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00:27The Bible
00:33From childhood, her family kept a mirror that hid a secret.
00:39A secret that will change her life completely
00:43And he will grant her wish.
00:47The first time she looks in that mirror
00:52She will become a beautiful woman
00:55And the man of her dreams will fall in love with her
01:04But he doesn't know
01:09How beautiful it will be during the day!
01:12But at night she'll be the same again.
01:18She'll be the ugly one again.
01:23The woman in the mirror
01:34I can't believe you're here
01:39So close
01:46This has to be a dream
01:59Is it here?
02:02Hey, I told you to loosen his clothes, not to grope him.
02:06Okay, pass me the things
02:09Juliana
02:11Where are you?
02:13No, no, no, calm down, calm down, I'll handle your mom.
02:15Stay here with everyone
02:17Thank you
02:27Okay, I'm going to put this pad on her.
02:31Pure arnica
02:32Pure arnica that heals pain
02:35Chamomile so that he no longer argues
02:37And Tila
02:39And Tila, who put him to sleep
02:51Maritza
02:53Maritza, I love your voice
02:55I love
03:01Hello
03:03Oh, sorry, I woke you up
03:07But I wanted to thank you for the flowers
03:09My love, she is so divine
03:12Barbara
03:13What, my love?
03:14I want us to talk very seriously.
03:17About what?
03:20I don't like that you work so much.
03:23And so late
03:27Well
03:27My love
03:30I want to spend more time with you.
03:41Raúl
03:41Raúl, my love
03:42My love, I'm very tired
03:44My love, I'm very tired
03:46That's why I want you to work less
03:51You're right
03:54Forgive me
03:54My love, yes, I've neglected you a little.
03:56But I promise to dedicate more time to you
03:59Yeah?
04:00Are you sure?
04:01Safe
04:01Can we begin now?
04:03Now?
04:04Already?
04:07What do I do now?
04:10Did you call the police?
04:12Or should I congratulate you on your guests, Ginger?
04:15We almost ended in tragedy.
04:17And it's all your fault.
04:18And why?
04:20It's not my fault
04:21That men fight
04:22Because they like it
04:23You better take charge
04:24That they recover
04:25So they can go home
04:27Meanwhile, I'll be doing
04:28I'll be at the door
04:30Don't do it
04:31Nino decides to come back
04:42Are you feeling better now?
04:45Yeah
04:46Far better
04:48Hey, where's Marcos?
04:51Don't worry about him
04:52He is being very well taken care of.
04:54I need to talk to him
04:55No, no, no, no, no, no, no, no
04:58You still need to recover, little doll.
05:00I think he's confusing me.
05:16With another person
05:25It's you?
05:29It's you?
05:29And it's always
05:31I dreamed
05:35I imagined
05:37Both
05:40Hey, wait
05:43Little hand
05:43Hey girl, what's up?
05:45Oh, the thousands that saw me
05:46And did he recognize me?
05:48No, no, no, no, no
05:49That's impossible
05:50As if he were divine.
05:51Okay, that's it.
05:52Peaceful
05:52Peaceful
05:53I'll take care of it.
05:54They've already left.
06:01So, well
06:03Don't worry, precious
06:05Because teacher Tapia is outside
06:07And he's not going to let anyone in.
06:09And if they enter
06:10Let them prepare
06:11Because what I haven't told you
06:13I'm also a black belt in karate.
06:15And well, I hate violence
06:17Because if not
06:18I would have broken a couple of those guys' bones.
06:21Hey
06:21But why aren't we talking about you?
06:24OK that's fine
06:25But
06:26I hope you will take this into account
06:28That I'm a busty girl
06:30That
06:31It shows.
06:33Yeah?
06:34Young
06:36Oh, oh, oh
06:38It's better than you and your friend
06:40Get out of here
06:41Because I don't want any more trouble.
06:43So
06:45Bye
06:46Lie down
06:47Oh
06:47I'm fine
06:49I'm fine
06:50Oh, hey
06:51Peaceful
06:53Excuse me, aren't you Marixa's friend?
06:56What are you doing here?
06:58Well, I
06:59I
06:59I live in this house, sir.
07:02Lie down, please.
07:03Really
07:03You are unwell
07:04I'm fine
07:04Already
07:05Hey, and
07:07And does Marixa live here too?
07:10No
07:11No, sir
07:12She doesn't live here
07:13She lives far away
07:15Very far away
07:16Very far away
07:16From this house
07:17And what happened to
07:19The girl who was with me?
07:22Yeah
07:23It's just that I
07:24I think I know her.
07:26Do you know her?
07:28No, no, no, sir
07:30I highly doubt it
07:31She looks like the same girl to me.
07:33That he bumped into me at the company
07:34And he kissed me
07:35And he left it for me.
07:36Planted here on the shirt
07:37AND
07:38And it's all her fault
07:40Well, I got myself into a terrible mess.
07:54Marcos
07:55How are you, friend?
07:57What do you think?
07:58Hey, the man says that
08:00We have to leave
08:01Uh-huh
08:02Yes, it's the best.
08:03Please tell your friend
08:05Thank you for defending me.
08:06And above all because
08:07Thank you for your attention.
08:08Yeah
08:08She's a sweetheart
08:10Come on, gentlemen
08:11Come on, I'll walk you to the door
08:12Bye
08:13How's it going?
08:14How are you?
08:17Oh, God
08:18Don't forget that, okay?
08:20Never return
08:22Ah
08:22And go straight home
08:24Because the child must be around
08:27Still around
08:28It was a pleasure meeting you, gentlemen.
08:30Bye
08:31A real pleasure, sir.
08:36What a great invention, right?
08:38That grows, old man.
08:40Because I'm coming back
08:41Because I'm coming back
08:43That it wasn't enough for you
08:44With the beating
08:45What did they give us, man?
08:47That little finger
08:49She looked beautiful
08:49Did you see her?
08:50Besides, I left her dead
08:51And give me some kisses
08:54You're so lucky!
08:55Instead
08:56It was my turn.
08:56A really ugly one
08:57I had barely gotten up
08:59He ran away
09:00Do you know who he looked like?
09:02To the
09:04The one who gave me a kiss
09:05Here by mistake
09:06On the shirt
09:07Do you remember?
09:08Hey, friend
09:08Could it be that
09:09That fate dealt you a hand.
09:10And that woman
09:11Is it going to change your life?
09:12You're so funny, man.
09:15But
09:16But do you know who lives here?
09:19A friend of Marixa Ferrer
09:22What a coincidence, right?
09:24Look
09:52Oh
09:53Oh
09:54Oh no, what a scare we had, sis.
09:59When he saw me, he recognized me from the time he gave me the money to pay for the hospital.
10:02And indeed he asked me about you.
10:05Well, that is to say, because of Maritza.
10:07And I had to tell him that you lived very far away and that you never came to this neighborhood.
10:13And most likely he'll ask you about me tomorrow.
10:16How silly of me.
10:18To think he was going to find me with this face.
10:23But, but he told me that he liked my voice.
10:27The judge got something, didn't he?
10:30You've already won one, little one.
10:33He likes your voice, Juliana's voice.
10:37No, no, no, no, he, he likes Maritza.
10:43Yes, because, because I, Juliana, will never be able to make him fall in love with me.
10:51Well...
10:52If he knew who I was, he would be really disappointed.
10:56No, no, anyway, he, he told me he wanted to thank you.
11:01Because you doubted me.
11:04Oh, look.
11:06Oh no, look, little hand, no.
11:07No, I, if I were you, I would enjoy things just as they are, yes sir.
11:12And I would dedicate myself to making him fall in love with me.
11:16Oh, to love him, to seduce him, my friend.
11:19Oh no, Luis, look, that's not honest.
11:21I am not Maritza.
11:23Oh well, so what?
11:24And?
11:25Think.
11:27You've never had a boyfriend.
11:31No one has ever kissed you.
11:33And now that life is giving you the opportunity to be happy, why not accept it?
11:39Huh?
11:40Yes, but...
11:41No, absolutely nothing.
11:43Think about it.
11:48This is a dream.
11:52Live it intensely.
11:55Love that man.
11:57And then...
11:58Not after.
12:00We'll sort this out now.
12:02Kid, you're drunk.
12:04Why don't you just go to sleep?
12:06And we'll talk when you can stand up, okay?
12:09No.
12:11I want to know why you brought these guys here.
12:14I already told you.
12:15I brought them so they could see us dance.
12:18And those guys produce musical shows all over the country.
12:22And maybe, I don't know, they can give us a job, girl.
12:25You know that I can get my jobs on my own.
12:30And I don't need any rich kid to come and watch me dance.
12:34I'm warning you about something.
12:37Look at me.
12:39If they return to the neighborhood, not even Mandrake can save them.
12:44Do you understand me?
12:46Not even Mandrake.
12:50Juliana, I'm talking to you.
12:51I have to go now.
12:53The sun is about to rise.
12:57The sun what?
13:00Oh.
13:01Who did she get her crazy looks-alike from?
13:04Don't forget to make me breakfast.
13:07Oh.
13:08I want the weekend to come so you can take care of me all morning.
13:14Morning?
13:23Good morning, Marcos.
13:24Good morning, Dad.
13:25How are you?
13:26Okay, okay.
13:26Thank you, son.
13:27Hey, Barbara says there are problems with the video.
13:30And he wants us to repeat it.
13:31I'll see it.
13:33I tried last night, but...
13:34I couldn't anymore.
13:37Check it out.
13:38You'll probably agree with her.
13:39I suggest you change your director of photography.
13:43And that the takes be repeated, but this time with Mauricio Cadavid.
13:47OK.
13:48But if you want us to repeat it, we will.
13:50You're the boss.
13:51Well.
14:10Oh, little sister.
14:14How awful!
14:17I still can't believe you've changed so suddenly, no.
14:22You are very lucky, you really are.
14:25You know I'd love to have a great-aunt like yours who's dead, maybe...
14:31It works a little miracle for me, doesn't it?
14:34You look...
14:35Hey, you look beautiful, you really do.
14:37I love you so much, little sister.
14:39And I envy you, but in a good way, of course.
14:43Okay, hurry up.
14:44Are you missing anything?
14:45Yes, I'm coming. I came for the end of love.
14:48This will help Marcos with his new product.
14:52Ah, yes.
14:53And how so?
14:54With your Aunt Mercedes' herbs.
14:56Uh-huh.
14:58Oh, little sister.
14:59You're going to bewitch him.
15:00Oh no.
15:01What do you think?
15:02No.
15:03I need this for the new formula I have to create at the company.
15:07Okay, so what does that have to do with Marcos?
15:11Well, then...
15:12I want him to know that I know what I'm doing.
15:16Uh-huh.
15:17He has given me his complete trust.
15:19And he helped me get my mom out of the hospital.
15:21And, well, I've also been thinking about everything that happened last night and what you told me and...
15:34You're right.
15:36Oh, I want to love him, love him, love him and live this dream.
15:41That's it, that's what I like to hear, my friend.
15:43But, watch out, watch out, take care of that love.
15:45Well, oh well, whatever it's called, whatever.
15:48You're not going to make him fall in love with you.
15:49No, ma'am.
15:50Look, if you want to make that man fall head over heels in love with you, you have to feel good, baby.
15:56Ah, yes.
15:57And one more important thing, learn to walk like your mom.
16:01Yeah?
16:01Do you know what it's like?
16:02No.
16:03Come on.
16:04Quickly.
16:05Hands here.
16:06Come on.
16:10Juliana, where are you?
16:12What's wrong with my breakfast?
16:14Take care of it, okay?
16:16Please, I'm leaving now.
16:28Forward.
16:30Good morning, engineer.
16:32Come in, close the door, please.
16:33I'm sorry to interrupt, but...
16:36My God, what happened to him like that brute did to him?
16:39How rude!
16:40Well, me.
16:42No, no, it was the one who left it like that.
16:45Because I don't think she slipped in the bathroom, do I?
16:48No, don't worry, it'll pass in a couple of days.
16:50Please sit down.
16:54Hey, you know what?
16:55Something very strange happened to me last night.
16:58I think I heard your voice.
17:01Yes, it was like...
17:03Better forget it.
17:04Engineer.
17:07My mother was a patient at the central hospital.
17:11And someone left a good amount of money to pay the bill.
17:17And that person...
17:19It was you.
17:37I knew you were going to say that.
17:38She told your friend, right?
17:41I was at his house last night.
17:42What's her name?
17:44Luzmila.
17:45Luzmila.
17:45Yes, he gave her the money.
17:48Hey, do you go to that place often?
17:51This...
17:51Yeah.
17:53Well, no.
17:55Actually, I was at that academy, but many years ago.
17:59Besides being an extremely beautiful woman, you are a dancer.
18:03I?
18:05No no.
18:06I don't dance.
18:07We'll see.
18:09And regarding the money, I know it was a bit forward and I hope you don't take it the wrong way.
18:15Bad, right?
18:17Thank you so much for helping me.
18:20I swear I will pay you back every last penny as soon as I can.
18:24You'll pay me back.
18:27Uh, well, I just called the supplies department to get us a sample of the
18:32that plant.
18:33What's its name?
18:34With love.
18:35Oh, but it's not necessary.
18:36At my house I had.
18:38And here I brought something so I could do a test in the lab.
18:45What happened? Did I say something wrong?
18:48No.
18:54Know?
18:56You have very beautiful eyes.
19:00And I'm serious.
19:01And your voice.
19:04Your voice fascinates me.
19:09Oh, let's go to the lab.
19:18Engineer Marcos Murti is very interested in clarifying this whole matter.
19:22That's why we need your full cooperation.
19:24What else do you want me to say?
19:26I already told him everything I know.
19:28And as you can understand, my poor husband can't tell us anything about what happened.
19:33What does the doctor say?
19:35When will your husband be able to speak?
19:38According to him, possibly in a week.
19:44Here are my phone numbers, please.
19:46If you know or remember anything, call me right away.
19:49Yes sir.
19:50Don't worry.
19:51Thank you.
19:55I will keep that in mind.
19:58Detective, please tell Engineer Murti that I greatly appreciate your concern for my husband.
20:05Clear.
20:06Thank you.
20:09Will Doña Bárbara like this?
20:13Permission.
20:14Yeah.
20:21What's happening?
20:22Are you afraid of me?
20:25No, that's not it.
20:26I just don't think it's right for us to be like this together.
20:30Let's just say I do appreciate beauty up close.
20:40Excuse me, engineer.
20:41The production staff is waiting for you.
20:43Well, tell them we're postponing the commercial until tomorrow.
20:46Something urgent has come up and I have to deal with it.
20:59What are you doing?
21:00Lie down, please.
21:01We need to get out of here now.
21:03No, don't say that.
21:05You heard the detective, engineer Murti is going to help us.
21:08He's a good person.
21:09No.
21:10They are all the same.
21:11Come on, help me.
21:12Help me.
21:12No, no, no.
21:13Lie down, you're going to get sick.
21:16What do you mean, an investigator?
21:18No.
21:19Nobody should enter that person's room.
21:23Look, Romero, do whatever it takes.
21:24But I need to get rid of Castañeda for good.
21:28Forever, ma'am?
21:30Yes, forever.
21:32Do you understand now?
21:37What's up, cousin?
21:38Who are you talking to?
21:40Well, with my Marita.
21:43The thing is, now she's taken to it because she always wants to know what I'm doing and where I am.
21:47Well, you know how Gabriel Murti is.
21:49Yeah.
21:50Shall we go?
21:51Come on?
22:07Gabriel Murti.
22:12We never saw each other again for 21 years.
22:20Regina, look what I brought you.
22:23Cherry juice.
22:25That makes you fat.
22:26Stop obsessing and take it.
22:29Buddy.
22:30That?
22:32Do you think I've changed a lot?
22:34Look at this photograph with Gabriel Murti.
22:39If he sees me, will he recognize me?
22:44But look at me, look at me.
22:45I'm fat, fat, fat, fat.
22:47Regina, Regina.
22:48What are you planning?
22:50You're not thinking of going to Murti's company and telling him that Juliana is his daughter, are you?
22:54No.
22:55Ah, well, well.
22:56I'm never going to tell him that.
23:00But I have to start preparing for the reunion with him.
23:05And if my daughter works with Gabriel Murti, I'm going to meet him someday and I want to look spectacular.
23:17spectacular.
23:23Mr. Murti, let me find the photos for you.
23:26Karina, don't worry, just carry on with what you're doing.
23:29Marcos probably left them around here.
23:36Hello?
23:37Mr. Murti.
23:38Yes, and who's speaking?
23:39Talk to Mrs. Castañeda.
23:42Do you remember when he came to see us at the hospital?
23:45As?
23:46What are you talking about?
23:47Excuse me, am I speaking with Mr. Marcos Murti?
23:51No, he's confusing me with my son.
23:54I am Gabriel Murti.
23:59And Marcos?
24:02Where is?
24:05Marcos, I think he's in the lab.
24:08They told me I was with you and I thought you were both watching the video.
24:13Well, it doesn't matter, I'll be in my office, okay?
24:15Well.
24:16Ah, my love, my love.
24:18He doesn't ask, do you know why Castañeda didn't come to see me in my office before resigning?
24:27Gabriel, why do we have to be talking about that criminal?
24:31My love, I don't know.
24:33I think that...
24:34...that if he didn't come to see you it was because he who owes, fears.
24:38Furthermore, when Romero discovered that he was stealing the formulas from the laboratory,
24:42He simply had no way to give explanations.
24:44And he left, he left like what he is, like a rat.
24:49Yes of course.
24:51Okay, I'll be in my office, alright?
24:55Okay, we're ready now, all that's left is to mix it.
25:01The problem is that I don't know this device very well.
25:03and I need to calculate the measurements exactly.
25:08Already.
25:13AND...
25:14What if we add a little bit of...
25:17to the reagent?
25:19No, no, no, no, no!
25:22Oh dear, it's gone bad again.
25:24Excuse me, I'm sorry.
25:26It doesn't matter, it doesn't matter, it doesn't matter.
25:27We do it again, but with less reagent.
25:38Do you realize what such beautiful eyes are capable of?
25:42And an angelic face like yours?
25:46Oh, engineer, please.
25:48If you keep telling me those things, I'm going to make the same mistake again.
26:13Oh my God, the counter malfunctioned.
26:17Well, we have to turn it off, otherwise we're going to go deaf.
26:20Where is Romero?
26:21He's the one who knows this machine.
26:23Where could he be hiding?
26:24In the hospital.
26:27You'll find it right there.
26:29Room 303.
26:32So what do we have to do now?
26:34Can't you guess?
26:37Now we have to go far.
26:40Much further away.
26:42Further?
26:44Well, this time I'm charging for the gas separately.
26:47Because what he paid us last time was barely enough for that.
26:50Don't be like that, Brutus, that's not what I mean when I say we have to go further.
26:56What he means is that...
27:01I'm very sorry, sir, but you cannot leave the hospital.
27:05Please, doctor.
27:07I know what I'm talking about.
27:09I have to go.
27:10Doctor, please.
27:11I'm sorry, but he needs to stay under observation for three more days.
27:15No, excuse me.
27:16Oh.
27:17Oh.
27:17No, no, no.
27:18Please.
27:20I'm going to believe that a doctor with so many diplomas on the wall doesn't do liposuction.
27:26Ma'am, please.
27:28I already explained it to him, I am a general surgeon.
27:30I don't practice those kinds of procedures.
27:33Which, by the way, are very dangerous.
27:35Furthermore, I don't see the need for you to have that surgery.
27:39I see I came here to waste my time with you.
27:47Furthermore, a doctor who does not perform liposuction can only be a quack.
28:09And now what happened?
28:11What's with that face, my dear friend?
28:12Oh, don't even talk to me.
28:16Don't even talk to me.
28:19That quack doctor, when he realized I didn't have any money, acted like a real jerk.
28:29Money.
28:30What I need is money.
28:35Oh.
28:39Hopefully, Julianita, you can get paid soon.
28:44Hopefully.
28:46Oh, my friend, I saw something so awful.
29:01Well, this time I did it in a simpler way.
29:05But I want to take the risk.
29:08And I think the only thing it's missing is a little bit of that magic ingredient of yours.
29:14Which is like... what's it called?
29:17Like love.
29:18Is...
29:20With love.
29:21Your turn?
29:32Well?
29:35I don't know, but...
29:37I think it's still missing something.
29:43To the formula or...
29:45Or us?
29:48To the formula or...
29:50Of this reality?
29:54I wish I could lie...
29:57That I am someone else...
30:00Excuse me for interrupting.
30:03Hey...
30:04Can we talk for a moment?
30:06Yes of course.
30:07I'll be right back.
30:08When you're very far away...
30:11It is located...
30:12My soul cries out against me...
30:16Will there be any love...
30:19To the formula or...
30:35And this is what Marixa and I are doing?
30:37Don't you realize that if we don't have products, there's no campaign?
30:41Marcos...
30:41It's one thing to like the girl.
30:43And one more thing...
30:44The whole work plan is behind it.
30:46We're working on that.
30:48What's wrong, Charlie?
30:49Look, we'll record whatever you want tomorrow.
30:51Well...
30:52Yeah, man.
30:59Stop, stop, stop!
31:00What happened?
31:03Watch out for the cars, Regina!
31:06I'm coming, I'm coming!
31:08Good heavens!
31:12Oh, doctor!
31:14Don't you know how much work it took me to find an expert like yourself?
31:19I know, Mrs. Soler.
31:21Furthermore, as is the case now, any charlatan is a doctor.
31:25And have you had many liposuction procedures?
31:28All.
31:30Look, I know what it's like to live with all those problems on top of you.
31:34Mrs. Soler, I have put all my knowledge to use in favor of those most in need.
31:39Believe me.
31:40You don't know how grateful I am.
31:43And I am one of them.
31:48Doctor, the thing is, I have tires here on my waist.
31:54I have cellulite on my legs.
31:56And I have a fat one here in my stomach.
31:59Besides...
32:00Yes, yes, yes, yes.
32:09And quite a bit of fat around the ankles, my lady.
32:13What happens when the foot doesn't move?
32:17Look, Mrs. Soler, after many years of research I discovered that fat around the ankles impedes mobility
32:26of the foot.
32:27What happens when the foot doesn't move?
32:29He doesn't exercise.
32:31And when you don't exercise, you gain weight easily and become obese.
32:34He doesn't exercise.
33:04What happens when the foot doesn't move?
33:08What happens when the foot doesn't move?
33:30I am here to serve you.
33:32And to ask life for another chance, but the world is unforgiving to the poor, and to be poor until the
33:44Death will be my condition.
33:59That's it, little drops of tulip so they don't feel bad, a little color to make the
34:11burning,
34:13Chabacal grass to make it last until the end, and a little bit of bitter melon to ward off the stinging.
34:33Oh, how embarrassing, how long ago did he arrive? I didn't hear him arrive.
34:38I've been secretly watching you for a while now, and you know what? I only heard somewhere else that it was...
34:45that you were reciting.
35:01Where were you, Ginger?
35:03Hey Nino, what's wrong with you? Are you going to start controlling my life now?
35:09Cousin! Little cousin!
35:12Cousin, I need you to do me a favor. Yes, I need you to give me a ride in your car.
35:16Hey! Who do you think you are to come here and give orders?
35:20Hey, don't talk to him...
35:21Just a moment, just a moment. I'm not giving orders, darling, okay?
35:26I just want Nino to do me the favor of taking me...
35:28Nino is my boyfriend, and you're not taking him away, because we're talking.
35:32Oh, really? Well, you can be my boyfriend, but he was my cousin first, and I can do whatever I want with him.
35:38whenever I feel like it.
35:40Right? Right, Nino?
35:41Yes, but it can't be later, Rosmina.
35:44Oops!
35:45You heard it.
35:48He loses.
35:48Just a moment, just a moment.
35:50No old weeping woman comes to tell me what to do.
35:53Begging?
35:54Who are you calling a beggar?
35:56Oh, wasn't it you? Weren't you the one who invited the rich kids last night?
36:00Yes, he invited them and they were letting it slide like butter.
36:03Be quiet!
36:04Witch.
36:05Firm!
36:06A fight broke out over your body, Ginger!
36:08Fight?
36:09You're going to be in so much trouble right now because of Focona!
36:11Focona!
36:13Focona!
36:16Okay, okay, okay, girls, girls, stop fighting.
36:20Silence!
36:22Okay, okay, what about you guys? Goodbye?
36:25Bye bye?
36:29Ginger, calm down, for God's sake.
36:31But what's going on in this neighborhood? We barely get out of one fight before we're already getting into another.
36:36in another one?
36:36Where do they think they are?
36:38In a cockfighting arena?
36:41She doesn't know me, teacher.
36:43Yes, Luzmila.
36:45And that's why I say that my great-aunt Mercedes taught me almost everything I know.
36:50Oh, I miss her so much.
36:54She would say it, and when one recited the formulas, they sounded better.
37:00Because it was the result of love.
37:04Well, that must be a common practice among some technicians.
37:07Why did I hear someone saying the same thing last night while I was...?
37:13Pure arnica that heals pain.
37:18Chamomile so that she doesn't argue.
37:21And linden tea, which will make him sleepy.
37:27Well, forget it.
37:29What I am sure of is that if you take a drop of your sweetness and mix it with another
37:37of your charm,
37:38The result should be wonderful.
37:41Very wonderful.
37:46Karina, have you seen Marcos?
37:48Engineer Marcos is locked up with that woman, Maritza Ferrer.
37:54How could he even postpone today's recording until tomorrow?
37:58And all so he could stay there with her.
38:00Are they alone in the lab?
38:02Yes, and who knows what that woman is saying to him.
38:07Look, Karina, I would appreciate it if you weren't making those kinds of comments in front of people.
38:11As you wish, miss.
38:13And just so you understand, engineer Marcos gave me.
38:17We're getting married very soon.
38:19Did you hear?
38:20Coming soon.
38:35Are you here?
38:54Yeah.
38:55Yeah.
39:07Where will they believe?
39:11I think the makeup is done.
39:14Now all that's left is to test it on one of the models.
39:17Why bother if we're here?
39:22What are you doing, engineer?
39:24Well, simply to try on the makeup.
39:28Come.
39:30But where?
39:31Wherever you want.
39:35No, no, I'm very embarrassed.
39:38I'd rather put it on myself.
39:40But why be ashamed if we are two adults?
39:44Because?
39:48Because I've never seen a man so close and like this.
39:56Never?
39:59And what if the formula doesn't work and causes an allergic reaction?
40:04No, better not.
40:05In that case, since we both created the formula, we both didn't test it.
40:11How about you start?
40:13Come and put it on me.
40:17Please.
40:18Well, if you insist.
40:25And I always dreamed and imagined that my heart would beat, would beat.
40:48Now, we just have to wait and see what effect it has.
40:53Well, now it's my turn.
40:56Is the neck okay?
40:57No, not on the neck.
41:00They tickle me a lot.
41:03This is my point of view.
41:06Oh, sorry, sorry, sorry, sorry.
41:09I'm sorry to tell you this private matter.
41:11I'm ashamed.
41:12No, no, no.
41:13Anyway, it's part of our job.
41:16And don't worry, I'm not going to do anything wrong.
41:19Permission.
41:24What are you doing, engineer?
41:28Simply let it dry your skin.
41:32Don't worry.
41:33And to break down those thousand barriers.
41:38I want to make you very happy.
41:44I long to love you, I have found the time.
41:53I long for and pray, and although you are,
42:02in the sky.
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