Milano, 30 novembre 1946. Come ogni mattina, Pinuccia Somaschi va al lavoro. Fa la commessa in un negozio di stoffe e deve ritirare le chiavi a casa del suo datore di lavoro, Pippo Ricciardi. Quella mattina, però, curiosamente, la porta di casa Ricciardi è socchiusa e non appena mette piede all'interno… lo scenario che ha davanti è agghiacciante. A terra, c'è il corpo di una donna: la signora Ricciardi, moglie del principale, nella pozza del suo stesso sangue. Il cranio fracassato. Il sangue è ovunque, imbratta pavimento e pareti. Perché l'orrore non è finito: intorno alla donna tre cadaverini, i suoi figli, barbaramente trucidati uno a uno, senza pietà. "Il più nero delitto del secolo!" titolano i giornali. A finire in manette è l'amante abbandonata di Pippo Ricciardi: Rina Fort, una donna dal misterioso passato. Marco Marra, con il suo stile, racconta la tragica vita di una donna accecata dall'odio e dal rancore, e che è passata alla storia come la "Belva di San Gregorio".
#StelleNere #RinaFort #Belva #Crime #TrueCrime #Delitti #Misteri #Killer #SerialKiller #ColdCase #Cronaca #CronacaNera #Mistero #Delitto #Documentari #Documentario #Docu #Doc #DivinumCrime
#StelleNere #RinaFort #Belva #Crime #TrueCrime #Delitti #Misteri #Killer #SerialKiller #ColdCase #Cronaca #CronacaNera #Mistero #Delitto #Documentari #Documentario #Docu #Doc #DivinumCrime
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00:16There are events that break into the quiet of our lives, events that erase
00:23our certainties, which overturn our plans or our hopes, sweeping away
00:30everything we had laboriously imagined or built.
00:40They fall upon us leaving behind only fear and desolation.
00:50Like lightning. But not everyone is like that. This is the story of a woman who fought
01:00for a long time with incredible and extraordinary obstinacy against the terrible and monstrous events that
01:09They devastated her life. And she did it with terrifying tenacity and strength.
01:21But if you fight monsters, don't become a monster yourself. Friedrich Nietzsche said so.
01:30And this is the story of a woman who, in the fight against the monsters of her life
01:36she became a monster herself.
01:43Or rather, a beast. The beast of San Gregorio.
01:58It's the morning of November 30, 1946. It's a Friday. It's Milan. It's sunny and cold.
02:12The daylight is gray, dull, thunderous. Like every morning, Pinuccia Somaschi heads out
02:22well-groomed and elegant at work.
02:28She works as a sales assistant in a fabric shop and as usual she is going to collect the keys
02:35from the shop to the home of his employer, Pippo Ricciardi.
02:42Here's the apartment. It's on the first floor of number 40 Via San Gregorio, a
02:50crossroads of the main artery of Corso Buenos Aires.
03:04Pinuccia notices that the lights are on.
03:09The war has just ended and in times of austerity those lights on in the morning are a detail
03:17that doesn't go unnoticed. What a waste! These southerners just can't get used to the sky
03:25gray of Milan. Pinuccia thinks with a little annoyance. Mrs. Franca, the boss's wife,
03:32she actually moved to the city from Sicily to add her husband, who had started
03:38that little fabric shop in the fog of Milan.
03:44And when he saw her for the first time, with that broken look, with those constant
03:49sighs, it was immediately clear to Pinuccia that the northern climate just couldn't do it
03:56suffer. Pinuccia did not know that much more than the Milanese humidity was veiling the
04:04Franca's gaze. She goes up a flight of stairs and rings the bell for those keys.
04:18This morning, however, the door to the Ricciardi house is ajar. Perhaps Mrs. Franca has come downstairs.
04:26to buy bread and milk, imagines Pina, and in the meantime she discreetly knocks and comes forward
04:34timidly in the entrance. But as soon as he sets foot inside he realizes that something is wrong.
04:41that's wrong. A cloud of smoke comes out of her mouth. In that house it's freezing like
04:52in the street, as if the door had been left open all night. Pinuccia doesn't make more than a couple
05:04of steps when a terrifying scene appears before her. On the ground, a short distance from the entrance,
05:16There's a woman's body. She's wearing a fur coat and her skirt is slightly raised to reveal
05:24his legs. And he falls to the ground in a pool of blood. His own. His skull is smashed.
05:39They hit her dozens of times. It's her, Franca Pappalardo, the landlady and wife.
05:48of the principal. Franca must have defended herself, because between the contracted fingers of her hand the
05:56there are some black hairs left. Next to her, on the kitchen threshold, another body that
06:06if he remains lying on the floor. It is the body of Giovannino, Franca's seven-year-old son.
06:18Giovannino has his head resting against the doorframe. His face is flattened.
06:24on the ground. He too, though at home, is wearing his coat. His head is battered by blows.
06:35On the door next to him, blood and brain matter spattered. But the horror didn't end there.
06:48On the left, the kitchen opens. Just beyond the threshold, another corpse. This time
06:58It's that of a little girl. Giuseppina.
07:05She, too, was repeatedly hit in the head. Her face was covered in a strange liquid.
07:19Next to the sewing machine, a baby's high chair sits. Little Antoniuccio.
07:29Just ten months old, he sat there with his head bowed. It might seem
07:36that he sleeps, as if from a sudden sleep that often overtakes such small children. However
07:43That child isn't sleeping at all. Because someone hit him with terrible violence.
07:49to the head. And she suffocated him, stuffing a cloth down his throat. Perhaps to muffle his crying.
07:56which would have attracted the attention of the neighbors.
08:03Piluccio Somaschi rushes down the stairs. He shouts incoherent phrases. Death,
08:11murderers, blood. Then he faints. When he comes to, there are already many people running. There are
08:22Journalists, photographers. Lots of photographers. Someone let them in or maybe they made themselves…
08:30They walk alone on the street. They take photos of the crime scene and without much shame they worry
08:36to move the corpses to fit them into the frame. A cameraman lingers on the
08:44macabre details of the mangled bodies. Of the ransacked house, of the voltage drawers
08:55on the floor, emptied cupboards. The crime, in all its crudeness, is portrayed in minute detail.
09:03details. It's the first indirect sensationalization of a crime story.
09:20For a moment, the lens lingers on the kitchen table. There are three glasses.
09:29placed next to each other. One contains water, the other two contain liquor. The person in charge
09:41or those responsible for this massacre were welcomed into the home by guests and left
09:48from assassins.
10:00Never before had such a heinous crime been witnessed. It took only a few hours for the horror to spread throughout Milan.
10:09The city literally comes to a standstill.
10:17In the early afternoon, the newspapers come out with the news. Via San Gregorio and they're invading.
10:25In front of number 40, the police are trying to contain the crowd that has been dismayed for so long.
10:32horror.
10:33Who could have committed such a massacre? The images of those three poor children massacred.
10:40they are indelibly imprinted in the memory of every Milanese.
10:46Dino Buzzati will write.
10:50Beyond the most unbridled perversity, there still remains a large margin of blood that
10:58no hatred can justify.
11:01Yes, because immediately after the horror, fear is the feeling that spreads through the streets.
11:07of Milan. The fear of being violated in one's domestic peace.
11:14The terror of being massacred within the walls of the place that should be the safest.
11:21Your own home.
11:26When the police officers reach him, the apartment on Via San Gregorio is already invaded.
11:32from the crowd. What emerges from the first observations is that the crime took place the evening before,
11:38So, on November 29th, around 9 p.m., shortly after dinner, the head of the family was missing.
11:48That he is the author of the massacre.
11:52Within minutes, however, it was discovered that Pippo Ricciardi was in Prato on business.
11:59He knows absolutely nothing about what happened to his loved ones.
12:07All that remains is to search for traces inside the apartment.
12:12The house was turned upside down.
12:16On the floor, in the bedroom, there are six empty pencil cases.
12:21It is clear that valuables have been stolen.
12:31Murder by robbery, says a young officer.
12:34Commissioner Nardone, who is leading the investigation, looks at him askance and continues to observe the room.
12:45His attention is focused on the kitchen table, on those three glasses.
12:53The victim knew the killer.
12:56There is no doubt.
12:58He let him into the house and offered him a rose.
13:02Some discussion must have taken place, which then degenerated.
13:07That's what the commissioner thinks.
13:14Now he picks up one of the glasses.
13:17There are traces of lipstick.
13:21No, it's not the landlady's.
13:28On the ground now he notices something.
13:32A torn photo.
13:35He puts the pieces back together.
13:39Like a puzzle, the photo of the victim is put together,
13:43Franca, on her wedding day, with her husband Giuseppe.
13:48Bernardone now there is no doubt.
13:51This is a crime of passion.
13:58This is the gesture of a woman humiliated and blinded by hatred and jealousy.
14:10Five minutes later, in fact, it was a woman who ended up in handcuffs.
14:14Pippo Ricciati's lover.
14:17Rina Fort.
14:22A woman who, in an uncontrolled frenzy, or perhaps following a plan conceived with cold determination,
14:30he killed the wife of the man he loved and the children that woman had borne him.
14:39Nothing escaped his murderous fury.
14:43Not even a child of just ten months.
14:46A ferocity such as to make it inscribe in the history of Italian crime news
14:52with the name of Velva di San Gregorio.
14:59A ferocity that has forever made her a dark, authentic star.
15:11Another ferocity that the city was another ferocity that the city was another ferocity.
15:40Another ferocity that the city was another ferocity that the city was another ferocity.
16:00Who is this Rina?
16:02This woman that the people of Milan would like to hang in Piazzale Loreto
16:07and has become the very incarnation of evil?
16:15Caterina Forbes, who everyone calls Rina, was born on June 28, 1915.
16:21among the hills of Santa Lucia di Budoglia, in the province of Pordenone.
16:25Between pastures and waterfalls, an ancient world but for her anything but enchanted.
16:30Rina's family is a peasant family, poor and large.
16:36She is the youngest of six children.
16:47In 1927, the humble house where the Forts live is hit by lightning.
16:57A terrible fire breaks out, from which they escape only by a miracle.
17:03Rina will be terrified of this forever.
17:07Because that lightning, in so many forms, like a curse,
17:12it will continue to affect everything beautiful that Rina will try to build in her life.
17:21Rina grows up.
17:23She is an irritable and impulsive child, with exaggerated and angry reactions.
17:30But Caterina is also intelligent and tenacious.
17:34When she was 13, something happened that would change her forever.
17:41He's in the mountains, chopping wood, as is his custom with his dad.
17:52But that day, Rina is tired and stays behind.
17:59I'm on the edge of a ravine.
18:01And Rina doesn't let us jump onto that rock that's beyond, right in front of her.
18:07She is paralyzed with fear.
18:10And then he asks for help.
18:13Dad, I can't do it! I can't do it!
18:16The man reaches out his hand and smiles encouragingly.
18:21Come on, just one step! You can do it, Rina!
18:26Marina remains still.
18:29Her father then reaches out to grab her.
18:33Marina withdraws.
18:35The fear of that abyss is too much.
18:44Rina doesn't realize that with that sudden gesture,
18:49he made his father lose his balance.
18:52With a desperate movement, the man tries to cling to a rock.
18:57But he can't do it.
18:59And he falls into the void.
19:08The death of her father causes such a trauma in little Rina
19:12which has since then shown abnormal development.
19:17The painful crises begin.
19:19The cravings, the experts will write many years later,
19:23rebuilding his life.
19:24His nervous reaction is so strong
19:29which results in a terrible physical defect.
19:32When he reaches puberty,
19:34begins to have ovarian dysfunction,
19:37so terrible that the uterus stops developing.
19:41A malformation called hypogenitalism.
19:46A womb that can never host a life.
20:01At 16, in the spring of 1931,
20:05Rina arrives in Milan.
20:08He wants to leave his homeland behind.
20:11He needs a fresh start.
20:14And why not look for it in Milan,
20:16the great Lombard city?
20:19To earn a living,
20:20she goes to work as a servant, as they used to say then,
20:23in a high-class house.
20:26It doesn't take long for love to come knocking on his door.
20:32The boy who is known
20:33It really looks like it came out of one of those photo novels
20:37who loves reading so much.
20:38He is young, handsome and handsome.
20:42Rina is lost in his confident, penetrating gaze.
20:47And so, when he asks her hand,
20:49Rina has no doubts and exclaims a resounding yes.
20:53She will finally be a wife, a lady.
20:56And then he commits a reckless act.
20:59An imprudence that at that time
21:02It can be very costly for a young woman.
21:05Overwhelmed by passion,
21:07she gives in to his desire.
21:09He'll be getting married soon anyway.
21:17But the boy gets tuberculosis
21:21and suddenly dies.
21:23Another lightning bolt strikes his life.
21:30Perrina is a double disaster.
21:33He lost the person he loves
21:35and his virtue.
21:38But now that he has nothing left to lose,
21:41a new awareness dawns on her.
21:45His showy body,
21:47Junoesque,
21:48It can be a tool
21:50of enormous control over men.
21:54Now he knows.
22:00At 27 years old,
22:02in the midst of war,
22:03it's already late.
22:05So she decides to marry a man from her lands
22:07whose name is Giuseppe Benedetti.
22:10A man who actually
22:12Rina almost doesn't know.
22:14A particular type,
22:17even if he doesn't know yet
22:19to what extent.
22:23The first night of the wedding,
22:25Rina is tense.
22:26He doesn't know how the new groom
22:29will be able to react to the surprise
22:31which he will soon discover.
22:33Why Rina
22:34he kept quiet about the loss
22:36of his virtue.
22:39But what Rina still doesn't know
22:41is that what really surprises me,
22:44shocked,
22:45it will be her instead.
22:47Now they are alone,
22:50illuminated by the light
22:52of the bajur on the bedside table.
22:54Suddenly,
22:55Joseph
22:55he is cultured
22:57from a strange one
22:57sudden rage.
22:59Before
23:00the league in bed,
23:02Then
23:02she starts to undress
23:04and to one eye
23:06wears
23:06the clothes
23:07her.
23:09Holds breast,
23:11panties,
23:12socks,
23:13garters,
23:14Then
23:15the skirt.
23:17And so dressed
23:18with the eyes
23:19of a madman
23:20he self-flagellates
23:21and in the end
23:23the left.
23:30In the morning
23:31someone is coming
23:33finally
23:33to help
23:34of the bride
23:35shocked.
23:37Joseph
23:38at this point
23:39completely
23:39gone mad
23:40he is locked up
23:42in the mental hospital.
23:43if he finds out
23:44that that one
23:45folly
23:45it was due
23:47to syphidin.
23:53Marina
23:54she is a woman
23:55strong.
23:56He reacts.
23:57Come back
23:58quickly
23:58in Milan.
23:59He asks
24:00the separation
24:01legal
24:01and in the meantime
24:02fantastic
24:03to obtain
24:04Also
24:04the cancellation
24:05of marriage
24:06with the sacred
24:07wheel
24:07and be
24:08so free
24:09to be able to
24:10marry
24:10again.
24:15and we arrive
24:16one morning
24:17of 1945.
24:32We are in Ubar
24:33on the corner
24:34between the street
24:34Lazaretto
24:35and square
24:35Cincinato.
24:43Grand Bar
24:45Asti
24:46that now
24:47when the war was over
24:48seems to have
24:49bought back
24:50the ancient
24:51splendor
24:51that atmosphere
24:53beginning of the century
24:54that makes you feel
24:55everyone
24:55granddame
24:56and grandsirs.
24:58Rina
24:59enter.
25:05There is a man
25:06at the counter
25:07he has in his hand
25:08a small cup
25:10him
25:11stay right away
25:12fascinated
25:12from the look
25:13of that
25:14woman
25:14brocace
25:15who has just
25:16exceeded
25:17the door.
25:22Drink slowly
25:23the man
25:23as if he were sipping
25:25that femininity
25:26rather
25:26that his coffee
25:27and in the meantime
25:29he observes them
25:29the hair
25:30buried
25:30black
25:32and vaporous
25:33and lips
25:34cargo-generating.
25:36Lady
25:37I can offer you
25:38a coffee?
25:39This is how he remembers
25:40Goofy
25:41he tells her
25:42Why
25:43that man
25:44in his parts
25:45in Catania
25:45they call it
25:46Goofy
25:47and that nickname
25:48he brought it with him
25:49here in the north too
25:50where he landed
25:51in search of fortune.
25:53This man
25:54it's Giuseppe Ricciardi.
26:00I'm a young lady
26:01not madam
26:02Rina answers
26:03with a tip
26:04disguised
26:05offense.
26:06What a coincidence
26:08Me too
26:09I'm single
26:09he answers her
26:10Goofy
26:11While
26:11inside the pocket
26:13of trousers
26:14tries to slip out
26:15faith
26:16musical.
26:17Rina
26:18he pretends
26:19disinterest
26:20but in the meantime
26:21thinks
26:21a bachelor
26:24what luck
26:25these days.
26:25Goofy
26:27he can't do it
26:28to take them away
26:29the eyes
26:29off
26:30that face
26:32those cheekbones
26:33tall
26:34those eyes
26:35dark
26:35from the cut
26:36almond-shaped
26:37all those
26:38curve
26:40Yes
26:40must be
26:42its.
26:43He tells her
26:44to be
26:45a merchant
26:45of fabrics
26:46Yes
26:47for now
26:48street vendor
26:49but now
26:50that the bag
26:50black
26:50it begins
26:51to disappear
26:52Now
26:53that in Milan
26:53it begins
26:54to breathe
26:55the air
26:55of the rebirth
26:57and freedom
26:58Now
26:58will put on
26:59a nice shop
27:00full of those
27:01fabrics and knitwear
27:02which he now carries around
27:04Rina
27:05he listens to it
27:06thinks
27:09Certain
27:09he is not a handsome man
27:12it doesn't seem like it
27:13not even that much
27:14intelligent
27:15in all honesty
27:16it's not even
27:17very interesting
27:18and it's rather
27:20primitive
27:21but
27:22talk about business
27:24of optimism
27:25of riches
27:26to come
27:26and above all
27:28is looking for
27:29a saleswoman
27:30and to her
27:32of men
27:33at this point
27:34it doesn't matter much
27:35knows
27:37what wishes do you have?
27:37arouses in them
27:38and he knows
27:39that this
27:40that interests you
27:40Really
27:41it's settling down
27:42and reach
27:43respectability
27:46become
27:47a real one
27:48Lady
27:54it's like this
27:55Rina
27:56he leaves
27:56wisely
27:57to court
27:58at least for a while
27:59before loosening
28:00of existences
28:02as time goes by
28:03of the days
28:04the strategy
28:05is put aside
28:06and is born
28:07a true feeling
28:08so much so that
28:10Rina
28:10in the end
28:11tell Goofy
28:13the whole truth
28:14his terrible
28:16marital history
28:17and so
28:18there is no problem
28:19he tells her
28:20I
28:20I love you
28:21the rest
28:23we will solve it
28:28and Rina
28:29In the end
28:30takes up residence
28:31at Pippo's
28:32Curly
28:32in a small apartment
28:34located in via
28:35Mauro Macchi
28:3689
28:37not far away
28:39from the big one
28:39central station
28:41of Milan
28:42and to the two
28:44to save
28:45appearances
28:45we'll have to pretend
28:47to be
28:48Husband
28:48and soft
28:50as time goes by
28:52of the months
28:52Goofy
28:53maintains
28:54the promise
28:54and with the help
28:55by Rina
28:56his shop
28:57made of cloth
28:58and knitwear
28:58it really opens it
28:59is found
29:01on the way
29:01Saint Gregory
29:02in the neighborhood
29:03of Porta Venezia
29:04a nice location
29:06Rina
29:08in the shop
29:09by Goofy
29:09it is formally
29:10a saleswoman
29:11but right away
29:12he behaves
29:14as a mistress
29:17and Goofy
29:18in person
29:18when he needs it
29:19for help
29:19or liquidity
29:21to push
29:22Rina
29:23in the arms
29:24of his old man
29:25and the operatic
29:26lazybones
29:27Baron Vitale
29:28a Sicilian
29:30curiously
29:31cutting-edge
29:32Goofy
29:33Goofy and Rina
29:34unscrupulous
29:35how are they
29:36they seem to be made
29:37the one
29:38for the other
29:40But Joseph
29:41he discovered
29:42over time
29:42that Rina
29:43in spite of
29:45of his
29:45bursting forth
29:46sensuality
29:47demonstrates
29:48open pleasure
29:49very little
29:50vocation
29:51not by chance
29:53he started calling her
29:54ice potato
29:56Rina in fact
29:58she is afflicted
29:59from a melancholic
30:00frigidity
30:01which makes them
30:02the embrace
30:02without momentum
30:04and without brakes
30:05deprived
30:06of meaning
30:07him instead
30:09he is a man
30:10blood
30:10passionate
30:11always at the
30:12eager
30:13hunting
30:13of skirts
30:14Rina
30:15although
30:16Certainly
30:17he is not happy
30:18accept
30:19and forgive
30:20at 31 years old
30:22played
30:22sterile
30:23and with a wedding
30:25behind
30:25I cannot
30:26to camp
30:27too many demands
30:28he says
30:29all in all
30:30I was lucky
30:31Very good
30:37we don't know
30:39Exactly
30:39as
30:40Perhaps
30:41Rina
30:42one day
30:42he opened
30:43a letter
30:44addressed
30:44to Pippo
30:45or
30:46was
30:47a question
30:47innocent
30:48made by a
30:49acquaintance
30:50encountered
30:50by chance
30:51to do them
30:52discover
30:52the deception
30:53the fact is
30:55that in the end
30:56Rina
30:57he finds out about it
31:07Pippo in Catania
31:08he has a wife
31:09and daughters
31:14suddenly
31:16the beautiful tale
31:17that Rina
31:18he believed
31:18of being alive
31:19it crumbles
31:21his world
31:23Now
31:23it's in pieces
31:27and the umpteenth
31:28the next lightning bolt
31:29that strikes
31:30his life
31:32Goofy
31:33reassures her
31:34he doesn't want to lose it
31:36yes it's true
31:37he has a wife
31:38but in Sicily
31:40it's far away
31:41very far away
31:43he tells her
31:44looking into her eyes
31:46injection instead
31:47they are here with you
31:49Rina
31:49and then Rina
31:52between nothingness
31:53the return
31:54to a lifetime
31:55solitary
31:55and miserable
31:56and that compromise
31:58chooses
31:59the compromise
32:01once again
32:02swallow
32:03and forgive
32:04and instead
32:06curses
32:07and blasphemies
32:07to Pippo's children
32:09start sending
32:10little dresses
32:11and layettes
32:11embroidered
32:12by his own hand
32:14can sleep
32:15peaceful sleep
32:16the frank
32:16down in Sicily
32:18Like this
32:19thinks Rina
32:20he's wrong
32:26it's a day
32:27of October
32:28the cold
32:29it starts to sting
32:30in Milan
32:30and out
32:32the sky is gray
32:33as usual
32:35Rina
32:36made up
32:37he's pressing
32:38thin fingers
32:39with painted nails
32:40at the checkout
32:41of the shop
32:42when it happens
32:43the unexpected
32:44suddenly
32:46the sound
32:47of the bell
32:47of the door
32:48that opens
32:49Rina
32:50look up
32:51and sees
32:54in front of her
32:56a woman
32:57low
32:58and shampoo
32:59poorly dressed
33:00with a swollen neck
33:02and from the fat body
33:04a light fluff
33:06for her
33:07inconceivable
33:08above the upper lip
33:11what is he doing there?
33:13in that shop
33:13think for a moment
33:15it's for a while
33:17that seems infinite
33:18Rina
33:18hold your breath
33:20Then
33:21take a closer look
33:23that woman
33:24has behind him
33:26three children
33:26and then no
33:29it's not just
33:30fat
33:31she's pregnant
33:33and then
33:34he understands
33:35even before
33:37that that one
33:37with a thread of voice
33:39southern pride
33:40exclave
33:42Good morning
33:43I am the lady
33:44Ricciardi Franca
33:45Goofy's wife
33:46and these
33:48they are his little ones
33:51to Rina
33:52they veil themselves
33:53the eyes
33:54you can't see it anymore
33:55from anger
33:56this is really too much
33:58This
33:59he can't stand it
34:01what is he doing to us?
34:03she here
34:03how dare you
34:05away
34:06go away immediately
34:07the screams outside of himself
34:09furious
34:11and without further ado
34:13French hunting
34:15his children
34:16from the shop
34:16on the street
34:21Mrs. Franca
34:23undergoes
34:24the affront
34:25in silence
34:25but he doesn't get discouraged
34:27Now
34:28the war
34:29between the two
34:29it's officially
34:31open
34:33but in the end
34:34Pippo Ricciardi
34:36that in the end
34:37he's a weakling
34:37gives in
34:38to the silent ones
34:39existences
34:40of the wife
34:41to the incessant
34:42pressures
34:43of the family
34:43and reluctantly
34:45the sciarina
34:46he gives her
34:4860,000 lire
34:49of liquidation
34:50and the license
34:51from the shop
34:53at this point
34:54he decided
34:54to put
34:55head on straight
34:56and dedicate yourself
34:57to the family
34:59Rina
35:00when he leaves
35:01he is addressing
35:03to the poor
35:03Mrs. Franca
35:04defiantly
35:07Lady
35:08she won
35:09but I tell her
35:11Goofy
35:12he won't leave me
35:13never
35:14Yes
35:15she won
35:16but Pippo
35:18he will prefer them
35:19always others
35:20one hundred women
35:21it's his
35:23curse
35:24Rina
35:25he's leaving
35:26forever
35:26from the shop
35:27with the tail
35:28between the legs
35:29but with the soul
35:30anything but
35:31that calmed down
35:33Franca
35:34he doesn't know
35:34what remains for her
35:35little to live for
35:36he doesn't know
35:37Still
35:38that as he will write
35:39Dino Fusati
35:40an evil shadow
35:42is about to strike
35:43she
35:44and his children
35:50now the days
35:52they never pass
35:53now that life
35:55that he had set up
35:56with so much effort
35:57perrina
35:58it has vanished
36:01think again
36:01at those words
36:02by Goofy
36:03it's magic
36:04of my children
36:05I have to bring them
36:07respect
36:08and devotion
36:09and now
36:10that another
36:11little boy
36:12what's in his belly
36:12I cannot
36:13give her pity
36:14he hates her
36:16the Franca
36:16with all
36:17itself
36:18and hates
36:20those children
36:21the real obstacles
36:23to its possible
36:24as soon as
36:26savored
36:27happiness
36:31Now
36:33she's back
36:34to do
36:34the saleswoman
36:35under master
36:37and for the neighborhood
36:39it has become
36:40object
36:41of bad gossip
36:42and gossip
36:43malicious
36:45other than the lady
36:47Ricciardi
36:48he feels
36:49whisper
36:49when it passes
36:50that one there
36:51he was alone
36:52the lover
36:52you saw
36:54the wife
36:54how did he put it back
36:55in his place
36:57what a shame
36:59what an affront
37:00what a humiliation
37:07and so
37:08we get to that
37:10hard work in the evening
37:10in the evening
37:12of November 29
37:131946
37:18that evening
37:19Rina has finished
37:21to work
37:21at 6pm
37:22the pastry shop closed
37:25where now
37:26she works as a sales assistant
37:27and as he walks
37:29under the rain
37:30his thoughts
37:31it's always the same
37:33thinks
37:34and think again
37:36to his life
37:37to what it has become
37:39Now
37:39his life
37:40a modest job
37:42sol
37:43few
37:44and no man
37:46to walk beside her
37:48under the arm
37:49to protect her
37:51from that rain
37:52and then
37:54her beauty
37:55her beauty
37:57useless
37:58that fades
37:59day
38:00after day
38:05and now
38:07step by step
38:08almost without wanting to
38:11he finds himself
38:12under the house
38:13Ricciardi
38:18raise your head
38:20for a moment
38:20look at the lights
38:22lit
38:22in the apartment
38:23it seems to you
38:25to feel
38:26even
38:26the laughter
38:28of the children
38:29Perhaps
38:30should have
38:32disappear
38:33dragged away
38:35from that gray water
38:35let go
38:37simply
38:39it's a temptation
38:41that touches her
38:42these days
38:44gloomy
38:44and desperate
38:50navy
38:50he doesn't let go
38:52No
38:53Instead
39:00go up to the first floor
39:01of that palace
39:02is getting closer
39:04at the door
39:06he hesitates
39:06he knows that
39:08Goofy is out
39:09for work
39:09and that Franca
39:11At home
39:11she is alone
39:12maybe
39:14Perhaps
39:15a compromise
39:16Perhaps
39:18he hopes to convince her
39:20maybe with good intentions
39:21Perhaps
39:22with the bad ones
39:27and so
39:28with a full soul
39:30of thoughts
39:30contrasting
39:31finally
39:33knock
39:34knock
39:36knock
39:40Franca
39:40with his belly
39:41swollen
39:42opens the door
39:43and if he finds it again
39:44in front of
39:46maybe he tried
39:48to throw it away
39:49in the face
39:49that door
39:50Franca
39:50navy
39:51between sobs
39:53he told her
39:54that the two of them
39:54they have to talk
39:56what will be
39:57the last time
39:58and then
39:59he won't see her again
40:00never again
40:04Like this
40:05pray for her
40:06and Franca
40:07he lets her in
40:09at home
40:09he invites her
40:11to sit down
40:12in the kitchen
40:12because the little one
40:13Antoniuccio
40:14he is sitting alone
40:15on the high chair
40:18gripped by agitation
40:20Rina
40:21he has a faint
40:22and Franca
40:23as is customary
40:24in his parts
40:25offers her
40:26a glass
40:26of rosolio
40:30and Rina
40:31speaks
40:32we don't know
40:34what words
40:34they come out
40:36from his mouth
40:36Pretty
40:37and sensual
40:39we will not know
40:40never
40:41the details
40:42of that conversation
40:48they start to fly
40:49big words
40:50insults
40:52the two women
40:53they begin
40:54to fight
40:55they fall to the ground
40:56to winch
40:57Franca
40:59clumsy surrender
41:00from the belly
41:00at worst
41:01of the hand-to-hand combat
41:02Rina
41:04it is found in the hand
41:05a crowbar
41:05taken from who knows where
41:07and starts hitting
41:08a
41:10two
41:11three times
41:12always at the head
41:14the woman
41:15falls to the ground
41:16stunned
41:17screams
41:18beg
41:19from the other room
41:21Giovannino comes running
41:22that is thrown
41:23with force
41:24against Rina
41:24in an attempt
41:26to protect
41:26the mother
41:27he kicks her
41:29fists
41:29but with those little hands
41:31as a child
41:32the maximum
41:32that gets
41:33to scratch her legs
41:34to take it off
41:36off
41:36with a shake
41:38Rina
41:38the scalaventa
41:39in the corner
41:40of the antechamber
41:41Then
41:42start taking
41:43with clubs
41:44him too
41:44he smashes them
41:46the little head
41:53Franca now
41:54he is dying
41:56but conscious
41:57the plea to stop
41:59No
42:00the children
42:01No
42:02and those children
42:04that they see
42:05to tear apart
42:06their mother
42:06before their eyes
42:07they cry in despair
42:09Marina
42:11Now
42:11he can't do it
42:12more to stop
42:13Josephine
42:15terrified
42:16he leans
42:16at the door
42:17of the kitchen
42:17Rina
42:18he chases her
42:19he grabs her by the hair
42:21and hits her
42:22nine times
42:28the little girl
42:29falls backwards
42:30in front of
42:31at the high chair
42:31of the little brother
42:32to which
42:33he had tried
42:34to cling
42:36Little John
42:37remained on the ground
42:38next to the mother
42:39Now
42:40try to get up
42:41Rina
42:42At that time
42:43come back
42:43in the other room
42:44to finish it
42:45with the seventh
42:46beaten
42:47the last one
42:49Antoniuccio
42:50ten months
42:51he screams from the high chair
42:53in the kitchen
42:54on which he is sitting
42:55Rina
42:56he strikes him
42:58at the temples
43:04but nobody
43:06he's still dead
43:07Rina now
43:08he looks around
43:09there is blood
43:11everywhere
43:11run away
43:12leaving the door
43:14ajar
43:22he hides away
43:23in the basement
43:24near the cellars
43:26all around
43:28Now
43:28it's silent
43:30Nobody
43:31he noticed
43:32to the grit
43:32the neighbors
43:34they continue
43:35the conversations
43:36in the evening
43:36reunited
43:38in the kitchens
43:38of their homes
43:39in the building
43:41he feels alone
43:43the barking
43:44desperate
43:45of a dog
43:45and the dog
43:47of the curly ones
43:48that locked up
43:49in the warehouse
43:50it doesn't stop
43:51to bark
43:55Rina
43:55he wakes up
43:56his brain
43:58he works
43:58at a frantic speed
44:02must find
44:03the way
44:03to get away with it
44:11it dates back
44:12in the apartment
44:12puts the house
44:14in his painting
44:14steals everyone
44:15the precious ones
44:16that finds
44:17he wants to let it pass
44:18for a theft
44:19it's not yet
44:21no one died
44:22despite the blows
44:23they continue
44:24everyone breathes
44:26Rina
44:27he's wandering around
44:28for home
44:29stepping over the bodies
44:30indifferent
44:31to all that blood
44:32so as not to make a mess
44:34her shoes
44:35fashionable
44:36put on your boots
44:37by Goofy
44:38and with these
44:39tramples the body
44:40by Franca Pappalardo
44:42he crushes it
44:43with all its weight
44:45as it continues
44:46to insult her
44:46the smashes
44:48Like this
44:48seven ribs
44:49but Franca
44:51he is tenacious
44:52he doesn't want to die
44:53Rina then
44:55take some ammonia
44:57and the reverse
44:58on the face
44:58of the victims
45:04Antoniuccio
45:05still wheezing
45:06a moan
45:07that to Rina
45:08pierces the brain
45:09take a piece
45:11made of cloth
45:11that at the time
45:12it was used
45:13as a sanitary napkin
45:14and he sticks it in
45:15in the mouth
45:15to suffocate him
45:16and so
45:18he does it with everyone
45:19the others
45:20one by one
45:26the absurd fury
45:27of a beast
45:28the beast
45:29of San Gregorio
45:30has just turned
45:32his personal
45:33massacre
45:33of the innocents
45:46Rina returns to her home
45:48like a shadow
45:49in the rain of Milan
45:51nobody sees it
46:02once at home
46:04he thinks he will have to
46:05cook something
46:07all that blood
46:09it didn't hurt her
46:10at all
46:11the appetite
46:15November 30th
46:171946
46:18all of Milan
46:19on the street
46:20to comment
46:21the atrocious crime
46:22everyone
46:23except her
46:23Rina Ford
46:26Like this
46:27the agents
46:28they reach her
46:29at the pastry shop
46:30of Settala Street
46:3143
46:34he smiles
46:34while he is serving
46:36of customers
46:36like everyone else
46:37she too
46:38he knows about the massacre
46:39which has exterminated
46:40the family
46:41of her ex
46:42employer
46:43but it seems
46:44completely
46:45indifferent
46:50when they bring it
46:51but go away
46:52Rina
46:53becomes
46:54another person
46:56moult
46:57cold
46:58impassive
47:00once
47:01at the police station
47:02denies
47:03Rina
47:04denies
47:05All
47:05repeats
47:07for hours
47:07that that
47:08with Giuseppe Ricciardi
47:09he was alone
47:10a relationship
47:11of work
47:17the next day
47:18Pippo Ricciardi
47:20come back from Prato
47:21find the way
47:22at home
47:23cordoned off
47:24it's a huge one
47:25crowd
47:26lock-out
47:26own
47:27in front of his door
47:28some friends
47:30Sicilians
47:31they inform him
47:31of that
47:32what happened
47:33it was Rina
47:35that witch
47:36they tell him
47:37while the man
47:38screams
47:38he curses
47:40and he despairs
47:41threat
47:42to kill her
47:43that damned one
47:48shortly after
47:49but
47:49when the police station
47:51if he finds it in front of him
47:52alone
47:53in a room
47:54it happens
47:55what
47:56Nobody
47:57could have
47:58imagine
48:01runs towards
48:03to Rina
48:04by arms
48:05open
48:06Rina
48:07My Rina
48:09he tells her
48:10he squeezes her
48:12comforts her
48:13and whispers to her
48:15something
48:16in the ear
48:17Nobody
48:19he can understand
48:20What
48:21Therefore
48:23he kisses her
48:24it's theirs
48:26last
48:27kiss
48:33but in the end
48:35Rina
48:36gives in
48:37he wants to talk
48:39say
48:40how did it go
48:41things really
48:42Why
48:44to take
48:44all the counts
48:45to pass by
48:46for the monster
48:48she
48:48it doesn't fit
48:53the versions
48:54of the facts
48:55provided
48:55from Rina
48:56they will be
48:57as many as eight
48:58Always
48:59fixed
48:59enriched
49:00of details
49:01not exactly
49:02credible
49:07it starts like this
49:08the Cold War
49:09from Rina
49:10and her lover
49:11she
49:12not yet paid
49:13to have him
49:13exterminated
49:14the family
49:15search in every way
49:16to drag him
49:17in childhood
49:18and in punishment
49:19involving him
49:20in the crime
49:24him
49:25at this point
49:26he turned them around
49:26the shoulders
49:27and the accusation
49:28without any more brakes
49:42in the morning
49:43of January 10th
49:451950
49:46Rina Fort
49:47the velva
49:48of San Gregorio
49:49it's behind
49:50the bars
49:50in front of her
49:52the court
49:52of assizes
49:53of Milan
49:54Rina Fort
49:55must answer
49:56to the prosecution
49:57terrible
49:58of massacre
49:58Despite
50:00all efforts
50:01accomplished
50:02to blame him
50:03there
50:03next to her
50:04the ex-lover
50:05Joseph Ricciardi
50:06there is no
50:08appears
50:09pale
50:10throughout the process
50:13will have the face
50:14covered
50:14from a scarf
50:15wool
50:16canary yellow
50:17from which
50:19eyes pop out
50:20be careful
50:21and struck by lightning
50:22the hands
50:24always covered
50:25from gloves
50:26wool
50:26black
50:29he will be cold
50:30someone shouts
50:31those hands
50:33they are horrifying
50:33to her too
50:34another replies
50:39the police commissioner
50:40he arranged
50:41an imposing
50:41order service
50:42why at the palace
50:43of justice
50:44there is an audience
50:45huge
50:46that arrives
50:46to fill
50:47the entire foreground
50:48of the court
50:50despite the crowd
50:51silence reigns
50:53absolute
50:53unreal
50:54just a scream
50:56the strong one
50:57to death
50:58the blackest
51:00crime
51:01of the century
51:02newspaper headlines
51:07the photographers
51:08they portray her
51:09as if it were
51:09a movie star
51:11and she
51:12alter
51:13shows a certain
51:14complacency
51:15even
51:16some gestures
51:17of vanity
51:23voices around
51:25they comment
51:25with amazement
51:26but it's not that bad
51:29it amazes
51:30discover
51:30that the monster
51:31of San Gregorio
51:32he has nothing at all
51:33the face
51:34of a monster
51:39I confirm
51:40all that
51:41what I said
51:42and what he said
51:43my defender
51:45one thing
51:46alone
51:46I would like to add
51:47it's not regret
51:49it's not an illusion
51:51it's a pain
51:52that I tried
51:53in not having
51:55the ricciardi
51:55with me
51:56in this cage
51:57on this bench
51:59it's not that I have to
52:00to do it again
52:01other faults
52:02No
52:04I wish
52:05only
52:05that he had
52:07impetuous
52:07what he told me
52:08at the police station
52:09when he hugged me
52:12for me
52:13it would have been
52:14Enough
52:19rina fort
52:20is entrusted
52:21at the exam
52:22psychiatric
52:22of an illustrious
52:23luminary
52:24the professor
52:25Philip
52:26tasty
52:26that only
52:27a few years
52:28or are
52:28had had
52:29in care
52:30another one
52:30famous murderer
52:32the Leonardian
52:33cianciulli
52:34the infamous
52:35soap maker
52:36of Correggio
52:38tasty
52:39he submits it
52:40by expert opinion
52:41psychiatric
52:41in the asylum
52:43criminal
52:43of Aversa
52:44where it is kept
52:46under observation
52:47for 18 months
52:50tasty
52:51he considers it healthy
52:52of mind
52:53of intelligence
52:54superior
52:55to the average
52:55capable
52:56to understand
52:57to want
52:58at the moment
52:59of the massacre
52:59the psychiatrist writes
53:03full responsibility
53:05of the acts
53:05to it
53:06ascribed
53:07and alone
53:07accomplished
53:08with a cruelty
53:10disconcerting
53:11in a being
53:12human
53:20I could say
53:21that I'm not afraid
53:23of the sentence
53:24the judges will do it
53:26give me 5 years
53:28or life imprisonment
53:29what can it be used for?
53:31at this point
53:32I
53:33I am the strength
53:39at 12.15
53:40on the dot
53:41of January 20
53:421950
53:43start
53:45reading
53:45of the verdict
53:46when the judge
53:48Marantonio
53:49pronounce
53:49the sentence
53:50excluded
53:51premeditation
53:53there is in the crowd
53:54a sigh
53:55held back
53:56Then
53:57to the word
53:58life imprisonment
53:59they explode
54:00applause
54:01and screams
54:02of approval
54:06rina
54:07he is impassive
54:08he doesn't break down
54:10as if everything
54:12what's happening
54:13in that room
54:14it didn't concern her
54:15it didn't concern her
54:44the storm
54:47makes her scream
54:48of terror
54:49they are the children
54:51those children
54:57then rina
54:59as if hallucinating
55:01he doesn't even try to hide anymore
55:04and with a tired voice
55:05every night
55:07year after year
55:08he does nothing else
55:10what to repeat
55:10that woman
55:12Yes
55:12but the children
55:14No
55:14I didn't kill them
55:16I
55:16the children
55:17No
55:21for life
55:22spent in that cell
55:24rina
55:25he doesn't stop working
55:26knitted
55:28makes little dresses
55:29for children
55:31and the incessant noise
55:38some irons
55:39he keeps company
55:41to the ghosts
55:42of those innocents
55:43massacred
55:44because the real condemnation
55:46by Rina Fort
55:47it's not in the castro
55:48but it's remorse
55:50of an unspeakable crime
55:52and for her
55:53unbearable
55:54that will force her
55:56for the rest
55:57of his life
55:57to stay
55:58with the eyes
55:59wide open
56:10in 1964
56:12rina fort
56:14writes a letter
56:16to family members
56:16by frank
56:17Vappalardo
56:18to ask
56:19finally
56:20forgiveness
56:22February 12th
56:251975
56:26after 29 years
56:28in prison
56:29he gets the pardon
56:30from their
56:31President of the Republic
56:33John Leo
56:36prison release
56:37he goes to live in Florence
56:39and instead
56:40that of fort
56:41adopt the name
56:42of his only
56:43real husband
56:44blessed
56:48March 2nd
56:49March 2, 1988
57:15had opened
57:16had opened
57:16another shop
57:17of fabrics
57:24cursed house
57:25even before the crime
57:26fort
57:27in 44
57:28a woman
57:28he threw himself out of the window
57:29with her child
57:30in 46
57:30a man
57:31he shot a driver dead
57:32he was leaving this shop
57:33the Ricciardi
57:34on the day when
57:35his bad luck
57:35he had to make them meet
57:36the draftsman Rina
57:37he too
57:38it's one of many
57:39black market traders
57:40who traffic
57:40and they live in this neighborhood
57:41Catanian
57:42it was the war
57:43to block him in Milan
57:43if the first to discover
57:45the massacre
57:45it was the sales assistant
57:46of Ricciardi
57:46the concierge
57:47at least he arrived
57:48the second
57:49indicates the windows
57:50of the tragic apartment
57:51he repeats that that evening
57:52at 7pm
57:52he didn't see it pass
57:53the fort
57:54that came from the Ricciardis
57:55the police
57:56it fell
57:56lightning-fast
57:57about the murderer
57:58for more than 100 hours
57:59the fort tesse
58:00and destroys
58:00his story
58:01wrapped up
58:02everything between nozzles
58:03but the painting
58:03it was not complete
58:04in San Gregorio Street
58:05the fort
58:06he gave him
58:07the final touch
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