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00:17Welcome to a wonderful show a wonderful lineup and welcome to Jesse where
00:35we're going to be the best of all Let's play unpredictable You know your way around me Yours is the
00:57day you found me
00:58It could be anything Strangers tonight
01:02Ooh, be light in the afternoon Ooh, be something classic, something new
01:10Wow, whisper in sweet Hail Marys You know the words, so tell me what to do
01:16How about you bring me to life?
01:22And the flower in the ring in the color of June Take me back to the place where we met
01:28super blooming
01:30Every day Held in your arms Love it forever, rise and fall
01:39And the flower in the ring in the color of June Take me back to the place where we met
01:46super blooming
01:47Every day, every day Just like before Don't let me go
01:54Give me a super bloom
02:02More than just a lover's game You and I are one the same
02:10Search me for sun-kissed memories You are the one to send me into this ecstasy
02:17Baby, just hold on tight Baby, just hold on tight
02:22Let the flower in the ring in the color of June Take me back to the place where we met
02:28super blooming
02:29Every day Held in your arms Love it forever, rise and fall
02:39Let the flower in the ring in the color of June Take me back to the place where we met
02:46super blooming
02:48Every day, every day Just like before Don't let me go
02:54Give me that super bloom
02:58Super, super, super Give me your super bloom
03:02Super, super, super Give me that super bloom
03:06Super, super, super Give me that super bloom
03:11Super, super, super Give me that super bloom
03:15I really like the way we move The way we move when we move like that
03:20I really like the way we move The way we move when we move like that
03:24I really like the way we move The way we move when we move like that
03:29I really like the way we Now you're in super, super bloom
03:35Let the flower in the rain paint the color of truth
03:39Take me back to the place where we met super blooming
03:44Every day, out in your arms
03:47Loving forever, rise and fall
03:53Let the flower in the rain paint the color of truth
03:57Take me back to the place where we met super blooming
04:00Every day, just like before
04:05Don't let me go
04:25Thank you, the wonderful Jessie West
04:29The title track of her new album, Super Bloom
04:32Who are our guests this evening?
04:34We have over this way from Enfield
04:36We will be talking to the wonderful Tim Pope
04:40From New York, I'm going to say it
04:42We welcome Fuckers
04:47From New Jersey, Jack Antonoff
04:52From South East London, the delicious sound of Sam Henshaw
05:01But now, from Nottingham, we welcome back onto the show
05:04Holly Humberstone
05:19So you crashed into the wall
05:22You're cleaning up the broken glass
05:24Thinking what the hell was that?
05:27Yeah
05:29In the movie of your life
05:31You're the first to die
05:33And the critics call the trash
05:36To die
05:37They tell you that you feel too much
05:40Euphoria
05:40Right down to the crush
05:42It all breaks down
05:43It all breaks down
05:44It always does
05:44It all works out
05:45It always does
05:47And the things they say
05:48In the songs you love
05:49The greatest hits
05:50And the deepest cuts
05:51It all breaks down
05:52It always does
05:53It all works out
05:55It always does
05:56It always does
05:59And the things they say
06:15In the words
06:17Oh, oh, oh, oh, oh, oh, oh, oh, oh
06:21Well, at least you got to hell somebody
06:23You took her right up to the jaw
06:26See you go and brush your teeth
06:29A little powder on your cheeks
06:31And you feel a little better
06:34This blue and green ball
06:36Keep spinning to the beat
06:38You gotta try and move your feet
06:40Because I'll be boxing clever
06:42And you feel too much
06:44You bet it all on a summer crush
06:47It all breaks down, it always does
06:49It all works out, it always does
06:51And you wear his T-shirt, your haters' guts
06:53You read the handbook, you take the drug
06:56You said, from here on out it sucks
06:58It always works, it always works
07:00To love somebody
07:03To love somebody
07:04To love somebody
07:07Is to know you're only human
07:09I mean, love somebody
07:12To love somebody
07:13To love somebody
07:16At least you got to love somebody
07:28I'll tell you that you feel too much
07:30Euphoria right down to the crush
07:33It all breaks down, it always does
07:35It all works out, it always does
07:37And the things you share in the songs you love
07:40The greatest hits and the deepest cuts
07:42It all breaks down, it always does
07:44It always does
07:47To love somebody
07:48To love somebody
07:50To love somebody
07:53It's gonna be your only human
07:55To love somebody
07:57To love somebody
08:00To love somebody
08:03I'll ask you about to love somebody
08:05Ah, ah, yeah, yeah, ah, yeah, yeah
08:10To love somebody
08:37To love somebody
08:40Now, an artist who first came on the show back in 2016
08:44When he was a young lad
08:46Now, with a song from his brilliant new album
08:49It could be worse
08:50Please welcome Sam Henshaw
08:52Thank you
08:54Thank you
08:55Thank you
09:04Thank you
09:06Thank you
09:25Let your head down
09:26Baby, let your head down
09:29Baby, let your head down
09:30Oh, sometimes life
09:31Sometimes life can hit you out the groove
09:36Don't you go and let that change
09:38Don't you let that change your point of view
09:42Ooh, ooh, ooh, ooh
09:45Let your head down
09:46Oh, baby
09:48Let your head down
09:50Oh, baby
09:51Let your head down, baby, let your head down.
09:59Go on, let it down, yeah, yeah.
10:06Go on, let it down, let it down, oh, yeah.
10:14Let it down, yeah.
10:21Let's hear it on Kings, ladies and gentlemen.
10:33Say when you hate, when you hate the way it feels,
10:39child, let Jesus take the wheel.
10:42Say now let your head down, baby, let your head down.
10:47Say you better go and let it down, yeah.
10:49Let your head down, baby, let your head down.
10:54Let it down, let it down.
10:56Say let your head down, baby, let your head down.
11:01Oh, when you hate, when you hate the way it feels,
11:06child, let Jesus take the wheel.
11:08Oh, let your head down, baby.
11:14Oh, yeah.
11:16Let your head down, baby, let your head down.
11:21Oh, yeah.
11:22Say let your head down, baby.
11:23Let your head down, baby.
11:26Oh, yeah.
11:26Let your head down.
11:28Oh, yeah.
11:29Oh, yeah.
11:31Oh, yeah.
11:33Hey.
11:36Hey.
11:37Hey.
11:38Hey.
11:38Hey.
11:39Hey.
11:40Oh, my God.
11:41Oh, my God.
11:47Oh, my God.
12:13Thank you, Sam Henshaw.
12:20Over here, the recipient of some 14 Grammys.
12:24He's worked with the likes of Taylor Swift, Kendrick Lamar, Sabrina Carpenter, many others who we'll be mentioning later.
12:30We welcome the great producer, artist and writer, Jack Antonoff.
12:34Jack, it's very good to have you here.
12:38Great to have you here.
12:40Now, first of all, congratulations on all these Grammys.
12:44And in fact, this year alone, you were nominated for another nine.
12:49Oh, yeah.
12:49It's crazy.
12:50I don't think we've ever had such a Grammy person, a Grammy-ed-up person.
12:57Jules, I never got a Brit.
12:59Well, I'll sort that out.
13:00Don't worry.
13:01Anything you need, I'll sort that out for you.
13:03But where does music begin for you?
13:04I mean, did you pick music or did music pick you?
13:07Well, I kind of fell in love with tourings in a weird way first.
13:12Touring all around the same time.
13:13But when I was, like, 12 and 13, I was part of the scene in New Jersey, and we would
13:17just play shows.
13:18And I loved music and writing, but the shows we were playing were very divorced from, like, music.
13:25It was just kind of noisy.
13:28And so the love started in, like, different places.
13:31But as a child, were you aware of music?
13:33Did you used to listen to it?
13:34Is there something you first heard that you thought, hey, I want to be a producer, when you heard some
13:37record or something?
13:38Yeah.
13:38Yeah, I started, my parents played the Beatles only.
13:44And so, you know, hearing, like, Fool on the Hill and Happiness is a Warm Gun, things like that.
13:51Or, you know, when I heard Because for the first time, I felt pretty blown away by what was happening.
13:59That might be one of my favorite recordings ever.
14:00Happiness is a Warm Gun.
14:02Was it the different elements of how you thought, hey, I can put these together for other people?
14:05Well, I think when I was growing up, you know, at this point in the 90s, like, a lot of
14:10music, it wasn't in any way mono, but it was just very kind of slammed.
14:13And so then when I would listen to the Beatles on my headphones, I, you know, I didn't really know
14:17what panning was.
14:18But you take off an earphone and you only hear John.
14:20You put this one and you only hear bass and drums.
14:22And then in I'm the walrus, there's those people laughing.
14:25There's the, you know, they were, the dawn of stereo, they were doing insane things.
14:29So I didn't understand what that meant, but I thought it was so interesting.
14:33And then I got this Roland, like, VC something, this little, like, DAT machine.
14:39And I started hard panning, which is something I still really enjoy doing.
14:42And for the people at home who have an armchair interest in music but don't actually know what a producer
14:47does, how would you describe what your job is?
14:53Well, it's, like, the most, like, reduced way I feel like I can put it is, like, you have an
14:58idea or a feeling or a sense of something that isn't tangible or even really explainable and trying to make
15:05that something that you can, like, press play on.
15:08And there's many different, like, routes to get there.
15:10It gets very literal, like, what if there was an orchestra here?
15:12What if the drums sounded all like this or that, blah, blah, blah.
15:15But at the end of the day, it's, like, a feeling that you're trying to make a physical thing that
15:21can be played.
15:23Feel me?
15:23Yeah.
15:24No, I think so.
15:25Well, if I came to you and asked you to produce a record for me, where would we begin?
15:30Well, I like the way you talk.
15:31So I feel like it would be really interesting to hear you just, like, playing some really interesting changes and
15:37then, like, giving, like, a sermon.
15:39Oh, interesting.
15:40Yeah.
15:40But it kind of doesn't, yeah, so, like.
15:42It's really great to have you here today.
15:46Because you are a legend in every single way.
15:49But now change it.
15:50It's really great.
15:51It's really great.
15:52It's really great to be alive today.
15:54To be alive today.
15:55Because I'm.
15:56Because I'm.
15:57What do you feel?
15:58I'm a bit of lost.
15:59Got a fantastic producer.
16:01Yeah.
16:02Something like that.
16:03That's one of the best songs that's ever happened.
16:04Yeah, thank you.
16:05Sorry there.
16:06Wait, great.
16:08But I think.
16:09Sleigh bells on it.
16:10Christmas number one.
16:11You know, I wrote a Christmas song.
16:13And now I've been putting sleigh bells on everything.
16:15They're really.
16:17Anything can be the Christmas number one.
16:18Well, not just that.
16:19But, like, I was listening to a lot of suicide recently.
16:21And it's like, what are other things that are like this and sleigh bells, you know, harpsichords, et cetera.
16:25Jules, that's a good song.
16:26Maybe we shouldn't.
16:27Maybe this show should stop and we should just all.
16:30That's it.
16:30Let's do that.
16:30All the bands.
16:31We've just got a hit.
16:32Let's do it.
16:32Yeah, you're going to.
16:33It's great.
16:34Yeah, spontaneity.
16:35That's the thing.
16:36Does that.
16:36I mean, that's an important part of music, isn't it?
16:38People.
16:38If the idea comes up, bang.
16:39Don't do this.
16:40Let's do something else.
16:41I mean, you've produced Lord, St. Vincent, Lana Del Rey, France and Machine.
16:45I mean, so many different people.
16:46But is there approach you have?
16:47If you're in the studio with Taylor Swift, do you have to make the mood?
16:50Do you have to.
16:51No, I just like being.
16:52I really.
16:53My whole life have loved writing music and playing music and then helping my friends with music.
16:57I didn't realize that that was producing when I was a kid, but I really like being in the studio
17:01with people who like it's like this.
17:04It's like it's like you see the same thing and you chase it together.
17:08And that's just a really fun, exciting, life-affirming process for me because I think what we all do is
17:15real powerless.
17:15Like we're just like grabbing at ideas and we get them or we don't.
17:20And anytime you get one, maybe everyone in the room agrees you're automatically filled with this horrible feeling.
17:27Like, well, that's the last one.
17:28But then you get another one and I like that.
17:31Well, you've got a great new record.
17:32You were talking about Bleach as your band.
17:35And presumably when you're producing them, it's your songs, your production.
17:40You know, you get on with the producer, the writer and the arranger because it's you.
17:43Yeah, but then I kind of flip into a different zone and I lean pretty hard on my band.
17:47And I kind of, yeah, then I turn into like the balloon and they're holding me kind of, you know,
17:53that type of metaphor.
17:54The balloon?
17:54Yeah, you know, that metaphor, like, you know, it's nice to be the balloon on the string if someone's holding
17:59you.
17:59Right.
17:59Very freeing.
18:00It's not nice if no one's holding you.
18:02You let it go and you could disappear.
18:03Yeah, exactly.
18:04I feel very held by them.
18:05It's like a different part of my brain.
18:06What are you going to play for us in a moment?
18:08We'll play a song called I Can't Believe You're Gone, which is about how even like years after a loss,
18:14you can just access the totality of it from like an object.
18:17Nice.
18:19Beautifully put.
18:20Beautifully put.
18:20We're really looking forward to seeing that, Jack.
18:22Yeah, I love being here.
18:23Thanks so much.
18:24Great.
18:24Come on, any time or we'll write another song.
18:26I don't even know what happened there.
18:28We have it on tape.
18:29Great.
18:29Hope so.
18:30Is the tape running?
18:32Not sure.
18:33Hope so.
18:34Yes.
18:35Great.
18:35Thank you very much.
18:36Jack Antonoff.
18:37Thank you, Jack.
18:38That's great.
18:42Fantastic.
18:43Next, a band from New York who've been touring the world.
18:47They're about to support Harry Styles with a track from their album, Urgh.
18:50Please welcome, great name, and I'm going to say it, fuckers.
18:56L-U-C-K-Y, I'm lucky.
19:01Y-O-U-R, mine, cause I'm lucky.
19:05L-U-C-K-Y, I'm lucky.
19:08Y-O-U-R, mine, cause I'm lucky.
19:12Okay.
19:13Okay.
19:13We're not part of the people.
19:17L-U-C-K-Y, New York.
19:21See nobody in power.
19:24Till you, rock you, rock you.
19:28Okay, okay, okay.
19:31I'm all by my place, okay.
19:35Okay, okay, okay.
19:38I'm all by my place, okay.
19:43L-U-C-K-Y, I'm lucky.
19:47Y-O-U-R, mine, cause I'm lucky.
19:50L-U-C-K-Y, I'm lucky.
19:55Y-O-U-R, mine, cause I'm lucky.
19:58Okay.
20:03Okay.
20:05Okay.
20:06Okay.
20:07Okay.
20:07Yeah.
20:28L-U-C-K-Y, I'm lucky.
20:33Y-O-U-R, mine, cause I'm lucky.
20:36L-U-C-K-Y, I'm lucky.
20:41Y-O-U-R, mine, cause I'm lucky.
20:44You wanna make me cry, make me sigh, make me run attack.
20:48You wanna be my man, hold my hand, take me for a ride.
20:52You wanna make me cry, make me sigh, make me run attack.
20:56You wanna be my man, hold my hand, take me for a ride.
21:00You wanna be my man, hold my hand, hold my hand, hold my hand, hold my hand, hold my hand.
21:47Litigate the family, our father's condition
21:50Better man's speeches, waltz, caveman tradition
21:54The inches of glory and the leaps that you fade
21:58No, they don't come easy, but they honor the way
22:02Let another day over, a moment or a year
22:06Bring me right back to the start with the same damn words I feel
22:18So you retrace the steps and you dust the path for Prince
22:22There's a wasteland in you, is there something you miss?
22:26These grand self-obsessions are a way of hitting snooze
22:30The truth is too dark and there is too much to lose
22:33I got inches of glory and leaps that you fade
22:37No, they don't come easy, but they honor the way
22:41Let another day over, a moment or a year
22:45Bring me right back to the start with the same damn words I feel
22:52I can't believe you're gone
23:00Well, there's the car that we drove
23:03When you were still around
23:05Some clothing and wallpaper
23:07A Burger King crown
23:09Sand bottles and essays
23:11I'll live you how wrong
23:13This room is a nightmare
23:15This room is my God
23:17Where I'll finish the wire
23:19Where my face hits the floor
23:21Where I chose to leave
23:23Where the God met the whore
23:25Some days a giant
23:27And others a kid
23:29And some days I'm too scared
23:32To even start to begin
23:36Cause I can't believe you're gone
23:53Well, maybe we should all move back in as a family
23:57And torture each other during TV hours
24:01We'll talk about money
24:03And our father's condition
24:05And be real about that one true thing
24:09We're all missing
24:09And you know it's elite
24:11But sometimes you want to say
24:14That tonight's the night
24:16And it's gonna be okay
24:18These hope-filled lives
24:20These unearned traditions
24:22If you repeat them enough
24:24You can live with somebody who's missing
24:46What a great song
24:48Thank you
24:49Jeff Antonoff
24:58Our next guest is a director
25:00Who is behind some of the most iconic music videos
25:03Of the last 40 years
25:04Before we meet him
25:05Let's experience some of his great work
25:33Let's welcome Tim Pope, yes!
25:38I shoot rock stars
25:40There you go
25:41It's the title of your forthcoming book
25:42The Wild Adventures of a Music Video Director
25:45And you're probably one of the great music video directors of all time
25:47And also one of the most unusual
25:49What is the thrust of the book though?
25:51The thrust of the book is about me being a sort of music fanboy
25:55If you like
25:55And yet I got to work with all these amazing heroes
25:58When I was a teenager
26:00So I think that's the main sort of thrust of it
26:03And as the book title suggests
26:04You have worked with some of the greatest rock stars and music stars in the world
26:08For instance
26:09You worked with
26:10Let's just start
26:10David Bowie, say
26:11As a starter
26:12How did that come about?
26:14Well that came about
26:15Because I was a huge fan of Iggy Pop, right?
26:18And I got to hang out with Iggy a fair bit
26:20He came up to see me in my cutting room in Soho
26:23And eventually I ended up in New York with him
26:25And we go out one night in New York
26:28And he said
26:28He said
26:29I've got a couple of friends turning up
26:31And I look over
26:32And it's Mick Jagger and David Bowie
26:34So I thought
26:35You know
26:35Stay cool
26:36And then
26:37Anyway
26:38I got invited uptown
26:39And I walked to this table
26:41There was this
26:42You know
26:42Round table
26:43Where they all were
26:44And David was sat there
26:46And Iggy
26:46Or Jim
26:47As I know him
26:48He was sat next to me
26:50And
26:50And
26:51I was thinking
26:52This is a bit awkward
26:53Because everyone was ignoring me
26:54And then suddenly
26:55Iggy went away
26:56Leaving me next to Bowie
26:58And then Bowie
26:59Eventually turned to me
27:01And he said to me
27:02Tim Pope
27:02He went
27:03Funny little arse
27:04Oh, aren't you?
27:06And he hadn't said anything to this point
27:08No, he had said nothing to me at this point
27:10And then my retort was
27:12And I can't really say
27:13Here on broadcast TV
27:15Being a bit of a mouthy Enfield git
27:17Which I am
27:18I then turned to him
27:20And I said
27:20David Bowie
27:22Complete
27:23Aren't you?
27:24And I saw his face
27:25And I thought
27:26Oh my God
27:26This is a bloke
27:27I've wanted to work with
27:28All my bloody life
27:29And I've just screwed it up
27:31In my first thing
27:32But anyway
27:33I saw like a moment
27:34Where he was teetering
27:35Like
27:35I shouldn't be called that name
27:36And
27:37And then we worked together
27:38For 12 years
27:39There you go
27:40He loved it really
27:41Yeah
27:41And you asked Freddie Mercury
27:42To dress as a giant Mediterranean prawn
27:45Well that was quite funny
27:46Because I was in
27:46I was filming him in Germany
27:48Queen asked me to make a video
27:49And I go to Germany
27:51And I make this video with him
27:52And he was like
27:53Being very secretive
27:54About this costume
27:55And I kept getting glimpses
27:57Of like these
27:59Eyeballs
27:59And this mad mane of hair
28:03And eventually
28:04He said to me
28:04They said
28:05Oh Freddie wants to see you downstairs
28:06So I go downstairs
28:07And he's behind this curtain
28:09He says
28:09Just a moment darling
28:10And he swishes open this curtain
28:12And oh my God
28:13I've never seen anything like it
28:15I don't think the rest of the band
28:16Particularly liked it
28:17But yeah
28:18That got called
28:18If you watch the video
28:19Called
28:20It's a hard life
28:21Freddie is dressed
28:22In this glorious
28:23Mediterranean prawn outfit
28:24But that was your idea
28:25Well it was Freddie's really
28:27But you know
28:28But who else
28:28I like prawns
28:30Yes
28:30Exactly
28:31I'm sure that's why
28:32It works so well
28:33In 1982
28:34The award winning music video
28:36Friday I'm in Love
28:37Sent the cure
28:38Helped turn that record
28:39Into a huge hit
28:40And at the time
28:41It was seen around the world
28:42By several million people
28:44You know
28:44It was on MTV
28:45And everything
28:45Now
28:46Since then
28:47It's on YouTube
28:48And all the other platforms
28:49And what have you
28:50It's been seen by literally
28:51Hundreds of millions of people
28:53Because that's the way
28:53The modern world works
28:54What do you make of that?
28:55I think it's incredible
28:57I had to do a bit of research
28:58For that
28:58Particularly with the cure
28:59Actually there's one
29:00Which is
29:00I did a video with the bangles
29:02A girl band
29:03And not a very good video
29:05I have to say
29:05But that has been seen like
29:08250 million times
29:09I mean it is crazy
29:10With the YouTube
29:11And everything
29:12It is really incredible
29:14All the cure videos
29:15Are shown
29:16I did something like
29:1737 videos with the cure alone
29:19And they're all shown
29:21You know
29:23Millions of times
29:24Someone once said to me
29:25That all my videos
29:26Have been seen
29:27Over a trillion times
29:28And that is something
29:29To think about
29:30Any advice to somebody
29:31Who wanted to do
29:32To go into that world now?
29:34Well I do
29:35Which is
29:35They have no excuse
29:37People come up to me
29:38All the time
29:38And we've all got like
29:39A phone in our pocket now
29:40And now you have like
29:42In effect
29:43You know
29:44A studio in your pocket
29:45So there's no excuse
29:46For not making videos
29:48You know
29:48So that would be
29:49My one piece of advice
29:50Really
29:51It's very nice to have you
29:52This book comes out
29:53In August
29:53In England
29:54And as I say
29:55I think your videos
29:55Are magical
29:56And so strange
29:57And so out there
29:57Because they're an extension
29:59Of your wonderful self
30:00Tim Pope
30:01Thank you
30:03The wonderful
30:03Tim Pope
30:05Thank you very much
30:09And now
30:11Do you need any videos doing?
30:13Pardon?
30:14Do you need any videos doing?
30:15Yeah
30:15Yeah
30:15There you go
30:16Got your bit of work already
30:17There you go
30:17I'll get your number later
30:20Always helping
30:21Always getting in there
30:21And now I'm really pleased
30:23To be welcoming back
30:24The wonderful
30:24Holly Humberstone
30:26Thank you very much
30:27Thank you very much
30:36Thank you very much
30:37Thank you very much
30:44I say you're back
30:48I need to hear you, need your baby back
30:54I play you cool
30:56I miss your kisses, wanna feedback
31:00I know the lights are getting low
31:05Miracles and pharanons
31:07Like I'm being social and grenades
31:12Everybody's getting close
31:13Taking off each other's clothes
31:16No wonder where you are tonight
31:18It's a cruel world
31:21Without you, baby
31:27It's a cruel world
31:31Sugar, don't you be running away for long, please
31:36Let's catch a movie and get caught in the rain
31:40Wherever you are is my favorite place
31:44And it's a cruel world
31:47Without you, baby
31:56Baby, your pain shows
32:00I climb my toes in my bed
32:03Yeah, yeah, yeah, yeah
32:05And I'll be going out tonight
32:07I don't know what else to do with myself
32:13There'll be water, love is holding tight
32:16Under ultraviolet light
32:18Before I kill the buzz
32:20I might c-c-c-curl up and die
32:22Everybody's getting close
32:24Taking off each other's clothes
32:26No wonder where you are tonight
32:28It's a cruel world
32:32Without you, baby
32:37It's a cruel world
32:40No sugar
32:42Don't you be running away for long, please
32:46We're hand in hand
32:48We're hand in hand as the band starts to play
32:50We're with you
32:52Oh, it's my favorite place
32:54And it's a cruel world
32:57Without you
32:59It's a cruel world
33:01Without your eyes
33:02Without your eyes
33:02Without me
33:03I need you
33:03Close to me
33:05Close to me
33:06How am I supposed to breathe
33:09Without you, babe
33:11I need you
33:11Touching me
33:13Touching me
33:14It's a cruel world
33:18Without you, baby
33:22Oh, yeah
33:23It's a cruel world
33:26Oh, sugar
33:28Don't you be running away for long, please
33:31Oh, please
33:32Take off your shoes
33:33And stick around for a change
33:36It could be real cute
33:38If this time you stay
33:40It's a cruel world
33:43Without you, baby
33:45Without you
33:51It's a cruel world
33:53It's a cruel world
33:54Without you
33:55It's a cruel world
33:57It's a cruel world
34:11Even now
34:25Thank you
34:27Beautiful dress if I may so-so as well. Thank you Jules, great suit always. The suit's very well with
34:31the piano, lovely.
34:32And now you're back with your new album, Superbloom. Yeah.
34:35What does that title refer to?
34:38Superbloom, I think, you know, I'm on my sixth record and I feel like I'm getting better and better and
34:43more confident.
34:44And Superbloom was kind of, I don't know, I feel like I'm evolving. Blooming into a marvellous.
34:48I think I'm blooming. I think blooming marvellous. Yeah, thank you Jules.
34:52Does it carry on, because you've been doing some disco really records,
34:55or do you think you're carrying on that disco vibration?
34:57Yeah, I think it's a different kind of disco.
34:59I kind of wanted to kind of give a bit of a nod to, like, late 70s, 80s New York.
35:04Lots of gorgeous strings and groove and always, I think there's always room to dance.
35:09Who are your disco inspirations?
35:11I feel like I learnt a lot about Donna Summer and I think she's kind of a bit of an
35:16uns...
35:17I mean, she's obviously heralded as a great disco diva, but, like, her story's amazing
35:21and I love that she started a musical theatre and was doing hair in Berlin or something.
35:28And then, I mean, she's not so disco, but I love Tina Marie.
35:33And who else was I... I mean, Minnie Riperton was definitely a bit of an inspiration on this record,
35:37but that's, you know, it's like groove and soul.
35:39I remember Donna Summer came on the show. Oh, did she?
35:42She sat at the piano and she said, play Let It Be, the Beatles song.
35:46She said, she said, my mother's called Mary.
35:50And then there's a line, Mary comes to me.
35:52I thought, wow, there's a thing. You had the best of those.
35:55Why did that just come to me? Well, because I don't know.
35:57Because you mentioned Donna Summer. Yeah, I think so.
35:59And there she was. And you're at the piano.
36:00But earlier tonight, we spoke to Tim Pope about videos.
36:03Now, you've just done a video, which I'm told is quite racy.
36:07You don't need to watch it, Jules. Oh, no, would it upset me?
36:10I just think you look at me differently and I don't want that.
36:13My children and Jules Holland are not allowed to watch it.
36:16All right, I won't. But away from music,
36:18you also co-host your hugely successful Table Manners podcast.
36:21It's a huge thing.
36:22For people who haven't heard of it, how would you describe it to them?
36:25So, you come over to my house or my mum's house and we cook you food
36:29and we talk about food memories and we talk about...
36:34I don't know, life. It's like coming over for a dinner party
36:37and we still need you on, Jules. I'll come.
36:40Like, this has been an ongoing thing. We need you. I know.
36:42I'm looking forward to it.
36:43But in October, speaking of food, you're going to go out on tour...
36:46Yes.
36:46..doing some huge shows both here and in America.
36:49Yeah.
36:49And is there any particular food you take on tour with you?
36:53I'm really strict.
36:54I'm kind of, like, the closest I'm ever going to get
36:56to the laziest athlete in the world.
36:58But, like, I'll do, like, no...
37:00I mean, I'm really boring and...
37:02But by the time I get to the O2 on the 28th of, what, November,
37:06I'll just be, like, hopefully I'll be very...
37:08It will be in my system, the show, so maybe I can, you know,
37:11have champagne before...
37:12Shows are going to be great.
37:13What's the next thing you're going to be performing for?
37:15Oh, we're doing No Consequences, which I absolutely adore.
37:19And my best mate, Jack Pignatte, is in the audience tonight
37:22and we wrote it together. Did you write that with him?
37:23You wrote it? Let's hear it for Jack Pignatte.
37:25Where is he? He's up there somewhere, hiding in the audience.
37:30Anyway, it's fantastic having you here, Jessie.
37:33We look forward to hearing that in just a moment.
37:34Lots of love to see you. Thank you.
37:36Thank you. Thank you.
37:37Jessie Ware. Thank you.
37:41Thank you. Thank you, Jessie Ware.
37:43And now, back over to this corner,
37:44and the delicious sound of the vocalisation
37:46and the band and the wholeness, which is...
37:49We welcome back, Sam Henshaw.
37:57Here we go again
38:00Search for love in the wrong places
38:03How can I be surprised?
38:07I had you at your bed
38:11Like the beauty of a sunset
38:14Never know when it's bound to end
38:19Can we turn back the time?
38:22Could you be back the night?
38:25When you said, did you love me?
38:27Babe, did you mean that always?
38:30Can we turn back the time?
38:33Could you be back the night?
38:38Don't let me flow, darling
38:43The world looks so much better with you
38:48Don't let me go, darling
38:54There's so much more that we should need you
38:58Oh, oh, oh, oh, oh, oh
39:01Say, now, don't let me flow
39:06Don't let me flow
39:09Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,
39:13oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,
39:13oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,
39:13oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,
39:19oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,
39:25oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
39:38No words that I don't want to live by
39:41I'd like to think we got endless skies
39:44Tell me why
39:47Could we turn it, baby
39:52Oh, when you said that you loved me, babe
39:55Did you mean that always?
39:58Always
40:00Always
40:00Always
40:05Don't let me
40:07Go, darling
40:09The world looks so much better with you
40:15Don't let me
40:18Go, darling
40:20There's so much more that we should be doing
40:25Oh, oh, oh
40:28Sing now
40:29Don't let me
40:31Go
40:33Don't let me
40:35Don't let me
40:36Love
40:38Long without you
40:57The wonderful Sam Henshaw Thank you to all of my wonderful guests this evening.
41:05Let's now finish with the superb Jessie Ware.
41:21We've seen it all in our memory Pray they will fall, seize a chain
41:37Cause I'll never last but I swear That you'll never let me go
41:56I had a dream about you last night You told me everything was alright
42:01Walk in the door, call it tonight No consequences, baby
42:04I had a dream about you last night You told me everything was alright
42:09Walk in the door, call it tonight No consequences, baby
42:22Love is a game that I once made With you, you're the prize I keep winning
42:57I had a dream about you last night You told me everything was alright
43:02Walk in the door, call it tonight No consequences, baby
43:05I had a dream about you last night You told me everything was alright
43:10Walk in the door, call it tonight No consequences, baby
43:14I had a dream about you last night You told me everything was alright
43:35Like I had a dream about you last night
43:39Walk in the door, call it before you last night
43:47I believe you are free
43:52You're calling for you
43:54You're gonna be free
43:55Tonight
43:56You're gonna be free
43:57I'm a fool
43:59You're gonna be free
44:00I will be
44:02You're gonna be free
44:04You're gonna be free
44:06You're gonna be free
44:06I'm in love with you
44:09And you want me too
44:11Everyone's a winner
44:13You're gonna be free
44:15I'm in love with you
44:18And you want me too
44:20Everyone's a winner
44:21You're gonna be free
44:24I'm in love with you
44:27And you want me too
44:29Everyone's a winner
44:31Everyone's a winner
44:32I'm in love with you
44:35And you want me too
44:37Everyone's a winner
44:42I had a dream about you last night
44:44But you told me everything was alright
44:46Walk in the door
44:47Caught it tonight
44:49No consequences
44:50Baby, that's...
44:58You're gonna be my man
45:00Be my man
45:01Take me for a ride
45:02You're gonna let me cry
45:04Make me sigh
45:05Make me learn the touch
45:06You're gonna be my man
45:08Be my man
45:09Take me for a ride
45:10And you'll be my man
45:13To be my man
45:15And you didn't
45:19I'll jump in
45:19To be my man
45:19Because we're wearing my man
45:21I dress
45:22For a ride
45:22To be my man
45:23To be my man
45:23And you draft
45:23To be my man
45:23To be my man
45:24I'm in love with you
45:25I don't matter
45:26I can't
45:27You
45:27You