- 21 minutes ago
مسلسل The Alienist مترجم - Episode 2
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00:06My name is Dr. Chrysler. Can you tell me what you saw?
00:11Giorgio Santorelli. He's a boy whore worked out of Parisa's Hall.
00:15Sarah, get me the file on the Zweig case. We need your help.
00:19The boy was a patient of mine. An unsolved case.
00:22Both my children are dead because of you.
00:26Look at anything that may connect Benjamin Zweig to the Santorelli boy.
00:29I must follow this wherever it goes, even if it leads me to the darkest pit of hell.
01:14There are many children brought here.
01:17We only get the poor ones.
01:20It's the poorest children I'm interested in. Specifically homicides.
01:25Plenty of those, too.
01:28There may also have been removal of the organs and body parts.
01:32Grave robbers are still more common than we would like.
01:35No, not grave robbers. These mutilations would have served no medical purpose.
01:38Like the removal of the tongue.
01:43Leviticus?
01:45Deuteronomy?
01:47Proverbs?
01:48Proverbs?
01:50I beg your pardon?
01:53You wear no sign of your faith, Doctor.
01:57Yet you men of science insist you're not in opposition to God.
02:03You insist you are God.
02:06I insist no such thing.
02:09I'll ask you again.
02:11Do you have experience of corpses in which the tongue was removed?
02:15No.
02:18But if it's the boy whore from the bridge, I'd say he had it coming.
02:32Shut it up, guys!
02:42Don't be sure in your face no more.
02:44Around 300 and more, you don't get any bad for me.
02:47If anyone comes to see the Santorelli family, you tell them you ain't seen nothing.
03:03Come on!
03:11This here's a warning, Mr. Santorelli.
03:17We'll keep your dirty day going home.
03:20Out of police business.
03:21Death.
03:38Oh, sorry.
03:50Death.
03:52Death.
03:53Death.
04:10Tis surely more pleasant on the eyes to have a woman on the premises, isn't it, Sergeant
04:14Doyle? Ah, tis. Miss Howard? What the commissioner be about? He's attending disciplinary hearings
04:27this afternoon. Aye, well, I just wanted to let him know the Santorellis, they didn't
04:33have much to add by the way of facts to the killing of their poor boy. So, don't hardly
04:39seem necessary to make any further enquiry along those lines. Is there anything else? Begging
04:50your pardon. Eyelash. Go on, blow. It'll bring you luck.
05:19Make sure you tell the commissioner what I told you.
05:34I don't think you've quite captured the line of her jaw, Mr. Moore.
05:57You sure are?
06:14There, the resemblance now seems more correct.
06:30Oh, hello.
06:34Connor's been to see the Santorellis.
06:37Does Roosevelt know?
06:38He's not in, but I want to go talk to them.
06:42But you're employed as a typewriter.
06:45I prefer the term secretary, but I have good reason for wanting to involve myself.
06:51You'll not be welcome in that part of the neighborhood, you know.
06:53I may only be a secretary, but I do work for the police department.
06:57Oh, the riffraff won't care about that.
06:59Which is why I'll need you to accompany me.
07:03They won't care about that either.
07:05Are you saying you're afraid?
07:08I'm sorry.
07:15I'm sorry.
07:18I'm sorry.
07:28I'm sorry.
07:30Does Roosevelt know you're doing this?
07:33When it comes to commissioner, I find it sometimes better to ask forgiveness rather than permission.
07:39I'm sorry.
07:41You're in trouble, aren't you?
07:43Too bad.
07:44Too bad, eh?
08:07Oh, my God.
08:09A baby.
08:10Sarah, I wouldn't touch it.
08:12These children are often diseased.
08:15Poor thing.
08:16Where's your mother?
08:17Shh.
08:18Where's your mother?
08:19Shh.
08:24Yeah.
08:25I'm going to pay you for one hour.
08:35Who is?
08:37It will be the doctor.
08:39Valentina.
08:40Mrs. Santorelli.
08:44Please, please.
08:45Oh, my God.
09:03She thinks you're a doctor.
09:05She called for one hour ago.
09:07What should I do?
09:09I don't know.
09:10Pretend.
09:15Can you tell us about the men who did this to your father?
09:18I don't know, Enzo.
09:19I want to know.
09:20Let me know.
09:20Wait, Mom.
09:22Wait.
09:24Two was Caps.
09:26The other was Holy Joe.
09:30What did they say?
09:32They say Giorgio died in sin.
09:35That it was better for the family if we keep our mouth shut.
09:38I don't know.
09:40I don't know.
09:41I don't know.
09:43I think it was a good one.
09:46I don't know.
09:47I don't know.
09:48I don't know.
09:50I don't know.
10:01My son.
10:02My son.
10:03That's why I ran away.
10:12She say, police say, Giorgio is the same as the other boys who were killed.
10:19Nobody care.
10:21Other boys?
10:31Let me try that one.
10:54Look, the same nightmares.
10:58We'll take this one.
11:08Thinking about becoming a socialist now, are you?
11:11You know the difference between capitalism and socialism?
11:14No.
11:18In capitalism, man exploits man.
11:22In socialism, it's the other way around.
11:38Every night, Dr. Kretzler, every night she touches.
11:45The priest says she needs an ice bath and leeches.
11:49Leeches?
11:52The priest says the devil is in her mind.
11:56That's why I bring her to you.
11:58Mrs. Reich, there's nothing wrong with your daughter's mind.
12:02You're becoming a young woman.
12:05And there's not a thing your mother nor any priest can do about it.
12:16The body is the temple of the Holy Spirit. It is a blessed gift not to be defiled by lust.
12:33Yes, I too learned scripture when I was young.
12:36But instead of answers I found only questions.
12:39Why does God allow us to feel both pleasure and pain?
12:43Why has he given a young girl like Bertha impulses and desires she cannot begin to fathom or control?
12:48Is this the God of whom you speak?
12:51This is a sanctuary for the young.
12:53I will not tolerate its trespass, neither by man nor by God.
12:57Now please, remove yourselves from the premises.
13:09Excuse me, detective.
13:17The commissioner is looking for some files of unresolved cases.
13:21Homicides.
13:22Where might I find them?
13:24The old dogs.
13:26I beg your pardon?
13:27Unsolved cases.
13:32They keep barking at you from the files.
13:36Like old dogs.
13:41Where is he?
13:43In there.
13:44Yeah.
14:21Let's go.
14:44Let's go.
15:18Let's go.
15:46Let's go.
15:46Let's go.
16:10Let's go.
16:20Let's go.
16:34Let's go.
16:37Let's go.
16:49Let's go.
17:00Let's go.
17:03Let's go.
17:05Let's go.
17:10Let's go.
17:11Let's go.
17:27Let's go.
17:33Let's go.
17:49Let's go.
17:51Let's go.
17:51Let's go.
18:16Let's go.
18:20Let's go.
18:28Let's go.
18:40Let's go.
18:47Let's go.
18:48Let's go.
18:50Let's go.
19:00Let's go.
19:02Let's go.
19:02Let's go.
19:05Let's go.
19:16Let's go.
19:20Let's go.
19:20Let's go.
19:22Let's go.
19:23Let's go.
19:24Tell me about Miss Howard.
19:26I'll tell you about Miss Howard if you'd tell me where we're going.
19:30I've noticed she wears the man's signet ring.
19:33Why do you take such pleasure in keeping everyone in the dark about your plans?
19:41The ring was her father's.
19:44A rather sad situation.
19:47A hunting accident, or at least that was the official story.
19:51The rumors were that he died by his own hand.
19:55How old was she?
19:57Twelve.
19:58At the time, she was sent to a sanitarium.
20:00She lost her mother when she was still quite young.
20:05Perhaps you should measure her skull to see how it affected her.
20:12Have you interest in her?
20:14Good God, Laszlo. I've known her since she was a child.
20:16She's no longer a child.
20:17I've not thought of her in that way.
20:19Certainly you have.
20:29No, Tessie.
20:31I'll not wear an evening dress, as I have no need to flatter myself.
20:35Will there be gentlemen present?
20:38I should say, rather, there will be colleagues present.
20:42Colleagues are gentlemen, too.
20:44All the more reason to make an impression.
21:07Who's that sitting with Roosevelt?
21:10You mean to tell me you don't recognize the mayor of New York City?
21:14That's Mayor Strong.
21:15Mm-hmm.
21:18My God, he's aged.
21:29His family grows by the day.
21:32What are you talking about?
21:34J.P. Morgan.
21:37Every beautiful young lady he's seen with claims to be his niece.
21:45Poor Roosevelt's.
21:47He just likes the opera as much as you do.
21:51Doubtful.
21:55Don't wait up for us tonight, Mama.
21:57We have police business.
22:04She means you stink like a 10 cent whore.
22:07How would you know?
22:11Mommy, I think I'm going to let you go to the left.
22:13I'm not going to sleep.
22:15But it's Shabbos.
22:18That's not tonight, Mama.
22:21That's not tonight, Mama.
22:49Is it over?
23:09Very well.
23:10I shall be forced to drink for two.
23:16Hey, you're strong.
23:17It's wonderful to see you again.
23:19You're looking well, sir.
23:22I'm Dr. Chrysler.
23:24The alienist?
23:26Good evening, Commissioner.
23:30Good evening, Mr. Roosevelt.
23:32Robert.
23:33Tom.
23:35Why tonight?
23:36I need something from you.
23:39Examination of the slide boy revealed serrations on the male and bone and super orbital bridge
23:42of both eyes.
23:43Someone cut his eyes out with a knife.
23:45This is neither the time nor the place to discuss the postmortem of the child.
23:49I shouldn't even be seen talking to you.
23:51It was no scavenger that left those marks.
23:53And if I were a batting man, I'd wager rather a large sum of the probability that the same
23:57marks will be present on the eye sockets of Giorgio Santorelli.
24:01That will be determined by the coroner.
24:03That may well take months, if ever.
24:05And it's two more boys of the lower classes have recently been murdered.
24:08Although your police seem to be more concerned with covering up the crimes than finding the
24:12perpetrator.
24:13How did you come by this knowledge?
24:15That I cannot tell you.
24:18Even if I wanted to, I cannot allow you access to the body, as it's still in police custody.
24:23Your Isaacson brothers have proven themselves more than capable.
24:29TR.
24:30JP.
24:34Damn it, Chrysler.
24:36In addition, I shall require a liaison who will provide information from within the police
24:40department without revealing a connection to me.
24:42Are you suggesting you should be allowed to conduct a parallel investigation?
24:47Yes.
24:48Your secretary, Miss Howard, is perfectly placed.
25:04Thank you very much.
25:06Please enjoy the rest of your life.
25:08I understand.
25:09Very good.
25:10Good.
25:28Great.
25:33It's like a woman.
25:41Good to see you.
26:17Are you perchance waiting for Dr. Kreisler?
26:20Yes, I am.
26:21I'm Detective Sergeant Marcus Isaacson.
26:26This is my brother.
26:27Detective Sergeant Lucius Isaacson.
26:31I'm Sarah Howard.
26:32I work for Commissioner Roosevelt.
26:35You're here to take notes?
26:38Frankly, I don't know why I'm here.
26:41My apologies for the lateness of our arrival.
26:45Charlie, you may let Mr. Ranova know we're ready.
26:51A toast to the beginning of a fruitful partnership.
27:02I don't think the wine is kosher.
27:04I thought we'd start with a Therrapin sous Beauclair,
27:07one of the specialties of the house.
27:12I hope no one minds serious conversation while we eat, but I believe it's best to get a running start.
27:18Perhaps you could tell us what exactly we're getting a running start at.
27:22Oh, my.
27:23I've gotten ahead of myself, haven't I?
27:25Of course.
27:26I should explain.
27:28Perhaps if we begin, your intentions will become self-explanatory.
27:35Please.
27:37We've already made Dr. Kreisler aware of the results of our examination of this fog boy.
27:42The torso was grossly violated while the eyes were carefully plucked from their sockets.
27:47Gentlemen, there is a lady present.
27:49Oh, enough, John.
27:52I am perfectly capable of hearing whatever it is that needs to be said.
27:59Continue, please.
28:01Thus we asked ourselves, what instrument might be bound capable of both cutting muscles and tendons and prying eyeballs from
28:10their sockets?
28:13Behold, the Arkansas toothpick.
28:17The blade is strong enough to cause the wounds the boy suffered to his torso, but finally waited to delicately
28:23remove his eyes.
28:25The Side of the Walk
28:26The End
28:44Ah.
28:45Oh, yeah!
28:54Let's eat.
28:58You've been grooming them horses,
29:00mucking out those stables,
29:02and touching your own private self.
29:05Clean your hands before you eat.
29:08I don't know why I have to keep telling you that.
29:12Gentlemen, you've done fine work.
29:14But there may well be thousands of Arkansas toothpicks about.
29:17Even in New York City.
29:20Which is why we have something that may prove infinitely more useful.
29:24A dactyloscopy.
29:27The science of a finger, palm, or foot leaving a chance impression.
29:31The one on the left is mine.
29:32And the one on the right is mine.
29:34And yet we're twins.
29:36Fraternal.
29:39There are those, including the majority of our colleagues in the police department,
29:43who do not accept finger marks as evidence,
29:45but the science behind it has been proof-reliable.
29:51I've read about this.
29:54Isn't it surmised that a person's finger marks do not change throughout their lifetime,
29:57and that each is unique?
29:59Precisely.
29:59However, certain conditions must be met in order to preserve them.
30:02And bodies immersed in water like its spikes would not meet those conditions.
30:06Indeed not.
30:07But, we found this.
30:19A bloody finger mark left on the back of this timepiece.
30:24We discovered the trinket within the Zweig boy's burial suit.
30:30Your file referenced it.
30:32It was found on the roof near the water tank, wasn't it?
30:34And thus spared degradation.
30:36A person leaving a finger mark such as this might as well drop a monogrammed handkerchief.
30:45And so he did.
30:48Who?
30:49You talk about him as if you know him.
30:51We don't yet know him, John.
30:53But we will.
30:56You may not know his name or where he lives, but he exists in plain sight.
31:01Though evidence does not immediately reveal him, there are hints and indications to his identity
31:05that he's unwittingly left behind.
31:09Now, our task is to gather those hints and indications, to construct an image of the man,
31:14his age, his background, his habits, but most importantly, his appetites.
31:21Look at who his victims are, where he commits his crimes, and what exactly he does to them,
31:27until a pattern begins to emerge.
31:32Each and every one of the choices he makes will reveal a hidden aspect of his alienated mind.
31:42There's one more thing.
31:46We know the killer's conscious thoughts are fixed on violence.
31:50If we get too close, that violence might well spill over onto us.
32:11You're not asking Sarah to join this mad escapade of yours, are you?
32:15It will put her in a most compromised position.
32:16Look at the beasts that surround her on a daily basis.
32:19I believe she's up to the task.
32:20She's not as strong as she'd like you to believe.
32:23John, please.
32:25Do not let your affection for Miss Howard get in the way of logic.
32:29My affection?
32:32My God, do you never tire of the sound of your own voice?
32:36Miss Howard is resourceful, she's loyal to Roosevelt,
32:39and because she's a woman, she's unlikely to arouse suspicion.
32:42That is quite sufficient for my purposes.
32:44And what is my role to be in all of this?
32:52Perhaps you've already played it.
33:01It's something new.
33:02Forensic science married with human psychology.
33:04One might easily imagine the ramifications if we are successful.
33:07I'd rather like it.
33:09Miss Howard.
33:11Miss Howard.
33:12Day Alpha, you're right.
33:13No thank you, doctor. Please go on without us.
33:15Very well.
33:16Good evening, then.
33:17Good evening.
33:17Good evening.
33:20John, are you coming with us?
33:23I'd prefer to walk.
33:24At this hour?
33:25I'm not a child.
33:30He's had too much to drink.
33:31He was offered a ride.
33:32Perhaps you might have insisted.
33:34A little resentment and introspection will do him good.
33:38He's not as strong as he'd like you to think.
33:42You find that amusing?
33:44Our weaknesses sometimes serve us better than our strengths.
33:47I'm surprised to hear you admit you have a weakness.
33:49I was speaking metaphorically.
33:56Stevie.
33:57Yes, sir?
33:58Run along and keep an eye on Mr. Moore.
34:00You bet.
34:05Let's go, boys.
34:06Let's go.
34:14Working man, run,
34:16all draw for the working child
34:18are, in effect, the slaves of America.
34:22We call on all honest citizens
34:26to unite beneath the banner
34:27of the Socialist Labor Party of America.
34:31That we may make use of our political liberty
34:34and bring an end
34:35to the current barbarous struggle
34:37of the oppressed.
34:41Evening.
34:41This emancipation
34:43is not only possible,
34:44it is inevitable,
34:46since all we need to
34:47to move forward in equality
34:48is to stand together
34:50now in unity.
34:54Pardon my candidness,
34:56but I feel I must ask
34:59that you have this evening
35:00entirely planned.
35:03What exactly do you mean
35:04by entirely?
35:07That we,
35:09I,
35:10would agree to assist you.
35:13Aside from the job
35:14of scrubbing floors,
35:15you're the first woman
35:16employed by the New York
35:17Police Department
35:18that shows initiative
35:20and a desire to advance
35:22your place in society.
35:24Am I mistaken?
35:27No.
35:30I've asked the commissioner
35:31for you to be the liaison
35:32between us.
35:34Your task will be
35:35to keep informative developments
35:36within the department
35:37and keep Roosevelt
35:38abreast of our actions
35:39outside it.
35:41And he agreed.
35:46Perhaps not in so many words.
35:49Come on, boy.
35:52Whoa.
35:56It's ready.
36:06May I assume
36:07you have an interest?
36:09It wouldn't be fair
36:10to assume anything
36:10about me, doctor.
36:14You look lovely
36:15this evening,
36:16Miss Howard.
36:21Cyrus?
36:22Please see Miss Howard
36:23to the door.
36:24Yes, sir.
36:26I can see myself in.
36:47Marcus.
36:56Uh...
36:58Uh...
36:59Uh...
37:00Uh...
37:01Uh...
37:01Uh...
37:01What did you say your name was?
37:03That's...
37:04And you...
37:05Marcus?
37:07And you...
37:07Wake up.
37:37Come on, come on, come on!
37:47Ladies and gentlemen...
38:19Good evening, sir.
38:50Oh, come on!
38:52Come here, Sir.
38:54Oh, oh, oh.
38:56But she left the children's money,
38:59and the same hearts knew the truth.
39:03When a mother's mother speaks her to the whole,
39:10there's a name that's never spoken,
39:14and the mother's heart that wrote,
39:17which is an opera piece that's missing from the old home.
39:23That is all.
39:25There is love and peace in me.
39:28There's a father unforgiving,
39:35and that picture that is true of the Lord.
39:43Oh!
39:50Good evening, sir.
39:57Manners.
40:06Now, we've all kind of entertainment here, friend.
40:10A little, uh, pleasure.
40:13A little, uh, pain.
40:16What do you fancy?
40:23I'm seeking information.
40:25I want to know about Giorgio Santorelli.
40:35And why should I tell you anything I ain't already told the cops?
40:41Because it could happen again.
40:43Another one of your girls could disappear
40:48and her dismembered body unceremoniously dumped in some lonely venue.
40:54There's only so many times the police can look the other way.
41:02All right.
41:03What do you want to know?
41:05Who saw the boy?
41:08What type of clients were they?
41:10What were their predilections?
41:12The boy had a filthy mouth on him.
41:15His regulars liked to hear how worthless they were,
41:18how they didn't, uh, measure up.
41:20You Fifth Avenue swells don't suffer enough.
41:23Gotta come here and pay me for it.
41:30But you should stick around.
41:33You look like you might enjoy yourself.
41:50Give me your answer, too.
41:54Oh, come on.
41:56Don't be shy.
41:59My name is Sally, and I can make all your dreams come true.
42:02But you got to win or receive some music.
42:02Or give me a blush.
42:03You're everything.
42:04I got to hear them out your answer.
42:05Please increase your family right.
42:12Get out.
42:13Get out.
42:15Get out.
42:16Get out.
42:16Get out.
42:18Get out.
42:20Get out.
42:21I said to my wife will not last.
42:25Y Da S marty's place,
42:57How about I pay you $3.00 to pay you $3.00.
43:01You tell me what you know about Giorgio Santorelli.
43:06Five dollars.
43:14No, no, no.
43:17Tell me about Giorgio.
43:21Gloria.
43:26She had lots of regulars.
43:28Some very nice ones.
43:31Some very rich ones.
43:34She only talked about the one with the silver smile, though.
43:40Silver smile?
43:44What was his name?
43:46Do you know?
43:49You're not very fun.
43:55In fact, you're no fun at all.
44:00Did she leave with him that night?
44:04The one with the silver smile?
44:07Gloria never left her room.
44:12We heard her in there, but she never came out.
44:19We got tired of waiting.
44:21When we broke the lock, there was no sign of her.
44:24There was no sign of anybody.
44:42It was a three-story drop.
44:45And Gloria didn't have wings.
44:55You're lying.
45:06You're lying.
45:08You're lying.
45:09You're lying.
45:09You're lying.
45:19You're lying.
45:21You're lying.
45:21Even without wings,
45:24Gloria flew away.
45:28And someday I will, too.
45:57Ain't that sweet.
45:59You know who he is?
46:01I've seen him before.
46:03He's a friend of Roosevelt from that alieness son of a bitch.
46:07This is an unfortunate situation, gentlemen.
46:11I'm afraid it's going to force us to take actions of our own.
46:16What do you want to do with him?
46:21Come on in, girls.
46:22Come on in, girls.
46:52Come on in, girls.
46:53Come on in, girls.
47:01Come on in, girls.
47:43Okay, what are you doing with these new illustrations and that it's four approximate pockets?
47:43Well, you're a logical guy.
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