I delitti del mostro di Firenze, una serie di sette duplici omicidi avvenuti fra il 1974 e il 1985 nella provincia toscana, hanno terrorizzato il Paese e ridisegnato una pagina della storia contemporanea italiana. Soggetto e sceneggiatura di Luciano Palmerino e Giuseppe Rinaldi. Regia: Alessandro Galluzzi
2021 Italia
Prima Parte:
https://dai.ly/xa37icg
Seconda Parte:
https://dai.ly/xa3b0jk
#MostroDiFirenze #Pacciani #CompagniDiMerende #Vanni #PietroPacciani #Crime #TrueCrime #Delitti #Misteri #Killer #SerialKiller #ColdCase #Cronaca #CronacaNera #Mistero #Delitto #Documentari #Documentario #Docu #Doc #DivinumCrime
2021 Italia
Prima Parte:
https://dai.ly/xa37icg
Seconda Parte:
https://dai.ly/xa3b0jk
#MostroDiFirenze #Pacciani #CompagniDiMerende #Vanni #PietroPacciani #Crime #TrueCrime #Delitti #Misteri #Killer #SerialKiller #ColdCase #Cronaca #CronacaNera #Mistero #Delitto #Documentari #Documentario #Docu #Doc #DivinumCrime
Categoria
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TVTrascrizione
00:00:10The documentary we will see this evening tells a story that in broad outline everyone knows,
00:00:16almost all, the story of the so-called Monster of Florence.
00:00:22I started working as a magistrate in the late 1980s in Tuscany.
00:00:27I was there, in that area, in the years when Tuscany was terrorized by the Monster of Florence.
00:00:37He can also intervene at any time, that is, you can't know, so...
00:00:42I remember there were big signs in public parks that said, "Watch out, kids!"
00:00:49The boys were afraid to go into the car and kiss each other.
00:00:55There was a fear that they might be killed.
00:01:01Watching this documentary this evening, we will discover that talking about a monster is just a conventional expression.
00:01:10There was more than one monster and there was probably more than what emerged from the very difficult judicial investigation.
00:01:18which led to some procedural truths.
00:01:20The so-called companions were convicted of four of the eight double homicides.
00:01:30Who committed the other three?
00:01:37In the documentary we will see, proposed by Rai Documentari, we will discover many interesting things
00:01:46and disturbing at the same time.
00:01:49One of these is the deadly contamination that exists between an apparently banal normality of people's lives
00:01:59and their ability to commit the most terrifying deeds.
00:02:05In August 1989, an opinion was requested and obtained from the FBI.
00:02:11Characteristics compatible with a hyposexual or even impotent person are defined.
00:02:19The investigation into the so-called Monster of Florence was a particularly difficult one.
00:02:25How difficult are investigations into random crimes,
00:02:31those in which there is usually no connection between the victim and the perpetrator.
00:02:39The victim knew her killer in one way or another.
00:02:48The difficulty of investigating serial killers lies, apart from everything else, precisely in this.
00:02:53Serial killers choose the victims of their actions based on criteria that we only discover afterwards,
00:03:00but which for the investigator are random criteria.
00:03:04And therefore a very complicated work of reconstructing motivations is necessary,
00:03:10as well as the modus operandi.
00:03:12And this Benedetto Pacciani pops up.
00:03:15What was against Pacciani?
00:03:17An anonymous letter.
00:03:23Rai Documentari presents this story to us in a form that is not new, but extremely interesting,
00:03:32ready to try to understand the complexity,
00:03:35to understand what has already been understood, perhaps, what has been ascertained,
00:03:39but above all, I would say, to try to shed light on what has not been understood,
00:03:45what has not been ascertained.
00:03:48The most widespread aspect surrounding the story of this unprecedented sequence of crimes
00:03:58dictated by what some would call the deepest reasons for evil.
00:04:08It's a beautiful documentary, coming soon.
00:04:12Don't go away.
00:04:24For still,
00:04:44For Florence this is probably a black mark that will be indelible.
00:04:50It represents a punch to the heart of the collective imagination.
00:04:58I arrived there and found myself faced with a terrible scene that you can imagine.
00:05:05The two young men were killed according to the macabre ritual that had already characterized 14 other murders.
00:05:11They were killed this night in an atrocious way on the outskirts of Florence.
00:05:16You have to be a monster, it's really a terrible thing.
00:05:19I think it's impossible to get worse than that.
00:05:24The hypotheses, the war in the prosecutor's offices, the pieces of breast that arrived in the envelopes.
00:05:30That is, it had never been seen in the news in Italy.
00:05:34Piero Pacciani, the farmer accused of being the Monster of Florence, was arrested in Val di Pesa, Tuscany.
00:05:41And out pops this blessed Pacciani.
00:05:44What was against Pacciani?
00:05:46An anonymous letter.
00:05:47A controversial ruling sentenced him to life in prison.
00:05:54We have an investigation that when it is done on evidence there is no evidence.
00:06:00An eyewitness saw how events unfolded.
00:06:07But of all these contradictions we have mentioned up to now, not even one is reported in the ruling.
00:06:30No crime story has frightened Italian families as much as the Monster of Florence crimes.
00:06:40In the Tuscan hills, the same gun, from 1968 to 1985, shot and killed eight couples.
00:06:50Sixteen people, men and women.
00:06:54After more than half a century, the truth has been revealed.
00:06:58Justice has been done.
00:07:00Is the Monster of Florence really a three-headed monster?
00:07:03The one of Lotti, Vanni and Pacciani?
00:07:05There was a first-instance trial, the appeal trial which confirmed the convictions.
00:07:13The Court of Cassation, which put an end to the matter, on September 26, 2000.
00:07:19This is a fixed point, this is a certainty, it is not a hypothesis.
00:07:29Pietro Pacciani, Giancarlo Lotti, Mario Vanni, the so-called companions,
00:07:36they were convicted of four of the eight double crimes.
00:07:43The first one, the one in 1968, already has a culprit.
00:07:48Who committed the other three?
00:07:55All the documents should be published to understand the shame of the justice system in that proceeding.
00:08:06The gun that started firing in 1968, until the last crime, the one in 1985.
00:08:15How did it end up in the hands of Pietro Pacciani?
00:08:20Well, to these questions, during all these years, no one has ever given a serious answer.
00:08:29The big problem with all this is that no one has ever shouted out to say what are you doing,
00:08:37except yours truly.
00:08:43To understand this complex and terrible story that has divided public opinion,
00:08:49While real wars were being fought in the courts, only one thing needed to be done.
00:08:56Rewind the film and start over.
00:09:07September 14, 1974, at the Rabatta fountains, between Borgo San Lorenzo and Vicchio di Mugello,
00:09:15north of Florence therefore, Pietro Landi, a farmer, in the morning around 7.30,
00:09:21finds a car parked in a field near some vineyards.
00:09:28The crime scene was terrible, in the sense that we had this car in this countryside,
00:09:36with the dead boy inside.
00:09:43And Stefania, who was further away in the field, almost posed,
00:09:52lying on the pine tree, with this vine shoot coming out of his genitals.
00:10:00he had not only the fatal stab wounds, but also a series of post-fatal stab wounds
00:10:09which made a sort of drawing at the level of the public area.
00:10:19It was hard, but I would say it wasn't as hard as the rest of the story was.
00:10:35They were looking for some privacy among the olive trees, they were killed this night in an atrocious way
00:10:40on the outskirts of Florence.
00:10:43On June 6, 1981, I was on duty at the Florence Public Prosecutor's Office.
00:10:49and they told me that two bodies had been found in the Scandicci area.
00:10:58Even in this case Carmela Di Nuccio and Giovanni Foggi had separated themselves in their rhythm.
00:11:05It was a small square frequented by voyeurs.
00:11:10I found myself faced with a terrible scene that you can imagine.
00:11:16Still in the driving seat with his head tilted back, Foggi.
00:11:21Carmela's body is 20 meters away.
00:11:24In the field she is torn apart by blade blows.
00:11:28The girl and her boyfriend, who as we later found out,
00:11:34It bore the marks of gunshot wounds.
00:11:38The girl not only suffered from the bullet wounds, but above all from the devastation of the public area.
00:11:49The connection between 1981, between Scandicci and Rabatta in 1974 was almost immediate.
00:11:57But there were some elements, especially that gun, that caliber and those bullets,
00:12:03and the fact that a couple had been hit again,
00:12:07who immediately made the connection between two facts.
00:12:15Four months have passed since that June of 1981,
00:12:19that .22 caliber ring, those Winchester bullets with the H on the base,
00:12:25and they kill him again.
00:12:28October 23, 1981, on a small road leading to some fields, in Travalle,
00:12:36the bodies were found here too, by a farmer,
00:12:39by Susanna Cambi and Stefano Baldi.
00:12:45In this case too, the monster mutilated the female victim's pubic area.
00:12:51It is an excision made with a cutting weapon.
00:12:55The look of this mutilation is something that leaves its mark on you.
00:13:03It comes back to you.
00:13:05It's not a single stab wound, it's a desecration that goes much further.
00:13:26He can also intervene at any time,
00:13:30you can't know, so...
00:13:34By the time you can find it,
00:13:38the best thing would be to delete it.
00:13:40People like this should be eliminated at the bottom.
00:13:48We feel helpless, we can't do anything.
00:13:54At the time, the Monster of Florence was truly a civic drama.
00:13:59I remember there were big signs in public parks that said
00:14:07Watch out guys, because there was a real fear that the young people would go off in their cars.
00:14:15and we know those terrible episodes that had happened.
00:14:20The boys were afraid to go into the car and kiss each other,
00:14:25because there was a nightmare that they might be killed.
00:14:33The crime of Baccaiano Montespertoli is a crime in which there was, perhaps,
00:14:39for the first time, a possible mistake of the monster.
00:14:47Antonella Migliorini and Paolo Mainardi are two young people from the village of Montespertoli.
00:14:53And that evening too, they are together, they have chosen to go alone to make love.
00:15:00in a place that is not too isolated, moreover.
00:15:08In Baccaiano the monster always attacks with the gun,
00:15:17But he does not mortally wound Paul,
00:15:22who manages to restart the machine
00:15:25and make a maneuver dictated by the excitement of the moment.
00:15:31Probably putting it in reverse,
00:15:34the car ends up on the opposite side of the road,
00:15:38but getting stuck in a ditch.
00:15:41At that point the monster will shoot back towards the headlights.
00:15:49This time the monster is in enormous danger.
00:15:51Just at that moment several cars pass by,
00:15:55including that of Graziano Marini,
00:15:57in the company of his girlfriend.
00:15:59At one point he heard two noises,
00:16:02like two loud noises,
00:16:04I used to shoot clay pigeons,
00:16:06but that one was strange.
00:16:08You know, on the left,
00:16:09a car off the road,
00:16:11we were still moving forward,
00:16:14200 meters.
00:16:17My car doesn't fit well,
00:16:19let's go see what happened.
00:16:24when we got to this 127 we stopped.
00:16:28You can see the bullets above the flywheel,
00:16:30driver's side.
00:16:32At that point I had heard the noise,
00:16:33you think I'm dubious,
00:16:35but here other stories have been drawn.
00:16:38The murder took place very quickly,
00:16:41he didn't even have time to carry out the splits.
00:16:45And in the meantime there,
00:16:47It was my time that I could have been caught,
00:16:49maybe because he,
00:16:50when it came to us,
00:16:51he was always nearby,
00:16:53it wasn't far away.
00:16:57In '82,
00:16:59after the third double homicide,
00:17:02a voice came to the education office.
00:17:06It was said that someone among the Carabinieri
00:17:10it had occurred to him
00:17:12that even in 1968, in August,
00:17:17a double homicide had occurred.
00:17:28With similar characteristics,
00:17:30because it seems to have been confirmed there too,
00:17:35the use of a .22 caliber weapon.
00:17:41The murder referred to
00:17:43it happened in the Lastra Assigna area.
00:17:46The victims are two lovers,
00:17:48Barbara Locci and Antonio Lobianco.
00:17:51But how did it get there?
00:17:52to the examining magistrate's office
00:17:54this voice?
00:17:56It's one of the mysteries
00:17:57of this intricate story.
00:18:00Mario Spezzi,
00:18:02always delegated to follow
00:18:04this story for the newspaper La Nazione,
00:18:07he would have learned from the investigating judge Tricomi
00:18:10who arrived at the barracks
00:18:12of the Carabinieri of Borgogni and Santi,
00:18:14an anonymous letter
00:18:15inside which there was a newspaper article
00:18:18relating to the 1968 murder,
00:18:21but also an indication
00:18:23on going to review that double homicide exactly.
00:18:28Who could have sent this letter?
00:18:30Or someone who knew the truth
00:18:32and that in 1968
00:18:33he was well aware of how things had gone
00:18:37and that he therefore wanted to direct the police
00:18:40towards a certain path
00:18:42or it's a red herring.
00:18:46Investigators have an unexpected stroke of luck.
00:18:51It is found in the file,
00:18:54stapled in a sachet,
00:18:56recovered shell casings and bullets
00:18:58in the first murder in Signa.
00:19:02With the first ballistic tests
00:19:05it turned out that the bullets
00:19:07they were the same ones used by the monster.
00:19:13From the current rumors in public
00:19:16it seemed like the woman was used
00:19:19to have intimate relations,
00:19:25as they say in common parlance,
00:19:27to cheat on her husband with several men.
00:19:30The double homicide of 1968, however,
00:19:34there's already a guilty one.
00:19:36It's Stefano Mele, Barbara Locci's husband,
00:19:39who allegedly killed out of jealousy.
00:19:42Antonio Lobianco in reality
00:19:43he is the last of Barbara Locci's lovers.
00:19:46Barbara Locci, originally from Villa Salto,
00:19:49province of Cagliari,
00:19:50she emigrated to Signa,
00:19:52she is married to Stefano Mele
00:19:54and he has a child named Christmas.
00:19:57On the evening of August 21, 1968,
00:20:00Barbara Locci and Antonio Lobianco
00:20:03they see each other, they go to the cinema.
00:20:05With them is Natalino, Barbara's son.
00:20:09After the film they reach a country road,
00:20:12exactly via Castelletti,
00:20:14and in the presence of the child,
00:20:16who is sitting behind and sleeping,
00:20:18they start making love.
00:20:20There is a detail of the ballistics report
00:20:23which also makes one think that whoever shot knew
00:20:25that there was that child on board
00:20:27because it approaches the car from the rear
00:20:31so as to keep the child out of the line of fire.
00:20:36It has never been understood precisely
00:20:39if the child could also have seen the murderous hand.
00:20:47It is certain that the child wakes up,
00:20:51call mom,
00:20:52which was spilled onto the left front seat,
00:20:57he touches his arm
00:20:58and it seems that the white thread had succeeded
00:21:02before taking his last breath
00:21:05to say
00:21:05Your mother can't answer you because she's dead.
00:21:12The child was helped out of the car.
00:21:17At that moment, perhaps, he recognizes his father.
00:21:20This is according to what he will declare
00:21:24and Melle Stefano himself will admit it.
00:21:31The Carabinieri who intervened at the scene of the crime
00:21:35they immediately suspected her husband Stefano Melle.
00:21:38But they had to find the evidence.
00:21:43It turned out that Stefano had traces
00:21:47in the famous paraffin glove
00:21:49which was done to acquire the residues
00:21:52of the explosion of a gun.
00:21:55But Stefano showed himself to be incapable
00:21:58to use or even hold a weapon.
00:22:02Maybe someone helped him.
00:22:06In the impossibility of understanding
00:22:08by the investigators of the time
00:22:11who had helped him
00:22:14even if the magistrates were aware
00:22:18that there had been an accomplice
00:22:21they were satisfied with Stefano Melle's confession
00:22:25and they sentenced him in possible correctness
00:22:28with another person.
00:22:31March 25, 1970
00:22:34in fact Stefano Melle
00:22:36he was sentenced to 16 years and 10 months in prison.
00:22:40If it really is the 1968 gun
00:22:44It is also the gun of the subsequent murders
00:22:47one wonders how Stefano Melle can
00:22:50having killed in 74 and 81
00:22:53considering that in that period
00:22:55he was being held in prison.
00:22:56therefore it is necessary to think
00:22:58that not even in 1968
00:23:00a culprit has been found for that murder.
00:23:06Investigators have finally found a lead.
00:23:10and the starting data is solid
00:23:14because a gun that killed
00:23:17it's a hot gun that won't go out of hand.
00:23:21The other element they are convinced of
00:23:23is that Stefano Melle the profile of the murderer
00:23:26he doesn't have it.
00:23:29What emerged
00:23:30going to reread the interrogations
00:23:33those of '68
00:23:35it's that it's Stefano Melle himself
00:23:37to name names
00:23:39to say that he was not alone that night.
00:23:42At this point
00:23:43the complex investigation into the Monster of Florence
00:23:46it seems to suddenly shrink
00:23:49he has two questions.
00:23:51Who helped that night
00:23:53Stefano Melle to kill
00:23:55Barbara Locci, his wife
00:23:57and her lover Antonio Lobbianco?
00:24:00And above all
00:24:01Whose gun was that?
00:24:05Finding the answers
00:24:06to these two questions
00:24:08it also means
00:24:10have a first and last name
00:24:12of the Monster of Florence.
00:24:16The first investigations
00:24:18they revealed that
00:24:19the woman
00:24:20it had been
00:24:21tied up
00:24:23from a report
00:24:25particular
00:24:27with
00:24:28Salvatore Vinci
00:24:31and with
00:24:33his brother
00:24:34Francesco Vinci.
00:24:39About the Vinci brothers
00:24:42originally from Villa Cibro
00:24:43also Villa Cibro
00:24:45it is in the province of Cagliari
00:24:46though
00:24:47Perhaps
00:24:48could have
00:24:49an aspect
00:24:50a little resigned
00:24:51they were people
00:24:52with
00:24:52a certain character
00:24:54and with a certain charisma.
00:24:58The name Salvatore
00:24:59he didn't tell us anything
00:25:01but
00:25:02Francis
00:25:03Yes
00:25:03that Francis
00:25:04it seems that it was
00:25:06bound
00:25:07to the environment
00:25:08of the anonymous Sarma.
00:25:12At the moment when
00:25:13we go to look for
00:25:14Francesco Vinci
00:25:15at Francesco Vinci's house
00:25:17the wife says
00:25:18which is traceable
00:25:19for a few days.
00:25:21Here you see
00:25:22for the first time
00:25:23the images
00:25:24of the house
00:25:25near Firenzuola
00:25:26where Francesco Vinci
00:25:27he was captured.
00:25:29He will be found again
00:25:30a few days later
00:25:31in the locality
00:25:33Caburraccia
00:25:34in company
00:25:35of people
00:25:36mostly
00:25:36prejudiced
00:25:37which probably
00:25:38are part of
00:25:39of the anonymous Sarma.
00:25:42We focus
00:25:43about Francesco Vinci
00:25:44which moreover
00:25:45for that night
00:25:47of the crime
00:25:48of Baccaiano
00:25:50he has an alibi
00:25:52Very
00:25:52very unstable
00:25:53and then
00:25:54Vinci comes
00:25:54arrested.
00:25:55It's the first
00:25:56alleged
00:25:57monster
00:25:58of Florence.
00:26:03Vinci lived
00:26:04not far away
00:26:05from the place
00:26:06of the last crime
00:26:07the last crime
00:26:08it happened
00:26:08after the crossroads
00:26:09of Baccaiano
00:26:10towards Fornacette.
00:26:15Francesco Vinci
00:26:16he is in prison
00:26:16for 13 months
00:26:18when a Florence
00:26:19more and more scared
00:26:20discovers
00:26:21in the manner
00:26:21worse
00:26:22that the monster
00:26:23it's not him.
00:26:24Two young Germans
00:26:25on vacation
00:26:26in Italy
00:26:26they were found
00:26:27killed
00:26:28probably
00:26:29with a weapon
00:26:2922 caliber
00:26:30in their van
00:26:31parked
00:26:32to Giogoli
00:26:32a location
00:26:33from Campania
00:26:34in the surroundings
00:26:35of Florence.
00:26:36The victims
00:26:37I am
00:26:37Uwe Jens Rusch
00:26:39and Horst Mayer.
00:26:45One of them
00:26:46he has long hair
00:26:47it is assumed
00:26:48that the monster
00:26:48had exchanged it
00:26:50for a woman.
00:26:53In this crime
00:26:55we see
00:26:56the killing
00:26:57Before
00:26:57of that
00:26:58which represents
00:26:59the figure
00:27:00male
00:27:01and then
00:27:01the killing
00:27:02by blows
00:27:03of gun
00:27:04Always
00:27:04of the figure
00:27:05female
00:27:06while he is looking
00:27:07to escape
00:27:08but there
00:27:09it stops.
00:27:15They are not here
00:27:16stab wounds
00:27:17they are not here
00:27:18obstinacy
00:27:19on the bodies
00:27:19Nothing.
00:27:22the same
00:27:23investigators
00:27:24that were starting
00:27:25to realize
00:27:26which was
00:27:28a track
00:27:29wrong
00:27:30that of
00:27:31Francesco Vinci
00:27:32really
00:27:33in one of these
00:27:34interrogations
00:27:35I don't remember
00:27:37if
00:27:37the captain
00:27:38of the carabinieri
00:27:39present
00:27:40to the interrogation
00:27:41or the same
00:27:41public prosecutor
00:27:43in Vinci
00:27:44he placed them
00:27:45the question
00:27:45he says but
00:27:46At that time
00:27:46in her opinion
00:27:48but who could
00:27:49to be
00:27:49the monster
00:27:50of Florence
00:27:51if it's not her?
00:27:54He didn't hesitate
00:27:55to give
00:27:55an answer
00:27:56linear
00:27:58saying
00:27:58At that time
00:27:59In my opinion
00:28:00he is a person
00:28:01very intelligent
00:28:03that moves
00:28:04on the territory
00:28:05with your eyes closed
00:28:07that uses
00:28:09a knife
00:28:10a scalpel
00:28:11in a manner
00:28:12professional
00:28:14and then
00:28:14he added
00:28:15a notation
00:28:16psychological
00:28:17interesting
00:28:17must be
00:28:18a man
00:28:19who had
00:28:19a big one
00:28:20disappointment
00:28:21from the point of view
00:28:22human
00:28:23Vinci
00:28:24with the new
00:28:25crime
00:28:26consumed
00:28:26while he is in prison
00:28:27he leaves the scene
00:28:28but it doesn't set
00:28:29the environment
00:28:30Sardinian
00:28:31linked to the crime
00:28:33of 1968
00:28:36the carabinieri
00:28:38they are convinced
00:28:39that there
00:28:40nestle
00:28:41the key
00:28:42of the puzzle
00:28:48Francis
00:28:49Vinci
00:28:49it is not
00:28:50the monster
00:28:51of Florence
00:28:51This
00:28:52it's a fact
00:28:53Certain
00:28:53and then
00:28:54the monster
00:28:55who is?
00:28:56the investigators
00:28:57they come back
00:28:58Always
00:28:59to reread
00:29:00those cards
00:29:01those of the crime
00:29:02of 1968
00:29:04they read them
00:29:05meticulously
00:29:06what
00:29:07they begin to understand
00:29:09is that that night
00:29:10it was not consumed
00:29:12a crime
00:29:13passionate
00:29:14a husband
00:29:15that kills
00:29:16the wife
00:29:17why does he put it on him
00:29:18the horns
00:29:18that night
00:29:20they discover
00:29:21two things
00:29:22that Stefano Mele
00:29:24it wasn't
00:29:25absolutely
00:29:26Alone
00:29:26that there were
00:29:27several people
00:29:28and that
00:29:29that crime
00:29:31it's not a simple
00:29:32homocide
00:29:33but a real one
00:29:34execution
00:29:35on one side
00:29:37we have lovers
00:29:38by Barbara Locci
00:29:39that they feel
00:29:40betrayed
00:29:41on the other
00:29:42the Mele family
00:29:44they know
00:29:45habits
00:29:46by Barbara
00:29:47and the fact
00:29:48let it go
00:29:49with other men
00:29:50for them
00:29:51it's not important
00:29:52the important thing
00:29:54is that
00:29:55in recent months
00:29:56Barbara Locci
00:29:57he gave
00:29:58some money
00:29:59of the family
00:30:00to her lovers
00:30:01and this
00:30:02the Apples
00:30:03they can't do it
00:30:04allow
00:30:05for this reason
00:30:06Barbara
00:30:07she is killed
00:30:09almost all of them
00:30:11the people
00:30:12suspected
00:30:13in this story
00:30:14I am of origins
00:30:15sardines
00:30:15this thread
00:30:16investigative
00:30:17it will pass
00:30:19to the news
00:30:20as
00:30:21the Sardinian track
00:30:22the nominal paintings
00:30:25Vinci
00:30:26Savior
00:30:27Vinci
00:30:29Francis
00:30:30Puccerini
00:30:31Piero
00:30:32Apples
00:30:33Stefano
00:30:34and Apples
00:30:35John
00:30:35the brother
00:30:36on the track
00:30:37of 68
00:30:38it was necessary to beat
00:30:39to search
00:30:40the solution
00:30:41in January
00:30:41of '84
00:30:42the other shot
00:30:43on stage
00:30:44this time
00:30:44there are two
00:30:45the people
00:30:45accused
00:30:46to be
00:30:46the monster
00:30:47Peter
00:30:47Mucciarini
00:30:48and John
00:30:48Apples
00:30:49Brother
00:30:49by Stefano
00:30:50the murderer
00:30:50I confess
00:30:51of 68
00:30:51John
00:30:52Apples
00:30:53and Piero
00:30:53Mucciarini
00:30:54were translated
00:30:55in prison
00:30:56but in reality
00:30:56of elements
00:30:57evidentiary
00:30:58there was very little
00:30:59the newspapers
00:31:01premises
00:31:02they did
00:31:03an edition
00:31:04extraordinary
00:31:05they titled
00:31:07full page
00:31:08two monsters
00:31:09in place
00:31:10of one
00:31:13a few months pass
00:31:15And
00:31:15in Vicchio
00:31:16in July
00:31:17of 1984
00:31:18one Sunday evening
00:31:20the monster
00:31:21kills again
00:31:26what did you see?
00:31:28what was there?
00:31:29the machine
00:31:31with him inside
00:31:32without her
00:31:33that was a marshal's
00:31:34a torch was starting
00:31:35to see
00:31:36she was
00:31:36in the ditch
00:31:43worse than bones
00:31:44I think
00:31:45it is impossible
00:31:48they are killed
00:31:50Pierontini
00:31:51and Claudio Stefanacci
00:31:52the monster
00:31:53he had not limited himself
00:31:54this time
00:31:54to
00:31:55to rescind
00:31:56the pubis
00:31:57but
00:31:58he also had
00:31:59proceeded
00:32:00to the expulsion
00:32:01of the jam
00:32:02left
00:32:03when the monster
00:32:04strikes in Vicchio
00:32:05in 1984
00:32:06Piero Mucciarini
00:32:08and Giovanni Mele
00:32:09Stefano's brother
00:32:11I'm in prison
00:32:12so
00:32:13not even them
00:32:14I am the monster
00:32:15of Florence
00:32:15the fake monsters
00:32:17they put them back
00:32:18at liberty
00:32:19but when will it end
00:32:20in prison
00:32:21the real maniac
00:32:22from Florence?
00:32:24at a certain point
00:32:26I remember
00:32:27what a Vineyard
00:32:27he said
00:32:27Enough
00:32:28with this Sardinian fist
00:32:30we have to search
00:32:31from other parts
00:32:32but
00:32:33the elements
00:32:35to believe
00:32:37that there was
00:32:37something solid
00:32:38on that track
00:32:40there were still
00:32:40given that
00:32:41the gun
00:32:42it was exactly that
00:32:43there were obviously
00:32:45of the divergences
00:32:46of opinions
00:32:47between
00:32:48the prosecutor's office
00:32:49of the republic
00:32:50in particular
00:32:51Dr. Vigna
00:32:53And
00:32:53at the time
00:32:54it was called
00:32:55examining magistrate
00:32:56Dr. Rotella
00:32:57the climate you breathe
00:32:58in those days
00:32:59in Florence
00:33:00it's not pleasant
00:33:01On the contrary
00:33:02we can say
00:33:03That
00:33:03there is a tension
00:33:05very high
00:33:06Between
00:33:07the prosecutor's office
00:33:08of Florence
00:33:08and the office
00:33:10of the judge
00:33:10instructor
00:33:12on one side
00:33:13we have
00:33:13Pierluigi Vigna
00:33:15on the other side
00:33:16we have
00:33:17Judge Rotella
00:33:23Wheel
00:33:24he was a gentleman
00:33:25southern
00:33:26I think he was from Naples
00:33:27that was
00:33:29trapantato here
00:33:31in Florence
00:33:32but it wasn't
00:33:33very attached
00:33:34nor with the press
00:33:35nor with other people
00:33:36while instead
00:33:37Vineyard
00:33:38they called him
00:33:39the Grand Duke of Florence
00:33:40he was famous
00:33:41for his bravado
00:33:42the tension is very high
00:33:44On the contrary
00:33:44it's a real war
00:33:46Why
00:33:46Pierluigi Vigna
00:33:48and the police
00:33:50they want to search
00:33:52elsewhere
00:33:53the monster
00:33:54While
00:33:55Mario Rotella
00:33:57and the carabinieri
00:33:58they don't want
00:33:59absolutely
00:34:00abandon
00:34:02the Sardinian track
00:34:03there was only one left
00:34:04character
00:34:05the Vigì
00:34:07Savior
00:34:07Salvatore seemed
00:34:09a good person
00:34:11among other things
00:34:11he was the owner
00:34:13of a company
00:34:14emergency response
00:34:15house
00:34:15his thoughts
00:34:17fixed
00:34:17it was sex
00:34:19in all its forms
00:34:22forced
00:34:23he forced his wife
00:34:24he wore it
00:34:25to the farmhouses
00:34:25he forced her
00:34:27to have relationships
00:34:29sexual
00:34:29with men
00:34:30occasional
00:34:32for then
00:34:32have a relationship
00:34:34him too
00:34:34Salvatore was
00:34:35I don't know if it's possible
00:34:37define
00:34:38a bisexual
00:34:39era
00:34:40obsessed
00:34:41from sex
00:34:43the investigators
00:34:45but
00:34:45they don't have in hand
00:34:46nothing concrete
00:34:47against
00:34:47Salvatore Vinci
00:34:48the only hope
00:34:50is to collect
00:34:51information
00:34:51by Stefano Mele
00:34:52that in the meantime
00:34:53he finished serving his sentence
00:34:54his punishment
00:34:55and changed
00:34:56multiple versions
00:34:58and Stefano apples
00:34:58he had his reasons
00:35:00to mislead
00:35:01no one had understood it
00:35:04first
00:35:04the great fear
00:35:06that he nourished
00:35:07for Vinci Salvatore
00:35:10second
00:35:11the shame
00:35:12that he had
00:35:14if it had been known
00:35:16of relationships
00:35:17promiscuous
00:35:18sexual
00:35:18that were running
00:35:20among themselves
00:35:21in their home
00:35:22he was living together
00:35:25with Salvatore
00:35:27they were sleeping
00:35:28apparently
00:35:28in the same bed
00:35:29I asked him
00:35:31Stefano
00:35:31but how do you
00:35:32you get it
00:35:33in bed
00:35:34you the barberina
00:35:36And
00:35:36Vici Salvatore
00:35:38the barberina
00:35:39it's in the middle
00:35:40and we
00:35:41the sides
00:35:42and what did you do?
00:35:44we were doing
00:35:45love
00:35:45with Barbarina
00:35:47and then
00:35:47that's all there is to it
00:35:49No
00:35:49we were doing
00:35:50the meetings
00:35:50among us men
00:35:52once
00:35:53I was doing
00:35:54the woman
00:35:55with Salvatore
00:35:56once
00:35:56he did it himself
00:35:57It's June 12th
00:35:59of 1985
00:36:00the judge
00:36:02Wheel
00:36:02interroga
00:36:03again
00:36:03Stefano Mele
00:36:04this time
00:36:06the husband
00:36:06by Barbara
00:36:07Locci
00:36:07it really seems like it
00:36:08decided
00:36:09to free oneself
00:36:09the conscience
00:36:10and it begins
00:36:11to speak
00:36:15Wheel
00:36:16resents
00:36:17Apples
00:36:17which
00:36:18he had said
00:36:19here we are
00:36:20agreed upon
00:36:21For
00:36:22kill
00:36:23my wife
00:36:24and her lover
00:36:26we got there
00:36:27agree
00:36:28I
00:36:29Vinci
00:36:30Savior
00:36:31and my brother
00:36:33John
00:36:35he hints
00:36:37even to the fact
00:36:38That
00:36:39Savior
00:36:40that's it
00:36:40That
00:36:40I had
00:36:41treatment
00:36:42the gun
00:36:43from one
00:36:44black bag
00:36:45in the same
00:36:46minutes
00:36:47to questions
00:36:48he answers
00:36:49Savior
00:36:50participated
00:36:51to the crime
00:36:52Why
00:36:53era
00:36:54more
00:36:54Husband
00:36:55him
00:36:56about me
00:37:00the circle
00:37:01it's closing
00:37:02around Salvatore
00:37:03Vinci
00:37:04which is put
00:37:05under surveillance
00:37:06I spoke
00:37:07of this ours
00:37:08initiative
00:37:09towards him
00:37:10because we were doing it
00:37:11investigating
00:37:12in the end
00:37:13I told him
00:37:14you hear
00:37:16remember
00:37:16that if it occurs
00:37:18another
00:37:19dubious crime
00:37:20I'm not going
00:37:21on site
00:37:22I'm coming to you
00:37:24to pick you up
00:37:27it was the morning
00:37:29of a Monday
00:37:30of September
00:37:31of 1985
00:37:32When
00:37:33I decided
00:37:34to go
00:37:35in the woods
00:37:35to search
00:37:36mushrooms
00:37:37and from there
00:37:38when I passed by
00:37:39I heard
00:37:39this great
00:37:40buzz
00:37:40of flies
00:37:42curiosity
00:37:44to go
00:37:44to see
00:37:45what was there
00:37:46I met
00:37:46this corpse
00:37:48covered
00:37:49from some bins
00:37:55the bodies
00:37:56of a man
00:37:57and of a woman
00:37:58of the relative age
00:37:5825 years old
00:37:59they were found
00:38:00in the woods
00:38:01of San Casciano
00:38:02San Casciano
00:38:02Pesa Valley
00:38:03near Florence
00:38:04the two young people
00:38:05they were killed
00:38:06according to the macabre ritual
00:38:07which had already characterized
00:38:0814 more murders
00:38:10they go up
00:38:10so at 16
00:38:12the victims
00:38:12attributed
00:38:13to the maniac
00:38:13of Florence
00:38:23the monster
00:38:25shoot
00:38:25maybe Nadine
00:38:27he dies immediately
00:38:29Surely
00:38:30he doesn't die immediately
00:38:31Jean Michel
00:38:32Why
00:38:32the young man
00:38:33it begins
00:38:34to run
00:38:35but it comes
00:38:37resumed
00:38:38from the murderer
00:38:40that will finish it
00:38:41by blows
00:38:42of a knife
00:38:46arrives at
00:38:48the offices
00:38:48of the prosecution
00:38:49of the Republic
00:38:49of Florence
00:38:50an anonymous letter
00:38:51addressed
00:38:53to the substitute
00:38:54attorney
00:38:54Silvia della Monica
00:38:55within
00:38:57of the anonymous letter
00:38:58is found
00:38:59a fragment
00:38:59of human tissue
00:39:00taken from the breast
00:39:02left
00:39:02of the female victim
00:39:03Nadine Moriot
00:39:04in this crime
00:39:05of the two Frenchmen
00:39:07he changed
00:39:08overcoming way
00:39:10and for the first time
00:39:11respect to everyone
00:39:12the others
00:39:12dubious crimes
00:39:13he took care of himself
00:39:15to cover
00:39:17the corpse
00:39:18with leaves
00:39:22what was his goal
00:39:23if not that
00:39:24to do so
00:39:26that the body
00:39:27of man
00:39:27came
00:39:28covered
00:39:29as late as possible
00:39:30because he knew
00:39:33that I
00:39:34I would have gone
00:39:35from him
00:39:37the carabinieri
00:39:39they are more and more convinced
00:39:40That
00:39:40Salvatore Vinci
00:39:41be the monster
00:39:42of Florence
00:39:45so much so that after
00:39:46the crime
00:39:46of 1985
00:39:48that
00:39:49where they are killed
00:39:50the two Frenchmen
00:39:51the first thing
00:39:52what they do
00:39:53they go to his house
00:39:54they take it
00:39:55if they bring it
00:39:56in the barracks
00:39:57they ask him
00:39:58where was it
00:40:00if he had an alibi
00:40:01and he an alibi
00:40:03he has it
00:40:05he says he worked
00:40:07and then
00:40:07it was all evening
00:40:09At home
00:40:09of one of his
00:40:10dearest friend
00:40:12where there was also
00:40:13his wife and daughter
00:40:14it is not proof
00:40:15of bomb
00:40:17and it is also necessary
00:40:18remember a particular thing
00:40:19that the relationships
00:40:20that there were
00:40:21Between
00:40:22Salvatore Vinci
00:40:23to this person
00:40:24which gives him the alibi
00:40:25they were relationships
00:40:27let's say so
00:40:28very particular
00:40:34after the neighbor
00:40:36of the two Frenchmen
00:40:37he came
00:40:38in the office
00:40:38why he is invited
00:40:39for a
00:40:39on the market
00:40:40bureaucratic
00:40:41I at the sight
00:40:42of Vinci
00:40:43I entered
00:40:45I sat down
00:40:47in front of
00:40:47and I asked him
00:40:49Savior
00:40:49I'll do it for you
00:40:50just one question
00:40:52in your opinion
00:40:54of the gun
00:40:56what did he do with it?
00:40:57curt answer
00:40:59immediate
00:41:00he kept it
00:41:03Well
00:41:03and then
00:41:05adds
00:41:06if there is no error
00:41:08there can't be
00:41:10risk
00:41:10said with an attitude
00:41:13almost defiant
00:41:14towards me
00:41:18the carabinieri
00:41:20that challenge
00:41:21they collect it
00:41:22Salvatore Vinci
00:41:23maybe a mistake
00:41:24he had committed it
00:41:25many years before
00:41:26in 1960
00:41:27she was dead
00:41:29his wife
00:41:29and that death
00:41:30it had passed
00:41:31for a suicide
00:41:32the carabinieri
00:41:34they come back to that case
00:41:35and they discover
00:41:36that many things
00:41:37about that suicide
00:41:38they didn't come back
00:41:39at that point
00:41:40Savior
00:41:41ends up in prison
00:41:42and is waiting
00:41:43of the process
00:41:46after you discover
00:41:48it also begins
00:41:49to do
00:41:50more consistent
00:41:51the split
00:41:52between investigators
00:41:54the pressure
00:41:55towards
00:41:56by Mario Rotella
00:41:57to abandon
00:41:57the track
00:41:58of the Sardinians
00:41:58it was remarkable
00:42:00at a certain point
00:42:02Rotella said
00:42:03we wait
00:42:04the conclusion
00:42:06of the procedure
00:42:07against
00:42:07Salvatore Vinci
00:42:09what's there
00:42:10in Sardinia
00:42:11Why
00:42:12the acquisition
00:42:13could give us
00:42:13of the elements
00:42:14that finally
00:42:15they remove doubts
00:42:16to someone
00:42:17Mario Rotella
00:42:18it's almost certain
00:42:19that Salvatore Vinci
00:42:20he will be sentenced
00:42:21for killing
00:42:22his wife
00:42:23and that sentence
00:42:25it's important
00:42:26for Rotella
00:42:27why would it go
00:42:28to pave the way
00:42:29for another
00:42:30procedure
00:42:31on which
00:42:31he's already working
00:42:33Mario Rotella
00:42:34in the drawer
00:42:35ready
00:42:36an accusation
00:42:37much more serious
00:42:38that of being
00:42:39the monster
00:42:40of Florence
00:42:42why Stefano Mele
00:42:43he told him
00:42:45that Salvatore Vinci
00:42:46had killed
00:42:48Barbara Locci
00:42:49and her lover
00:42:50Antonio Lobbianco
00:42:51this process
00:42:52it ended
00:42:53not as he hoped
00:42:54Wheel
00:42:55but it ended
00:42:56in a manner
00:42:56or with the solution
00:42:57without the conclusions
00:42:59I believe
00:42:59of the public prosecutor
00:43:01December 13, 1989
00:43:03the long one
00:43:05and detailed accusation
00:43:06that Mario Rotella
00:43:07had prepared
00:43:08to postpone
00:43:09on trial
00:43:09Salvatore Vinci
00:43:11it transforms
00:43:12inexplicably
00:43:13in a sentence
00:43:14by order
00:43:15of no place
00:43:15to proceed
00:43:16towards
00:43:17by Salvatore Vinci
00:43:18and all the others
00:43:20defendants
00:43:20of the group
00:43:21of the Sardinians
00:43:21a suicidal sentence
00:43:23why it goes
00:43:23for three quarters
00:43:25of motivation
00:43:26it goes in the direction
00:43:27who are responsible
00:43:29the Sardinians
00:43:30and then at the end
00:43:31conclude
00:43:32of the acquittal
00:43:32it can be explained
00:43:33Alone
00:43:34for a reason
00:43:36Why
00:43:37with
00:43:39the acquittal
00:43:40in phase
00:43:41preliminary investigation
00:43:43the story
00:43:44can be
00:43:45always reopened
00:43:46And
00:43:47lead the way
00:43:48for a judgment
00:43:49even if it's late
00:43:52In the meantime
00:43:54Salvatore Vinci
00:43:55he left
00:43:55Italy
00:43:56carrying with him
00:43:57the answer
00:43:58to many questions
00:43:59Nobody
00:44:00will see him again
00:44:01following
00:44:02of his
00:44:02absolution
00:44:03he disappeared
00:44:04from circulation
00:44:06I always said
00:44:07what murders
00:44:09of that kind
00:44:09they wouldn't have left
00:44:12verified more
00:44:19the sentence
00:44:21of the judge
00:44:21Rotel
00:44:22represents
00:44:23in fact
00:44:23the tombstone
00:44:24on the Sardinian track
00:44:25the prosecutor
00:44:27of Florence
00:44:28Pierluigi Vigna
00:44:29meanwhile
00:44:29it has already started
00:44:30to move
00:44:31establishing
00:44:32in 1986
00:44:33the so-called
00:44:35squad
00:44:35anti-monster
00:44:36the SAM
00:44:37and to direct it
00:44:38is called
00:44:39a policeman
00:44:40highly experienced
00:44:41Roger Perugini
00:44:42the computer
00:44:44he is not the detective
00:44:45It is one of the tools
00:44:47places
00:44:48available
00:44:49of the investigator
00:44:50For
00:44:50this investigation
00:44:55Perugini
00:44:57he tried
00:44:57to bring
00:44:58some method
00:45:00of the FBI
00:45:02in this investigation
00:45:06In August
00:45:08of 1989
00:45:09is asked
00:45:10and got it
00:45:11an opinion
00:45:12from the FBI
00:45:13which provides
00:45:14a profile
00:45:15on the
00:45:16likely
00:45:17murderer
00:45:18are defined
00:45:19characteristics
00:45:21compatible
00:45:21with a person
00:45:22hyposexual
00:45:24or even
00:45:24helpless
00:45:25that was supposed to be
00:45:26a murderer
00:45:27unique
00:45:27and also
00:45:29with a certain
00:45:30culture
00:45:31of a certain
00:45:33social class
00:45:38my opinion
00:45:40is that it exists
00:45:41only one
00:45:42motive
00:45:42which is
00:45:43that
00:45:43maniacal
00:45:46Meaning what
00:45:46the killer
00:45:47every time
00:45:48takes
00:45:49and drag
00:45:50the body
00:45:50of the girl
00:45:51at a distance
00:45:52of a few meters
00:45:53from where
00:45:53he killed her
00:45:54this is the signature
00:45:55of the crime
00:45:56to recover
00:45:57a woman
00:45:58to another man
00:45:59to recover
00:46:00a woman
00:46:00that was given to him
00:46:01taken by force
00:46:02it wouldn't be understood
00:46:04otherwise
00:46:04why they have to
00:46:05attack a couple
00:46:06and not a woman
00:46:07alone
00:46:07this killer
00:46:09he needs
00:46:10of the presence
00:46:11of a rival
00:46:20since 1985
00:46:21the monster
00:46:23he didn't hit anymore
00:46:25and the SAM
00:46:27work in silence
00:46:28until February 4th
00:46:291992
00:46:30when Roger
00:46:32Perugini
00:46:33launch on TV
00:46:34a memorable appeal
00:46:35I don't know why
00:46:37but I have the feeling
00:46:39that you at this moment
00:46:39he's looking at me
00:46:42and then listen
00:46:43the people here
00:46:45he's calling you
00:46:45monster
00:46:46maniac
00:46:46delva
00:46:48but in these years
00:46:50I think I learned
00:46:51to meet you
00:46:52Perhaps
00:46:53maybe even
00:46:54to understand you
00:46:55and I know
00:46:56I know you are
00:46:58only
00:46:58the poor slave
00:47:00actually
00:47:00of a nightmare
00:47:02from many years ago
00:47:05that dominates you
00:47:07you know how
00:47:08When
00:47:09and where
00:47:10find me
00:47:11I will wait
00:47:17who the person is
00:47:19to which one is standing
00:47:19addressing
00:47:20Roger
00:47:20Perugini
00:47:21it's understood
00:47:22just two months later
00:47:23when it is done
00:47:25a maxi
00:47:25search
00:47:26At home
00:47:27of a farmer
00:47:27of Mercatale
00:47:31is called
00:47:32Peter Pacciani
00:47:33said
00:47:34the Bampa
00:47:35for his
00:47:35character
00:47:36fiery
00:47:37April 92
00:47:38in Mercatale
00:47:39Valdipesa
00:47:39where Pacciani
00:47:40has been living since '73
00:47:41the most begins
00:47:42spectacular
00:47:43and long
00:47:43search
00:47:44never ordered
00:47:45in Italy
00:47:45the team
00:47:46anti-monster
00:47:47use the metal detector
00:47:48dig in the garden
00:47:49and find a cartridge
00:47:50of the same caliber
00:47:51of those shot
00:47:52from the gun
00:47:53of the maniac
00:47:54Peter Pacciani
00:47:55he gets angry
00:47:55for the damages
00:47:56when I
00:47:57those roots
00:47:58I was trembling
00:47:59I
00:47:59from anger
00:48:00I felt sick
00:48:01I
00:48:01it's a beauty
00:48:03that one does
00:48:03a bit of land
00:48:05brown
00:48:05it was beauty
00:48:06there is one
00:48:07he had to live there
00:48:08the investigations
00:48:09they concentrated
00:48:09on Pacciani
00:48:10even later
00:48:11to an anonymous person
00:48:12which was reread
00:48:14carefully
00:48:15and that indicated it
00:48:16as possible
00:48:18murderer
00:48:19after the crime
00:48:20of '85
00:48:21a few days later
00:48:27we meet again
00:48:28in Florence
00:48:29everyone is afraid of us
00:48:30everyone is waiting
00:48:32the world watches
00:48:33and jumps out
00:48:34this Benedetto Pacciani
00:48:37and what was there
00:48:39against Pacciani
00:48:40an anonymous letter
00:48:45he had committed
00:48:46a murder
00:48:47extremely
00:48:49fierce
00:49:00he surprised
00:49:01the girlfriend
00:49:02Miranda Bugli
00:49:03with a rag and bone man
00:49:04of Rostolena
00:49:05in attitude
00:49:06intimate
00:49:06Pacciani
00:49:07he pounced on him
00:49:07against
00:49:08and killed him
00:49:09with 20 shots
00:49:10of weapon
00:49:11white
00:49:12but also
00:49:12with an object
00:49:13blunt
00:49:17as it arrives
00:49:19on site
00:49:19where it happens
00:49:20the murder
00:49:20note that
00:49:21Miranda Bugli
00:49:22at least this
00:49:23they tell
00:49:24some acts
00:49:25had discovered
00:49:26the left breast
00:49:27and this makes you think
00:49:28that it may be
00:49:30an element
00:49:31which then after
00:49:31we find again
00:49:32in the murders
00:49:33of the mosso of Florence
00:49:37I
00:49:38I was jealous
00:49:39I loved him
00:49:40to this woman
00:49:41she took it
00:49:42to tell me
00:49:43Look
00:49:43he took me
00:49:44by force
00:49:45pickle
00:49:45pickle
00:49:46I went to shoot him
00:49:47the two fists
00:49:51and this
00:49:52it was a piece
00:49:52of man
00:49:53bigger
00:49:53about me
00:49:54but when
00:49:55I have the neck
00:49:55it was happening to me
00:49:56choking
00:49:57and I
00:49:57rummage rummage
00:49:58I found
00:49:58the knife
00:49:59in your pocket
00:50:00and everyone
00:50:00the mountaineers
00:50:01it is carried
00:50:01for plants
00:50:02and inside it
00:50:04to whom cursed
00:50:04the knife
00:50:05on the I had
00:50:05or it had happened
00:50:06Nothing
00:50:07and from that
00:50:08bring a little
00:50:09I didn't report
00:50:09in your pocket
00:50:10not even anymore
00:50:10a nail
00:50:11I
00:50:11I cursed him
00:50:12many times
00:50:13he's going to defend me
00:50:14breast
00:50:16I die
00:50:16I had
00:50:17occasion
00:50:18Of
00:50:20know
00:50:21Pacciani
00:50:25when I tried
00:50:27to interview him
00:50:27they were the arrests
00:50:28house arrest
00:50:29in Mercatale
00:50:30I got closer
00:50:31at his house
00:50:32and when he saw me
00:50:34the kindest word
00:50:36that he addressed to me
00:50:37was
00:50:39hole-maker
00:50:40and then
00:50:40he took something
00:50:42in hand
00:50:43and he told me
00:50:44if you don't go away
00:50:45I'll shoot you
00:50:48Pacciani
00:50:49he was a special guy
00:50:50I would like to define it
00:50:52a kind
00:50:53by Bertoldo
00:50:54of the crime
00:50:57an intelligence
00:50:59an intelligence
00:50:59superfine
00:51:00combined with violence
00:51:02to a perversion
00:51:03to a dark side
00:51:04Truly
00:51:06Truly
00:51:06Very
00:51:07deep
00:51:08Pacciani
00:51:09it's a bit
00:51:12the big game
00:51:12country
00:51:16the fact that
00:51:17Pacciani
00:51:17he was sentenced
00:51:18Also
00:51:19not only
00:51:19for the murder
00:51:20to the detriment
00:51:20by Bonini
00:51:21but also
00:51:21for violence
00:51:22sexual
00:51:22to the detriment
00:51:22of the daughters
00:51:23brought
00:51:24the investigators
00:51:25to believe
00:51:25who was the person
00:51:26that could
00:51:27better than any
00:51:28other
00:51:29to return
00:51:29in that
00:51:30which was
00:51:30the hypothesis
00:51:31of the monster
00:51:31but there is
00:51:32an abyss
00:51:34and the abyss
00:51:35it is made up
00:51:36own
00:51:36by size
00:51:37of sexuality
00:51:38the size
00:51:38of sexuality
00:51:39by Pacciani
00:51:39it's a dimension
00:51:40absolutely
00:51:41impetuous
00:51:41one dimension
00:51:42bursting forth
00:51:45if Pacciani
00:51:46had been
00:51:47really
00:51:48the monster
00:51:48of Florence
00:51:49Certainly
00:51:49it wouldn't have been
00:51:50missed
00:51:51the occasion
00:51:52to be able to
00:51:52Before
00:51:53practice
00:51:54of the abuses
00:51:55of a sexual nature
00:51:56on the victims
00:51:56and then after
00:51:57put them to death
00:51:59I remember
00:52:01that I
00:52:01I was there
00:52:02in the background
00:52:02of the garden
00:52:03Where
00:52:03there were
00:52:04where they took place
00:52:05at that moment
00:52:06the research
00:52:07and a sparkle
00:52:08we saw that it was
00:52:09actually
00:52:09a bullet
00:52:11and that was
00:52:12a bullet
00:52:1322 caliber
00:52:14we cleaned up
00:52:16very carefully
00:52:17the case back
00:52:19of this cartridge
00:52:20and we saw
00:52:22that there was
00:52:23the letter
00:52:23H
00:52:26Today
00:52:27on that cartridge
00:52:28it was opened
00:52:29a file
00:52:30for misdirection
00:52:31an expert opinion
00:52:32arranged
00:52:33in the context
00:52:34of the last
00:52:34investigation
00:52:35who has
00:52:36re-examined
00:52:36all the finds
00:52:38ballistic
00:52:39of the investigation
00:52:39establishes
00:52:40That
00:52:40those signs
00:52:41they would have been
00:52:42artifacts
00:52:43this means
00:52:46That
00:52:46at the time
00:52:47there had been
00:52:48the necessity
00:52:49to put
00:52:50a load
00:52:51on the accusations
00:52:52towards Pacciani
00:52:55who has it
00:52:56known
00:52:56how to say
00:52:57personally
00:52:57like me
00:52:58he met him
00:52:58in life
00:52:59everyday
00:52:59he realized
00:53:01who was a character
00:53:01very dirty
00:53:02from the point of view
00:53:03also physical
00:53:03that is, he wasn't a character
00:53:05he anything
00:53:05it was touching
00:53:06left footprints
00:53:07from all sides
00:53:08so imagine
00:53:09if he had had
00:53:10ability to do
00:53:11a crime
00:53:11On the contrary
00:53:12those crimes there
00:53:12that repetition
00:53:13of more crimes
00:53:14and don't leave
00:53:15not even a minimum
00:53:16of track
00:53:16of footprints
00:53:16would have left
00:53:17of himself
00:53:17anything
00:53:21at the moment
00:53:22of the search
00:53:23Pacciani
00:53:24still at large
00:53:25shortly thereafter
00:53:26but
00:53:26will be issued
00:53:27a measure
00:53:28of custody
00:53:29precautionary
00:53:30and we arrive
00:53:31at the trial
00:53:32which begins
00:53:34in the spring
00:53:34of 1994
00:53:36with Pacciani
00:53:38prisoner
00:53:46the process
00:53:47first degree
00:53:48to Pacciani
00:53:48it was very popular
00:53:49there was the bunker classroom
00:53:51of Santa Verdiana
00:53:53which is a lot
00:53:54very large
00:53:55it was completely full
00:53:58there were those who blamed
00:53:59and innocentists
00:54:01it's a great simulator
00:54:03the evidence
00:54:04it doesn't seem like it to me
00:54:04that they are then
00:54:05so overwhelming
00:54:09it was allowed
00:54:11that the process
00:54:12first degree
00:54:14took place
00:54:15on personality
00:54:16by Pacciani
00:54:17not on research
00:54:19some clues
00:54:20of the circumstantial evidence
00:54:21of the connection
00:54:23among themselves
00:54:24that is, there was nothing
00:54:25of all this
00:54:28the process
00:54:30it was marked
00:54:31This
00:54:31I have to admit it
00:54:33it was marked
00:54:34from the person
00:54:36by Pacciani
00:54:37which was really
00:54:38in his own way
00:54:39a monster
00:54:40but maybe it wasn't
00:54:42the monster
00:54:42who knows
00:54:43Anyway
00:54:43it was one
00:54:44who had
00:54:45raped his daughters
00:54:47which he gave to his daughters
00:54:48to eat
00:54:49the mash
00:54:50of dogs
00:54:54dog food
00:54:56who gave it to
00:54:56to us
00:54:57to you of the family
00:55:00they feel what
00:55:01the dog
00:55:02how he treated him
00:55:02he beat him
00:55:04with
00:55:06yes with two sticks
00:55:08that is, how it was treated
00:55:10us
00:55:10here it was
00:55:11how it was treated
00:55:12but he beat you
00:55:14for other reasons too
00:55:15more specific
00:55:16newspapers
00:55:19periodicals
00:55:21even when
00:55:21we didn't want to go
00:55:22in bed with him
00:55:24when it started
00:55:25how old was he?
00:55:26she
00:55:2611-12 years
00:55:32the only elements
00:55:34that the accusation
00:55:34he has in his hand
00:55:35to condemn
00:55:35Peter Pacciani
00:55:36I am the bullet
00:55:38found in the garden
00:55:39and the objects
00:55:40found
00:55:41in the course
00:55:41of the maxi-search
00:55:42at his house
00:55:44they were found
00:55:46even a block
00:55:47from drawing
00:55:48of a German brand
00:55:49Schizzenbrunnen
00:55:50and a soap dish
00:55:52according to investigators
00:55:54it could have been
00:55:56material
00:55:57belonged
00:55:57to the two young Germans
00:56:00victims
00:56:01of 1983
00:56:02to Giugoli
00:56:03I would like to show him
00:56:05two blocks
00:56:06he wants to see
00:56:07if these are blocks here
00:56:09he reported
00:56:23who had them
00:56:24found
00:56:25in a landfill
00:56:27close to home
00:56:28maybe
00:56:29that Pacciani
00:56:31really have
00:56:32found
00:56:33the blocks
00:56:34in this landfill
00:56:36because precisely
00:56:38him
00:56:38he went to rummage
00:56:39everywhere
00:56:40where there was stuff
00:56:41to take
00:56:42he took it
00:56:42he took her home
00:56:43maybe later
00:56:44he threw it away
00:56:44but he had to
00:56:45take home
00:56:46almost an obsession
00:56:52if the personality
00:56:54by Pacciani
00:56:54it inspires fear
00:56:55it can't be said
00:56:57the same thing
00:56:57of the group of voyeurs
00:56:59with whom he shares
00:56:59his days
00:57:00and when he is summoned
00:57:02Mario Vanni
00:57:03unexpectedly
00:57:04in that bunker classroom
00:57:06where they are pointed
00:57:07the eyes
00:57:07of the whole world
00:57:08the atmosphere
00:57:09changes suddenly
00:57:13what job does she do?
00:57:16I have been
00:57:17to have some snacks
00:57:18with the Paccianis
00:57:19no no sorry
00:57:20a moment
00:57:22I see that someone
00:57:23he already told her
00:57:24what he has to say
00:57:25and well
00:57:25these witnesses
00:57:27they were made fun of
00:57:28and so on
00:57:29I am trying to say
00:57:29the defense
00:57:30must not allow
00:57:31This
00:57:32so I said
00:57:33this is a process
00:57:35farce
00:57:36when I went
00:57:37to find
00:57:38in prison
00:57:38Pacciani
00:57:39I told him
00:57:40look
00:57:41she doesn't have to
00:57:42come to the trial
00:57:43because she
00:57:45it's a part
00:57:45of responsibility
00:57:47as
00:57:47he transformed
00:57:48this process
00:57:50in a farce
00:57:51and in farces
00:57:53the processes
00:57:54they are done
00:57:55against
00:57:56the defendant
00:57:57Pacciani
00:57:58he did everything
00:57:59to underline
00:58:00its problematic nature
00:58:02he was doing
00:58:03from the
00:58:03of the skits
00:58:05as an actor
00:58:07navigated
00:58:08I am
00:58:08innocent
00:58:09like God
00:58:10on the cross
00:58:11believe me
00:58:12there was outside
00:58:13I beg you
00:58:13night and day
00:58:14look
00:58:15face
00:58:15discover the truth
00:58:16and this
00:58:17Jesus is my brother
00:58:19I wanted
00:58:19good to everyone
00:58:20I didn't do it
00:58:21this evil
00:58:22a farmer
00:58:24who goes to work
00:58:24the earth
00:58:25he doesn't have
00:58:25the weather
00:58:27neither
00:58:27to tie up
00:58:28the shoes
00:58:28as
00:58:29I have to do it
00:58:31the name
00:58:31of the Italian people
00:58:32the court
00:58:33of assizes
00:58:34first degree
00:58:34of Florence
00:58:35in section
00:58:35Before
00:58:36declares
00:58:36Pacciani
00:58:37Peter
00:58:37guilty
00:58:38crimes
00:58:38to him
00:58:39ascribed
00:58:39as in the accusation
00:58:41with the exception
00:58:42of those
00:58:42of murder
00:58:42and of port
00:58:43of weapon
00:58:43common
00:58:43by shooting
00:58:44related
00:58:45to the murder
00:58:45to the detriment
00:58:46from Lobianco
00:58:46Antonio
00:58:47and of Locci
00:58:47Barbara
00:58:48and condemns him
00:58:49to the penalty
00:58:49of life imprisonment
00:58:50with insulation
00:58:51daytime
00:58:51for the duration
00:58:523 years old
00:58:52upon payment
00:58:53of the expenses
00:58:54procedural
00:58:55of custody
00:58:55precautionary
00:58:56hearing
00:58:57it is removed
00:59:06after the conviction
00:59:08the people
00:59:08it begins
00:59:08to ask yourself
00:59:09but
00:59:10the monster
00:59:12it's really him
00:59:14Pacciani
00:59:15it's simply
00:59:17a monster
00:59:18or is it
00:59:19the monster
00:59:20the wind
00:59:22in Florence
00:59:22and also
00:59:23in the rest
00:59:24of Italy
00:59:25it begins
00:59:25to change
00:59:32Vineyard
00:59:33era
00:59:34a thin
00:59:35jurist
00:59:36intelligent
00:59:37to the point of cynicism
00:59:39and he understood
00:59:40that that sentence
00:59:42he wouldn't have held up
00:59:43but in the meantime he
00:59:45what he had done
00:59:46October 15th
00:59:48of 95
00:59:52he had called
00:59:53in Florence
00:59:55to direct
00:59:56the team
00:59:56mobile
00:59:57of Florence
00:59:58Michael Giuttari
00:59:59which was considered
01:00:00at the time
01:00:01one of the first
01:00:02five investigators
01:00:03Italians
01:00:04but it was his
01:00:05investigator
01:00:06of trust
01:00:07with which he had done
01:00:08many operations
01:00:08against crime
01:00:10organized
01:00:17Giuttari's investigation
01:00:19it starts from that
01:00:20that the judge
01:00:21Every Good
01:00:22he had written
01:00:22in the motivations
01:00:23of the sentence
01:00:24where it opened
01:00:25to the possibility
01:00:26that Pacciani
01:00:27had had
01:00:27of accomplices
01:00:28and that therefore
01:00:29he would not have acted
01:00:30alone
01:00:31The first job
01:00:32that is entrusted to me
01:00:33that's exactly it
01:00:34that of
01:00:36reread
01:00:37all the cards
01:00:38analyze
01:00:39again
01:00:40the whole thing
01:00:40to see
01:00:42if in those cards
01:00:44if there had been
01:00:47some ideas
01:00:49that were going
01:00:50in the direction
01:00:51that in the sentence
01:00:52had traced
01:00:53the court of assizes
01:00:54Even the fact
01:00:55what a Vineyard
01:00:56he calls me
01:00:57Giuttari
01:00:58and tell him
01:00:59reread everything
01:01:00and we start from scratch
01:01:01it's a thing
01:01:02Enough
01:01:03quite anomalous
01:01:04that is to say
01:01:06to ten people
01:01:07you don't have to do it
01:01:09other than finding
01:01:10the monster
01:01:11In my opinion
01:01:12of a danger
01:01:15remarkable
01:01:15because I
01:01:16I have to do
01:01:17something
01:01:18and then it's easy
01:01:19become casual
01:01:20At the same time
01:01:21but
01:01:21there is the process
01:01:24of appeal
01:01:24that looms
01:01:31when he came
01:01:33when he came
01:01:33appointed
01:01:33from the prosecutor
01:01:34general
01:01:35why I was
01:01:36the PM
01:01:37of hearing
01:01:37I spent a year
01:01:38and a half
01:01:39to read
01:01:40the documents
01:01:40and the more I read
01:01:41the documents
01:01:42and more
01:01:42I was wondering
01:01:43but how will I do it?
01:01:44to ask
01:01:45the confirmation
01:01:45of the sentence
01:01:46why the condemnation
01:01:47era
01:01:48to life imprisonment
01:01:50he saw himself
01:01:51from the very beginning
01:01:52that the process
01:01:53in Assisi
01:01:53of appeal
01:01:54it would have been
01:01:54in bad shape
01:01:55for the prosecution
01:01:57of Florence
01:02:05in 1995
01:02:07for the process
01:02:08of appeal
01:02:09against Pietro Pacciani
01:02:10he was contacted
01:02:11from the historical defense
01:02:12Florentine
01:02:13lawyers
01:02:14Drinkwater
01:02:14lawyers
01:02:15Fioravanti
01:02:15to support
01:02:17the group
01:02:17of defense
01:02:18as far as it was concerned
01:02:19my expertise
01:02:20specification
01:02:21in the arms field
01:02:23the object
01:02:24on which
01:02:25they were made
01:02:26insights
01:02:27it was the cartridge
01:02:28found
01:02:28in the garden
01:02:29by Pacciani
01:02:29during the great
01:02:30search
01:02:31of 1992
01:02:32on this cartridge
01:02:34they were present
01:02:35of the tracks
01:02:36that they were not
01:02:36been described
01:02:37in the course
01:02:38of the process
01:02:39first degree
01:02:39and that
01:02:41convince
01:02:41the same
01:02:42accusa
01:02:43to ask
01:02:44at the court
01:02:45or a new one
01:02:46expertise
01:02:47ballistics
01:02:48on this cartridge
01:02:49or alternatively
01:02:50the solution
01:02:51of the accused
01:02:52what it was
01:02:53state acquired
01:02:54and it had been
01:02:55deemed
01:02:56in the sentence
01:02:56first degree
01:02:57they were
01:02:59suspicions
01:03:00lined up
01:03:01I
01:03:01it's so true
01:03:01what I said
01:03:02look at that
01:03:03the clue
01:03:03it's a serious thing
01:03:05I took it out
01:03:05that thing
01:03:06that for some time
01:03:08he also liked it
01:03:09to Montanelli
01:03:10half a clue
01:03:11plus half a clue
01:03:12it doesn't give a clue
01:03:13but it does
01:03:14zero clues
01:03:20the sentence
01:03:22it's expected
01:03:22for February 13th
01:03:241996
01:03:25but really
01:03:26the day before
01:03:27the work
01:03:28of the prosecution
01:03:29of Florence
01:03:29gives unexpectedly
01:03:31its fruits
01:03:32surprise ending
01:03:33for a day
01:03:34convulsive
01:03:34started in the heart
01:03:35of the night
01:03:36with the arrest
01:03:37by Mario Vanni
01:03:38former postman
01:03:39and companion
01:03:39of Snacks
01:03:40the timing
01:03:41it's enough
01:03:42illuminating
01:03:45it ends
01:03:46the story
01:03:47by Facciani
01:03:49and he pulls out
01:03:51Vanni
01:03:52the arrest
01:04:08by Mario Vanni
01:04:09is accompanied
01:04:10from an ordinance
01:04:11in which it is reported
01:04:12the existence
01:04:13of four
01:04:13new witnesses
01:04:14of accusation
01:04:15in this ordinance
01:04:17mention is made
01:04:18of these four texts
01:04:20Alpha, Beta
01:04:21Gamma, Delta
01:04:21I would like to point out that
01:04:23Alpha, Beta
01:04:24according to the motivation
01:04:25they would have been present
01:04:26in 1985
01:04:27around midnight
01:04:29When
01:04:30the two boys
01:04:31French
01:04:32they would have been killed
01:04:33anyway we
01:04:34we can't hear
01:04:35Alpha, Beta
01:04:36Alpha, Beta
01:04:37we can't hear it
01:04:39No
01:04:40Alpha, Beta
01:04:41you can't hear it
01:04:42in fact they assured me
01:04:43That
01:04:44but we are not there yet
01:04:44in the field of algebra
01:04:46Certain
01:04:47Certain
01:04:48my embarrassment
01:04:50it was remarkable
01:04:50also because
01:04:51and I want to underline this
01:04:54these acts
01:04:55that I had to
01:04:56Alpha, Beta, Gamma, Delta
01:04:57that I had to
01:04:58produce
01:04:59in the assize court
01:05:00they were referring to
01:05:02to acquisitions
01:05:03and in minutes
01:05:04of which
01:05:05I didn't know
01:05:06absolutely nothing
01:05:08and that they were not all
01:05:09of that day
01:05:10or the day before
01:05:11but they were doing
01:05:12investigations
01:05:12without saying anything
01:05:14to the public
01:05:15Minister of Dugenza
01:05:16that is to me
01:05:20the Attorney General
01:05:22Tony
01:05:23asks
01:05:23that these four
01:05:25witnesses
01:05:25key
01:05:26according to the prosecution
01:05:27may be
01:05:28heard
01:05:30Judge Ferri
01:05:31he doesn't want any
01:05:32know
01:05:33name of the Italian people
01:05:34the court
01:05:35of the assize court of appeal
01:05:36of Florence
01:05:36second section
01:05:38seen the article
01:05:38605
01:05:39530
01:05:40concivative code
01:05:41criminal
01:05:42absolves the Pacciani
01:05:43from all charges
01:05:44for which
01:05:45it is reported
01:05:45no no no
01:05:46gentlemen
01:05:49gentlemen please
01:05:50silence
01:05:57Dr. Ferri
01:05:59decide
01:06:01independently
01:06:02to retire
01:06:03and believes
01:06:05to write
01:06:06and then
01:06:06to publish
01:06:07a book
01:06:09what is called
01:06:09the Pacciani case
01:06:10in which
01:06:11explains
01:06:11point by point
01:06:13Why
01:06:14him
01:06:14and the court
01:06:15of the assize court of appeal
01:06:16they thought
01:06:17that the elements
01:06:18at your expense
01:06:19of Pacciani
01:06:20were nothing
01:06:24This
01:06:25brought
01:06:26Dr. Ferri
01:06:27to a big one
01:06:27labor
01:06:28staff
01:06:29moral
01:06:30Meaning what
01:06:31he brought it
01:06:33to believe
01:06:33That
01:06:34there was
01:06:36already then
01:06:36an excessive power
01:06:38of the public
01:06:39accusa
01:06:42now that Pacciani
01:06:44he is free
01:06:44the monster
01:06:45closed behind
01:06:46the bars
01:06:46It's Mario Vanni
01:06:48the companion
01:06:49of snacks
01:06:49harmless-looking
01:06:51Mario Vanni
01:06:52he was the postman
01:06:53of the country
01:06:54San Casciano
01:06:55it is also
01:06:55a bit
01:06:56a little stain
01:06:58he was supernominated
01:07:00Core
01:07:00Why
01:07:01of the apple
01:07:02it was the only thing
01:07:03that is thrown away
01:07:04a person
01:07:05from nothing
01:07:05Here you are
01:07:06Core
01:07:06in this sense
01:07:07he was a person
01:07:08honesty
01:07:09Obviously
01:07:10it wasn't
01:07:12peak
01:07:12of the mirandola
01:07:14it was a
01:07:15poor guy
01:07:17That
01:07:17he was having fun
01:07:18rather
01:07:20strong
01:07:24its
01:07:25acquaintances
01:07:26with prostitutes
01:07:27I am another
01:07:28of the elements
01:07:29Almost
01:07:30tragically
01:07:31comedians
01:07:31of the processes
01:07:32I'm sure
01:07:34that once
01:07:34Mario
01:07:35he told me
01:07:35that Pacciani
01:07:36he wanted him
01:07:38load
01:07:38the wife
01:07:38I told him
01:07:40oh Mario
01:07:41it's the woman
01:07:42from to you
01:07:42let's imagine
01:07:43if
01:07:44This
01:07:45It is true
01:07:46or it's not true
01:07:47of him
01:07:48it was said
01:07:49that yes
01:07:49did
01:07:50all the peasant women
01:07:52of the area
01:07:53others
01:07:54they objected
01:07:55live
01:07:56that it was not possible
01:07:57because he had
01:07:58problems
01:07:58erectile
01:07:59he was helpless
01:08:01it was said
01:08:01and for this reason
01:08:03he had this passion
01:08:04this collection
01:08:06of fake fouls
01:08:07and vibrators
01:08:10once
01:08:11while it was
01:08:12on a bus
01:08:12of line
01:08:14postman's suit
01:08:15with the bag
01:08:16with the letters
01:08:17he dropped one
01:08:19right from the bag
01:08:20of the letters
01:08:21electric
01:08:22that falling to the ground
01:08:23he set off
01:08:25and it began
01:08:26to walk
01:08:28long
01:08:28the corridor
01:08:29of the bus
01:08:31of line
01:08:32amidst hilarity
01:08:33general
01:08:33Vanni
01:08:34it is recommended
01:08:36to Luisa
01:08:37oh Luisa
01:08:38don't send me
01:08:40in Florence
01:08:40me
01:08:40in Florence
01:08:42to prostitutes
01:08:42to understand each other
01:08:43without going
01:08:44from whores
01:08:45let me do it
01:08:47a little load
01:08:47to you
01:08:48once
01:08:48every now and again
01:08:49and Luisa
01:08:51to this
01:08:52he answered her
01:08:53always with spades
01:08:54he answered her
01:08:55with spades
01:08:56at which point Mario
01:08:57was becoming
01:09:04violent
01:09:05he was drinking
01:09:06him
01:09:06he threw away
01:09:06the wife
01:09:07down the stairs
01:09:08when she was pregnant
01:09:09the Vanni
01:09:10he's a character
01:09:11absolutely
01:09:13dangerous
01:09:14character
01:09:14which was glimpsed
01:09:16Also
01:09:16in a moment
01:09:18of the process
01:09:19at his expense
01:09:20moment in which
01:09:21In short
01:09:21at this point
01:09:22after you
01:09:23with age
01:09:23there was no more
01:09:24not too much
01:09:25with the head
01:09:27God
01:09:28that I want
01:09:29calm
01:09:30calm
01:09:30sit down
01:09:31calm down
01:09:31God
01:09:32that I want
01:09:32all the lines
01:09:33and you have it
01:09:34in the court of Arcisa
01:09:35I want freedom
01:09:37to go
01:09:37to the bank
01:09:38and at the post office
01:09:41then there will be
01:09:42the lord
01:09:43who will punish
01:09:44Mr. Canessa
01:09:45with a disease
01:09:46incurable
01:09:46that the
01:09:47it will be up to you
01:09:48ninth
01:09:49he can't do this
01:09:50and I ask
01:09:51let him come
01:09:51expelled
01:09:52President
01:09:53among other things
01:09:53we have to hear
01:09:54an important text
01:09:55the threats to me
01:09:57they do
01:09:57and hot water
01:09:59no threats are made
01:10:00no threats are made
01:10:01the last time
01:10:02I'll say it right away
01:10:03it was equipped
01:10:05he was sent away
01:10:06maybe he kicked him out
01:10:06Laura
01:10:07and never sets foot there again
01:10:08President has committed
01:10:09a crime in my opinion
01:10:10up to what point
01:10:10the last word
01:10:12it reduces you
01:10:13the work
01:10:14and freedom
01:10:15we will rise again
01:10:16Before
01:10:16All
01:10:16take him out
01:10:21who are the four
01:10:23witnesses
01:10:23secret
01:10:24who accuse
01:10:25Panni and Pacciani
01:10:27At that time
01:10:28let's start from the first one
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