La prima puntata di "Stelle nere" è dedicata ai Marchesi Camillo e Anna Casati Stampa. E' il 30 agosto 1970. A Roma vengono rinvenuti tre cadaveri in un lussuoso appartamento in via Puccini n. 9, a pochi metri da Villa Borghese. Si tratta del marchese Camillo Casati Stampa, di sua moglie Anna Fallarino e del giovane Massimo Minorenti. Sembra un banale dramma della gelosia ma la scena del delitto è solo il sanguinoso epilogo di una storia che sta per sconvolgere l'Italia perbenista e benpensante dell'epoca. Titoli a caratteri cubitali e fotografie scabrose della vita segreta della coppia invadono per mesi i giornali italiani. Mai una vita intima era stata vivisezionata con tanta morbosa curiosità.
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Playlist: Stelle Nere [Tv] Tutte le Puntate [HQ]
https://dailymotion.com/playlist/xcll7a
#StelleNere #CasatiStampa #Roma #Crime #TrueCrime #Delitti #Misteri #Killer #SerialKiller #ColdCase #Cronaca #CronacaNera #Mistero #Delitto #Documentari #Documentario #Docu #Doc #DivinumCrime
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TVTrascrizione
00:22When this happens, Italy is starting to feel freer, public morality
00:27is loosening. On December 1st of that year, divorce finally becomes law.
00:33State. Yet the news in the press and on television is not ready to find and put
00:39together the right words to tell what happened in Rome on August 30, 1970 in via
00:46Giafomo Puccini, number 9. It's the last Sunday of August. It rained heavily last night, the air
00:54It's still humid. It feels like an early autumn evening. It's not late, it's 7:15 PM.
01:03At number 9 Via Puccini there is a stately four-story building. The top two floors are occupied.
01:10from a well-established couple who have been married for 11 years. And friends and acquaintances would say so.
01:18a happy and lucky couple. Once you entered and went up to the third floor you would have noticed
01:31the rooms of a luxurious apartment. Upstairs, on the fourth floor, there is a large
01:40a living room, a dining room, a servants' room, and then a special room. The room
01:47all those who frequent the apartments on Via Puccini call it birds,
01:51Number 9. It's the place the owner loves most of all. There are many animals,
02:00Stuffed animals, carcasses, and animal carcasses. Not just birds, but also wild boars and octopuses.
02:08and even some very innocent squirrels. They were all killed by the owner of
02:17house in person. Attached to one wall of the room, a glass rack with 20
02:23rifles on sight. In reality this evening there are 19. One is missing, exactly one rifle and
02:30Browning, 12 gauge. It's now a little after 7:30 p.m. If you were to go downstairs now, into the living room
02:46on the third floor, you'll notice that the precious carpets are soaked in blood. It's there on the floor
03:02the Browning 12-gauge. It is next to the body of the owner of the house. It is called, or rather it is
03:09he called Camillo. He's still wearing his smoking jacket and leather slippers. He had
03:2243 years old. His face and part of his head were torn apart. On the right jaw, the partially torn one
03:29intact, you can notice the exposed molars shining white.
03:46There's a beautiful painting on the wall, and it's quite bloody. No special tests are needed.
03:53to understand it. It is clear that the one in relief on a landscape that you can imagine sketched
03:58in oil it's a piece of cartilage, it's a piece of human ear. It's his, Camillo's,
04:06the owner of the house. The owner of the house is called, her name was Anna and for a few months
04:21She turned 41. She is sitting on an armchair, her throat and breast have been slashed by two gunshots.
04:29fired at close range. A third shot hit her in the right arm. She looks
04:47curiously relaxed. Her legs, encased in the farts' flared trousers, are crossed.
04:54and they rest on a stool, as if someone, with great care, had recomposed it.
05:04There's a third body on the ground. He's just curled up and clutching something with his arms.
05:10a small table. He's a young man with thick blond hair, a boy in his early twenties.
05:17His pool of blood slipped from two gashes on his back and the back of his neck.
05:42Here is the scene, the scene of a crime.
05:49A few meters from the macabre lifeless trio, a solid walnut desk that the
05:55Blood laps without touching the legs. In a drawer, many, many strange photos. And then
06:04a diary, with a green leather cover, where much of the story is written
06:09we're about to tell. And inside, the shocking story that's about to end up in newspapers all over the world.
06:16Italy. The story of two dark, authentic, black stars.
06:39But let's wait, the vines of all, track, stars 1,2,3,3,4.
06:46But let's wait, the venghlie of all, trace, black stars.
06:53Almost traced, black stars.
07:01But let's wait, the city of stars, the back of starli,
07:05it's a bit of a plan.
07:09But let's wait, there, today they were welcome to me.
07:18On the August 7, 1970 page of Camillo's diary you can read
07:25The biggest disappointment of my life. What a shame!
07:29The stomach upset, that's what Anna gave me.
07:32I mean, losing your head over an absolutely insignificant guy like Massimo,
07:36who, if it weren't for the hair that camouflages him, would be nothing at all.
07:42Here is the name of the third body, Massimo.
07:45For the investigators, this sentence alone would be enough to close the case.
07:49As the next day's newspaper headlines summarize, Camillo kills his wife and her young lover and then shoots himself.
07:58And it would also be our title if we stopped at the August 7th page of Camillo's diary.
08:03But things are not exactly like that.
08:06Because first, on the pages of that summer, Camillo noticed.
08:16Today Anna drove me crazy with pleasure.
08:19She made love to a toy soldier so effectively
08:24that I too, from afar, shared in his joy.
08:27It cost me 30,000 lire, but it was worth it.
08:33Camillo. Camillo and Anna.
08:42Camillo and Anna, if they hadn't died, would still be eating oysters, caviar, and drinking lots of champagne.
08:50They frequented the Torruonis, the Ruspolis, the Odescalchis, the Nancelottis and then show business personalities, famous actors and actresses.
08:58They spend their holidays in Portofino, Portorotondo, on the French Riviera, in Corsica, hosting billionaires like Aga Khan
09:06or Giver of Roses.
09:08In Sant'Ambrogio they don't miss a premiere at La Scala in Milan.
09:12They are a very visible couple.
09:23Camillo, Anna's husband, belongs to the highest-ranking aristocracy imaginable.
09:30A family that counts among its ancestors patriots, ministers and even literary characters of an absolute masterpiece of literature
09:38Italian.
09:39Virginia de Leiva, known professionally as the nun of Monza, of The Betrothed.
09:46It's a very, very old family.
09:49His family tree dates back to the year 1000.
09:54In 1970 there is a branch that someone, with not entirely gratuitous malice, will call a crooked branch.
10:02Camillo is the last descendant of a thousand-year-old historic family.
10:06The marquises, the press families, of Soncino.
10:11He grew up in Palazzo Barberini, one of the most beautiful and ancient palaces in papal Rome.
10:17His mother is the daughter of an American senator.
10:20Apart from the servants he abuses, no one really cares about spoiled little Camillo.
10:27The father, Camillo Senior, is completely uninterested in it.
10:32The patrimony of the families is immense.
10:34Palace in Rome, in Milan, vast estates in Milanese veils, Mugio.
10:39A splendid eighteenth-century villa in Brianza, the family's official residence.
10:46There is no shortage of stables, with very expensive thoroughbred horses.
10:50And company shares worth several billion lire.
11:01And then an island, an entire island, which the family has actually owned since the 1920s, for a paltry rent.
11:09to the State.
11:10The island of Zannone, Pontine archipelago.
11:13On the ruins of a Berdettine monastery, the Stampa family built a marvelous villa, with a loggia overlooking the sea.
11:23It is known that in Zannone a rigorous nudism is practiced, but what really happens on the island is wrapped in the
11:29mystery.
11:30Only a few people fantasize about it.
11:32And the Marquis is a jealous type of man.
11:35Anyone who gets too close to his beloved island, he shoots with his trusty hunting rifle.
11:48In the summer of 1961, Maria Teresa Fiumanò was invited to the island.
11:54He's only 15 years old.
11:55She is the daughter of a cousin of Anna, but Maria Teresa, the Marchioness, calls her aunt, aunt Anna.
12:05Anna appears happy, that summer of 1961, with her beauty and her wealth.
12:13I earned this husband at a high price, and I don't think life could have given me more.
12:20Only one thing seems to bother her: her children.
12:23Anna desires them with all her heart, but when they arrive they detach from her uterus after a few weeks, leaving her in despair.
12:31Anna is happy, but men, she says to little Maria Teresa,
12:35They are disgusting individuals, all of them, without exception.
12:41Strange confidences, those of the Marchioness.
12:55When night falls on the island, little Maria Teresa notices strange movements of men and women among the
13:03guest rooms.
13:04In the master bedroom, then, there are those enormous mirrors, two large reflective plates on the side walls.
13:13Maria Teresa is intrigued by a small device that the mirrors have on the sides.
13:18He maneuvers it and voilà.
13:21Mirrors stop being mirrors and become transparent.
13:24Two huge windows overlooking the adjoining rooms, the guest bedrooms.
13:34But the island has more to reveal.
13:39One day Maria Teresa, hiding behind a bush, discovers.
13:45Tangles of naked bodies lying on the rocks, writhing in multiple poses in front of the Marquis' lens,
13:53who photographs them from all copulating angles and gives them precise instructions on what to do, like a director.
14:03The absolute protagonist is her, Anna, who gives herself to everyone by carrying out her husband's every order, panting and moving at will.
14:11command.
14:12It's too much.
14:12The next day, little Maria Teresa escapes from the island of Zannone.
14:18But who is that woman panting on an island, among a dozen other naked bodies, photographed
14:24from her husband?
14:25Who is Anna?
14:33Anna Fallarino comes from a small village whose name seems to have been invented by someone who already knew her
14:39history.
14:40Amorosi, near Benevento.
14:42He was born on March 19, 1929, Father's Day.
14:47But Anna's father is an unlucky man.
14:51When Anna is three years old, her mother, Amelia, runs away with her lover and abandons the family to their fate.
14:58Anna grows up in her paternal aunt's house, who will be a real stepmother for her, complete with stepsisters.
15:04bad.
15:05Anna says she is a Cinderella, and she can't wait to run away.
15:09In Rome, where in 1946 he went to live at an uncle's house.
15:14Anna experiences first loves, does a bit of modeling and dreams.
15:18She dreams of being an actress.
15:20And he's almost done, Anna.
15:23In 1949, yet another film by the most important comedian in Italian cinema was shot.
15:30It's Antonio De Curtis.
15:31And the film is called Totò Tarzan.
15:45Here she is, Anna Fallarino.
15:50She was cast in a small part and says two lines, actually, one and a half.
15:56What do you call them?
15:57Mantis shrimp.
16:00Mantis shrimp.
16:03Get off your knuckles, let's go for a walk.
16:05One moment, Mr. Totò Tarzan, sorry about the radio program on the voices of the globe.
16:10He wouldn't want to give a little scream into the microphone.
16:13But is this him?
16:13A modest radio commentator who will broadcast the historic event to the entire world.
16:17Mr. Totò Tarzan inaugurates the first European Totò Tarzanista club.
16:21And now tell us something, I don't know, what you think of civilization.
16:25I?
16:26What do I think of civilization?
16:31Oh, oh, the last almost joke.
16:34It could be the beginning, but instead it's the end.
16:38Anna Fallarino's career in cinema begins and ends right there.
16:43In that ten meters of celluloid, barely 30 seconds, which will mean absolutely nothing.
16:52Yet fate has something in store that only cinema could tell.
16:58And instead, it will be his incredible life.
17:01That same year, Anna met Peppino Drommi, a wealthy engineer from Rome's upper class.
17:07And Anna marries the Prince Charming she was waiting for right away.
17:12He is 21 years old.
17:14This is how Anna meets Camillo.
17:17In fact, Marquis Camillo is a close friend of her husband Peppino.
17:23At that time, Camillo was married to Letizia Itzo, a former variety dancer who was
17:29call Lidia Holt, and who gave him a daughter, little Anna Maria.
17:36The two couples, therefore, frequent each other and often share the pleasures of social life.
17:42It's 1958.
17:44In Camarton there is a place renowned throughout the French Riviera.
17:48The Pirate, his name is.
17:49The Pirate.
18:05Among the guests is a very famous playboy with a very promising name.
18:09He is Dominican and his name is Porfirio Rubirosa.
18:14Rubirosa, ex-husband of the daughter of the Dominican dictator Truiglio, took to bed
18:20Dolores Del Rio, Mary Morrow, Ava Gartner, Rita Hayworth, Soraya Esfandiari, Veronica Lake,
18:27Kim Novak, Evita Peron and Zazza Gabor.
18:30So they say, and it's very likely.
18:32He is the one who points to a beautiful woman, with a breathtaking décolleté, on which a necklace falls
18:37mind-blowing.
18:38It's really her, Anna.
18:39Between one chat and another, Porfirio rests his arm on the lady's shoulders.
18:44But the beautiful lady is married.
18:46And Peppino, the husband, naturally, doesn't take it well.
18:50And the hands come.
18:51A movie-like brawl ensues.
18:53Plates, bottles, tables and jaws ready.
18:57His friend Camillo, who is in the company of the couple, comes to lend a hand to Peppino, with
19:02his wife.
19:03Camillo intervenes as an authentic fugue.
19:11At that moment, Anna and Camillo's gazes meet for an instant.
19:16Anna, you would say she was more pleased with Camillo's intervention than with her husband's.
19:22A courtship begins, at first delicate, then increasingly intense.
19:26One evening, during a magnificent reception, in a ballroom, the beginning,
19:34the beginning of the end.
19:36Peppino, drunk, makes one of his public tantrums and leaves his wife alone.
19:43in tears.
19:44It's a reckless decision.
19:46Camillo can't wait to comfort her.
19:49The two dance.
19:51The orchestra plays Unforgettable.
19:54Their first night of love.
19:58Unforgettable.
20:02That's what you are.
20:08Passion now overwhelms the two, without any more restraints or reticence.
20:13In a luxury hotel suite, Anna and Camillo make love for the first time,
20:20just in the room, without undressing.
20:24They make love like any couple in love, who have longed for that moment.
20:50Camillo has a reputation for being an original type, but how much will Anna discover that that very evening?
20:58Because Camillo then orders some champagne, a damned Don Perignon, perhaps, a Key Royal,
21:05in the room, and orders the waiter to stand there in front of the bed.
21:11The two make love again in front of the old waiter, who is red in the face and standing there
21:17in front of them, napkin on their arm, bottle of champagne in their hand.
21:21At the order to hang the moment when he will have to uncork the bottle.
21:29The separation of the two couples is lightning fast.
21:33The well-oiled sacred wheel with billions annuls the two marriages.
21:37First that of Peppino Drommi and Anna Fallarino, then that of the Marquis Camillo Casavistampa
21:44and Letizia Inzo.
21:46Anna and Camillo will need three marriages to be united forever.
21:51In 1959, civil collusion in Switzerland and Italy.
21:56In 1961, finally in church.
22:00Anna, in fact, is very devoted to the Madonna of Pompeii.
22:12Nine years after that summer of 1961, Maria Teresa returns to the island of Zannone.
22:19She is now a young woman.
22:21Now Anna is gloomy, her eyes full of tears, she appears shocked.
22:27Things aren't going well with Camillo at all, Anna confides.
22:32Yet the couple's exotic experiences continue
22:35and Camillo meticulously notes them down in his diary, the one seized by the police.
22:44At the seaside with Anna I invented a new game.
22:48I rolled her in the sand.
22:50Then I called two airmen to have the grains removed from her skin.
22:55With the tongue.
22:58Ah, in Zannone, the mirrors in the bedroom are no longer there.
23:02And he shattered Anna with a candelabra thrown during an argument with her husband.
23:07And on the island now there is a young man.
23:09And he, Massimo, without Camillo.
23:15Anna met Massimo Minorenti, a 25 year old boy,
23:19at a charity event in Rome, in January 1970.
23:24He is a young Pagnolino member of the MSI.
23:27A student who is quite behind in his studies, he has no passions.
23:30These are the ones that lead him to frequent the capital's high society circles.
23:33and the last vestiges of the Dolce Vita on Via Veneto.
23:50Banta is in a relationship with Lola Falana, a black dancer famous for television.
24:00And so Anna introduces Massimo to Camillo.
24:04For once, it is she who traces the dangerous sexual geometries of the couple.
24:14A sign that worries Camillo.
24:17Anna and Massimo, in fact, also see each other alone.
24:20And they secretly exchange love letters.
24:26March 28, 1970.
24:29I'm very sad.
24:31I usually love this island very much.
24:34But this year I hate it.
24:35Camillo is coming back.
24:37I hug you tightly.
24:39Yours, Anna.
24:44Massimo gives her a record.
24:46The distance.
24:47By Domenico Modugno.
24:49And Anna plays it often.
24:52Massimo Minorenti arrives at a particular moment in Anna's life.
24:56She no longer sleeps with her husband Camillo.
24:59And at night he struggles to fall asleep.
25:02He starts using tranquilizers.
25:04More and more.
25:05The happy couple, looking radiant and pleased,
25:08in social gatherings and receptions,
25:11within domestic walls and at war.
25:14The servants will tell of furious quarrels and of the lady Marchioness,
25:18who locks herself in her room and cries for hours.
25:26But who is Massimo for Anna?
25:27Is it really the love he had forgotten?
25:30Or rather it is the illusion of a passion
25:32that only has the colors of adolescence?
25:35It is possible, however, that Massimo Minorenti is only this.
25:40An empty instrument.
25:42The projection of an escape route,
25:44possible and desperate,
25:46from the mortal squalor into which Anna's life had fallen.
25:51A place where the boundaries between love, sex and sin,
25:55they no longer made sense.
25:57Where precisely the greatest of sins
25:59it had become love.
26:04On the one hand, boredom is the routine even of perversion
26:08and then the last shred of love for a man, the husband,
26:13which feels abysmally distant.
26:15I still love Camillo, Anna confesses.
26:19Maybe more than before.
26:21On the other hand, awareness
26:23that boredom has poisonously given her
26:26he notices his advancing age.
26:30The Marchioness Anna Fallarino, printing house of Soncino,
26:34she is a beautiful woman.
26:36But he is now 41 years old.
26:39His body has already noticed.
26:41The breasts are sagging.
26:44The fat begins to gently sag around the waist.
26:49And then off to the scalpel.
26:51Interventions that ordinary people are then fantastic about
26:54like flying saucers.
26:56But the flying saucers, the house marquises,
26:59they can afford them.
27:00And how?
27:02Anna's still ample breasts
27:04they reconquer with silicone
27:05the almost apparent flourishing of one's twenties.
27:08Anna probably hopes so.
27:10But the abdominal surgery,
27:11to reduce fat,
27:12he left his traces.
27:14They are visible.
27:15Anna disguises them as best she can.
27:17Photographs of his last summer
27:19they take it back with a ring of chains around the waist.
27:22an aesthetic expedient
27:24to cover up something terribly unsightly.
27:32The Marquise Casati is going faster and faster
27:35towards his 42nd birthday.
27:44When Maria Teresa leaves the island of Zannone,
27:47Anna hands her a sealed envelope.
27:49You should only open it when necessary.
27:53The envelope contains a letter
27:55and the notes that Anna tore up
27:57from her husband's block notice.
28:00They contain chilling details
28:01of a secret life.
28:08Today, Anna and I
28:10we had a nice walk
28:12along a semi-deserted beach in Focena.
28:15At the beginning Camillo's inventions and proposals
28:18they fascinated me.
28:19What didn't we do?
28:22Anna, for Camillo, is an obsession.
28:26Her beauty, when she is happy,
28:28becomes bright,
28:30blinding.
28:31Now, instead,
28:32I have to please him twice,
28:34three times a week.
28:35Then,
28:36just as we sat down
28:38to rest,
28:39they passed in front of us
28:41four boys,
28:41very young
28:42and not that bad either.
28:44I have no peace anymore.
28:45I'm exhausted.
28:47I can't take it anymore.
28:48I nodded in agreement to Anna,
28:50but she turned around,
28:52visibly annoyed,
28:53on the other side.
28:54Anna is tired.
28:56Not today.
28:57No, please.
28:58Do me this favor.
29:00It's a beautiful day.
29:02Don't ruin it for me.
29:03I told her,
29:04I will be forced
29:05not to let you pass
29:06your next monthly.
29:07I have come to the conclusion
29:09that he
29:09he's not feeling very well
29:11with the head
29:12and that his mental condition
29:14is getting worse.
29:15One tried to kiss her
29:17and she
29:18he spat in his face.
29:19Anyway,
29:20the disdainful refusal
29:21it didn't discourage him.
29:23The time has come
29:23to say enough.
29:24It takes boldness.
29:26So much audacity,
29:27I know.
29:27Anna was crying on the sand,
29:30dirty
29:30and broken down.
29:32How desirable it was.
29:36In the letter to his cousin,
29:37Anna rebels against her intentions.
29:40Stop obeying
29:41to Camillo's morbid requests
29:43or separate,
29:44naturally
29:45with a good exit
29:46billionaire.
29:48The witness
29:49which Camillo will bring
29:50to give in to that
29:50which presents itself
29:51like a real one
29:52and just blackmail
29:53it's already there.
29:54It's Massimo Minolenti.
30:00On August 29, 1970,
30:03the day before
30:04the massacre,
30:05Camillo is a guest
30:06of the hunting estate
30:07of the Marzotto Counts
30:09in Valdagno,
30:10Veneto.
30:12His performance
30:13hunting is a record.
30:14a few hours
30:15knocks down
30:16183
30:17ducks.
30:18At that moment
30:20there aren't many
30:21the thoughts
30:21that cross
30:22Camillo's mind
30:23or, if there are many,
30:25they are all the same
30:26like ducks
30:27that kills
30:28above the sky
30:29from Valdagno.
30:30I'm losing
30:31Anna.
30:32I'm losing
30:33Anna.
30:34I'm losing
30:35Anna.
30:38The scion
30:39by Marzotto
30:40describes it
30:41very agitated
30:42that evening.
30:43He's listening
30:44a phone call
30:44by Camillo
30:45who speaks
30:46on the phone
30:47with Anna
30:47who is at home
30:48with Massimo.
30:50The phone calls
30:50there will be three
30:51that evening.
30:52The last one
30:52the most terrible.
30:54I'll kill you
30:54to both of you.
30:56Anna is terrified.
30:57He knows that Camillo
30:58never threatens
30:59in vain.
31:00Leave the house
31:01by Giacuccini
31:01and the night passes
31:02safe
31:03in one place
31:04which Camillo ignores.
31:11Sunday morning
31:12August 30th.
31:14To the massacre
31:15there are only a few hours left.
31:17Camillo leaves again
31:18for Rome.
31:19The last phone call
31:21with Anna
31:21it's an invitation
31:22reassuring.
31:23He asks the two
31:24to come
31:24to smooth out
31:25the issues.
31:26Anna
31:27he lets himself be convinced
31:28and arrives with Massimo
31:29in Puccini Street
31:30number 9.
31:33He wrote
31:34a ticket
31:34farewell for Massimo.
31:35He will be found again
31:36only after.
31:39My Max
31:39try to create yourself
31:41a life
31:41in the best way
31:42and so happy.
31:44HI
31:44my love
31:45your
31:46Anna.
31:47Then Anna
31:47he takes the pen
31:48and writes to Camillo
31:50you must forgive me
31:51if I was wrong
31:52but I promise you
31:53which I will close with Massimo
31:54and we will return
31:55united as before
31:56and deliver
31:58the message
31:58from one of the waiters.
32:00We had no way
32:01to know
32:02if Camillo
32:02will never read it.
32:10at 6.30 pm
32:11the Marquis
32:13he locks himself away
32:14in his study.
32:15Even distrustful
32:16to meet
32:17the daughter
32:17Anna Maria
32:18that remains at the door
32:20and he goes away.
32:22Around 7pm
32:23Camillo
32:24order
32:25to the servants
32:25not to open
32:26the door
32:27for no reason
32:28anything
32:30happen.
32:32I will be obeyed
32:33as always.
32:35He just wrote
32:36a note
32:36on a calendar
32:38a calendar
32:40erotic
32:40the last one
32:41of his life.
32:44My love
32:45my life
32:47Excuse me
32:48but what will I do
32:50I owe it
32:51Do.
32:53Goodbye
32:54my only one
32:55joy
32:56past
32:57and sometimes
32:58come to me
33:00to find.
33:01These are the intentions
33:03of a suicide.
33:06At 7.15pm
33:07Camillo receives
33:08finally
33:09Anna and Massimo.
33:11A quarter of an hour
33:12where no one knows
33:14Exactly
33:15what happened.
33:17Epilogue
33:18aside.
33:326 shots
33:34of rifle
33:35loaded
33:36with buckshot
33:37those that Camillo
33:39he used
33:39for hunting
33:40to wild boars.
33:42Everyone
33:43gone
33:44to good
33:45end.
33:49But this story
33:51it doesn't end here.
33:54with death
33:55of the father
33:55Camillo
33:56Anna Maria
33:57it is virtually
33:58the only heir
33:59of a heritage
34:00immense
34:00among the richest
34:02of Italy.
34:03But right now
34:05it is certainly not the heritage
34:06the thought
34:07by Anna Maria.
34:08It's from that one
34:09terrible night
34:10who has the heart
34:10oppressed
34:11caught in a vice
34:12of the torment
34:13and shame.
34:15Now
34:16that on the covers
34:17of the newspapers
34:18she ended up there too.
34:26photographs
34:27more photographs
34:32and then
34:33inferences
34:35and again
34:36inferences.
34:38No
34:38there is no more
34:40a place
34:41in Italy
34:41where to buy again
34:42serenity
34:43and adolescence
34:44so cruelly
34:46lost.
34:50The Marchioness
34:52he just wants to
34:53to disappear
34:54and that day
34:55from the notary
34:56it wasn't needed
34:57just go.
34:59Certain
35:00that heritage
35:01it's also a pain.
35:03He is 19 years old
35:04Anna Maria
35:04he is a minor
35:05and alone
35:06he can't touch it
35:07not even a lira.
35:09The law
35:10he says
35:10that to do it
35:11he needs
35:12of a guardian.
35:13Will be
35:13Giorgio Bergamasco
35:14a liberal senator
35:16which is also
35:17a man
35:17very busy.
35:18Anna Maria
35:19he needs
35:19of someone
35:20that he follows her
35:21more closely.
35:23What he does
35:24to his case
35:24it's that young man
35:25thoughtful lawyer.
35:27It was him
35:27among the first
35:28to rush
35:29on the scene
35:29of the crime
35:30in Puccini Street
35:30with the tragic evening.
35:32And he is with him
35:33that Anna Maria
35:34he finds himself
35:35Now
35:35that the desire goes
35:36in front of the notary.
35:39There is a breath
35:40held back
35:41in the study.
35:42It is not
35:43nor that
35:43of the notary
35:44nor that
35:45by Anna Maria.
35:46that's it
35:46of his
35:47legal
35:47the young man
35:48lawyer.
35:49It has a diaphragm
35:50contract
35:50the lawyer
35:51Why
35:51in the envelope
35:52sealed
35:53that the notary
35:53he has in his hand
35:54there is the will
35:55by Camillo.
35:57The notary
35:58opens the envelope.
36:06I nominate
36:07my heir
36:07universal
36:08my wife
36:09Anna Fallarino
36:11that made me happy
36:13every year
36:13in which I was
36:14nearby
36:14and that I married
36:16in church
36:16June 21st
36:18of 1961.
36:21Silence.
36:23It's not really
36:24a twist
36:25but almost.
36:25in case of death
36:27In short
36:27Camillo
36:28he arranged
36:29that the whole
36:30heritage
36:30go to his wife
36:31and only to the wife.
36:38Camillo
36:39he really loved her
36:40Anna.
36:45A surprise
36:46the will
36:47Yes
36:47but not then
36:48so much.
36:50No
36:50Anna Maria
36:51there
36:52in front of the notary
36:52she doesn't feel usurped
36:53from Anna.
36:56And then
36:57in any case
36:58Anna is dead
36:59and she now
37:00the only heir.
37:02She's still shocked
37:03Anna Maria
37:04and the pain
37:05it doesn't make her think.
37:06If he could do it
37:08as instead
37:08someone else is doing it
37:10at that moment
37:10in that study
37:11among the vases
37:12with the kensie
37:13and the cold prints
37:14hanging on the walls
37:15would have whose
37:16to worry
37:16Why
37:17the young man
37:18and brilliant lawyer
37:19he understood
37:20that things
37:21they could be
37:21otherwise.
37:23He understood
37:24that it wouldn't take much
37:25because the entire estate
37:26of the Marquis
37:27leaves
37:27the hereditary axis
37:29direct
37:29and it will end
37:30to Amorosi
37:31that is, in the hands
37:32of the family of origin
37:33by Anna Fallarino.
37:35A breath would be enough
37:36only one
37:37breath.
37:43Let's go back
37:44in Puccini Street
37:45number 9
37:46in there
37:47we left
37:48three corpses
37:49three destinies
37:51so intertwined
37:52to have
37:53broken
37:54Together.
37:57Camillo
37:58shoot
37:58Before
37:58Maximum
37:59two shots
38:00then aim
38:01to Anna
38:02and shoot
38:03three shots
38:04the last one
38:05serve it
38:06for himself
38:07a shot
38:10let's take away
38:11in the middle
38:11the poor
38:12Maximum
38:12Minors
38:13entered
38:14evidently
38:15in a game
38:15bigger
38:16of him
38:16they remain
38:18Anna
38:19and Camillo
38:20which of them
38:21he exhaled
38:22the last breath
38:26a breath
38:27in addition
38:28and Anna
38:29would become
38:30even if only for a short time
38:31the widow
38:32by Camillo
38:33and from that widow
38:34the Fallarino family
38:36he would find himself
38:37as an inheritance
38:38a wealth
38:39that has never been
38:40not even
38:40distantly dreamed
38:48but Anna
38:49he did it
38:50that breath
38:50in addition
38:55that's it
38:56which will have to
38:56to establish
38:57own
38:58on request
38:58of the young man
38:59lawyer
39:00medical reports
39:04it's the autopsy
39:06to re-establish
39:06the truth
39:07to calculate
39:08the handful
39:09of seconds
39:10that separates lives
39:11of these two
39:12extreme lovers
39:14the seconds
39:15that separate
39:15Anna's life
39:16from that of Camillo
39:18fatal seconds
39:19who have the power
39:21to move
39:21a heritage
39:22what is it worth
39:23billions
39:35150
39:36150
39:37150
39:38seconds
39:38so much more
39:39it lasted a lifetime
39:41by Camillo
39:41about his wife Anna
39:43why Camillo
39:45he did a good job
39:46the order
39:47of the execution
39:48corresponds
39:48implacable
39:49to order
39:50of death
39:50Anna
39:52and consequently
39:53the Fallarino family
39:54from Camillo
39:55does not inherit
39:56own
39:56Nothing
39:57aside
39:58those three big ones
40:00who have it
40:00massacred
40:01end
40:03but of the events
40:04heritage-related
40:06which exact prints
40:07it's just
40:07the beginning
40:16in 1973
40:17it's just
40:18the young lawyer
40:19to do
40:19a proposal
40:20to his client
40:21Anna Maria
40:22Indeed
40:23together with the heritage
40:24of the Marquis Camillo
40:25he inherited
40:26a fair amount of debt
40:27that the father
40:28he contracted
40:28with the Italian tax authorities
40:29a debt
40:30equal to
40:31one billion
40:31278 million
40:33and 520
40:35thousand lire
40:37what if we sold
40:39that villa
40:39in Brianza
40:42we don't know
40:43what to do with it
40:43of that farmhouse
40:44ruined
40:45will be worth
40:46more or less
40:47500 million
40:48of lire
40:48says the lawyer
40:49Certain
40:50it's not enough to cover
40:52the debt
40:52but there would be
40:53those hundreds
40:54of hectares
40:55in Cusago
40:55agricultural perennials
40:57worthless
40:59said
40:59Done
41:00Anna Maria
41:02he sees himself subjected
41:03a preliminary agreement
41:04for the sale
41:06the company concerned
41:08it's a company
41:09Milan real estate
41:10that through
41:11a series of front men
41:12actually does
41:13boss
41:13to a young man
41:14and ambitious
41:15entrepreneur
41:15Milanese construction worker
41:20he is a skilled
41:22barker
41:22that really
41:23on the land
41:24divided into lots
41:24from Cusago
41:25he intends
41:26to build
41:26a huge complex
41:27residential
41:28the dream
41:30of a second
41:31Milan
41:41the story
41:42of the sale
41:43of the villa
41:43and of the lands
41:44Annesi
41:45it's complex
41:45and it can be said
41:46concluded
41:46only in 1980
41:49the first act
41:50for sale
41:50it's signed
41:51in 1974
41:52and it's not clear
41:53nor what is bought
41:54if only the villa
41:55or all of that
41:56what's inside
41:57library
41:58paintings
41:58works of art
41:59nor how much it is bought for
42:00a strange one
42:02contract
42:03for which
42:04curiously
42:05Anna Maria
42:06does not receive
42:06not even a lira
42:07after various vicissitudes
42:09in 1979
42:10it is established
42:12with yet another
42:13notarial deed
42:14that the estate
42:15will be paid
42:16with 800 shares
42:17of a
42:18delectable
42:19society
42:19of the entrepreneur
42:20Milanese
42:23they tell her
42:24which would be worth
42:25these actions
42:26the beauty
42:27of a billion
42:27and 700
42:28millions
42:29but
42:30when Anna Maria
42:32from Brazil
42:32where she moved
42:34forever
42:34he tries to sell them
42:35only one
42:36he comes forward
42:37it's just
42:39that entrepreneur
42:40but that
42:41he takes them back
42:42half price
42:44in the end
42:45In short
42:45the villa
42:45it will be sold
42:46land aside
42:47for 500
42:48millions
42:49of lire
42:52Today
42:53grazes
42:54the 52
42:54millions
42:55of euros
43:01the ex
43:02residence
43:02official
43:03of the family
43:04Cassati Press
43:04everyone knows her
43:06Today
43:06like the villa
43:07from Arcore
43:09the name
43:10of the young man
43:10lawyer
43:11it's Caesar
43:12Previz
43:18and the entrepreneur
43:20Milanese construction worker
43:20it's Silvio Berlusconi
43:25on the lands of Cusago
43:27is built
43:28Milan 2
43:28we are at the dawn
43:30of the empire
43:30Berlusconi supporter
43:31an empire
43:33that in the center
43:34to her
43:35Villa San Martino
43:36in Arcore
43:37when it is said
43:39destiny
43:46Anna and Camillo
43:48for them
43:48expressed will
43:49they rest
43:51finally
43:51in peace
43:52Together
43:53in the mausoleum
43:54of the family
43:55in Muggio
43:56there is no
43:58no epitaph
43:58on their bombs
43:59Perhaps
44:01they would have some
44:01deserved one
44:02when one loves
44:04All
44:05it is legal
44:06he used to say it
44:08Anna Fallarino
44:09they are words
44:11that they ask
44:11the thought
44:12of a great father
44:13of the church
44:14Saint Augustine
44:15loves
44:17and do what you want
44:18he said
44:19it was implied
44:20that love
44:21I can't
44:22that to procure
44:23of the good
44:23Always
44:25and in any case
44:26but not
44:27in this case
44:28Not
44:29for the marquises
44:31press houses
44:32but I miss you
44:34most of all
44:35my darling
44:40when autumn leaves
44:45start to fall
45:07theirs was a love
45:11I am convinced of this
45:12I saw them together
45:14as they behaved
45:16it wasn't just
45:17a question
45:17of attitude
45:19in shape
45:21it was something
45:22that was perceived
45:28taking up a phrase
45:29It seems to be Freud's
45:30is there ever like
45:31in transgression
45:32it can be demonstrated
45:33the power of love
45:38Anna was a child
45:39unhappy
45:40because abandoned
45:41from the mother
45:41as a child
45:42and then
45:43raised by an aunt
45:45and so with many wishes
45:46to arrive
45:48Camillo had
45:49a childhood
45:50with a father
45:51rather old
45:52a mother
45:52who was not interested
45:54enough of him
45:57he had it all
45:58a conception
46:00particular
46:00of life
46:01and of love
46:02a love
46:03that he doesn't know
46:04restrictions
46:10it was a relationship
46:11of dominator
46:13and dominated
46:15Anyway
46:15Anna had
46:16submissive
46:17even if he had
46:18a character
46:18strong enough
46:19for the love of her husband
46:20she had subjected herself
46:21to all that
46:22who wanted her husband
46:23and she too
46:24then she entered
46:24in logic
46:25by Camillo
46:26that is, of this love
46:27that can go further
46:31she anyway
46:32allowed
46:33almost to the end
46:34to all that
46:34that he wanted
46:37Surely
46:38a bit of everything
46:39there was also
46:39objectification
46:40he was going to sleep
46:42Anyway
46:42if he wanted
46:43could become
46:44even a small table
46:45on which he
46:46he could rest his feet
46:48and did they do?
46:49yes yes
46:55during an excursion
46:56on the island
46:59it happened to me
47:00to assist
47:01to a collective love
47:02while the Marquis
47:03he was photographing
47:06I was hiding
47:07behind
47:08a rock
47:09and a bush
47:09and I looked
47:10I felt
47:11some strange verses
47:13there was Anna
47:14that was
47:15with another man
47:16the Marquis
47:16he photographed them
47:18and also gave
47:19of the directives
47:20on how
47:20they had to stay
47:21or that
47:22what they had to do
47:26he was attending
47:27and sometimes
47:27then after
47:28he had it too
47:29of relationships
47:30with Anna
47:31After?
47:31After
47:32After
47:33After
47:36in general
47:37they chose them together
47:38and they must still be
47:39some beautiful boys
47:39that's for sure
47:48according to Camillo
47:50his sexuality
47:51it was normal
47:52it was a way
47:53to make love
47:55in a manner
47:56more modern
47:57he called her
47:58normality
47:59evolved
48:03and he never cheated on her
48:06that's for sure
48:07that's for sure
48:11Anna follows him
48:12the first period
48:12she also liked it
48:14all in all
48:15because then
48:15as if he had followed
48:17then the husband
48:18in this
48:20desire to overcome
48:21bourgeois pettiness
48:22because it was a term
48:23that Camillo always used
48:32she was a woman
48:33very sensual
48:34with a sexuality
48:36Very
48:36very strong
48:37and so this thing
48:38all in all
48:39he paid for it
48:44she hoped very much
48:45to have a child
48:46to be able to have
48:48then a domain
48:48on the husband
48:49in a certain way
48:50through the son
48:51because he anyway
48:52he had a daughter
48:53she got pregnant
48:54and then he couldn't
48:55to carry on
48:56pregnancies
49:00Massimo was an instrument
49:02for her
49:02he had learned a little
49:03from her husband
49:04to exploit
49:05the people
49:05a tool
49:06it was supposed to serve her
49:07to get
49:08a certain thing
49:09his greatest ambition
49:10it would have been that
49:11to get back together with her husband
49:12and interrupt
49:13this kind of life
49:14sexual
49:15so intense
49:16and strange
49:22Camillo
49:23he understands that his wife
49:24it's out of hand now
49:25that is, he can no longer operate it
49:33he paid a lot
49:34he paid
49:36even in the best of times
49:37I never believe
49:38that she was very happy
49:40in fact he told me
49:41it's not the money after all
49:42the villas
49:43the machines
49:43the furs
49:44which then make you happy
49:49a person
49:50who needs
49:52to confide in
49:52with a little girl
49:53fourteen year old
49:54or he had some friends
49:55he had a sister
49:57a mother
49:57of people close to you
49:59he had them
49:59he had to confide in me
50:01think how alone he was
50:07he was shouting
50:08I am happy
50:09I am happy
50:09almost to convince himself
50:16they have been seen
50:17basically like two
50:18a couple
50:19of people
50:23vicious
50:24infernal
50:25Thank you
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