- 1 day ago
First broadcast 7th June 1979.
It's a difficult case for Hazell as he is hired by a father to find his daughter who is living among dossers and drug addicts.
Nicholas Ball - James Hazell
Roddy McMillan - 'Choc' Minty
Desmond McNamara - Cousin Tel
Peter Bourke - Graham Morris
Christopher Godwin - Claw-Hammer
Michael J. Jackson - Male Squatter
Yvonne Nicholson - Female Squatter
Mark Penfold - Mortuary Attendant
John Rapley - Mr. Clive
Katherine Stark - Annie
Maev Alexander - Claudine Clive
Myrtle Devenish - Old Lady Singer
Norman Lumsden - Old Man Singer
Ronald Mayer - Old Man Singer/Pianist
Betty Hardy - Gladys Hazell
It's a difficult case for Hazell as he is hired by a father to find his daughter who is living among dossers and drug addicts.
Nicholas Ball - James Hazell
Roddy McMillan - 'Choc' Minty
Desmond McNamara - Cousin Tel
Peter Bourke - Graham Morris
Christopher Godwin - Claw-Hammer
Michael J. Jackson - Male Squatter
Yvonne Nicholson - Female Squatter
Mark Penfold - Mortuary Attendant
John Rapley - Mr. Clive
Katherine Stark - Annie
Maev Alexander - Claudine Clive
Myrtle Devenish - Old Lady Singer
Norman Lumsden - Old Man Singer
Ronald Mayer - Old Man Singer/Pianist
Betty Hardy - Gladys Hazell
Category
πΊ
TVTranscript
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01:26To think that once upon a time, this street was full of elegant birds in long kilts,
01:30swanning down steps and climbing into carriages.
01:34200 years on, and now look at it.
01:37Electricity has come and gone, the drainage is nonexistent,
01:40and a Mr Clive of Dorkin has asked me to find his 20-year-old daughter,
01:44who's busy squatting here somewhere.
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02:10Anyone home?
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02:45The council might assess this in advance
02:47and send men in to smash the bogs and the washbasins
02:49but it's still a squat
02:52and providing you put a few possessions in the place
02:54even a couple of sleeping bags and a chip mug
02:56it can be yours
02:58you can put a lock on the door
03:00and you can call it home
03:13we was here
03:15right
03:16sorry
03:18was here first
03:20not you you bastard
03:22right
03:24right
03:25as long as we know
03:27right
03:29right
03:55I uh
03:57I take it you aren't the occupancy
03:59who was here first
04:00right
04:00I uh
04:02I'm looking for one of the occupancy
04:04so watch it you bastard
04:06right
04:06just watch it
04:08you just carry on
04:09right
04:20I reckon I'd better give up trying to converse with a trainee blacksmith
04:24apart from the grinder having to agree with him all the time
04:26he might decide to hammer me into the wall
04:29you are a sodding bastard
04:33right
04:46shame really
04:48little miss claudine clive
04:49or whoever was using that room as a squat
04:51had tried to make a go of it
04:53for what it was worth
05:05still
05:07it's dog eat dog
05:08when he got no rights
05:16yeah
05:17yeah she was with us for a few days
05:18until when
05:19till about a week ago
05:22now if you wouldn't mind
05:25now hang on a minute
05:27hey
05:28I'm finished yet
05:33yeah I'm sorry
05:34we're against investigations of any kind
05:37this is the private one
05:42you're trying to piss off
05:43yeah well that makes no difference
05:45it's what you represent
05:46well look I represent this little fella
05:48down in Dorky
05:50now
05:51he might vote considerably
05:57because he owns a small shop
05:58but right now he's more concerned about getting his daughter back
06:02the letters of the state won't help him
06:04but he still wants her back
06:05I mean it's all right to represent love
06:07isn't it
06:09look
06:09no
06:10she was with us for about four or five days
06:12and then when she was asked to leave
06:15why
06:16the house asked her to leave
06:18sorry
06:20look
06:21we have house rules here right
06:24everything is shared
06:25jobs are done by numbers
06:26certain things are forbidden
06:27like what
06:28drinks
06:29drugs
06:30anything in excess
06:31what did she do in excess
06:32she took drugs
06:34what kind of drugs
06:35she was fixing
06:37you see her fixing
06:39we found her work
06:40so she was told to go there and then
06:42we had no idea where she went
06:43no
06:45and we don't really care
06:49well I've got an idea
06:52she's moved just opposite
06:53down there
06:55probably set herself up
06:56tried to make something out of place
06:58a few flowers
06:59a few flowers maybe
06:59but no else
07:01rules
07:04look
07:06do you mind leaving
07:07some of us have got to go to work
07:10I mean she's known to be a bit unstable
07:12a bit mixed up
07:14very depressed
07:15capable of ODing
07:16did you know that
07:17no
07:19you mean you never bothered to ask her when you took her in
07:22didn't even bother to ask
07:24is that it
07:24why don't you piss off
07:26look I'm sorry
07:28but we haven't gone all morning
07:34what never once bothered to ask her why she did a runner from home
07:36eh
07:37never bothered to ask her why she started fixing
07:40sure we asked her
07:41we tried to get through to her but she didn't want to know did she
07:49I'd been so busy chatting up the pond life on skid row
07:52I was beginning to forget me own squatting problems
07:55I've moved home
07:57entrance hall
08:00very nice
08:02where's your one is to?
08:03oh bung it down there
08:10bedroom
08:11ah
08:19handsome
08:21it's nice wallpaper Jim Jim
08:22it's terrible
08:23I'm going to paint all over it
08:24what for?
08:25I've been that long
08:25because I hate these flowers don't I?
08:27I like them
08:28yeah well you would
08:29you want me to get you some paint?
08:31then get me some paint eh
08:32but don't start being an authority on decor
08:35bathroom
08:37well I'm an authority on colour schemes
08:39no you're not
08:42I was a tinter once
08:43how long for?
08:45couple of weeks
08:46there you go
08:47now the other night you was going out
08:48you had a check jacket
08:49striped shirt
08:50paisley tie
08:52what's that got to do with colour schemes?
08:58kitchen
09:09Joe?
09:15there he is
09:18living room
09:19front room
09:20sitting room
09:20lounge
09:21whatever you want to call it
09:22yeah
09:22we call ours
09:23the lounge
09:24yeah
09:25well you would
09:25wouldn't you
09:26anyway
09:27you can see it's a bit bleep
09:28no
09:28so what I need you to do is get off some tasty furniture for me
09:32right
09:32oh it's well laid out Jim Jim
09:34yeah
09:35well situated
09:35good address
09:39anyway
09:40let me show you what really sold me on this place
09:43something I've always wanted
09:47I really fancy this room
09:49it's got a touch of the old Raj
09:52touch of the Sydney green streets
09:53good room to think in even with the rain belting down
09:57monsoon weather
09:58I'll have it fitted out with
10:01bamboo chairs, tables, Indian brass ashtrays
10:04a few climbing plants, palms
10:06and
10:08they're conservatory
10:09it's a bloody lean-to
10:11yeah well just fit it out for me
10:12will you
10:13well I mean real conservators
10:14they've got leddy glass
10:15you want me to get you
10:16leddy glass
10:17no just fit it out like a 20th century conservatory
10:19now look for a start
10:20I'll have
10:21I'll have something like an
10:22Ily Selassie chair
10:24an Ily what?
10:25I just want it to look tropical
10:27tropical
10:30right
10:30quiet
10:59Claudine?
11:00Claudia and Clive?
11:33Dear Annie, this is really it. This is the end. Love, Claudia.
11:43Annie. So, if she's done it, where's she done it? Tough on little Mr. Clive with Dorkin,
11:51I know. Monsoon weather. Hello. Oh, hello, Mr. Clive. How's Dorkin?
12:05Is what? Yeah, it's raining up here too, as a matter of fact. Hmm?
12:12Hammersmith? Well, uh, Chiswick, as a matter of fact.
12:17Mr. Clive of Dorkin is one of them fellas who has to have a preliminary
12:21natter before he gets down to the burning issue. If he dragged himself to casualty
12:25with a shotgun wound, he'd talk about the weather before booking in.
12:29And here comes the burning issue. Uh, yes, I have, Mr. Clive.
12:33I found out where she... well, where she was lodging.
12:40Hello, it's a tribal draughty. Oh, sorry, right? Start again.
12:45Oh, I found out it's a tribal draughty. But I look at it this way, you see.
13:03If it's morning... Half a lager, please, sir.
13:13I'll chickened out, didn't I? Couldn't tell the poor sod what might be the worst.
13:18And it's nice to see swells who are passing
13:22in the morning. Look at you with any sign.
13:25I shall be happy. Cheers.
13:27And when you wake up in the morning...
13:30Just fancy how nice it must be...
13:35To have a good walk for your breakfast...
13:39And the same for your dinner and tea...
13:43Here's all. Good job.
13:47So why this pub?
13:49Oh, it's good enough for Nelson.
13:52Musical songs, Choc. It's all they ever sing down here.
13:55Of course, you wouldn't know about that, not where you come from.
13:58We produced Harry Lauder.
14:00Yeah, but you lost him, like, uh, North Sea Oil, World Cup.
14:06Talking about telephone numbers.
14:08Which I wasn't.
14:11I'll have yours in the new address.
14:18What do you want, Hazel?
14:21Well, I've got this client, and he ain't got much bread, and I feel sorry for him.
14:25But you're still taking his money.
14:26Yeah, I'm taking his money on my business.
14:29Anyway, his daughter's gone missing, and I'm trying to help him find her.
14:33But I reckon she's dead.
14:35Then report the death.
14:36There's no body.
14:40Oh, come on, Choc. You know what it's like.
14:42Sometimes harder to find her stiff than it is to find a live one.
14:44So what makes you think she is dead?
14:47Suicide, no.
14:48Doesn't mean a lot.
14:50No. Not on its own, maybe.
14:53But the girl's a strong depressive.
14:55O.D. Candidate.
14:57Who told you that?
14:58Her father.
14:59Anyway, her last known address was south of the river in a squat.
15:03Squat, eh?
15:04Yeah.
15:05Also, she was fixing me.
15:07Oh, you really believe in wasting my time, don't you?
15:10Oh, the man has paid me good money to find her.
15:12So he gets her back, dead, alive or dying.
15:14I mean, that's down to me.
15:16Then I'll get on with my domestic life.
15:17Because I've got some shells to put up, you see?
15:20And what do you want from me?
15:23Well, there's this mortuary.
15:25All right.
15:26And it won't let me in.
15:28Maybe you should stop breathing.
15:30Ha, ha, ha, ha.
15:31Ha, ha, ha, ha, ha.
15:36Oh, me.
15:41You know what a mortuary's like, Chuck?
15:43It's like a clearing station.
15:44Too many bodies hanging around waiting for a coroner's order.
15:47Fetch the girl's father.
15:48Well, I want to see her for meself first.
15:56And what do I get in exchange for one dead drug addict?
16:01Names of a couple of people who are knocking out drugs?
16:04No.
16:04Do you get nothing?
16:06I've got nothing to trade.
16:25I did, I did, I did.
16:29Not I did.
16:31Well, I did, I did.
16:35How old was she?
16:37About 20.
16:39Not I did, male.
16:42I did, I did, not I did, male.
16:46Not I did, male.
16:49I did, I did, not I did.
16:54About yesterday, is it?
16:55Hmm.
17:07This came in last night.
17:14Well, she probably had a clean head and a clear set of veins when that was taken.
17:18Get your idea from that.
17:20Hmm.
17:21Got a full PM?
17:22Not until tomorrow morning.
17:23Prolumnal, eh?
17:26Abscesses on the body.
17:28Excess of vomit stains suggest hepatitis, number of collapsed veins in the left arm,
17:33possible cause of death, massive overdose of a cumulative drug.
17:36You got a list of personal effects?
17:38Let's see them.
17:43Property, 162.
17:47Here we are.
17:50Clothing, shoes, 34 pence in cash, 10 packet of cigarettes, two left in it, box of matches.
18:01One dropper.
18:04Quarter of a gram of what looks like heroin, say number three, southeast asian.
18:09Mind you, half of it's probably talcum powder, southeast London.
18:13One silver plated bracelet.
18:15That's the one.
18:19It's inscribed.
18:21Christian name, that's all.
18:23What does it say?
18:24To Claudine from a loving father.
18:32I'd say your 25 a day plus expenses ends here, Hazel.
18:50I'd say my 25 a day plus expenses.
19:15From what I'd gathered, Mr. Clive had spent so much time with his head down in a shop,
19:20that he'd failed to see his daughter grow up.
19:32This is the bit I was never any good at.
19:36Breaking the bad news.
19:38Yes?
19:40Mr. Hazel, fancy you coming all this way?
19:44Well, I thought I'd better come down and see him, Mr. Clive, rather than just telephone.
19:48Oh.
19:56Here comes the preliminary chat bit.
19:59Drive down, did you?
20:01Yeah.
20:03Road's all right?
20:04Fine.
20:05Which way did you come?
20:07Uh, through Leatherhead.
20:09Ah.
20:10You should have come down the A3.
20:12Taken a left at Ockham, got onto the B2039.
20:22You've, um, you've found her, have you?
20:25I think so.
20:26Yeah.
20:27Oh.
20:28Good.
20:30Only, you're gonna have to come to London, Mr. Clive.
20:40This way, in here.
20:52Over here, please.
20:59He paid me me last 25, good as gold.
21:03Plus petrol money for dorking them back.
21:05Oh, and a lot more chat about the state of the roads and the weather conditions.
21:10Maybe now, for once in his life, he'll have to say something worthwhile.
21:34Well, I look mist.
21:40Oyster.
21:44Warm peach.
21:46Whatever happened to colours?
21:54Tropical, you said.
21:56What, a stuffed parrot and a piff helmet?
21:57Well, it is tropical, isn't it?
21:59I mean, it's all right for starters, isn't it, eh?
22:01I mean, you know, a little bit of dressing.
22:03What about the furniture?
22:04I've got a bugger all to sit on.
22:06On its way, look, there's this pledge parlor that got busted at Walkenstow, right?
22:10It's a lot of wicker up the grounds.
22:11Oh, good.
22:12And louvery doors?
22:13You want louvery doors?
22:15Oh, definitely.
22:16See, depends which way you hang them.
22:18You'll either stand up and peep downwards, or kneel down and peep upwards.
22:25That's what they were doing at Walkenstow.
22:27Just get the doors, will you?
22:30Look, I'm going back to the office.
22:31Then I'm going to have a couple of days off, all right?
22:33Decorate.
22:33All right, Jim, Jim.
22:34I'll have the gear in by then.
22:35Oh, Jim, Jim.
22:37It's this crematory, man, in Subban.
22:39They're pulling the place down, see.
22:41Like Franny's got the contract, which means your church stuff is at.
22:43Do you know, there's a lot of money in pews.
22:45Yes, only tell me.
22:46Only no-one's had a go yet at the mortuary.
22:48You interested?
22:48No.
22:49Just stick to louvery doors, will you?
22:59Any messages?
23:00I've had four phone calls.
23:02Ah.
23:03Is that all?
23:03Yes.
23:07Well, would you mind telling me about it?
23:09On your notepad, on your desk.
23:11Right.
23:23There's a stag beetle, danging over the draining board.
23:26I know.
23:27It's drying off.
23:28Drying off?
23:29Yes.
23:29I washed it.
23:31Oh, terrific.
23:32Well, would you mind washing your stag beetle somewhere else, please?
23:35Where?
23:35Well, I don't know.
23:36Take it for a walk down the laundrette, bung it in the tumble dryer.
23:47Right.
23:49How come you never manage to wash yourself yet?
23:51You can always find time to wash a stag beetle.
23:53It's mail, of the British species.
23:56Lucana's service.
23:58And I'm not only washing it, I'm going to polish it.
24:01Oh, well, ask a silly question.
24:03Now look, these messages.
24:04It's all written down there.
24:06Yeah, but there's one here that I don't quite understand.
24:09Hang on a minute.
24:11Look.
24:13It says here, get off my back, you bastard.
24:17That's right.
24:18Well, is that all that was said?
24:20Yeah.
24:21Didn't leave a name?
24:22No.
24:24Male or female?
24:26Female.
24:31Anyway, old son, you'll be glad to know I'm going to have a few days off.
24:34Oh, now look here, what about...
24:35Don't worry, because I'll put my own phone number around.
24:38Good.
24:41Yeah, good.
24:44I've got a stag.
24:46Bruchanicus, Leylandus, Triumphus.
24:48You don't want to wash and polish that as well, do you?
24:49Ha, ha, ha.
25:05Hello?
25:07Hello?
25:08I want you off my back, you bastard.
25:13Yeah, all right, love, but...
25:26Oh, f**k.
25:30Oh, f**k.
25:37Hazel!
25:39didn't think it'd take you long do what come around for a quick shifty
25:45no well i can't show you around chop because i'm decorating
25:49mm-hmm i can't stop either because i don't want a dry line why you carry on
25:57what's the blackboard for oh i'll put that up same then gonna use it as a reminder board
26:01there's nothing on it i forgot to choke what kind of mug do you take me for hazel a scotch
26:08mug
26:08yeah what are you up to fly boy how to no clever answers
26:16you use me he urged you as a passport to get into the mortuary you get a look at a
26:22body
26:23yeah i wanted a favor body of a murdered girl you what you heard me
26:31i heard you but you're not making much sense i mean that girl odied she left a suicide night
26:35that girl was mudder but even her old man said she was unstable her old man yeah her father how
26:40would you know well because the girl had no father excuse me mate but she did he was my client
26:46remember
26:46you're wrong fly boy wrong yeah that stiff was not clodding client but mr clive i deed her i mean
27:00i took him to the mortuary didn't i you hear i make the identification well no you see it even
27:04no i didn't hang about did i there you are then look the man was paying me good money to
27:10find her
27:10he wanted her back dead or alive he cared about her told you that did he well no he didn't
27:15have
27:16what is all this about job oh come on look the man's got my phone number i mean if that
27:22wasn't
27:22his darling daughter lying dead in the mortuary he'd have been back onto me by now wouldn't he
27:26oh i'd have thought so yeah but what about the mortuary attendant well what about him what didn't
27:31he tell you what happened oh yes he did he said you're mr clive took one look at the body
27:36and then
27:36walked out without a word without a word well and how'd you know that it wasn't put your jacket on
27:48sonny
27:53her name give me a fag jimmy will be gone geese a fag i want her name first
28:00hey just give me a fag will you her name susie
28:10something brown susie brown definitely susie yeah i just told you you want us to tell you again
28:18no no thank god for that you bastard what's your name i already told you for god's sake
28:25you haven't told him you haven't told him he doesn't know it well tell him
28:31that's my fagin first name susie susie brown your first name
28:38all right
28:45annie your name's annie yeah
28:47it is you give me a fag will you
28:56yeah yeah all right girl here you go
29:08you're okay jimmy better than a scots pastor what was your last address annie
29:16address yeah where were you last living
29:20i was squatting wasn't i i told you where where you picked his up
29:28but i'm away back home soon back to your port what glass boy i give me a fag will
29:39anything you want to ask her hisle yeah quite a few things well don't waste your time asking about
29:46the so-called suicide note i know all about that and don't bother asking how susie brown died either
29:51you know about that as well do you oh yes is there anything you don't know
29:55i don't know what her ex squat mate is
30:07annie hi
30:10annie tell me about claudine
30:16tell me about who claudine
30:23she's a heater a what header hi
30:31what you mean that she fixes no she doesn't need to fix for god's sake she pretends to but she
30:39doesn't
30:40she doesn't need to well look when you say that claudine's a head i'm away back home soon do you
30:45know that yeah yeah of course you are darling look when you say that she's a header then i mean
30:50she's a lunatic for god's sake a lunatic hi
30:56well look when you say that she's a lunatic well give me a fag will you yeah all right i'll
31:00give you another fag in a minute i promise you oh you're a good fella jimmy not like this old
31:06bastard you know i wouldn't know what you want if i was starving do you know that you old bastard
31:09annie annie but when you say that claudine's a lunatic i mean what do you mean do you mean that
31:14she's a fun lunatic or that she's dangerous or what for christ's sake i mean she's dangerous
31:20she's bloody mad so what does she do
31:28she waits wait's hi waits under tables you mean she's a waitress waitress
31:48what the hell are you talking about she's a header all right okay
32:00thanks jimmy and you just watch yourself weary she'll have your face
32:05she'll what she'll tear the face right off you jimmy geez she's some header
32:19all right now apparently claudine had one main objective in life
32:25and that was to take it out on anybody who had given her a hard time or anybody she thought
32:30was a
32:30threat to her now susie brown was a threat she was on heroin and in some extraordinary way she
32:36reckoned that there had to be money in reporting claudine as a missing person and of course claudine
32:42wouldn't want that oh no so she very kindly let susie have the bracelet then treated her to a fix
32:50a last fix massive overdose and there was a bonus in this for claudine too you see susie was the
32:59same
33:00size same complexion same hair coloring very useful if you want to stay missing terrific
33:07she also rigged that suicide note but she rather messed things up there oh well you see she sent in
33:14the winos to smash up the squat she was sharing with annie only annie didn't happen to be there at
33:19the time you mean she meant to have annie killed as well she had no further use for it
33:29pretty polly perkins hey nothing it's just that thanks to mr clive of dorky i've been going around
33:38with the wrong picture of this girl and i don't mean the one in me pocket i mean the one
33:43up here
34:06i don't have to be there
34:09i don't have to be there
34:31Oh, my God.
34:53Oh, my God.
35:13Oh, my God.
35:15Just send the damn thing down.
35:17Hmm.
35:18A number? 24.
35:2024 Castle Street.
35:22The shop. Name's Clyde.
35:24Sorry. About the mess, Mr Hazel.
35:28the face. you or the shop? no. well done by the dance. he can't come to casualty. correct.
35:36you should have had stitches in those you know. you send the ambulance here. right.
35:44happened last night you say eh? what time? about about nine. you've been sitting on that floor
35:53in that state ever since? hmm reckon you can tell it.
36:00oh I heard a noise in the shop. it came down from the flat. everything seemed all right.
36:11she was crouched under that counter hiding. your daughter?
36:17what? and she did this to you under the shop? why'd she do it? because.
36:26because I've been trying to find out where she was. she doesn't like that kind of thing.
36:32any idea where she is now? no idea. it's important Mr. Clyde. she didn't say. she never says.
36:43never has. she. she came out so fast. suddenly. she's grown her nails. they're like. like.
36:53why'd you employ me Mr. Clyde?
36:56wasn't because you wanted your daughter back was it?
36:59i. i just wanted to know exactly where she was. make sure she was far enough away from me.
37:06make sure she was at a safe distance. and then what? well i don't know. something. i.
37:14well my wife. claudie. frightened her. scared her aware. well i. might have got her back.
37:23just wanted to make sure. that's all.
37:28why didn't you tell me? you might not. you might not have. understood.
37:36What, that she was more than just depressed? That she was dangerous? She was an ed case?
37:40Yes.
37:41You tell me this.
37:43Were you disappointed that that wasn't your daughter lying dead in the mortuary?
38:00Don't worry. Police will find her.
38:04They'd better, Mr. Hazel.
38:07She's after you.
38:10She's what?
38:12Well, she...
38:14You were looking for her. You see?
38:17Yeah, because you asked me to.
38:18She doesn't like that kind of thing.
38:21So, now, she's after you.
38:24Now, you wait just a damn minute.
38:25Her way.
38:35She hasn't been back.
38:51That's her mates. The winos.
38:54Well, she keeps good company.
38:56Well, it suits her.
39:07We don't make complaints. Not to people like you, anyway.
39:11All right, then.
39:12Where is she?
39:13How the hell should I know? Look for her.
39:19Here.
39:20Me again.
39:21This is a legit lack of estate.
39:25So, what happened?
39:26I think you can help.
39:27I just want to know exactly what happened.
39:30Yeah, okay.
39:32Well, there were four of us in here having a house meeting.
39:34And the others were out.
39:36The cow must have been hiding under that table for a long time.
39:41And then, she just suddenly came out from under it.
39:44There were three fellas here, including me, and we couldn't stop her.
39:47And that's what happened.
39:52I'll get the area searched. All of it.
39:55Good.
40:00What's so funny?
40:02You, fly boy.
40:03First time I've seen you scared of a bit of tail.
40:05I've grown quite fond of this face.
40:07It's the only one I'm likely to get for you.
40:09Oi!
40:10Oi, oi.
40:17Just get this car door open, Chucky, will you? There's a good lad.
40:23What's your name?
40:24Chucky!
40:26Walk away from it, Chock, will you?
40:28This is no time...
40:31This is no time for names and addresses, for Christ's sake.
40:35Chucky!
40:43Bastard!
40:47I thought you were going away for a couple of days.
40:50Yeah, well, I narrowed it down to one.
40:51Any messages?
40:52No.
40:52Told you.
40:53Oh, but one caller.
40:55Oh?
40:55When?
40:56About America.
41:03Graham?
41:04Graham!
41:05Get in here!
41:11I say.
41:13What's all this?
41:14Well, I didn't know, did I?
41:16I didn't know about this.
41:17You must have bloody heard it.
41:19I heard noises, yes.
41:20Noises?
41:21So I shut my door.
41:22Oh, wonderful.
41:24Well, I closed yours already, because she said she'd wait.
41:26I told her you were going away for a couple of days,
41:28but still she said she'd take a chance and wait.
41:31She said she was an old friend of yours.
41:33Old friend?
41:34Yes.
41:35What are you talking about, Graham?
41:37I mean, if I knew she was capable of this, I wouldn't have let her.
41:40Who's she?
41:41A girl.
41:42Oh, terrific.
41:44I was in the kitchen.
41:46I heard someone come into your office.
41:48So I came to the door, didn't I?
41:50I looked in.
41:51I mean, you know a lot of weird people, so I didn't think it was unusual.
41:55I don't think what was unusual?
41:56Well, the fact that she was climbing under that desk of yours.
42:00I suppose I must have surprised her.
42:02What was she planning to do?
42:03Play a joke on you.
42:05What does she say?
42:05Not a lot.
42:06What?
42:07I said you weren't here.
42:08She said she'd wait.
42:09So she did.
42:10Under that desk.
42:12Mr. Minty, please.
42:15Damn.
42:16Well, look, when do you expect him back?
42:20Yeah, look, it's James Hazel.
42:22When he comes in, will you tell him to ring me at my office or at home?
42:26Yeah, James Hazel.
42:29I didn't expect this, did I?
42:31I mean, you wouldn't, would you?
43:05He said, what was it?
43:07I know he wasn't.
43:12He was 100% down here.
43:13It's a bit.
43:14I'm not sure what he felt.
43:14Then he got me for a second.
43:16He was soif.
43:17He was 100% down here.
43:17He was 29,000.
43:17He came back.
43:17I thought he was able to make it.
43:17I have a dream.
43:17He was a big George.
43:17He said, I'm sorry.
43:17He was a big old lady.
43:17I was a big old lady.
43:18And he said, he was a big boy.
43:21Well, he was a big boy.
43:21He was a big boy.
43:23I'm sorry.
44:57I'd say it's Claudine.
45:00Right.
45:03Yes.
45:04Yes.
45:06I...
45:08I take it that you must want to see me.
45:11I suppose I do.
45:13Yes.
45:14Yes.
45:16Well that's...
45:17That's very nice.
45:20I was just gonna make some coffee.
45:23Would you like one?
45:25Fine.
45:27Good.
45:31I...
45:33I've got this friend who could talk to you.
45:36No...
45:36No he's not police.
45:38He's a...
45:38Well he could talk to you.
45:40Um...
45:41Maybe help you.
45:50That would be really nice.
45:54Good.
45:56Well I'll go and call him.
45:57All right?
45:58Yes.
45:58Okay.
45:59Yes you do that.
46:01I'll be right back.
46:05Master!
46:05Yes!
46:08Yes!
46:10Yes!
46:12Yes!
46:13Yes!
46:17Yes!
46:20Yes!
46:20λ Get away!
46:37No.
46:39No!
46:40No!
46:41Oh!
46:43Ah...
46:49movie.
47:03No!
47:05Do it!
47:06No!
47:08No!
47:10No!
47:11No!
47:12No!
47:14No!
47:16Lootery doors and wicker like you said, Jim.
47:19Oh, if you're too busy...
47:21No!
47:22No! Hang about, Toll.
47:25I'm not busy.
47:27Sure.
47:28Sure.
47:32You don't pick them, don't you, Jim?
47:34Yeah.
47:36Don't I?
47:43She was a beautiful
47:46boy as a butterfly,
47:48and as proud as a queen,
47:50was pretty little
47:52Polly Perkins,
47:53up and in turn green.
47:55The words
47:58that she uttered
48:00went straight to my heart.
48:02I sobbed and I sighed
48:05and straightway did she call.
48:07With a tear on my eye,
48:10just as big as a bee,
48:13sing farewell to Polly and Paddington Green.
48:18We got the girl quite and done at last.
48:22Terrific.
48:23We all have a laugh.
48:24All right, Hesel?
48:25Oh, and some children.
48:26Just and some.
48:27She was as beautiful as a butterfly,
48:33and as bright as a queen,
48:35was pretty little Polly Perkins,
48:38up and in turn green.
48:43All right, Hesel.
48:47For one good morning,
48:50walk out where the ceiling fell.
48:54You land everything you know
48:56it's six days.
48:58On the seventh day,
48:59you knew it very well.
49:03You trusted pretty women,
49:05a pretty woman had you tied and bowed.
49:09You trusted in the bottle
49:12But in the end that bottle got you down
49:17You've tried everything that's going
49:20Better leave it all to faith this time around
49:25You've been down so long it looks like a
49:31Ain't that a shame
49:33Down so long it looks like a
49:38Ain't that a shame
49:40You know your love might change tomorrow
49:43And then again it might stay just about the same
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