Pino Rinaldi ripercorre le indagini e il processo per l'omicidio di Sara Di Pietrantonio, una delle vicende più sconvolgenti degli ultimi anni. La giovane studentessa romana, appena 22enne, viene uccisa la notte del 29 maggio 2016, vittima di un gesto estremo di violenza da parte dell'ex fidanzato. Un caso che ha scosso profondamente l'opinione pubblica, riportando al centro dell'attenzione il tema del femminicidio.
#Detectives #Femminicidio #PinoRinaldi #Crime #TrueCrime #Delitti #Misteri #Killer #SerialKiller #ColdCase #Cronaca #CronacaNera #Mistero #Delitto #Documentari #Documentario #Docu #Doc #DivinumCrime
#Detectives #Femminicidio #PinoRinaldi #Crime #TrueCrime #Delitti #Misteri #Killer #SerialKiller #ColdCase #Cronaca #CronacaNera #Mistero #Delitto #Documentari #Documentario #Docu #Doc #DivinumCrime
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00:00:10Sara, like every evening, before returning home, sent me a message because anyway
00:00:18We live in the far outskirts, the street is very desolate, via della Magliana.
00:00:26When, after a quarter of an hour, twenty minutes, I saw that he hadn't arrived home, I started
00:00:34just to worry.
00:00:41I also started calling her, the phone kept ringing off the hook.
00:00:48So I went to call my brother and asked him if he would kindly accompany me.
00:00:55to go and look for Sara because I feared she had had an accident.
00:01:01So we went out together and when, shortly after, well, we invoked the way of
00:01:06Magliana, I saw this car that was on fire.
00:01:24It was my car, there was a policewoman next to me who immediately reassured me that
00:01:33There was no one in the car and that really relieved me.
00:01:41It was a passerby who alerted the firefighters, who intervened following a report
00:01:45of fire on Via della Magliana, which among the bushes, about a hundred meters from there,
00:01:49there was another outbreak.
00:01:54While I was talking to the policewoman, the firefighters who had put out the car fire
00:02:02they were going away, but I see that they stop after two or three hundred meters, as if to turn off
00:02:11a fire.
00:02:14There was all this hair floating in the air, then I saw, needless to say,
00:02:21of Sara and then clearly Sara's hand was Sara's.
00:02:28So unfortunately the fire was Sara.
00:02:37Unfortunately, this woman is not mistaken, that burning body belongs to Sara, her daughter.
00:02:43His dramatic and lucid story is the exact photograph of what
00:02:50it's happening.
00:02:52The body is in a supine position and is lying on a pile of leaves.
00:02:59It's an anomalous situation, on one side we have a burnt car, three hundred meters away the
00:03:04body of a woman that was still burning until moments before she arrived.
00:03:12What happened?
00:03:13It's true, it's an anomalous scene and it's not possible to exclude any impact.
00:03:23hypothesis.
00:03:24It could have been an accident, a horrible accident.
00:03:28The car may have caught fire for some reason, leaving the young woman trapped.
00:03:35inside the passenger compartment, completely engulfed in flames, he tries to escape
00:03:41to save his life but he fails and unfortunately dies not far away.
00:03:46But there's something about this scene that doesn't convince me.
00:03:51What?
00:03:51Sara's body appears to be perfectly placed on the pile of leaves where we found it.
00:04:02There is the fact that I don't understand why Sara had to do that race on foot
00:04:10of a few hundred meters.
00:04:13And then, this is perhaps my personal suggestion, but on the face of that young girl
00:04:23an expression of suffering and fear seems to have been imprinted on him in an atrocious, indelible way.
00:04:34What he perceives are sensations, details that can say one thing but also
00:04:43the opposite.
00:04:44What happens at this point?
00:04:47At this point it is essential to immediately begin the actual investigative activity.
00:04:54The first thing was to call the coroner to the scene.
00:04:59In fact, it was necessary to understand with certainty what the causes of the death of the
00:05:08poor Sara.
00:05:09During the inspection, the coroner actually notices something on Sara's body
00:05:16of anomalous.
00:05:18He talks about bruises.
00:05:20And what are they?
00:05:22These could be signs of something tightening.
00:05:28But where are these stains?
00:05:31On the neck.
00:05:32So it could be a mechanical action of constriction of the airways.
00:05:39But the conditions in which Sara's body was found, half-charred, and the
00:05:47the upper part of the body was the one most affected by the flames, they do not allow
00:05:51in the immediate need to truly understand whether these are signs of constriction
00:06:00mechanics.
00:06:01In short, during those first moments the information, the data that comes out are quite contradictory,
00:06:11unclear, not sufficient to explain what really happened.
00:06:16a misfortune or something else.
00:06:19At that point I think the next step is to listen to people, starting
00:06:28from mom and I don't know who else, what they do.
00:06:31First of all, I immediately summon all of Sara's friends to the police station and obviously also
00:06:38the mother.
00:06:39It is necessary to know the young woman's life thoroughly, to reconstruct the hours immediately
00:06:46preceding his death.
00:06:48And not only that.
00:06:49I notice that along Via della Magliana and precisely in proximity to the place where it was found
00:06:58of the burnt car as well as of the corpse, insist some companies equipped with systems
00:07:04video surveillance.
00:07:06I will contact the companies immediately to gain access to the recordings.
00:07:11While waiting for these recordings, he meets his mother and friends.
00:07:17Let's hear what they say.
00:07:29Sara has always been a very sweet girl, very sweet, but at the same time also very
00:07:39determined, she was almost stubborn, we can really say it.
00:07:44If she decided she wanted to do something, it wasn't very easy to make her change her mind, on the contrary.
00:07:56Stara was a particular type, in the sense that on the outside she seemed shy, introverted,
00:08:03then getting to know her you understood that she was extroverted, but above all self-deprecating.
00:08:11He always had a joke ready.
00:08:13She was very sunny, full of joy, always smiling.
00:08:18She was always careful not to disappoint or hurt others.
00:08:25He was a very responsible person.
00:08:36Sara was joy, art.
00:08:41I saw her in dance lessons, her commitment.
00:08:44You move to two.
00:08:46She was a truly special girl.
00:08:50He was always welcomed with a big smile.
00:08:54She was ready and generous to help her other classmates.
00:09:02She was studying at university, so she still had the dream of graduating.
00:09:09He also often talked about the future, about having a family.
00:09:15He played the transverse flute and had studied at the conservatory.
00:09:21She had many plans like all twenty-year-old girls.
00:09:29So, let's go back to those hours close to Sara's death,
00:09:33when there are still no certainties, but only intuitions.
00:09:37It's Flaminia, one of Sara's friends,
00:09:39to tell the first useful details to the police.
00:09:53That evening of May 28th we went out and she picked me up at home, around 10.
00:10:00We went to this bar where we chatted about Alessandro,
00:10:06who was the boy she was dating at the time.
00:10:11She said he was a sweet boy, that he was nice, that he was comfortable.
00:10:16Her eyes were shining.
00:10:23That evening you walked me home, around two o'clock, more or less.
00:10:30She had spoken to Alessandro, who was also out with other friends,
00:10:35staying Saturday night, and told me they were planning to meet.
00:10:40He told me that maybe we'll see each other for a moment and then go home.
00:10:44So she dropped me off at home and went to meet Alessandro.
00:10:51You, doctor, write down these elements, this data.
00:10:57From what I gather, they are going to be placed on the scales.
00:11:06who is leaning towards something other than an accident?
00:11:12Yes, of course, when Flaminia, at the police station, tells us that Sara, after having accompanied her home,
00:11:21the night of his death, he reaches this Alessandro, the new financier,
00:11:28I'm immediately summoning Alessandro to the police station.
00:11:31I feel it personally and Alessandro reports that yes, it is true.
00:11:37That night, the last day of Sara's life, the two young people meet.
00:11:43Sara meets him under his house, in the EUR area.
00:11:47They get into Alessandro's car and drive away for a cuddle.
00:11:52Alessandro then says that he accompanied Sara back to her car around 4am.
00:12:02Since then Alessandro says he hasn't seen her again.
00:12:07Do you believe this Alexander?
00:12:09We are still in the preliminary phase of the investigation.
00:12:13We have not acquired any certain elements.
00:12:17However, at the same time, we have not even ascertained
00:12:24that there are reasons why Alessandro is actually lying to us.
00:12:30But not only that.
00:12:32We don't even have any evidence to support this.
00:12:37that Alessandro has a valid reason to harm Sara
00:12:42and in that way, burning it, a modality that suggests
00:12:47a truly deep hatred towards the girl.
00:12:51At this stage of the investigation, the accident hypothesis
00:12:55was it completely deleted or not?
00:13:01We cannot yet completely rule out the possibility of a tragic accident.
00:13:07However, my suspicions are starting to get channeled
00:13:12towards a more certain direction.
00:13:15We are at the police station.
00:13:16What does it mean at the police station?
00:13:17Towards the hypothesis that it was actually a case
00:13:20of something more atrocious, of a crime.
00:13:23But there are still several pieces missing.
00:13:27At the police station, of course, we don't just hear from Alessandro.
00:13:32In the meantime, let's also listen to the stories of Sara's friends
00:13:37and mother's.
00:13:39And they all point us to another person
00:13:43which plays a central role in our investigations.
00:13:47And who is he?
00:13:49He is Sara's ex-boyfriend, Vincenzo Paduano.
00:13:53He is 27 years old.
00:13:56He's a security guard.
00:13:58Through ups and downs, he was linked to Sara for about two years.
00:14:04They broke up exactly one month ago
00:14:07compared to the day Sara died.
00:14:10We hear what our friends say.
00:14:16They were known as animators
00:14:19at a summer camp by the sea.
00:14:21She told us he was super nice with kids.
00:14:25A good person.
00:14:28Vincenzo really had this ability
00:14:31to make her feel important.
00:14:36They seemed like the couple of the year.
00:14:38Sara was calm.
00:14:40He was always very thoughtful.
00:14:43Then, over time, all this attention
00:14:47they have become a gilded cage.
00:14:55The impression he gave us was of a very simple person.
00:14:59but that it had nothing to do with Sara.
00:15:03She is a very sunny and funny girl.
00:15:08He, on the other hand, is a bit...
00:15:13a little off, here.
00:15:19Sara told me that anyway
00:15:22yes, everything was fine with Vincenzo
00:15:27the early periods.
00:15:29After that he called me and told me
00:15:31we can see that I had an argument with Vincenzo.
00:15:37He didn't like the fact that she danced.
00:15:41There were also some boys with us.
00:15:44and this bothered him.
00:15:47He came to watch Sara outside the gym.
00:15:52He put himself in a place
00:15:54which is then available to everyone
00:15:55where there is a direct view of the gym.
00:16:00There is an aquarium in the dance hall
00:16:04where outsiders can see
00:16:06what happens inside the room.
00:16:08And he was there, constant, frequent.
00:16:13I introduced myself to him.
00:16:16Nice to meet you, Stefano, I've known you for years.
00:16:18Sara, don't worry.
00:16:22He answered me
00:16:23yes, yes, I'm calm
00:16:25but I always check where you put your hands.
00:16:30Moving forward
00:16:32I saw her more and more
00:16:34stressed.
00:16:38He told us that there were more and more arguments
00:16:41that every time we went out
00:16:43he had to know
00:16:44exactly where we were
00:16:46who were we with?
00:16:48what time were we arriving?
00:16:50anything.
00:16:54Many aspects emerge
00:16:56of Sara's life.
00:16:58A boy who was making her happy
00:17:00but also a story
00:17:01tormented
00:17:02with another boy
00:17:03that she had left
00:17:05but that continues to be on her.
00:17:08We heard from the story
00:17:09of mother and friends
00:17:11that this relationship
00:17:13with Vincenzo
00:17:14had become
00:17:15a kind of nightmare
00:17:17for Sara
00:17:18which in fact
00:17:19he had left him.
00:17:21Professor Giannini
00:17:23is this relationship
00:17:27which can be defined
00:17:30and it defines itself
00:17:30toxic relationship?
00:17:33We recognize many elements
00:17:35of a toxic relationship.
00:17:36The relationship has a beginning
00:17:38where they seem happy
00:17:41I probably am
00:17:43he makes her feel important
00:17:45this is what describes us
00:17:46carefully the mother
00:17:48use a term
00:17:49they seemed like the couple of the year
00:17:50so it's the debut
00:17:52which makes it seem
00:17:54that everything goes well
00:17:55at least let's say
00:17:56the people who are involved
00:17:58in the relationship
00:17:58I am convinced
00:17:59that everything goes well
00:18:00but immediately
00:18:01it slips
00:18:02into something terrible
00:18:03he starts to practice
00:18:06power and control.
00:18:07Why it happens
00:18:08this mechanism
00:18:10in some men?
00:18:12Because it's part of them
00:18:14Unfortunately
00:18:15they have a representation
00:18:17of the couple's relationship
00:18:19and of the woman
00:18:20like something
00:18:21of their property
00:18:22he can't tolerate
00:18:23autonomy
00:18:24the joy of living
00:18:25by Sara
00:18:26his spaces of freedom
00:18:28he can't tolerate them
00:18:29he doesn't want them
00:18:29exerts a profound
00:18:31psychological violence
00:18:32a check
00:18:33continuous and slavish
00:18:34these are
00:18:35very bad signs
00:18:37it must be said
00:18:37when a relationship
00:18:39it starts
00:18:40for these routes
00:18:42Here you are
00:18:42they take pictures there
00:18:43very clear indicators
00:18:44of danger
00:18:45it's the beginning of the end
00:18:46it's the beginning
00:18:47of what can be
00:18:48the end
00:18:48often of the relationship
00:18:50in the worst cases
00:18:51of something else
00:18:52Exactly
00:18:53thank you professor
00:18:55Giannini
00:18:55now we have to
00:18:57stop
00:18:57Why
00:18:58we have
00:18:59a break
00:18:59advertising
00:19:01immediately after
00:19:01we will find out how
00:19:02proceeds
00:19:03this investigation
00:19:04on death
00:19:06by Sara
00:19:06by Pietro Antonio
00:19:11saying that there was
00:19:12the police under the house
00:19:14who was looking for me
00:19:19Welcome back to Detective
00:19:20Sara by Pietro Antonio
00:19:23she's a girl
00:19:2422 years old
00:19:25his body
00:19:27is found
00:19:27semi-carbonized
00:19:29in a neighborhood
00:19:30outskirts of Rome
00:19:34Dr. Quattrone
00:19:36her from the first moment
00:19:38he doesn't believe
00:19:40to misfortune
00:19:42to the accident
00:19:43automotive
00:19:44but to something
00:19:45much more serious
00:19:46the clues
00:19:48converge
00:19:49more and more
00:19:50towards
00:19:51those who are
00:19:52my suspicions
00:19:53there is a body
00:19:55semi-carbonized
00:19:57of a young girl
00:19:58an ex-boyfriend
00:20:01jealous
00:20:02morbid
00:20:03obsessive
00:20:04therefore
00:20:05I'll send it immediately
00:20:07my collaborators
00:20:09of the mobile squad
00:20:10at home
00:20:11by Vincenzo Paduano
00:20:12is he home?
00:20:14I'm about
00:20:14at 8 in the morning
00:20:16Vincenzo is sleeping
00:20:17Why
00:20:18has carried out
00:20:20the night shift
00:20:21at the offices
00:20:22of the Lazio region
00:20:24we are in the EUR area
00:20:25immediately
00:20:26they take him to the police station
00:20:28to be heard
00:20:29let's hear what he says
00:20:34this time
00:20:35I woke up
00:20:36and they called me back
00:20:38from the operations center
00:20:39saying that there was
00:20:40the police under the house
00:20:42who was looking for me
00:20:45still with them
00:20:46on the phone
00:20:46I made the sub-intercom
00:20:47who is?
00:20:48please come up
00:20:48they asked me
00:20:53if I knew
00:20:54if people
00:20:54he said
00:20:55of course I know her
00:20:56why what happened?
00:20:59nothing nothing
00:21:00come with us
00:21:03they were doing
00:21:04really an accident
00:21:07There has been an accident
00:21:09what kind of accident
00:21:11alone
00:21:12I can't find it either
00:21:13alone
00:21:17In short
00:21:18the impression I had
00:21:20watching this video
00:21:21is that this person
00:21:22is that this person
00:21:23she was saddened
00:21:25sorry
00:21:26he was suffering
00:21:27It is true
00:21:29Vincenzo Paduano
00:21:31he seems saddened
00:21:33for what
00:21:34apparently
00:21:36he just learned
00:21:37but
00:21:38this time
00:21:39there is not only
00:21:40my impression
00:21:42the fact of not having
00:21:43never seen
00:21:43a tear fall
00:21:44on his face
00:21:45there is something more
00:21:46the collaborators
00:21:48that I sent
00:21:49at home
00:21:50by Vincenzo Paduano
00:21:51they told me
00:21:53that the machine
00:21:54in use
00:21:55in Padua
00:21:56it turned out to be
00:21:58accident-prone
00:21:59on the left side
00:22:00front
00:22:01she
00:22:02in Padua
00:22:03asks
00:22:05that damage
00:22:06When
00:22:07if he did it
00:22:08and in what way?
00:22:10absolutely
00:22:11Yes
00:22:11because for me
00:22:13it is an element
00:22:13really essential
00:22:15we are talking
00:22:16of an ex-boyfriend
00:22:18jealous
00:22:19morbid
00:22:19of a death
00:22:21Sara's
00:22:22likely
00:22:23tied up
00:22:23to an accident
00:22:24road
00:22:25that damage
00:22:26for me
00:22:27it really is
00:22:28an element
00:22:29investigatively
00:22:30important
00:22:30Why?
00:22:31Why
00:22:32could be
00:22:34actually
00:22:35connected
00:22:36with the death of Sarah
00:22:37and tie
00:22:37Vincenzo Paduano
00:22:38at Sarah's death
00:22:39nevertheless
00:22:41When
00:22:42we ask
00:22:43to Vincenzo
00:22:44when and how
00:22:45the machine
00:22:46suffered the damage
00:22:47Vincenzo's response
00:22:49it's really strange
00:22:50he can't tell us
00:22:51How come
00:22:52his car
00:22:53she had an accident
00:22:54this element
00:22:55enters by right
00:22:56to be part of
00:22:56of the investigations
00:22:57she begins to suspect
00:22:59in a decisive manner
00:23:00of this person
00:23:02of the ex-boyfriend
00:23:04by Sara
00:23:04requires you
00:23:05when he saw
00:23:07the last time
00:23:07Will be?
00:23:09absolutely
00:23:10it's the same
00:23:11Vincenzo Paduano
00:23:13who confesses to us
00:23:14of having seen
00:23:16for the last time
00:23:18Will be
00:23:18Exactly
00:23:20the last day
00:23:21of life
00:23:22of the girl
00:23:23it's late afternoon
00:23:25of May 28th
00:23:26Vincenzo Paduano
00:23:27asks Sara
00:23:28a meeting
00:23:30clarifier
00:23:31and reaches her
00:23:32at
00:23:33the house
00:23:34of the girl
00:23:35shortly before
00:23:35that comes out
00:23:36with her friend
00:23:37Flaminia
00:23:37immediately after
00:23:39this meeting
00:23:40Will be
00:23:40send an audio file
00:23:42to Alexander
00:23:43her new boyfriend
00:23:46we hear
00:23:47this voice message
00:23:55he called me
00:23:57At home
00:23:57not on the cell phone
00:23:58so much so that
00:23:59oh well
00:24:00and he asked me
00:24:02if we could see each other
00:24:03and you look
00:24:03me anyway
00:24:04I'm wearing makeup
00:24:04because I'm just
00:24:05returned
00:24:06from the essay
00:24:07if you want to pass by
00:24:08below
00:24:10we talked
00:24:11a lot
00:24:12I said
00:24:12Look
00:24:13sincerely
00:24:14I didn't have
00:24:15intention
00:24:15to see you
00:24:16Anyway
00:24:17I'm looking for
00:24:18Of
00:24:19I'm also going
00:24:20from an analyst
00:24:21because anyway
00:24:21I realize
00:24:22to have problems
00:24:23that I don't know how to handle
00:24:24etc.
00:24:25etc.
00:24:25he asked me
00:24:26how are you doing?
00:24:27I did
00:24:27Look
00:24:27nothing will come out
00:24:29from my mouth
00:24:29don't expect
00:24:30Nothing
00:24:31why I won't tell you
00:24:31Nothing
00:24:32ago
00:24:33no okay
00:24:33Anyway
00:24:34if I had to
00:24:34something happen
00:24:35I know so much
00:24:36that already
00:24:36it will have happened
00:24:37I am happy
00:24:38for you
00:24:38because anyway
00:24:39he is the person
00:24:40which I consider
00:24:41more suitable
00:24:42next to you
00:24:44I would just like
00:24:45that you don't
00:24:47don't exclude me
00:24:49from your life
00:24:50I mean he kind of told me
00:24:50said
00:24:51I would be happy to
00:24:52if I continued
00:24:53what do I know
00:24:53to call me every now and then
00:24:54to hear us
00:24:55I told him
00:24:55sorry but what do I tell you
00:24:56that is, what I'm telling you
00:24:58hand
00:24:59even so
00:25:00why do you say
00:25:01that I
00:25:03my being with you
00:25:04it's a habit
00:25:05actually
00:25:06it's not like that
00:25:06I need
00:25:07to hear you
00:25:08because anyway
00:25:08it makes me happy
00:25:09I did look
00:25:10I am sorry
00:25:10we don't think so
00:25:11in the same way
00:25:16At that time
00:25:17this message
00:25:19It's May 28th
00:25:21that is the day
00:25:23in which
00:25:24a few hours later
00:25:26he will die
00:25:27and it's a message
00:25:29all in all
00:25:30Calm
00:25:31it doesn't contradict itself
00:25:33with his
00:25:34hypothesis
00:25:35actually
00:25:38let's rebuild
00:25:38another episode
00:25:41particularly
00:25:41unsettling
00:25:42which allows
00:25:44Instead
00:25:44to continue
00:25:45to continue
00:25:46along the road
00:25:48that my intuition
00:25:48he had dictated to me
00:25:49it's a week before
00:25:51compared to the day
00:25:53in which
00:25:53Sara unfortunately
00:25:54he lost his life
00:25:55precisely
00:25:56May 21st
00:25:57Will be
00:25:58and Alexander
00:26:00the new
00:26:00financed
00:26:01they exchange
00:26:02their
00:26:03first kiss
00:26:04Vincenzo
00:26:05Paduan
00:26:06it's there
00:26:07he observes them
00:26:08and sees
00:26:10in that first
00:26:11kiss
00:26:11a point
00:26:12of no return
00:26:13the end
00:26:14definitive
00:26:15of their
00:26:16history
00:26:16something happens
00:26:18of disturbing
00:26:19Vincenzo
00:26:20Paduan
00:26:21Alone
00:26:22apparently
00:26:23disappears
00:26:24he doesn't call anymore
00:26:24Will be
00:26:25he doesn't send them anymore
00:26:26messages
00:26:27he will never meet her again
00:26:28up to that famous
00:26:30clarifying meeting
00:26:32of May 28th
00:26:33then we have
00:26:35of this episode
00:26:36the one from the week before
00:26:38of the documents
00:26:39audio
00:26:40let's hear them
00:26:46May 21st
00:26:47of 2016
00:26:48we went
00:26:50to a pub
00:26:51in Ostia
00:26:52had reached us
00:26:55Also
00:26:55Alexander
00:26:56we drank
00:26:58a cocktail
00:26:59in company
00:27:01he was very nice
00:27:03in hand
00:27:05fun
00:27:06Therefore
00:27:07when we were
00:27:09in the car
00:27:09I told him
00:27:10yes yes
00:27:11Look
00:27:11Alexander
00:27:12I really like
00:27:13I'm really happy
00:27:15him
00:27:15he's ok
00:27:16I was in the car
00:27:18I accompanied
00:27:19Martina
00:27:19and this other girl
00:27:21under the house
00:27:21by Martina
00:27:22and they went up
00:27:24I hugged him
00:27:26and he kissed me
00:27:28hello Sara
00:27:29Greetings Alessandro
00:27:30I enter the door
00:27:32and it comes to me right away
00:27:33a message
00:27:34I didn't even have
00:27:35took the elevator
00:27:36and it was Vincenzo
00:27:38who wrote to me
00:27:40Hi Martina
00:27:42sorry if I write to you
00:27:43but Sara
00:27:44he doesn't answer me
00:27:46but she's with you
00:27:47where are you
00:27:48what have you done
00:27:49where did you go
00:27:50anyway he did
00:27:52all questions
00:27:54explicit
00:27:54he wanted to know
00:27:55who he was with
00:27:56who we were with
00:27:57where we had gone
00:27:58and I told him
00:28:01Look
00:28:02he just gave me
00:28:03taken home
00:28:04and anyway
00:28:05we were
00:28:06to a pub
00:28:07in Ostianze
00:28:08and he answers me
00:28:11All right
00:28:11Thank you
00:28:11and nothing
00:28:12at a certain point
00:28:12he passed by
00:28:13under Martina's house
00:28:16he went down
00:28:17acting crazy
00:28:18as always
00:28:19and I am
00:28:20bullshit
00:28:20I said
00:28:20look go away
00:28:21now you have to tell me
00:28:23what were you doing
00:28:24we were talking
00:28:26whatever happens
00:28:26it's not something
00:28:27that interests you
00:28:28I continued like this
00:28:30until at a certain point
00:28:31he insulted us
00:28:32to both of you
00:28:32and he left
00:28:35and then he called me back
00:28:36that I was going home
00:28:37and it makes me
00:28:39I will ruin your life
00:28:42to you
00:28:42to him
00:28:43why you have to suffer
00:28:44how much you made me suffer
00:28:46from that point
00:28:47I haven't heard from him again
00:28:48that is, exactly
00:28:49zero
00:28:53actually
00:28:54then it was discovered
00:28:56that he
00:28:56he had followed him
00:28:57that week
00:28:58everywhere
00:28:59under the university
00:29:01to dance
00:29:02Obviously
00:29:03without his knowledge
00:29:04to study
00:29:06Also
00:29:07what she
00:29:09he was doing
00:29:14what comes out
00:29:16it's something very serious
00:29:17there is an attitude
00:29:18of control
00:29:20really
00:29:20from what I understand
00:29:22Vincenzo
00:29:23pawn
00:29:24there
00:29:26his
00:29:26ex-girlfriend
00:29:28Vincenzo Paduano
00:29:30And
00:29:30everywhere
00:29:31everywhere
00:29:33there's Sara
00:29:34there he is
00:29:35that May 21st
00:29:37Vincenzo Paduano
00:29:38he already knows
00:29:39where is Sara?
00:29:40because he follows her
00:29:42and why it does
00:29:43real patrols
00:29:44under the houses
00:29:46of her friends
00:29:47to track down
00:29:48his car
00:29:48listen
00:29:49When
00:29:49Will be
00:29:50with this Alexander
00:29:52I'm in the car
00:29:53and as she says
00:29:54they cuddle
00:29:55the cuddles
00:29:56he sees them
00:29:57Vincenzo?
00:29:59Vincenzo Paduano
00:30:00it's there
00:30:01and sees
00:30:02the first kiss
00:30:04between Sara
00:30:05and Alexander
00:30:07something happens
00:30:08that evening
00:30:09very disturbing
00:30:11Sara doesn't say it
00:30:12expressly
00:30:13in the audio file
00:30:14but we rebuild it
00:30:16through stories
00:30:18some of Sara's friends
00:30:19at the police station
00:30:20Vincenzo Paduano
00:30:21for the first time
00:30:22exercises violence
00:30:24physics
00:30:24to the detriment of Sara
00:30:26he gets out of the car
00:30:27forces
00:30:28Will be
00:30:29to go down
00:30:30from the car
00:30:31by Alessandro
00:30:31the tug
00:30:33For
00:30:34bring it
00:30:35of strength
00:30:36within
00:30:37of his vehicle
00:30:38he wants a comparison
00:30:39he wants it that evening
00:30:40Alessandro what does
00:30:41Alessandro remains still
00:30:43immovable
00:30:44he will tell us
00:30:45then to the police station
00:30:46which remained
00:30:47almost paralyzed
00:30:49but
00:30:50he waited
00:30:51looking from afar
00:30:53to see
00:30:53what was happening
00:30:54for which
00:30:55Sara is coming
00:30:56socket
00:30:57with force
00:30:58flow rate
00:30:58in the car
00:30:59by Vincenzo
00:31:01in the car
00:31:03in the car
00:31:03the two
00:31:03they keep arguing
00:31:05and Sara
00:31:06in a clear manner
00:31:08he tells Vincenzo
00:31:09who doesn't want it
00:31:10see more
00:31:11at that moment
00:31:14they are friends
00:31:15who tell us about it
00:31:17because Sara herself
00:31:18to have told him
00:31:19I left him
00:31:21I don't want to see him anymore
00:31:22my story with him
00:31:24it's over
00:31:25and I told him
00:31:26clearly
00:31:26at this point
00:31:27in the mind
00:31:28of the policeman
00:31:29in his mind
00:31:30the idea that
00:31:31him
00:31:31be the murderer
00:31:32by Sara
00:31:33it's getting stronger and stronger
00:31:35he has it
00:31:37an alibi
00:31:38Vincenzo?
00:31:39theoretically
00:31:40Yes
00:31:40Vincenzo Paduano
00:31:42in the evening
00:31:43in which Sarah dies
00:31:44it is in fact
00:31:46at the workplace
00:31:47confirms it to us
00:31:48his colleague
00:31:50which he carried out
00:31:51the shift
00:31:52previous
00:31:52and next
00:31:54to his
00:31:54we didn't hear it
00:31:55his colleague
00:31:56let's hear what he says
00:32:01in the evening
00:32:02of May 28th
00:32:03the change has taken place
00:32:05like all the other times
00:32:06it has arrived
00:32:08in advance
00:32:09he came
00:32:11bye bye
00:32:11and I left
00:32:14I'm done trusting here
00:32:15the morning after
00:32:16I went
00:32:17at work
00:32:18which was 4:40
00:32:194 and 50
00:32:21I arrive
00:32:22I find it
00:32:23who was reading
00:32:24a book
00:32:25calmly
00:32:28he had himself offered
00:32:29a coffee
00:32:30I offered him
00:32:31a cigarette
00:32:34and then he left
00:32:38very calm
00:32:47the Libyan there
00:32:48Yes
00:32:49he's at work
00:32:50that evening
00:32:51but it's the same
00:32:52Vincenzo Paduano
00:32:53to confess to us
00:32:55That
00:32:56during the shift
00:32:57of work
00:32:58for about an hour
00:32:59he moves away
00:33:00from the office
00:33:01he goes to a prostitute
00:33:03he says
00:33:04actually
00:33:06we do not acquire
00:33:07any element
00:33:08of feedback
00:33:09in this regard
00:33:10to this
00:33:11encounter
00:33:12of pleasure
00:33:13but
00:33:15we can
00:33:16to check
00:33:17that that night
00:33:19and exactly
00:33:20at 2
00:33:2127 in the morning
00:33:22we are two hours away
00:33:23Before
00:33:24of death
00:33:25by Sara
00:33:25Vincenzo Paduano
00:33:27update
00:33:28his profile
00:33:30on Facebook
00:33:31his state
00:33:32and writes
00:33:34a sentence
00:33:35what a read
00:33:36Today
00:33:37it appears as
00:33:38a real one
00:33:39omen
00:33:41when the rotten
00:33:43it is rooted
00:33:44in the deep
00:33:45it takes
00:33:46a revolution
00:33:47tabula rasa
00:33:49universal flood
00:33:50at that point
00:33:52the investigations
00:33:54they continue
00:33:54in a manner
00:33:55lockout
00:33:56we can
00:33:58to acquire
00:33:58of the elements
00:34:00very important
00:34:01which allow us
00:34:02to arrive
00:34:03at a standstill
00:34:05we acquire
00:34:06and then
00:34:07finally
00:34:08let's view
00:34:09and we analyze
00:34:10the images
00:34:12extrapolated
00:34:13from the cameras
00:34:14of the systems
00:34:15of video surveillance
00:34:17of the companies
00:34:17present
00:34:18on site
00:34:19in which they are
00:34:19the facts are out
00:34:21let's see them
00:34:22these images
00:34:28these are
00:34:29the images
00:34:29of video surveillance
00:34:30that they see
00:34:31the two machines
00:34:31arrive at the location
00:34:37you can see it well
00:34:38the machine
00:34:38at this point
00:34:39that surpasses
00:34:40the machine
00:34:40by Sara
00:34:44from there
00:34:45a few meters away
00:34:46the spur
00:34:47for then
00:34:48to go and stop
00:34:49in front of
00:34:51to this other one
00:34:51agency
00:34:52of material
00:34:54builder
00:34:55who insists
00:34:56on the way
00:34:57of the Magliana
00:35:03let me understand
00:35:04these images
00:35:06they say a lot
00:35:07a machine
00:35:09you see it
00:35:11to approach
00:35:12and as he says
00:35:13his colleague
00:35:14hit
00:35:15No
00:35:16the machine
00:35:17by Sara
00:35:17this other one
00:35:18machine
00:35:19Whose is it?
00:35:19the images
00:35:20the images
00:35:21they are essential
00:35:22because they allow us
00:35:24first of all
00:35:25to crystallize
00:35:27with certainty
00:35:28two things
00:35:29Will be
00:35:29shortly before dying
00:35:31she wasn't alone
00:35:32Will be
00:35:33she was forced
00:35:34to stop
00:35:35However
00:35:36as we have seen
00:35:37they are not images
00:35:39clear
00:35:40therefore
00:35:41on this
00:35:42second car
00:35:43remain
00:35:44some doubts
00:35:45you are certain
00:35:46that one of the two machines
00:35:47it is definitely
00:35:49Sara's
00:35:49on the other
00:35:50you have doubts
00:35:51the license plate
00:35:52don't take it
00:35:52we can't
00:35:53Exactly
00:35:54to understand
00:35:54the model
00:35:55nor
00:35:55to acquire
00:35:56the license plate
00:35:57but
00:35:58it comes to mind
00:35:59an element
00:36:01important
00:36:02that had entered
00:36:02to be part of
00:36:03of the investigations
00:36:04my collaborators
00:36:06they had told me
00:36:07that the vehicle
00:36:08in use in Paduano
00:36:08he was crocheted
00:36:10the damage
00:36:10to the car
00:36:11where was he?
00:36:12the damage
00:36:14it was exactly
00:36:15on the side
00:36:17front
00:36:17left
00:36:18positioned
00:36:20in a manner
00:36:21compatible
00:36:23with the dynamics
00:36:25that we saw
00:36:26in the pictures
00:36:27moment after moment
00:36:29the elements
00:36:29that carry
00:36:30to Vincenzo Paduano
00:36:32they go to crystallize
00:36:34as she says
00:36:35to strengthen
00:36:37do you have any other
00:36:38information
00:36:40in those moments
00:36:41that contribute
00:36:43to clarify
00:36:44what
00:36:45it really is
00:36:46success
00:36:47that night
00:36:47the news
00:36:49of death
00:36:50of a young woman
00:36:51lass
00:36:5122 years old
00:36:52found
00:36:53semi-carbonized
00:36:54is doing
00:36:55the tour
00:36:55of the news
00:36:56he got the news
00:36:58a young man
00:36:59he introduces himself
00:37:00at the police station
00:37:01that day
00:37:02and tells us
00:37:03that that night
00:37:04him too
00:37:05he passed through
00:37:06along the way
00:37:07of the Magliana
00:37:08and he saw something
00:37:11we hear
00:37:11what he says
00:37:15we are investigating
00:37:16on death
00:37:16by Sara
00:37:1722 years old
00:37:18found
00:37:18carbonized
00:37:19on the outskirts
00:37:19of Rome
00:37:19the last words
00:37:20to the mother
00:37:21I'm coming back
00:37:21At home
00:37:22I was returning from the sea
00:37:23with the scooter
00:37:25with a
00:37:26mimicry behind
00:37:28to accompany
00:37:29At home
00:37:29this girl
00:37:30I saw
00:37:30this couple
00:37:32let's say
00:37:32who was arguing
00:37:33but it was
00:37:34an argument
00:37:35so quiet
00:37:35that I wouldn't have
00:37:37never expected
00:37:37such an end
00:37:38I am sorry
00:37:40Alone
00:37:40that I couldn't
00:37:41do nothing
00:37:42I challenge
00:37:42any other person
00:37:43to be in place
00:37:45to pass by
00:37:45with the scooter
00:37:46to see
00:37:47what I saw
00:37:48I
00:37:48and to understand
00:37:49which would be
00:37:49gone to finish
00:37:50Like this
00:37:53but it won't be
00:37:54the only one
00:37:55that night
00:37:56to continue straight on
00:37:57there is another one
00:37:58lad
00:37:59Indeed
00:37:59who will testify
00:38:01of having seen
00:38:02that girl
00:38:03to wave one's arms
00:38:05probably
00:38:05looking for help
00:38:06but not to have
00:38:08stopped
00:38:10professor
00:38:11Antinori
00:38:14we are living
00:38:15a historic moment
00:38:17Where
00:38:18it seems
00:38:19That
00:38:20in front of
00:38:21certain situations
00:38:22it's easier
00:38:24to look away
00:38:25somewhere else
00:38:27rather than intervene
00:38:28we are in a society
00:38:29which is increasingly
00:38:30of the self
00:38:31and less and less
00:38:32of us
00:38:33a situation
00:38:34of the genre
00:38:34it is not due
00:38:35only
00:38:36with no interest
00:38:37but it can have
00:38:38a series of causes
00:38:39or
00:38:39you can do nothing
00:38:40because we don't believe it
00:38:42adequate
00:38:43to the context
00:38:44of the situation
00:38:45you can do nothing
00:38:46out of fear
00:38:47or you can do nothing
00:38:48simply
00:38:49because it is believed
00:38:50let someone else do it
00:38:51Thank you
00:38:52there is one thing
00:38:54That
00:38:55I wonder
00:38:57for what reason
00:39:00the night
00:39:03Then
00:39:05Will be
00:39:07she will be killed
00:39:09Why
00:39:11does not use
00:39:13to ask for help
00:39:14his cell phone
00:39:16we believe
00:39:17we believe
00:39:17that Sara
00:39:18no longer have
00:39:19at your disposal
00:39:21the cell phone
00:39:22likely
00:39:23someone
00:39:24he stole it from him
00:39:25and in fact
00:39:26during the inspection
00:39:28of scientific police
00:39:29we can't find
00:39:30Sara's phone
00:39:31even if at that moment
00:39:33we cannot exclude
00:39:34that it was burned
00:39:35within
00:39:36of Sara's vehicle
00:39:37during those hours
00:39:39Vincenzo Paduano
00:39:41he's at the police station
00:39:42you knew
00:39:44that there is a witness
00:39:45someone
00:39:46who saw
00:39:46argue
00:39:47Will be
00:39:48with someone
00:39:49ask
00:39:50to Vincenzo Paduano
00:39:52if
00:39:54it was him
00:39:55the person
00:39:55with which
00:39:57he was arguing
00:39:58Will be
00:39:59absolutely yes
00:40:00in the course
00:40:01of the interrogation
00:40:02let's hear what he says
00:40:04Paduan precisely
00:40:07you can see
00:40:08there is a witness
00:40:10who saw
00:40:11this night
00:40:12a few minutes
00:40:13Before
00:40:14that it caught fire
00:40:15the machine
00:40:16and passed by there
00:40:18and he saw
00:40:19Will be
00:40:19argue
00:40:20with a boy
00:40:21and then
00:40:23he came back from there
00:40:24a few minutes later
00:40:25and the car
00:40:25he burned them
00:40:26let's see
00:40:28does it help us understand?
00:40:30eh
00:40:30let's see
00:40:34wasn't she that person?
00:40:35I don't answer
00:40:36I can't seem to answer
00:40:37I can't answer
00:40:38ah he can't answer
00:40:41so she has no idea
00:40:42who can it be
00:40:43this person
00:40:44that stops
00:40:45at night
00:40:46in one place
00:40:47let's say
00:40:47quite isolated
00:40:48eh
00:40:49she knows where
00:40:51it happened
00:40:52the fact?
00:40:53I explained it
00:40:53on the Magliana
00:40:54the Magliana stretch
00:40:56that I know
00:40:57what is needed to get there
00:40:58at Sara's house
00:41:00probably
00:41:01from the euro
00:41:02I know him
00:41:04and it is not
00:41:05a place
00:41:06it's not a place
00:41:08it's not a place
00:41:09it's not a place
00:41:11and then
00:41:11she doesn't know
00:41:12who can it be
00:41:12this person
00:41:13that has a reason
00:41:14so serious
00:41:15so strong
00:41:16from
00:41:17stop her
00:41:18make her go down
00:41:19attack her
00:41:20you can do them
00:41:21like him
00:41:21I don't know
00:41:26that it may be
00:41:29I know that
00:41:30he had told me
00:41:31that they intended
00:41:32to keep hidden
00:41:33this principle
00:41:34of history
00:41:34so that it would not be
00:41:35become something
00:41:36seriously
00:41:37an ex-boyfriend of hers
00:41:38but I don't think so
00:41:39that it may be
00:41:40reason for
00:41:42even if
00:41:44he had it
00:41:44known
00:41:44discovery
00:41:45to do something
00:41:47of the genre
00:41:49let me understand
00:41:51he says
00:41:52of not being
00:41:53the person
00:41:55that at that time
00:41:56he's arguing
00:41:58with Sara
00:41:59on Magliana Street
00:42:00but then
00:42:01it makes you understand
00:42:03which could be
00:42:04someone else
00:42:05precisely
00:42:06is that so?
00:42:07It refers to
00:42:08to another
00:42:09ex-boyfriend
00:42:11by Sara
00:42:11but in fact
00:42:13it's just
00:42:14a further one
00:42:15inference
00:42:16this one of
00:42:17Paduan
00:42:18that he doesn't find
00:42:19no basis
00:42:20if it exists
00:42:21Indeed
00:42:23a boy
00:42:24to which
00:42:24Will be
00:42:25fears
00:42:26he's scared
00:42:27she is terrified
00:42:28to reveal
00:42:29the beginning
00:42:30of the new story
00:42:32with Alessandro
00:42:33that someone
00:42:34it is certainly
00:42:35Vincenzo Paduano
00:42:37and he is right
00:42:38if we think
00:42:39what happened
00:42:41that famous one
00:42:41May 21st
00:42:42when Vincenzo
00:42:43he sees
00:42:44the first kiss
00:42:45between Sara
00:42:45and Alexander
00:42:46how is it going on?
00:42:49this investigation
00:42:50still missing
00:42:52a piece
00:42:53the most precious
00:42:55and that is?
00:42:56it is necessary
00:42:57to rebuild
00:42:59in a manner
00:43:00irrefutable
00:43:01the movements
00:43:02by Vincenzo Paduano
00:43:03the night
00:43:04in which Sara
00:43:05she died
00:43:06but
00:43:07we carry out
00:43:09an investigation
00:43:10which will reveal itself
00:43:11to be
00:43:12essential
00:43:13the vehicle
00:43:15by Vincenzo Paduano
00:43:16what he uses
00:43:16that night
00:43:17it is insured
00:43:18and that guy
00:43:20of insurance
00:43:21provides
00:43:22the installation
00:43:23of a system
00:43:24GPS
00:43:26it's about
00:43:27of a sort
00:43:27of black box
00:43:28what a track
00:43:30and record
00:43:31the movements
00:43:32of the vehicle
00:43:32on which
00:43:33is installed
00:43:34Paduan
00:43:36he knew
00:43:36that his
00:43:37machine
00:43:38I had
00:43:38a GPS
00:43:40also because
00:43:41him
00:43:42not by chance
00:43:43leave your cell phone
00:43:44in the office
00:43:45Exactly
00:43:46Paduan
00:43:47not by chance
00:43:48he says well
00:43:49leaves
00:43:50the phone
00:43:50mobile phone
00:43:51in the office
00:43:51knows
00:43:52that we would have
00:43:53Done
00:43:53that guy
00:43:54of assessment
00:43:55but he doesn't know
00:43:55that the vehicle
00:43:57is equipped
00:43:58of a system
00:43:59GPS
00:43:59because in reality
00:44:00it's the machine
00:44:01of the father
00:44:02and he is the father
00:44:03who assured it
00:44:05with that
00:44:05insurance company
00:44:07I'll call you immediately
00:44:08the call center
00:44:09of the company
00:44:10insurance
00:44:11I think I've done it
00:44:13at least ten
00:44:14of calls
00:44:15just to succeed
00:44:16to track down
00:44:17the person in charge
00:44:18who tells me
00:44:19that it's night
00:44:20it's the early hours
00:44:21on Monday morning
00:44:22practically
00:44:23Sunday night
00:44:24it's impossible
00:44:25to track down
00:44:26the technician
00:44:28able
00:44:28to extrapolate
00:44:29these coordinates
00:44:30of the GPS
00:44:31she can do it
00:44:32Instead
00:44:32absolutely
00:44:33Yes
00:44:33At that time
00:44:34let's see
00:44:34what
00:44:35you can find out
00:44:42the GPS
00:44:43installed
00:44:44on the car
00:44:44of the Paduan
00:44:45it turns out to be fundamental
00:44:46to rebuild
00:44:47the night
00:44:47of the murder
00:44:51him with the car
00:44:52around three o'clock
00:44:53leave the place
00:44:54of work
00:44:55Tintoretto Street
00:44:56and a minute
00:44:57per minute
00:44:57let's rebuild
00:44:58the whole route
00:44:59that he did
00:45:00up to the area
00:45:02EUR
00:45:04we go to lie in wait
00:45:06under the house
00:45:07of the boyfriend
00:45:07by Sara
00:45:09it will remain here
00:45:11stationed
00:45:11because the car
00:45:12gives short trips
00:45:16presumably
00:45:17he will make some movements
00:45:18shorts
00:45:18short
00:45:19under the house
00:45:20by Alessandro
00:45:20until
00:45:22he sees them
00:45:23to return
00:45:26after he does
00:45:26it moves
00:45:27with the car
00:45:28and anticipates
00:45:29the return
00:45:30by Sara
00:45:31At home
00:45:35he arrives
00:45:36on the way
00:45:36of the Magliana
00:45:37and it stops
00:45:37up to par
00:45:38of the civic
00:45:381066
00:45:39it remains there
00:45:40stop
00:45:41the machine
00:45:41for three minutes
00:45:44three minutes
00:45:45in which
00:45:45he waits
00:45:46Will be
00:45:46Indeed
00:45:47after a little while
00:45:47Will be
00:45:48he passes them by
00:45:49he chases her
00:45:50and the spur
00:45:51with his car
00:45:52until it stops
00:45:54Sara stops
00:45:56on the edge
00:45:56of the road
00:45:57he parks
00:45:58his car
00:45:58in the square
00:46:00adjacent
00:46:01of the civic
00:46:011068
00:46:02and goes towards Sara
00:46:09two argue
00:46:10initially
00:46:11in the car
00:46:12after they go down
00:46:13from the car
00:46:14and they see each other
00:46:15these two shadows
00:46:16argue
00:46:17in front of the car
00:46:18by Sara
00:46:18almost as if
00:46:20Sara was there
00:46:20freed
00:46:21you can see Sara
00:46:22that goes away
00:46:22from the car
00:46:23him at that point
00:46:24get back in the car
00:46:25in his car
00:46:26opens the door
00:46:27rear
00:46:28take it out
00:46:29the substance
00:46:29flammable
00:46:30sprinkles
00:46:31the machine
00:46:32by Sara
00:46:32and gives it to her
00:46:33on fire
00:46:36he returns to his
00:46:37machine
00:46:38and starts again
00:46:38and chases
00:46:39Will be
00:46:39that is
00:46:39fleeing on foot
00:46:41this lasts
00:46:42for about
00:46:43450 meters
00:46:44up to the street number
00:46:451102
00:46:46where is it
00:46:47another pitch
00:46:52the machine
00:46:53remains
00:46:54stop there
00:46:54for about
00:46:54seven minutes
00:46:58and starts again
00:46:59in the direction
00:47:00opposite
00:47:07you now
00:47:08you have in your hand
00:47:10something of
00:47:10extremely
00:47:12important
00:47:12this GPS
00:47:14it's a sort of
00:47:15of black box
00:47:17mark
00:47:18meter by meter
00:47:20where did he go
00:47:21and what time
00:47:22Vincenzo Paduano
00:47:23and Vincenzo Paduano
00:47:25in those hours
00:47:26it's at this time
00:47:28Vincenzo Paduano
00:47:30at that point
00:47:31he can't anymore
00:47:32deny
00:47:33to be
00:47:33involved
00:47:35in death
00:47:36by Sara
00:47:36why GPS
00:47:38places his
00:47:39vehicle
00:47:39Exactly
00:47:40in the place
00:47:41in which we have
00:47:42the body was found
00:47:43and exactly
00:47:44in the time frame
00:47:46where it happened
00:47:46the murder
00:47:47therefore
00:47:48initially
00:47:49makes use of
00:47:50of the faculty
00:47:51not to answer
00:47:52but a few moments
00:47:53After
00:47:54asks instead
00:47:55to be able to speak
00:47:56to release
00:47:58spontaneous
00:47:59statements
00:48:00tells us
00:48:02that that evening
00:48:03It is true
00:48:04followed Sara
00:48:06he rammed
00:48:08Sara's car
00:48:09with its own
00:48:10car
00:48:11to force her
00:48:12to stop
00:48:13he reached her
00:48:14he had with him
00:48:16a small bottle
00:48:17to alcohol
00:48:18come on board
00:48:19of Sara's car
00:48:20sprinkles
00:48:22the cockpit
00:48:22and Sara
00:48:23with the liquid
00:48:24flammable
00:48:25he just wants it
00:48:26scare
00:48:27he says
00:48:27Will be
00:48:29but
00:48:30he manages to
00:48:31run away
00:48:32run away
00:48:33Paduan
00:48:34sets fire
00:48:35to the car
00:48:36by Sara
00:48:36and says he has it
00:48:38chased
00:48:39he manages to reach her
00:48:40they continue
00:48:41to argue
00:48:42and Paduan
00:48:44he says that Sara
00:48:45accidentally
00:48:47through fault
00:48:47of a cigarette
00:48:48it caught fire
00:48:49we hear
00:48:51once again
00:48:52the interrogation
00:48:53by Vincenzo Paduano
00:48:59Therefore
00:49:00which is very little
00:49:00that you went
00:49:03he left it there
00:49:05with the cindina
00:49:06with the cindina
00:49:11but we were close
00:49:12while I turned around
00:49:13and turned on
00:49:13the cigarette
00:49:16it was a blaze
00:49:19he lit the cigarette
00:49:22this is a plus
00:49:24what is he doing to me
00:49:31Paduan
00:49:32he never confesses
00:49:33the murder
00:49:35never
00:49:35it is not possible
00:49:37to make him perform
00:49:39a confession
00:49:40worthy
00:49:41of this name
00:49:42Why
00:49:43he is convinced
00:49:44of having done justice
00:49:47he doesn't feel like it
00:49:49a murderer
00:49:51he feels
00:49:52a vigilante
00:49:53why Sara
00:49:55he had dared
00:49:56betray him
00:50:02the body
00:50:04was
00:50:05set on fire
00:50:06after death
00:50:07Therefore
00:50:08the action
00:50:09of the flames
00:50:10it is not
00:50:11the cause
00:50:12with cause
00:50:12of death
00:50:13but it was put in place
00:50:15to carry out
00:50:17the destruction
00:50:18however partial
00:50:19of the surface
00:50:20of the body structure
00:50:24now let's get free
00:50:25completely
00:50:25he hit her
00:50:26her first
00:50:27if you are
00:50:28I arrived
00:50:30the hands
00:50:30No
00:50:32he didn't hit her
00:50:33with nothing
00:50:34No
00:50:35he is sure of this
00:50:42for Sara
00:50:43a death
00:50:44horrible
00:50:44if the suspicions
00:50:45will be confirmed
00:50:46from the autopsy
00:50:47it would have been
00:50:47strangled
00:50:48and then date
00:50:49on fire
00:50:51Will be
00:50:52she was killed
00:50:53in a period of time
00:50:54variable
00:50:55between 4 and 5 minutes
00:50:58the whole
00:50:59of the evidence
00:51:00pathological
00:51:01Forenzi
00:51:02he brought
00:51:03to give
00:51:03the following
00:51:04reconstruction
00:51:05of dynamics
00:51:06homicidal
00:51:07that is, both
00:51:08that the girl
00:51:09it was
00:51:09forced
00:51:10at neck level
00:51:12by
00:51:12of the aggressor
00:51:13who acted
00:51:15with
00:51:16the arm
00:51:17and the forearm
00:51:18like pliers
00:51:29now it's clear
00:51:30what happened
00:51:31her from the beginning
00:51:33he had caught
00:51:35in the sign
00:51:35what emerges
00:51:37it's something
00:51:38really
00:51:39horrible
00:51:41Dr. Quattrone
00:51:42this investigation
00:51:44it's over
00:51:44or is there something else
00:51:45May 30th
00:51:47morning
00:51:48an operator
00:51:50ecological
00:51:51find again
00:51:52the phone
00:51:53mobile phone
00:51:54by Sara
00:51:54within
00:51:56of a bell
00:51:57for the collection
00:51:58differentiated
00:51:59of the glass
00:52:00which is positioned
00:52:01in front of
00:52:02house
00:52:03by Alessandro
00:52:04the new
00:52:06Sara's boyfriend
00:52:07at the same time
00:52:09the analysis
00:52:10of the GPS
00:52:12installed
00:52:13on the vehicle
00:52:14from Padua
00:52:15allows us
00:52:16to rebuild
00:52:17the movements
00:52:18from Padua
00:52:19immediately
00:52:20after the commission
00:52:21of the murder
00:52:22Paduan
00:52:24he's coming back
00:52:25in the office
00:52:26at the end
00:52:27of the shift
00:52:28of work
00:52:28before returning
00:52:30At home
00:52:30transits
00:52:31under the house
00:52:32under the house
00:52:34by Alessandro
00:52:35it's not there
00:52:36by chance
00:52:37it's not a passage
00:52:38random
00:52:39Vincenzo Paduano
00:52:41he goes
00:52:41specially
00:52:42there to hide
00:52:44the phone
00:52:44by Sara
00:52:45wants
00:52:46that we
00:52:47investigators
00:52:48we find it again
00:52:49right there
00:52:50in this way
00:52:51Alexander
00:52:52would have become
00:52:53the suspect
00:52:54number one
00:52:55actually
00:52:56it's yet another
00:52:57vendetta
00:52:58kill Sara
00:53:00and blame
00:53:01of the murder
00:53:02the new
00:53:03financed
00:53:04Thank you
00:53:05doctor
00:53:06Quattrone
00:53:06and we understood
00:53:08with how much
00:53:09Love
00:53:09and passion
00:53:10she
00:53:10he does this job
00:53:12At that time
00:53:13I would like
00:53:16ask
00:53:16Now
00:53:17at the
00:53:17doctor
00:53:18School
00:53:19some
00:53:20data
00:53:20on this
00:53:22terrible
00:53:23of the phenomenon
00:53:24that
00:53:24of the
00:53:24femicide
00:53:25What
00:53:25What
00:53:26we can
00:53:26say
00:53:27Yes
00:53:27meanwhile
00:53:27I would like
00:53:28say
00:53:28That
00:53:28And
00:53:29Very
00:53:29difficult
00:53:30speak
00:53:30Of
00:53:30data
00:53:31After
00:53:31a
00:53:31history
00:53:32Like this
00:53:32strong
00:53:33but
00:53:33In short
00:53:34we will try
00:53:34to give
00:53:34some
00:53:35information
00:53:36the service
00:53:37analyses
00:53:37criminal
00:53:38provides us
00:53:39precisely
00:53:39the data
00:53:39related
00:53:40to the
00:53:40murders
00:53:41volunteers
00:53:41consumed
00:53:42And
00:53:43in the
00:53:43specific
00:53:43those
00:53:44with
00:53:44victims
00:53:44women
00:53:45clerks
00:53:45In the
00:53:462023
00:53:46And
00:53:462024
00:53:47as far as
00:53:48regard
00:53:49in the
00:53:49specific
00:53:50the murders
00:53:50committed by
00:53:51partner
00:53:51and ex
00:53:52partner
00:53:52the data
00:53:53it's almost
00:53:54constant
00:53:54from 70
00:53:55they become 69
00:53:56what does he do
00:53:57the police
00:53:58For
00:53:59prevent
00:54:00on the floor
00:54:01preventive
00:54:02a result
00:54:03very effective
00:54:04it was given
00:54:04from the warning
00:54:05of the police commissioner
00:54:06the warning
00:54:07it's a measure
00:54:08of character
00:54:08administrative
00:54:09which consists
00:54:09in the intimation
00:54:11revolt from
00:54:11police commissioner
00:54:12to the author
00:54:13of pipelines
00:54:13Of
00:54:13acts
00:54:14persecutors
00:54:15diffusion
00:54:16illicit
00:54:16of images
00:54:17or video
00:54:17to content
00:54:18sexually
00:54:18explicit
00:54:19the so-called
00:54:20revenge porn
00:54:20or
00:54:21pipelines
00:54:22symptomatic
00:54:23of violence
00:54:23domestic worker
00:54:24to interrupt
00:54:25those behaviors
00:54:26and to keep
00:54:27a conduct
00:54:27compliant
00:54:28to the law
00:54:29Why
00:54:29otherwise
00:54:30if so
00:54:30is
00:54:31the procedure
00:54:32criminal
00:54:32towards him
00:54:33would start
00:54:33ex officio
00:54:34and the penalties
00:54:35orders
00:54:35for those crimes
00:54:36would have increased
00:54:37let's go back
00:54:38to history
00:54:39by Sara
00:54:40by Pietro Antonio
00:54:40behind
00:54:42this attitude
00:54:43as a good boy
00:54:44lad
00:54:44which seemed to have
00:54:46Vincenzo Paduano
00:54:47actually
00:54:49he was hiding
00:54:51a person
00:54:52evil
00:54:53obsessive
00:54:54who had
00:54:56towards
00:54:56by Sara
00:54:57an attitude
00:54:58of control
00:55:00an attitude
00:55:01of possession
00:55:02and when
00:55:03Vincenzo Paduano
00:55:05he understands
00:55:06that Sara
00:55:07it's no longer his
00:55:09at that point
00:55:10he kills her
00:55:19Vincenzo
00:55:19she's the best
00:55:20person
00:55:21what have I ever
00:55:21known
00:55:22in my life
00:55:26and this thing
00:55:27it terrifies me
00:55:28at a distance
00:55:29of years
00:55:29us
00:55:30it's not that
00:55:31we go there
00:55:32to exhibit
00:55:32around
00:55:33Like this
00:55:33how do you do it?
00:55:34I have never had
00:55:35the thighs out
00:55:36or the tits out
00:55:37or the package outside
00:55:38etc.
00:55:38etc.
00:55:39your difference
00:55:40that you like so much
00:55:41make you look
00:55:42but you call yourself
00:55:42if we see
00:55:43of the whores
00:55:44and similar
00:55:46the language
00:55:47it's a weapon
00:55:57these insults
00:55:59I'm a disgrace
00:56:01I'm a hit
00:56:04every time
00:56:04for a girl
00:56:05which obviously
00:56:06she's a girl
00:56:09simply
00:56:09Viva
00:56:10full of life
00:56:17the battlefield
00:56:19more difficult
00:56:20that was it
00:56:21to succeed
00:56:23nail him
00:56:24on that crime
00:56:26of stalking
00:56:27of which
00:56:28if we didn't have
00:56:29the phone was found
00:56:30by Sara
00:56:30there was absolutely no
00:56:32Nothing
00:56:33it's certain
00:56:34the poor victim
00:56:35I took everything from you
00:56:36I
00:56:36I took everything away from you
00:56:37it seems to me
00:56:38that I gave you everything
00:56:39I didn't remove
00:56:41stop it
00:56:42disappear
00:56:42disappear
00:56:43Truly
00:56:46if it were
00:56:47let's say
00:56:49stopped before
00:56:50that behavior
00:56:52which then
00:56:52he suffered
00:56:53an escalation
00:56:54it wouldn't have been
00:56:55Perhaps
00:56:55arrived at femicide
00:56:58your humiliation
00:56:59towards me
00:57:00it's not about the past
00:57:01that you had
00:57:01but for
00:57:02the lies
00:57:03that you keep saying
00:57:04because of this
00:57:05you are humiliating yourself
00:57:05with me
00:57:06you every time
00:57:07you're talking nonsense
00:57:08every time
00:57:08that you don't tell me
00:57:09the truth
00:57:09you humble yourself
00:57:09you reduce yourself to zero
00:57:11Nothing
00:57:11it is an equal being
00:57:13to all the others
00:57:14and if there is nothing
00:57:15special
00:57:15I don't want it
00:57:16this time
00:57:18Dr. Joy
00:57:20Vincenzo Paduan
00:57:21asks and gets
00:57:23the rite
00:57:25abbreviated
00:57:27imagining
00:57:27to see reduced
00:57:28the penalty
00:57:29of a third
00:57:32today it wouldn't be
00:57:33as much as possible
00:57:34today it is no longer possible
00:57:35because since April
00:57:36of 2019
00:57:37the legislator
00:57:39he predicted
00:57:39for the crimes
00:57:40punishable
00:57:41in abstract
00:57:42with the pen
00:57:42of life imprisonment
00:57:43that it cannot be
00:57:44more access
00:57:44to the abbreviated rite
00:57:45despite the abbreviated rite
00:57:47Paduan
00:57:48he is sentenced
00:57:49to life imprisonment
00:57:50it will pass then
00:57:51all my life
00:57:52in prison
00:57:53it doesn't mean
00:57:54that will remain
00:57:54all my life
00:57:55in prison
00:57:56why they exist
00:57:57a series of benefits
00:57:58of the order
00:57:59penitentiary
00:58:00what are they?
00:58:01well after ten years
00:58:03of execution
00:58:03of the penalty
00:58:04you could already
00:58:05to take advantage
00:58:05of permits
00:58:06award
00:58:07or of the activity
00:58:08working
00:58:08outside
00:58:09of the institute
00:58:09of detention
00:58:11after twenty years
00:58:12you can make requests
00:58:14you can get it
00:58:14semi-liberty
00:58:16which means
00:58:16that you during the day
00:58:18carry out activities
00:58:19working outside
00:58:20and the night
00:58:20go back to sleep
00:58:21in prison
00:58:22and after 26 years
00:58:23you can even
00:58:24obtain
00:58:25the liberation
00:58:26conditional
00:58:27which means
00:58:28that you are free
00:58:29but subjected
00:58:30on probation
00:58:31Thank you Dr. De Gioia
00:58:32Professor Giannini
00:58:34by profession
00:58:35she
00:58:36he met
00:58:37several people
00:58:38that they committed
00:58:39feminicides
00:58:40No?
00:58:40these people
00:58:41after many years
00:58:44how they live
00:58:45how much did they commit?
00:58:47Depends
00:58:48if they crossed
00:58:49a process
00:58:50which can
00:58:51have helped them
00:58:53in one
00:58:53in what we call
00:58:55somehow
00:58:56re-education
00:58:56revisiting
00:58:58of what happened
00:58:59then they can arrive
00:59:01to reconsider
00:59:02the crime
00:59:03that they committed
00:59:04and sometimes
00:59:05to regret it
00:59:06other times
00:59:06to recognize
00:59:07that they destroyed
00:59:08someone's life
00:59:09and also your own
00:59:10but if it doesn't happen
00:59:12that is, if this process
00:59:13of intervention
00:59:15about people
00:59:15that they do
00:59:16these atrocious crimes
00:59:18it does not work
00:59:19or it doesn't come
00:59:20put in place
00:59:21then they remain
00:59:22as before
00:59:23because it is so
00:59:24eradicated
00:59:24that doesn't arrive
00:59:25to be modified
00:59:27for which the person
00:59:27really
00:59:28consider it unfair
00:59:29the affliction
00:59:30that is surprising
00:59:31because he says
00:59:31it was his fault
00:59:32I killed her
00:59:33because she made me suffer
00:59:34so once again
00:59:35she is blamed
00:59:36the victim
00:59:36Thank you
00:59:38before hearing
00:59:39the words
00:59:40Sara's mother
00:59:41I would like to say hello
00:59:43the doctor
00:59:43Quattrone
00:59:44and thank her
00:59:46because he accompanied us
00:59:47in this story
00:59:48terrible
00:59:49and very strong
00:59:50and I would like to call
00:59:52here
00:59:52Emanuele
00:59:53Factors
00:59:54who is the boss
00:59:55of the team
00:59:56mobile
00:59:57from Cagliari
00:59:58Good evening
00:59:59and welcome
00:59:59Dr. Fattori
01:00:02Dr. Fattori
01:00:03he will tell us
01:00:05another story
01:00:06which concerns
01:00:07a young girl
01:00:09is called
01:00:09Emanuela Morga
01:00:11on whose death
01:00:12hovers
01:00:13a great mystery
01:00:15At that time
01:00:16we hear
01:00:17the message
01:00:18that he wanted to give us
01:00:20the mother
01:00:21by Sara
01:00:21by Pietro Antonio
01:00:29Having seen that
01:00:30what happened
01:00:31to Sara
01:00:31it's obvious
01:00:32that neither I
01:00:33nor Sara
01:00:33we had
01:00:35awareness
01:00:36of the risk
01:00:37that Sara
01:00:38same
01:00:38running
01:00:40Why
01:00:42we were unaware
01:00:43in the manner
01:00:43most absolute
01:00:44That
01:00:45certain attitudes
01:00:47could be
01:00:48Like this
01:00:49dangerous
01:00:53hope
01:00:54Which
01:00:54That
01:00:55telling
01:00:56this story
01:00:58some girls
01:00:59or some boy
01:01:00realize
01:01:02to stay alive
01:01:02the same situation
01:01:04and say
01:01:04halt
01:01:04what am I doing
01:01:06and therefore it can be
01:01:07stop
01:01:08that moment before
01:01:12I
01:01:13I tell them
01:01:15Always
01:01:15two words
01:01:16key
01:01:16awareness
01:01:18and prevention
01:01:20this
01:01:20it's the key
01:01:21the only key
01:01:23that I know
01:01:24give them
01:01:25nothing more
01:01:26Unfortunately
01:01:27the solution
01:01:29I don't have it
01:01:29I don't have it
01:01:31I don't have it
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