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Max and 99 go undercover as stage actors to find out how KAOS is smuggling scientific information out of the country. But KAOS learns the new actors (if one indeed can call Max an "actor") are CONTROL agents and therefore plots to kill Max by putting real bullets in the stage prop gun used in the play. Will this cause a new twist in the plot? The title is a parody of the 1934 standard "Hooray for Hollywood".
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01:10Max.
01:10Shh.
01:11Be very quiet, 99.
01:16Don't slam the door.
01:19What'd you say?
01:20Nothing.
01:21Max, did this man, Becker, tell you exactly where he was going to meet us?
01:27No, all he said on the phone was to meet him backstage at midnight, and he'd be waiting for us.
01:32Look, Max, there's a light coming from the stage.
01:35Come on.
01:35I don't see him, Max.
01:40Well, he must be around here someplace, 99.
01:43I'll cover the stage, you cover backstage.
01:45Right.
01:46Now, if anything happens, we'll give the long whistle signal.
01:50Max, I'm scared.
01:51Be careful.
01:52You too, 99.
01:52Oh, Max, you scared me up to death.
02:12Any sign of Becker, 99?
02:14He's not backstage, Max.
02:17I don't understand it, 99.
02:19When he called me on the phone, he said that it was absolutely urgent that we meet him here.
02:22He said the whole future of the United States depended upon it.
02:25Did he say anything else?
02:26Well, yes.
02:28As a matter of fact, he did mention something else.
02:29Who was it?
02:30Well, I can't remember.
02:33Oh, wait a minute.
02:34Wait a minute.
02:35I know what he said.
02:36He said...
02:40He said that his life was in danger.
02:47Is that him, Max?
02:48I don't know.
02:52Are you Harlow Becker?
02:57He called us all the way down here just to tell us that?
04:04It took us two years to discover and destroy Chaos' communication system,
04:15and they turned right around and come up with a whole new setup
04:17that'll probably take us another two years to break.
04:20Of course.
04:21And the information that Becker was going to give us, that was the key.
04:26That's right.
04:27How was Chaos communicating with their agents before, Chief?
04:30Through a very ingenious method.
04:32I'll show you.
04:34Now, look, Max.
04:35This looks like ordinary confetti.
04:38Right?
04:39Do you know what it really is?
04:41Sure.
04:41It's a cat box.
04:43Max, it's Chaos' confetti.
04:45This is how they contacted their agents.
04:47I don't understand.
04:48Well, whenever Chaos wanted to contact their agents in a different city,
04:51they'd hold a parade.
04:52Now, the agents would pick up the confetti from the street,
04:55and the color of the confetti determined their instructions.
04:58How?
04:58Green confetti meant that they were supposed to go ahead with the proposed plan.
05:02Red confetti meant stop instantly.
05:05Well, that's fantastic, Chief.
05:06How did you ever find that out?
05:08Well, they also used white confetti.
05:10That meant, danger, leave the country immediately.
05:12Fortunately for us, during their last parade, it snowed.
05:15And they all left the country?
05:17No, they all went to Miami.
05:19Well, how did Becker fit into all this?
05:22Well, it's my hunch.
05:23The chaos hit upon a new method of contacting their agents,
05:26and Becker stumbled on it accidentally.
05:28He was about to give that information to you in 99.
05:31Of course, and chaos got to him first.
05:33Oh, I'll get it, Chief.
05:38Who was Harlow Becker?
05:40All we know is that he was an actor with a theater group
05:42run by a man named Victor Polo.
05:45Max, have you in 99 had any acting experience?
05:48No, but I have a cousin who's on television a lot.
05:50An actor?
05:51Great actor. Sells used cars.
05:54Harlow Becker's wife was also with the theater group.
05:56Of course, after the tragedy happened, she...
05:58She changed agents.
05:59No, she left the play.
06:00Now, you and 99 are going to replace them.
06:03Now, don't worry about it.
06:03They're only minor parts,
06:05and with a little professional help,
06:06you should be able to carry it off.
06:08I've arranged with the country's foremost drama coach
06:10to give you a crash course in acting.
06:12What's his name?
06:13Emilio Petychevsky.
06:15And so I say, my fair Melissa,
06:17I retreat from the arms that repelled me,
06:21the eyes that scorned me,
06:23and the heart that never held me.
06:28And in parting, remember me,
06:32not as the fool who desired to love me,
06:35but as the lover who failed me.
06:45You didn't like it?
06:47Oh, wasn't it beautiful, Max?
06:50I thought it was superb, absolutely superb.
06:52Is that from a play?
06:54No, it's from the verse of
06:55Do You Know the Way to San Jose?
06:56Of course, I don't expect the two of you
06:59to be so brilliant so soon,
07:02but if only a mere portion
07:03of the Petychevsky method of acting
07:05rubs off on you,
07:06you'll be very well prepared for your mission,
07:09Mr. Smart.
07:10Now, would you like to recite something for me?
07:15Me?
07:17Okay.
07:17Okay.
07:22And now the purple dusk of twilight time
07:26steals across the meadows of my heart.
07:30High up in the sky,
07:32the little stars climb,
07:34always reminding me that we're apart.
07:37You wander down the lane and far away,
07:40leaving me a song that will not die.
07:43Love!
07:46Is now the stardust of yesterday.
07:50The music of the years gone by.
07:55I love it.
07:57I love it.
07:58Continue.
07:59Sometimes I wonder why.
08:01Why are you singing,
08:03Mr. Smart?
08:04Oh, well, you told me to continue.
08:06You see, the other part was only the verse.
08:09Now, the Polo Theater group
08:11opens its season tomorrow night
08:13with a new play entitled
08:14The Horrors of Hemlock House.
08:16You will be reading for the roles
08:18of Lady Fanny
08:19and Mannering,
08:20the butler.
08:20Turn to page 90
08:21and we'll stop.
08:26I wish I could do something
08:27with my hair.
08:28Mr. Smart,
08:30don't you think it would be a good idea
08:31if we let Mrs. Smart
08:33play Lady Fanny?
08:34You play the butler?
08:36I wish I could do something
08:39with my hair.
08:41I beg your pardon,
08:42smiles and bows.
08:43No, no, no, no.
08:44Smiles and bows
08:45are merely staged directions.
08:47You say,
08:48I beg your pardon,
08:49then you smile
08:51and bow.
08:54Gotcha.
08:54I wish I could do something
09:00with my hair.
09:01I beg your pardon?
09:04No, no, no, Mr. Smart.
09:05You said that as if
09:06she insulted you or something.
09:08Now, look,
09:09you are a butler,
09:10her butler.
09:11You walk into the room
09:13as she makes a casual remark
09:15about her hair
09:15and you beg her pardon
09:18for intruding.
09:19Where does it say that
09:20in the script?
09:21It doesn't say that
09:22in the script
09:22but the moment calls for it.
09:23It's the mood,
09:25the attitude,
09:26the motivation.
09:27Is that important?
09:28It's extremely important.
09:29Without the right motivation,
09:30you can't possibly intrude.
09:32Then it ought to say that
09:33in the script.
09:36Take it from the top
09:37of the page.
09:42Oh, I wish I could do
09:43something with my hair.
09:46Now?
09:47Whenever you like.
09:49I beg your pardon.
09:53Uh, Lady Fanny,
09:57I have been in your employ
09:58for ten years.
09:59Tonight I am giving notice.
10:01But why, Mannering?
10:03Because, dear lady,
10:05I saw you shoot a gun
10:06at his lordship,
10:07your late husband,
10:08right after you played
10:09a game of go fish.
10:10And I heard him explain
10:11before he fell,
10:13you shot me Fanny.
10:14No, no, no,
10:15you shot me Fanny.
10:17Sounds like you're a cockley.
10:18Her name is Fanny.
10:21You shot me.
10:23Pause.
10:24Fanny.
10:25Now, don't say the word pause.
10:26I'm only telling you to pause.
10:28You shot me.
10:31Fanny.
10:32You shot me.
10:36Fanny.
10:37Better.
10:37Much better.
10:38Now, at this point in the play,
10:41Lady Fanny,
10:43fearing that you will go
10:43to the police,
10:44pulls out a gun
10:45and shoots you.
10:46Do I die on stage?
10:48Oh, I'm sure you will.
10:52I promised your chief
10:54that I would personally
10:55contact Victor Polo
10:56and recommend that he hire you.
10:57Where's the phone?
10:59It's right over there.
11:04If you thought I did
11:05a good acting job
11:06for you earlier,
11:08why will you say this?
11:11Victor Polo,
11:13this is Emilio Patichapsky.
11:14Oh, you're much too kind.
11:18I understand
11:19that your new production
11:20opens tomorrow night
11:21and that two minor roles
11:23are still open.
11:25Good.
11:26Well, I believe
11:27I can do you
11:27an enormous favor.
11:29Two of my students,
11:31infinitely talented,
11:32are available.
11:35Tomorrow, at one,
11:37they'll be there.
11:39No, no, no,
11:39don't bother to thank me.
11:41Did you get the actors yet?
11:46Emilio Patichapsky
11:47just called.
11:47He's sending over
11:48two actors
11:49to play Lady Fanny
11:50and the butler.
11:51Well, so our casting
11:52problems are solved.
11:54Splendid.
11:55Which part in the script
11:56contains the information
11:57to be given
11:58the chaos agents
11:59out front tomorrow night?
12:02The butler.
12:03We've got to get started
12:13with this run-through.
12:14What's keeping
12:15those two new actors?
12:17Buongiorno, senores!
12:20Saludas, amigos!
12:23Acto, man, camera!
12:27You're the two actors
12:28Petashevsky recommended?
12:30Yes.
12:30Are you Victor Polo?
12:32Yes.
12:33This is the author
12:34of the horror
12:34of Hemlock House,
12:35Carl Schertzinger.
12:36How do you do?
12:37Well, I'm Viola Vane
12:38and, of course,
12:40you recognize
12:40Mr. Hollywood.
12:42Mr. who?
12:45Lawrence Hollywood.
12:47You're probably
12:48more familiar
12:49with my father,
12:50who was one
12:50of the greatest
12:51actors the world.
12:53The world
12:54has ever known.
12:55I don't think so.
12:56What was his name?
12:57Huh?
12:58What was his name?
12:59Uh, Jason Hollywood.
13:02Never heard of him.
13:03Oh.
13:04Well, you probably
13:04remember my mother.
13:06What was her name?
13:07Leonardo Vane.
13:09I'm sure you're
13:10more familiar
13:11with the work
13:11they did as a team.
13:13I'm sorry.
13:14We've never heard
13:14of either one of them.
13:15You've never heard
13:17of Hollywood and Vine?
13:19If you're ready,
13:20we'd like to run
13:20through your scene.
13:22Charlie,
13:23be sure the prop gun
13:25for Miss Vane
13:25is in the end table drawer.
13:26All right,
13:33clear the stage,
13:34everybody.
13:35Let's have some quiet.
13:38Anytime you're ready,
13:39Miss Vane.
13:44Oh, I wish
13:45there was something
13:46I could do
13:46with my hair.
13:48I wish I could do
13:49something with my hair.
13:50Hmm.
13:53Oh, I do wonder
13:54what's become
13:55of mannering.
14:14I beg your pardon?
14:16Mr. Hollywood,
14:21you'll be dressed
14:22as a butler.
14:23Therefore,
14:24you won't be wearing
14:25a coat.
14:25So why don't you
14:26just throw it
14:26into the wings for now?
14:28Right.
14:28Right.
14:40Mr. Hollywood,
14:41if you don't mind,
14:43let's take it again
14:44from the top.
14:52Oh, I wish
14:53there was something
14:53I could do
14:54about my hair.
14:58Now,
14:58I beg your pardon?
15:03It's your line.
15:06What is it?
15:08Lady Fanning,
15:08I've been in your employ.
15:10Lady Fanning,
15:11I've been in your employ
15:12for over ten years,
15:13but tonight
15:14I must give you
15:15my notice.
15:16Why is that
15:17mannering?
15:19Well, dear lady,
15:20I saw you...
15:22I saw you
15:26shoot a gun
15:26at his lordship
15:27just after you
15:28finished playing
15:28a game of go fish.
15:30And I heard him
15:31his claim
15:31just as he fell.
15:33You shot me,
15:34Fanny.
15:35Oh,
15:35I am terribly sorry
15:36that you heard that
15:37because now
15:38I must shoot you,
15:39too.
15:39Oh,
15:55oh.
16:00Oh,
16:03oh,
16:07oh,
16:07oh,
16:09mr hollywood what in the world are you doing i'm dying could you die a little quicker we'd
16:24like to break for lunch my lady i heard a shot good grief yes i had to kill him he overheard
16:32me kill his lordship and i was afraid he would find out about us well i'll hide him behind the
16:37couch and then tonight we'll put him in the car and i'll shove him over the cliff oh good
16:41and now there's nothing to stand between us and happiness all right well well done everyone
16:54mr hollywood could we have a private word with you
16:57i left out the pirouette off the mantelpiece bit i thought it busied things up a little
17:06how could you take it out it wasn't in the script in the first place mr hollywood those
17:11physical embellishments they really get in the way of the lines mannering is a butler he's not
17:17burt lancaster now just do it as written please
17:20what do you think max i think that victor polo and carl scherzinger have just made their first
17:29mistake what was that they took out all that great stuff i added to the scene
17:33what i meant about the assignment have you noticed anything suspicious well nothing yet
17:37but as soon as they break for lunch we're going to search the dressing rooms right max now you
17:41search the men's dressing rooms and i'll search the women's dressing rooms max don't you think it'd
17:46be better if i searched the women's dressing rooms and you search the men's dressing rooms it'd be
17:50less suspicious yes but not as much fun
17:53what was that someone on the backstage extension
18:03hello chief max what do you have to report max well chief to tell you the truth i have a feeling
18:19this place should have opened the new haven max i'm not concerned about the play what control needs
18:25to know is how chaos is transmitting information through their agents in polo's theater group
18:30just keep your eyes open max unless i'm wrong sometime during tonight's performance secret
18:34information will be transmitted to certain chaos agents in the audience right chief uh are you going
18:40to be there of course oh good where will you be sitting i'll wave to you i don't know where i'll be
18:45sitting but i'll be out there well look for me in the third act that's where i do my big scene
18:50i get killed i'll be looking forward to it chief 99 and i are leaving the theater now
18:57so lawrence hollywood is a control agent well we knew he wasn't an actor the irony of this is
19:09exhilarating whoever would have thought we'd run into a situation like this a control agent will be
19:15delivering chaos information tonight you mean we're still going through with it of course the
19:21setup's ideal now let's insert the code into the butler's speech ten years becomes eight
19:29tonight i'm giving notice we change to tomorrow night and go fish becomes post office
19:41brilliant and immediately after the show we kill him correction we kill him during the show
20:02you were absolutely brilliant this afternoon at the inquest my dear then you don't think they
20:06suspected me well you heard the verdict accidental death the gun went off when his lordship was
20:12cleaning it oh how long will it be before we can announce our betrothal mr hollywood there are a few
20:21last minute changes shirt singers made in your speech yes now come on in a minute the changes are
20:29very minor you'll be able to memorize the shirt singer is pretty picky isn't he i mean i don't
20:38see where these few changes improve the play of the character any in the theater the author has the
20:42last word which is coming up remember say the new lines oh i wish i could do something with my hair
20:52i beg your pardon lady fanny i've been in your employ for over eight years now yes but tomorrow night i
21:05must give my notice why is that mannering have you discovered anything yes what smart is the worst
21:16factor i have ever seen in my life i know that but have you recognized any chaos agents in the audience
21:21one well i've spotted several alert our agents in the lobby to cover every exit right chief
21:30you shot me fanny i'm terribly sorry that you overheard that here it comes i must shoot you
21:38too she missed him they must be on to us he's got to be silenced
21:46you're telling me what are we gonna do we've got to get off this stage
21:57i heard a shot but i see you missed him lady fanny but i shall not miss
22:02hold it hold it you hold it no you hold it you're under arrest henderson
22:18get the curtain down
22:29the curtain get it down
22:30get his gun max
22:51you got here just in time chief chief i think i know how these two guys were passing chaos information
22:56to their agents just before i went on they changed certain words in my speech that's exactly how
23:01they did it max
23:02go on chief on opening night in each city chaos agents were in the audience shirt singer would then
23:13substitute certain words in one of the actor's speeches those words were code words known only to
23:18chaos oh clever thank you then you mean there were chaos agents in the audience tonight yes but we got
23:24them we made six arrests in the lobby six chaos agents well five were chaos agents the six was a
23:29drama critic we'll lock them up anyway chief until we see the morning papers henderson take him down
23:33to headquarters
23:34chief i think we've got a hit on our hands
23:46chief i think we've got a hit on our hands
24:00chief i think we've got a hit on our hands
24:05chief of the writers for the documentary
24:08here
24:14chief
24:14chief
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