Milena Quaglini, "l'Angelo Sterminatore" come è stata ribattezzata. Una storia di incredibili violenze, abusi e miserie, ma anche quella di una spietata e lucida assassina seriale. Tutto viene alla luce il pomeriggio di domenica 2 agosto 1998 quando, al centralino del 112, una voce di donna confessa tra i singhiozzi: "Ho ammazzato mio marito". I carabinieri trovano l'assassina accovacciata su un balcone. Ha vegliato per tutta la notte il cadavere del marito che ha avvolto in un tappeto. Nella stanza accanto due bambine giocano ignare dell'orrore che ha stravolto la loro famiglia. La donna si chiama Milena Quaglini, una casalinga di 31 anni. Milena era stanca dei soprusi, delle umiliazioni, delle violenze subite per anni. Eppure, i terribili dettagli, la fredda lucidità con cui l'assassinio è stato compiuto fanno sospettare gli inquirenti di una realtà ben diversa. Perché quell'uomo non è certo la prima vittima e non sarà l'ultima che Milena si lascerà alle spalle. Aveva già ucciso e lo farà ancora, sempre con le stesse ossessive giustificazioni che in un primo tempo le concederanno una pena incredibilmente mite. I giudici non avevano capito che avevano davanti una donna che da vittima, si era trasformata in una feroce carnefice. Se è vero infatti che le violenze e la dipendenza dall'alcol avevano spinto Milena Quaglini a reagire, è altrettanto vero che nell'uccidere aveva scoperto una sorta di distorto, orribile piacere che l'ha resa per sempre "una buia autentica stella nera".
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#StelleNere #MilenaQuaglini #AngeloSterminatore #Crime #TrueCrime #Delitti #Misteri #Killer #SerialKiller #ColdCase #Cronaca #CronacaNera #Mistero #Delitto #Documentari #Documentario #Docu #Doc #DivinumCrime
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00:05What would happen if the human face faithfully expressed all the suffering within itself?
00:14If the expression translated all the inner torment we would still be able to converse
00:23we should not talk while hiding our faces with our hands, life would become decidedly
00:34impossible if our features revealed the intensity of our feelings
00:43no one would have the courage to look at themselves in the mirror anymore
00:51because an image both grotesque and tragic would mix with the contours of the physiognomy
00:57bloodstains, ever-open wounds and unstoppable streams of tears
01:05Emil Gioran
01:11We are in the high-security female section of the Vigevano prison.
01:21It's the night of October 16, 2001
01:24the clock on the wall says 1.45
01:32There is a special prisoner in this cell
01:36It is monitored every 15 minutes during the day and every hour at night
01:40The next check-up is almost here
01:45let's go in
01:49it's a small cell
01:52dimly lit
01:53your attention is immediately captured by some small paintings
01:57of the oils
01:59some watercolors on the walls
02:04simple but well-made subjects
02:07almost as if someone wanted to give this aseptic environment with its lime-painted walls
02:13the welcoming features of a home
02:18to evoke the echo of a family life
02:25the bed is unmade
02:28the sheets thrown to the side
02:30the cell however seems empty
02:34where is the prisoner?
02:36it's impossible that she escaped
02:39If we move our gaze towards the far wall, however, we notice something
02:45the metal cabinet is ajar
02:49there seems to be something inside
03:00it's a woman's body
03:02and she
03:03he detained her
03:04she hanged herself from the hook of the locker
03:07with a strip of sheet
03:13the hook is located just one and a half meters high
03:17to be strangled in such a small space
03:20this woman had to keep her legs up
03:26a terrible, tremendous willpower given away
03:30What brought her to this level of desperation?
03:34What was he trying to escape from?
03:37from the weight of an unbearable guilt?
03:40from the frozen solitude where her choices have thrown her?
03:44but wait
03:47he's still breathing
04:04I am the real victim
04:06he used to say about himself
04:08but he is a victim who at a certain point
04:11she turned into an executioner
04:13and before turning her fury against herself
04:16he killed many other times
04:19black widow
04:20exterminating angel
04:22they called her
04:23because his
04:25It's a story that in Italy
04:26it has no precedent
04:28a story of incredible violence
04:30abuses
04:31miseries
04:32but also the story
04:33of a ruthless
04:35lucid serial killer
04:37that of Milena Quaglini
04:42a story
04:43what he did with it forever
04:44a dark authentic
04:46black star
04:51it's a story
05:10Thanks for watching!
05:41Thanks for watching!
06:14Thanks for watching!
06:52Thanks for watching!
07:02Thanks for watching!
07:36Thanks for watching!
07:53His breathing has become less short and his hands, which Enrico tenderly wraps in his, become day.
08:00less cold after a day.
08:04With him, for the first time, Milena feels warm and safe.
08:15But her parents don't seem to care much.
08:19They are not people accustomed to happiness.
08:58The love between Milena and Enrico was born, three years later, in 1979,
09:05Dario.
09:06Finally a family, a normal family, the one Milena never had and always wanted.
09:20Ten years pass, ten years filled with the closest thing to happiness one can experience.
09:28But Milena's destiny is not one of happiness, Enrico falls ill with diabetes.
09:38His condition suddenly worsens to such an extent that after a year of excruciating illness, he moves.
09:47It's 1987.
09:52Milena was only 29 when her life crumbled in her hands.
10:00Those hands that are now cold again.
10:10To the pain of loss we add the economic problems.
10:15Milena can't bear the burden of the mortgage alone.
10:19And so he loses the house and the hardware shop that Enrico had left behind.
10:28There's nothing else to do, he has to go back to his parents' house.
10:32Look, the scandal of getting together with a separated man wasn't enough.
10:37Now you're still a single mother.
10:39Without a home and a family.
10:42You're a loser, you really asked for it.
10:46This is how her father welcomes her.
10:51But Milena gradually reacts.
10:54Milena is young and beautiful.
10:56She is still full of resources.
10:59No, it's not over, she says stubbornly.
11:02Find a job in a shopping center in Pavia.
11:07She's good and quickly becomes department head.
11:12Now he finally has a decent salary.
11:15And he can afford a house for himself and little Dario.
11:18The only piece that remains of that beautiful mosaic of happiness that has fallen to pieces.
11:26Everything seems to be going right again, when in 1989 Milena meets another man.
11:35He too is separated, he too is older than her.
11:38Ten years.
11:43His name is Mario, Mario Fogli.
11:46What immediately strikes her about Mario is his physical appearance.
11:50When Milena meets him in the shopping center where she works and he makes deliveries,
11:56something awakens in her after a long time.
12:02The fact is that Milena can't help but feel a strange disturbance every time Mario tells her
12:08he's close by.
12:09And Mario notices it immediately.
12:11Because Milena is also a pretty brunette.
12:14Even though she is already a mother, she still has the naive air of a young girl.
12:19It's a smile from those green eyes that is not easily forgotten.
12:24So, two months later, on a hot July day, the two get married.
12:38In 1992 Milena was pregnant again.
12:42Milena's wishes now seem to have been fulfilled again.
12:50They seem, because it is at this point that in that solid house that he believes he has built,
12:57notice the first dangerous cracks.
13:06It's dinner time at the Fogli house.
13:08Milena has just finished cooking and is waiting for her husband to return from work.
13:18The little girl is sitting on the high chair.
13:20At the table, next to her, there is also Dario, who is now a 13-year-old boy.
13:26He plays with his little sister and occasionally steals a piece of bread to while away the time.
13:33Milena is hungry too.
13:35It must be the tiredness of that pregnancy now at the end and that is making her dizzy.
13:42Finally the husband arrives.
13:43Mario's eyes are all on his daughter and he walks towards her smiling.
13:49He brought her a teddy bear he bought on the way home.
13:57She laughs happily.
13:59Dario observes the scene in silence.
14:02For Mario Fogli, his stepfather, it's as if he doesn't exist.
14:07Dario wants to play it too.
14:09He comes closer and takes the fur from her hands.
14:27And Mario goes berserk.
14:31You, don't you dare touch my daughter.
14:35You're just a little bastard.
14:39Give her back the proppant right away.
14:41And stay away from her.
14:44You, you are not part of this family.
14:49So she tells him, while grabbing him by the arm and pulling him.
14:55Milena steps in to prevent the worst.
14:58Leave the boy alone, Mario.
15:00He didn't do anything.
15:03Mario cannot tolerate being challenged.
15:06And Milena doesn't allow that interference.
15:09A new, monstrous rage rises within him.
15:14Look, you're only interested in him.
15:16Her baby.
15:18I wonder what you do all day when I'm not around, bitch, huh?
15:22What are you doing?
15:24Milena remains still.
15:27Frozen.
15:28Maybe he didn't understand well.
15:31Mario cannot have made such a bold accusation.
15:37He takes Dario by the hand
15:39and trembling he heads towards the door to leave.
15:43But Mario chases her.
15:46He grabs her by the hair.
15:47She, a pregnant woman,
15:50and tries to drag her into the house.
15:52Then
15:52he kicks her.
16:01Dario, terrified,
16:03he sees it fall, that's for the escapes.
16:12Despite that fall,
16:14the little one will be born without problems.
16:16But that wound, Milena,
16:18he will never be able to erase it from his soul.
16:21Also because from that day on,
16:23her husband Mario sent the young Dario
16:25to sleep in the garage.
16:29Nightmares, horrible, they agitate her at night
16:32and make her sweat in bed.
16:34The daily violence of her husband
16:36it now overlaps in sleep
16:39to the ancient violence of the father.
16:41Thoughts he can't shake anymore
16:44not even during the day.
16:48We don't know exactly when it will happen.
16:51We don't know the exact moment
16:53of that first gesture
16:55from which there will be no return.
16:57When in the cupboard
16:59that bottle suddenly
17:01seems to suggest a way out to her.
17:05As time goes by
17:07those sweetish liqueurs
17:09they are no longer enough.
17:11Milena discovers
17:12than with whiskey
17:13everything is easier
17:16and fast.
17:18In the new cold solitude
17:19who lives
17:20the bottle
17:21become a silent friend
17:24hot
17:24reliable.
17:26A friend
17:27that never disappoints.
17:33Alcohol became for me
17:35an indispensable thing
17:37more than food to feed me
17:38and some water to quench my thirst.
17:41I could forget everything.
17:43In the morning
17:44just woke up
17:45I couldn't get my coffee
17:47I was shaking like a leaf.
17:49I just needed some alcohol
17:52and always with higher gradations.
17:56Only after drinking
17:57two glasses
17:58I was able to relax
17:59and do what I had to do.
18:04my husband
18:05when he realized
18:07that I had drunk
18:08he beat me violently.
18:11Milena
18:12then he realizes
18:13that if together with whiskey
18:14swallows psychotropic drugs
18:17his reality
18:18takes on some contours
18:20even more distorted.
18:22Pleasant even.
18:24All
18:25but absolutely everything
18:26it becomes more bearable.
18:35and Milena
18:37down another glass.
18:40To make matters worse
18:42the economic situation too
18:44it crashed.
18:46Mario
18:46he demanded
18:47that she
18:48he left his job
18:49why women
18:51who work
18:51sooner or later
18:53they betray
18:53so he whispers to her
18:55evil.
18:56But he
18:57he can't keep up
18:59a job
18:59that it is one
19:00he enters without fail
19:02under discussion
19:02with the bosses
19:03and it ends
19:04inevitably
19:05to be fired.
19:09One morning
19:11the doorbell rings
19:12to the bailiff.
19:14Milena
19:15he doesn't know
19:15that her husband
19:16he has a large debt
19:17for purchase
19:18of a truck.
19:20Suddenly
19:20you can see
19:21to take away
19:22all that
19:23that he owns.
19:26The television
19:27the table
19:28of marble
19:28of the kitchen
19:29the chairs
19:30the lamps
19:30All.
19:32Those cracks
19:33that they were
19:34appeared
19:34on the walls
19:35of his house
19:36they become
19:37ever wider.
19:43She remains alone
19:44in that apartment
19:46emptied
19:46to contemplate
19:47the desolation
19:48in which they fell
19:50his wishes
19:51and his hopes.
20:01As
20:02they are forced
20:03to move
20:04continuously
20:06in ten years
20:07ten moves
20:09ten houses
20:10from the province
20:12Pavese
20:12in Veneto
20:13Then
20:13in the Marche
20:14Then
20:15again
20:15in the northeast
20:16and in the end
20:17Still
20:18in Lombardy
20:19a stupid one
20:20circular escape
20:22that comes back
20:22on herself
20:23increasingly useless
20:24but in those ten years
20:26they happen
20:27many other things.
20:32Every now and again
20:33Milena
20:34he paints
20:34because in this
20:36horrible existence
20:37it's just painting
20:39Together
20:39to alcohol
20:40his only one
20:41relief.
20:47Often
20:48he paints
20:49political subjects
20:50portraits
20:51that resells
20:52in the holidays
20:52of the Carroccio
20:55sometimes
20:56Instead
20:56Milena
20:57when he grabs
20:57the brush
20:58his thoughts
20:59makes them float
21:00somewhere
21:01unknown
21:01and focuses
21:03on nature and death
21:04or on foggy ones
21:05Po Valley landscapes.
21:10As
21:11the years pass
21:13everything still
21:14in Milena's life
21:15even the cracks
21:16of his existence
21:17those caused
21:19from resentment
21:20from pain
21:21from the ashes
21:23of his love
21:23love
21:25the only one
21:26what remains for her
21:27it's not certain
21:28for that man
21:28nor much less
21:30that for herself
21:31it's love
21:33for his son
21:33Dario
21:34that maybe
21:35he begins to despise her
21:36and what he sees
21:37further and further away
21:38and cold
21:39sometimes
21:40and again
21:42love
21:43for the others
21:43two small ones
21:44the daughters
21:45of that man
21:46that when he looks
21:47eat
21:48in the deep
21:49of his heart
21:49hate
21:55it's an evening
21:57of 1994
22:00Mario
22:00yes it is again
22:02thrown
22:02against Darius
22:03Milena's son
22:04what time
22:05he is 15 years old
22:08but what school
22:09it's school
22:10to work
22:11you have to go
22:11and now that you're going
22:13go to work
22:14and bring the money
22:15At home
22:15parasite
22:17Dario
22:17this time
22:18he answers him
22:19for the rhymes
22:20look who's talking
22:21you are not capable
22:23to support you
22:23a job
22:24a
22:24tell mom
22:25but you are a
22:26idiot
22:27fucking shit
22:27Mario
22:29at this point
22:29he can't see anymore
22:33away
22:33away from my house
22:35and don't do it again
22:36see
22:39and Dario
22:41he's really leaving
22:42from his grandmother
22:46the next day
22:47will try to reach him
22:49Milena too
22:49with her two daughters
22:50but the mother
22:51he has no intention of doing so
22:53to take her home again
22:55Mario then
22:56that raised head
22:58he doesn't forgive her
22:59how dare she
23:01to Milena
23:01to undermine
23:02his authority
23:03in front of his daughters
23:04that crazy one
23:05ubbiacona
23:06Now
23:07he doesn't want it anymore
23:08out
23:09from his house
23:10out
23:11from his life
23:16Milena now
23:17she is alone
23:18without money
23:19Nobody
23:20you can count on
23:21but he can't anymore
23:22go back
23:23the two begin
23:25the process
23:25for legal separation
23:27they agree
23:28she and Mario
23:29one last time
23:37we are in the east
23:39in the Padua area
23:40it's October
23:41of 1995
23:43here Milena
23:45he found
23:45house and a job
23:46as a woman
23:47of cleaning
23:48in a gym
23:50one day
23:51an elderly gentleman
23:52the neighbor
23:53he introduces himself
23:54is called
23:55Right
23:56from the Pozza
24:01the two
24:02they put themselves
24:02to chat
24:03Milena
24:04start talking to him
24:06of his problems
24:07Right
24:08it seems just like that to you
24:10a good man
24:10as the name says
24:11and maybe
24:13think that
24:14benevolence
24:15of that old man
24:15could be
24:16be useful to you
24:19Listen
24:20I am 80 years old
24:22and I'm alone
24:23why don't you give it to me
24:24a hand
24:25to me
24:26just someone is enough
24:27who cooks me something
24:28what does it do to me
24:29a little company
24:31money
24:31I have some too
24:32more than how many
24:32I need them
24:34On the contrary
24:34you know what I do
24:35I'll lend you
24:374 million
24:38and give them back to me
24:39a little at a time
24:39we climb them
24:40from your salary
24:41what do you say?
24:46Milena
24:47accept
24:48a stroke of luck
24:50it would seem
24:51but the fiction
24:52it doesn't hold up
24:53just a few weeks
24:55After
24:55Right
24:56begins to be
24:57more and more nervous
24:59to react badly
25:01what Milena
25:03Kitchen
25:03he doesn't like it
25:04the shirts
25:05he doesn't iron them well
25:06the house
25:07it's a mess
25:07there is always
25:09something wrong
25:10in all
25:11what he does
25:12and one day
25:14precisely
25:15October 27th
25:161995
25:17by surprise
25:19the old man
25:20he asks her back
25:21the money
25:24Milena
25:25dismayed
25:26but
25:27but how
25:28they were not
25:29agree
25:29that it was
25:30a loan
25:31to climb
25:32from his salary
25:33yes salary
25:34he replies that
25:35I'll give it to you
25:36the salary
25:37the iron
25:38for an arm
25:39and pushes it
25:40on the net
25:41you're stupid
25:43you didn't understand anything
25:45what do you think?
25:46gave you
25:47money to make
25:47eh
25:48Pretty
25:49Milena
25:50he tries to break free
25:51grab the bajur
25:53on the bedside table
25:53and with the base
25:54of the lamp
25:55hits the old man
25:56at the nape of the neck
25:58from the puddle
25:59falls heavily
26:01on the ground
26:01and beats
26:02with violence
26:03head to the ground
26:04it remains like this
26:05stopped
26:06and inanimate
26:07Milena
26:08it's taken
26:09from panic
26:09and run away
26:11from that house
26:11faster
26:12which can
26:17after three hours
26:18but
26:18decide
26:19to return
26:20backwards
26:20once
26:22returned
26:23note with surprise
26:24that from the puddle
26:25it is no longer
26:26in the room
26:27from bed
26:27where he had left it
26:29he dragged himself along
26:31along the apartment
26:32almost arriving
26:33on the threshold
26:34of the entrance
26:35leaving streaks
26:37of blood
26:37everywhere
26:40and what's worse
26:42is that he is not dead
26:44breathe
26:45he's still breathing
26:50Milena
26:51decide then
26:52to call
26:52the ambulance
26:59when they arrive
27:00the rescuers
27:01they find
27:02an apartment
27:03on a square
27:03a lot of dirt
27:05and disorder
27:06everywhere
27:10the glass door
27:11of the room
27:12it is shattered
27:27from the puddle
27:29he will die
27:29a few days
27:30later
27:31and his death
27:32surprisingly
27:33also for Milena
27:34will be archived
27:35like a fall
27:35accidental
27:36case
27:37closed
27:42but for Milena
27:43after that death
27:44something has changed
27:46feelings of guilt
27:48now they are tormenting her
27:49yes it's true
27:51she just defended herself
27:52from yet another act of violence
27:54he couldn't do it
27:55otherwise
27:56but things
27:57they were really like that
27:59that man
28:01could have saved him
28:02call first
28:04the ambulance
28:04nevertheless
28:06he hadn't done it
28:07and now
28:08he was guilty
28:09had killed
28:11a man
28:12so far no one
28:14he knew it
28:14but if it had been discovered
28:17if they had come
28:18to look for her
28:19what he should have done
28:21confess
28:27but who could have ever
28:29believe her
28:29No
28:30the only solution
28:32it is to be silent
28:34keep everything to yourself
28:36try to rebuild
28:38the appearance
28:39of a normal life
28:44Milena is scared
28:46he is afraid for himself
28:47but above all
28:48for his children
28:49and then maybe
28:50better go back
28:52in the old hell
28:53rather than face it
28:55a new one
28:57and that's how it is
28:58that after a few months
29:00since the death of Giusto
29:01Milena
29:02contact Mario again
29:03and he prays for him
29:04he begs him
29:05to try again
29:07Mario
29:08he doesn't know
29:09but the woman
29:10that is recovering
29:11at home now
29:12she's a murderer
29:16but to return to the old life
29:19it means to return
29:21to the same recriminations
29:22to the same abuses
29:24to the same violence
29:26it is more and more often
29:28to the usual bottle
29:33Milena
29:34drinks
29:35he gets dizzy
29:36everyday
29:37to cloud
29:38the conscience
29:39of what he did
29:42but also to wrap
29:44in the fog
29:45the terrible life
29:46which has come back to life
29:50and then
29:51drinks
29:52he drinks to such an extent
29:54that in March
29:541997
29:55she is hospitalized
29:57to the foundation
29:58Maugeri
30:00and in 1998
30:02it's herself
30:03which is addressed
30:04at the NOA in Monselice
30:05a center for alcoholics
30:11after three months
30:13of abstention
30:14but
30:14gives in again
30:16but as time goes by
30:18of the time
30:19nor alcohol
30:20nor psychotropic drugs
30:21nor the beloved painting
30:22they are enough for her anymore
30:24they multiply
30:25the days
30:26in which he loses
30:26completely
30:27the lucidity
30:28the thoughts
30:29At that time
30:30they drown completely
30:31in a fog
30:32thick
30:33and thick
30:34like that one
30:35of his landscapes
30:35and when
30:37the blanket falls
30:38it's time
30:39of great despair
30:40and then
30:41Milena
30:41he finds himself
30:42stop
30:43staring at the wall
30:45and it comes to her
30:46simply
30:47wants
30:47to kill himself
30:48why die
30:50it's always better
30:51than to live
30:52in this hell
30:53he tries
30:54three times
30:55with a razor blade
30:57on the wrists
30:57and with drugs
31:01without success
31:02something
31:04he holds her back
31:09Perhaps
31:10love
31:11for the children
31:11or maybe
31:13another
31:13dark thought
31:15which is slowly
31:16making way
31:17inside her
31:18a thought
31:20insinuating
31:21that whispers to her
31:22with ever greater strength
31:23that maybe
31:24it's not her
31:26the one who must die
31:3010.30pm
31:31of a Saturday
31:32It's August 1st
31:341998
31:36we are in Broni
31:37a small town
31:39of the Oltrepavese
31:40where Milena
31:41she moved
31:42with Mario
31:43and the daughters
31:45sultry weather
31:45and silence
31:46the song
31:48some crickets
31:48that's all
31:49that you feel
31:49in the country
31:50in this heat
31:51summer night
31:55to break
31:56that quiet
31:57of the screams
31:58and the voice
32:00of a man
32:00that screams
32:00like a madman
32:02alcoholic
32:03drunkard
32:05I knew it
32:06I didn't owe you
32:07take up again
32:08in community
32:09you had to stay
32:10not even
32:11to kill you
32:12she was able to
32:14it's the voice
32:15by Mario
32:16that for the umpteenth time
32:17attacks
32:18and beats Milena
32:21and Milena
32:22swallow the toad
32:24in the only way
32:25who knows
32:25it sticks
32:26to his bottle
32:30Mario swears
32:32and he goes to bed
32:38the hours pass
32:41Now
32:43everyone is sleeping
32:45the little ones
32:46and Mario too
32:47he sleeps
32:49only Milena
32:50she stayed awake
32:52that voice
32:53that voice
32:55that already other times
32:56he had heard
32:57that voice
32:58insinuating
32:59come back to talk to her
33:02it's not you Milena
33:04it's not you
33:05that you deserve
33:06to die
33:08is getting closer
33:09to the room
33:10from bed
33:10like a shadow
33:12in the night
33:13and it stops
33:14on the threshold
33:19his eyes
33:20they concentrate
33:21on that figure
33:22immovable
33:22in bed
33:23a bundle
33:25of light
33:25illumina
33:25the face
33:26by Mario
33:29he sleeps soundly
33:31as if nothing
33:32had happened
33:33Mario is sleeping
33:35while she
33:36he can't do it
33:37to find peace
33:39how much he hates it
33:41how easy it would be
33:43it would take so little
33:46that scene
33:47he imagined it
33:48many times
33:49in his head
33:51it's not you
33:52the one who must die
33:54it's not you
33:56it's him
33:59he looks at his hands
34:01between the fingers
34:02feels rough
34:03that rope
34:04of shutter
34:08when he took it
34:10he doesn't remember it anymore
34:11but it doesn't matter
34:14Nothing
34:15it has more importance
34:19Now
34:20it's just a few
34:21centimeters
34:21from him
34:22can feel it
34:23the breath
34:24breathless
34:25almost a death rattle
34:27he touches it
34:29light
34:29him
34:30has a small one
34:31convulsion
34:32in sleep
34:36Milena
34:37gently
34:37he lifts them up
34:39a foot
34:39then the other
34:41binds him
34:43the ankles
34:43the wrists
34:46Now
34:47is doing
34:47pass
34:48the rope
34:49around the neck
34:49the rope
34:51closed
34:52in a knot
34:52noose
34:53Mario
34:55suddenly
34:56he wakes up
34:59it's still
35:00prey
35:01of torpor
35:01he doesn't understand
35:03what's happening
35:04he feels something
35:06around the neck
35:08try to react
35:12he wriggles
35:14but the more he gets agitated
35:16the more he feels
35:17the rope
35:17to hug
35:19breathe
35:20becomes
35:21increasingly difficult
35:24At that time
35:25he sees it
35:27whore
35:28screams
35:28what the fuck did you do
35:30whore
35:30I'll kill you
35:36he manages to free himself
35:37a hand
35:38and throws a spheroid at her
35:41they fall out of bed
35:42Mario
35:43start screaming
35:48and then
35:49Milena
35:49grab
35:50the bajur
35:51on the bedside table
35:51and hits him
35:53with force
35:53to the head
35:55it's not enough
35:56At that time
35:57he takes a box
35:58wooden
35:59and hits him
36:00Still
36:00and again
36:02if it continues
36:04to shout
36:04someone will hear it
36:05the little girls
36:07they will wake up
36:08the choice
36:10Milena
36:12pull the rope
36:13with all
36:14his strength
36:15rest one foot
36:16on Mario's neck
36:17lying on the ground
36:18And
36:18pull
36:19pull
36:20as long as he can
36:21Mario coughs
36:23turns red
36:25and clumsy
36:25he starts to spasm
36:27Then
36:29suddenly
36:30it becomes an insect
36:34caught in a moment
36:36of lucidity
36:36Milena
36:37runs to the kitchen
36:38to take a knife
36:40try to cut
36:42the rope
36:43but it's too late
36:44Mario
36:45is dead
36:46suffocated
36:52I just wanted
36:53that he stopped
36:55I just wanted
36:57that he stopped
36:57that he stopped
36:59she repeats to herself
37:01like a mantra
37:04it's the first light
37:05of dawn
37:06Milena
37:07she took courage
37:08she got up
37:09he tidied up
37:10the house
37:11and dragged
37:12the body
37:13on the balcony
37:13he put
37:15a carpet
37:15on the railing
37:16to hide
37:17the corpse
37:17from the sight
37:18of the neighbors
37:19like a trap
37:20funeral
37:21and watched over him
37:23for hours and hours
37:24swinging
37:25on herself
37:26with tears
37:27black
37:27of mascara
37:28that were dripping from her
37:29on the face
37:30disfigured
37:31from pain
37:31Then
37:32she has settled down again
37:34it was done
37:35courage
37:36and she took it
37:37treatment
37:37of the daughters
37:38he spent
37:40in the morning
37:40the afternoon
37:41of that Sunday
37:42to play with them
37:43as if nothing had happened
37:47at 4.30pm
37:49come back and check
37:51the body
37:51When
37:52a voice
37:53from the inside
37:54he calls her
37:56mom
37:57mom
37:58what is he doing on the balcony
37:59to the feeling
38:01that voice
38:02an awareness
38:04sharp
38:04crosses it
38:05like a blade
38:06knows
38:08of not having
38:09escape
38:10and then
38:11he picks up the phone
38:12and composes
38:13on the keyboard
38:14a number
38:15three-digit
38:15the 112
38:18I didn't get on
38:20who was sleeping
38:22I don't know
38:23What
38:24he took me
38:27at that moment
38:28I didn't want to
38:30Surely
38:31arrive
38:31to a situation
38:32of the set
38:34I do not know
38:36but they do
38:38what I did
38:39because I am
38:40post looking
38:41the incredible
38:41because I thought
38:42that he would wake up
38:43for a moment
38:44to the other
38:44it was not believed
38:45Nothing
38:46that not
38:47is dead
38:48I touched it
38:49and not
38:53he took me
39:13true awareness
39:14to be
39:15a murderer
39:16Still
39:17it didn't arrive
39:18his conscience
39:20he feels like a victim
39:21Milena
39:22a victim
39:23of the circumstances
39:24the victim
39:25of continuous
39:26violence
39:26abuses
39:29could have
39:30report it
39:30that husband
39:31from which she herself
39:32voluntarily
39:33she had returned
39:34could have
39:36to defend oneself
39:36in many other ways
39:37hand
39:39for Milena
39:41there hadn't been
39:42no other possibility
39:43this repeats itself
39:45there hadn't been
39:47no other
39:48possibility
39:55April 26th
39:571999
39:58the court
39:59from Voghera
40:00with ritual
40:00abbreviated
40:01condemnation
40:02Milena
40:02Quaglini
40:03at 14 years old
40:04for the murder
40:05voluntary
40:06of the husband
40:06Mario Fogli
40:08the years
40:09Then
40:09will be reduced
40:10on appeal to six
40:11because for the court
40:13it's a semi
40:14sick
40:14of mind
40:16already from the conviction
40:17first degree
40:18Milena
40:18he loses like this
40:19definitely
40:20the cure
40:20of the daughters
40:21which are entrusted
40:22both
40:22to his sister
40:23Dario
40:24the son now
40:26adult
40:26he won't look for it
40:27Instead
40:28never again
40:31after a few months
40:32in prison
40:33they are granted to her
40:34the arrests
40:35house arrest
40:35he doesn't know where to go
40:37Milena
40:37and when it shows up
40:39at the mother's house
40:39that
40:40he doesn't let her in
40:41On the contrary
40:42call a friend
40:43of the family
40:44to push her away
40:45there is no space
40:46in that house
40:47for an alcoholic
40:48murderer
40:50for my mother
40:51and my sister
40:52I'm as good as dead
40:56Milena
40:57find then
40:58an accommodation
40:59in a community
41:00for minors
41:00where he works
41:01of cleaning
41:02in exchange
41:03of hospitality
41:05I had never
41:06time for me
41:07it was worse
41:08first
41:08I knew it was
41:10prohibited
41:10introduce alcohol
41:11but I couldn't resist
41:17after only a month
41:19and a half
41:19Indeed
41:20loses his job
41:20and is hospitalized
41:21again
41:22to the hospital
41:23Maugeri
41:23in September
41:25of 1999
41:26when she is discharged
41:27he can't come back anymore
41:28nor in the community
41:29nor from family members
41:31he doesn't know what to do
41:34Milena
41:35must find
41:36a place
41:37where to discount
41:37house arrest
41:39otherwise
41:40for her
41:40they will open
41:41again
41:42the doors
41:42of the prison
41:51in despair
41:53need to find
41:54an accommodation
41:54Milena
41:55responds to an ad
41:56on a newspaper
41:57of such
41:58Angel
41:58Porrello
42:01the announcement
42:02it goes like this
42:0553 years old
42:06divorced
42:06dynamic
42:08slender
42:09own home
42:10looking for a partner
42:12sociable
42:12maximum forty years old
42:13for friendship
42:15cohabitation
42:16then we'll see
42:17if interested
42:19call the number
42:20to hold back
42:22mercenaries
42:23he is the man
42:25Right
42:29a month later
42:30it's late at night
42:32of October 5th
42:331999
42:34the carabinieri
42:36from Bressana
42:37Bottarone
42:38they come closer
42:39to a Fiat
42:39regatta
42:40on board
42:41there is a woman
42:42the carabinieri
42:44they ask her
42:45whose it is
42:45the machine
42:46who is driving
42:47she
42:48he answers
42:48Seraphic
42:49a friend of mine
42:51he lent it to me
42:52the machine
42:53Indeed
42:54belongs
42:55to Angelo
42:55Porrello
42:58that
42:59of the advertisement
43:00in the newspaper
43:00they ask her
43:02At that time
43:03the general information
43:03and the woman
43:05show them
43:06a driving license
43:08it's written
43:09Guaglinetti
43:11Maria Tea
43:15but the counterfeiting
43:17it's so crude
43:19that the carabinieri
43:19they are welcomed immediately
43:22and they stop her
43:24they slam it
43:26in prison
43:26from Vigevano
43:27with the accusation
43:27of escape
43:32from prison
43:33Milena
43:34he writes two letters
43:35to Angelo Porrello
43:36gives him
43:37of the lei
43:38he asks him
43:39to be able to
43:40to return
43:40in possession
43:41of some
43:42its effects
43:42personal
43:47Mr. Angelo
43:49I'm looking for it
43:51for several days
43:52but I can't
43:53to track her down
43:54I called
43:55days ago
43:56several times
43:57but his phone
43:58he is always silent
43:59I have from her
44:00various objects
44:01personal
44:02Please
44:02make yourself heard
44:04Thank you
44:05Milena
44:05Quaglini
44:07he knows very well
44:08that these letters
44:09Angel
44:10he won't read them
44:11never
44:12what had happened?
44:16it had happened
44:18that after
44:19having responded
44:19to the announcement
44:20Milena
44:21she had moved
44:22weapons and baggage
44:23at his house
44:24and Porrello
44:25a few days later
44:26had presented
44:28a request
44:28at the police station
44:29to do them
44:30obtain
44:30the change
44:31of residence
44:32in which he declared it
44:33his companion
44:37he liked Milena
44:39that small body
44:41that thinness
44:42as a teenager
44:43it was just
44:44what Porrello
44:45secretly
44:47he wanted
44:48the body
44:49of a little girl
44:50with the card
44:51of identity
44:52of a woman
44:53done
44:59Milena
44:59he didn't know
45:00but Porrello
45:02it had been
45:02convicted
45:03at six years old
45:04for having abused
45:05of his own daughters
45:08October 5th
45:101999
45:11Therefore
45:12Milena
45:12is found
45:13for ten days
45:14At home
45:15by Angelo
45:15Porrello
45:16and he already understood
45:18that even Angelo
45:19it's no different
45:20from all other men
45:21with whom he had to deal
45:26that day
45:27let's have lunch together
45:28at his house
45:29a dish
45:31of dry pasta
45:31with tomato
45:36right after lunch
45:37Porrello
45:38insists
45:39to have with me
45:40a sexual relationship
45:41he puts his hands on me
45:43to my refusal
45:45becomes violent
45:46and starts hitting me
45:47giving me strong slaps
45:49on the edge
45:51Milena
45:52this time
45:53he doesn't try
45:54not even
45:54to resist
45:55at this point
45:56he learned
45:57that in cases like this
45:58the best thing
45:59is to stay there
46:00immovable
46:02wait
46:03wait
46:04let it all end
46:07we had
46:08two reports
46:09sexual
46:09complete
46:10at the end
46:11of the first
46:12Porrello
46:13has reached
46:13the orgasm
46:14while the second
46:15relationship
46:16it didn't end
46:17because I succeeded
46:18to make him give up
46:21and while Angelo
46:22ago
46:22his comfort
46:24she
46:24meanwhile
46:25thinks
46:27once again
46:29that voice
46:30it was done
46:31road in her
46:32that voice
46:34what he tells her
46:34which will not have to
46:35suffer more
46:36that someone else
46:38deserves
46:38death
46:41and at that moment
46:42realizes
46:43that that thought
46:44that thought
46:46who had supported her
46:47when he had killed
46:48her husband Mario
46:49he wasn't alone
46:51a wish
46:52of revenge
46:52in that death
46:54make Milena now
46:56there was something else
46:58kill
46:59now he knows
47:00it was her
47:01liked
47:07when Angelo
47:08he finished
47:09Milena
47:10he stands up
47:11and puts the panties back on
47:12and a strange one
47:14perverse smile
47:15crosses her face
47:17he stares at him
47:19do you want a coffee?
47:24when he pours the coffee
47:25in the cup
47:26it melts us inside
47:27a whole blister
47:29of sedatini
47:32Angel
47:33he didn't finish
47:34to drink
47:34the last sip
47:35of that coffee
47:36rather long
47:37who already understands
47:38that something
47:39it doesn't work
47:41waterfall
47:42cold water
47:43try to reach
47:45the bathroom
47:45but
47:46as soon as he gets up
47:47from the bed
47:47the ground falls
47:49and loses consciousness
47:53Milena
47:54he might escape
47:55at this point
47:56to save oneself
47:57but he doesn't do it
47:59it's not enough for her
48:00That's not it
48:01what he wants
48:02the pleasure
48:04to kill
48:04it was done
48:05road in her
48:08wants
48:09do it again
48:13he has already thought about it
48:14to all that
48:15what you need
48:16he is clear
48:17every step
48:18he grabs it
48:19for the arms
48:20and drags him
48:21in the bathroom
48:21he undresses him
48:23and immerses it
48:24in the tub
48:30Angelo is unconscious
48:31and as he leaves it
48:33deny
48:33Milena
48:34he's going to take a shower
48:36in the other bathroom
48:38the smell
48:39of that man
48:39despicable
48:40he can't stand it
48:41have it on you
48:44when he comes back
48:45from him
48:46Porrello
48:47he is subdued
48:47from the water
48:48from vomiting
48:49and from his own
48:51excrement
48:55Milena
48:56he observes it
48:57pleased
48:58and detached
48:59Now
49:01is dead
49:02for sure
49:03thinks
49:04while pulling
49:05one last breath
49:09lets it pass
49:11a few hours
49:13Wait
49:13the darkness
49:15then calmly
49:16drag
49:17the corpse
49:18naked
49:18in the garden
49:20and hides it
49:21in the manure heap
49:24it seems to you
49:25the right place
49:26here
49:27among the manure
49:31it was a pig
49:33bastard
49:33he deserved it
49:35Milena
49:37he couldn't do it anymore
49:38to bear
49:39this shit
49:39he will say so
49:41talking about himself
49:42in the third person
49:42to the investigators
49:43him
49:45he was an individual
49:46sickening
49:47Milena
49:48she was fed up
49:49heater
49:50to bear
49:51violence
49:51and all that
49:53what happened to her
49:57investigators
49:58they question her
49:59they can no longer be found
50:00in front of
50:01to a victim
50:01scared
50:02a woman
50:03that was done
50:04drag
50:04from the events
50:06the Milena
50:07that for the third time
50:08he returns to prison
50:09she's a murderer
50:11shrewd
50:12which no longer has
50:13Nothing
50:13to lose
50:14she is so convinced
50:16to still be able to
50:17once
50:17to pass for crazy
50:19that out of the blue
50:20he also confesses
50:21death
50:22the unjust
50:23from the puddle
50:23that old gentleman
50:25who seemed to be dead
50:27for an accidental fall
50:32in all cases
50:33I killed
50:34who raised their hands
50:35against me
50:36says Milena
50:37almost with candor
50:39I couldn't take it anymore
50:41of being beaten
50:42because every slap
50:44that I took
50:44from a man
50:45I was reliving
50:46all of those
50:47taken from my father
50:50I tolerated
50:51I was putting up with it
50:52I was putting up with it
50:53until they made me
50:54something intolerable
50:55that made me explode
50:57and then
50:58when it clicked on me
51:00that reaction inside
51:01it came to me
51:02a tremendous force
51:03uncontrollable
51:04and I couldn't
51:06to stop me
51:06until
51:08they were no longer breathing
51:17a move
51:18this last confession
51:20that leaves
51:21everyone was taken aback
51:26it really is
51:27completely crazy
51:28or at this point
51:30it suits her
51:31pass
51:31for crazy
51:32it imposes itself
51:34the necessity
51:35of yet another
51:35psychiatric assessment
51:42the appraisals
51:44actually
51:45there will be four
51:50and each one
51:51will provide
51:52an evaluation
51:53totally different
51:54of who he really is
51:56Milena
51:56Guaglini
52:01the last of these appraisals
52:03closes forever
52:05the speech
52:06on semi-mental infirmity
52:07which had allowed her
52:09to be condemned
52:10at just nine years old
52:11for two murders
52:13that of the husband
52:14Mario Fogli
52:15and that of the elder
52:16Right
52:16from the puddle
52:21the murder of Porrello
52:23it is read
52:23in the fourth appraisal
52:24was brought
52:26at term
52:26with a coldness
52:28and a clarity
52:29relentless
52:34without any second thoughts
52:36without any hesitation
52:40Milena Guaglini
52:41awaiting trial
52:43for this last one
52:43third murder
52:44it is therefore
52:45fully
52:46attributable
52:52for Milena
52:53it's a very hard blow
52:55understands that this time
52:57will not have
52:58nor understanding
52:59no discounts
53:00understands that the penalty
53:01it will be tough
53:02and without redemption
53:05there are only a few days left
53:07to the final sentence
53:09I was wrong
53:11but old Milena
53:12it no longer exists
53:13I buried her
53:15together with the memory
53:16of people
53:17that I killed
53:19these are the last words
53:20which addresses
53:21to his lawyer
53:22who goes to visit her
53:25alone
53:26abandoned
53:28even from affections
53:29more expensive
53:29deprived of understanding
53:31and of the possibility
53:33to return
53:33to live
53:34and to kill
53:36Milena
53:37she hanged herself
53:40when the paramedics arrive
53:50they try to revive her
53:52he's still breathing
53:53but it has nothing to do
53:55too late
54:00Milena Quaglini dies
54:02October 16, 2001
54:03suicide
54:06while the staff
54:07pretentious
54:08empty the cell
54:10someone notices
54:11on the table
54:11a letter
54:15Perhaps
54:16he didn't understand
54:17Nobody
54:18of what I feel
54:18in my soul I
54:19and now
54:21I am tired
54:22so tired
54:23that I can't take it anymore
54:26I love you
54:27mom
54:38Milena's dream
54:40to build itself
54:41a house
54:42that he welcomed her
54:43it ends
54:44in the cell
54:44of a prison
54:45for life
54:47he had tried
54:48to remedy
54:48to the cracks
54:49that opened
54:50in the walls
54:50of his existence
54:51without success
54:54he says again
54:54Cioran
54:56bestiality
54:58of life
54:58he trampled on me
55:00he crushed me
55:01he cut me
55:03the wings
55:03in full flight
55:04and it's stolen
55:05of all the joys
55:06to which I was entitled
55:08Milena too
55:09he always had
55:10believed
55:11that someone
55:11had robbed her
55:12of all the joys
55:13of life
55:13what a terrible
55:15destiny
55:15he had fallen down
55:17on his home
55:18but he didn't have
55:20Understood
55:20that those cracks
55:22it was herself
55:23to widen them
55:33October 24, 2001
55:36the assize court
55:38from Pavia
55:38in reference
55:39to the murder
55:40by Angelo Porrello
55:41establishes
55:42not having to proceed
55:44being the crime
55:45instinct
55:46due to death
55:47of Quaglini
55:49in October 2001
55:51had begun
55:53the investigations
55:54on some cases
55:55of missing men
55:56of the lower Po Valley
55:57and in the Marche
55:59areas
56:00in which Milena
56:01Quaglini
56:01had lived
56:03in particular
56:05the investigations
56:06they had concentrated
56:07on the disappearance
56:08of a man from Iesi
56:09which according to the investigations
56:11Milena
56:12had had the opportunity
56:13to meet
56:13after death
56:16by Milena
56:16we will never know
56:18if those ascertained
56:19have been
56:20Really
56:21his only victims
56:24the confession
56:25of the crime
56:26Porrello
56:26it was one
56:27of moments
56:27more chilling
56:28of my life
56:30for various reasons
56:31the first
56:32because for the first time
56:33I realized
56:35of the other Milena
56:36I saw another face
56:37another face
56:37another woman
56:38she had the head
56:39quinine forward
56:40I was sitting
56:41in front of her
56:41it was just before
56:43lunchtime
56:44so of the break
56:45at the Vigevano prison
56:46I remember telling her
56:48Milena listens
56:49Please
56:50tell me the truth
56:51you're onto something
56:52with this story
56:54and she remained silent
56:56and I told her
56:56Listen
56:57don't be scared
56:58why a murder
57:00it's a murder
57:01two can be
57:02a problem
57:03and we know
57:03moreover
57:04what kind of person is he?
57:06there is something
57:07behind this story
57:08that doesn't convince me
57:09and she always had
57:10head bowed
57:11a few seconds passed
57:12it was like that
57:13he raised his head
57:15he looked at me
57:16changed completely
57:17his gaze
57:19and he told me
57:19I killed him
57:22and I have to say
57:24that at that moment
57:25it still comes to me now
57:26goosebumps
57:27it was a thing
57:28impressive
57:29the
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