- 13 hours ago
First broadcast 13th March 1978.
It's a bad day for Hazell when he finds himself pursued by the police - and has no idea why they should want him.
Nicholas Ball - James Hazell
Roddy McMillan - 'Choc' Minty
Desmond McNamara - Cousin Tel
Barbara Young - Dot Wilmington
Maggie Riley - Maureen
Betty Hardy - Gladys Hazell
George Hilsdon - Fred Hazell
Alibe Parsons - Sadie
Michael Graham Cox - Bernie Franks
Anne Kirsten - Mrs. Franks
Lorraine Brown - Linda Franks
Gretchen Franklin - Pearl
Alexandra Dane - Moira
Neil Landor - Radio Announcer
Shelagh Wilcocks - Hospital Clerk
Doremy Vernon - Hospital Clerk
John Tatham - Detective in Car Following Hazell
It's a bad day for Hazell when he finds himself pursued by the police - and has no idea why they should want him.
Nicholas Ball - James Hazell
Roddy McMillan - 'Choc' Minty
Desmond McNamara - Cousin Tel
Barbara Young - Dot Wilmington
Maggie Riley - Maureen
Betty Hardy - Gladys Hazell
George Hilsdon - Fred Hazell
Alibe Parsons - Sadie
Michael Graham Cox - Bernie Franks
Anne Kirsten - Mrs. Franks
Lorraine Brown - Linda Franks
Gretchen Franklin - Pearl
Alexandra Dane - Moira
Neil Landor - Radio Announcer
Shelagh Wilcocks - Hospital Clerk
Doremy Vernon - Hospital Clerk
John Tatham - Detective in Car Following Hazell
Category
📺
TVTranscript
00:00.
00:45It started with an investigation of my mother's guts
00:48and ended with an investigation of mine.
00:58She won't thank you for him, you know.
01:00Here, mate. My heart's saying. You know that, Fred.
01:13And there's been a price for five percentage points in the cost of living.
01:18The security guard seriously wounded Harmer's Green Bank robbery yesterday
01:22is still critically ill in hospital with shotgun wounds in chest of arms.
01:27In the chest? I bet he never comes out.
01:31Bright little rare sunshine, isn't he?
01:34Oh, I know, my son. Once you're in one of these places...
01:38Yeah, yeah, but look, lay off that sort of check with mum, eh?
01:41That's the last thing she needs.
01:45Oh, bloody shotguns.
01:48I'd bring back hanging for the bastards, I would.
01:51What, with our economic crisis?
01:53Nah, chop them up for cat food.
01:55Cut imports. Save the endangered whale. That's what I say.
02:00Har, bloody har.
02:03St Christopher's, Agerston.
02:05A jewel in the crown of the National Health Service.
02:08If you're not sick when you go in, you very soon will be.
02:34Well, it's nice you can have a good check.
02:37Have a while, you darling.
02:38Mm, yeah.
02:41Only eat them all at once.
02:44He did, and he nicked the money out of our Christmas club.
02:47You all right, girl?
02:48Yes.
02:51Oh, yes.
02:52How are you two getting on?
02:54Oh, we're all right now.
02:55Nothing wrong.
02:57Well, have they done anything yet?
02:58Well, he explored me.
03:01Oh, yeah.
03:01Don't tell you nothing, do they?
03:03Have you been eating?
03:05No.
03:05Thought we'd wait till you got ready.
03:08So long as he has it at the right time.
03:10He gets very irritable otherwise.
03:12Yeah, he can be a bit of an handful.
03:14Well, I'm glad it's not just me.
03:17That's his mother.
03:18Whose mother?
03:19The fellow the police are looking for.
03:22The one who shot that bank guard.
03:25Franks' name is.
03:26Bernard Franks.
03:28Well, as I understand it, he didn't exactly do the shooting.
03:31What?
03:31No, he was driving a jam jar.
03:32I mean, that's how he got away, you see?
03:34Well, it's all the same, innit?
03:36I've been laying here thinking, what if it was you on the run and me in that condition?
03:40Have you?
03:41Shit.
03:44Heart.
03:45She's going.
03:46I thought she had this morning.
03:48Does she, um, know about...
03:50No.
03:51She keeps asking for him.
03:52Bernie, where's Bernie?
03:55I said you'd help.
03:56Oh, he?
03:57Get a message to him.
04:00What do you mean, a message?
04:01Let him know she's in here.
04:02He doesn't know, see?
04:05I said you'd help.
04:09Imagine if it was me, son.
04:11No, no.
04:11Look, look, after Metropolitan Police Force were going to be looking for him.
04:14Right.
04:14And when they find him...
04:15I told his wife.
04:16That's her with his mother now.
04:18She's a bit sharp, but I expect it's a distress.
04:21I told her how good you are at finding people.
04:24Thought he couldn't find a Jew in Befnell Green.
04:26Oh, of course, you won't have to charge them nothing.
04:28They haven't got no money.
04:30Of course not.
04:32I knew you would.
04:33Oh, no, no, no.
04:33Hold on a minute, ma'am.
04:34I told her you'd only have to make a few inquiries.
04:37Shut up a minute.
04:38You listen.
04:38Look, here, come on.
04:39You come in here.
04:43How is she, dear?
04:44Oh, sleep.
04:46This is my husband.
04:47How are you?
04:49And this is Jimmy.
04:50He says he'd be glad to help anywhere he can.
04:56And...
04:57Why don't you have a seat?
05:06What?
05:08No.
05:09This is a woman's room.
05:11He's just visiting.
05:18Um, the radio, the papers, they'll have a story about his mum, won't they?
05:23Well, he's likely to believe them, isn't he?
05:27What?
05:29No, he isn't.
05:30He's a very nice man.
05:33Um, what about his mates?
05:37Well, nobody's coming near me after this sort of job, are they?
05:43Besides, uh...
05:44Well, it's not like that.
05:47It's not like what?
05:50Look, um...
05:51What do you expect me to do?
05:55Oh, for God's sake, it isn't in Doctor Who.
05:59Well, I just thought that you could, uh, pass the word round.
06:05For what?
06:10All right, come on then.
06:13Now, would he...
06:14Would he give himself up to come here?
06:17I don't know.
06:18But would he?
06:19Because if you got involved, it would put you in a spot if he didn't.
06:23Yeah.
06:24I know, I know.
06:27I know it was stupid to me to think there was anything you could do to help,
06:29but it's just, well...
06:31When you get desperate...
06:34Oh, well, I mean, don't worry about it.
06:36Please don't worry about it.
06:37And that was your mum just being nice to me.
06:39So don't worry about it.
06:40You mean you're not gonna help her?
06:42I don't know why the hell should he.
06:44You be quiet.
06:46There are people in here.
06:46Yeah.
06:48I'd better get you out of here.
06:51Yeah.
06:53Yeah, he'll see it in the papers and then, well, it's up to him what he decides to do then,
06:57isn't he?
06:58Anyway, thanks.
07:00But please don't worry about it.
07:04I'd better...
07:10She's dying.
07:13Well, I'm sorry, but I can do about it.
07:18There's 500 bogeys out here looking for him.
07:20You think I can go up to his front door and knock on it and say, can we have a
07:22chat?
07:23Come on, mum.
07:25Besides, I'm up to hearing work.
07:27The big work I was up to my scalp in was figuring out how to pay for the rent, the
07:31insurance on the car, and the mug of face pack Maureen had given me in Mistake for Coffee.
07:58Maybe I felt I should keep in practice.
08:00Maybe it was the look on my mother's face.
08:03Maybe I even felt something for the old girl who wanted to see her villainous son before going to a
08:07place where he'd break her heart no more.
08:10Or maybe I just thought that Mrs. Franks would give me a decent cup of coffee.
08:13I'm sorry.
08:45and bank blagues to order
09:00son of
09:02it's jimmy hazel
09:03i know who he is
09:04i thought you know
09:06maybe i could help
09:07how
09:08well you tell me
09:09you're as useless as he is
09:29they'll already be talking about you down the street
09:31and in the local nick
09:33come on
09:35all right you finish your drawing and then you can have your big cure
09:38where's the funny man
09:39oh she means you're dead
09:40she's done nothing but talk about him
09:42come on i want to talk to the man
09:47come on in you go
09:51coffee
09:52please
10:03oh sot
10:03i forgot the coffee
10:47what do you want to do
10:59what do you want
11:01he was in the car
11:03no not involved in a shooting
11:04may not even have known that they had a shotgun
11:06you know what
11:08look he might have a better case than he thinks
11:10gives himself up to see his mum
11:12papers have loved it
11:13crowed her eyes out
11:14i don't care whether the old cows sees him before she goes or not
11:18in the hospital you said
11:19yeah well
11:22it's the sort of thing you say isn't it
11:25and she's the reason he won't go straight
11:29she's the reason he's on the run now
11:32he wouldn't have been doing this bloody job if
11:37serves our bloody well right
11:39i finished
11:44oh who's that then
11:46a piece from that side
11:48oh it's very good isn't it
11:49yeah feet are a bit small
11:52you draw this man here
11:58he's terrible
11:59it's me child
12:00ma
12:03oh god forgive me but she's
12:05she's real docks
12:08cable street
12:10she'd been on the game for years
12:12a port for every sailor
12:14into every kind of thieving
12:16and he had it with his cornflakes
12:20every time he comes out
12:21i think we're gonna be all right
12:22then he goes back east to see his mum
12:25well i thought if we came out here
12:27what across the border
12:28yeah
12:30and then they built the bleeding west way
12:33well
12:37do you think you can help
12:40a minute ago you said you didn't care
12:42whether he saw his mum again or not
12:43yeah
12:45well
12:47oh somehow blame me
12:50if she goes and he's not there
12:52and
12:53and what
12:55well
12:56what it gets through
12:57shouldn't i
13:00only i knew where he was
13:03what he was doing
13:06you know i'm surprised that he made some sort of contact
13:08oh his wife
13:10little girl
13:11you know just a couple of seconds on the blow
13:12oh that would have done it
13:13yeah just to
13:23what's his mother's address
13:2513 chaseways stepney
13:27friends
13:27associates
13:28oh i don't associate
13:30she likes a drink
13:32any particular boozer
13:33oh the three colts i suppose you'd call her regular
13:35but no
13:36any of the boozers around there
13:37she isn't exactly particular
13:39look i can ask a few questions but don't bank on it eh
13:42i mean i'm promising nothing
13:44and i'm sticking my neck out as it is
13:45you can see there can't you
13:46yeah i know i know
13:48thanks
13:52i've
13:52i've got no money
13:54neither have i
13:55well then why
13:57mother's
13:59i'll uh
13:59i'll do the difficult thing first
14:02get you some coffee
14:19where you going hisle
14:21shopping
14:23give you a lift sonny
14:46oh the old smells
14:47vinyl and police socks
14:48we can give you a nostalgic tour of the neck as well
14:51is there a charge
14:55how do you know her
14:56her mother-in-law
14:57my mother
14:58same hospital
14:59oh yeah
15:00checky
15:02what's your involvement
15:05running errands
15:07who's paying you hazel
15:08for what
15:10what were you doing in there
15:13you disgust me
15:15spoken in the true voice of the kirk
15:18out
15:18jerky
15:19what about a little arrangement
15:20all this uh
15:22you scratch my bank
15:23and i'll scratch yours
15:23all this fantastic rapport
15:25we're supposed to be building up
15:26all right flyby
15:27have it your way
15:28but i am telling you
15:31that if you withhold information
15:33or do anything
15:33that assists bernard franks
15:35in any way whatsoever
15:36i will personally
15:37make it my business
15:39to go to go the whole lot
15:41accessory after the fact
15:43the whole lot
15:45and that being the case
15:46you won't even get a night security job
15:48in a sewage works
15:54can't you leave a number where you could be contacted
15:56this time of day
15:58this time of day
15:58you can usually get me
15:59at the inn on the park
16:00serving or delivering
16:01the groceries
16:03well don't hang about
16:04dot wants you
16:07thick
16:08shambling
16:08scruffy looking idiot
16:11yes
16:11i know just the man you need
16:13all right
16:14i'll check his availability
16:15and i'll bring you back
16:17bye
16:18thank you for the character reference
16:20ah
16:20i said that's what you look like
16:22i told them that inside
16:23you were as sharp as a razor
16:26why i bothered a lie for you dumbo
16:28i just can't imagine
16:30now
16:30what have you got on at the moment
16:33this and that
16:35quite a lot of that
16:36i do seem to be concentrating on that
16:38as it happens
16:39yes
16:39well this is a very good firm
16:41good contact
16:42they specialize in office machinery
16:44but there's been a security leak
16:45now the exhibition starts tomorrow
16:47and you'd be slipped in
16:48as one of the drivers
16:49olympia
16:51manchester
16:51manchester
16:53manchester
16:53no
16:54oh
16:55three or four days
16:57good money
16:59yeah
16:59yes
17:01good boy
17:02you may be dumb
17:04but you're decisive
17:12hang on
17:14yes
17:15my mother
17:16her operation
17:17chariot
17:18any minute now
17:19look i'll bet a bum over there
17:21and i'll call it from the operating
17:22all right
17:23i'll stall till i hear from you
17:25don't you dare
17:26let me down
17:27miss out on all those black puddings
17:32minor he said
17:36diverticulitis
17:37sounds like you'll flower in the spring
17:39when are they letting you out then
17:41all he cares about
17:42what have you been cooking in
17:43being a real special
17:45lisa
17:46italiana
17:46in my most
17:47secret sauce
17:48beans on bloody toast again
17:50i could be out tomorrow
17:51next day
17:52oh lovely
17:53good
17:57they put her in a side
17:59coppers there
18:01she's still asking for him
18:02it's dreadful
18:03i uh
18:04i saw his wife
18:05i knew you would
18:07i knew you'd help him
18:08look now you're okay
18:09look i have
18:10i know where he is
18:14you won't
18:15it's the injection
18:17he's down the docks
18:18how did you know
18:19she told me
18:20who
18:20his mum
18:21did she give her his address and post
18:29she knows he's on the run
18:31they told her
18:32just before they moved her it was
18:34i heard it
18:35they thought i was still out
18:37heard what love
18:39rambling she was
18:41the drugs i suppose
18:43tell my bernie to come
18:45she says
18:45he'll come
18:46he's my best boy
18:48he's with one of my daughters
18:51then
18:51something about
18:52regent docks
18:54then madame there
18:55stuck it all in
18:56and that was the last i heard
19:03daughters
19:04house would be watched
19:05well of course it would
19:07well i'm only telling you
19:08what she said
19:10he's with one of my daughters
19:12telling him to come
19:14ever got hung up
19:15over something you know
19:16is diabolically stupid
19:17but you go on and on
19:19daughters
19:20sounded to me like a right
19:21old load of sickbed ramblings
19:23but
19:23no harm in checking
19:24before it's
19:25hello black pudding land
19:38mint
19:39five down
19:40sweet police
19:42when you're making your report to him
19:43i'm just going in to give
19:45mrs frank some instant
19:48coffee
19:51she ain't got no daughters
19:53yep
19:54well there you go
19:55sorry i'm late with the coffee
19:57got a bit held up
20:04that was she said
20:06thought it was something
20:08no
20:12um
20:14how much of a case do you think he's got
20:17well he was identified
20:18one of the villains shouted his name
20:20yeah but if he gives himself up to see his mum
20:22right help him
20:24could you get him to
20:30give himself up i mean
20:34i mean if you could find him
20:36and tell him how bad his mum is
20:39that you've talked to me
20:40that you've seen me
20:43you see
20:45well you don't know what he's like
20:48if he talked to somebody sensible
20:52you see he's
20:54he's very
20:58impressionable
21:03i know he's over there somewhere
21:05yeah
21:07the doctor mean
21:10well
21:11if you could only get through to him
21:19well you won't get anything
21:27is that why you put the lot on
21:29well it's just a thought because i didn't have any money
21:33i can't though
21:35i won't
21:44who's asking
21:55oh sorry sorry
21:57did i shut the door
22:01hello
22:15oh
22:17that's very good
22:19who is it
22:20it's you
22:22awful like you
22:24linda
22:40maybe minty
22:41would put down mrs franks as just one of the 18 women his raving presbyterian imagination thought was my daily
22:46requirement
22:48yeah
22:49maybe
23:04it was as if linda and her mum had bright pink spots
23:08did those two thick lumps realise what they were doing to her sitting out there
23:12did i
23:13yeah
23:14when i did it
23:17you
23:18i
23:18Oh, my God.
23:44Bleed. Nelf service, Dot.
23:45They hadn't even done an operation yet, have they?
23:48Look, you'll have to get some other idiot from Manchester.
24:14Somewhere, there had to be someone, sometime, who does something for nothing.
24:19Well, why the old does it have to be me?
24:45Well, I should have known Minty wouldn't think I was just interested in her own cooking.
24:56What are you getting me into?
24:58Nothing.
24:58Relax.
24:59Just thought you'd like to go out and get legless.
25:00Yeah, I just thought you said a quick one.
25:02I mean, I'll get clobbered.
25:03Not my night for it, is he?
25:05Friday.
25:06Is he?
25:08Really.
25:10All right.
25:11Which boozer?
25:13Londoner, the Dickens, the Moorings, the Old House at Home, the Grapes, the Chequers, Prospect
25:18and the Free Calls.
25:19Are we all buying or renting for the Guinness Book of Records?
25:21Nah, I feel restless.
25:23Hold on.
25:24You're in some really bad trouble, aren't you?
25:28For God's sake!
25:34Sorry.
25:35Didn't want to lose him.
25:37You nearly lost me, you flaming clown.
25:43Tell, come on.
25:45What?
25:46You can't believe a word of it, darling.
25:49All right.
25:50Yeah.
25:50Listen, see you later.
25:51Knock out.
25:52Whoa!
25:53Beauty!
25:54Do you see Nate?
25:55Yes.
25:56What?
25:56It's gotta be mine.
26:04He was here somewhere.
26:06I was sure of it.
26:08So, we're about 500 boys in blue.
26:49I was beginning to feel that I'd already met friend Bernie.
26:52There were parts of him.
26:54Part one was back in Acton.
26:56Irrespectable Little Painter and Decorator.
26:58Part two.
27:10Right.
27:11Go in there.
27:12Oh!
27:13Whoa!
27:14Jump in on me.
27:15I didn't need you.
27:16Come out for a drink, you say.
27:37Come out.
27:39Come out.
27:39Come out, get inside.
27:41Stop it.
27:42Get inside.
27:43Come out.
27:44Come out.
27:46Take it.
27:48Come out.
27:51Here. Come on. Here. Here you are, darling. You're not going to get nothing for it, you
28:01know. You're the second woman that said that to me tonight. Oh, here. I couldn't even keep
28:08you warm, darling. I never thought Mara would go first. If she does, of course. Yeah. She
28:17keeps asking for her daughters and all. Yeah? Which one? You know, I didn't know that she
28:22had any daughters. You said you knew her. Oh, well, I mean, you know, like those daughters.
28:32Oh, I know what you're after, all. You dirty bugger. Here. Which one do you fancy? I'll
28:43take over some of the cleaning she did for them. Once you're in the game like I was,
28:48you never leave it. Here. She sat there last week. Oh, bless her. She said to me, Pearl,
28:59mate. She said, Pearl, I spent the last 30 years on my back. Now I've got to spend the
29:05rest of my life on my knees. Here. Which one do you fancy? I'll tell you, she washes beyond
29:14her ears. There's another one of hers. That's Sadie. Very, very nice, isn't it? Yes. That
29:22one's got a touch of what you might call class. Yeah, I can see that. Still, it's what you're
29:28fancy, isn't it? Well, do you think you can give me any addresses of them all? Not all
29:35for now. Oh, you look like a beautiful little angel, but I bet you've got a big fork, are
29:43you? Here. You've got pencil and paper, Andy.
30:01I know you did that mantelpiece deal. Ah, ah, yeah. Ah. Here. Here. Here. It's not as easy as
30:20You're in. I haven't got room for you, love, not on here.
30:22You're in. Jim, Jim, Jim, Jim, what's...
30:26I'll give it your back, man, I promise you.
30:28Don't bother them, can't it? You'll give your brain a hand.
30:30There we are, that's all.
30:32Oh, you take that, I mean.
30:33Well, what about a snout break, then, eh?
30:36Yeah.
30:37Look at the state of that, will you?
30:38All right, all right.
30:41Now, what are you doing down here, darling?
30:43Do you want to crawl out, eh?
30:43Was it like shins?
30:45Oh, that's how they've fused ever.
30:46Come on. Oh!
30:48Oh, my God.
30:50Oh, I'm all right now.
30:53Are you sure?
30:53Yes.
30:54From now on, I've decided to come out of retirement on your behalf.
31:00Well, that's very nice of you, Mum.
31:02Oh, no, no, please.
31:04Grundy, look another time, Mum, ain't you?
31:06Oh, thank you, John.
31:08Oh, isn't he nice, isn't he nice?
31:15Not my...
31:15Joe, not my...
31:16Sit there instantly, old man.
31:18Look, I'll have to give you a ring, all right?
31:20All right, John?
31:20No, no!
31:22Sorry, governor.
31:22Don't do it, Jim.
31:24Don't throw yourself away in there.
31:26What's the matter with you?
31:27What's the matter with you?
31:28You've got it steaming little.
31:29I'll give you up, mate.
31:31What are you looking for?
31:32What's that?
31:33You've got to pick a winner from six runners.
31:35I, uh...
31:43No, listen, look, the last time you was in my motor, you chucked it all over the gear list.
31:47Don't you give up, mate.
31:48No, look, I'm not driving this motor with you in that condition.
31:51Give us some keys, man.
31:53I'm not driving this motor.
31:55We will get a cab.
31:56Come on.
31:57You've made a movie?
31:58No, you are.
31:59Come on.
31:59Hey, listen, that's my bread you've got on all.
32:09Hey, listen, that's my bread you've got on all.
32:54Hey, listen, that's my bread you've got on all.
33:09On Pearl's list, Moira was grade A for cleanliness.
33:19I hoped I'd get a lead before getting down to grade C.
33:22Nothing like a bit of atmosphere, is there?
33:26Drink?
33:26Uh, no, thanks.
33:28Some people expect a lot.
33:30A pair of teeth and a cup of Orlix afterwards.
33:32Those are your, uh, your strangest requests?
33:35Oh, I could tell you some strange requests, all right.
33:39Oh, yeah?
33:40Costs extra.
33:41Oh, just, uh, just tell me, Marge.
33:44Marge?
33:44Uh, Moira.
33:45That stupid whore.
33:46You've been with her.
33:48She thinks all you have to do is to lay down, open your legs and close your purse.
33:52She doesn't see herself as a psychologist like I do.
33:55Psychologist?
33:56Now, I may be a year or two older, but you're a different person when you leave here.
34:01And then she has the bloody cheek to say they're dropping.
34:04Dropping?
34:05Huh.
34:06They may not be as sappy as the teenagers anymore, but at least they're not banging on me knees like
34:10hers.
34:14Well, you've seen them all.
34:17You be the judge.
34:20Moira, please, I'm no judge.
34:23I get it all wrong on those contests, you know, the ones on the telly.
34:26Oh, yeah?
34:27Oh.
34:27I've seen Miss World, but this was ridiculous.
34:31Bernie.
34:33What?
34:34Marge sent me.
34:35See, I'm looking for Bernie.
34:37You get out there, you.
34:38I know your type.
34:40I know who you are.
34:41Gently.
34:49Definitely grade A.
34:50Plus.
34:52And I am, after all, only human.
34:54What's your excuse?
34:57Come on, lover.
34:58Otherwise, you're on overtime.
35:04I've got to split.
35:06Work?
35:07Hmm.
35:08Where?
35:09Club.
35:11You know, ma?
35:14Who doesn't?
35:15She recommended me.
35:17Social American Express.
35:19Sit me.
35:22Sit me.
35:28Poor old girl, eh?
35:30Yeah.
35:32I sent her some flowers.
35:33It's a bit soon for that.
35:35There you go.
35:36She's out of time.
35:38Come on, get a move on.
35:53Come on.
35:54I'm pretty.
36:01Okay.
36:04I love you.
37:01I put them out for the rubbish.
37:02You can always get back numbers.
37:04Leave them.
37:05Well, it's getting a bit chilly suddenly.
37:06Leave them.
37:08I get all kinds of rip-offs in this hole,
37:10and I know how to use it.
37:11Who are you?
37:13Where's Bernie?
37:13Who are you?
37:14Ma sent me.
37:15Lie.
37:16Who are you?
37:17Investigator.
37:18Who's paying you?
37:19You're not going to believe this.
37:20Who's paying you?
37:21Look, Sadie, if you're sheltering him...
37:23Don't you shut up me, you swine.
37:25I know who's paying you.
37:26I've been pushed around long enough by you bastards,
37:28and you're not going to push me around.
37:29Sadie?
37:31Who's paying you?
37:31No, you snort.
37:32No one's paying me.
37:33Don't pull that trigger.
37:38Give me that clip.
37:40Give me that clip.
37:41You bloody fool.
37:43You fool.
37:44You fool.
37:44You stupid bloody fool.
37:46You want to go inside?
37:52I don't know.
37:55Hello, Bernie.
37:57Look, I'm not from your projection,
37:59if that's what you think.
38:00They don't want you holding on to a potato like Bernie.
38:02What you want to come out for, fool?
38:04Fool.
38:04Look, you don't mind if I stop playing Brian Ricks?
38:07Where's the rest?
38:08I'm on me own.
38:09Look, he'll shop you,
38:10and he'll do the most well unless we...
38:12Don't listen to him!
38:14Is she really?
38:17They're not selling lies, Bernie.
38:19Look, she's had it before.
38:21She's come out before.
38:22She's so selfish.
38:23You'll be doing a seven if you're lucky,
38:25and she'll be back in the booze
38:26and pouring Guinness down her throat.
38:28Sign over what a lovely, stupid, stupid son she has!
38:46I don't know where he was.
38:49What was he doing?
38:51They're doing an house-to-house.
38:53It's like rush hour,
38:55from Commercial Road right up Wapping Eye Street.
38:56and they're all wearing uniforms.
38:59If it's not tonight,
39:00it's going to be tomorrow.
39:02Look, you didn't know about the gun.
39:04That might help.
39:05What are you getting out of it?
39:07Exercise.
39:08Nobody walking with us for nothing!
39:09Look, Sayed...
39:13Maybe I could get in the hospital and...
39:19His wife knew what he was doing all right,
39:22which was why she wanted him inside.
39:26And she knew what she was doing
39:27when she picked on this errand boy.
39:42You've got a motor.
39:46I'll get one.
39:48He's dead.
39:50The bank security guard.
39:52It was on the late news.
39:58I had nothing to do with that.
40:00I don't work with shooters.
40:02I wasn't even in the motor.
40:04I wasn't.
40:06What are you talking about?
40:11I wasn't on the job.
40:13What are you talking about?
40:14What the hell are you running for
40:16if you weren't on the job?
40:20Sayed and I were going away together.
40:22Leaving your old lady?
40:24Both his old ladies.
40:25He got two mothers.
40:26One in the east and one in the west.
40:28You're planning to head south
40:28with a crock of paying gold?
40:29You think I like being underneath people like you, fella?
40:31You think I enjoy it?
40:33You think I want to end up like Ma,
40:35cleaning up after people like you?
40:37Every time I saw...
40:45Danny Gerson's bruiser.
40:48Danny, the minder.
40:49Yeah.
40:51I wanted to get away from my protection.
40:53He wanted to get away from his.
40:55I changed my mind.
40:58A week before the job,
41:00I changed my mind.
41:02At least the kid,
41:03I couldn't leave that kid.
41:06I cut out a week before
41:07they got another driver.
41:09Real stuma.
41:11You don't think I'd cop out
41:13and leave me mates like that, do you?
41:14Then what the hell are you running for, ape?
41:16You think they couldn't fit me up
41:18any time they feel like it?
41:19I got the record.
41:20My number's on the sheet.
41:22They're convict.
41:23I've got no chance.
41:26That bloody guard's dead.
41:28I wasn't driving the bloody car,
41:30I swear it.
41:31The villain who shouted your name?
41:33Well,
41:36maybe,
41:36maybe you've forgotten
41:37I wasn't the driver.
41:39Joe Public,
41:40hero of the hour,
41:40who identified you?
41:42I don't know.
41:45Maybe you brought out an ident picture.
41:46Try it with your name.
41:48Yeah.
41:49Yeah.
41:49Yeah.
41:51Well,
41:52get me on a conspiracy anyway
41:53for planning the raid.
41:54I got no chance, I tell you.
41:55Not if you'd backed out
41:56when they knew that
41:57you were going to use a gun.
42:00Now, look,
42:01are you being straight with me?
42:05Yeah.
42:06You were all over me
42:07tonight before the job.
42:09You were full of it.
42:10Oh, you were full of it.
42:11Why didn't you tell me?
42:12Well, it was our money
42:13for going away.
42:14I thought if I was to tell you.
42:20So where were you
42:20when a job was being done?
42:23Pub.
42:24Which pub?
42:25Londoner.
42:25At half past ten
42:26in the morning.
42:27All right.
42:28According to an Oxford
42:28group of economists...
42:29The pub must have been afterwards.
42:30Shares reacted to this report before.
42:32Look, you can't use it.
42:34I could never go back.
42:35Why not?
42:36Police are still searching
42:37the docks area
42:38of the East End
42:39for Bernard Franks.
42:40Wanted for questioning
42:41in connection
42:42with the Palmer's Green Bank robbery
42:44where a security guard
42:45was shot
42:45and later died.
42:47Police would also like
42:48to interview
42:49James Hazel
42:50a private...
42:51Hang on.
42:53...in connection
42:54with the same case.
42:56The weather,
42:57rain has died away
42:58in most parts.
42:59Now you listen, Sunshine.
43:00It's not just you.
43:01It's me.
43:02We're both in it.
43:02Up to here.
43:04Now, were you on
43:05the bloody job
43:05or weren't you?
43:06No.
43:06Then where the hell
43:07were you?
43:09Hospital.
43:10Hospital?
43:11Agustin Hospital.
43:12Your mother wasn't
43:13in there then.
43:13It was me!
43:15You?
43:19Stomach.
43:20Stomach?
43:21An ulcer.
43:22Your executive worries...
43:23Look, it's the truth,
43:24I'll tell you.
43:24It's bloody well true.
43:25I was in Agustin Hospital
43:26at half past ten.
43:30All right.
43:31So you were in the hospital
43:32so you'd have
43:33a thousand witnesses.
43:34So explain to me.
43:34What's the problem?
43:34Leave it, will you?
43:35Just leave it.
43:36Explain to me!
43:36Leave it!
43:39I'm going, Bernie.
43:43With or without aggravation
43:44makes no difference to me.
43:46It's up to you, isn't it?
43:51It's the truth, I'll tell you.
43:54Yeah.
44:07Took a dumbo like me
44:08to listen to one like Bernie,
44:10let alone believe him.
44:12The lady was right.
44:14The first thought
44:15that occurred to me
44:15was to shop him.
44:17For all I knew,
44:18Uncle Chuck
44:19might be very understanding.
44:21Yeah, yeah.
44:23As for any chance
44:24of checking out Bernie's story,
44:26how could I even get out
44:27of the district
44:27when it was crawling
44:28with my ex-friends?
44:51James Hazel.
44:52I understand you might be looking for me.
45:13Well, you couldn't really blame them,
45:14could you?
45:15When someone volunteers to assist,
45:17you don't expect him to scarpe back.
45:24Are you sure it's this hospital
45:26and not the district hospital,
45:28Mr. Franks?
45:29Er, no, this one.
45:30Er, Agerson Hospital.
45:31Yeah, positive.
45:35So annoying.
45:37Yeah, it is.
45:38I'm sure I've come across
45:39that name somewhere
45:40very recently.
45:42Bernard Franks,
45:43it certainly rings a bell.
45:45Which department?
45:46Er,
45:49Stomach.
45:50Stomach.
45:56Well, if you've been here,
45:57your name must be here.
45:59Are you absolutely certain,
46:00Mr. Franks,
46:01that you've come
46:02to the right hospital?
46:09You can't use it.
46:10I could never go back if...
46:13Two, five, two, oh.
46:15Try not to lose it again.
46:16Did I visit you last Tuesday?
46:18About half past ten.
46:18Please, it's my other disease,
46:20amnesia.
46:20Yeah, it's very, very important.
46:22Yes, you did.
46:24Well,
46:26you really stepped over
46:27at this time,
46:28didn't you, Sonny?
46:29I warned you,
46:30but no,
46:31you had to do it your way.
46:32I will do it mine.
46:34James Hazel,
46:35I have reason to...
46:36The man you want
46:37is at 4 Churchfields,
46:39Narrow Street,
46:39East 14.
46:41Is that a fact?
46:42That's a fact.
46:43Jockey, old mate.
46:45What's your game, Hazel?
46:47It's just in the police
46:48with their inquiries.
46:49Oh, well,
46:50in that case,
46:52why don't we go somewhere
46:53nice and quiet
46:54where you can put your feet up?
46:55Terrific.
46:56He is innocent, by the way.
46:58Oh, aye.
47:01Got a wee problem
47:02of your own,
47:03have you?
47:04Can't say I'm surprised.
47:06No, no, no, no.
47:06You see,
47:07this was...
47:10Hang on a second.
47:12I think I'd better make an appointment.
47:14But you've already got an appointment.
47:15No, no, no.
47:16Let me see, this was...
47:17No, Jockey,
47:17give us a minute, will you?
47:18Look, I may just have a little problem.
47:34There you are.
47:35All it needed was a little message to him
47:38so that she could die in peace.
47:40It costs nothing to cross the road
47:42to help someone, does it?
47:44Come on.
47:45I'll get you something to eat.
47:47Thank God.
47:53Aren't they a lovely couple?
47:56It reminds me a bit of you, Jimmy.
48:00Yeah.
48:03Yeah, we do have something in common.
48:10You were born one morning
48:12Walk out where the ceiling fell
48:18Born one morning
48:20Walk out where the ceiling fell
48:25You learned everything you knew
48:27It's six days
48:28On the seventh day
48:30You knew it very well
48:33You trusted pretty women
48:36A pretty woman
48:37Had you tied and bound
48:40You trusted in the bottle
48:43But in the end
48:45That bottle got you down
48:48You've tried everything that's going
48:51But leave it all to faith
48:54This time around
48:56You've been down so long
48:58It looks like, girl
49:01Ain't that a shame
49:04Down so long
49:06It looks like, girl
49:08Ain't that a shame
49:11You know you'll lock my chains tomorrow
49:14And then again
49:16It might stay just about the same
49:20I don't know what's going on
49:41Go away
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