Milena Quaglini (Mezzanino, 25 marzo 1957 – Vigevano, 16 ottobre 2001) è stata una serial killer italiana che, nella seconda metà degli anni novanta, uccise tre uomini che l'avevano molestata sessualmente e avevano abusato di lei; fortemente depressa, morì suicida in carcere.
La Linea D'Ombra 02.02_ Milena #Quaglini - L' #angelo #sterminatore
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La Linea D'Ombra 02.02_ Milena #Quaglini - L' #angelo #sterminatore
#Crime #TrueCrime #Delitti #Misteri #Killer #SerialKiller #ColdCase #Cronaca #CronacaNera #Mistero #Delitto #Documentari #Documentario #Docu #Doc #DivinumCrime #Crime #TrueCrime #ColdCase #Cronaca #CronacaNera #Nera #CronacaItaliana #Crimini #Criminali #CasiIrrisolti #Misteri #Mistero #Documentari #DocITA #CrimeDoc #Indagine #Giallo #Omicidio #Delitto #Delitti #Assassino #Killer #SerialKiller #Noir #Racconto #Cattura #CSI #CriminalMinds #SubENG #Delitto #Delitti #Crimine #Criminale #DivinumCrime #Blu #Notte #Carlo #Lucarelli #Misteri #Italiani #Documentario #Docu #Doc #DocuITA #Netflix #Streaming #SerieTV #Serie #TV #Stagione #Completa #StagioneCompleta #Tutte #Puntate #Puntata #Episodi #Episodio
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00:00:06Woman, 40 years old, housewife, three children, financial difficulties, alcohol problems, one husband
00:00:16distant, a job behind him, a repressed passion, an unhappy childhood, but he always
00:00:24endured, made the best of a bad situation, erased his pride and
00:00:32erased. Then, on October 25, 1995, he kills for the first time. It is his act of rebellion,
00:00:45From that day on she will no longer be willing to tolerate it.
00:01:07Thank you all.
00:01:52Thank you all.
00:02:11Guilt is a deep driving force.
00:02:12Especially when it's clear that the crime wasn't premeditated. Sometimes the perpetrator...
00:02:18of the crime he understands that he has no alternatives, that he cannot escape by losing his
00:02:23traces. He knows that the confession can become collaboration with the police and magistrates and that
00:02:29perhaps this will lead to some mitigating circumstances being recognized at the time of sentencing.
00:02:36It can also happen that a criminal confesses because he doesn't believe he is a criminal. He knows he has
00:02:42wrong, but he thinks he was provoked, forced to cross the limit.
00:02:53I couldn't stand being beaten anymore. With every slap I got from a man I relived
00:03:01all those taken from my father. Because I endured, endured, endured, until
00:03:10They didn't do something intolerable to me that made me explode. And then when
00:03:16that reaction would trigger inside me, a tremendous, uncontrollable force would come over me. And not
00:03:24I could stop until they stopped breathing. I can't measure my strength in those
00:03:34terrible moments. Perhaps my strength increases. I'm not a murderer because I don't realize
00:03:46I plan to kill. Now I've gambled away my whole life. My children, my home, my respect.
00:03:56of those I knew. And I can expect nothing but emptiness.
00:04:18The Syria Killer is a murderer who kills at least three times, in different times and places,
00:04:24with an interval that varies from a few weeks to a few years. It is difficult to be
00:04:30of a woman, so much so that in the United States, where the phenomenon is more widespread, it is not
00:04:35over 8% of cases. And then the motives that push a woman to kill are completely
00:04:42different from those of Syrian Killer men. These are mostly black widows, who kill
00:04:49husbands and partners for a financial benefit, such as collecting insurance premiums.
00:04:55Then there are the angels of death, nurses like Sonia Caleffi, who work in hospitals
00:05:01and nursing homes. It's difficult to detect them, because they usually use methods like poison.
00:05:08And if it takes an average of 4 years to capture a male Syrian Killer, the number
00:05:14doubles in the case of a woman.
00:05:23October 25, 1995. Este, province of Padua. It's 6:30 PM. An ambulance arrives on Via Schiavin,
00:05:33At number 8. In the entrance hall, bloodstains on the floor. Light filters through the semi-darkness.
00:05:41of a bajur from the bedroom. The master of the house, right from the puddle, lies different
00:05:51on the ground. He's in a coma, in a pool of blood. His skull is smashed. They're called
00:06:01the carabinieri.
00:06:03We immediately went to the house of this elderly man which is in the town centre of
00:06:08Este. We went up to the first floor where the old man lived and here we noticed that the house
00:06:18it was in disarray and there was a general state of deterioration, which is why we
00:06:25deemed it appropriate to seize the property.
00:06:31The scene is examined, analyzed, sifted. The presence of coagulated blood leads to
00:06:42The accident occurred at least two or three hours earlier. The house was in a state of great disarray. The Carabinieri
00:06:50They document them. Bloodstains everywhere. In the entrance hall, in the dining room, on the floor,
00:06:58on the walls. Perhaps signs of a fight that involved several rooms in the house.
00:07:08The bedroom is in disarray. Clothes are piled on top of the mattress. The bedside table
00:07:17It's moved and the glass door is smashed. The traces are being analyzed in detail.
00:07:26The distance between the stains on the door jambs is measured. It is likely that the elderly person can
00:07:35having hit his head against the corner, as can be seen here from the shot, and then fallen
00:07:44on the ground. On the clothes of just from the puddle, evident stains of coagulated blood. They are
00:07:54coagulated bloodstains that we found inside Dalla Pozza's home.
00:08:02In some places there were even signs of blood, as if he was dragging himself along.
00:08:09something. The glass door of the bedroom is shattered. Probably, one thinks,
00:08:17Dalla Pozza managed to get up, but was unable to call for help.
00:08:22In this shelf that we find in the first room as soon as we enter on the right side, we find
00:08:28traces of blood, light traces of blood. Probably, as if the person had
00:08:38held on to or helped to get up.
00:08:48Perhaps, having reached the threshold, the owner of the house fell to the ground, smashing it.
00:09:04Giusto dalla Pozza suffered numerous skull fractures. He died in the hospital ten days later.
00:09:12The housekeeper who raised the alarm is called Milena Quaglini. She is 38 years old.
00:09:19She has no criminal record. She says she arrived home from Pozza in the late afternoon to cook.
00:09:26something to the landlord and found this scene horrifying. Having noticed
00:09:33On the living room table, a plumber's wrench. Perhaps the murder weapon.
00:09:42His version of events is incomplete and arouses suspicion among investigators.
00:09:47He said, I called 113. In reality he never called 113. He called the staff
00:10:04health worker and said that he had not seen the old man for a few days and that he was not
00:10:16They went to the old man's house a few days ago. Instead of witnesses, they saw Milena Quaglini.
00:10:25go to the elderly person's home on the same day and the day before.
00:10:40Dirt, neglect and lack of hygiene make investigators suspicious of the role
00:10:48of the woman in that house. She, Milena Quaglini, troubled, says that two days
00:10:58He had already witnessed a similar episode before. He had found his employer
00:11:03on the ground, half unconscious, with a head wound. From the pool he had told her that they were
00:11:10There were two men to whom he had lent money. But nothing is missing from the house. The investigations
00:11:18They still turn to the world of usury, but to no avail. The doctor's report
00:11:26legal, injuries consistent with a fall. Giusto Dalla Pozza died of illness and
00:11:33due to the trauma following the fall to the ground. His death was classified as accidental,
00:11:41Despite the investigators' doubts and perplexities, the truth about Giusto Dalla Pozza's death
00:11:49It will only be discovered after five long years.
00:11:53In recent years, voluntary homicides in Italy have decreased dramatically, going from
00:11:59from 1042 cases in 1995 to 512 in 2008. Only 17% of these have mafia origins and the
00:12:114%
00:12:11It occurs during a theft or robbery. But there is another type of homicide that is worrying.
00:12:17more. This is what happens within the home, between fiancés, between husbands
00:12:24and wife, between people linked by a passionate love that at a certain point turns into
00:12:28in mortal hatred.
00:12:38August 2, 1998. It's Sunday. It's 3:50 p.m. The 112 emergency number at the Carabinieri command
00:12:50Stradella, in the province of Pavia, receives a dramatic phone call.
00:12:55I got on duty at 1pm. After about an hour, an hour and a half, a phone call came in.
00:13:03on the 112 number, the female voice, which reported, I killed my husband.
00:13:11The story of Stradella, I don't know, I know that I went there, I took a piece of this
00:13:18thing from all parella and I tied it, I made knots, I made shirts,
00:13:25and then, and then, I slid around the pots, you're going around like this and then around the
00:13:35land and then I turned.
00:13:38The Carabinieri arrive in Broglie, at Via Cavour 27.
00:13:45The crime scene.
00:13:48A small apartment on the third floor.
00:13:52A carpet spread out on the balcony.
00:13:58As if someone was cleaning.
00:14:02Instead, once you enter the apartment,
00:14:05the police understand that the carpet is used to hide from the neighbors' eyes.
00:14:12Wrapped in a sack, like a mummy,
00:14:16the body of Mario Fogli, husband of Milena Quaglini.
00:14:26It was rolled up inside some garbage bags.
00:14:30Then, wrapped in a play.
00:14:34On the railing, Quaglini has spread a carpet,
00:14:37to prevent the neighbors from noticing the bag and becoming suspicious.
00:14:50Mario Fogli has a large bruise around his neck.
00:14:53The police found it in the garbage bin
00:14:57pieces of shutter strap, stained with blood,
00:15:01same as those used to wrap the body.
00:15:05In the bedroom, on the floor, a bajura.
00:15:09On the bedside table, a wooden box.
00:15:13It was used as a hammer.
00:15:15Milena Quaglini tells.
00:15:18She tied up her husband,
00:15:21using the roller shutter strap.
00:15:24He made a real noose.
00:15:29Behind the back,
00:15:30he slid the ends of the strap
00:15:32along the entire body of Mario Fogli,
00:15:35until it is tied around the ankles.
00:15:38After the murder,
00:15:39He rolled the body up in garbage bags.
00:15:45Then, she wrapped him in a bedspread.
00:15:50Finally, she dragged her husband's body onto the balcony.
00:15:54With a rug, he hid it at the windows opposite.
00:15:58The body remained on the balcony all night,
00:16:02until the next morning,
00:16:04in this unreal burning chamber.
00:16:09That Sunday,
00:16:11Mirena Quaglini tried to spend the morning
00:16:14with his daughters,
00:16:15as if nothing had happened.
00:16:18Then, in the early afternoon, the decision is made.
00:16:22Call the police
00:16:23and it is constituted.
00:16:26They entered the house,
00:16:28they still found the lady with the cell phone in her hand
00:16:30who was talking to me,
00:16:31they went to the balcony and actually found
00:16:33this wrapper here,
00:16:34which we then used the magistrate,
00:16:37he went to the place immediately,
00:16:38we are the captain,
00:16:39we did what needed to be done and made all the necessary assessments.
00:16:43A dead body tells crime scene experts a lot.
00:16:47The type of weapon used can point towards a premeditated crime
00:16:51or a murder of impulse,
00:16:53driven by passion or anger.
00:16:56Equally important is the number of shots
00:16:58and which body parts were targeted.
00:17:02For example, when the killer attacks the victim's face
00:17:06it could mean that he knows her well.
00:17:09Then, when it was all over,
00:17:11it happens that the murderer feels remorse for what he has done.
00:17:15He can't stand the sight of the victim,
00:17:17covers it, hides it,
00:17:18until the police arrive.
00:17:21This, says Mielena Quaglini,
00:17:23because she can't bear the thought of having killed her husband,
00:17:26because he wants to prevent his daughters from discovering the crime.
00:17:29Or at least that's what he says,
00:17:31after the phone call in which she asked for him to come and arrest her.
00:17:43Three hypotheses for the murder.
00:17:46Head trauma,
00:17:47asphyxiation,
00:17:48Cardiac arrest due to the trauma of the attack.
00:17:53The analysis on Mario Fogli's body,
00:17:55entrusted to Professor Giovanni Pierucci of the University of Pavia,
00:17:59examine these three possibilities.
00:18:02The body has head injuries.
00:18:06They are due to blows,
00:18:07inflicted by Mielena Quaglini and her husband.
00:18:10First with the bashu,
00:18:13then with the wooden box on the dresser.
00:18:16But these are too light wounds.
00:18:18They can't have killed.
00:18:22On the neck, however,
00:18:23the groove left by the belt is very deep.
00:18:26It caused a large bruise.
00:18:29Death was due to asphyxiation.
00:18:32But there is one detail.
00:18:34The groove on the neck is much deeper on the right side.
00:18:38It is the clear sign of a very specific action.
00:18:47I tightened my grip by placing my right foot against his neck.
00:18:50and rolling the rope around the outside.
00:19:01At the crime scene,
00:19:03the provincial command of the Carabinieri of Pavia
00:19:05finds, analyzes and archives many other traces.
00:19:09On the roller shutter strap,
00:19:11used by Mielena Quaglini
00:19:12to tie up Mario Fogli,
00:19:14the carabinieri found some knife marks.
00:19:18It's a detail that doesn't add up.
00:19:19Perhaps during or after the action,
00:19:23Quaglini had second thoughts.
00:19:25He tried to cut the noose
00:19:27with which she strangled her husband.
00:19:31They are seized
00:19:32a nightgown
00:19:34with some tears and blood stains,
00:19:36a black wooden box,
00:19:39four pieces of roller shutter cord,
00:19:41two of which are knotted
00:19:42and a blood stain,
00:19:44another piece of rope
00:19:46with a slipknot at the end.
00:19:48Bloodstained
00:19:52Violence is not written in the chromosomes,
00:19:55in the genetic heritage.
00:19:57It is not passed down from generation to generation
00:20:00like a hereditary disease.
00:20:02Rather, it is taught at home,
00:20:04when a child is still small.
00:20:07In some families
00:20:08the beatings and the mistreatment
00:20:10they are everyday language.
00:20:12The children who grow up among it
00:20:14they learn to speak only that,
00:20:16they begin to think that the insults,
00:20:18the punches, the slaps
00:20:19are a normal thing.
00:20:21A child cannot accept the idea
00:20:23that his dad and his mom
00:20:25they are bad, sick.
00:20:27He thinks they'll scold him
00:20:28and they beat him,
00:20:30He is the one who made the mistake,
00:20:31he is the guilty one
00:20:34and not the victim.
00:20:36He convinces himself that he is worthless,
00:20:38to deserve contempt and punishment.
00:20:41A certainty that accompanies him
00:20:43for life
00:20:44and that damages every other relationship he has.
00:20:52Milena Quaglini was born in Mezzanino,
00:20:54in the Oltrepò Pavese area,
00:20:56March 25, 1957.
00:21:01He tells his life story
00:21:03in a long letter
00:21:04to the court psychiatrist.
00:21:06A very hard childhood,
00:21:07a violent and despotic father,
00:21:10bully and alcoholic,
00:21:12he mistreats his wife and two daughters.
00:21:20My life has not been an easy one.
00:21:24I have them well imprinted in my mind
00:21:26moments of my childhood
00:21:28that have left an indelible mark on me
00:21:29next to an alcoholic father
00:21:31and violent.
00:21:35He was jealous and obsessive with my mother
00:21:37and violent with all of us.
00:21:41He was an alcoholic
00:21:42and when he drank
00:21:42he systematically beat us.
00:21:49I freed myself from this prison
00:21:51when I met
00:21:52the most important person
00:21:53of my life,
00:21:55my first partner.
00:21:5719 years old,
00:21:59diploma in accounting,
00:22:00Milena is getting married
00:22:01with a 15 year old man
00:22:03bigger than her,
00:22:04divorced.
00:22:06For my family
00:22:07it was a huge disgrace,
00:22:09his own daughter
00:22:09with a divorced person,
00:22:10a shame
00:22:11for them and for the people.
00:22:14Milena Quaglini
00:22:15lives for ten years
00:22:17between Como and Lodi.
00:22:18These are the best years
00:22:20of his life.
00:22:21From this report
00:22:23his first child is born,
00:22:24Dario.
00:22:26But fate
00:22:27is tragically
00:22:28to turn his back on her.
00:22:30The husband
00:22:31he suffers from diabetes,
00:22:33he dies
00:22:34after a long agony.
00:22:36Milena
00:22:37falls into a deep depression.
00:22:39He's selling his house
00:22:41and the owned shop.
00:22:42And together with his son
00:22:43he returns to the Pavia area.
00:22:47In 1989
00:22:48knows Mario Fogli
00:22:50with which,
00:22:51a little hastily,
00:22:52he's getting married.
00:22:55Soon enough
00:22:56they come to light
00:22:57the worst sides
00:22:58of the character
00:22:58of her second husband.
00:23:02Mario Fogli
00:23:03forces her
00:23:04to leave work,
00:23:05obsessed
00:23:06from jealousy.
00:23:08he says that women
00:23:10who work
00:23:10sooner or later
00:23:11they betray.
00:23:13The man
00:23:14it changes often
00:23:15employment.
00:23:17Mechanical,
00:23:18truck driver,
00:23:19farmer,
00:23:20cook,
00:23:20merchant.
00:23:21It forces
00:23:22the move
00:23:23in ten years.
00:23:25Two daughters are born
00:23:26in a situation
00:23:28of degradation
00:23:28ever greater.
00:23:29Milena's husband
00:23:31he is relentless
00:23:32against the firstborn
00:23:33of the wife.
00:23:34He humiliates him,
00:23:35he beats him,
00:23:37keeps him away
00:23:37from his little girls,
00:23:39forces him
00:23:40to sleep in the garage.
00:23:43Milena gets beaten,
00:23:45Often.
00:23:47Files a complaint
00:23:48to the police
00:23:48for mistreatment.
00:23:50She gets pregnant,
00:23:52try twice
00:23:53suicide,
00:23:55risks losing
00:23:56the child.
00:23:57I'm on the ninth
00:23:58month of pregnancy.
00:24:00After a heated
00:24:01of verb
00:24:01with my husband
00:24:02I went to the bathroom.
00:24:04I took
00:24:04five tablets
00:24:05of sleeping pills.
00:24:06Then with a razor blade
00:24:08I cut myself
00:24:08the veins in the wrists.
00:24:19I covered myself
00:24:20the wrists
00:24:20with a towel.
00:24:23I went back to bed.
00:24:27I woke up
00:24:28in the hospital.
00:24:35In the relationship of a couple,
00:24:37despite things
00:24:38gruesome things that happen
00:24:39in the family,
00:24:41things move on
00:24:42the same because
00:24:43love is not everything
00:24:44in a relationship.
00:24:46There are also
00:24:46the economic conditions,
00:24:48there are the children,
00:24:49there is one's own insecurity,
00:24:50there is fear
00:24:51of loneliness,
00:24:52there is the idea
00:24:53of not being able to do it
00:24:54alone,
00:24:55there is Christian culture
00:24:56that invites
00:24:56to the sacrifice
00:24:57and to endurance,
00:24:58so there are many factors
00:24:59that hold together
00:25:01things.
00:25:01Then as regards
00:25:03instead the possibility
00:25:04that it exists
00:25:04the victim-executioner relationship,
00:25:06this is present
00:25:07in all couples,
00:25:09in the sense that
00:25:09in all couples
00:25:10there is a dominant
00:25:11and a dominated,
00:25:12not always the male
00:25:13and sometimes it is too
00:25:14the female is the dominant one.
00:25:16This dimension
00:25:17when it becomes excessive
00:25:20then yes,
00:25:21we will have episodes
00:25:23not dissimilar
00:25:24from that perversion
00:25:25reported by Freud
00:25:26what is called
00:25:26sadomasochism.
00:25:28Each of us
00:25:29he is a masochist
00:25:30and each of us
00:25:31he is sadistic.
00:25:33Naturally
00:25:33you become sadistic
00:25:35when there is a subject
00:25:36more willing
00:25:37to masochism
00:25:38or you become masochists
00:25:39when you don't have the strength
00:25:40of being sadistic.
00:25:41But the relationship
00:25:42sadomasochism
00:25:44read in quotation marks
00:25:45it's the relationship
00:25:46usual
00:25:47of any
00:25:48couple relationship.
00:25:52Then,
00:25:52one day,
00:25:53he shows up at home
00:25:55a judicial officer.
00:25:57Mario Fogli
00:25:58he lost everything
00:25:59it's ruined
00:26:00but he didn't say anything
00:26:01to his wife
00:26:03and instead of defending
00:26:04his family
00:26:05from economic problems
00:26:07he abandons her.
00:26:10He leaves his wife alone
00:26:11and without a penny in his pocket.
00:26:15Milena is looking for
00:26:16desperately
00:26:16to survive.
00:26:18She works as a doorman
00:26:19and woman by the hour.
00:26:24In 1995
00:26:25death
00:26:26by Giusto
00:26:27from the Pozza
00:26:27at which
00:26:28he did the cleaning
00:26:29at home
00:26:29he pushes her
00:26:30to return to her husband
00:26:32but the violence
00:26:33they resume.
00:26:35Milena
00:26:36she's always depressed
00:26:37keep drinking
00:26:38and to abuse
00:26:40of psychotropic drugs.
00:26:43Alcohol became
00:26:44for me
00:26:44an indispensable thing
00:26:46more than food
00:26:46to feed myself
00:26:47and water
00:26:48to quench my thirst.
00:26:50I could
00:26:51to forget everything.
00:26:53In the morning
00:26:54just woke up
00:26:55I couldn't
00:26:55to get coffee.
00:26:57I was shaking
00:26:58like a leaf.
00:27:00I only had
00:27:00need for alcohol
00:27:01and always
00:27:02with gradations
00:27:02higher.
00:27:05Only after having
00:27:06drank
00:27:06two glasses
00:27:07of Brandy
00:27:07I could
00:27:08to relax
00:27:09and to do
00:27:09what I had to do.
00:27:13My husband
00:27:13when he realized
00:27:14that I had drunk
00:27:15he beat me
00:27:16violently.
00:27:24The inner world
00:27:25of those who grew up
00:27:26in a climate of violence
00:27:27it is modeled
00:27:28on violence.
00:27:29But the most difficult thing
00:27:30to bear
00:27:31is that when you live
00:27:32in a climate of violence
00:27:33you have no control
00:27:35on reality
00:27:36that surrounds you.
00:27:37No matter how hard you try
00:27:38as much as you search
00:27:40in all ways
00:27:41to answer
00:27:41to the wishes of the other
00:27:42you never do enough.
00:27:44you always commit
00:27:45some mistakes
00:27:46and every mistake
00:27:48it means more beatings.
00:27:50So what?
00:27:50the woman
00:27:51he locks himself in the house
00:27:52try not to create
00:27:53suspicions
00:27:54in the mind
00:27:55of a husband
00:27:55ruler
00:27:56and jealous
00:27:57to the point of paranoia.
00:27:59All meetings
00:27:59they are prohibited
00:28:00even a simple one
00:28:02chat
00:28:02with the neighbor
00:28:03it risks making him furious.
00:28:05Even a glance
00:28:06to the wrong person
00:28:08it can be revealed
00:28:08a fatal mistake.
00:28:10And with every mistake
00:28:11there are new routes.
00:28:14Milena
00:28:15he breaks his back
00:28:16in household chores
00:28:17but the husband
00:28:18he tells her the same thing
00:28:19that the house
00:28:20it looks like a pigsty
00:28:21but the husband
00:28:23he tells her
00:28:23that his dishes
00:28:24they are inedible.
00:28:26He constantly attacks her
00:28:27when you least expect it
00:28:29it exhausts her
00:28:30forces her
00:28:31to live
00:28:32in terror.
00:28:34After all these
00:28:35abuses
00:28:35after all the violence
00:28:37in the head
00:28:38of the victim
00:28:38something clicks.
00:28:40It happens that
00:28:41he can't take it anymore
00:28:42to bear
00:28:43the insults
00:28:43and the beatings
00:28:44the outbursts
00:28:45sudden
00:28:46and unpredictable.
00:28:47Milena's anger
00:28:48increases.
00:28:50Before
00:28:50strange things are born
00:28:51violent fantasies
00:28:52then one day
00:28:53the fantasies
00:28:54become reality.
00:28:55All that
00:28:56that he had always thought
00:28:57which had limited itself
00:28:59to dream
00:28:59find an outlet
00:29:01sudden
00:29:01brutal
00:29:02dramatic
00:29:03mortal.
00:29:11We had argued
00:29:12that day too
00:29:12we had dinner
00:29:14without even speaking to each other
00:29:15he was gone
00:29:16first to bed
00:29:17while I was
00:29:17remained up
00:29:19when I saw him
00:29:20who was sleeping
00:29:20I decided
00:29:21to make him pay for it
00:29:22I wanted to give him
00:29:23a lesson
00:29:24make him understand
00:29:25that he shouldn't have
00:29:26beat me more
00:29:28I went
00:29:29in the closet
00:29:30I took
00:29:30a piece of rope
00:29:31of the roller shutter
00:29:45I tied him up
00:29:47it's a thing
00:29:47that I learned
00:29:48in Sicily
00:29:48when I lived there
00:29:49for a period
00:29:50many years ago
00:29:53I tied him up
00:29:54the rope
00:29:55around the neck
00:29:56but he
00:29:56he revolted
00:29:58he woke up
00:29:59he shrank
00:30:00and he succeeded
00:30:01to free one's hands
00:30:02it struck me
00:30:03with a slap
00:30:05squeezing him around the neck
00:30:06I dropped it
00:30:06from the bed
00:30:07and the blow
00:30:07on the floor
00:30:08I frowned at him
00:30:09he fell
00:30:10face down
00:30:11I took
00:30:12a bagiur
00:30:12which was located
00:30:13on the bedside table
00:30:14and I hit him
00:30:14in the light
00:30:15he took it away from me
00:30:16by hand
00:30:17and I
00:30:17I took
00:30:17the box set
00:30:18from the chest of drawers
00:30:18and I gave it to him
00:30:19in the head
00:30:22when I hit him
00:30:23with the box set
00:30:24he was still alive
00:30:25I don't know what
00:30:26it passed on to me
00:30:27for the head
00:30:27I pulled the rope
00:30:29but I didn't think
00:30:30that he died
00:30:32I tightened
00:30:33leaning
00:30:34the right foot
00:30:34against his neck
00:30:35and rolling up
00:30:37the rope
00:30:37around the pulse
00:30:42I heard it
00:30:43cough
00:30:43and I left
00:30:43the grip
00:30:44I ran
00:30:45in the kitchen
00:30:45to take
00:30:46a knife
00:30:46I'm back
00:30:47and it was red
00:30:48in the face
00:30:49I just wanted
00:30:50scare him
00:30:51I didn't want to
00:30:52that it happened
00:30:52what happened
00:30:53I cut
00:30:55the rope
00:30:55of the roller shutter
00:30:56that I had for him
00:30:56tight around the neck
00:30:57but now
00:30:58there was no more
00:30:58nothing to do
00:31:01after I realized
00:31:02who was dead
00:31:03I stayed there
00:31:04for almost
00:31:04three quarters of an hour
00:31:06when I saw
00:31:07that the body
00:31:07he was getting stiff
00:31:08I got scared
00:31:10I cried
00:31:11then I didn't want it anymore
00:31:12see it
00:31:12and I wrapped it up
00:31:13in some bags
00:31:14of the garbage
00:31:16tying it up
00:31:17with another piece
00:31:17of rope
00:31:18for roller shutter
00:31:18and I brought it
00:31:19on the balcony
00:31:21I hid it
00:31:22with a carpet
00:31:22at sight
00:31:23of the strangers
00:31:29on Sunday
00:31:30I tried
00:31:31to let pass
00:31:31to the girls
00:31:32a normal day
00:31:35I told them
00:31:36that the dad
00:31:37he had gone out
00:31:50but in the afternoon
00:31:51I couldn't take it anymore
00:31:51and I called
00:31:52the carabinieri
00:32:05the definition
00:32:07of evil
00:32:08And
00:32:08I would say
00:32:09to mirror
00:32:10to the definition
00:32:11of the good
00:32:12if we look
00:32:13the dictionaries
00:32:14There are
00:32:15infinite
00:32:16definitions
00:32:17that leave
00:32:19from the big one
00:32:20philosophy
00:32:20medieval
00:32:21the good
00:32:23it was defined
00:32:24above all
00:32:25as
00:32:26the fullness
00:32:28of the person
00:32:30it's an idea
00:32:32I would almost say
00:32:33circular
00:32:33symbolic
00:32:35that unites together
00:32:36all sizes
00:32:38the dimensions
00:32:39explicit
00:32:40exteriors
00:32:41immediate
00:32:41and the dimensions
00:32:42deeper
00:32:43well
00:32:43When does it begin
00:32:44to fail
00:32:46a part
00:32:47it is introduced
00:32:48a wound
00:32:49in this circle
00:32:50it breaks
00:32:51the circle
00:32:52and it leaves
00:32:52an empty part
00:32:54it begins
00:32:55very quietly
00:32:55to see
00:32:56what is evil
00:32:58evil
00:32:58it's at the end
00:32:59the lack
00:33:01of fullness
00:33:02and the lack
00:33:04Therefore
00:33:04if you want
00:33:05of that fullness
00:33:06absolute
00:33:07which is love
00:33:10November 25, 1960
00:33:12three sisters
00:33:13of the Dominican Republic
00:33:15three activists
00:33:16that for some time
00:33:16they were fighting
00:33:17against dictatorship
00:33:18by Raffaele Truiglio
00:33:19they were murdered
00:33:21they called themselves
00:33:22Homeland
00:33:22Minerva
00:33:23and Antonia Mirabai
00:33:24and their sacrifice
00:33:25he pushed
00:33:26the Dominican people
00:33:27to rebel
00:33:28and to overthrow the tyrant
00:33:31for almost 50 years
00:33:32November 25th
00:33:34it has become so
00:33:34a symbolic day
00:33:36for feminists
00:33:37and in 1999
00:33:39even the United Nations
00:33:40they decided
00:33:41to say
00:33:42that it was not possible
00:33:42hide more
00:33:43that the plague
00:33:44of sexual violence
00:33:45and mistreatment
00:33:46towards women
00:33:47it was something
00:33:48of unacceptable
00:33:49November 25th
00:33:50it has become so
00:33:51International Day
00:33:53for the elimination
00:33:54of violence
00:33:54on women
00:33:55who knows if Milena Quaglini
00:33:56she would have been happy
00:33:57to know it
00:34:0460s
00:34:05the economic boom
00:34:06changes radically
00:34:07the rhythms
00:34:08and life models
00:34:09especially women
00:34:12they start to come in
00:34:14in the world of work
00:34:14they spread
00:34:16new habits
00:34:17changes
00:34:18in the family
00:34:19and in society
00:34:20news stories
00:34:22and political events
00:34:23determine battles
00:34:24for the affirmation
00:34:25of rights
00:34:26of women
00:34:291966
00:34:30Alcamo
00:34:31Sicily
00:34:32the fifteen-year-old
00:34:33Franca Viola
00:34:34refuse
00:34:35the wedding
00:34:36repairman
00:34:36with her captor
00:34:37Philip Melody
00:34:39decides to report him
00:34:41despite the pressure
00:34:43suffered for a solution
00:34:44traditional
00:34:45Franca Viola
00:34:46he rebels
00:34:47he clashes publicly
00:34:49against a code
00:34:49of honor
00:34:50violent
00:34:50and tribal
00:34:51the process
00:34:53unleash
00:34:54numerous controversies
00:34:57the new generations
00:34:59they claim the right
00:35:00to defend themselves
00:35:01and to choose
00:35:041968
00:35:05women
00:35:07they participate
00:35:07to political struggles
00:35:08the movement is born
00:35:10feminist
00:35:10it's starting to spread
00:35:13awareness
00:35:14of rights
00:35:14of women
00:35:15women too
00:35:16who do not participate
00:35:17to the movement
00:35:18they are influenced by it
00:35:19it's a transformation
00:35:21of consciences
00:35:22and female identity
00:35:2970s
00:35:31a decisive moment occurs
00:35:32change
00:35:33of the family
00:35:34and roles
00:35:35the reform
00:35:36of the law
00:35:36of the family
00:35:37the approval
00:35:38of the law
00:35:39on divorce
00:35:40the battle
00:35:40for the abbot
00:35:41the law
00:35:42against violence
00:35:43sexual
00:35:44events
00:35:45important
00:35:46that provide
00:35:47occasion
00:35:47for discussion
00:35:48collective
00:35:49the clash
00:35:51it's about sexuality
00:35:52female
00:35:53on freedom
00:35:54of the woman
00:35:54to decide
00:35:55of one's body
00:35:56and of one's own life
00:36:00in recent decades
00:36:01women
00:36:02they conquered
00:36:02freedom
00:36:03and the recognition
00:36:04of dignity
00:36:05female
00:36:05but despite
00:36:07the conquests
00:36:08Often
00:36:09the violence
00:36:10the denial
00:36:11of all dignity
00:36:12continues
00:36:13within the walls
00:36:14domestic workers
00:36:19after the murder
00:36:20of the husband
00:36:21something
00:36:22in the mind
00:36:22by Milena
00:36:23Quaglini
00:36:23change
00:36:23he no longer has
00:36:25fear of killing
00:36:26she is no longer terrified
00:36:28from what he did
00:36:29when he confesses
00:36:30he puts all the blame
00:36:31to his victim
00:36:33the man who killed
00:36:34he deserved what he got
00:36:35maybe not death
00:36:37but a lesson yes
00:36:39he transformed himself
00:36:40in a vigilante
00:36:41a person
00:36:42apparently normal
00:36:44it has become
00:36:45a machine
00:36:45to kill
00:36:54for my mother
00:36:55and my sister
00:36:56I'm as good as dead
00:36:59August 6th
00:37:011998
00:37:02Broni
00:37:04the funerals
00:37:06by Mario Fogli
00:37:06Milena's husband
00:37:08Quaglini
00:37:08they take place
00:37:10in silence
00:37:10few relatives
00:37:12no comments
00:37:17the family
00:37:18by Milena
00:37:18Quaglini
00:37:19does not accept
00:37:20to host
00:37:21the woman
00:37:21under house arrest
00:37:24Milena
00:37:25is welcomed
00:37:26in a clinic
00:37:27of detoxification
00:37:28the foundation
00:37:30Maugeri
00:37:30to try
00:37:32to cure
00:37:32his alcoholism
00:37:33chronic
00:37:36in the clinic
00:37:38faces
00:37:39with the doctors
00:37:39who are taking care of him
00:37:40what happened
00:37:43What struck me
00:37:45from the first interview
00:37:47it had been
00:37:48the notable dose
00:37:51of anger
00:37:52that still
00:37:53was brooding
00:37:54in this person
00:37:55it had passed
00:37:56more than a year
00:37:57from the day
00:37:59of the murder
00:38:00but
00:38:01the claim
00:38:03in regards
00:38:04of the husband
00:38:05In my opinion
00:38:06it hadn't happened yet
00:38:07completely
00:38:07dormant
00:38:08and anyway
00:38:10I didn't find it
00:38:12trace
00:38:12of no one
00:38:14repentance
00:38:15of no sense
00:38:15of guilt
00:38:16Certain
00:38:17when we talked about it
00:38:18she more times
00:38:19without it being there
00:38:20required
00:38:21had pronounced
00:38:23phrases
00:38:23type
00:38:24looking back
00:38:26I realized
00:38:27of my mistakes
00:38:28I realized
00:38:30of having made a mistake
00:38:31of having done
00:38:31a horrible thing
00:38:33but I believe
00:38:34that she didn't believe
00:38:35a word
00:38:36of that
00:38:36what he was saying
00:38:37absolutely
00:38:39On the contrary
00:38:39in a certain sense
00:38:40I could say
00:38:41that all in all
00:38:42it seemed
00:38:44that he thought
00:38:45what he had done
00:38:45Very well
00:38:46to do that
00:38:47what he had done
00:38:48that all in all
00:38:50she was just defending herself
00:38:51he simply had
00:38:53reaffirmed
00:38:54his rights
00:38:55and then
00:38:56it was right
00:38:58that things
00:38:58had gone
00:38:59how did they go?
00:39:02the hospitalization
00:39:03by Milena Quaglini
00:39:04it always becomes
00:39:06more problematic
00:39:08therapy finished
00:39:09nobody wants
00:39:10host her
00:39:11Milena Quaglini
00:39:13he doesn't know where to go
00:39:16he has no one left
00:39:18that he is willing
00:39:19to welcome her
00:39:19in the meantime
00:39:20of the process
00:39:21and his anger
00:39:23increases
00:39:25was becoming
00:39:26more and more nervous
00:39:27and more and more
00:39:28irascible
00:39:29also with regards to
00:39:31of the other members
00:39:32of the group
00:39:33and staff
00:39:34I remember
00:39:35the last month
00:39:36of his stay
00:39:38here
00:39:38like a month
00:39:40difficult
00:39:40where it was
00:39:42even complicated
00:39:44contain it
00:39:47Then
00:39:48among patients
00:39:49in detox
00:39:51Milena
00:39:52he knows a man
00:39:53which is offered
00:39:54to rent them
00:39:54a room
00:39:55but it's a setup
00:39:57precarious
00:39:58problematic
00:40:00I always thought
00:40:01that men
00:40:02they were
00:40:03his
00:40:04his attraction
00:40:06and his condemnation
00:40:07they did it to her
00:40:09of the good
00:40:10they did it to her
00:40:10so bad
00:40:12but she couldn't
00:40:13to do without it
00:40:14so it seemed
00:40:15that they
00:40:15they didn't succeed
00:40:16to do without
00:40:16her
00:40:18the Quaglini
00:40:19tells
00:40:20that one night
00:40:21drunk
00:40:22the man
00:40:23he tries to rape her
00:40:26Milena
00:40:26Quaglini
00:40:27she is surprised
00:40:28twice
00:40:29out of the house
00:40:29while it is
00:40:31under house arrest
00:40:32is brought back
00:40:34in prison
00:40:42after killing
00:40:43the husband
00:40:43finally
00:40:44Milena
00:40:45he is in control
00:40:46on reality
00:40:46now she
00:40:48he is no longer the victim
00:40:49can decide
00:40:50can control
00:40:50it's finally
00:40:51mistress
00:40:52of his life
00:40:54this feeling
00:40:55she likes it
00:40:55it's intoxicating
00:40:56try once
00:40:58Alone
00:40:58it's not enough for her anymore
00:40:59he has to kill again
00:41:13Bascapè
00:41:14it is a municipality
00:41:14of 800 inhabitants
00:41:15north-eastern area
00:41:17of the province
00:41:18from Pavia
00:41:22Mr and Mrs Guarrasi
00:41:24they bought
00:41:24this little villa
00:41:25in 2001
00:41:26at a price
00:41:27please
00:41:28without knowing
00:41:29what is said
00:41:30it happened
00:41:31a short time before
00:41:33under this roof
00:41:34us when we have
00:41:36bought
00:41:36not even the agency
00:41:37he had told us
00:41:37Nothing
00:41:38then when he has it
00:41:39said
00:41:40I am myself
00:41:40pissed off
00:41:41I say but
00:41:41in fact when then
00:41:42I saw her
00:41:43the house
00:41:43I said
00:41:44but this house
00:41:45It seems a bit like that to me
00:41:47there was something
00:41:48that wasn't going well
00:41:48as if I
00:41:49not that I felt it
00:41:51for the love of God
00:41:51but there was something
00:41:52that the house
00:41:53it inspired me
00:41:54it wasn't a house
00:41:56normal
00:41:56let's say
00:42:05October 24th
00:42:061999
00:42:08is found
00:42:09the corpse
00:42:10by Angelo Porrello
00:42:11in the manure heap
00:42:12of the garden
00:42:13of his house
00:42:17the man
00:42:17he had disappeared
00:42:18for 20 days
00:42:20the corpse
00:42:21it is in a very advanced stage
00:42:22of decomposition
00:42:25the investigators
00:42:26they try to understand
00:42:27the causes
00:42:28of death
00:42:30the crime scene
00:42:31it's the part
00:42:33more delicate
00:42:33of all investigations
00:42:34because it's from there
00:42:35that you need
00:42:36start
00:42:37with a finding
00:42:38correct
00:42:39with some observations
00:42:40that they will not be able to
00:42:40can no longer be carried out
00:42:41after it will be
00:42:42the body was removed
00:42:43and then
00:42:44let's say
00:42:44which is the part
00:42:45the event
00:42:46more delicate
00:42:47of the investigations
00:42:48medico-legal
00:42:50the body
00:42:51by Angelo Porrello
00:42:52it is almost totally
00:42:54rotten
00:42:55the agents
00:42:57of the command
00:42:57from Landriano
00:42:58they can't do it
00:42:58to detect it
00:42:59fingerprints
00:43:00the man
00:43:01he is completely naked
00:43:03curled up
00:43:04in the fetal position
00:43:07Angelo Porrello
00:43:08he was a person
00:43:09not recommended
00:43:11he had just finished
00:43:12to discount
00:43:13six years in prison
00:43:14for violence
00:43:15for sexual assault
00:43:16on minors
00:43:16had abused
00:43:18of his daughters
00:43:19the fact that
00:43:20the victim
00:43:21it was Angelo Porrello
00:43:23so a person
00:43:24which was
00:43:25recently released
00:43:27from prison
00:43:28after serving
00:43:29this punishment
00:43:29for crimes
00:43:30so serious
00:43:31initially
00:43:32represented
00:43:33a complication
00:43:34Why
00:43:35it's clear
00:43:36That
00:43:37in abstract
00:43:39the people
00:43:39that they could have
00:43:40of resentment
00:43:41strong
00:43:42such as to bring
00:43:43to a murder
00:43:44towards
00:43:44of Porrello
00:43:46they could have been
00:43:47various
00:43:47the three daughters
00:43:49the engaged couples
00:43:49of the daughters
00:43:50the ex-wife
00:43:51just for the sake of it
00:43:52of the names
00:43:53the neighbors
00:43:54of the ground floor
00:43:55they talk about a woman
00:43:56who frequented
00:43:57the victim
00:43:59the car
00:44:00by Porrello
00:44:00a white regatta
00:44:01she disappeared
00:44:03from the garage
00:44:05it was seized
00:44:06a few days before
00:44:07in the course
00:44:08of a control
00:44:09at the wheel
00:44:10a woman
00:44:11with a fake driving license
00:44:12an inmate
00:44:13under house arrest
00:44:14pending
00:44:15to be tried
00:44:16for murder
00:44:19that woman
00:44:20it's Milena Quaglini
00:44:24they just seem
00:44:25of coincidences
00:44:26Milena Quaglini
00:44:27back in prison
00:44:28writes to Porrello
00:44:30two letters
00:44:36Mr. Angelo
00:44:37I'm looking for it
00:44:38for several days
00:44:39but I can't
00:44:40to track her down
00:44:42I called a few days ago
00:44:44several times
00:44:45but his phone
00:44:46he is mute
00:44:48I have from her
00:44:49various personal items
00:44:51Please
00:44:52make yourself heard
00:44:53Thank you
00:44:59a formal tone
00:45:01different from the relationship
00:45:03between Porrello
00:45:04and the woman
00:45:04described by neighbors
00:45:07Perhaps
00:45:07an attempt
00:45:08to mislead
00:45:09the investigators
00:45:14Milena Quaglini
00:45:15he has already killed
00:45:16and wait
00:45:17to be tried
00:45:18for the murder
00:45:19by Mario Fogli
00:45:20maybe she's convinced
00:45:21that his
00:45:22it was nothing else
00:45:23that a legitimate reaction
00:45:24to the violence suffered
00:45:26from her husband
00:45:26and that the jury
00:45:28will be understanding
00:45:28but it's not that crazy
00:45:30to tell
00:45:31who killed again
00:45:32because he knows
00:45:33that at that point
00:45:34to justify oneself
00:45:35it would become impossible
00:45:42interrogated in prison
00:45:43Milena Quaglini
00:45:44he says he read
00:45:45an announcement
00:45:45in a magazine
00:45:4753-year-old divorced man
00:45:48dynamic
00:45:49slender
00:45:50own home
00:45:51looking for a pleasant companion
00:45:52maximum forty years old
00:45:53for friendship
00:45:54cohabitation
00:45:55then we'll see
00:45:57he tells the police
00:45:58to have agreed
00:45:59with Porrello
00:46:00to rent
00:46:01a room with him
00:46:02in exchange
00:46:02of housework
00:46:04of having brought
00:46:05some clothes
00:46:06at Porrello's house
00:46:07pending
00:46:08of the authorization
00:46:08of the magistrate
00:46:09to move
00:46:10of having been
00:46:12surprise
00:46:12from the police
00:46:13and reported
00:46:14for tax evasion
00:46:17the investigations
00:46:18on death
00:46:19by Angelo Porrello
00:46:20they move on
00:46:21the hypothesis
00:46:23of a fleeting
00:46:23ride
00:46:24of Quaglini
00:46:25on the scene
00:46:25of the crime
00:46:26it's always done
00:46:27less credible
00:46:30in Porrello's bed
00:46:32they are found
00:46:33woman's hair
00:46:34on which
00:46:35is started
00:46:35the analysis
00:46:36of DNA
00:46:39in the basket
00:46:40of the garbage
00:46:41is found
00:46:42a panty liner
00:46:42from which
00:46:43the carabinieri
00:46:44they get
00:46:44other biological tests
00:46:46and always
00:46:48in the garbage
00:46:48packages
00:46:50of sleeping pills
00:46:50the same
00:46:51to those
00:46:52prescribed
00:46:53to Milena Quaglini
00:47:00the elements
00:47:01circumstantial evidence
00:47:02at his expense
00:47:03collected
00:47:04they were
00:47:06several
00:47:07significant
00:47:08for which
00:47:09After
00:47:10a first phase
00:47:12of interrogation
00:47:12which lasted
00:47:13a couple of hours
00:47:13in which
00:47:14she continued
00:47:15to deny
00:47:16his responsibility
00:47:17it was done
00:47:18a break
00:47:19she spoke
00:47:21with his lawyer
00:47:21defender
00:47:22That
00:47:24probably
00:47:25had a role
00:47:25also in the
00:47:26try to convince her
00:47:27to confess
00:47:28his responsibilities
00:47:29and to the recovery
00:47:30of the interrogation
00:47:32he confessed
00:47:33of having killed
00:47:34Angelo Porrello
00:47:35with the modalities
00:47:36which then
00:47:36they corresponded
00:47:37essentially
00:47:38to those who were
00:47:39the results
00:47:40of the investigations
00:47:42the confession
00:47:43of the Porrello crime
00:47:44it was one of the moments
00:47:45more chilling
00:47:46of my life
00:47:48for various reasons
00:47:49the first
00:47:50because for the first time
00:47:51I realized
00:47:53of the other Milena
00:47:54I saw another face
00:47:55another face
00:47:55another woman
00:47:56she had the head
00:47:57quinine forward
00:47:58I was sitting
00:47:58in front of her
00:47:59it was just before
00:48:01lunchtime
00:48:02so of the break
00:48:03at the Vigevano prison
00:48:04I remember telling her
00:48:05Milena
00:48:06Listen
00:48:07Please
00:48:08tell me the truth
00:48:09you're onto something
00:48:10with this story
00:48:11and she
00:48:12she remained silent
00:48:13and I told her
00:48:14Listen
00:48:14don't be scared
00:48:16because it's murder
00:48:18two can be
00:48:19a problem
00:48:19and we also know
00:48:21what kind of person is he?
00:48:23there is something
00:48:24behind this story
00:48:25that doesn't convince me
00:48:26and she always had
00:48:27the head in china
00:48:27a few seconds passed
00:48:29it was like that
00:48:30he raised his head
00:48:32he looked at me
00:48:33changed completely
00:48:34his gaze
00:48:35and he told me
00:48:36I killed him
00:48:39and I have to say that at that moment
00:48:41it still comes to me now
00:48:43goosebumps
00:48:44it was an impressive thing
00:48:46and I told her
00:48:47OK
00:48:47be calm
00:48:48Now
00:48:49let's talk about it
00:48:53a murderer's confession
00:48:55it should always be taken
00:48:57with great caution
00:48:59it is necessary that all the statements
00:49:00find confirmation
00:49:01that what is put on record
00:49:04be confirmed
00:49:04from the tracks
00:49:05present at the crime scene
00:49:07because so many times
00:49:09it happens that those who accuse themselves
00:49:11of a murder
00:49:11be a mythomaniac
00:49:13or take the blame
00:49:15to cover up the real killer
00:49:17because he wants to protect a killer
00:49:19or because he is afraid of it
00:49:22then when there are no more doubts
00:49:24on the fact that the author of the confession
00:49:26is the real killer
00:49:27it remains to be understood why
00:49:28confessed
00:49:38we had lunch together that day
00:49:40at his house
00:49:41a plate of dry pasta
00:49:43with tomato
00:49:46right after lunch
00:49:47Porrello tried
00:49:48to have with me
00:49:48a sexual relationship
00:49:49putting his hands on me
00:49:57when I refused he became violent
00:49:59and he started hitting me
00:50:01giving me strong slaps
00:50:02on the face
00:50:05then he dragged me
00:50:06in the bedroom
00:50:16judず
00:50:16he dragged me
00:50:18to the accompaniment
00:50:18to the accompaniment
00:50:30Thank you all.
00:51:02He threw me on the bed and we had two full sexual encounters.
00:51:06At the end of the first one, Porrello reached orgasm,
00:51:09while the second relationship didn't end because I managed to make him stop before.
00:51:14After getting slapped I was quite lenient,
00:51:17especially during the first relationship.
00:51:21During the second one I was less cooperative, I struggled.
00:51:28In the living room I prepared a coffee for Porrello,
00:51:32dissolving the sleeping pills I had in my bag inside it.
00:51:38I honestly didn't think I'd use them all, I didn't think I'd kill him,
00:51:42but then as I threw them in one after the other and I threw them all in,
00:51:47I dissolved them in a drop of hot water, then I added the coffee.
00:51:54I mixed it with lots of sugar and gave it to him.
00:52:03He told me the coffee was a bit long, but he drank it anyway.
00:52:06but he noticed that there was something blue at the bottom.
00:52:10He asked me why this coffee was so long.
00:52:14He had probably already felt some strange symptoms.
00:52:18And from the couch he tried to get up and run over to me.
00:52:21He told me what you did to me, what you did.
00:52:25It fell halfway between the living room and the bathroom.
00:52:33I dragged him over there.
00:52:36By now he was hanging dead, unconscious.
00:52:42I stripped him of all his clothes,
00:52:44I lifted him up and put him in the bathtub.
00:52:54I closed the cap, I opened the water
00:52:56and I went to the other bathroom to clean up.
00:53:02When I came back after about half an hour,
00:53:05he had vomited in the bathtub
00:53:07and there was also some excrement.
00:53:09And from there I understood that he no longer had a life.
00:53:15Corrello was completely...
00:53:17I thought about what to do for about an hour.
00:53:20I didn't call the police
00:53:22because considering my judicial history
00:53:24I would have definitely been accused
00:53:26also for the death of Corrello.
00:53:28So, when it was starting to get dark,
00:53:31I decided to hide the body.
00:53:36I took Corrello under the armpits
00:53:38and I carried it into the garden just as it was,
00:53:40that is, completely naked.
00:53:46After dragging while walking backwards
00:53:48the dead body
00:53:49and managed to get in
00:53:50in the manure heap the upper part,
00:53:52I pushed my legs towards the dead man's face
00:53:55so that they could get inside.
00:54:00After that I closed the cover again.
00:54:02I took some money from his wallet and the car
00:54:05and I went to Bressana.
00:54:07I didn't notify the police
00:54:09because I already had my husband on my shoulders.
00:54:16Experts and consultants examine Milena's case,
00:54:19especially his addiction to alcohol.
00:54:23Milena Quaglini, to endure the beatings
00:54:25and the abuses of her husband,
00:54:27he started drinking.
00:54:28To drink a lot, to drink too much,
00:54:30even though she was pregnant with her second daughter.
00:54:33He kept drinking,
00:54:34regardless of the little girl she was carrying in her womb
00:54:36could pay the consequences.
00:54:39He drank and never stopped.
00:54:41We need to understand if all that violence,
00:54:43if all that alcohol,
00:54:45doily with crimes
00:54:46and have limited his liability.
00:54:55Milena Quaglini
00:54:57she is a depressed woman.
00:55:00States of anxiety,
00:55:02already present during his wedding,
00:55:04treated with drugs.
00:55:07Twice
00:55:08he tries to cut his wrists.
00:55:11Then
00:55:12he tries to kill himself with psychotropic drugs.
00:55:17perhaps just demonstrative gestures,
00:55:20but for which
00:55:22it is treated for a long time
00:55:23with anxiolytic therapies,
00:55:26to hysterical crises,
00:55:28confusional states,
00:55:30loss of consciousness.
00:55:32I remember that I noticed
00:55:34a state of
00:55:35severe alcoholism,
00:55:39chronic,
00:55:41an intoxication
00:55:42which was so serious
00:55:44to be able to engrave
00:55:45deeply
00:55:46on the state of understanding,
00:55:47on the ability to understand
00:55:48and to want
00:55:49of the aquaglina
00:55:49at the time of the facts.
00:55:51It was also noted
00:55:52psychopathological symptoms
00:55:55important and serious
00:55:56like depression,
00:55:58psychotic and esteric traits
00:56:00and a woman then
00:56:01very disturbed.
00:56:03In his medical records
00:56:04there is talk of a hospitalization
00:56:06following a diagnosis
00:56:08of coma
00:56:09by nature
00:56:10unspecified.
00:56:14Milena Quaglini
00:56:15suffers from dizziness,
00:56:18loss of balance,
00:56:20paralysis of the hands
00:56:21and to the legs,
00:56:23epileptic seizure
00:56:24and loss of speech.
00:56:29One day
00:56:30had
00:56:31a loss
00:56:32of conscience
00:56:33with a crisis
00:56:36precisely
00:56:37commissary,
00:56:38that is, he had
00:56:38a fall
00:56:39on the ground
00:56:40with some shocks
00:56:41as usual
00:56:42yes it has
00:56:43in crises
00:56:45of great evil
00:56:46of epilepsy
00:56:47and this episode
00:56:49it happened again
00:56:50several times
00:56:51Despite
00:56:52us
00:56:53we had
00:56:54provided
00:56:55to give her
00:56:55a therapy
00:56:57to tan,
00:56:58at least in my opinion
00:56:59to tan,
00:57:00so some doses
00:57:01growing
00:57:02of Valium
00:57:03these crises
00:57:05they were always becoming
00:57:06most frequent
00:57:08and more and more
00:57:08violent,
00:57:09for which
00:57:10we even had
00:57:12decided
00:57:13and then it was done
00:57:14Obviously,
00:57:15we even had
00:57:16decided
00:57:17to transfer it
00:57:18in a department
00:57:19of intensive care,
00:57:21she for 24 hours
00:57:23she found herself
00:57:24in intensive care
00:57:25because it wasn't possible
00:57:27to contain
00:57:28these crises,
00:57:29these sudden
00:57:30loss of consciousness
00:57:32with related aftershocks.
00:57:35I believe
00:57:36that those strange ones
00:57:37episodes
00:57:38of continuous
00:57:39loss
00:57:40of conscience
00:57:41were
00:57:42them too
00:57:42a summation
00:57:44of this
00:57:44his grave
00:57:45unease
00:57:46inner.
00:57:49Very often
00:57:50the crimes
00:57:50more atrocious
00:57:51they are born
00:57:51for a lifetime
00:57:52devoid of love
00:57:52and from a dignity
00:57:54too many times
00:57:55trampled.
00:57:56There is no one
00:57:57here to help me
00:57:58to free myself
00:57:58by weight
00:57:59that I have inside
00:57:59and most of the time
00:58:01I am not able
00:58:02not even talking
00:58:02of that
00:58:03what happened
00:58:04as if everything
00:58:05belonged
00:58:05to another milena.
00:58:08In the aperitif
00:58:10of the Court
00:58:10of Milan
00:58:11entrusted
00:58:12to Professor Ponti
00:58:13it is read
00:58:15forms of
00:58:16psychopathology
00:58:17chronic
00:58:17at the moment
00:58:19of the crimes
00:58:19the faculties
00:58:20intellectual
00:58:21of Guaglini
00:58:22they were not
00:58:23deteriorated.
00:58:25None
00:58:26demonstration
00:58:27psychotic
00:58:28or delirious
00:58:29Nobody
00:58:31fuscamento
00:58:31of consciousness
00:58:32and participation
00:58:34to reality
00:58:35the capacity
00:58:37to understand
00:58:38and want
00:58:38by Milena
00:58:39Guaglini
00:58:39it wasn't
00:58:41totally
00:58:41but greatly
00:58:43stupidity
00:58:43a vice
00:58:45of mind
00:58:46but only
00:58:47partial
00:58:48they seem
00:58:50just details
00:58:50terminological
00:58:51but in reality
00:58:53they will translate
00:58:54in court
00:58:55in one
00:58:56different
00:58:57assessment
00:58:57of the crimes
00:58:58clerks
00:59:00in the meantime
00:59:02while the news
00:59:03of death
00:59:04by Angelo
00:59:04Porrello
00:59:05becomes
00:59:06of domain
00:59:06public
00:59:07the carabinieri
00:59:08they analyze
00:59:09in detail
00:59:10all my life
00:59:11by Milena
00:59:11Guaglini
00:59:13up to an episode
00:59:15of many years
00:59:15Before
00:59:16death
00:59:17by Giusto
00:59:18From the Pozza
00:59:19Milena
00:59:20Guaglini
00:59:21he had worked
00:59:22for him
00:59:22in 1995
00:59:24when he had tried
00:59:26to separate
00:59:27from her husband
00:59:29at that time
00:59:30the woman
00:59:31it was still
00:59:32with no criminal record
00:59:33and death
00:59:34had been archived
00:59:36as accidental
00:59:40November 29
00:59:421999
00:59:43Milena
00:59:45Guaglini
00:59:46confess
00:59:47Also
00:59:47that murder
00:59:48his first
00:59:50relationship
00:59:51violent
00:59:52with death
01:00:04I met
01:00:05Dalla Pozza
01:00:06in an ice cream shop
01:00:06under my house
01:00:07in Este
01:00:08at the end
01:00:09of the summer
01:00:0997
01:00:12at that time
01:00:13my husband
01:00:13he had abandoned me
01:00:14with my three children
01:00:15and I poured
01:00:16in precarious conditions
01:00:17economic
01:00:20I was earning
01:00:20700,000 lire
01:00:21as a custodian
01:00:22and employee
01:00:22to cleaning
01:00:23of the gym
01:00:24municipal
01:00:35from the Pozza
01:00:36you offer me
01:00:36an occupation
01:00:37as a collaborator
01:00:38domestic worker
01:00:50having absolute
01:00:51need for work
01:00:52I accepted
01:01:07conversing
01:01:07he asked me
01:01:08what they were
01:01:08my problems
01:01:09cheap
01:01:16he proposed to me
01:01:17to make me
01:01:18a loan
01:01:18to help me
01:01:194 million
01:01:20a number
01:01:22at the time
01:01:22for me
01:01:22unthinkable
01:01:35I would have given them back to him
01:01:37with a deduction
01:01:38on the paycheck
01:01:42the afternoon
01:01:43of October 27
01:01:441995
01:01:45around 2.30pm
01:01:47arrived home
01:01:48from Dalla Pozza
01:01:49I called him
01:01:50and he answered me
01:01:51from the bedroom
01:01:52where I reached him
01:01:54he was sitting on the bed
01:01:56and he asked me
01:01:56as if I were
01:01:58he got up
01:01:59and grabbed me
01:02:00for an arm
01:02:01starting to drag me
01:02:02towards the bed
01:02:03he told me
01:02:04what do you think?
01:02:05that he gave you
01:02:05money to make
01:02:06you're stupid
01:02:07you didn't understand anything
01:02:08and other phrases like that
01:02:10I rebelled
01:02:12and I searched
01:02:12to excuse him from me
01:02:13but being him
01:02:14very robust
01:02:15I didn't succeed
01:02:16then I got it
01:02:18a basiur
01:02:18which was located
01:02:19on the bedside table
01:02:21and I hit him
01:02:22with the base
01:02:22supporting
01:02:23to the head
01:02:24from the puddle
01:02:25he started to stagger
01:02:26and lost his balance
01:02:27and fell to the ground
01:02:28heavily
01:02:29panic-stricken
01:02:30I ran away
01:02:31I didn't see any blood
01:02:38I stopped by the house
01:02:39where I washed myself
01:02:40and then I went to the gym
01:02:42and I did some cleaning
01:02:58around 6:30 pm
01:02:59I came back home
01:03:00from the puddle
01:03:01and I found it
01:03:02completely in disarray
01:03:04the bedroom
01:03:05it was smeared with blood
01:03:06the door had
01:03:07the broken glass
01:03:08the body of from the pool
01:03:10that I had left
01:03:11next to the bed
01:03:12he was found displaced
01:03:13and near the door
01:03:14interior of the room
01:03:22that of Milena Quaglini
01:03:23it's a story
01:03:24that in Italy
01:03:24it has no precedent
01:03:26only Leonardo Cianciulli
01:03:28the soap maker
01:03:30of Correggio
01:03:30had killed
01:03:31so many times
01:03:32but the motive
01:03:33of Cianciulli
01:03:34it was something else entirely
01:03:35the victims
01:03:36there were three women
01:03:37with which
01:03:38the murderer
01:03:38he had superficial relationships
01:03:40and not even in the world
01:03:42there are many cases
01:03:43that look like
01:03:44to that of Milena Quaglini
01:03:46On the contrary
01:03:46maybe just one
01:03:47Eileen Warnos's
01:03:49Eileen Warnos
01:03:51is part of
01:03:51of a precise one
01:03:52category of serial killers
01:03:54and it's on the border
01:03:55between the sexual predator
01:03:57and the revenge killer
01:03:58and Milena Quaglini
01:04:00in many ways
01:04:01it looks like her
01:04:10daughter of a young couple
01:04:11born in Rochester
01:04:13in New York State
01:04:14in 1956
01:04:15Eileen Warnos
01:04:17she grows up since she was little
01:04:18in a degraded environment
01:04:19and violent
01:04:22the father
01:04:23ends up in prison
01:04:24with the accusation
01:04:24of violence
01:04:25on minors
01:04:26little Eileen
01:04:27is grown
01:04:28at my maternal grandfather's house
01:04:29an alcoholic
01:04:31whose emotional instability
01:04:33he pushes her
01:04:33since I was very little
01:04:35to live the street
01:04:36with acts of vandalism
01:04:37and early sexual intercourse
01:04:39she is arrested
01:04:41for prostitution
01:04:42theft
01:04:43driving under the influence of alcohol
01:04:45at 25 years old
01:04:46the first murder
01:04:51the Warnos
01:04:52kills a customer
01:04:54and steals his car
01:04:56it's just the first
01:04:57of a long series
01:04:58of men
01:04:59that will be found
01:05:00killed with shots
01:05:01of a .22 caliber pistol
01:05:02in the state of Florida
01:05:04in 1990
01:05:05only after seven deaths
01:05:07the police establishes
01:05:08a task force
01:05:09which connects
01:05:10the various murders
01:05:11and defines
01:05:12the identikit
01:05:13of a serial killer
01:05:15it is established
01:05:16that the murderer
01:05:17she is a prostitute
01:05:18that attracts victims
01:05:19along the highways
01:05:20Eileen Warnos
01:05:22she is arrested
01:05:23for illegal possession of weapons
01:05:24and then induced
01:05:26to confess
01:05:26from his partner
01:05:30the many acts of violence suffered
01:05:32they will never be recognized
01:05:33from the court
01:05:34as a mitigating factor
01:05:35for the seven murders committed
01:05:41January 27, 1992
01:05:44is sentenced
01:05:46to the electric chair
01:05:47she is executed
01:05:50October 9, 2002
01:05:51in prison
01:05:53by Redford
01:05:53in Florida
01:06:02Milena Quaglini
01:06:03she convinced herself
01:06:04to be right
01:06:05if he had killed
01:06:07it hadn't been
01:06:07it's all his fault
01:06:08he thought he deserved it
01:06:10comprehension
01:06:11like that one
01:06:12that they had had
01:06:12for her
01:06:13the first experts
01:06:14and his consultant
01:06:17in listening
01:06:18the testimonies
01:06:18of those who knew her
01:06:19followed
01:06:21his case
01:06:21there is a fact
01:06:22which became clear
01:06:24in all
01:06:25specialists and investigators
01:06:27has aroused
01:06:28a kind of sympathy
01:06:29she managed to move feelings
01:06:31not an excuse
01:06:32for what he committed
01:06:33but of course
01:06:34an understanding
01:06:35for his life
01:06:36marked by drama
01:06:37and from violence
01:06:44October 13, 2000
01:06:47Court of Milan
01:06:48Court of Assizes of Appeal
01:06:51for Milena Quaglini
01:06:52it's the day
01:06:53of the final sentence
01:06:55relating to the killing
01:06:56of the husband
01:06:58the sentence
01:06:59it's pretty mild
01:07:00she is recognized
01:07:03a partial defect
01:07:04of mind
01:07:04the generic mitigating circumstances
01:07:07the choice
01:07:08of the abbreviated rite
01:07:09for having confessed
01:07:11the murder
01:07:11they carry the penalty
01:07:13at just 6 years old
01:07:14and 8 months
01:07:15in prison
01:07:184 months later
01:07:19the Assize Court
01:07:20of Padua
01:07:21issues the sentence
01:07:22for the murder
01:07:23by Giusto Dalla Pozza
01:07:24in this case too
01:07:26the sentence
01:07:27it's light
01:07:28to Milena Quaglini
01:07:30is recognized
01:07:31a culpable excess
01:07:33in self-defense
01:07:35at the time
01:07:36in 1995
01:07:38she was a young woman
01:07:40with no criminal record
01:07:41he had not premeditated
01:07:43the murder
01:07:44nor did he want it
01:07:45one year
01:07:47and 8 months
01:07:51the third murder
01:07:53he is judged
01:07:54in Pavia
01:07:54it seems
01:07:56that all the knots
01:07:57they must come
01:07:58to the comb
01:07:58is asked
01:08:00a new expertise
01:08:01psychiatric
01:08:01which is entrusted
01:08:03to the professor
01:08:04Maurizio Marasco
01:08:05of the University
01:08:06Wisdom
01:08:07of Rome
01:08:07the conclusions
01:08:09by Professor Marasco
01:08:11they are different
01:08:12from those
01:08:13that preceded it
01:08:14Milena Quaglini
01:08:15he is totally capable
01:08:17to understand
01:08:18and want
01:08:20Milena Quaglini
01:08:22to reading
01:08:22of the expertise
01:08:23is present in the classroom
01:08:26look down
01:08:27pale in the face
01:08:29silent
01:08:32listen to his portrait
01:08:33psychological
01:08:34that nails her
01:08:35to a probable
01:08:36condemnation
01:08:37without discounts
01:08:44when dealing with it
01:08:45of a killer
01:08:46it's important
01:08:47consider
01:08:47his way
01:08:48overwhelming
01:08:49his way
01:08:49to act
01:08:50all that
01:08:51what does the murderer do?
01:08:52to complete
01:08:53the crime
01:08:54the goal
01:08:55of the murderer
01:08:56that's it
01:08:56to leave
01:08:56as few traces as possible
01:08:58at the crime scene
01:08:59and to avoid
01:09:00to be cultured
01:09:01on the fact
01:09:02plus the killer
01:09:03strikes
01:09:04the more experienced he becomes
01:09:06in the art of murder
01:09:07more his way
01:09:08to act
01:09:08it becomes perfect
01:09:09and improves
01:09:10the capacity
01:09:11to build itself
01:09:12an alibi
01:09:25three murders
01:09:26only one culprit
01:09:31Milena Quaglini
01:09:32the first murder
01:09:34it's a reaction
01:09:35on impulse
01:09:36the Quaglini
01:09:37kills right
01:09:38from the puddle
01:09:38with one blow
01:09:39by reflex
01:09:39using
01:09:41a medium
01:09:41within reach
01:09:42by hand
01:09:44Furthermore
01:09:45after killing
01:09:46run away
01:09:47and three hours later
01:09:48call for help
01:09:54the second murder
01:09:56it was wanted
01:09:56the Quaglini
01:09:57he gets it
01:09:58the murder weapon
01:09:59organize the killing
01:10:01builds
01:10:02the noose
01:10:03with which
01:10:04strangles her husband
01:10:06move the corpse
01:10:07try to hide it
01:10:09a little bit of bad clothes
01:10:12he rolls it up
01:10:13in cellophane
01:10:14and brings it
01:10:14on the balcony
01:10:20the third murder
01:10:22it is more and more
01:10:23complex
01:10:23and organized
01:10:24the victim
01:10:26is rendered harmless
01:10:27with the frantillants
01:10:28then killed
01:10:31the corpse
01:10:32is removed
01:10:33from the crime scene
01:10:39September 24, 2001
01:10:42Pavia Court
01:10:44last appearance
01:10:46in the classroom
01:10:46by Milena Quaglini
01:10:48the defendant
01:10:50appears
01:10:50from the back
01:10:51of an armored vehicle
01:10:52the public prosecutor
01:10:55Mauro Vitiello
01:10:56he nails her
01:10:57to his responsibilities
01:10:59she
01:11:00questioned
01:11:02he lets off steam
01:11:03attack
01:11:04tells
01:11:05all his life
01:11:06look for one last one
01:11:08and desperate
01:11:09defense
01:11:10it was a deposition
01:11:12characterized
01:11:13from moments
01:11:13of a certain
01:11:16intensity
01:11:17I would say
01:11:17even dramatic ones
01:11:20I have left
01:11:21between the hands
01:11:22is dead
01:11:23I didn't want him to die
01:11:25I had no reason
01:11:28reason maybe
01:11:30reason why he had used me
01:11:31violence
01:11:32because I was fed up
01:11:33of these acts of violence
01:11:34because I'm rotten
01:11:36because it's a life
01:11:37that I'm going on like this
01:11:38because when someone
01:11:40reacts badly
01:11:41I react worse
01:11:42because I'm tired
01:11:44from the family fights
01:11:45beaten by her husband
01:11:46to be beaten by people
01:11:47that I don't even know
01:11:48Enough
01:11:49Enough
01:11:49Enough
01:11:51what reason did I have?
01:11:53to kill that man
01:11:53if he wasn't a disgusting person
01:11:55a pig
01:11:56a bastard
01:11:56like many others
01:11:57that I found on the street
01:11:59I didn't get anything out of it
01:12:01since his death
01:12:01I was already in jail
01:12:03what did I get out of it?
01:12:04ten years
01:12:06twenty years
01:12:07I would have done it
01:12:08to life imprisonment
01:12:09what did I get out of it?
01:12:10in her opinion
01:12:10Dr. Vitiello
01:12:11what did I get out of it?
01:12:13perhaps an inheritance
01:12:15for me
01:12:15maybe a house
01:12:17maybe some money
01:12:18for me
01:12:19Nothing
01:12:21I was simply
01:12:22tired of running alone
01:12:23like a madwoman
01:12:25alone
01:12:25for my whole life
01:12:27and always
01:12:28in front of everything
01:12:29and to everyone
01:12:36there are those who called
01:12:37depression
01:12:38the black sun
01:12:39to reach
01:12:40Milena Quaglini
01:12:41behind bars
01:12:42of his cell
01:12:43they were arriving by now
01:12:44only the rays
01:12:45of a black sun
01:12:46he had no more hope
01:12:48she looked like
01:12:49that in the end
01:12:49if they had been right
01:12:51his father
01:12:52and her husband
01:12:53those who told her
01:12:54that was worth nothing
01:12:55that he was not capable
01:12:57to do nothing
01:12:58who only deserved beatings
01:12:59insults and slaps
01:13:01he deserved to die
01:13:03that's how she took her own life
01:13:05Milena had pushed herself
01:13:06to the extreme
01:13:07and all those
01:13:08that push each other
01:13:09at the last border
01:13:10they always cross the line
01:13:12and sometimes
01:13:13they pay with the only thing
01:13:15the only thing
01:13:16who possess
01:13:21the prison
01:13:23it has a meaning
01:13:25concrete
01:13:26affective
01:13:27the prison
01:13:28it's deprivation
01:13:29of freedom
01:13:31the song
01:13:34Palermo
01:13:36they purify prison
01:13:37it's worth jail
01:13:38it seems to me
01:13:39a sail
01:13:40it doesn't give the idea
01:13:42of prudence
01:13:43of the experience
01:13:44prison
01:13:45even if this
01:13:46in our time
01:13:47it is enormously
01:13:49medicated
01:13:49compared to the past
01:13:51but it still remains
01:13:52painful data
01:13:54of segregation
01:13:55of man
01:13:55outside
01:13:56after all
01:13:57of the civil consortium
01:14:00October 16, 2001
01:14:02Vigelano prison
01:14:06Milena Quaglini
01:14:07take a ticket
01:14:08write a few lines
01:14:09without recipient
01:14:13it's a message
01:14:14from God
01:14:16it's written
01:14:17that no one
01:14:17he understands it
01:14:18that despite
01:14:19the many letters
01:14:20of solidarity
01:14:21who receives
01:14:22in prison
01:14:22he doesn't want to live anymore
01:14:27Then
01:14:28take a sheet
01:14:29which reduces to strips
01:14:30form a noose
01:14:32that hangs
01:14:33on the stick
01:14:33of the wardrobe
01:14:37is found
01:14:39still alive
01:14:39from the prison guard
01:14:41what is he doing
01:14:42the tour of the cells
01:14:44he's still breathing
01:14:45but it has a heartbeat
01:14:46cardiac
01:14:47very slow
01:14:49transferred
01:14:49urgently
01:14:50to the emergency room
01:14:51of the civil hospital
01:14:53he dies shortly after
01:15:02by Milena
01:15:03I have left
01:15:05the memory
01:15:07Of
01:15:09perhaps of a defeat
01:15:11unprofessional
01:15:13because it wasn't
01:15:15because things
01:15:16Anyway
01:15:16they weren't doing badly
01:15:18but
01:15:18of a
01:15:19of a defeat
01:15:21staff
01:15:22human
01:15:23I didn't succeed
01:15:26also because
01:15:27maybe it wasn't
01:15:28my work
01:15:30to not let her understand
01:15:31That
01:15:33that we would have it
01:15:34could have done
01:15:34that could have
01:15:36to get his daughters back
01:15:37a normal life
01:15:38I didn't succeed
01:15:40to understand
01:15:40what she
01:15:41he had in mind
01:15:43and maybe some signals
01:15:45he had given it
01:15:45I didn't succeed
01:15:47to make her understand
01:15:48That
01:15:48that with life
01:15:50no joke
01:15:51at that moment
01:15:53in which
01:15:54he decided
01:15:56to end it all
01:15:57he thought
01:15:58that for her
01:15:59there was no future
01:16:00there wasn't
01:16:02possibility
01:16:03of salvation
01:16:04there was no chance
01:16:05Of
01:16:05of redemption
01:16:07it must have been
01:16:08a collapse
01:16:10total
01:16:11Here you are
01:16:12having been
01:16:13surrender
01:16:15that by now
01:16:16of one's life
01:16:17there was nothing left
01:16:20and Mrs.
01:16:22what's your name?
01:16:22quails
01:16:24Milena
01:16:24where is it
01:16:25mezzalino
01:16:27I promise to leave
01:16:28When
01:16:28March 25, 1957
01:16:31she was married
01:16:32Yes
01:16:33with who
01:16:34Mario sheets
01:16:36to bring
01:16:38I
01:16:39I'm not there
01:16:40who was sleeping
01:16:42I don't know what
01:16:44he took me
01:16:47at that moment
01:16:49I definitely didn't want to
01:16:51arrive
01:16:51to a situation
01:16:53of the set
01:16:54I do not know
01:16:57but they do that
01:16:58what I did
01:16:59then I know
01:17:00could look
01:17:01the incredible
01:17:02because I thought
01:17:03that you wake me up
01:17:04for a moment
01:17:04to the other
01:17:05it was not even believed
01:17:07that you are not dead
01:17:08I didn't touch
01:17:13if you don't wake up
01:17:53don't wake up
01:17:56you can't see it
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