Allí abajo - 4x09 - Corrupción en Donosti - HD 1080 - Vídeo Dailymotion

Aquellas Maravillosas Series

Ver Allí abajo - 4x09 - Corrupción en Donosti - HD 1080 - Aquellas Maravillosas Series en Dailymotion

Transcript

00:00:00I'm going away for the long weekend with my daughter.

00:00:01Great plan, a bit of beach, sunshine, disconnecting from all this.

00:00:04What? Have you met Arantxa?

00:00:05The girl who posted here to help me.

00:00:07She was telling me that I'm going to arrive a little later tonight.

00:00:11Because some members of Real Sociedad have come, right?

00:00:16Ainoa!

00:00:17I'm a hairy guy, what's up?

00:00:20Anchón!

00:00:21He just started dating Arantxa.

00:00:23Ainoa! Can you tell me what that suitcase is doing out there?

00:00:25Ask your friend Arantxa.

00:00:27Hey, what are your plans for tonight? Are you looking for a drink or dinner?

00:00:30Today?

00:00:31Yeah.

00:00:32I've been told, I'm sorry.

00:00:34Oh, you see, not again, how inappropriate. You're here with your boyfriend, so relaxed.

00:00:37No, no, no, no, not us. We're just friends, okay?

00:00:40But I have plans today.

00:00:42Well, we'll postpone it. It wouldn't be good if we didn't see each other again, would it?

00:00:51The only Galician jago that stays here left an hour ago.

00:00:55And he can't give me the phone number.

00:00:58And he just sent me a WhatsApp message making me an offer with so many zeros that I'm getting dizzy.

00:01:02Not a word from anyone until I make up my mind, okay?

00:01:04And much less to Carmen.

00:01:06You're the director, but if by chance you were to choose Celia,

00:01:10Well, maybe she would feel more valued.

00:01:14Did she tell you that she doesn't feel valued?

00:01:20Enrique, everything is ready.

00:01:22Yes, the fabrics I mentioned for the little marquis need to be reclassified, so get the paperwork ready.

00:01:26Why did I ask my father for 100,000 euros if the land is worth two?

00:01:29I don't need to explain to you what the percentage for management expenses means.

00:01:32We already have the day, time, and place. We just need to set up the microphones.

00:01:36Echancha!

00:01:37Man, isn't there one now? What's going on?

00:01:38There you go, man!

00:01:39That's how it is, now!

00:01:40Very good!

00:01:40No, no, no, you don't know.

00:01:43Take care of yourself.

00:01:44Already!

00:01:45What do I do, Sevillian?

00:01:48Dolores, what has disappeared?

00:01:50That?

00:01:51Christopher has been arrested.

00:01:53The girl pooped.

00:02:26What a terrible misfortune, man! What else is going to happen to us? What's going to happen to us?

00:02:30What's going to happen to us?

00:02:30What a real tragedy!

00:02:32What's wrong with us?

00:02:32No, no, no.

00:02:33Nothing?

00:02:34Okay, don't worry, it's a little bit.

00:02:35I just can't see, I think about Dolores, the poor thing, all alone there all day, at night, where is she?

00:02:40And the other idiot's in jail. How are the two old hags doing?

00:02:43Listen to me, I've told you before, you can't say anything, if Trinidad finds out, she'll be running around in a sea of mud.

00:02:50to stick my head in.

00:02:51So, do me a favor, look at me.

00:02:56Shh!

00:02:57I'm not in the mood to watch either, I tell you, the woman has gotten carried away.

00:02:59Shh!

00:03:01Shh!

00:03:02Shh!

00:03:02It's true.

00:03:03Look, let's get one thing straight, José.

00:03:04You're going home with the girl.

00:03:05Yeah.

00:03:06You calm down a little.

00:03:07And here I go ahead.

00:03:08I'm leaving, I'm regular.

00:03:09Come on.

00:03:10Oh, sorry.

00:03:12Okay, see you later.

00:03:13Carmen.

00:03:14That?

00:03:15Don't worry about Cristóbal, I'm sure everything will work out.

00:03:19Come on, shoot.

00:03:20Carmen.

00:03:21And don't worry about Don Vejumea either.

00:03:23If he survived the Amazon, he's not going to survive this.

00:03:26Come on, calm down.

00:03:27Throw it away.

00:03:28Yeah.

00:03:28Carmen.

00:03:30That?

00:03:31That I can't throw it away, that I don't have any money to go back, and that they can lend it to me.

00:03:34Ah.

00:03:35Here, go on.

00:03:37Come on, shoot.

00:03:38Ah.

00:03:39Carmen.

00:03:39That?

00:03:40Cheer up, you too!

00:03:42You seem very strong, you act tough, but I know you're all in it inside.

00:03:44Everything's going to be alright, okay?

00:03:45Yes, come on, loud.

00:03:46Carmen.

00:03:47That?

00:03:48No, this was just a joke, to make you laugh a little.

00:03:51Come on, to Ciudad Real.

00:03:53Can you imagine?

00:03:54You believed it.

00:03:55Go on, go on, go on.

00:04:00Hello.

00:04:02Hello.

00:04:29Celia.

00:04:30He hasn't slept at home.

00:04:31She hasn't come to the clinic and she's not answering her phone, Carmen.

00:04:33Listen to me, calm down, woman.

00:04:35Tell me.

00:04:36What happened?

00:04:37It was all my fault.

00:04:38Is it all my fault?

00:04:39I found out you were trying to convince me to go to the convention because you don't want to

00:04:42let the flower go.

00:04:44The case.

00:04:45The thing is, I got really angry with her and spoke to her terribly.

00:04:48And she wrote me a note saying she's leaving, that she's leaving because she doesn't want to hurt us at all.

00:04:52of the two of them and I'm going crazy, Carmen.

00:04:54Little girl, breathe.

00:04:55Let's take it one step at a time.

00:04:57So, what clothes did she bring from home?

00:05:00I cut everything short.

00:05:01Short?

00:05:02Short.

00:05:02And with the heat in Seville, it just so happens to start raining this week.

00:05:06No, no, no.

00:05:07But that's a very good sign, darling.

00:05:09Pain is like that, impulsive, passionate.

00:05:11But when she thinks about all this, she'll surely come back.

00:05:14So what am I supposed to do while I sit with my arms crossed?

00:05:16And what's more, I can't concentrate, I can't even work if I was about to do a

00:05:19restorative touch to a nurse.

00:05:20Already.

00:05:21I have the solution.

00:05:22Listen, you and I are going to Santa Catalina right now.

00:05:26Carmen, I don't know, even lighting a candle to the Saint isn't going to solve anything.

00:05:30the problems.

00:05:30What does Celia say?

00:05:31In Santa Catalina there is the stitching shop.

00:05:33He'll surely tell us something.

00:05:34Hey.

00:05:36How embarrassing, mistress.

00:05:38I have rubbed shoulders with the most prominent members of the aristocracy in this country.

00:05:41You're doing the least of it now, Christopher.

00:05:43I see it, you're going to dress me in stripes even though they look terrible on me.

00:05:45But do you really think you'll go to prisons like the one you saw in the...

00:05:48TVO, Cristóbal, please.

00:05:50Besides, nobody here is going to jail.

00:05:51No, I know that.

00:05:52They're going to send me straight to death row.

00:05:54You keep talking nonsense.

00:05:56First, to go to jail you first have to be convicted.

00:05:58And as far as I know, they haven't convicted anyone yet.

00:06:00You see, things at the palace move slowly, man, don't they?

00:06:03Christopher is teasing me.

00:06:04It's me, it's me, it's me.

00:06:06Calm down, calm down.

00:06:08Okay, okay, tell me.

00:06:09A court notification, sign here.

00:06:11Ah, yes, very good.

00:06:17Here you go.

00:06:18Good morning.

00:06:19Good morning.

00:06:19Bye bye.

00:06:20Bye bye.

00:06:20Don't worry.

00:06:21It could be months before they bring you to trial.

00:06:24Because the photo...

00:06:31The summons for the trial is tomorrow.

00:06:34Tomorrow?

00:06:34But how is that going to happen?

00:06:35Tomorrow?

00:06:35Well, we're here now.

00:06:37How are you, Maytias?

00:06:38How's it going, Ota?

00:06:39They're calling me in tomorrow.

00:06:40Tomorrow.

00:06:41The thing is, with how handsome I am, they're going to lock me up like a doll in jail.

00:06:44The thing is...

00:06:45But come on, don't be so pessimistic, Cristobal.

00:06:47Look, the sooner we get sight, the sooner this nightmare will be over.

00:06:50Of course, of course.

00:06:51Look, we're going to heat this up for you, because I can hear your guts rumbling from here.

00:06:55Bring me a better wine, please.

00:06:57Come on, and a glass of wine.

00:06:58Come on, that's it.

00:06:58And another one for me.

00:07:06Christopher.

00:07:08Christopher.

00:07:08Remember what we talked about yesterday in the dungeon.

00:07:10Yes, yes, yes.

00:07:11Don't tell anyone she's involved in this, because I know.

00:07:12But I'm becoming less and less convinced by your plan.

00:07:14Just so you know, okay?

00:07:15You have to trust me, okay?

00:07:16If not, you might as well make some curtains for the cell.

00:07:18No, I'm not going to make two.

00:07:19Two.

00:07:20Because if I go to jail, you'll go to jail too.

00:07:22You knew from the beginning that all of this was illegal.

00:07:24You knew it.

00:07:25But what do I know?

00:07:26Already.

00:07:26What do I know?

00:07:27I'm as surprised as you, or even more so.

00:07:30Look, Christopher.

00:07:32I'm no use to you in jail.

00:07:34But outside of it I can prove that that corrupt councilman has deceived us both.

00:07:38Well, to you, huh?

00:07:39To you.

00:07:40And that you are an innocent victim of all this.

00:07:43I'd win that case with my eyes closed.

00:07:45But not with your hands cuffed.

00:07:47You understand?

00:07:47Okay, okay, okay.

00:07:50Look what I've brought you, huh?

00:07:51A 2014 reserve.

00:07:54It was an excellent vintage.

00:07:56And whatever is left over can be used to toast your freedom tomorrow.

00:07:59If there's any left over.

00:08:01Okay, Cristobal, just relax.

00:08:03The family lawyer will take care of everything.

00:08:05That's it?

00:08:06I don't want our lawyer, Dad.

00:08:09But who better than the family lawyer?

00:08:12Look.

00:08:12Look, she's family.

00:08:14Look.

00:08:16Look.

00:08:17Look.

00:08:18Look.

00:08:19Oh, what a surprise!

00:08:20Why's that?

00:08:22My daughter.

00:08:23You're so modest.

00:08:24Why would that be?

00:08:24Because you are the best lawyer in San Sebastián.

00:08:27Okay, okay.

00:08:28Ours is the best lawyer in Seville.

00:08:31But we're not in Seville, Dad.

00:08:32We are in San Sebastián.

00:08:32We need someone who knows how things work here.

00:08:35Yes, Cristobal.

00:08:36But Miren has spent many years in Canada.

00:08:39Well, technically it's also the north, huh?

00:08:41Calm down, Marichu.

00:08:42Que Miren is the best professional in her field.

00:08:44If you have a master's degree.

00:08:45Three.

00:08:46That's it, three.

00:08:47Three master's degrees.

00:08:48Well, that makes it even worse.

00:08:49Okay, that's it.

00:08:50That's it.

00:08:51That's it.

00:08:52Who's taking the risk here?

00:08:53It's me, isn't it?

00:08:53Well, I want my lawyer to be Miren.

00:08:55Plus, she gives us a discount.

00:08:57Will you give us a discount?

00:08:58Well, that's it...

00:08:59Yeah.

00:09:00Yeah.

00:09:01Thank you very much, Cristobal, for trusting me.

00:09:03I won't let you down.

00:09:04It's no good for you.

00:09:08Of course.

00:09:11Of course I've seen Dolores.

00:09:12Oh really?

00:09:13And where is it?

00:09:14Well, look, I don't know, but she came two days ago when they altered her dress.

00:09:16What happened two days ago?

00:09:17That was before...

00:09:18Before?

00:09:19Kid, stop and we'll tell you.

00:09:21Look, Carmen, I don't have the big enough brick for lanterns, okay?

00:09:23What happened?

00:09:24Okay, then, boom.

00:09:25Dolores has disappeared.

00:09:26Has Dolores disappeared?

00:09:27That's what I would like, Dolores.

00:09:29Because with that tambourine he inherited from my mother,

00:09:31Because I inherited this black hair from my father, and it goes from here back.

00:09:34What is true?

00:09:36Has your sister disappeared?

00:09:37But my sister has disappeared?

00:09:39Oh, my God of my soul!

00:09:40Well, look, I can think of a couple of places she frequents a lot.

00:09:44You can go and see if he's around and I'll call my friends.

00:09:46Thank you, thank you, darling.

00:09:47Thank you.

00:09:48Sister-in-law, what a disappointment, sister-in-law.

00:09:57Dolores, they've already arrived.

00:10:00Change and short.

00:10:07Three days in Malaga and your mom in the hospital.

00:10:10You're facing divorce proceedings, and my brother is accused of corruption.

00:10:13Okay, is there anything else you haven't told me?

00:10:16I don't know, any illegitimate children?

00:10:18Oh, not much wood.

00:10:21Anchón, please, how could you fool around with Arancha, huh?

00:10:24Eh, eh, eh.

00:10:24Look, we all joke around here.

00:10:27Everyone, everyone.

00:10:27But you're married.

00:10:29Huh?

00:10:29And this is coming from the guy who slept with Gottone while married to Carmen.

00:10:35Anchón, admit that you took a bit of a risk.

00:10:37And that your marriage wasn't going through its best moment.

00:10:39And of course, after what happened in Seville…

00:10:42Let's see what happened in Seville…

00:10:43He's staying in Seville, that's right.

00:10:46Iñaki, you're getting a call from some radio program or other.

00:10:48Me?

00:10:49Look.

00:10:52What I don't understand is how Inoa found out that I accompanied Arancha home.

00:10:57I still can't get it out of my head.

00:10:59Well, look…

00:11:00I don't know either.

00:11:03That's not the important thing.

00:11:05The important thing is that you lied to your wife.

00:11:09That is.

00:11:09He was right.

00:11:11There is only one culprit here.

00:11:13Iñaki, for hiring such a nice waitress.

00:11:15Hey?

00:11:16What have they told you?

00:11:17Nothing, nothing.

00:11:18It's from the Chirimiri program.

00:11:20He granted me an interview to talk about the cuisine of Calla.

00:11:22At last!

00:11:23The first good news since we arrived in San Sebastián.

00:11:26Well…

00:11:26Good, good.

00:11:28It's me, cheater, huh?

00:11:28You don't know who hosts the show.

00:11:30Who is the presenter?

00:11:31He's going to harpire me.

00:11:32Boom!

00:11:32That one pulls cheats out of thin air.

00:11:34I'm going to be in a bad mood.

00:11:36The gale of the waves is called.

00:11:38Well, I'm not going.

00:11:38Oh, come on.

00:11:39You helping.

00:11:40Iñaki, don't pay them any attention.

00:11:42This is good publicity for Calla.

00:11:44Well, and besides, that program has a huge audience.

00:11:48Yeah.

00:11:49Oh, Noa always listens to it.

00:11:51Oh, yeah?

00:11:51Yeah.

00:11:52Of course, she will feel very identified with the announcer.

00:11:58No, it means because she is a woman with character.

00:12:02No, no, but that's not the important thing.

00:12:04The important thing is that you say he never misses it, right?

00:12:06In other words, he listens to it.

00:12:08So, that means he won't miss it when you're there.

00:12:10When Iñaki is there talking.

00:12:13So, if we introduce a subliminal, tender message to soften the heart a little, it can always go

00:12:22good.

00:12:22I, I, I understand, right?

00:12:23Let me explain.

00:12:26God.

00:12:26Do you understand?

00:12:27Do you understand?

00:12:29Do you understand?

00:12:30Ah, no, no, no, no, no, no, no, no, no, no.

00:12:32What do you think I am, anyway? Cyrian of Bergerac?

00:12:35No no.

00:12:35Besides, you said it yourself.

00:12:37That presenter is like a hunting dog.

00:12:40That's it!

00:12:41That's it!

00:12:42Okay, Iñaki.

00:12:43I need to talk to Ainhoa no matter what.

00:12:46I need you to listen to me.

00:12:47I've been waiting for him outside my house, outside my work, outside my Pilates class, and no

00:12:51There is a way.

00:12:52Iñaki, you are the last option to save my marriage.

00:12:55Well, uh, giving my day to the quiet first thing, uh.

00:12:58Yes or yes.

00:13:02Alright!

00:13:03Alright!

00:13:04I will do that!

00:13:05I will do that!

00:13:05Hey!

00:13:06But, but, but, but, if the presenter keeps harassing me, I'll ban you all from entering the hall.

00:13:13And when I say everyone, I mean everyone.

00:13:16Well, except for you, darling, because you work here.

00:13:19Thank you.

00:13:22Hey, is there any news about the missing woman?

00:13:23Nothing, we've gone everywhere the stitcher told us to and they haven't seen it.

00:13:27As if she had been swallowed by the earth.

00:13:28Well, I find it very strange that the stitching doesn't know anything.

00:13:31What are you saying?

00:13:32Well, because they're brothers.

00:13:33And my children always cover for each other.

00:13:35The other day they burned a coin and the four of them told me it was the cat.

00:13:39Well, that's not distrustful either.

00:13:43Look, if the man says he doesn't know anything, then he probably doesn't know anything.

00:13:45Let's see.

00:13:45Dolores tells everyone everything.

00:13:47But let's get to the point.

00:13:48Well, we'll have to go and put pressure on him.

00:13:50Stop it, Mommy!

00:13:50My children call me Mother Superior.

00:13:52Because I always make them confess.

00:13:54Oh, thank you so much, Angela.

00:13:57So I go to the office and do everything I have to do.

00:13:59Pulling towards the stitching.

00:14:00Come on, let's go.

00:14:01Come on, let's go.

00:14:02Come on, let's go.

00:14:09Don't you get it?

00:14:15Yes, yes, yes.

00:14:15I'm going to take it, he takes it.

00:14:16She's a friend of mine, the one I used to meet up with afterwards to go to the movies.

00:14:18Well, the movies, the movies.

00:14:19But she'll probably say no because she has to study.

00:14:21Look, if you keep giving me explanations, eventually the answer will pop up.

00:14:24Go on, take it.

00:14:25Yes, yes, yes.

00:14:26I'll take it, I'll take it.

00:14:31Dolores, what's wrong?

00:14:33Hey, come out, no, no.

00:14:34I don't have any salt.

00:14:35Cooking is a no-no, no-no, no thing.

00:14:37I'll take it.

00:14:37And hey, one little thing.

00:14:38Look, let's see.

00:14:39I don't mind if you stay at my house for as long as you want.

00:14:41But here...

00:14:43There's someone here who's worried about you.

00:14:45I don't know where it is.

00:14:46I'm telling you the truth, I have no idea.

00:14:48Look, what you have no idea about is the trouble those four beasts can cause you here.

00:14:53of my children who are outside in the car.

00:14:55You'll see.

00:14:55Again, I don't know, I don't know where it is, you don't need to do that to me.

00:15:02Very good, very good.

00:15:03Don't get nervous, I'm just telling you the boy is hyperactive.

00:15:06He'll leave this for you in just two minutes.

00:15:08Let's see, Pespunte.

00:15:09I'm asking you, please.

00:15:10If you know something, you're already spilling the beans, huh?

00:15:12I don't know.

00:15:13Besides, I was going to be here working peacefully.

00:15:16Monica!

00:15:17Oh my God!

00:15:17This fabric is great!

00:15:18Wow, what a mess!

00:15:19But, brother, what's wrong with you?

00:15:22Dolores!

00:15:26Angela?

00:15:28Celia?

00:15:28Oh, darling, thank goodness I found you, please, really.

00:15:31Are you OK?

00:15:33Haven't you realized that I want to be alone?

00:15:37Are you not going to respect my last wishes?

00:15:40Well, that sounded a bit harsh, but you get my drift.

00:15:43I mean, I understand you completely, but I want to understand you on the street.

00:15:46because the Duchess of Monsalve has just entered

00:15:48that will fix my cash register for the day.

00:15:49Okay, honey, let's talk about it, let's have a drink

00:15:52And we'll talk about it calmly, okay?

00:15:53And Carmen is also very worried.

00:15:56Is there a snack?

00:15:57Okay, of course.

00:15:58Then I'll go, I'll go get a snack.

00:16:01The snack that doesn't start.

00:16:09I'm freaking out.

00:16:10Let's see, what do you mean Trini was blackmailing you, Dolores?

00:16:12And why haven't you told me anything, darling?

00:16:14Because I was going crazy trying to stop you from going to the flower clinic.

00:16:18As?

00:16:19Did you think you were going to leave with Trini?

00:16:20I wasn't planning on going with Truñi.

00:16:22Let's see, I was thinking about it because lately I've been swamped with work.

00:16:25Carmen, and the truth is that I don't feel valued by you.

00:16:27Please don't let yourself feel undervalued, Celia.

00:16:29I don't know, had you thought of me for the convention?

00:16:32Yeah.

00:16:33You see, I told you I valued you.

00:16:34And why haven't you told me anything?

00:16:35Why did I promise not to tell you anymore?

00:16:37You also promised me you wouldn't hide anything from me.

00:16:41Give me this for a moment, Carmen.

00:16:42Of course.

00:16:44What did you want me to do?

00:16:46What did you want me to do?

00:16:48I'm like Paco de Lucía, caught between two worlds.

00:16:51Dolores!

00:16:52Dolores, please.

00:16:53I know.

00:16:54Here you go.

00:16:56Go away.

00:16:56I only have two euros left.

00:16:58I'll invite you tomorrow.

00:16:59No, Dolores, please.

00:17:00You're right.

00:17:02We've both been very selfish, haven't we?

00:17:04Yeah.

00:17:05Have you been?

00:17:06We've screwed up big time.

00:17:07Did you screw up?

00:17:10Will you forgive us?

00:17:12I forgive you with two conditions.

00:17:15First, please don't boss me around again.

00:17:18No to bossing people around.

00:17:19Jealousy.

00:17:19Okay.

00:17:20And the second thing is that you two sort things out between yourselves.

00:17:24Between us, please, Dolores.

00:17:26What thing?

00:17:27Look, Carmen.

00:17:27Don't pretend to be new.

00:17:29This woman needs an assistant.

00:17:30Because the extra hours she spends at the clinic are the same as the ones I spend.

00:17:34Eating a muffin alone.

00:17:35Yes, look at me.

00:17:36I'm drinkable.

00:17:37But I retain fluids.

00:17:42That's it.

00:17:43Let's see what you think.

00:17:45Ainhoa.

00:17:46Forgive me.

00:17:47I love you.

00:17:48Well.

00:17:49Guilty.

00:17:50As?

00:17:51Hey, that's not helping, huh.

00:17:52You are here to collaborate with the message.

00:17:54Let's see, without sorghum.

00:17:55If you apologize, it's because you believe you've done something wrong.

00:17:58And according to you, you haven't done anything wrong.

00:18:00Do you want Ainhoa to think so?

00:18:01He nailed it, huh.

00:18:02He hit the nail on the head.

00:18:03Yes, yes.

00:18:03Okay, so we'll cross it off.

00:18:04Forgive me.

00:18:05Is left over...

00:18:06There's not much left.

00:18:07Ainhoa, I love you.

00:18:07Well.

00:18:08Good.

00:18:09Good.

00:18:09Well.

00:18:10Look, it's a radio message, not a WhatsApp.

00:18:12Anchón, it works very well.

00:18:13The essence works very well.

00:18:14The thing is, it is a bit like a shortbread cookie.

00:18:18Dry.

00:18:19Leave me alone, Coldo, I speak his language.

00:18:21Anchón, listen.

00:18:24This has to be like a plate of arzaca, okay?

00:18:28Minimalist, but with substance and a pop touch.

00:18:31Amazing.

00:18:32Based on.

00:18:35Daniel, I can't talk right now.

00:18:38Calm down.

00:18:39Calm down.

00:18:40From what we've discussed.

00:18:42You keep quiet.

00:18:43And don't deviate one millimeter from the defense strategy we've prepared.

00:18:47Yeah.

00:18:48Come on, goodbye, goodbye.

00:18:50Anchón, I don't understand anything, please.

00:18:52Does your handwriting look like a doctor's or what?

00:18:53Well, let's see, yes, yes.

00:18:54Well.

00:18:55Let's see, let's see.

00:18:57Ainhoa, you seem insignificant.

00:18:59But once I've tasted you, I've seen that you fulfill me.

00:19:03And I don't want any more snacks.

00:19:09Ah!

00:19:10I'll trade a sandwich for a pasty, because my mother is Galician.

00:19:13We have it.

00:19:15And tonight, little girl.

00:19:19Oh, Dolores, really, you don't know.

00:19:21This hour is how much we've missed you, huh?

00:19:23Your gossip, your colors, your joy, your...

00:19:26Notice that even...

00:19:27It's just that I think you look thinner.

00:19:28It's been very intense.

00:19:30The truth is, I needed a little more time to be with myself, right?

00:19:34Find me.

00:19:35You don't push the river that flows on its own, ma infugnes.

00:19:37And get out of the night watch, sweetheart.

00:19:40Oh, Dolores.

00:19:41Dolores, what a joy.

00:19:41Yes, they already gave it to me when they told me it appeared.

00:19:43It's amazing how you come up with these ideas, the ones you and Cristiano Ronaldo haven't come up with.

00:19:50The other day he didn't have enough time to score I don't know how many goals against Málaga, huh?

00:19:55What a holiday garden, how original.

00:19:57It's true.

00:19:57How's Malaga?

00:19:58Very good, right?

00:19:59I'm having a great time.

00:20:00What can I tell you, brother?

00:20:02Lots of tourists wearing socks.

00:20:03So tacky.

00:20:04From the bowling alley.

00:20:05Okay, okay, okay.

00:20:06Didn't you think everyone was so tacky?

00:20:08Hey?

00:20:08Because there was one that caught her eye a little.

00:20:12Well, you scoundrel.

00:20:13Yes, I kept that quiet.

00:20:14Tell me, tell me.

00:20:17Okay, nothing.

00:20:17The boy became interested in the nanny.

00:20:20I told him to get lost.

00:20:22He invited me for coffee and I said no.

00:20:23That's it.

00:20:24Tell me it was a coconut, because otherwise I won't crack it open.

00:20:27Does the check say a coconut is talking?

00:20:28Come on, now.

00:20:29Okay, okay, let's go.

00:20:30Ready to move in.

00:20:31Great, let's go.

00:20:33I say this from my perspective as a heterosexual, that I have no interest whatsoever.

00:20:37So, do you like it or not?

00:20:39I've already gotten myself a little confused.

00:20:40Let's see.

00:20:42He's handsome.

00:20:43Ah!

00:20:46Ah!

00:20:47Ah!

00:20:51But everyone deserves a second chance.

00:20:54Well, here's José, huh?

00:20:56To find that one.

00:20:58Don't even think about it, José.

00:20:59I'm asking you, please.

00:21:01Man.

00:21:02Furthermore, the boy...

00:21:03He doesn't live far away.

00:21:04He's from Galicia.

00:21:06Let's see, baby, let's see.

00:21:07Nobody, absolutely nobody, in all of Spain,

00:21:11resist your charms.

00:21:12They came down from Paifasco.

00:21:13No Galician is going to come down.

00:21:14Come on, a guy from Finland is coming to have a coffee with you.

00:21:17Ah!

00:21:17Thank you very much, brother.

00:21:18But don't even think about it.

00:21:20José.

00:21:21Understood?

00:21:22Okay, I'm leaving.

00:21:23At your service.

00:21:24Let's see.

00:21:24Bye.

00:21:25Bye bye.

00:21:26Bye bye.

00:21:29Well, what good is finding a hand with that going to do me?

00:21:31Another one as disobedient as my children.

00:21:32Didn't you hear what you just said, Joselito?

00:21:35That's exactly why I'm saying it, isn't it?

00:21:37For once someone likes it, Mom, just one hand, right?

00:21:39Sure, count me in, Joselito.

00:21:42100%, right?

00:21:43Absolute availability.

00:21:43But not today.

00:21:44Isabel just left and I'm completely overwhelmed.

00:21:46It's okay, I'll go.

00:21:47Can you imagine?

00:21:48Come on, let's go to the kitchen and work with you.

00:21:51Not me, you know that I don't believe in love, Joselito.

00:21:54No, I'm getting rid of all this secrecy.

00:21:56Well, if she doesn't want to.

00:21:58But I do want to.

00:21:59I do believe in love, come on, and I'm going to help you with whatever you need, okay?

00:22:02For this to succeed.

00:22:03Hopefully.

00:22:05Let's rehearse the questions I'll ask you tomorrow at the hearing.

00:22:10It is important to answer calmly and with self-confidence.

00:22:13No problem.

00:22:15Imagine we are in the living room.

00:22:17On the bench, your family and the people who support you.

00:22:20But the judge will also be there, and he will show no mercy.

00:22:24And the prosecutor, who will be just waiting for you to make the slightest mistake so he can finish you off.

00:22:28Innocent, Your Honor!

00:22:29Please, Christopher, focus.

00:22:30Sorry, sorry.

00:22:31I just saw myself on death row, sorry.

00:22:33Were you with the city planning councillor when the pig stopped you?

00:22:38Well, let's see, he was allegedly...

00:22:40To the judge, to the judge, to the judge.

00:22:41Ah, to the judge.

00:22:44She was allegedly in the alleged cafeteria with the alleged councilman,

00:22:47Just as I am here right now with you, presumed judge.

00:22:49You can't tell that to the judge.

00:22:51And why not?

00:22:52He can call me my alleged corrupt official, but I can't call him my alleged judge.

00:22:55By the way, do you know what "presunto" means in Portuguese?

00:22:57Was he hungry?

00:22:57Okay, focus on the question, please, Christopher.

00:23:01Were you there at the time of the arrest?

00:23:03No.

00:23:03But how can that be?

00:23:04Because I wasn't there.

00:23:06I was light years away from thinking how I would even think of doing shady deals with a councilman.

00:23:10But what do you mean by shady deals?

00:23:11Of course, because I do business.

00:23:12But that man is involved in shady dealings, I know he's the one who gets involved, you know?

00:23:15I do it like this: I take the 50,000 euros, put it here, and turn around.

00:23:18Be careful, Spain is full of people who want to do business with me.

00:23:21as if you think you see it smoking and we have built our empire.

00:23:24Hey?

00:23:25How are you doing?

00:23:27Okay.

00:23:28Above all, let your lawyer speak.

00:23:36Okay, that's it, all done.

00:23:38Sorry.

00:23:39Hey, if it's too busy, I'll come back later, no problem.

00:23:42No, no, no, I want to surprise Manu.

00:23:44And then I bought a job, a gig.

00:23:46And wouldn't you know it, they went on sale today and there were only three left.

00:23:48But two are already mine.

00:23:50What's the best?

00:23:50No, look how cute, how nice.

00:23:52You're going to have a great time.

00:23:53Okay, come on, let's get to the point, you're burning up, huh?

00:23:55Come on, let's go.

00:23:56Come on, shall we?

00:23:57What do we know about the aforementioned?

00:23:59Wow, look how nice, huh?

00:24:00I never thought I would say that word.

00:24:02Above.

00:24:02Let's see.

00:24:03The aforementioned.

00:24:04Hey, that does sound cool.

00:24:05Hello, I am the aforementioned.

00:24:06Delighted, it's a pleasure.

00:24:08How funny you are.

00:24:09Okay, so, do we know it's a man?

00:24:11Yes, his name is Yago Gallego and he is a pediatrician.

00:24:14Okay.

00:24:15Dude, do you know what a bombshell that would be?

00:24:16The fact that?

00:24:17Do you know his last name?

00:24:18Yes, that would be wonderful, girl, but...

00:24:20What if we ask at the hotel?

00:24:22Oh, little girl, and to whom?

00:24:23Whom?

00:24:25Whom?

00:24:26I was more of a lost soul, really.

00:24:27To my cousin, little girl.

00:24:28If we went to that hotel, why does he work there?

00:24:30Against Joseph, then come and call him.

00:24:32You're clueless.

00:24:32Do you think you have more than me?

00:24:34I really have a good time with you.

00:24:38What's up, cousin?

00:24:39What are you doing?

00:24:40What's up?

00:24:42No, look at this shit, old man.

00:24:44You're on vacation.

00:24:46No, I'm happy for you, kid, but it would have been great if you'd been working.

00:24:49Why do I want to know something about the hotel?

00:24:51Let's see...

00:24:52No, let's see if you can give me the details of someone who stayed there over the weekend.

00:24:56Well, Galician, that's how handsome he is.

00:25:02His name is Yago.

00:25:03Yeah.

00:25:03Pediatrician.

00:25:04That one, that one, that one, that one.

00:25:07Yeah.

00:25:08Yes, write it down.

00:25:10Yago Castro.

00:25:12Hey?

00:25:14Ah, well look, this is fine.

00:25:16Come on, come on.

00:25:18Bye bye.

00:25:18Don't burn your bottoms.

00:25:21Have a drink on me, my aunt will pay for it.

00:25:25This is bad.

00:25:27He says that Yago Castro remembered him when I told him about the pediatrician because

00:25:30He was asking around to see if there was a doctor at the hotel because he is unemployed.

00:25:35Which is great because it means she doesn't mind staying in the

00:25:38south and with Carmen it will give him points.

00:25:40Ah, look, between the bass players in Seville and the Galician ones we're going to bring over, we'll...

00:25:43empty to the north.

00:25:46Okay, call him and I'll pretend to be him to see if they give me any information.

00:25:49Okay, fine.

00:25:50And I say, hello, I'm Yago Castro, what's up?

00:25:53Yes, you, your days.

00:25:56I am, I am Yago Castro.

00:25:57Yeah.

00:25:58No, everything was good, everything was good.

00:26:02Look, call me in case you could send me the invoice, because I lost it.

00:26:06Yeah.

00:26:07That is.

00:26:09Yes, that's it.

00:26:11No, could you give me some information?

00:26:14The thing is...

00:26:15And could you tell me what address I gave you?

00:26:17That they can't give me data protection.

00:26:20And at least the province, kid.

00:26:23I have a lot of seafood businesses, mussels everywhere.

00:26:28AND...

00:26:28Which province did I give him?

00:26:30To Cádiz, Cádiz, the one from Cádiz, the one from Cádiz.

00:26:33Molto bene, chao.

00:26:36Oh, Joseph!

00:26:37Yes, well, let's go, let's go.

00:26:39And in the end, I've lost a bit of my Catalan-Italian.

00:26:41Of course it's going to happen.

00:26:42Well...

00:26:43Oh, it's so nice to be here, isn't it?

00:26:45Yes, okay.

00:26:45Okay, fine, let's go.

00:26:46Recapitulation.

00:26:47Yeah.

00:26:47Okay, we know that it's a name, that he's Galician, a pediatrician, that he lives in Cadiz, and that his name is Amparo.

00:26:51Now comes the millennial moment.

00:26:54Oh, I'm going to be Galician for a while.

00:26:57Let's look at social media.

00:26:59Ah, but I've got that under control.

00:27:02Ah, yes.

00:27:03Hmm...

00:27:08No, Ece, eh.

00:27:12Neither does Ece.

00:27:14No, Ece.

00:27:17Neither does Ece.

00:27:23Look, Ece.

00:27:24The face she has, it looks like someone else's feet.

00:27:38Oh.

00:27:39Oh, I'm falling behind, little post.

00:27:41A little bit.

00:27:43So, how are we doing? Have we achieved anything or not?

00:27:45Nothing, nothing, daughter, nothing, nothing. Zero potatoes.

00:27:48I've already searched from 1 to 90, mate, and nothing, and there isn't even a pediatrician.

00:27:53And now I was looking to see if Castro and Griega or whatever.

00:27:57Come on, bring it here, I'll look for a while.

00:27:59You, come on, you who are looking for her.

00:28:01Look, she's already burst, look, she's completely fried, her eyes are like a suspicious Chinese person's.

00:28:06Who's there?

00:28:09Come on, go rest, you're all fine out there.

00:28:11Okay.

00:28:12Hey, thanks for giving me a hand there.

00:28:13Well, you see, I'm delighted.

00:28:16Look, when it comes to matters of the heart, it's just that...

00:28:19Okay, well, I'm off. Kisses.

00:28:22Bye bye.

00:28:23Bye, you little rascal.

00:28:25Bye, you little rascal.

00:28:44Sabino, stop, be quiet with the noise, you're going to make us more nervous than we already are.

00:28:48Especially poor Christopher.

00:28:50Bo.

00:28:51Christopher.

00:28:53Christopher, stay calm.

00:28:55If you've got the whole performing in front of an audience thing under control.

00:28:57And this is the same thing.

00:28:58It's not the same. I'm betting a bi on singing.

00:29:00I'll bet you a two-for-one.

00:29:01Look, I've come up with jokes.

00:29:04Daughter.

00:29:06How are you?

00:29:07Okay. Are you okay? Are you nervous?

00:29:09Mom, yes.

00:29:09You look beautiful.

00:29:11Don't worry, we'll have them for a snack.

00:29:12Oh! Speaking of snacks.

00:29:14Take.

00:29:15I've prepared a chistorra sandwich for you.

00:29:16In case I've gotten halfway into his head.

00:29:18Mom, not here.

00:29:18Not here.

00:29:19Girl. Put that away.

00:29:20Oh, woman.

00:29:22How is?

00:29:23Zenito.

00:29:25Are you OK?

00:29:25Clear.

00:29:28No, I'm not okay, Marich. I'm worried.

00:29:30Christopher is a real lunatic.

00:29:33I think he's incapable of doing something like that, but what if I'm wrong?

00:29:37Okay, don't worry.

00:29:38This is a misunderstanding.

00:29:40I'm sure this was orchestrated by someone clever, cunning, and smooth-talking.

00:29:46And Christopher has none of these things.

00:29:48Oh.

00:29:49I thought I'd never be happy to hear that.

00:29:53We need to go in now.

00:29:59Anyway, I'm going live on the radio. That's also a coincidence.

00:30:03Okay, you go on, son. There's nothing more you can do here, okay?

00:30:07Look, I don't wish you luck, because I know everything will turn out alright.

00:30:12Christopher.

00:30:12Yes, you'll see.

00:30:14I'm with you, brother.

00:30:16Thank you.

00:30:17Thanks, gnocchi.

00:30:26Well, now I see you, huh?

00:30:27Come on, good luck.

00:30:29Oh, daughter!

00:30:33The chistorra sandwich.

00:30:35Oh!

00:30:35Take.

00:30:37Made of chistorra sausage?

00:30:38Yeah.

00:30:41Hey, fix that properly, okay?

00:30:44Come on.

00:30:45Well then, next stop, urology.

00:30:49The urologist will see her right away.

00:31:00But?

00:31:01So you've seen it too, right?

00:31:02Are you sure he's in the urology clinic?

00:31:04You're more lost than I am.

00:31:05No, I swear it was.

00:31:06It was until a mile ago.

00:31:07Unless they're using a new technique, I don't know.

00:31:11Oh, wait.

00:31:11I'm going to ask Wikipedia.

00:31:13What she doesn't know.

00:31:14Listen, this is Celia's question, right?

00:31:15Yes, why?

00:31:16I don't know, because one girl came in and then another one came in.

00:31:19He explains it to me.

00:31:19Oh, no, no, no.

00:31:20Dr. Celia is conducting an interview.

00:31:22to find his future assistant.

00:31:23Ah, well, sir, that...

00:31:25Oh no, it's here.

00:31:26That this is your question, that's all.

00:31:28Good luck with...

00:31:31What should I do next?

00:31:35See you later.

00:31:37Wow, what a mess you've gotten yourself into, haven't you?

00:31:38The garden is yours.

00:31:39Where are you going with the palm trees, mobile?

00:31:40No, this is flower therapy.

00:31:42Hey, how's the Yago investigation going?

00:31:44She regulates it.

00:31:45I can find you a bullfighter with glasses, can't I?

00:31:47Well, I'm not going with this man, am I?

00:31:48So you have no news?

00:31:50Well, his name is Castro, like some other random person

00:31:52who lives in the province of Cádiz, like a whole lot of other people

00:31:55and that he is unemployed.

00:31:56Like a bunch of other people?

00:31:58Can you imagine having to submit resumes here at our clinic?

00:32:01He was a machine!

00:32:03We asked Celia.

00:32:05But how are we going to ask Celia?

00:32:06Is Celia a urologist?

00:32:07This man is a pediatrician, according to you.

00:32:08It has nothing to do with it.

00:32:09Well, at the beginning of things, yes.

00:32:11No, no, I mean that data

00:32:14Only department heads have them.

00:32:16And what about her?

00:32:17Deli.

00:32:17Man, try a different kind of cold cuts.

00:32:19But that's not the point,

00:32:20who will have the key, I mean.

00:32:21And you surely know his password.

00:32:23No, no, no, no.

00:32:24If Celia is the queen of confidentiality,

00:32:26Let's save some information,

00:32:27Instead of saying hello, he says oh.

00:32:29But hey, but that's you, with a little wine,

00:32:31I'm sure he'll get it.

00:32:32The information, I mean.

00:32:34But why did you choose me?

00:32:35Seriously, come on, please.

00:32:37I would never be capable of doing that.

00:32:39I wouldn't do it again.

00:32:41Never.

00:32:42Hey?

00:32:43I don't give a damn about data protection and...

00:32:45I hate doctors.

00:32:46The doctors.

00:32:47The doctors don't have me.

00:32:48It is the kingdom.

00:32:49The doctors who have.

00:32:50The doctors.

00:32:51How are you, Don Ramón?

00:32:52Excellent.

00:32:53Doctors do a great job.

00:32:54Let's see if he looks at me, I have a lot of snot.

00:33:13We proceed to hold the preliminary hearing

00:33:15of ordinary trial number 4116

00:33:18of the current year of the court of first instance.

00:33:20It's great that the toga is there, isn't it?

00:33:22Yes, it looks very new.

00:33:24To the toga, I say.

00:33:25I?

00:33:26The defendant, Mr. Cristóbal Benjumea, is accused

00:33:28of crimes of bribery, influence peddling,

00:33:31prevarication and crimes against the public treasury.

00:33:34No, look...

00:33:35Yes, yes.

00:33:37Look, I haven't done any of that, okay?

00:33:39If he feels like it, he'll accuse me of killing Kennedy.

00:33:41If you're okay with it, okay?

00:33:43Madam lawyer.

00:33:45Yeah.

00:33:45Teach your client how to behave in my room.

00:33:47Yes, Your Honor.

00:33:49Christopher, don't speak until I tell you to.

00:33:51Or that the judge gives you permission.

00:33:57With your permission, Your Honor.

00:33:59I request the dismissal of the case

00:34:01and the immediate release of my client.

00:34:03What is it based on?

00:34:04The reason for the over-monitoring

00:34:06and the annulment of the proceedings is based, Your Honor,

00:34:08in which the entire accusation presented by the prosecution

00:34:10It is based on evidence that has been obtained illegally.

00:34:19I have Iñaki Irazabalbeitia by my side.

00:34:22Irazabalbeitia Galarza.

00:34:25Owner of Calla Taberna, one of the city's newest gastronomic offerings.

00:34:30Thank you.

00:34:31It's an honor to have one's business spoken highly in a medium like this.

00:34:35Yes, but I said new proposal.

00:34:38Not good.

00:34:38That's something their customers will have to say.

00:34:41Sure, sure.

00:34:42The Calla was previously in the hands of Arzac.

00:34:45Tell me, isn't that name a bit much?

00:34:47Having to always live up to the teacher's standards.

00:34:50Are you afraid, for example, of seeing the exception in your customers' faces?

00:34:54Or do you think you could...?

00:34:56No, no, no, no.

00:34:57Look, I'm just a disciple of the master.

00:35:00I learned a lot from him and I can say that he changed my life.

00:35:04With them I learned that gastronomy is a renewing and progressive art

00:35:07positioned at the forefront of globalization.

00:35:11I try to discover new techniques and recipes.

00:35:13That's great, he looks great.

00:35:15It's just that in the end, he'll be better at interviews than at writing a sleeve.

00:35:18I mean the piping bag.

00:35:20Say what you will.

00:35:21I like this announcer's style.

00:35:23You're not going to like it.

00:35:24He's just like you.

00:35:25Will you all be quiet?

00:35:26Let's see if I'm going to say that thing there, no.

00:35:27I can't hear it there.

00:35:28The secret of our kitchen.

00:35:30Unless it's the Iberian secret...

00:35:39Well, now that nobody can hear us, I'll tell you what love is.

00:35:44Love.

00:35:45Well yes.

00:35:45The love we put into every dish.

00:35:48It is essential to cook with love.

00:35:50I know it sounds cliché, but it's true.

00:35:52And speaking of love, I'd like to make a small digression.

00:35:55A friend of mine, a member of the crew...

00:35:56I would like to allow it too, but I can't.

00:35:59Because here it seems like I'm in charge, but the ones who really rule are the hands of the clock.

00:36:03So let's not get sidetracked.

00:36:06There's room for suspicion, it's just a minute.

00:36:08Anchón, no matter how much you turn up the radio, it's not going to hear you, eh.

00:36:10With the volume he speaks, they might hear him, you know.

00:36:13No, technically we are not going off-topic.

00:36:16Because silence is my life, as are my friends, my crew.

00:36:19And one of them, Anchón, specifically, has a problem with a...

00:36:22At half past eleven, half past ten in the Canary Islands.

00:36:28There are grounds for suspicion.

00:36:30Okay, I'd like to get back to the topic at hand.

00:36:32Yes, let's get back to the topic of food.

00:36:34Because this morning we all had breakfast with the news that his brother has been charged with corruption.

00:36:39Do you think that could damage the image of the calla?

00:36:44There are grounds for suspicion.

00:36:48Hey...

00:36:50First of all, he's not my brother, he's my stepbrother.

00:36:53AND...

00:36:53Second, now you're the one going off-topic, because that's irrelevant.

00:36:57Oh, no?

00:36:58Then you'll have no problem explaining to me where I get the money to buy your tavern.

00:37:03Excuse me, what are you implying?

00:37:04No, no, I'm not implying anything, I'm just asking.

00:37:06Ah, ah, well, you know what I tell him?

00:37:08Given what they've brought me here for, it's best if I leave.

00:37:11No, I won't go that way. Sorry.

00:37:13Let dignity be the guiding principle here, above all.

00:37:16Um, I've gotten tangled up with the headphone cables.

00:37:19Can someone please help me?

00:37:29But why are you going with Tito?

00:37:31Gosh, Manu, we said we should see her together.

00:37:34Okay, fine, but that's because I have to work.

00:37:36Well, look, I don't care, do whatever you want, that's it.

00:37:39Okay, goodbye.

00:37:41Irene, listen to me, you already know how we're going to find that Yago.

00:37:44Oh, José, I don't know if that's a good idea anymore, you know?

00:37:47Well, where has that romantic Irene gone, the one who is capable of doing anything for love?

00:37:52No, that's better for movies, because, well, they paint everything in color there.

00:37:55Everything looks great and wonderful, but in real life it's not always like that.

00:37:59And you know what? I prefer to be alone if I'm going to be unwell.

00:38:01Do you want to tell me something?

00:38:03No.

00:38:03Well, yes, because of Manu.

00:38:05Oh, what a surprise.

00:38:06We had an argument.

00:38:07Ah, yes, yes.

00:38:08I mean, oh, yes.

00:38:09Oh, man, no...

00:38:11You guys relaxed, don't take rash actions or decisions after a fight or something, because that will later...

00:38:17In the end, one regrets it and there's no going back.

00:38:19Hey, has that ever happened to you?

00:38:22It happened to me, yes, it happened to me once, I remember, I'm not going to... Are you going to help me or

00:38:28Do I need to find another guazo?

00:38:30No, come on, I'll help you, because Guazo never abandoned Sherlock, tell me.

00:38:33We need to get Celia to give us her password.

00:38:36Your password?

00:38:37Yeah.

00:38:37But what for?

00:38:38And how?

00:38:42I have a foolproof plan.

00:38:52What's wrong, Celia?

00:38:53What are you doing here?

00:38:54Because I work here.

00:38:57And how's the assistant situation going? Weren't you looking for assistants?

00:38:59Well, pretty good, I think I've more or less made up my mind.

00:39:02Yes, yes, yes.

00:39:02Ah, that's great.

00:39:04Wow, really, huh?

00:39:05That's too bad, that's too bad.

00:39:06What happened to you?

00:39:07Well, I entered the wrong password and they blocked my account.

00:39:09Oh, you shouldn't look at the passwords, you should look at the passwords...

00:39:12There's a password for everyone.

00:39:13The other day I went to flush the toilet and it asked me for a password.

00:39:17And why not apply the same one to everyone?

00:39:20Hey, what a great idea.

00:39:21Don't be so sure, because if you forget that one, what is it? Do you forget them all?

00:39:24Let's see, José, how can you forget it if it's the same for everything and you use it all the time

00:39:28for a while?

00:39:28Ah, well then, tell me yours, come on, yes, without thinking, come on, tell me.

00:39:31If I tell you my password, it stops being a password, you know?

00:39:34Let's see if she's forgotten, we've caught her.

00:39:37It has been forgotten, it has been forgotten.

00:39:39It has been forgotten, yes.

00:39:40But how could I forget?

00:39:41Can I tell her?

00:39:42What do I know?

00:39:43Take note.

00:39:44Well.

00:39:45You two idiots have gotten together 1458,0005.

00:39:51But all lowercase?

00:39:55Come on, I have a lot of work to do.

00:39:58And please, do not reproduce.

00:40:06Dolores was right, actually.

00:40:08She is the queen of confidentiality.

00:40:10The aunt isn't giving anything away.

00:40:12Well, that and the fact that the plan wasn't very sharp, huh?

00:40:16Nothing.

00:40:17No.

00:40:18No, nothing like that.

00:40:20Come, come.

00:40:21I'll buy you a drink.

00:40:22Yeah?

00:40:28Apachesin, what's up?

00:40:29Hey, you heard, right?

00:40:30Have you heard the insult they've hurled at me?

00:40:31Yes, and that's why I'm never going to watch that program again.

00:40:34Come on.

00:40:35Well, I'm going to switch to podcasts from now on.

00:40:37Well, let me tell you something.

00:40:37I'm never going near a journalist again in my life.

00:40:40I swear.

00:40:40Can you show me here?

00:40:41Yeah.

00:40:42Confirm or deny the accusations against Cristóbal Benjumea.

00:40:45As?

00:40:45Now that we know his brother is corrupt, he's considering closing the kayak.

00:40:49Look.

00:40:49Do you know where you can get really good information?

00:40:54Out on the fucking street!

00:40:56Pospa!

00:40:56Out.

00:40:57Well, huh?

00:40:58Please.

00:41:00Oh my God, this is incredible.

00:41:02Journalists in a kayak.

00:41:03As if Christopher were from the Royal Family.

00:41:05Well, you know how the media is.

00:41:08If they don't have a powerful headline like that, they look for controversy where there is none.

00:41:11No, but there's controversy here.

00:41:12Here, anywhere, Iñeki.

00:41:13Look in the summer.

00:41:14That?

00:41:15The news.

00:41:16They have nothing and they spend 20 minutes saying it.

00:41:18It's hot.

00:41:19No, I knew it, I knew I shouldn't go on that show, you know?

00:41:23And, Anchón, I'm sorry I haven't been able to send your message.

00:41:25Okay.

00:41:25Unless I send her a bouquet of flowers...

00:41:27Eye!

00:41:28It's not bad, is it?

00:41:29Some hydrangeas...

00:41:30No!

00:41:30A sure win!

00:41:33Oh, my mother.

00:41:34What happens now?

00:41:35No, she's my mistress.

00:41:36You'll want to tell me something about the trial, right?

00:41:39Love, do you believe?

00:41:40Is there any news?

00:41:41Not yet.

00:41:42I went out to the bathroom for a moment.

00:41:44And a guard escorted me to the restroom.

00:41:46Can you believe it?

00:41:47Okay, fine, but what impression do you get?

00:41:49Very good.

00:41:50Very low.

00:41:52Did he hold my things while I was inside?

00:41:54I say the judgment.

00:41:56Oh, forgive me, aunt, I'm just out of it.

00:41:59Okay, fine.

00:42:00Things seem to be going well, for now.

00:42:02And hopefully it will continue like this.

00:42:04And how did your interview go?

00:42:06Hey...

00:42:07My interview...

00:42:09Okay, okay, no problem.

00:42:11What a shame I couldn't hear you.

00:42:13You haven't missed anything, believe me.

00:42:15Oh, you're always so humble, Aita.

00:42:18Let's see if they put you on TV next time.

00:42:20To see how handsome you look.

00:42:21To the.

00:42:22Well, my dear.

00:42:23I have to go back to the living room.

00:42:25Oh, now, Mom.

00:42:31The defense's allegations are completely unfounded, Your Honor.

00:42:35As stated in this documentation,

00:42:37All the procedures were carried out with the corresponding judicial authorization.

00:42:41Your Honor, the defense has not had access to that documentation.

00:42:44I request the dismissal of the case.

00:42:46Your Honor, please acknowledge receipt of having delivered to the defense a copy of all the documentation in the case.

00:42:52That.

00:42:53Is that good or bad?

00:42:54Tell him to be quiet.

00:43:01Lawyer.

00:43:02Yes, yes, yes.

00:43:03I urge you to be more professional and more diligent in the future.

00:43:07Yes, Your Honor.

00:43:13We move on to plan B.

00:43:15Ah, to plan B.

00:43:16Okay, okay.

00:43:19Okay, plan B.

00:43:25It lifts me up.

00:43:26Passed.

00:43:26I'll come by for you.

00:43:27Leave.

00:43:28To Venezuela.

00:43:29To Venezuela.

00:43:30With the communists, as I will be.

00:43:31Let them be silent!

00:43:37Yes, your mother is much better.

00:43:38He's messed with me three times.

00:43:40That's a good sign.

00:43:41You're a helmet, you bald guy.

00:43:42You've never been well-liked, look.

00:43:44Oh, no.

00:43:45Well.

00:43:45Look, Ancho.

00:43:47Dad.

00:43:48How's Mom?

00:43:49Well, it's there.

00:43:50Hey, I'm sorry, okay.

00:43:51But at the last minute, a table of ten Japanese people arrived.

00:43:53Yes indeed.

00:43:54On my way here I ordered a bouquet of flowers for Inoa, complete with a card.

00:43:58Ah, look.

00:43:59Excellent.

00:43:59And that you've put it on.

00:44:00I hope you put a little more effort into this than you did with the radio message.

00:44:03Even Corinth doesn't surpass me anymore.

00:44:05I don't know where I want to go in life.

00:44:07All I know is that I want to go with you, Arancha.

00:44:12Arancha?

00:44:13Arancha, said?

00:44:14No, I put Inoa.

00:44:15Sure?

00:44:16No, no, no.

00:44:17I don't know.

00:44:18You're making me doubt myself.

00:44:19Now it's our turn.

00:44:21What are you doing?

00:44:22Call a taxi.

00:44:23Let's see if I can get there before the bouquet and stop it.

00:44:25Wait, hold on, hold on.

00:44:26What if they've already delivered it?

00:44:27Call the florist.

00:44:28I don't have the phone.

00:44:29Well, but the name is the flower shop.

00:44:30This is how we look on the internet.

00:44:31That's it, that's it.

00:44:32Hey, flower.

00:44:33A little bit of flower.

00:44:34Of course, flower.

00:44:35A little bit of flower.

00:44:36It will have to be a flower shop.

00:44:37But that doesn't help, Sancho.

00:44:38It doesn't help.

00:44:38Look, I'm not good with names.

00:44:39You've just seen it.

00:44:41Let's call a taxi.

00:44:42Otherwise, absolutely.

00:44:42That is, it arrives between the traffic lights.

00:44:43We just couldn't make it.

00:44:44No, it's impossible.

00:44:45Impossible.

00:44:48Bello, you're ruining my marriage.

00:44:49Come on.

00:44:50Yes, yes.

00:44:50Well, I don't know who's passing it on.

00:44:51If you want to go to the right,

00:44:53You have to go to the right.

00:44:54Otherwise, to the right.

00:44:55You back down.

00:44:56Come on.

00:44:56Let's get down to business.

00:44:59They fit, you know.

00:44:59He gave her the bouquet.

00:45:00And since the card was faulty,

00:45:01He returned it.

00:45:02Well.

00:45:03Hey, boss.

00:45:05That bouquet is for my wife.

00:45:07Yes, but I wasn't home.

00:45:09Thank goodness.

00:45:09No.

00:45:10Don't you want me to give it to you?

00:45:11No.

00:45:11I mean, yes.

00:45:12But let me read a little bit about what the card is.

00:45:15Can someone tell me what the hell you're doing here, Ancho?

00:45:17Oh no.

00:45:18Dear.

00:45:19This bouquet is for you.

00:45:20No.

00:45:20Yes, yes, yes.

00:45:21No, no, no.

00:45:21There has been a mistake.

00:45:22It's for my mother.

00:45:24But he told me it was for his wife.

00:45:25Yeah.

00:45:26Yeah.

00:45:27But for another woman.

00:45:29Oh no.

00:45:30Listen to me, my love.

00:45:56Is it well written?

00:45:58Yeah.

00:45:58Yes that's fine.

00:45:59Yeah.

00:46:00Please.

00:46:05Yeah?

00:46:09What are you doing?

00:46:10Rayolaste.

00:46:11How is her wrist prepared to sign?

00:46:14By?

00:46:14Take.

00:46:16My mother, my life.

00:46:18All of this?

00:46:19All of this.

00:46:19Well, you know what, Dolores?

00:46:21I have to tell you that I've missed you a little bit.

00:46:25Being a nurse.

00:46:26Oh, really?

00:46:27Yeah.

00:46:28I don't know.

00:46:30A more human touch.

00:46:31He's not with the people.

00:46:32Help her.

00:46:33Another thing.

00:46:34It's just so much bureaucracy.

00:46:35Clear.

00:46:36Man, of course.

00:46:36And above all, wiping patients' butts, right?

00:46:39Let them make a fuss about you.

00:46:40But what you miss most is not being able to make ends meet.

00:46:43That?

00:46:44That?

00:46:47Hey, I have a question.

00:46:48Are you talking about everything?

00:46:49Yeah.

00:46:50What was that sore like?

00:46:51Was he handsome?

00:46:53Dolores, Dolores.

00:46:54Already.

00:46:54Well.

00:46:55Just one question.

00:46:58Yeah.

00:47:00Guapotela.

00:47:00I knew it.

00:47:02I knew it.

00:47:04But then, why haven't you gone out to dinner with him?

00:47:08José isn't going to send you anywhere, is he?

00:47:09What is José going to order me to do?

00:47:11No, I...

00:47:11I have absolutely not spoken to him about these things or about...

00:47:15No, no, no.

00:47:16No.

00:47:17Well, I don't know, Dolores.

00:47:18I really messed up.

00:47:19But look.

00:47:20There's no going back now.

00:47:21What's done is done.

00:47:22Well.

00:47:23Yes, there is a way back.

00:47:24You never know.

00:47:25There's always a way back to get ahead.

00:47:27This boy is Tamparo.

00:47:30And this young man is a pediatrician.

00:47:32Well, this young man might want to submit his resume to our clinic.

00:47:34And how do you know that this boy is Tamparo?

00:47:39I don't know.

00:47:40Because maybe I'm still hearing voices and I've spun the yarn.

00:47:45Fine.

00:47:46The way you usually string it together.

00:47:48Go on.

00:47:49Tell me that since I've been here with you all morning, I'm not going out, okay?

00:47:52Okay.

00:47:52No, no, no. Just keep going, keep going...

00:47:54But what is the cost?

00:47:55That?

00:47:56I came here on my own motorbike.

00:47:57Yeah.

00:47:58Okay.

00:47:58And well, and to bring you this, huh?

00:48:01Yeah.

00:48:02And also because I'm your friend and you deserve a second chance.

00:48:06Okay.

00:48:08Hey.

00:48:08That?

00:48:09That's it!

00:48:10Okay, fine.

00:48:12Bye.

00:48:12Bye bye.

00:48:28Bye.

00:48:30Bye.

00:48:34Bye.

00:48:35Bye.

00:48:37Bye.

00:48:39Bye.

00:48:40Bye.

00:48:41Bye.

00:48:42Bye.

00:48:43Bye.

00:48:44Bye.

00:48:45Bye.

00:48:46Bye.

00:48:48Bye.

00:48:58I would be sleeping on this bench right now.

00:49:01Already.

00:49:02Well, since you brought it up,

00:49:04I have to tell you, Ancho.

00:49:06Okay, the mesh is commenting

00:49:08Well, that's it.

00:49:10that you snore a lot and that at home, well...

00:49:13Do I snore?

00:49:15If she's the one snoring,

00:49:16It does look like a Harley Davidson.

00:49:18Okay, let's see.

00:49:18And what about this apartment you inherited?

00:49:20Can't you go live there?

00:49:21Do you have it rented?

00:49:22No, not yet.

00:49:23But Hinoa has the keys.

00:49:26Oh, God.

00:49:28We can't do anything.

00:49:30Look, he doesn't even want to see you.

00:49:32but with the two of us

00:49:33He doesn't have any problems, does he?

00:49:34TRUE?

00:49:36Well, he says you're all lazy.

00:49:38that you do nothing but foolish things

00:49:40and that you have ruined my life.

00:49:42No, otherwise, no problem, Pello.

00:49:44Okay, but let's see,

00:49:45What am I thinking?

00:49:46We couldn't make any plans.

00:49:48I mean,

00:49:49Coldo and I arranged to meet with her.

00:49:50because of the key issue.

00:49:51Then you appear, out of the blue.

00:49:52And then you tell her everything you have to say.

00:49:54It sounds like a dirty setup.

00:49:56And if it goes wrong, well, I don't even need to tell you.

00:49:57Let's see, Anchón, believe me.

00:49:59Life can't get any worse.

00:50:02That's also true.

00:50:04Well, we tried.

00:50:06Now, if you don't mind, I'm going to take a shower.

00:50:07because I have pollen even in my belly button.

00:50:10I have some bee bread to give out.

00:50:12Look.

00:50:16Poor.

00:50:18Oh, if I only knew it was because of you,

00:50:21It would kill me.

00:50:22That's why he doesn't need to know anything.

00:50:24This is a secret.

00:50:25Yeah.

00:50:26It's our secret.

00:50:27It's easy to say.

00:50:27Just like you'd like.

00:50:29Whim?

00:50:30What am I craving?

00:50:31The one you have there, in the egg.

00:50:33How do I get there?

00:50:34I've never told you this.

00:50:36He didn't even tell me here.

00:50:38That?

00:50:41No, well...

00:50:41Okay, don't change the subject now.

00:50:43Yes, that's what we're here for.

00:50:44Okay.

00:50:44Alright.

00:50:45Fiance.

00:50:45Secret.

00:50:46I'm not saying anything.

00:50:46Do you think that if we can't get him to go with Ainhoa,

00:50:49Won't she find out from her?

00:50:50That's also true.

00:50:51Ah.

00:50:52What if we abort the plan?

00:50:54Uncle?

00:50:55No, no, okay.

00:50:55No, no, we do it.

00:50:56We do it.

00:51:00The left egg.

00:51:14Uh, yeah?

00:51:16Carmen, tell me.

00:51:18I can't take it anymore, you know?

00:51:19Look, come in.

00:51:19I know it's not nice to speak badly of colleagues.

00:51:22I will try to be as diplomatic as possible.

00:51:25I don't want to give names.

00:51:26But Isma is lazy.

00:51:28slow-witted woman with a mask on her back,

00:51:30that doesn't stick to water.

00:51:31She's just lazy.

00:51:32And I've had enough.

00:51:33Hey?

00:51:34He has to do her job to cover for her.

00:51:35I can't take it anymore, Carmen.

00:51:36Hey, was being diplomatic about being refined or not?

00:51:39Oh no, it's just that I had doubted it for a moment.

00:51:41Well, I had come to support her and give her my support.

00:51:43Very well, I strongly support both of them.

00:51:45Thank you for telling me.

00:51:47I'm talking to Isma.

00:51:48Am I going to give you a pep talk?

00:51:49Without mentioning any names.

00:51:51Hey, I was just thinking,

00:51:53Why don't we take a picture of the three of us?

00:51:55Now?

00:51:55Of course, we haven't taken a picture.

00:51:57Since you became the director of the clinic, right?

00:52:00And then we make one.

00:52:01Here we are in a moment like this, as friends, as a team, right?

00:52:03But there's a lack of pain, huh?

00:52:05But that's okay,

00:52:06Because I can add it using Photoshop.

00:52:07I'll put her with Celia, with the dog, come on.

00:52:09She's a bit too beautiful, isn't she?

00:52:11Come on, let's see.

00:52:13Oh!

00:52:14Oh, wonderful!

00:52:15She looks absolutely gorgeous.

00:52:17Well, what is he or isn't he?

00:52:18What do you say?

00:52:19I don't know, I don't know, little girl.

00:52:21It's just that, it's just that, of course,

00:52:22When you open it so much it gets cracked.

00:52:24The man with the same pigmentation wasn't at the hotel.

00:52:26What am I telling you?

00:52:26But, kid, what for?

00:52:28I, I, I, I think so, huh?

00:52:30Yes, yes, yes, yes, yes.

00:52:31Yeah?

00:52:31Sure?

00:52:31Yes, sure, sure.

00:52:32Oh, well look, here's the phone.

00:52:34Don't tell me.

00:52:35Well, we did it.

00:52:36Yes, yes, yes.

00:52:37Take a kiss.

00:52:38A kiss, eh, mua.

00:52:39And another one for you, muah.

00:52:41Oh, well, if it weren't for you, it would have been for you.

00:52:45We didn't manage it, huh?

00:52:46Well, I already told you that for fashion to succeed

00:52:47I was going to do anything.

00:52:50Already.

00:52:55Irene, I...

00:52:56So, that...

00:53:00Wait, wait, wait.

00:53:01Hello.

00:53:01What are you doing?

00:53:02Yes ok.

00:53:04No, no, no, no.

00:53:04Yes ok.

00:53:05Yes, well, it's here.

00:53:07I was showing him the photo we hadn't taken.

00:53:09a while ago with Carmen.

00:53:10Yeah.

00:53:11We look gorgeous, don't we?

00:53:12TRUE?

00:53:13Yes, you look beautiful, yes.

00:53:15Wait.

00:53:20Look at them, look at them, there they are.

00:53:22This step will not be allowed here, not even by the health inspector.

00:53:26Okay, Iñaki, I've been thinking

00:53:28And I've realized that we can't stay.

00:53:30with arms crossed.

00:53:31What we need to do is counterattack.

00:53:34Clear.

00:53:35Yeah.

00:53:37But I don't understand you, what...?

00:53:38Oh, Iñaki, well, what you have to do

00:53:40It's about going back to that program

00:53:41and make that announcer apologize to you.

00:53:43That?

00:53:44No way.

00:53:46Okay.

00:53:46That?

00:53:47Listen, listen.

00:53:48Because I've been looking for information.

00:53:50about that announcer

00:53:51And look what I've found.

00:53:55Hey?

00:53:57Yeah.

00:53:57Look, you pig, but this isn't playing dirty.

00:53:59Gosh, Iñaki, please.

00:54:01That?

00:54:01Jeez, I mean, let's see,

00:54:02You don't want to behead the lamb on the menu.

00:54:05You don't want to face that radio host,

00:54:07that can't be that good, good, good.

00:54:09And what do you want me to do?

00:54:10Well, wake up, for example.

00:54:13Iñaki, do you have any more herbs?

00:54:14Goodness gracious, a cloth might be better for you.

00:54:16It's Ainhoa who's about to arrive.

00:54:18Have you managed to meet up with her?

00:54:19Uh, no, well, with that.

00:54:21How, with what?

00:54:22Okay, let me explain.

00:54:23In other words, Ainhoa doesn't know that Anchón is here.

00:54:25But when it arrives, it will already be too late.

00:54:26And then we'll convince him to talk to Anchón.

00:54:28Let's see, maybe it's just me.

00:54:30But this is not a dirty trap.

00:54:32It's going to happen.

00:54:33Damn, you're all feeling really bad today, huh?

00:54:35Well, I'm off, it's about to drop.

00:54:36Stop, stop, stop.

00:54:37Anchón, before I go on I have to tell you something.

00:54:40No, no, no, it's time, it's time, it's time.

00:54:42Okay, hurry up, it's about to fall.

00:54:47Anchón, you need to know that...

00:54:50Coming!

00:54:51He's coming!

00:54:52I'm so hungry!

00:54:53Oh my gosh, here he comes!

00:54:54Good afternoon, we are from the Eguía newspaper.

00:54:56Do you know the owner of the bar?

00:54:58Yes, he's a friend of my husband.

00:55:00Are you aware of his connection to the corruption case?

00:55:02The money for the purchase of the bar came from the same place as Cristóbal Benjumea's money.

00:55:07But what are you telling me?

00:55:08I've only come to hand over the keys to a house.

00:55:10The keys to a house are new.

00:55:11How was that house financed?

00:55:13It is paid for with commissions.

00:55:14Cool!

00:55:14He's leaving!

00:55:15What do you mean he's leaving?

00:55:16Oh, God!

00:55:17Oh, God!

00:55:18Pear!

00:55:19You're the husband!

00:55:20Could you tell us more about that apartment?

00:55:21What is the goal of real estate speculation?

00:55:24The end!

00:55:25Wait a minute!

00:55:26You three!

00:55:27Out!

00:55:28Out!

00:55:29The right of admission is reserved.

00:55:30I'll tell you nicely, or I'll start handing out beatings with windmill blades.

00:55:33There it goes!

00:55:34No!

00:55:34Ah!

00:55:35Come on, now!

00:55:36Good, Iñaki, good.

00:55:38Iñaki, I'm going to be on that show.

00:55:41You do whatever you want.

00:55:47In view of everything stated here, how do you declare your client?

00:55:52I declare my client innocent.

00:55:56The prosecution is requesting that the accused be held in pretrial detention without bail.

00:56:01No, Your Honor, there is no precedent for that.

00:56:03And my client wants to cooperate with the justice system.

00:56:06And he does not object to his lordship setting a bail, however high it may be.

00:56:10Yes, Your Honor, whichever one.

00:56:11If it's about money, there's no problem, right?

00:56:12This is it, shut up.

00:56:13Well, I'll keep quiet, but the thing about Venezuela is easy to say, isn't it?

00:56:17Venezuela?

00:56:19Following this new information, I rule in favor of the prosecutor.

00:56:23And I decree provisional imprisonment for Cristóbal, Becumé and de Sicilia.

00:56:27No, no, let's see, I'm innocent, okay?

00:56:29Innocent, Your Honor, let's see.

00:56:30Bring the accused out of the courtroom.

00:56:32No, no, it's all her fault, she's a real pain.

00:56:34This one, this one right here.

00:56:35No, come on, well, without touching, okay?

00:56:37Well, it's, it's, it's, it's, I left on my own, okay?

00:56:39I left on my own.

00:56:40I'm lucky, I'm lucky, man.

00:56:43Well, if it's our fault, it's for trusting her and not calling our lawyer.

00:56:47A real one.

00:56:48Look, if Cristóbal is guilty, my daughter can't do anything else, Marichu.

00:56:52But if he goes any further, they'll take him to the firing squad.

00:56:55Look, Marichu, it was the judge who condemned her, not my daughter, see if you...

00:56:58whole.

00:56:58Yes, because your daughter doesn't know how to do her job.

00:57:00What do you mean he doesn't know how to do his job?

00:57:01Let's see, let's see, let's see, let's see, Begoña, Begoña, please.

00:57:03Let's calm down a little.

00:57:05But are you listening?

00:57:05Please.

00:57:07You're sisters!

00:57:08Not anymore!

00:57:10Those two ladies, please leave the room.

00:57:12I'm leaving, but because I want to.

00:57:16Well, this is coming, but it's in the beginning, it looked very good.

00:57:20I'm pushing myself, it's not going to be called.

00:57:21And the pardon from the court?

00:57:22Please, Marichu.

00:57:24Your Honor, sir.

00:57:26Just a moment, please.

00:57:32Forward.

00:57:38My daughter is innocent.

00:57:41Bye bye!

00:57:47Come on!

00:57:47Don't run!

00:57:52We're making fools of ourselves!

00:57:56No!

00:57:57No!

00:57:58No!

00:57:59No!

00:58:00No!

00:58:01No!

00:58:03No!

00:58:11No!

00:58:12Oh no, finally.

00:58:16Look, Anchón, huh? You have two minutes to tell me whatever.

00:58:2345 seconds, Anchón.

00:58:25Look at yourself, if you don't have my rib cage.

00:58:28Anchón, please, Anchón, don't die, okay?

00:58:30Anchón, don't die now, okay?

00:58:33Anchón!

00:58:34Nothing, you're not coming back, yes.

00:58:37Wake up!

00:58:40Damn, Ainhoa, I don't think that's the way to do things.

00:58:43Oh, yes, look.

00:58:45What's happening?

00:58:46Nothing, nothing, nothing, darling.

00:58:48When you fainted, you hit your face.

00:58:50But you're alright, aren't you, Anchón?

00:58:51Ainhoa, is that you, Ainhoa, or have I died today and am I in heaven?

00:58:54It's me, Anchón.

00:58:56I need to explain a few things to you.

00:58:57We're leaving.

00:58:58Better.

00:58:59We'll leave you there alone in your privacy.

00:59:00Okay.

00:59:03I miss you at least, Ainhoa.

00:59:04I spend my nights awake and my days in the tavern thinking about you.

00:59:08Ah, yes, yes, yes.

00:59:08Who wrote your speech?

00:59:10Sabina?

00:59:10Pablo Alborán?

00:59:11No, Anchón, no.

00:59:13I know that after what you've done to me, it's going to be very difficult for me to forgive you.

00:59:17I need to think.

00:59:18Think about it, but nothing has happened.

00:59:19If it was a drink...

00:59:20You lied to me!

00:59:23You, you, you, you, you think I'm stupid, huh?

00:59:26I know, I know, Anchón, that you...

00:59:30Oh, is this when you tell him it was me?

00:59:33No, it was just an innocent drink with a colleague.

00:59:36Look, Arantxa is nice, yes, but she's not even in your league, okay?

00:59:40Ainhoa.

00:59:41Okay, Ainhoa.

00:59:43Now, now, now, what did he do now?

00:59:45Shut up, man, no, no, it's started.

00:59:47Now this has been launched...

00:59:48He won't shut up, now, come on, let's see.

00:59:49I love you very much.

00:59:51You are a wonderful woman.

00:59:54In other words, marriages go through these ups and downs.

00:59:58But I know you're the woman of my life, ever since what happened in Seville.

01:00:03Seville?

01:00:04What's happening in Seville?

01:00:08No, he has a special color and...

01:00:13What happened in Seville?

01:00:17A slip-up.

01:00:19Mine...

01:00:20You shut up, Coldo.

01:00:22Thank you.

01:00:24Anchón, tell me the truth.

01:00:28A one-night stand?

01:00:34Eloa!

01:00:35Wait!

01:00:36Wait!

01:00:37At least leave me the keys to the apartment until I rent it!

01:00:39Come on, let her go, Anchón.

01:00:41We know it's tough, but you're in the best possible place to bounce back.

01:00:45One, shots!

01:00:46Go.

01:00:47Oh no!

01:00:48Iñaki!

01:00:48Iñaki's on the radio, man!

01:00:51Wait, the interview!

01:00:52Wow!

01:00:54Holy shit, I've been hit!

01:00:55We have chef Iñaki Irazabalbeitia back with us.

01:00:59Irazabalbeitia Galarza.

01:01:00And this time he has come accompanied by his cook, Gochone Avaroa.

01:01:06Chef, if you don't mind.

01:01:08From its chef, Gochone Avaroa.

01:01:10We are very happy to have you back here and give you the opportunity to not miss Calla

01:01:16leave us with that bad taste in our mouths that this morning left us with.

01:01:18It's impossible for Calla to leave a bad taste in your mouth.

01:01:22Look, in fact, I encourage all listeners to come and visit it.

01:01:25The only problem here is that in the previous program you left the kitchens

01:01:30to start talking about things that were irrelevant.

01:01:32I disagree with that, because in this program we interview the professional, but

01:01:37also to the person.

01:01:39Iñaki is a brother.

01:01:41Stepbrother.

01:01:42He is Cristóbal Benjumea's half-brother and we were simply concerned about how he was doing.

01:01:49and what he knew about it.

01:01:50Well, look, I'm very calm, because I know that sooner or later my innocence will be proven.

01:01:55from my brother.

01:01:56Furthermore, I must add that we knew nothing until the moment of the arrest.

01:02:00But, come on, being family, didn't they suspect anything?

01:02:04Well, no, nothing.

01:02:05It was all very sudden.

01:02:06I'm sorry, but I find it hard to believe, come on.

01:02:09I also find it hard to believe certain things I've read here and there.

01:02:12About you, for example.

01:02:14Yes, but you know that successful journalists like me get accused of a lot of things.

01:02:19to give people something to talk about.

01:02:20Yes of course.

01:02:22An exploitative person like you can give us plenty to talk about.

01:02:25Excuse me, but I am not an exploiter and I would appreciate it if you would retract that statement.

01:02:29without foundation.

01:02:29Oh, without any basis whatsoever, he says.

01:02:32Please note that we know for a fact that your brother has been hiring

01:02:37to interns and leave them without pay.

01:02:40Yes, unfortunately my brother was scammed with those contracts, but what

01:02:43Does that have anything to do with me being exploitative?

01:02:46And what does it matter that Christopher is corrupt?

01:02:48I'm not saying it's true just because you're making those accusations about me.

01:02:53Well, we certainly didn't want to give that impression.

01:02:58Well, that's how people understood it.

01:02:59And if you don't believe me, ask the journalists who are flooding the callamol while I and my friends are there.

01:03:03customers.

01:03:04Well, if that's the case, let it be clear that I never intended to accuse him of anything.

01:03:10Far better.

01:03:11Thank you so much.

01:03:13Well, is there anything else I'd like to add?

01:03:15Yeah?

01:03:15Yes, I want to.

01:03:16We look forward to seeing all our listeners at our Calla Taberna, open from 9 am to

01:03:2212 midnight, uninterrupted, there next to the aquarium.

01:03:25Well, thanks to Iñaki, someone has finally put that viper in his place.

01:03:30Well, to be fair, Gozone has also lent a hand, you know?

01:03:33I think she's not the only person who's been put in her place today.

01:03:39Yes, I know, he's your favorite pilot, but he's also my favorite band.

01:03:42favorite.

01:03:45Look, you know what I'm saying?

01:03:46That's it, you don't need to come.

01:03:48Enjoy the race, have a great time, and hopefully the driver

01:03:51Let that one be last.

01:03:53Forgive me, José, I was just getting distracted by...

01:03:56It's okay, man.

01:03:59Hey, why am I not seeing Carmen or Yago?

01:04:02Don't tell me I'm late, that I've missed everything, and that they're already eating.

01:04:04partridges.

01:04:05No, no, I've lost, it seems, I'm still here looking to see if it arrives, it's going to fall out of my hand.

01:04:08The neck, no way, girl.

01:04:10But it hasn't arrived yet.

01:04:11He hasn't backed down, has he?

01:04:12Galicians aren't very good at making decisions, are they?

01:04:17José, would you like to...

01:04:19Oh, look, look over there!

01:04:21Hey!

01:04:21What's happening?

01:04:24I know you, damn it.

01:04:26Yes, you sound familiar to me too.

01:04:28I saw you in Malaga.

01:04:29Malaga?

01:04:29At the hotel?

01:04:30You are Carmen's friend.

01:04:32Yes, well I, well I.

01:04:33And you're Paco, right?

01:04:34Yago.

01:04:35Oh, Yago, Yago!

01:04:36And you, José, you put it there, damn it.

01:04:40It's a small world, isn't it?

01:04:42Where did you come from?

01:04:42Did you come from another place?

01:04:43Well, do the interview, they're coming, they...

01:04:46No, well, we have a lot of staff turnover here and...

01:04:51Do you work here too?

01:04:52Yeah.

01:04:52But?

01:04:53Yes, yes.

01:04:54You're not going to be a butcher, girl.

01:04:57We're on the same team, look.

01:04:59She's a really great nurse, come on guys.

01:05:01Among the best in Europe.

01:05:03Oh!

01:05:05This is your girlfriend, isn't she?

01:05:06Hey?

01:05:08She's your girlfriend.

01:05:09No, no, my girlfriend, no.

01:05:11Hopefully.

01:05:12Sorry.

01:05:12No, I wish, I wish, I wish.

01:05:14Well, hopefully, it means I'll pass, come on, I won't pass, but that...

01:05:18Can you imagine?

01:05:19I mean, here all day long, along with the...

01:05:21Look there, I came and Carmen.

01:05:24What I do?

01:05:26What are you doing here?

01:05:29I'm here for an interview for a position in pediatrics.

01:05:33If I haven't had time to tell you before, it's because you came to ask for a job right when

01:05:36the clinic where she is the director.

01:05:39Isn't fate something else?

01:05:43So, what is destiny like?

01:05:46Destiny, I gave it to you.

01:05:49Okay, let's go to my office and we'll be more relaxed there.

01:05:53Oh, right, you'll do it for me.

01:05:54The fact that?

01:05:56The interview.

01:05:57Ah, of course.

01:06:00Come on?

01:06:00We do it there, yes.

01:06:02The fact that?

01:06:04The interview.

01:06:05Ah, of course.

01:06:06Please leave this at reception.

01:06:08Yes of course.

01:06:09Come on.

01:06:10Okay, Jaco, come on, strong, okay?

01:06:11Have a good one.

01:06:13It's awesome!

01:06:17They make a good couple, don't they?

01:06:18Well, the truth is, yes.

01:06:20They're a perfect match, aren't they?

01:06:21Yeah.

01:06:23Is something wrong?

01:06:24Hey?

01:06:24No, no, I got emotional.

01:06:26No, wow, with everything we've done, it's beautiful, isn't it?

01:06:28Yeah.

01:06:29I'm going to leave this in...

01:06:31Hey, didn't you tell me before Jaco arrived?

01:06:34Would you mind?

01:06:37Yes, he...

01:06:38Yes, he...

01:06:39That it was nothing.

01:06:40It was a joke.

01:06:41No, no, no.

01:06:48Well, that's the father, right?

01:06:50Or is he your husband?

01:06:51My ex.

01:06:52Oh, are you separated?

01:06:54Yeah.

01:06:54Look, just like me.

01:06:56Oh.

01:06:59Okay, so tell me.

01:07:01Like you, around here?

01:07:04Well, I'm here for the pediatrics interview, for the temporary position.

01:07:08Ah, yes.

01:07:10That's right, yes, yes.

01:07:12Phew.

01:07:14Look, you'll have to excuse me, but we don't have any vacancies left.

01:07:18I'm sorry.

01:07:20Oh.

01:07:21I arrived late, didn't I?

01:07:22No.

01:07:23Hey...

01:07:24Look, this was José's doing.

01:07:26He wanted to locate you to...

01:07:29And look, I have to apologize to you.

01:07:31I promise you that if we have any vacancies, you'll be the first person we call.

01:07:37Well...

01:07:38Thanks a lot.

01:07:39Nothing.

01:07:39Miss Almonte.

01:07:41Yeah.

01:07:42I would take you to Almonte.

01:07:44Yes, yes, yes.

01:07:45He is a Galician mor.

01:07:47Already.

01:07:47Sorry.

01:07:48No problem, thank you very much.

01:07:49What if one day you want to go out for a walk or have a coffee or...

01:07:52Will you call me too?

01:07:53Okay, well, maybe yes, maybe no, maybe it'll pour.

01:07:58That's a Galician mor.

01:08:00Yeah.

01:08:01I have to practice it, of course.

01:08:03No, no, no, it's very good, very well on the right track.

01:08:05Yeah.

01:08:06If you want, I can teach you one day.

01:08:10Well.

01:08:15Iberian ham with potato mousseline, ready.

01:08:18Okay, here it is.

01:08:19And the monkey, Ñagui?

01:08:21Tell me you've put the monkey in the oven.

01:08:24No, no, no.

01:08:25So, in the end, I'm going to have to do it myself.

01:08:28You're slow and useless here.

01:08:32God, how I missed this.

01:08:36Me too.

01:08:38Oh, me.

01:08:44What do you mean he hasn't done it?

01:08:45Okay, let's focus.

01:08:46Come on, come on, come up here a little, okay?

01:08:49I don't want to be alone.

01:08:51No, no, no, but you won't be alone either because you're with us.

01:08:55That means I can keep staying at your house, Pello.

01:08:57Look, Ancho, you know I'd be delighted.

01:09:00But your mom suggested to me that your stay was getting a little longer.

01:09:05As if...

01:09:06Come on, he threatened me with the baton.

01:09:08He told me that if you came back home he would kick us both out.

01:09:10There are other places too, aren't there?

01:09:27Anyway, you can stay in the attic, Ancho.

01:09:29There you have it.

01:09:29Thank you, Iñaki.

01:09:32I have a house, which day?

01:09:33Oh, God!

01:09:39"We were kicked out of the room because of me," he says.

01:09:41So, what happened?

01:09:43And Christopher?

01:09:44In jail.

01:09:45He has been remanded in custody without bail.

01:09:48Mia, but how did that happen?

01:09:49What happened?

01:09:50Ask your aunt, who trusts her lawyer daughter so much.

01:09:53Well, given the circumstances, Miren has done quite a lot.

01:09:56Look, he couldn't have done that much.

01:09:57When Christopher is around, where is he?

01:09:58Don't start again?

01:09:59Well, it's true, I have nothing more to say to you, okay?

01:10:01Do you understand?

01:10:02Well, I don't like you either.

01:10:03Okay, let's see, so where does it get wet?

01:10:06We don't know where he is.

01:10:09You won't believe it.

01:10:15I'm leaving, because I have to leave, as the other one would say.

01:10:17Already.

01:10:18Well, I have to answer, which I would say is a great pleasure.

01:10:22Likewise, even the wine.

01:10:24He even saw it.

01:10:27Bye.

01:10:41Iñaki, what's wrong with Cristóbal?

01:10:45As?

01:10:45What about Mr. Bejumea?

01:10:47And that makes 52.

01:10:51I've been locked up here for 52 minutes.

01:10:55Let's see what else can happen to me.

01:11:08Dad!

01:11:09Son.

01:11:13I'm not telling you again.

01:11:15Stop painting the walls.

01:11:18Thank you for coming.

01:11:20I'm not here for a visit, son.

01:11:21I've come to stay.

01:11:23He incriminated himself before the judge to save you.

01:11:27So, can I leave?

01:11:36While we're in here, we have to keep a low profile.

01:11:39And your bitches who don't help, it was just you.

01:11:41Look, Marichu, you're ungrateful.

01:11:43Look, all I've done is help.

01:11:45Help to amortize Spanish prisons.

01:11:47Hey, Mr. Guasi!

01:11:47That!

01:11:48That's the one with the tattoo that says!

01:11:51Death.

01:11:54Excuse me, but lately it sounds like Gochone is spending more time in the attic.

01:11:58In other words, at home.

01:11:59Good job, John!

01:12:01He's the one who said a second ago that they might live together.

01:12:04Fixing.

01:12:07Hey, that's not Celia's new assistant, is it?

01:12:10That seems to be the case.

01:12:11No, I'm actually absolutely delighted with him.

01:12:13I mean, come on, I...

01:12:14I've won the lottery.

01:12:16Yes, so I haven't known her for very long, but she already knows me.

01:12:19I get tired very quickly.

01:12:20Okay, okay, we'll talk later.

01:12:23You're blinded, darling.

01:12:24You are blinded by the beauty of Baitierde.

01:12:26Or maybe it's your own beauty that you're blinding yourself to, isn't it?

01:12:29Because you're making up a huge story, it's unbelievable.

01:12:31The doctor has left, but you can come in for the check-up with me.

01:12:35Arantxa, how are you?

01:12:37We can meet whenever you want.

01:12:44Their!

Allí abajo - 4x09 - Corrupción en Donosti - HD 1080

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