Nella notte tra il 12 e il 13 agosto 1987, in una scarpata alla periferia di Savona, viene ritrovato un cadavere dal volto maciullato a colpi di martello. E' Cesare Brin, che tutti conoscono come "l'imperatore". Patron della locale squadra di calcio, Brin ha una relazione fatale con la gallerista del paese: Gigliola Guerinoni. Una storia di provincia fatta di sesso, tradimento, passione, gelosia e magia nera.
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TVTrascrizione
00:26This is a story like no other.
00:30Because in this story there is everything, sex, betrayal, love, black magic, the parable of
00:42a woman prisoner of her passions, of a man who everyone believes is her lover and who instead is the
00:49her husband, of a man who everyone believes to be her husband and instead is her lover, of a defendant who
00:55he accuses himself four times and is acquitted in the first instance,
00:58and secondly he retracts and is instead convicted, of a defendant who declares to have had an affair with the
01:05examining magistrate
01:06and it is the unlikely grotesque group of accomplices who clumsily help him hide a corpse.
01:14In short, this is a story you will never forget.
01:28It's a summer day in 1987, early in the morning, and it's just past the end of August.
01:36It's hot on the streets, even up on the hills, and everything suggests that it will be a scorching day.
01:45Orazio De Filippi, a Silti worker, is bitter because he has already returned to work.
01:53And so, that morning, he also has to drive along the slopes of Monte Ciudo,
01:57an anonymous hump on the outskirts of Savona, looking for that telephone cable that for the umpteenth time has stopped
02:03to function.
02:04His small car rumbles along next to what appears to be the remains of a campfire.
02:13He can't notice, in his small car, that in the midst of the ashes of the fire there remains a small metal key ring,
02:19blackened by the flames.
02:21On the ring there are three keys and there is an engraved symbol, the symbol of the order of pharmacists.
02:28A few minutes later, the car stops in a clearing, right on the edge of a slope.
02:34Horace sighs.
02:37A pungent smell reaches his nostrils, nausea bondo.
02:41Is it the landfill that is located nearby?
02:45Likely.
02:46But when he looks down, his eye falls on something.
02:55Halfway up the slope there is a grotesquely curled up shape on the ground.
03:00The branch was harpooned, which by pure chance stopped its fall.
03:05Slowly, cautiously, Orazio begins to descend the slope.
03:10One step at a time, taste the texture of the soil.
03:17One foot, then the other.
03:21And at every step, a doubt in Horace's head turns into certainty.
03:32Now he sees it clearly.
03:37Surrounded by a cloud of crazed flies, there is the corpse of a man.
03:43The body is naked, apart from a vest, which is completely soaked in blood.
03:50The arms, completely intertwined behind a torso, were in an evident state of decomposition.
03:59But the most horrible thing is the face.
04:02Mangled by dozens of bullets, so much so that he was unrecognizable.
04:06The open mouth, from which the tongue sticks out on the side.
04:10Horace can barely hold back a retch.
04:20For a while, investigators thought it was a gay affair,
04:23since the corpse has well-groomed nails.
04:29And that's the question, we wouldn't have gotten to the bottom of it,
04:32if it hadn't been for that small, half-polished key ring, just a short distance away.
04:38A detail that allows, after a few days, to trace the identity of the body.
04:43This is Cesare Brin, who everyone in Val Bormida knows as the emperor.
04:53And then, to tell the truth, in a few years, no one has called it that anymore.
04:58Since his football team, Cairese, stopped winning.
05:02To bring it to Serie C, it was said that Brin had spent almost a billion lire,
05:07sending up in smoke a large part of a considerable personal fortune.
05:11Eventually, he also had to sell the family pharmacy and other real estate.
05:16And to make matters worse, with the defeats, the entire fan base had turned against him.
05:23He has a reputation for attacking Brighel, Brin, and is in deep debt.
05:27It's likely that he had a fight with someone and that the life ended very badly.
05:31This is what the country will say.
05:34But bad enough to end up in prison?
05:36No, something doesn't add up in the violence of that death.
05:40There is something damnably, darkly, obscenely personal in that gesture.
05:49You don't beat someone to death with a hammer over a debt of money.
05:56The policeman who first arrives at the crime scene will write on his report.
06:02We, the undersigned Carambau Ignazio, deputy superintendent of the State Police,
06:10I went to the municipal road of Nostra Signore del Monte to carry out technical surveys.
06:18And further on.
06:19Age 50-60 years.
06:22Robust build.
06:24Height 1.70-1.75.
06:27Having gray hair.
06:31In the left parietal temporal region
06:33a probable fracture of the skull is noted
06:39having an extension of approximately 10 centimetres.
06:44And this is an important detail.
06:46because something is missing from that hole on the brin's head.
06:51A small part of gray matter
06:54no larger than a walnut in size
06:57which is not found anywhere.
07:00it is not found among the bushes,
07:01it is not found along the slope where the body was thrown,
07:05it is not found near that campfire
07:08where someone burned all his clothes
07:10forgetting to make the phone holder disappear.
07:18That little piece of gray matter
07:20it is located somewhere else,
07:22at the real crime scene.
07:29And there it remains for almost a week,
07:32without anyone noticing.
07:35It is hidden under the step of a wooden staircase
07:37leading to the first floor of a house
07:40of the center of the small town of Cairo-Montenotte.
07:44One of the keys found, in fact,
07:47opens the door of that house.
07:53Its walls have recently been whitewashed,
07:56but in a closet,
07:57at the end of the first floor corridor,
08:00down below, right near the ground,
08:01there are unmistakable traces of blood.
08:08Cesare Prin died there.
08:12It's the house of the village gallery owner,
08:16an attractive 41-year-old woman
08:17with a penetrating gaze.
08:21A woman driven by two great passions,
08:24art and above all men.
08:31On August 31st,
08:32the gallery owner is arrested for the murder.
08:37Together with her,
08:38they end up under pressure from their ex-lover,
08:40a deputy commissioner of Savona,
08:42and a ragtag group of far-right militants
08:45that buzzed in tune with her.
08:47And on the death of Cesare Prin,
08:49in short, a real media frenzy is unleashed.
08:56For ten years,
08:58all the Italian newspapers are covering the story
09:01and the magazines fill up with rivers and rivers of ink.
09:06Anyone who played even a marginal role in the affair,
09:09he feels compelled to intervene.
09:12And for almost everyone,
09:13this duty is constitutionally remunerated.
09:17And everyone's talking about her,
09:19the protagonist of this story.
09:21A woman they called by many names.
09:23libertine,
09:26victim,
09:28prostitute,
09:30heroin,
09:32mantis,
09:34murderer.
09:36But who is he really,
09:37perhaps no one has ever understood it.
09:39This is his story.
09:41The story of Gigliola Guerinoni.
09:44Black star of a province,
09:46of a life that was too tight for her.
09:55the story of Gigliola Guerinoni.
09:56Where it has a flair for the shade in between.
10:03We like to run with the wolves from the darker skin.
10:10When we turn the safety off,
10:12the shots are automatic.
10:14Thank you all.
10:47The river Vormida flows through it, flowing towards the sea, that sea which for the Baligians is like a promise
10:54that no one sees, hidden by the small mass of the Colle di Cadibona.
11:01No one sees the sea, but everyone knows it's there. There, within reach, with its infinite expanse.
11:09horizon, to tell of other possibilities, other lives, other worlds.
11:22Gigliola was born here on February 23, 1945, just as the war was ending.
11:32And it is perhaps thinking of that sea that she leaves the country and goes to study to be a nurse in Savona.
11:40She was 19 when she married Pietro Barillari, with whom she had two sons, Alex and Fabio.
11:46But married life, Gigliola quickly understands, does not satisfy her.
11:52She is and always will be a caring mother and even wife Gigliola, but the affection of her children and her husband
11:59they are not enough for her.
12:00She doesn't want to be part of what she herself calls the swarm of fools, the common people, the ones who
12:07please.
12:07No, she wants something else from life.
12:14And to go in search of this something else, he uses the only tool at his disposal: beauty.
12:33From a young age, Gigliola realized how men looked at her.
12:37Burning glances, full of desire.
12:40Looks that fill her with shame and embarrassment, in the face of which she can only lower her eyes.
12:49But one day, perhaps out of defiance, perhaps out of tiredness, Gigliola stops lowering her eyes.
12:57And then she realizes that those looks don't scare her at all, but on the contrary,
13:02in them she begins to feel the lure of a power that frightens and seduces her.
13:08Why does Gigliola love authority more than anything in men?
13:14I have never cared much about the beauty of others, he writes.
13:19I cared about other qualities.
13:21Intelligence, pride, enchanting eloquence, the ability to dominate situations and people.
13:28All qualities that Gigliola looks for in men, but which she claims for herself.
13:38For Gigliola, in fact, men are doors.
13:42Boats of access to other lives, to other possibilities.
13:46Tools to curb that insatiable desire to stand out from the crowd,
13:52which dominates his entire existence.
13:55And betrayal is inevitable.
13:57The first of a long series will describe it in detail years later,
14:01in one of the many memoirs he writes for a magazine,
14:04and his meeting with the head of the clinic he works for.
14:07A member of the MSI who exudes authority from every pore,
14:12so much so that she calls him by his last name.
14:14Dr. Ballerga.
14:19She is just 24 years old, he is 48.
14:22And this scene, which takes place inside a medical office,
14:25it looks like a scene from a soft core movie.
14:28Dr. Ballerga and the nurse.
14:33He told me, you have to take off your socks,
14:38as he picked up the electrode to apply to his ankle.
14:42I unhooked them and he helped me take them off.
14:47He felt his slightly sweaty hands slide down from his knees to his feet,
14:51rolling up the nylon.
14:53Now unbutton, he commanded,
14:55tugging at the white coat just below the breast.
14:59He obeyed.
15:01Now the bra whispered.
15:10He obeyed again.
15:12You also cough up the last piece of clothing.
15:14I was naked.
15:15I felt hot flashes rising to my stomach and forehead.
15:18I waited for the head doctor's hand to rest on my chest.
15:21to apply the electrode.
15:23He held his breath.
15:25Instead of the cold metal of the plate
15:27he felt the palm of the doctor's hand on his skin.
15:32There were many caresses and many kisses on that little bed.
15:35And I let everything that had to happen happen.
15:42Real.
15:43False.
15:44What is certain is what happens next.
15:46Valerga dies in a car accident.
15:49And not many months later
15:51Gigliola meets another man.
15:54He's older too.
15:56He too has MSI sympathies.
15:59Hector Geri.
16:03And his new door.
16:09Ettore in the Missina federation
16:11he has an important job.
16:13That of administrative secretary.
16:15But in life he certainly cannot be said to be a successful man.
16:22He will never advance in the company he works for.
16:24But Geri has a good character.
16:26And a certain artistic vocation.
16:28He loves painting.
16:29And on this ground Gigliola finds in him not only a lover
16:32but also a companion.
16:33A companion.
16:37One day Gigliola confesses her greatest dream to him.
16:41Open an art gallery in his hometown.
16:45Cairo Montenotte.
16:48The place would have already been identified.
16:51And quickly done.
16:52The new door opens.
16:56For her, Geri leaves his wife.
16:58He resigns from his job.
16:59And with the severance money
17:01he opens the gallery for her.
17:05It's the beginning of a partnership
17:07that will last a lifetime.
17:09To the extreme consequences.
17:22The gallery is located in Via dei Portici.
17:24Right in the center of the village.
17:26It's a nice two-story building.
17:29Downstairs are the exhibition spaces.
17:32Upstairs is a bright apartment.
17:35It is there that the two lovers
17:36they move.
17:42We are in the first half of the 70s.
17:45The Italian company
17:46it is pervaded by libertarian instances.
17:49The Communist Party is galloping.
17:51The right is on the defensive.
17:53Thinking about yourself
17:54it is not seen well.
17:56What matters
17:56it's the idea of belonging
17:58to a community of equals.
18:00To excel over others.
18:01Stand out.
18:02Show off your status.
18:04It often becomes a fault.
18:06But not for Gigliola.
18:11It's inauguration day.
18:17Gigliola writes on the invitations
18:19that at the ceremony
18:20a friend of his will be present.
18:22it's about
18:23nothing less than
18:24of the famous painter
18:25Renato Guttuso.
18:28All the notables
18:30of Cairo Montenotte
18:31they crowd together
18:32at the doors of the gallery.
18:33But that evening
18:34friend Renato
18:35he won't show up.
18:37But there are
18:38probably
18:39other key figures
18:41of this story.
18:44there is Raffaele Sacco
18:46the deputy commissioner
18:47from Savona
18:47with which
18:48Gigliola
18:49he entertained
18:50a short report.
18:52Sack
18:53he is a Neapolitan
18:53which boasts aristocratic origins
18:55and from clothing
18:56eccentric
18:57it's clear
18:58who loves to stand out
18:59from ordinary people.
19:00His speech
19:01Then
19:02it is absolutely
19:02nineteenth century.
19:04That evening
19:05we imagine it
19:06holds court
19:06reeling off anecdotes
19:08on this
19:08or that most excellent
19:10character
19:10who had the merit
19:11and the honor
19:12to know.
19:13To listen to him
19:15probably
19:16there are also
19:17Joseph Cardena
19:18what a profession
19:19he's a house painter
19:20and everyone calls
19:21What What
19:22why does he stutter?
19:24and Gabriele Di Nardo
19:25another MSI
19:27recently become
19:29the most faithful
19:29Gigliola's confidant
19:31also Di Nardo
19:32he has something to boast about
19:33since he participated
19:34to the coup in Borghese
19:35and it was also
19:36sentenced to two years
19:37for those events
19:38just then
19:38overturned on appeal.
19:41But the true lover
19:41of the evening
19:42it's her
19:43Gigliola.
19:46To everyone
19:47explains that at the gallery
19:49he titled it
19:50another of his
19:50alleged friend
19:51a Genoese painter
19:53of good reputation
19:53Mario Berrino.
19:57By Berrino
19:58Gigliola
19:58start exhibiting
20:00and sell the paintings.
20:01We can imagine it
20:02while accompanying
20:03for the gallery
20:04his guests
20:04I offend sparkling wine
20:06and handing out compliments.
20:11Perhaps
20:12to Di Nardo and Sacco
20:13the most trusted friends
20:15also shows
20:15his office.
20:17On a wall
20:18he proudly
20:18hung two photos.
20:20A
20:20he portrays her with the secretary
20:22of his party
20:22Giorgio Almirante
20:25and in the other
20:27right next door
20:27there is she
20:28naked.
20:30And an artistic shot
20:32made by one of his
20:32photographer friend
20:33he would like to point out
20:34but nobody
20:36can avoid
20:36to perceive
20:37malice
20:38contained in those words.
20:42Probably
20:42not even Ettore Geri
20:44who attended
20:45the scene
20:45from the jamb
20:46of the door
20:47without saying
20:48a word.
20:50Suddenly
20:50he realized
20:52that that partnership
20:53who thought
20:53to have created
20:54with Gigliola
20:55it's not then
20:56so exclusive
20:57and when she
20:58he notices it
20:58it's probably
21:00he apostrophizes him
21:01without the slightest
21:02to break down
21:03with a
21:03ah you were here
21:05to Hector
21:06there's nothing left to do but
21:06to stretch
21:07a half smile
21:08and raise
21:09the chalice
21:09before leaving
21:11the room.
21:16Meanwhile
21:17in Gigliola's life
21:18for a moment
21:19everything
21:20it seems to go
21:21in the right direction.
21:23It has a position
21:24a public recognition
21:26it also starts
21:27to attend
21:28the circles
21:28that once
21:29they were precluded from it
21:30and when December 2nd
21:32of 1974
21:33his daughter is born
21:34his daughter
21:35by Hector
21:36Gigliola
21:36he calls her Soraglia.
21:42Sister
21:42a name
21:43which evokes
21:44that
21:44of the wife
21:45of the wake of Persia
21:47a woman
21:48which has become
21:49princess
21:50a character
21:51to which
21:51maybe Gigliola
21:52in a way
21:53or in the other
21:53it compares.
21:58We embroider
21:58it's August
21:59of 1987
22:01a corpse
22:03from the face
22:03mangled
22:04is found
22:05in a getaway
22:05of Montessuto
22:06on the outskirts
22:07from Savona
22:08it's the body
22:09by Cesare Brin
22:10a personality
22:11of the small town
22:12from Cairo
22:13Montenotte
22:13the police
22:14identify immediately
22:15a suspect
22:16actually
22:17she is a woman
22:18it's about
22:19by Gigliola
22:19Guerinoni
22:20the gallery owner
22:21of the country
22:22that of Brin
22:22she was the lover
22:24but Gigliola
22:24of men
22:25he had several
22:26from one of these
22:27Hector Geri
22:28he has a daughter
22:29named Soraya
22:30and this story
22:32it's never over
22:35when he was born
22:36little Soraya
22:37Gigliola
22:38has a new motorbike
22:39of rebellion
22:39the spectre
22:41of a family life
22:42where it would be due
22:43only the role
22:44of mother
22:45terrifies her
22:46and so one evening
22:48he clarifies it to Hector
22:49she
22:50it is considered
22:51a free woman
22:52and to underline
22:53even better
22:54the concept
22:55he moves
22:56in a room
22:56downstairs
22:57where system
22:58a modest bed
23:00Hector
23:01he will remain alone
23:02in the old room
23:03together with his daughter
23:04he's understood it now
23:05that woman
23:07with which he chose
23:07to spend one's life
23:08can't
23:09and he doesn't want to
23:10to be harnessed
23:11and so
23:12take a breath
23:14from that moment on
23:15will take
23:16what it can have
23:17as a lover
23:18will become an accomplice
23:19and when he can't
23:21more to be
23:21not even that
23:22he will isolate himself
23:23in the role
23:24of father
23:29so much so that Gigliola
23:31he takes it right
23:31to call it that
23:32Pope
23:33or more simply
23:35the old man
23:36while he
23:37start saying
23:38around
23:38to have two daughters
23:39Soraya
23:40and Gigliola
23:48but what
23:49try again already
23:49for Gigliola
23:50it's not then
23:51so linear
23:52it's a form
23:53of love
23:54and hate
23:54of dependence
23:56wish
23:57and rebellion
23:59mixed feelings
24:01they mix
24:01and confuse
24:02in his head
24:03during the process
24:05he confesses it
24:06a friend
24:06if I could
24:08to that woman
24:09to give out
24:11and so
24:12when that evening
24:13Gigliola
24:14abandon
24:15his room
24:15from bed
24:16Perhaps
24:17Hector Geri
24:18the first thing
24:19what does he do
24:19it's to go
24:20to open
24:21the bottom drawer
24:21of the comobile
24:23a drawer
24:24where below
24:25old
24:25odds and ends
24:26preserves
24:27a box
24:30there is a pendulum
24:31crystal
24:32that extracts
24:33and candles
24:35black
24:38and then
24:39photographs
24:40and photographs
24:41of men
24:42they are photographs
24:44disturbing
24:45why the portraits
24:45the eyes are missing
24:46burn wounds
24:47of cigarettes
24:48but among them
24:49we can recognize
24:51the faces of Sacco
24:52of Nardo
24:53and many
24:54many
24:55others
24:59this box
25:00contains
25:01everything you need
25:02to make invoices
25:05it's you
25:05that you forced me to do it
25:06Geri whispers
25:10it's you
25:23some time later
25:24the collection
25:25of photographs
25:26by Geri
25:27it gets richer
25:28of a new piece
25:28why didn't it pass?
25:30not even a month
25:31from the transfer
25:31by Gigliola
25:32downstairs
25:33that another man
25:34enters his life
25:36and consequently
25:37in that
25:38by Ettore Geri
25:39Pine
25:40Tastes
25:44Pino Gustini
25:46he is a painter
25:46provincial
25:47which has been happening for some time
25:48started attending
25:50the gallery
25:50by Gigliola
25:59we don't know
26:00how the story begins
26:01between Gustini
26:01and Gigliola
26:02but we know
26:03that soon
26:04the two
26:04they become
26:05inseparable
26:06their relationship
26:08it's so intense
26:09that Gustini
26:10he moves into the house
26:11with her
26:11Geri
26:12and the daughter
26:12and when Geri
26:13it is demonstrated
26:14a little jealous
26:15she appeases him
26:17he is diabetic
26:18he tells him
26:19couldn't do
26:20love
26:20not even if he wanted to
26:23they pass like this
26:24ten years
26:24ten years
26:26during which
26:27Gigliola
26:27seems to have found
26:28finally peace
26:31and that absurdity
26:32household in Troyes
26:33it even comes
26:34accepted
26:34in the village
26:37as time goes by
26:39of the time
26:39the voices
26:40they get thinner
26:41becoming
26:42a noise
26:43in the background
26:43that gets confused
26:45with that
26:45of the flow
26:46of the river
26:47All
26:48until
26:49December 11th
26:50of 1986
26:51Pino Agostini
26:53he dies
26:55of diabetes
27:00Gigliola
27:01that evening
27:02he's not coming home
27:04Nobody
27:04he can find it
27:06Geri and her daughter
27:07they are worried
27:08to death
27:09but in the country
27:10there are already those who speak evil
27:11that has already gone
27:13to have fun
27:13with someone else
27:15in Cairo
27:16Montenotte
27:17that evening
27:17the streets
27:18they are unreal silent
27:20a thick fog
27:22she went down
27:22on the Bormida Valley
27:23hiding
27:24the first lights
27:25of dawn
27:25everyone
27:27they sleep
27:27but if someone
27:29listened
27:29with attention
27:30Perhaps
27:31could hear
27:32carried by the wind
27:34a guttural sound
27:35similar to that
27:36of an animal
27:37wound
27:38a continuous sound
27:39incessant
27:42but we
27:43that sound
27:43we can follow it
27:44up to the gates
27:45of a cemetery
27:46now we recognize it
27:48it's a convulsive cry
27:50torn apart
27:51that comes
27:52from a mortuary
27:53whoever entered
27:55in that small one
27:56cold room
27:56might notice
27:58the hand
27:58of a woman
27:59literally
28:01clawed
28:01to a coffin
28:08it's the hand
28:09by Giliola
28:09and that one
28:10it's the coffin
28:11by Pino Agustini
28:22so he finds it again
28:23the caretaker
28:23the next day
28:32almost frozen
28:33and incapable
28:34to stop
28:35to pronounce
28:36the name of Pino
28:42it's at that moment
28:43that in the country
28:44something is discovered
28:45really surprising
28:50there everyone gave
28:51for granted
28:52that Giliola
28:52she was married
28:53with Geri
28:54and that that
28:55Tastes
28:55he was her lover
28:56but that
28:57that comes out
28:58it's the opposite
29:00Giliola
29:00he had married
29:01Tastes
29:02in great secrecy
29:02and it was Geri
29:03the lover
29:08for Gustini
29:09Giliola
29:10he has it built
29:10a tomb
29:11in the cemetery
29:11from Desio
29:12and right
29:13next to the tombstone
29:14he adds it
29:14a second
29:15with his name
29:20he will say about him
29:21it was the man
29:23that most loved
29:24he was cheerful
29:25friendly
29:26he loved life
29:28it looked like
29:28Michael Placido
29:29a woman
29:30can give the body
29:32to a thousand men
29:32and the soul
29:33to one only
29:34I the soul
29:35I gave it to her
29:36to Pino Agustini
29:41what changes
29:42in life
29:42by Giliola
29:43when Pino Agustini
29:44he dies
29:46probably
29:47the balance
29:47which he had built
29:48for almost ten years
29:49it is lacking
29:53that desire
29:54which now seemed tamed
29:55that craving
29:56to search
29:57always something else
29:58resurfaces
29:59with arrogance
30:00an arrogance
30:01powered
30:02from the void
30:02left
30:03from death
30:04of Pine
30:04that's how it is
30:06Giliola
30:06a few months later
30:07start dating
30:09another man
30:11Caesar
30:12Brin
30:21when Giliola
30:22knows Agustini
30:23Italy
30:23it's the country
30:24of workers' struggles
30:25and then
30:26of the years of lead
30:27and terrorism
30:29in 1987
30:30on the death of Agustini
30:32nothing more
30:33as before
30:33the one in which
30:35Giliola is found again
30:36it's a rampant Italy
30:37of excess
30:38of easy wealth
30:39where that
30:40that really matters
30:41it is the appearing
30:42the look
30:43as and perhaps more
30:45of the big cities
30:46the province too
30:47it has become
30:48a province
30:49to drink
30:51and in Cairo
30:52Montenotte
30:52Cesare Brin
30:53it's his little one
30:54emperor
30:58Cesare Brin
30:59it's a small one
31:00personality
31:00in the village
31:01Giliola
31:02he crosses it
31:03practically every day
31:04because his pharmacy
31:06is found
31:06a short distance away
31:07from the art gallery
31:14at the start
31:15they are just formal exchanges
31:17but from the looks
31:18that Brin addresses to her
31:19Giliola knows well
31:21that if he wanted
31:22that formalism
31:23could easily
31:24to transform
31:25into something else
31:27Piero Agustini
31:28he recently died
31:29Jerry
31:30he can't hide
31:31his joy
31:32and to Giliola
31:33life
31:33it has never been
31:34so unbearable
31:36he almost cannot tolerate it
31:37to find it around
31:38the specter of a life
31:40that reserves for her
31:41the sole role of mother
31:42the persecutor
31:43again
31:47maybe that's why
31:48that one day
31:48when Brin mentions
31:50for the umpteenth time
31:51to that drink
31:52that could be drunk together
31:53Giliola
31:54he finally says yes
31:57not many days pass
31:59that everyone
32:00in the village
32:00they learn
32:01the news
32:04Giliola
32:04has a new one
32:05lover
32:13Brin too
32:14even if married
32:15and with offspring
32:16it's not new
32:16to betrayals
32:17so much so that the wife
32:19now tired
32:20he took up arms
32:21and luggage
32:21and she moved
32:22in Rapallo
32:23where it is open
32:24a herbalist's shop
32:25of the husband
32:26of Ra
32:29he was a gullible person
32:30a naive person
32:32a vain man
32:33he liked to be there
32:34in the center
32:35of attention
32:35and the others
32:36they took advantage of it
32:38that woman
32:39the perhaps
32:40he conquered it like this
32:41he was the only person
32:43which made him feel
32:44someone else
32:45while everyone
32:46they considered it
32:47a nobody
32:49Caesar with the women
32:50he behaves
32:51always the same way
32:52loves
32:53to strut
32:54and so at the beginning
32:55with Giliola
32:55I'm alone
32:56gifts
32:57dinners
32:57flowers
32:58he also pays them
32:58the rent
32:59of the gallery
32:59for a few months
33:01but in short
33:02economic problems
33:03they come to the surface
33:04his investments
33:06they went up in smoke
33:07the team
33:08he only has debts
33:08no one treats him
33:10with the same
33:11consideration
33:12of a time
33:15Giliola wanted a man
33:16and it is found
33:17to have to take care of oneself
33:18of a little boy
33:19and on top of that
33:20desperate
33:22in the beginning
33:23the thing
33:23It fits you well
33:24see a person
33:25in need of affection
33:26or distracts her
33:27from the bite
33:27of pain
33:28but the more days
33:29they pass by
33:30more requests
33:31by Brin
33:31they become pressing
33:36at the start
33:37it's about
33:38simply
33:38to sell
33:39in the gallery
33:39some antique furniture
33:40of his property
33:41the buyers
33:42but
33:42not even far away
33:45At that time
33:45he asks her
33:46to move
33:47from her
33:49and inevitably
33:51the thing
33:51unleash
33:52a violent reaction
33:53by
33:53by Ettore Egeri
33:54which even comes
33:55forced
33:56to move
33:57elsewhere
33:58with her daughter
34:01we imagine it
34:02locked up
34:03in his room
34:03from bed
34:05the candles
34:06the black candles
34:07they are on
34:09in hand
34:10to a photo
34:12it's the photo
34:13by Cesare Brini
34:15the man
34:16who took everything from him
34:17the lover
34:19the house
34:21even work
34:22Now
34:24get closer
34:25the flame
34:25of the candle
34:26to the photo
34:28a border
34:29it starts to burn
34:31Geri
34:32pronounce
34:33a strange formula
34:38beyond the jamb
34:39he doesn't notice it
34:40there is his daughter
34:41the look
34:42of the little girl
34:43hypnotized
34:44from the flame
34:47but he doesn't know
34:48Geri
34:49that things
34:49I'm not sure
34:50end there
34:52Gigliola in fact
34:53it remained
34:54pregnant
34:57maybe the Brin
34:58he's already making plans
34:59already imagine
35:00their life together
35:01their family
35:07the child
35:08will never be born
35:12Gigliola in fact
35:13she has an abortion
35:14spontaneous
35:14at home
35:15Brin
35:17he is shocked
35:17runs down
35:18in the pharmacy
35:19grab a jar
35:20and fills it
35:21of formalin
35:24then he goes back home
35:25takes the fetus
35:26in your hands
35:27and immerses it
35:28in the jar
35:28he will keep it
35:30on a shelf
35:31of the wardrobe
35:33in his own way
35:34had
35:35the family
35:35that he wanted
35:39at that point
35:41Gigliola
35:41he can't stand it anymore
35:42that man
35:44it is literally
35:45placed
35:45in the center
35:46of his life
35:47and then
35:48he also started
35:50to be
35:50jealous
35:53one day
35:54he finds it
35:55waiting for her
35:56At home
35:56he's furious
35:57in hand
35:59to a notebook
35:59filled with numbers
36:01written
36:02in pencil
36:02where have you been
36:04the cries against
36:05Gigliola
36:06that tone
36:07he can't stand it
36:08he says he is
36:09went shopping
36:10but Caesar
36:11take it out
36:12the notebook
36:13and shows them
36:13the numbers noted
36:14they are the readings
36:16of the odometers
36:17of the machine
36:18by Gigliola
36:20she
36:21it's gone
36:21out of town
36:22it's gone
36:23to find
36:23that Geri
36:25what is he going to do?
36:27Gigliola
36:27he replies
36:28Geri
36:29he is the father
36:29of his daughter
36:30and anyway
36:31she has the right
36:32to do
36:32all that
36:33what he wants
36:34so saying
36:35leave the room
36:36banging
36:37the door behind
36:38the next day
36:39will uninstall
36:41the odometer
36:42from the car
36:42it hadn't gone
36:44from Geri
36:44but in Pietraligure
36:45from another
36:47lover
36:51we embroider
36:52it's August
36:53of 1987
36:54a corpse
36:56from the face
36:56mangled
36:57is found
36:58in a getaway
36:59of Montecciuto
37:00on the outskirts
37:01from Savona
37:01it's the corpse
37:03of a personality
37:04of the area
37:04is called
37:05Caesar
37:06Brin
37:06the Brin
37:08he had a relationship
37:09with Gigliola Guerinoni
37:10the gallery owner
37:12of the country
37:12from Cairo
37:12Montenonte
37:13a woman
37:14known for its
37:15many acquaintances
37:16loving
37:17but Gigliola
37:18in the last period
37:19he frequents it
37:20just because
37:21is expected
37:21to have some
37:22of the advantages
37:22cheap
37:23Hector Geri
37:25a previous lover
37:26by Gigliola
37:27from which he had
37:27even a daughter
37:28has never
37:29tolerated
37:29his presence
37:31Gigliola discovers
37:32that Brin
37:33it's practically
37:33in ruins
37:34and this story
37:35it doesn't end here
37:40we're coming
37:41at the peak
37:42of the summer
37:42business
37:44of Brin
37:44they didn't go
37:45in port
37:45money
37:46you don't see any
37:48now Gigliola
37:49by Cesare Brin
37:50he doesn't want to know anymore
37:51it's evening
37:52of August 12th
37:55Pierina Gagliardi
37:56he's coming back
37:57At home
37:57with Tobi
37:58the little bastard
37:59that holds them
37:59in company
38:00for some time now
38:01when it arrives
38:02on the door
38:02at home
38:03with a tug
38:04the puppy
38:04she runs away
38:05to bring it back
38:07backwards
38:07it's a couple
38:08of engaged couples
38:09Sergio
38:10De Toffol
38:10and Isabella
38:11Poggio
38:11they just have
38:13returned
38:14Tovi
38:14in the hands
38:14by Pierina
38:15when they hear
38:16come from
38:16from the apartment
38:17by Gigliola
38:18some strange noises
38:19there are some rumors
38:21Perhaps
38:22two people
38:23who argue
38:24Sergio
38:25he hears a noise
38:25of broken glass
38:27Isabella
38:28the voice
38:28of a man
38:28that screams
38:29I'll kill you
38:30and a woman
38:31shortly after
38:31shut up
38:32otherwise they will hear us
38:33they are undecided
38:35if you call
38:35or less the carabinieri
38:36Pierina looks up
38:37towards the window
38:38and call
38:39Gigliola
38:41a silhouette
38:42appears behind a curtain
38:43the noises
38:44they cease altogether
38:45the three look at each other
38:46in the eyes
38:47uncertain
38:48it's nothing
38:49Pierina concludes
38:50let's go to sleep
38:53hours later
38:54the machine
38:55by Gigliola
38:55will come out of the garage
38:56on the front seat
38:58there will be the corpse
38:59of the poor
39:00Cesare Perin
39:01to cover
39:02that hole
39:03what's on his mind
39:04they stuck it in him
39:05a frog hat
39:05and it's August
39:07on board
39:08there is an army
39:09lion branch
39:10formed by Gigliola
39:11that falls
39:11Deputy Commissioner Sacco
39:13they will stop
39:15a distributor
39:15to fill up
39:16moreover
39:17in front of witnesses
39:18because gasoline
39:19Alas
39:20it was almost over
39:21then they will drive
39:22until the escape
39:23they will burn
39:24Brin's clothes
39:25and they will bring down
39:26his corpse
39:27down from Mount Ciuto
39:29and this
39:30that's what happened
39:31certainly established
39:32but what is it really?
39:33happened in that house
39:34what brought
39:36to that death
39:37Gigliola
39:38tell the facts
39:38in this way
39:44in my house
39:45they introduce themselves
39:46two friends from Brin
39:47on board a quaver
39:50they go up
39:51and talk to him
39:53they pretend
39:54the payment
39:54of a debt
39:55for a matter
39:56of drugs
39:57says Gigliola
39:58he doesn't remember
39:59the details
40:00of that conversation
40:01because he listens to them
40:02from the kitchen
40:02while preparing
40:03the coffee
40:06what he remembers
40:07is that Brin
40:08try to calm them down
40:09but suddenly
40:10the situation
40:11degenera
40:13one of the two
40:14grab a little
40:15from ash
40:15and hits him
40:16to the head
40:17a splash of blood
40:19it projects itself
40:19on a wall
40:20of the living room
40:22Brin
40:23the sound thunders
40:24but then
40:24he gets up again
40:26the two grab him
40:27they load it
40:28on the car
40:28by Gigliola
40:29and they leave
40:32Gigliola
40:33he won't see it
40:34never again
40:34but the next day
40:35as if by magic
40:36his car
40:38it's again
40:38in the garage
40:39to her
40:40there is nothing left then
40:40what to call
40:41that that
40:41to delete
40:42those bloodstains
40:44but the story
40:45it's so unlikely
40:46that everyone thinks
40:47that is covering
40:48someone else
40:49but who?
40:50Hector Geri
40:51if that were the case
40:53his plan
40:53it collapses in a short time
40:55why Geri's version
40:56it's totally
40:57different
41:02let's go back
41:03at night
41:04of August 12th
41:05it's past midnight
41:07Hector Geri
41:09he is in his house
41:10out of town
41:10where he lives
41:11together with his daughter Soraya
41:12his phone
41:14ring
41:15it's Gigliola
41:16he doesn't feel well
41:18he tells him
41:18he needs Geri
41:20you bring them
41:20of medicines
41:22right away
41:23Geri
41:24he will be in the car
41:25but he doesn't go there alone
41:26he goes with his daughter
41:27little Soraya
41:29what time
41:29he is 12 years old
41:32they arrive
41:32on Portici Street
41:33they park in the garage
41:36Geri
41:36he tells his daughter
41:37to wait for him there
41:38and goes up the stairs
41:40that lead
41:41within
41:42of the apartment
41:42arrived on the first floor
41:44walk
41:45along a corridor
41:46there are two doors
41:48a
41:49it's the bathroom door
41:50it's ajar
41:51Gigliola is inside
41:53and it's drying
41:54after a shower
41:57from the jamb
41:58Hector
41:59note details
42:00in her naked body
42:06further ahead
42:07there is the door
42:08of the bedroom
42:09it's open
42:10on the bed
42:11a man is sitting
42:13which is ending
42:14to get dressed
42:14it's him
42:15Cesare Brin
42:18Hector
42:19sees the scene
42:20the classic scene
42:21of the after-effects
42:22of an embrace
42:24a fit of anger
42:25he attacks him
42:26think of Gigliola naked
42:27think about that bed
42:29to bed
42:30in which they conceived
42:31their little girl
42:33think about all that
42:34that over the years
42:34had to endure
42:36and for a moment
42:37he can't see anymore
42:39grab
42:40a bottle
42:41enter the room
42:43I'll kill you
42:44he screams at him
42:44he hits him in the back
42:45Brin
42:46falls to the ground
42:47is dead?
42:48asks Gigliola
42:49I do not know
42:49I do not know
42:50he shouts
42:50I feel that they hear us
42:52she prepares it for him
42:57this is what he declares
42:58the first time
42:59Hector and Geri
43:00except then
43:01to take back
43:01upon his arrival
43:03he will say
43:03Brin
43:04he was already dead
43:07but there is another person
43:08who witnesses the facts
43:09she's a little girl
43:10just 12 years old
43:12Geri's daughter
43:13it's Gigliola
43:15the little one
43:16Soraya
43:19Soraya
43:20that evening
43:20he remembers it well
43:22he remembers
43:23when with the father
43:24he gets into the car
43:25direct to the house
43:26in the street of the porticos
43:31I don't like it
43:32to say
43:32as much as my father
43:33he told me in the car
43:34will declare
43:34but I can say
43:35who was very angry
43:38we entered
43:39in the garage
43:39continues his deposition
43:41which usually
43:42remained open
43:43my father
43:44he told me
43:45to wait near the stove
43:46while he
43:47he was coming home
43:48after a while
43:49the little girl
43:50he gets out of the car
43:51he's wandering around
43:52for the garage
43:52Then
43:53he hears noises
43:54upstairs
43:56they were noises
43:57of glass
43:58that were shattering
44:01I went up to the house
44:02and I stopped
44:05at that point
44:06fearing for life
44:07of my father
44:08I went back down
44:09and I took
44:10a hammer
44:10medium-sized
44:14I went back up
44:15on the bed
44:16the brin was leaning
44:17bleeding from the face
44:18for a moment
44:19he looked at me
44:20the hammer
44:21it slipped out of my hand
44:23falling to the ground
44:27in a second interrogation
44:29will specify
44:29when I entered
44:31I heard my mother
44:32say
44:33die bastard
44:35I don't know
44:36which he then used
44:37the hammer
44:37to hit the brin
44:39and in a third
44:41just so as not to leave any voice here
44:42will add
44:43when we arrived in Cairo
44:45my mother came to meet us
44:46and he said
44:47do you feel like hitting the brin
44:50my father
44:51he answered affirmatively
44:52in July
44:54my parents
44:55they had agreed
44:56that when my mother
44:57had called
44:58complaining of a headache
44:59it meant
45:00that the time had come
45:02to fix the brin
45:08they are boasting
45:09as the father will declare
45:11the birth of fantasy
45:13of a little girl
45:13finished inside
45:15of a bigger game
45:15her
45:17we have no way
45:18to know it
45:19what is certain
45:20is that during the process
45:21Soraya's testimony
45:23is being removed
45:25for a formal defect
45:26and that in the end
45:27of the three levels of judgment
45:28Gigliola
45:29and Ettore Geri
45:30they are both sentenced
45:32but what happened
45:38really that evening
45:39if Geri and Gigliola
45:41had been
45:41I really agree
45:42to eliminate brin
45:44they would have brought
45:45with her daughter
45:46the thing
45:47it doesn't seem plausible
45:48the reasons
45:49of the sentence
45:50they are clear
45:51to act
45:53they would have pushed her
45:54the humiliation
45:56for that activity
45:57spending to promote
45:58the brin
45:58that he didn't see
45:59recognized
46:00and repaid
46:01the projects
46:03of a social life
46:04of note
46:05always caressed
46:06and now
46:07dissolved
46:08pride
46:09of a woman
46:09accustomed to managing
46:10the reports
46:11and which is found
46:12Now
46:12in a situation
46:14passive
46:16after three degrees
46:18of judgment
46:18Gigliola
46:19December 17th
46:201991
46:21she is condemned
46:23definitively
46:23at 21 years old
46:24and 6 months
46:25in prison
46:28and with her
46:29they are condemned
46:30also Ettore Geri
46:31Sack
46:31and the others
46:32the process
46:34he has continuous strokes
46:35on stage
46:35and touches the apex
46:36from a screenplay
46:37television
46:37when Gigliola
46:39declares
46:39of having had
46:40a relationship
46:40nothing less
46:41that with the judge
46:42instructor
46:43naturally
46:44it's false
46:44and Gigliola
46:45is sentenced
46:46even for slander
46:51throughout
46:52the process
46:53writes for newspapers
46:54and magazines
46:57and participate
46:58to broadcasts
46:59television
47:04one day
47:05to escape
47:06to the reporters
47:06he hides
47:07in the trunk
47:08of the car
47:08of a friend
47:09In short
47:10her
47:11in a way
47:12or in the other
47:12it continues
47:13to speak
47:13for years
47:14why Gigliola
47:16in the good
47:16and in evil
47:17it's a symbol
47:18a symbol
47:19of the price
47:20that you pay
47:21when your
47:21idea of freedom
47:22it collides
47:23frontally
47:24with life
47:25that you live
47:26and also the symbol
47:27of the price
47:27a price
47:28very high
47:28that that freedom
47:30coast
47:30to whom
47:31hinders it
47:32mantis
47:33heroin
47:34murderer
47:35victim
47:37Gigliola
47:38Guerinoni
47:38each one
47:38of these things
47:39maybe that's why
47:41his story
47:41keep talking to us
47:43because in some way
47:44strange way
47:44in his defense
47:45impossible
47:46in his
47:47continues struggle
47:47against everything and everyone
47:48He also talks about us
47:55how did it end?
47:56this story
47:57Gigliola
47:58he's getting married
47:59with a man
47:59who leaves two years later
48:02September 10th
48:03of 2013
48:05two Romanians
48:06they set a dog on fire
48:07against the owner
48:08of a pizzeria
48:09of Saint Basil
48:10in Rome
48:11the dog
48:12it slips out of his hand
48:13and bites
48:14an elderly passerby
48:15which comes back
48:16for a day
48:16of volunteering
48:17at an institution
48:18of sounds
48:19it's her
48:20Gigliola
48:21Guerinoni
48:22that for the first time
48:23in his life
48:24on the news pages
48:25it comes to us as a victim
48:27and not as a butcher
48:31the carabinieri
48:32they were waiting
48:33a gentleman
48:34That
48:34he distributed drugs
48:37he was one of the bosses
48:38of drugs
48:39so they suspected it
48:40and they followed him
48:42this one here
48:44he had a mastiff
48:47from which
48:48he never came off
48:49if not that
48:50when the police
48:51they have it
48:52stopped
48:53the molosser
48:54instead of attacking
48:55the carabinieri
48:56he went to attack
48:56to those rhinos
48:57that at that moment
48:58he was passing by on the road
48:59and crushed it
49:00and this one
49:02he was shouting
49:02and those
49:02they didn't do anything
49:03then after
49:05they have tightened
49:06the molosser
49:07I don't know how
49:08and this one is dead
49:12she came
49:14and I imagined
49:15that she had come
49:16because we did
49:16a description
49:17about God
49:25Cairo's mantis
49:27Montenotte
49:27I think it was
49:28journalistically defined
49:30this gives you an idea
49:34she was
49:35the first
49:36to impersonate
49:38that
49:39female figure
49:41that makes you lose
49:42the heads of men
49:43and who takes advantage of it
49:46the first time
49:47that I saw her
49:47in Rebib
49:48I had the impression
49:49meanwhile
49:49of a remarkable physicality
49:51she is a woman
49:52undoubtedly fascinating
49:55it's not fascinating
49:57in the sense
49:57That
49:58she
49:58flattery
49:59or wink
50:00she is one of those women
50:02that I am
50:03statically beautiful
50:07he knows that men
50:08they look at her
50:09he knows that men
50:10they scrutinize her
50:11and she
50:13corresponds
50:14to this type
50:15of attention
50:20Wait
50:21the men
50:21Not
50:22he doesn't chase them
50:23Then
50:24if men
50:26they give her
50:27the due
50:28Attention
50:29the one that
50:29she thinks
50:30to deserve
50:30what should I say
50:31he's not wrong
50:32I'm obviously speaking
50:33of the best years
50:34of her beauty
50:35and then
50:37try to understand
50:38what he can get
50:43also a fact
50:44of naivety
50:46it's not just
50:46a matter of cunning
50:47it's a mix
50:48of cunning
50:49and naivety
50:55the Guerinone
50:56who courted her
50:58that she understood
50:59could easily
51:00conquer
51:01the richest ones
51:01let's tell the truth
51:06she chose
51:07among men
51:08had
51:09a thousand suitors
51:10but
51:10his heart
51:11he was taken
51:12from one alone
51:16flavors
51:17probably tastes
51:19is the person
51:20what more
51:21she was left with
51:22in the heart
51:24I warn you
51:25a
51:27sensation
51:28of nostalgia
51:28in his gaze
51:30in his voice
51:31in the way
51:32with which he tells
51:36she is
51:37completely
51:38detached
51:38from his world
51:39she wants to see
51:40the daughter
51:41Soraya
51:41who is a little girl
51:42who suffered
51:43very naturally
51:44for all the events
51:45of the mother
51:48Today
51:49Soraya
51:49she is a woman
51:50that supports it
51:52Very
51:52Today
51:53they have reversed
51:54the parts
51:55the mother
51:55It's Soraya
52:01I am myself
52:02aware
52:02that there was
52:02a margin
52:04not huge
52:05For
52:07to try
52:07a process
52:08of revision
52:11and she
52:12he had me
52:13a reaction
52:14furious
52:15ninth
52:15for goodness sake
52:16because she
52:16he's terrified
52:17of the magistrates
52:18of the lawyers
52:19of the judicial aspect
52:20of the processes
52:22this is
52:23the last period
52:25but in the period
52:26in which
52:27she was
52:28the devil
52:30from Cairo
52:30Montenotte
52:31she
52:32Yes
52:34a bit
52:35he was pleased
52:36because it was
52:36searched
52:37from the newspapers
52:38from journalists
52:39from television
52:40and then
52:41Perhaps
52:42there was
52:42a component
52:44also of
52:44Pleasure
52:45in all this
52:48there was
52:49that exhibitionism
52:50which probably
52:51resurfaces
52:53in each one
52:54of those
52:54that they have
52:55legal matters
52:56and that become
52:57protagonists
52:58that first
52:59they were not
53:00Nothing
53:03she professes herself
53:04still innocent
53:05he insists a lot
53:07that had no reason
53:08to kill
53:09Cesare Brin
53:11we all are
53:12more or less
53:12capable of killing
53:14out of anger
53:16naturally
53:17if we are people
53:18I use a term
53:22indescribable
53:23actually
53:23normal
53:24the people
53:25normal
53:26which I repeat
53:27I don't know what they are
53:28and what it means
53:29they can kill
53:31for any reason
53:32out of anger
53:33on impulse
53:35the people
53:36not normal
53:38they often kill
53:39coldly
53:40because then
53:40evil exists
53:41I am trying to say
53:42the choices
53:44criminals
53:45cold
53:46they exist
53:46a murderer
53:48by chance?
53:49Yes
53:50this term
53:51it suits her
53:52absolutely
53:53Yes
54:02It's August 9th
54:031969
54:05a Saturday morning
54:07I'm new here
54:08after 8
54:08blood
54:10death
54:11assassins
54:12because that
54:12that just seen
54:13in that house
54:14it's chilling
54:15he has on
54:16a silk slip
54:17and a bra
54:18under her
54:19a lake of blood
54:22on the face
54:23has an expression
54:24incredible
54:25the policeman
54:26who examines it
54:26of the first
54:27it will certainly be said
54:28that before dying
54:29he saw the devil
54:32this is the story
54:33by Charles Manson
54:35black stars
54:36Charles Manson
54:37Saturday 11.30pm
54:39Rai 3
54:39which is an expression
54:41which is an expression
54:41Thank you.
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