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00:00:14The young Romanova woman will choose the husband I appoint.
00:00:18This will be the first step for the Spanish Empire to wrest Eastern Europe from the Russians.
00:00:30The hawk's talons have torn the eye. It's the best way to heal the wound.
00:00:41Which way did you come in?
00:00:42Through the other door. It's brought me to the same place as you.
00:00:51Someone has discovered what was inside that bell jar before I did.
00:00:54The son of Christ.
00:00:57Without knowing what was behind that mirror, I don't know how to continue looking for a successor.
00:01:01Put in danger for nothing.
00:01:03Growing up is more than just a face.
00:01:05You say so.
00:01:06That you have two eyes and a face without a blemish.
00:01:09I'm pregnant.
00:01:11A son, Catarina, a son.
00:01:12We can't have it.
00:01:14You don't know where you are or where you're going.
00:01:15You don't know these places.
00:01:17I can't go back.
00:01:18They're going to marry me off and I don't want to.
00:01:20What is this?
00:01:21A Spanish custom.
00:01:25Nobody touch my mother.
00:01:28Shoot me.
00:01:29I will too.
00:01:32Mother, the gun!
00:01:34Don't pretend!
00:01:41Don't pretend!
00:01:43One of all those present will have the honor of being my daughter Irina's husband.
00:02:09I have come to prove that this man is a murderer.
00:02:11He has killed many men during the race and also tried to kill my servant.
00:02:14It's true, there was essence.
00:02:16He stabbed us and then threw us to the vultures like we were carrion.
00:02:33In my country, death is paid for with death.
00:02:36Take it away.
00:02:37It's false!
00:02:38That's false, Count!
00:02:40You will marry my daughter.
00:02:44They've taken Alonso away.
00:02:46What do you mean they took him away? Who?
00:02:47They'll keep it until I get married and go with them to Russia.
00:02:50Oh, God!
00:03:05Come on, maybe that's going to be the plan of action with the Russians now.
00:03:09The plan: stealth or sweeping.
00:03:13I will do whatever it takes to get my son back and put an end to all of this.
00:03:17These Siberians are a real pain.
00:03:20If you want to marry a young man to your daughter here in Spain, you get him drunk and then you...
00:03:25take her to the altar.
00:03:26No one is taken hostage.
00:03:29I have never given in to blackmail.
00:03:31And I'm not going to do it now.
00:03:33So there's nowhere to grab hold of it.
00:03:36As if we were here now and a note arrived.
00:03:39We have your mother.
00:03:41Either you get married or...
00:03:43or we keep it.
00:03:45Sato.
00:03:46The crossbow.
00:03:52One thing I put in my...
00:03:55You Russian woman, no...
00:03:57Hey?
00:03:59Do you understand me now?
00:04:00He will have understood...
00:04:01Maybe the father was right.
00:04:03Sato.
00:04:04Nothing happened between us.
00:04:07Very good.
00:04:08So I'll light it like this: go into the camp, take the child, and...
00:04:12And let's go home.
00:04:15What does the purchase do?
00:04:43Hey...
00:04:44Let's see...
00:04:45Hey...
00:04:45Hey...
00:05:01It can't be, master.
00:05:02It can't be, they're taking them here.
00:05:04They've gone to Saturn.
00:05:19Mother of God, she's been impaled.
00:05:32He is the Spanish captain.
00:05:34Hey?
00:05:36Well, you know what I say, he doesn't deserve it.
00:05:40For having killed so many people.
00:05:43If he lets me, I'll stick the log into Pino Entero.
00:05:46Look.
00:05:55Don't look for us.
00:05:57We will tell you where and when the wedding will take place.
00:06:32I need you to tell me if I see a child.
00:06:36That's right, he's a bit lanky.
00:06:38His name is Alonso.
00:06:45They are holding a wake for a corpse.
00:06:52A corpse.
00:06:56You're not looking anywhere else but here.
00:06:59This is the house.
00:07:04There is a coffin.
00:07:06A coffin?
00:07:12And can you see the dead man's face?
00:07:14It won't be a boy.
00:07:16It is the hand of an adult man.
00:07:20But I can't see his face.
00:07:23I'm sorry.
00:07:35Satur, what's wrong?
00:07:37Who was that man?
00:07:39Have you found the Russians yet?
00:07:42No.
00:07:43I've come to take your horse.
00:07:44Mine is wrecked.
00:07:45Come on.
00:07:48Please sit down.
00:07:50What I have to tell you is very serious.
00:07:52They have brought news.
00:07:55That man who just left, who...
00:07:59He who sees the future.
00:08:01And he told me that one of us is going to die.
00:08:04Satur, you have brought a fortune teller.
00:08:05Listen to me.
00:08:07Listen to me, master.
00:08:08That man found the miller's daughter's body.
00:08:10fallen into a pool.
00:08:12If he sees something, what's going to happen?
00:08:14Satur, I don't have time for superstitions.
00:08:15Don't ignore me, someone is going to die.
00:08:19I'm going to keep looking.
00:08:44Are you already saying hello to our old friends?
00:08:50What have you come for?
00:08:52To do a job.
00:08:54And we thought you might want to help us.
00:09:05I'm not one of you anymore, am I?
00:09:10You will always be one of us.
00:09:13We are going to celebrate some rich kids.
00:09:15We will make them believe that a nobleman is inviting them on a hunt in his lands
00:09:19And we'll rob them there.
00:09:21And what do you need me for?
00:09:22Can you do it on your own?
00:09:24So that you do what you've always done.
00:09:27You will dress in this servant's uniform.
00:09:29and you will distribute the invitations to the nobles.
00:09:33No.
00:09:36I don't plan to do it.
00:09:39Saturn.
00:09:42When one is one of us,
00:09:44He's one of us forever.
00:09:49Of course you will.
00:10:14Give me the key.
00:10:15And let me out of here once and for all.
00:10:18How's your eye?
00:10:20Don't know.
00:10:21You removed all the mirrors, remember?
00:10:29It's gotten worse.
00:10:40Irene.
00:10:42I'm bringing you a letter, it's urgent.
00:11:04Ships, crew, land, warehouses, cocoa beans.
00:11:11This sum is unpayable.
00:11:14Every business has expenses.
00:11:17I will sell the Velarde palace
00:11:19or the lands of Soria.
00:11:22That's not yours, it's Nuño's.
00:11:24If you touch a single real of their assets,
00:11:27I'm rendering you incapacitated.
00:11:28Are you trying to have me declared incompetent?
00:11:31After your accident,
00:11:34It will be very believable that you have lost your mind.
00:11:37The servants have seen you raving and shouting.
00:11:38Do you think they're going to believe their rabble?
00:11:40Maybe not them, but it does me.
00:11:43Club!
00:11:44I'm warning you, Lucrecia.
00:11:47If you touch a single possession by Nuño,
00:11:51You know what will happen to you.
00:11:59Irene.
00:12:10Ma'am, we've come to clean.
00:12:14I love all the heads of the service
00:12:16gathered in the kitchen.
00:12:18Immediately.
00:12:19Yes, ma'am.
00:12:30What's that?
00:12:49It looks like a map of this palace.
00:12:52Yeah.
00:12:54There's something written there.
00:12:56What does it say?
00:12:58Whoever finds what is hidden
00:13:04beneath the depths of this palace
00:13:09He will have absolute power in his hands.
00:13:15So, this is...
00:13:17A treasure?
00:13:19A treasure?
00:13:22A treasure?
00:13:29The Raval gang is wanted by police.
00:13:33Stop right there!
00:13:35Stop!
00:13:36Run, run!
00:13:42I jump out of a carriage.
00:13:45Soft is all you have!
00:13:48Robbery at a palace.
00:13:51Relief!
00:13:55The Raval gang sets fire to a farm on the outskirts.
00:14:02No, please!
00:14:05No!
00:14:09No!
00:14:11No!
00:14:16No!
00:14:19No!
00:14:23No!
00:14:25No, please.
00:14:27Noooo!
00:14:28No, please.
00:14:37Noooo!
00:15:00No!
00:15:03No!
00:15:05No!
00:15:07Be quiet!
00:15:30Not everything is bad!
00:15:36Have you done it?
00:15:40Have you done it?
00:15:51Love!
00:15:55Honey, I have to tell you something!
00:15:57You haven't given my horse water. You haven't even changed his saddle.
00:16:00Love, me!
00:16:00Satur, I told you to wait for me downstairs in case there was any news!
00:16:03What are you doing here?
00:16:05No.
00:16:07I'm sorry.
00:16:09In other words, I don't know where my head is.
00:16:11I've searched everywhere, Satur.
00:16:15Roads, post houses...
00:16:17It's as if they've disappeared.
00:16:25Alright.
00:16:26She's fine, love.
00:16:28I'm fine, Satur.
00:16:29Sit down and rest a little.
00:16:30I'm fine, Satur.
00:16:31I'm going for water.
00:16:39Take.
00:16:40Take.
00:16:45And if...
00:16:48I don't know.
00:16:50And if she gets married...
00:16:53That solves everything.
00:16:56What are you taking about?
00:16:58Think like a poor person.
00:17:00If she gets married, we'll have...
00:17:02A better tomorrow.
00:17:04A dream future, my love.
00:17:07Nobody is going to force me to do something I don't want to do.
00:17:09But that's life.
00:17:11Swallow and...
00:17:12And to shove one's honor up one's buttonhole.
00:17:14It's called surviving.
00:17:16That's enough, Satur.
00:17:17I'm not going to marry that woman.
00:17:18No, that's not enough, love.
00:17:21That woman is the solution to starting over far from here.
00:17:25You...
00:17:26And I'm with you.
00:17:28Who told you I want to start over?
00:17:30Love.
00:17:31Sometimes it's better to leave and forget the past.
00:17:34I don't want to forget the past.
00:17:35What's left for us here?
00:17:37Tell me.
00:17:39What's left for you here?
00:17:40Enough to say no to that wedding.
00:17:43With all due respect, if she's a woman who's going to become a nun...
00:17:49He is completely wrong.
00:17:52I'm going to keep looking.
00:17:54With or without your help.
00:17:56But I'm not getting married.
00:18:21Yeah!
00:18:23Hello.
00:18:25How are you doing?
00:18:27He is getting infected.
00:18:30It's normal that he's getting infected.
00:18:31The wound just keeps reopening.
00:18:33Let's see.
00:18:34Oh my God.
00:18:38Oh my God.
00:18:40Thank you for taking care of me.
00:18:43But I can't stay here, Margarita.
00:18:45I have to go.
00:18:47Yes, but not now.
00:18:48Because he has to eat.
00:18:50So come on.
00:18:52Sit here.
00:19:00Are you going to cook for me?
00:19:02Yeah.
00:19:02No, I don't need this kind of help.
00:19:05Yes, she does need it.
00:19:06No, Margarita, I can do it myself.
00:19:09Okay, fine then...
00:19:11Come on, I'm not leaving until I see you.
00:19:23Happy.
00:19:25And now, pain relief drops?
00:19:27No, I don't want anything that will make me sleepy.
00:19:29And I have to go.
00:19:30Okay, so he keeps saying he wants to leave, but where does he want to go?
00:19:33I must inform the Vatican of what Cardinal Mendoza is capable of doing.
00:19:37Very well, I'll bring you paper and ink.
00:19:39It's not that easy, Margarita.
00:19:41The only way for correspondence to reach the Holy Father is with my seal.
00:19:45So I must return to the cardinal's palace and retrieve it.
00:19:48But how will he return to the palace of the person who is trying to assassinate him?
00:19:51They're looking for him everywhere and as soon as they see him they're going to kill him.
00:19:54Those in Rome must know that this man is not worthy to be part of the church.
00:19:58He's very weak, I can't go anywhere.
00:20:02Margarita, I'm going.
00:20:06Okay, very good.
00:20:08Then all the more reason to take the drops.
00:20:10I'm going to make the pain hit him hard in the middle of the search.
00:20:21Come on, drink the whole thing.
00:20:32Thank you.
00:20:33Nothing.
00:20:35The Marchioness has gathered all the heads of service to tell us something very important.
00:20:42Let's rise to the occasion.
00:20:44And do you know what that important something is?
00:20:48Well, I suppose you'll give us instructions because of your eye accident.
00:20:52Well, more cleaning, that sort of thing.
00:20:54Or for the Christmas bonus that he forgot to give us this year.
00:20:57Well, Carmen, we'll find out what we need to know very soon.
00:21:01And we will accept it like the good servants we are.
00:21:15I have gathered you here to inform you of the new measures I will be implementing at the palace.
00:21:21Among pages, masters of the halls, laundresses, stable boys, laborers, chambermaids.
00:21:28I have more than one hundred servants.
00:21:31And I have half left over.
00:21:33So I'm going to fire you.
00:21:37But ma'am, why? What have we done?
00:21:40Precisely nothing.
00:21:41I'm tired of supporting so many freeloaders at the expense of my assets.
00:21:46From now on, those of you who stay will receive half your salary.
00:21:51But we didn't even have enough to eat, ma'am.
00:21:54And speaking of eating, that's it.
00:21:56Take your leftover food home.
00:21:58We'll give them to the animals and save on fodder.
00:22:03Madam, you're going to make sure your horses eat better than your servants' children.
00:22:07Life is unfair, Catalina.
00:22:10I'm going to keep the cook on a short leash.
00:22:13Where is that fat woman?
00:22:15At home, giving birth.
00:22:19Well, then he shouldn't come back.
00:22:23Madam, for God's sake, think about it, there are many families who only live off what they earn here.
00:22:29What fault is it of mine that you have lived beyond your means?
00:22:37Here is the list, with the names of those who were fired.
00:22:42Tell him.
00:22:45Catalina?
00:22:59Well, that's it.
00:23:01You have already heard the marchioness.
00:23:14All this is because of his cocoa business.
00:23:17We should tell him about the treasure.
00:23:20Maybe if I don't fire anyone.
00:23:22We're not going to tell him anything.
00:23:26But we found him at his house.
00:23:29It's yours.
00:23:31I'm fed up with living like this.
00:23:33Of pleading, of begging.
00:23:37The map had no name on it.
00:23:40We found it, and so did we.
00:23:43So tell me.
00:23:45Where does the X point?
00:23:46In the woodshed or in the fireplace?
00:23:49Neither one nor the other.
00:23:51It's at the foot of the stairs.
00:24:04Here?
00:24:06There's a hollow sound coming from here.
00:24:09Come and keep watch while I finish up.
00:24:21The Duke of Maura would like to invite his daughter on a hunt in the Bierzo Hunting Reserve, sir.
00:24:26It will be held tomorrow.
00:24:35Having a conscience has never made anyone rich.
00:24:40You have a natural talent.
00:24:42Even I had trouble recognizing you.
00:24:49I've already done my job.
00:24:51I've given you all the invitations.
00:24:54I never want to see you again.
00:24:55We're going to need one more man for the robbery.
00:25:00That wasn't the deal.
00:25:03If it weren't for us, you'd be dead in an alley.
00:25:06We've taught you everything you know.
00:25:08And you only give us contempt.
00:25:15It's because I've changed.
00:25:18I am not the person I used to be.
00:25:20Not anymore.
00:25:20It's like a game, meaning nobody will get hurt.
00:25:23Those girls were just playing a game, weren't they?
00:25:27Listen to me carefully, you bastard.
00:25:28You're not getting away this time, do you understand?
00:25:31The commitment to us ends with death.
00:25:38This afternoon in the Nebrales forest.
00:25:40We will give you instructions.
00:26:00I'll keep them all.
00:26:02Excellent decision, Evidence.
00:26:04Ten pairs of shoes are 750 escudos.
00:26:08What are you trying to do?
00:26:10Were the rich farmers profiting at the expense of our Holy Mother Church?
00:26:13Evidence is a unique work.
00:26:16Like God's, my son.
00:26:19You will not attempt to enter his kingdom with the regret of deceiving his representative.
00:26:24I'll leave them at 500.
00:26:2950 will be plenty.
00:26:32Can you leave?
00:26:34Evidence.
00:26:45Eminence?
00:26:46A novice nun wants to see him.
00:26:48Let it in.
00:26:56We apologize for the inconvenience.
00:27:02The Mother Superior of the San Juan Bautista convent wants to offer you this.
00:27:07They are the best wafers in the whole village.
00:27:09Worthy of officiating the mass of His Majesty the King.
00:27:13They are usually so vast that they become unpleasant to the palate.
00:27:25These, however, melt in the mouth.
00:27:31My thanks to the Mother Superior.
00:27:35Take them down to the kitchen and have them left in my private chapel.
00:27:39Of course.
00:27:42Excuse me.
00:27:43God be with you, my daughter.
00:27:53I don't know where to begin, love.
00:27:57I needed to eat, so I joined those people.
00:28:01Dangerous people.
00:28:08How the hell am I supposed to tell my master this with all the trouble he's in?
00:28:19Has any news arrived?
00:28:21No, nothing has arrived.
00:28:22And have you found anything?
00:28:23Any trace?
00:28:24No.
00:28:25So what are they waiting for to send that damn wedding invitation?
00:28:29And what if they were making it there with filigree and gold leaf?
00:28:33I don't know where else to look, Satur.
00:28:36I didn't want to bring this up, but...
00:28:39What if we resort to other avenues?
00:28:41Which instances?
00:28:42Those people upstairs.
00:28:43This is a matter of flags, of Russians against Spaniards.
00:28:47I suppose the authorities will have to say something, won't they?
00:28:49Those people are only interested in their patriotism when it affects them.
00:28:53They won't help us at all.
00:28:55Love, put aside that resentment you have towards the established power and let yourself be helped.
00:28:59This matter is getting out of hand.
00:29:02Satur, if I report him, I will endanger my son's life.
00:29:05So what do we do then?
00:29:07No, tell me, what do we do?
00:29:09Should we go home and wait there?
00:29:12No, better yet, I'll write the votes for him.
00:29:17It's the dog that was in the Russian camp.
00:29:19He's not coming out, go after him, I might just lead you to where they are.
00:29:23I'm going to grab it now!
00:29:52He doesn't come out, go after him.
00:30:11He doesn't come out, go after him.
00:30:23No, no, no.
00:30:55This is not the kitchen.
00:31:00You'll see that I've lost my way.
00:31:07I figured it out when I went through the kitchen and didn't see you.
00:31:11But that doesn't explain what his life is doing in that chair.
00:31:15Yes, indeed. I saw a spiderweb and couldn't resist trying to remove it.
00:31:22Women's stuff.
00:31:25The palace is a bit neglected.
00:31:27If you'd like, I can talk to the sisters so they can come and clean for you.
00:31:33If they're as efficient as you, it might be worth considering.
00:31:38Well, I'll talk to the Mother Superior.
00:31:41You are very kind. One of my footmen will escort you to the kitchen.
00:31:46Excuse me.
00:31:50One moment.
00:32:01Did you forget the wafers?
00:32:03What a head.
00:32:08Excuse me.
00:32:10No.
00:32:22No.
00:32:24No.
00:32:25No.
00:33:08From the same place again? Impaled again?
00:33:13The dog got lost, Satur. That's why he's come back to this place.
00:33:19My son is having a hard time and it's my fault.
00:33:21Calm down, master. Calm down, for God's sake.
00:33:25No.
00:33:28I will not allow it.
00:33:35You must not stop.
00:33:41And I'll be able to buy a chicken. No, no, better yet, a cow.
00:33:45And a bed for my mother.
00:33:47Since we sold the furniture, he sleeps on the floor.
00:33:51Yes, Marta.
00:33:53You can buy that, a water jug, a mandolin, and even a cowbell for the cow.
00:33:58But for God's sake, watch out, okay? Come on.
00:34:06And for me, a headband.
00:34:08I've always wanted to have something beautiful.
00:34:11Marten.
00:34:14That money isn't just for us.
00:34:16We have to share it with the other servants.
00:34:20Shh!
00:34:25The marzana, the marzana.
00:34:41What are you doing there doing nothing?
00:34:46As you can see right now, a single speck of dust in the palace.
00:34:50I save another salary.
00:34:55Take.
00:34:58Take him to Main Street.
00:35:00And sell it.
00:35:01But ma'am, she's going to sell her jewelry.
00:35:05You see.
00:35:06I also make sacrifices.
00:35:08And say that I'm selling them because I'm tired of them.
00:35:11I don't want the court to think I'm broke.
00:35:14Yeah.
00:35:18And those apples?
00:35:21Who brought them?
00:35:23I can see the worms from here.
00:35:25It doesn't happen!
00:35:26Oh, God!
00:35:28Lady, for God's sake.
00:35:29What is this?
00:35:31Who made this hole?
00:35:38What is that paper, Catalina?
00:35:45Whoever finds what lies hidden beneath the depths of this palace
00:35:50He will have absolute power in his hands.
00:35:54Where did you get it from?
00:35:58I found it while cleaning the room.
00:36:00So there's money hidden in my palace.
00:36:03Ma'am, I was going to tell you.
00:36:05The thing is, first I wanted to see if it was true, if there was something to avoid upsetting anyone.
00:36:10Don't lie.
00:36:11You wanted to keep it.
00:36:14I'm not going to fire you.
00:36:16You are useful to me.
00:36:17Thank you very much, ma'am.
00:36:18But it will be you in exchange for two others.
00:36:21As?
00:36:21You didn't think your disloyalty would go unpunished, did you?
00:36:28Lady...
00:36:28I have sent two servants to the market.
00:36:30Run and tell them they're fired.
00:36:33Because of you.
00:36:36Come on.
00:37:00I have always thought that a superior
00:37:03He must give very clear explanations
00:37:05when he punishes one of his own.
00:37:13This finger
00:37:14I cut it off for stealing the proceeds from the mantevías.
00:37:20This other one
00:37:21for betraying my trust.
00:37:28And this last one?
00:37:32The truth is that I have no reason for the latter.
00:37:37Take it away.
00:37:48Commissioner.
00:37:52Entering a noble house unannounced
00:37:54He is being punished with one hundred lashes.
00:37:58What are you doing here?
00:38:01You see, sir.
00:38:02It's just that I...
00:38:05I came to report something.
00:38:08I see you don't know how things work.
00:38:11The town commissioner is not there to serve the common people.
00:38:15Oh, no?
00:38:17I punish rabble like you.
00:38:19I'm not helping her.
00:38:20You see, sir.
00:38:21The matter at hand is important.
00:38:27What is burnt meat?
00:38:28Yeah.
00:38:29Leave now while you're still whole.
00:38:35I don't plan on moving from here.
00:38:40I don't think I heard you correctly.
00:38:43They have kidnapped my master's son.
00:38:46The teacher's son?
00:38:48The Russians.
00:38:50It was the Russians.
00:38:52The Tsar's cousin?
00:38:54Why would I do that?
00:38:56Because they believe that my master is the Iberian male of the prophecy and they want to marry him off.
00:39:01But he doesn't want to.
00:39:02That's why they grabbed the puppy to squeeze him.
00:39:07That's something for the upper echelons.
00:39:09What could I do?
00:39:12Well, I don't know, sir.
00:39:14As...
00:39:14Since you were concerned about the teacher when they wrote to him, you had thought that...
00:39:20Furthermore, you are the commissioner and...
00:39:23And that Spanish?
00:39:25If your master didn't want to get married, he shouldn't have participated in those trials.
00:39:31Now he'll have to face the consequences.
00:39:40I wish I could help you.
00:39:44It's been many years.
00:39:46I'm sorry.
00:39:52Good old Diego, Antalo.
00:39:53You catch me buying a carrot for a broth I'm going to make...
00:39:55Cibri, have you received any notes? Any messages?
00:39:59No, not that I know of, right?
00:40:00You're sure?
00:40:01It's important.
00:40:03Yeah.
00:40:05Good.
00:40:16Gonzalo.
00:40:22Gonzalo, what's wrong?
00:40:25You're scaring me.
00:40:30Tell me something.
00:40:37Gonzalo, are you okay?
00:40:40Come on, come on!
00:40:52Gonzalo! Gonzalo! Gonzalo! Help! Help! It's the teacher!
00:40:58Gonzalo! Gonzalo! Gonzalo! Help! Help! Someone get a doctor!
00:41:04Gonzalo! Help! Gonzalo!
00:41:12Gonzalo! Gonzalo!
00:41:14Gonzalo! He's dead! Gonzalo! He's dead! He's dead! Help!
00:41:37I already told you I was busy, sir. I'm sorry.
00:41:40I need to speak with you, Your Eminence. It is a matter of vital importance.
00:41:48I hope you have a good reason for barging into my office like this, commissioner.
00:41:52Romanofa's entourage has kidnapped a Spanish subject. Her Majesty must be informed immediately.
00:41:58Who is it?
00:42:01From a young man.
00:42:05A young man?
00:42:07Don't be so brief, Commissioner. What else? Is he the son of some nobleman?
00:42:15No. He has no lineage.
00:42:19The King of Spain will not be bothered by the disappearance of a mere subject.
00:42:25It is an insult to our crown, Your Eminence. We must take action.
00:42:30What are you trying to do, Commissioner? Make King Philip IV an enemy of the Tsars over a nameless thing?
00:42:37Have you lost your minds?
00:42:40With your permission, Your Eminence.
00:42:44I was told I could find her here, sir.
00:42:46Any news about the boy?
00:42:48No, but the father's, yes, sir.
00:42:50Speaks.
00:42:51The teacher has died in the street, sir.
00:42:54A sudden death.
00:42:59May he rest in peace.
00:43:01And now you can leave.
00:43:03My palace is not the place for you to discuss your trivial matters, commissioner.
00:43:11What's happening?
00:43:12I'm sorry, sir, but the brand is marked and no one is allowed to enter.
00:43:15I am the lord of this palace. No one can stop me from going wherever I want.
00:43:18Move aside.
00:43:23What are you doing, mother?
00:43:26Expand the palace.
00:43:27Can't you see?
00:43:29Seriously, what are you doing? This isn't good for your eyes.
00:43:33There's money hidden in here.
00:43:43But who would want to hide anything here?
00:43:44Who?
00:43:45Did the palace have a previous owner? What was its purpose?
00:43:48It's obvious to hide it.
00:43:51Whom?
00:43:52I neither know nor care.
00:43:54What interests me is that it's mine now.
00:43:57Bring it here, I'll do it.
00:44:01Let's get things straight, son.
00:44:03Whatever we find is solely for me.
00:44:06You already have enough riches.
00:44:09You know I don't care about money.
00:44:11Well, let's not waste any time.
00:44:14Vika.
00:44:37We're going to take it out, right?
00:44:51What is this?
00:45:08It's an ornament.
00:45:15Look at the figures.
00:45:17They seem to move like clockwork.
00:45:21What will it be for?
00:45:25I don't know.
00:45:29This is useless.
00:45:31No value whatsoever.
00:45:46Viva!
00:46:05How many drops did you put on me?
00:46:07Enough to keep her from moving from here
00:46:14What is this?
00:46:20Have you put yourself in danger for me?
00:46:22Well, you did it for me too.
00:46:25In the asylum, do you remember?
00:46:27It's not comparable
00:46:29Well, we're not going to start now to see who has done more for whom.
00:46:33You needed your stamp, didn't you?
00:46:34Well, here it is
00:46:36I hid it very well so that nobody would find it
00:46:38How did you do it?
00:46:40Well, I went, I looked for it, and I found it.
00:46:44That's right, next time I hide something
00:46:46Hide it underground
00:46:47Because I'm not very tall and you don't know what it took me to reach
00:46:52Do you realize that what the cardinal and his guards couldn't achieve, you have achieved?
00:46:57Well, the credit really belongs to a spider web.
00:46:59She was the one who led me to the hiding place
00:47:04Okay, and stop looking at me with that admiration.
00:47:06I'm not used to it
00:47:07Well, you should
00:47:09I've never met anyone like you
00:47:18Yeah?
00:47:22Catalina?
00:47:23Catalina, what are you doing here?
00:47:26What's happening?
00:47:29Catalina, what's wrong?
00:47:30You're scaring me
00:47:31Catarina and something
00:47:34Gonzalo has died
00:47:38That?
00:47:41No
00:47:43No, no, no
00:47:44No no.
00:48:14No no.
00:49:01No no.
00:49:04I'm not going anywhere with you.
00:49:05You're already in.
00:49:07Do you think they won't come after you too?
00:49:09They won't come after you?
00:49:10Well, I'll tell the truth.
00:49:13I'll say that...
00:49:14that you forced me to do it.
00:49:17Do you know as well as I do that they won't believe you?
00:49:24I am not like you.
00:49:26Now I have a good life.
00:49:28A good life?
00:49:29Yeah.
00:49:30Look at yourself.
00:49:32Look at your clothes.
00:49:33You're just a miserable servant.
00:49:38You don't know anything, Emi.
00:49:39I know you're going to keep quiet and obey.
00:49:41Sit down.
00:49:44When horses lose their training, they need to be tamed again.
00:49:51And all that money?
00:49:55Let's say...
00:49:57an advance for the work.
00:50:00As a preview?
00:50:02How come you already have the money?
00:50:05The plan isn't to rob them?
00:50:10Not quite.
00:50:12Someone has paid us to kill those young men.
00:50:14They are the firstborn of five noble families.
00:50:22I'm not going to do it.
00:50:24No, I am not a butcher.
00:50:26Do you think I'm giving you a choice?
00:50:34You can't run away from who you are.
00:50:37You can't run away from who you are.
00:50:41You can't run away from who you are.
00:50:42You can't run away from who you are.
00:50:43We will kill them tomorrow.
00:51:07You can't run away from who you are.
00:51:23Come on!
00:51:24Come on!
00:51:25I have to tell you!
00:51:29What are all these people doing here?
00:51:50No
00:51:50No
00:51:52No, I love
00:51:55Love, no
00:51:57No, I love
00:52:00No
00:52:01Love
00:52:03Love
00:52:03Love
00:52:23Love
00:52:27Love
00:52:28Love
00:52:28Love
00:52:28Love
00:52:28Love
00:52:28Love
00:52:29Love
00:52:30Love
00:52:31Love
00:52:31Love
00:52:32Love
00:52:34Love
00:52:34Love
00:52:35Love
00:52:36Love
00:52:37Love
00:52:37Love
00:52:37Love
00:52:37Love
00:52:38Love
00:52:39Love
00:52:40Love
00:53:09No, no, Margarita, I'm not going to let you kill yourself.
00:53:20Margarita, where are you going?
00:53:21If you can't get to the village this way.
00:53:23To the village, I can't go there, I can't, I can't see it.
00:53:32He's always been there and now he's not, and now he's not, and now he's not, and now he's not.
00:53:37No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
00:53:47I would say that the man sets tough tests, but they are just words.
00:53:55And what kind of god is that who lets a man like him die?
00:54:06I don't know, I don't have an answer for that.
00:54:11But I understand your pain more than you think, truly.
00:54:20Daisy.
00:54:21Daisy.
00:54:38I'm not one of those shows you're used to seeing.
00:54:42I assure you that in none of those places is there a body like yours.
00:54:46What do you want?
00:54:50I've noticed that your husband isn't very fond of showering you with gifts.
00:54:54So I've brought you one.
00:54:58I don't want anything from you, kid.
00:55:03There is something written here.
00:55:12For my beloved wife Lucrecia.
00:55:14This was a gift from my father, the Marquis.
00:55:17He died just one day before his anniversary.
00:55:19But what is it?
00:55:21The truth is, I don't know.
00:55:24But it's nothing compared to how lavish my father was with gifts.
00:55:27Perhaps the box is only in the wrapping.
00:55:29And the real gift is within her.
00:55:33Look.
00:55:35There's a slot here for a key.
00:55:37But there's no key, is there?
00:55:41That can be fixed.
00:56:06The neighbors are filling the school with flowers.
00:56:10Everyone is praying for Gonzalo.
00:56:13And the kid still hasn't found out.
00:56:18They're looking for him everywhere.
00:56:22I don't know where it is.
00:56:30Lady.
00:56:38I don't know where it is.
00:56:50I don't know where it is.
00:57:57For the teacher's son
00:57:59I don't want her to lack anything
00:58:31Because she has left me alone, I love
00:58:38Because you have left me alone
00:58:56Miracle!
00:58:59Miracle!
00:59:00Miracle!
00:59:02Come on!
00:59:04Come on!
00:59:05Come on!
00:59:05Can you hear me?
00:59:07Come on!
00:59:08Clear!
00:59:08Sato, of course he can!
00:59:09Come on!
00:59:10What a joy!
00:59:11What a joy!
00:59:12By God, He has risen, my love!
00:59:14He has risen!
00:59:16Sato!
00:59:17Sato wasn't dead!
00:59:20He was pretending
00:59:25What do you mean, pretending?
00:59:27I am able to reduce to a minimum
00:59:28The beats of my heart, Sato
00:59:33But you know what I've suffered, love
00:59:36I've cried three seas for him
00:59:38I'm sorry
00:59:41But I already told you that no one would force me.
00:59:42To do something I didn't want to do
00:59:45I know, I know, I know
00:59:47They must have dried
00:59:49The ideas of the weeping
00:59:52Because I just can't find it.
00:59:53It makes no sense.
00:59:54What you're telling me
00:59:56Sato
01:00:02If there's no groom, there's no wedding.
01:00:04And if there's no wedding
01:00:05The Russians will free my son
01:00:08He's gone too far, love
01:00:10This time he's gone too far
01:00:12But okay
01:00:13That it's for the whole neighborhood
01:00:14Crying in the corners
01:00:17Sato, I'm so sorry.
01:00:18Having made people suffer
01:00:19But sometimes
01:00:20Only what seems true
01:00:21It's true
01:00:21But how true
01:00:22What truth is that?
01:00:24I'm not going to believe in death again.
01:00:26In this house
01:00:27Or I see worms
01:00:29Or I won't shed a tear
01:00:31Sato, lower your voice
01:00:32Nobody can know yet
01:00:33That I am alive
01:00:34I'm sorry
01:00:37We will wait for the Russians.
01:00:38I demand the release of my son.
01:00:40Then we will leave the village
01:00:41So what are we going to do?
01:00:43Meanwhile?
01:00:44What are we going to do?
01:00:46Hey?
01:00:47No, he's leaving.
01:00:48Back to the hustle and bustle
01:00:51Here in the coffin
01:00:58EITHER...
01:01:01Sato, listen to me
01:01:02And whose dogs are these?
01:01:04It is very important
01:01:06I'm going to tell you
01:01:07Everything you have to do
01:01:16Bring me another one.
01:01:25Hernán
01:01:27I have something very important.
01:01:28What can I tell you?
01:01:30And I have matters to attend to.
01:01:31I'm going to live in Africa
01:01:43Africa
01:01:45I just put the palace up for sale
01:01:47It's mine
01:01:48And I can do it.
01:01:51Because?
01:01:52Sometimes people need a change
01:01:56And seeing what state you're in
01:01:57Perhaps you need it too.
01:02:01Look at me with a sour face.
01:02:08Why are you doing all this?
01:02:11I have nothing left here.
01:02:13And your son?
01:02:16Me too?
01:02:18Nuño is a Santillana
01:02:22He will be able to fend for himself
01:02:24You haven't answered me
01:02:25To the second question
01:02:50We're already here
01:02:51You've already closed the Calicanto house
01:02:53As ordered
01:02:55And calm down
01:02:56For God's sake
01:02:57I'm not going to give him anything for real
01:02:59They should have released Alonso Sato already.
01:03:03And maybe it won't work.
01:03:04It will work
01:03:05Of course it will work
01:03:06It will work
01:03:08By the way
01:03:09I think we should tell Cipriano something
01:03:12About that little matter
01:03:13Of the resurrection
01:03:14Not yet
01:03:15I say this more than anything.
01:03:16Because he's been keeping the man there all night collecting signatures
01:03:19He won't stop until he names the street after Gonzalo de Montalvo.
01:03:23As soon as we're far away and safe
01:03:25We'll tell you all.
01:03:27We will write to you one by one if necessary
01:03:29Well, things are going to get really messy.
01:03:31More people have come here to cry.
01:03:33That to Pope Innocent
01:03:36You have closed the coffin
01:03:37Yes, yes, we're going
01:03:38And for all intents and purposes
01:03:39You are inside and physically present.
01:03:43And get out of the window
01:03:44For God's sake
01:03:44If a neighbor sees him
01:03:45He's going to think you're a ghost.
01:03:48Statue
01:03:48Alonso
01:03:52I'm going for him
01:03:53Lest he run into any of the neighbors
01:03:55And tell him something
01:04:03Father
01:04:03The Russians have let me go
01:04:04They took me to go
01:04:05I know, I know
01:04:08Are you OK?
01:04:09No, I'm not okay.
01:04:10Why is there a coffin in the living room?
01:04:12And why were the neighbors stopping me?
01:04:14To hug me in the street?
01:04:16Because your father is dead
01:04:19That's why
01:04:20That?
01:04:22You'll see, son
01:04:23I've had to fake my own death
01:04:26It was the only way I had
01:04:27So that the Russians would let you go
01:04:28Without having to marry Irina
01:04:32That...
01:04:33It's great!
01:04:34They finished
01:04:36Listen to me carefully
01:04:37That afternoon is the funeral
01:04:39Satur and you have to go
01:04:40To avoid raising suspicions
01:04:41OK?
01:04:44And then what?
01:04:45Why can't we go home?
01:04:49Then we'll leave here
01:04:51Where they can't find us, son
01:04:53So you put on black
01:04:54Down to the underwear
01:04:55And let your sorrow show.
01:04:57Hey?
01:04:57Wow!
01:04:58And that face, so multi-faceted
01:05:00Come on, firewood
01:05:00Your father just died
01:05:02Come on!
01:05:04The little boy
01:05:07I want you to clean up the den.
01:05:08Before the funeral
01:05:12Take it all to the Alcalá road
01:05:13Before two hours
01:05:15And how far does it go?
01:05:17That the dead cannot go for walks
01:05:19Just like that
01:05:21There is one important thing
01:05:22What do I need to do first?
01:05:32To the ground
01:05:33Bend down
01:05:35Floor
01:05:36Ground, man
01:05:50He wants the heads of the firstborn.
01:05:52She'll cut the rest when she has them.
01:05:58Satur?
01:05:59I'll take care of him later.
01:06:09The first
01:06:12No!
01:06:13No!
01:06:14No, no, no!
01:06:15No, no, no!
01:06:15No, please!
01:06:17No!
01:06:18Because?
01:06:19No!
01:06:20No!
01:06:23No!
01:06:24No!
01:06:25No!
01:06:25No!
01:06:36No!
01:06:57I love you
01:07:03And if you forgive me
01:07:05I would like you to be my wife
01:07:20I'm sorry
01:07:21I'm not going to take confession.
01:07:34Gonzalo
01:07:36Gonzalo
01:07:37Gonzalo
01:07:39Gonzalo
01:07:41Gonzalo
01:08:06I'm sorry, I'm sorry.
01:08:08I'm sorry.
01:08:09I'm the one who needs to apologize to you.
01:08:14But you were...
01:08:17You were...
01:08:17I can't believe it.
01:08:20Margarita, did you see that I was marrying the daughter of the Russian nobleman?
01:08:24The only way to avoid it was...
01:08:26It was to fake my death.
01:08:29Were you going to get married?
01:08:31No...
01:08:31I didn't know.
01:08:33There will be nothing.
01:08:37I will only marry the woman I love.
01:08:39No.
01:08:44But you will have to...
01:08:45You'll have to leave.
01:08:46If they find out you're alive, they'll hunt you down.
01:08:49We're leaving today.
01:08:51Where are you going?
01:08:52Very far.
01:08:54I don't know yet.
01:08:57And wherever you go, will you tell me where you are?
01:09:01To write to me?
01:09:03Well, I don't know, maybe to come visit you or...
01:09:07Life takes many turns.
01:09:19Bye bye.
01:09:29How could you even think of putting the palace up for sale?
01:09:34It's something I had to do.
01:09:36I need to go to Africa.
01:09:37And did you also have to leave me homeless?
01:09:39You have a thousand possessions where you can live.
01:09:41I do, but Irene...
01:09:43And what will happen to the commissioner?
01:09:45They will find a place to live.
01:09:47They will go on with their lives, just like you with yours.
01:09:49And I'll stick with mine.
01:09:51I was born here.
01:09:53I grew up here.
01:09:54You can't leave me without my memories.
01:09:57Sometimes the best thing is to forget.
01:10:03Excuse me, but I think I've found the key.
01:10:06That box again.
01:10:13It seems that forgetting him won't be as easy as you expected.
01:10:16This was a gift from your father to you.
01:10:20For my beloved wife, Lucrecia.
01:10:47Excuse me, ma'am, but there's a man out there waiting for you.
01:10:52He says he wants to buy the palace.
01:10:53Why didn't you say so before?
01:10:55Let it happen immediately.
01:10:58Thank you.
01:11:01Marquise.
01:11:03Francisco Molina.
01:11:04Bookseller by profession and musician by trade.
01:11:09Bookseller and musician.
01:11:10How complete.
01:11:13Are you here representing a nobleman?
01:11:15No no.
01:11:16I just inherited a large fortune
01:11:18And my wife has a whim to live in a palace.
01:11:21I don't know how much his kind relative has left him,
01:11:23But the price is high.
01:11:24It's not a problem.
01:11:26Then I'll go to a notary and we'll close the sale.
01:11:39Thank you.
01:11:41Marquise.
01:13:13Now at the village, then at the funeral, then we leave the village.
01:13:17Please inform me of the information, my love, for God's sake, that...
01:13:29We will kill them tomorrow.
01:13:32Oh God, God, God!
01:13:35I had forgotten!
01:13:37What's happening?
01:13:52The next one.
01:13:54No!
01:13:55No!
01:13:56Because?
01:13:58Let me go!
01:14:01No!
01:14:03No!
01:14:04No!
01:14:09No!
01:14:10No!
01:14:11No!
01:14:21No!
01:14:26No!
01:14:27No!
01:14:28No!
01:14:35No!
01:14:49No!
01:14:59No!
01:15:07No!
01:15:10No!
01:15:12No!
01:15:14No!
01:15:18No!
01:15:26No!
01:15:30No!
01:15:36No!
01:15:42No!
01:15:48No!
01:15:50You are free!
01:15:51Thank you so much!
01:15:52Run, run, let's go!
01:16:09I am not just any servant.
01:16:11I am the squire of the Red Eagle!
01:16:20Come on, all of this has an explanation.
01:16:23You'll have to tell me about it, Sato.
01:16:26Now you have to go to the funeral
01:16:27I'll be waiting for you, Alonso, at the Angel's Cave
01:16:30No one will find me there.
01:16:31No, come on, no
01:16:34You're not going there with the kid.
01:16:36They say that bears have been seen in that area.
01:16:43I must hide now
01:16:52No, you shouldn't cry for your father
01:16:55I'm sure, I'm sure it will be alright
01:17:00Of course, Alonso
01:17:04He'll be in a better place.
01:17:07Come on, let's go
01:17:08Come to my house so I can comb your hair
01:17:26The wake is already underway...
01:17:27It's over now, sir.
01:17:29The cough has already closed
01:17:33Come on!
01:18:02Where are they going to bury her?
01:18:06After...
01:18:06Behind the church of San Ginés
01:18:10I want to see it
01:18:11Are they going to take him away now?
01:18:15I want to see his face
01:18:33But what?
01:18:40You're going to have him here much longer
01:18:43I say this because it gets in the way when I'm packing.
01:18:47So you were absent?
01:18:48I'll say it again, Hernán
01:18:49I went to get a notary's office
01:18:50And when I returned, he was, as you see, dead
01:18:52And who could possibly have anything against this man?
01:18:54What difference does it make to who killed him?
01:18:56The important thing is that I've lost my buyer
01:19:07Who do you think you are, Lucrecia?
01:19:07I don't know this man at all
01:19:08Are you capable of doing anything to stop me from going to Africa?
01:19:12I'm sorry to disappoint you, but I didn't kill him.
01:19:14Although I admit it's not a bad idea
01:19:16Where were you when he died?
01:19:19Are you going to interrogate me?
01:19:20Where were you?
01:19:21Riding!
01:19:22Do you have an alibi?
01:19:23Did anyone see you?
01:19:24Who do you think you are, Lucrecia?
01:19:26Are you going to do my job now?
01:19:28Don't beat around the bush.
01:19:29Answer me
01:19:31Look, Lucrecia
01:19:33Go back to Africa and leave me alone
01:20:10The Raval gang
01:20:13How many things do I still need to know about you, Satur?
01:20:15Is there more?
01:20:19If you knew all my adventures, I love
01:20:22I wouldn't have been saved from the gallows
01:20:25What the hell?
01:20:27If I knew her, you would have put the noose around my neck yourself.
01:20:31The documents stated there were only three.
01:20:33Well, there were four of us.
01:20:34And I was the fourth.
01:20:36The thing is, the chronicles
01:20:38As usual, they didn't mention me.
01:20:41It's better they didn't mention you, Satur
01:20:42There's no reason to be proud
01:20:44I mean, I don't know
01:20:45But that's my fate.
01:20:47Not even as a bandit
01:20:48They don't even name me as the hero's squire
01:20:52That I am always the anonymous one in all the stories
01:20:56Because I don't know what your job was with them.
01:21:00Well, in the band I was the hook
01:21:02Since everyone likes me, well
01:21:06He was the one who charmed those of us who were going to rob.
01:21:09They even invited me to their homes.
01:21:11And the grandmothers would bring out the French toast for me.
01:21:14How did you come to do something like that, Satur?
01:21:17If I could turn back
01:21:19And erase all the crap
01:21:20I would do it without thinking twice
01:21:22I just can't, I love
01:21:23No, I can't.
01:21:27I prefer to judge you by who you are now
01:21:28And not because of what you were
01:21:31And what am I, master?
01:21:34What am I now? Tell me.
01:21:36Someone who arrives late to my funeral
01:21:41One thing
01:21:43Have you already thought about where we're going to go?
01:21:45In our exile, I want to say
01:21:48Not yet
01:21:49Oh, no?
01:21:50I've been mulling over a destination and...
01:21:53What do you think about us going to Veracruz?
01:21:56Satur, we're not going that far
01:21:58Well, you think about it.
01:22:00Maybe a little bit of mixed race
01:22:03Wake the kid up.
01:22:04Satur, the funeral
01:22:06I'm coming, I'm coming
01:22:10And let's see if for a damn thing
01:22:12Okay, everything's working out perfectly for us, love
01:22:22I gave her permission to choose a husband for her daughter
01:22:25Not so that he could kidnap my subjects
01:22:31What has he come for?
01:22:34I have heard that the man who was going to marry my daughter
01:22:37He's still alive
01:22:40I would like to find him
01:22:41But I don't have enough guards.
01:22:45And he wants my help
01:22:48I am a soldier
01:22:50I know what a timely retreat is.
01:22:53We're going back to Russia
01:22:55Thank you for your hospitality
01:22:58Wait
01:23:05Mere mortals should not contradict the designs of the stars.
01:23:11I'll make that man marry your daughter
01:23:24Your Majesty, you are going to grant the immense honor of making a mere vassal related to the Tsar
01:23:29That man has shown more intelligence than the best of my captains.
01:23:35But how are you going to find it, sir?
01:23:37He has fled
01:23:38It's probably well hidden by now.
01:23:44I will mobilize the entire royal guard to find him
01:23:46And she will get married
01:23:49Much to his dismay
01:23:51I'm afraid
01:23:55Sometimes a king must force a man to assume a greater destiny
01:24:00The one he himself desired
01:24:15I am family and friends of Gonzalo de Montalvo
01:24:20If you confess everything you know about his whereabouts, you can leave.
01:24:23Otherwise, be prepared for the consequences.
01:24:27Do they know I'm alive?
01:24:28But that's not all
01:24:29What does Ute want to marry the Russian woman for?
01:24:33What is that trunk?
01:24:34Something else I found in your garden
01:24:37The entire court suspected you at the time
01:24:41I will find the master
01:24:43Do it
01:24:43Otherwise, you may remain in your position
01:24:50I remain silent
01:24:51And you cede to me all the possessions of the Marquisate of Santillana
01:24:57That's not possible, you were dead
01:24:59Don't be mistaken
01:25:01You are my death
01:25:06Arrest her
01:25:07He will die on the gallows.
01:25:11Love, love for God, don't do it
01:25:25Love, love for God, don't do it
01:25:26Love, love for God, don't do it
01:25:26Love, love for God, don't do it