:23And I chose Andre and it wound up being the right one
27:27Come on in, Nick
27:30How are you?
27:31Come on in
27:32Sit over here, beautiful
27:34Oh my goodness, this is beautiful
27:36Basically what I wanted to do in that meeting with Mr. Trump was just ask him
27:39You know, what do you see or what are you looking for in a young executive coming up?
27:44Well, it's energy
27:45I mean, assuming the brain, number one is a brain
27:48But you need the energy, if you don't have the energy, forget it
27:51Now you have energy, you have a lot of energy
27:53Oh, it's an honor
27:54So
27:55Can we be
27:56Yeah, come on
27:57Let me show you around a little bit
27:59Now, Mr. Trump, do you have a mentor that you learned from?
28:02Is there a few people or is it just one?
28:04Well, I think to me, my father was my mentor
28:07I mean, I learned more from my father than anybody else
28:09Okay
28:10See, these are pictures
28:11These are pictures, this is a picture of my mother and her last years
28:16This is my father and his prime, great people
28:19He stressed the importance of the relationship with his mom and his dad
28:23Without a good support system and a close family, you really, you can't do anything
28:28I think there's a connection, I think he can see me running one of his organizations
28:32You just keep it going
28:33I will
28:34You just keep it going
28:35You're doing well
28:36Even when you, in theory, weren't doing well, I thought you were doing well
28:39Thank you
28:40I think you have a certain spirit
28:41Regardless of how this turns out, I think you're going to be very successful
28:43The main goal is to be working for you
28:44You have fun
28:45Thank you very much
28:46I appreciate it
28:47Very nice to be with you
29:05Hey mom, how you doing?
29:07I know, I figured you would need treatment
29:10Just so you know, the next year is going to be rough for you
29:12Are the doctors optimistic?
29:14Are the doctors optimistic?
29:16My mom is doing well, knock on wood
29:19She's still in the hospital now
29:21And they're just doing extra tests on Tuesday just to make sure
29:24I know, I just hope that you are at the best doctor, right?
29:27Are you at the best doctor?
29:29I mean, definitely the game has changed
29:31I want to do this for my mom
29:33That's why I say I'm not compromising my ethics or values on this
29:36I love you, love you, love you
29:38I know
29:39I'll do anything for you
29:41I love you, bye
29:43Okay, fill them off
29:45Kwame is absolutely taking me to the boardroom
29:48I'm prepared if he takes me, he takes me
29:50I think he'll take me and Troy
29:51I truly do
29:52Or for strategic reasons
29:53He might pin me and Amorosa against each other
29:55I always like watching Troy go from one person to the next
29:59He couldn't stand Heidi too chas ago and their best friends
30:04Yesterday, Kwame and I worked very closely together
30:07He insisted on doing something with Kwame, but he offered nothing
30:12Do you understand?
30:13All he did was carry alcohol into the gallery
30:17That's it
30:18I don't know what significant contribution Troy made to this task
30:22I mean, he helped carry liquor into the gallery and he mopped the floor afterwards
30:26I don't know how that leads to a victory
30:28I was the finance manager, I was the art advisor
30:31I got the caterer
30:32Kwame will not take me to the boardroom because I was his artistic advisor on this particular task
30:38He did not go with the artist that I selected
30:41He went with what Troy and Heidi wanted to do
30:44I'm always nominated by default
30:46No, just because you're nominated
30:48I think if I was the partnership manager and we lost
30:50I think I'd have to nominate myself just because I'd have to be consistent
30:55Just for the strength of the team, I'd like to see Heidi go
30:57Bliss, I'm tired of hearing her say that she'd rather sell Tampax than artwork
31:01She's pretty much supporting my theory that she's probably the least classiest person in this game
31:06Kwame could take me, but if he does, I'm gonna have to eat my brother up
31:13Kwame's gonna have to assess everyone's role in this particular task and make the decision
31:18I just hope he does not choose me because I am ready to go into that boardroom fighting
31:23I know I'm not bulletproof, but I'm preparing
31:25That's what I'm sitting over here doing
31:27He could take me in if he wants to
31:29If he wants to
31:59Well, we've had some disasters, but this is the worst
32:06$800 versus over $13,000
32:10So that's called a defeat
32:12There's no doubt about it
32:13Kwame, you're the captain, what happened?
32:15We basically made a calculated risk that did not pay off
32:18Megan was a very esoteric, high-risk artist
32:22You know, very edgy work, but she had very high price points
32:25Three of the folks on the team decided to go with Megan
32:27One person still wanted to go with Leah
32:29So we went ahead and went with Megan
32:31Who was the one person?
32:32I'm Marissa
32:33I think you're to be commended
32:35You know, there's a very great businessman in this country named Kirk Kikorian
32:40He bought tremendous amounts of Chrysler stock
32:43And the stock went up like a rocket ship
32:46And he made a tremendous amount of money
32:48And I said to him, Kirk, how did you do this? Why did you do this?
32:52And he said, I loved the look of their new products
32:55And I say, you know, here's a case where you hated the look of the work of the person that you were selling
33:00And I don't get it
33:02I hoped and wished that we could certainly succeed at the task
33:05But I knew in my heart that we couldn't
33:07Which is why I expressed very early on before we decided on the artist
33:10That this was not the right choice
33:12I'm not sure in my own mind whether or not you picked another artist
33:15Or you would have had a different result
33:17What I'm concerned with is how you operated in a team
33:20And from what I have seen and what I understand
33:22There was a lot of dissension among the ranks
33:24What happened, Heidi?
33:25Omarosa
33:26She wanted to sit down to eat
33:28I wanted to grab a quick thing at the deli, get in the cab and go
33:31And it turned into a fight
33:32Can I just tell you, I've been walking around for a week with a concussion
33:36And I needed a moment
33:37And I asked you for that, Heidi
33:39And you just ignored me completely
33:41Because the headaches were coming and gone
33:43I mean you were fine in the morning
33:44And I just, it was just getting a sandwich to go
33:46I mean there was no need to sit
33:47I've been a trooper for this team
33:48What does a concussion have to do with sitting down for a long time having lunch
33:51When you're supposed to be working?
33:52You got hit on the head with a little piece of plaster
33:55Now by the way, all my life I've been hit on the head with plaster
33:59Omarosa, I mean you know, give me a break
34:01Let's not, you know
34:02I'm not being dramatic, I've had horrible
34:04Because you have this horrible concussion, you took lunch instead of working, right?
34:08Is that the excuse?
34:09Mr. Trump, if you believe that I was lazy at any point
34:12I don't know, I'm not saying that at all
34:14I'm sorry, I didn't know I was going to be attacked
34:15You're not being attacked
34:17I just don't get it
34:18Okay
34:19And I still don't know really what that has to do with taking lunch when you're supposed to be working
34:23No, I wanted to take five minutes to eat
34:25I called the PM first and he can tell you and I asked him if that was okay
34:29Kwame, do you think that Omarosa makes excuses?
34:32I will say that at times she tends to exaggerate at times
34:36And she does tend to be somewhat dramatic
34:38And that I think is a sentiment that many folks have within this team and the other team
34:42It seems like I keep hearing this every time your team is in the boardroom
34:47Okay, Kwame, it's time
34:49You have to make a decision
34:51Who are the two people who you feel didn't perform as well as they should have?
34:56Once again, I always have to compare people to my all-star and that's Troy
34:59And so I'm gonna take the two ladies with me to the boardroom
35:02Troy's gonna go up to the suite
35:03Alright, so Troy, you're going up to the suite
35:06Heidi, Omarosa, you wait outside with Kwame
35:09Enjoy the evening
35:10Beautiful building, Trump Tower, the best
35:21I'm fine, I'll hold it together
35:31I've been runnin' around with my kid, but Chloe
35:35I'm so good, bye
35:36I'm so good, bye
35:37We just kept going
35:38You're so
35:40I can't believe we have to blame that one time
35:43Let me ask a question if I may
35:52Mr. Trump, I've worked for the last two weeks
35:55Omarosa, I didn't call for you yet
35:57I've been running around for a week
35:58I've been running around for a week with my
36:02Life is full of problems, I mean, I understand
36:04My problem
36:05Alright, let's go, sit down, Omarosa
36:07Can I grab two?
36:08Go ahead, grab a nap
36:13Omarosa, come on in
36:25Sit down
36:27Kwame, what do you have to say?
36:34I think I did a good job as a leader
36:36It was a calculated risk that went wrong
36:38And I'll stand by my decision
36:39But, you know, at the same time
36:40If it would have paid off, we would have won
36:42And it didn't, so now, you know, I'm here in the border
36:44Omarosa, what would you say?
36:46Yesterday, I worked so hard
36:47I was a finance manager
36:49I helped distribute
36:50Did you think it was unfair that they criticized you for taking time out for lunch?
36:54Which is something people do, I mean, they take time out for lunch
36:57But in this case, you're given a very small amount of time
37:00I pressed for the last 48 hours non-stop
37:03What happened, Heidi?
37:05My concern was, to be honest with you, sitting down in a restaurant
37:07Could take, in New York, it was a busy day
37:09I was concerned that would take longer than 25 minutes
37:11You're right, everyone takes lunch
37:12I'm just used to, on the go
37:14She explained it that eloquently to me
37:16Yesterday, we probably wouldn't have had a problem
37:18I said, you didn't let me get a chance to
37:19Because she likes to drop the F-bomb every five minutes
37:23Oh my God
37:23That's why we, that's why we, but it has to be
37:26Okay, so that's why we throw lunch at the bar
37:27The what-bomb?
37:28The F-bomb
37:29She persists
37:30I cursed too much, I said
37:32So that's going to stop me from going on
37:34That's excuses
37:35I don't have time for these caddy games
37:36I wanted to get the job done
37:37Well, do you think Omarosa did a good job
37:39Or not such a hot job?
37:41It's an okay job
37:42In your mind, is okay good?
37:44Or is okay not good?
37:47It's not good
37:48Okay
37:48What do you think of the job Heidi did?
37:52I didn't see Heidi make a significant contribution to this task at all
37:56Kwame entrusted me in doing a lot of responsibilities in this task
38:00When my team was unable to do something
38:02You know, I went ahead and stepped up
38:04Okay
38:06So it's time
38:07Heidi, you have an edge to you that really gets people a little crazy
38:14I know
38:15And you've been driving people a little nuts, you know that, right?
38:19Yeah, yeah, I don't go
38:20This is not the first time this has happened
38:22No
38:22Omarosa, this competition isn't about how much you know
38:29It's about leadership and getting along with your team
38:31It's not about distracting your teammates from the task at hand
38:35You know, our team leader did a terrible job
38:38But Kwame, at least you took a risk
38:40And even though it didn't pay off
38:42I think you learned your lesson
38:43And besides, I've been known to take a few risks myself once in a while
38:48But what really makes me nuts is the fact that there's constant fighting in this group
38:53And it's always one excuse after another
38:56I don't like the fact that you two argued over whether or not to have lunch
39:01When you have a small amount of time
39:03And you were the one that wanted the lunch
39:04Omarosa, go out and sell paintings
39:07Or whatever the hell you're doing
39:08I don't like excuses
39:10In this case, Omarosa has to go
39:14You're fired
39:15Thanks for the opportunity to be here
39:22Thank you all
39:23Thank you very much
39:24And good luck
39:25Thank you
39:26Good luck
39:26Try to stop me driving you nuts
39:28Thank you
39:34Okay, thank you
39:45Omarosa has a huge chip on her shoulder
39:50She felt that she was superior to the other people
39:54She's very smart
39:55But I think her attitude was terrible
39:57I was a little tough with her
39:59But she's always making excuses
40:02I agree with that
40:02Okay, thank you
40:06I mean, thank you
40:11I agree with that
40:20I agree with that
40:20I agree with that
40:22I'm a negative
40:25Stay tuned for scenes from our next episode.
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