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مسلسل Hannibal مترجم - Episode 1
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00:00The
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00:05The
00:07The
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00:07The
00:10The
00:12The
00:18The
00:19The
01:00I'll shoot Mr. Marlowe twice, severing jugulars and carotids with near-surgical precision.
01:05He will die watching me take what is his away from him.
01:08This is my design.
01:27I shoot Mrs. Marlowe expertly through the neck.
01:30This is not a fatal wound.
01:31The bullet misses every artery she's paralyzed before it leaves her body.
01:37Which doesn't mean she can't feel pain.
01:41It just means she can't do anything about it.
01:48This is my design.
02:02This is DDX security.
02:03Who am I speaking with?
02:08I need the incident report for the home security company.
02:18This was recorded as a false alarm.
02:23It was a false alarm last week.
02:30He tapped her phone.
02:34Yeah, it's been tapped.
02:35He recorded Mrs. Marlowe's conversation with the security company.
02:39This is DDX security.
02:40Who am I speaking with?
02:42Teresa Marlowe.
02:44Can you please confirm your password for security purposes?
02:47T-Kettle.
02:49Thank you, Mrs. Marlowe.
02:50We detected a front door alarm.
02:53Yeah, sorry about that.
02:56Is there anyone in the house with you at this time, Mrs. Marlowe?
02:59I'm just here with my husband.
03:01Do you require any further assistance?
03:04No.
03:05Thank you so much for calling.
03:09And this is when it gets truly horrifying for Mrs. Marlowe.
03:19Everyone has thought about killing someone, one way or another.
03:25Be it your own hand or the hand of God.
03:29Now think about killing Mrs. Marlowe.
03:35Why did she deserve this?
03:38Tell me your design.
03:41Tell me who you are.
03:50Mr. Graham.
03:53Special Agent Jack Crawford.
03:55I head the Behavioral Science Unit.
03:57Hey, Matt.
03:57Yes.
03:58We had a disagreement when we opened up the museum.
04:01I disagreed with what you named it.
04:03The Evil Minds Research Museum.
04:06It's a little hammy.
04:07Jack?
04:09See, you've hitched your horse to a teaching post,
04:12and I also understand it's difficult for you to be social.
04:15Well, I'm just talking at them.
04:17I'm not listening to them.
04:18It's not social.
04:20I see.
04:23Yeah.
04:28Where do you fall on the spectrum?
04:31My horse is hitched to a post that is closer to Asperger's and autistics
04:36than narcissists and sociopaths.
04:40But you can empathize with narcissists and sociopaths.
04:44I can empathize with anybody.
04:45It's less to do with a personality disorder than an active imagination.
04:49Um, can I borrow your imagination?
04:56Eight girls abducted from eight different Minnesota campuses
05:00all in the last eight months.
05:02Well, there were seven.
05:02There were.
05:04When did you tag the eighth?
05:05About three minutes before I walked into your lecture hall.
05:09You're calling them abductions because you don't have any bodies?
05:11No bodies, no parts of bodies, nothing that comes out of bodies, nothing.
05:16Then those girls weren't taken from where you think they were taken.
05:19Then where were they taken from?
05:20I don't know.
05:21Someplace else.
05:23All of them abducted on a Friday so they wouldn't have to be reported missing until Monday.
05:27Now, however he's covering his tracks, he needs a weekend to do it.
05:35Number eight.
05:36Elise Nichols.
05:38St. Cloud stayed on the Mississippi, disappeared on Friday,
05:40was supposed to house it for her parents over the weekend, feed the cat.
05:44She never made it home.
05:45One through seven are dead, don't you think?
05:47He's not keeping them around.
05:49He got himself a new one.
05:51So we focus on Elise Nichols.
05:55They're all very, uh, the mall of America.
06:01It's a lot of wind-chafed skin.
06:03Same hair color, same eye color, roughly the same age, same height, same weight.
06:08So what is it about all of these girls?
06:10No, it's not about all of these girls.
06:12It's about one of them.
06:15It's like Willy Wonka.
06:16Every girl he takes is a candy bar, and hidden in amongst all of those candy bars
06:21is the one true intended victim, which, if we follow through in our metaphor,
06:26is your golden ticket.
06:29So is he warming up for his golden ticket, or just reliving whatever it is he did to her?
06:34No, the golden ticket wouldn't be the first taken, and she wouldn't be the last.
06:37He would, um, hide how special she was.
06:39I mean, I would.
06:40Wouldn't you?
06:42I want you to get closer to this.
06:43No, you have Heimlich at Harvard and Bloom at Georgetown.
06:46They do the same thing I do.
06:48That's not exactly true, is it?
06:50You have a very specific way of thinking about things.
06:53There have been a lot of discussion about the, uh, specific way, I think.
06:57You make jumps you can't explain with.
06:59No, no, no.
07:00The evidence explains.
07:02Then help me find some evidence.
07:07That may require me to be sociable.
07:23She could have gone out by herself.
07:26She was a very interior young woman.
07:31She didn't like living in her dorm.
07:35I could see how the pressure at school might have gotten to her.
07:40She likes trains.
07:42Maybe she just got on a train and...
07:44She looks like the other girls.
07:47Yes, she fits the profile.
07:51Could Elise still be alive?
07:58We simply have no way of knowing.
08:01How's the cat?
08:03What?
08:07How's your cat?
08:09But Elise was supposed to feed it.
08:11Was the cat weird when you came home?
08:13Must have been hungry.
08:14Didn't eat all weekend.
08:17I didn't notice.
08:24Would you give us a moment, please?
08:36Took her from here.
08:40And she got on a train.
08:42She came home.
08:43She fed the cat.
08:46And he took her.
08:52At Nichols' house is a crime scene.
08:54I need ERT immediately.
08:56I want Zeller, Katz, and Jimmy Price.
08:59Yes, and a photographer.
09:01Why is it now a crime scene?
09:04Can I see your daughter's room?
09:09Police, we're up there this morning.
09:20Now, I'll get there.
09:22Mr. Nichols, please put your hands in your pockets and avoid touching anything.
09:27We've been in and out of here all day.
09:31You can hold a cat if it's easier.
09:42At least, I need you to leave the room.
09:47No.
10:01Take your time.
10:02When you're ready to talk, you talk.
10:04If you don't feel like it, you don't talk.
10:08We'll be downstairs.
10:10You let me know when you're ready for us to come in.
10:22We'll be downstairs.
10:54We'll be downstairs.
11:19You're a little Graham.
11:21You're not supposed to be in here.
11:23You wrote the standard monograph on time of death by insect activity.
11:28Found antler velvet in two of the ones.
11:31You, uh, not real FBI?
11:33I'm a special investigator.
11:36Never been an FBI agent?
11:38Then, um, strict screening procedures.
11:42Detects instability.
11:43You unstable?
11:47Now, you know you're not supposed to be in here.
11:48I found antler velvet in two of the wounds, like she was gored.
11:51I was looking for velvet in the other wounds, but I was interrupted.
11:54Hold on.
11:55Excuse me.
11:55Look, deer and elk pin their prey, okay?
11:57They put all their weight into their animals to try and suffocate a victim.
12:00That's how they would kill, like, a fox or a coyote.
12:02All right.
12:02At least Nichols was strangled, suffocated.
12:04Her ribs are broken.
12:05Antler velvet is rich in nutrients.
12:07It actually promotes healing.
12:09He may have put it there on purpose.
12:11You think he was trying to heal her?
12:13He wanted to undo as much as he could, given that he'd already killed her.
12:19He put her back where he found her.
12:21Whatever he did to the others, he couldn't do it to her.
12:25Is this his golden ticket?
12:29No.
12:33This is an apology.
12:38Does anyone have any aspirin?
12:55Hello.
13:00Hey.
13:04Hey.
13:05Hey.
13:06Come on.
13:20Hey.
13:26Hey.
13:28Hey.
13:30Hey.
13:45Winston, this is everybody.
13:48Everybody, this is Winston.
13:53Hey, man.
13:55That's right.
14:08That's right.
14:36That's right.
15:15That's right.
15:19Man.
15:24What are you doing in here?
15:26I enjoy the smell of the urinal cake.
15:28Me too.
15:28We need to talk.
15:30Use the ladies' room!
15:38Do you respect my judgment, Will?
15:41Yes.
15:42Good.
15:43Because we will stand a better chance of catching this guy with you in the saddle.
15:47Yeah, I'm in the saddle.
15:51Just, um...
15:52Confused which direction I'm pointing.
15:56I don't know this kind of psychopath.
15:58I've never read about him.
15:59I don't even know if he's a psychopath.
16:00He's not insensitive.
16:01He's not shallow.
16:02You know something about him.
16:04Otherwise, you wouldn't have said this is an apology.
16:06What is he apologizing for?
16:08He couldn't honor her.
16:10He feels bad.
16:10Well, feeling bad defeats the purpose of being a psychopath, doesn't it?
16:13Yes, it does.
16:14Then what kind of crazy is he?
16:19He couldn't show her he loved her.
16:21So he put her corpse back where he killed it.
16:24Whatever crazy that is.
16:25You think he loves these girls?
16:27He loves one of them.
16:29And, yes, I think by association he has some form of love for the others.
16:32There was no semen.
16:34There was no saliva.
16:35Elise Nichols died a virgin.
16:37She stayed that way.
16:37That's not how he's loving them.
16:39He wouldn't disrespect them that way.
16:41He doesn't want these girls to suffer.
16:43He kills them quickly and...
16:46His thinking with mercy.
16:53Sensitive psychopath.
16:56Risked getting caught.
16:58So he could tuck Elise Nichols back into bed.
17:01He has to take the next girl soon.
17:05He knows he's going to get caught.
17:09One way or the other.
17:28I got you.
17:52I got you.
17:54He doesn't think you'll run any mind games on him.
17:57I don't.
17:58I'm as honest with him as I'd be with a patient.
18:01You've been observing him while you've been guest lecturing here at the academy, yes?
18:05I've never been in a room alone with Will.
18:07Why not?
18:09Because I want to be his friend, and I am.
18:11Well, it seems a shame not to take advantage.
18:14And academically speaking.
18:15You already asked me to do a study on him, Jack.
18:18I said no.
18:20Anything scholarly on Will Graham would have to be published posthumously.
18:23So, you've never been alone with him because you have a professional curiosity about him?
18:30Normally, I wouldn't even broach this.
18:33But what do you think one of Will's strongest drives is?
18:39Fear.
18:40Mm-hmm.
18:41Will Graham deals with huge amounts of fear.
18:44He comes with his imagination.
18:45It's the price of imagination.
18:47Alana, I wouldn't put him out there if I didn't think I could cover him.
18:52All right, if I didn't think I could cover him 80 percent.
18:54I wouldn't put him out there.
18:56He's out there.
18:57I need him out there.
18:59Should he get too close, I need you to make sure he's not out there alone.
19:05Promise me something, Jack.
19:09Don't let him get too close.
19:11He won't get too close.
19:20Okay.
19:22Tried her skin for prints.
19:24Of course, nothing.
19:25We need to get a hand spread off her neck.
19:27Reports say anything about nails?
19:29Fingered nails were smudged when we took the scrapings.
19:31Scrapings were from her own palms when she scratched them.
19:34She never scratched him.
19:35Piece of metal is all we got.
19:36We should be looking at plumbers, steamfitters, tool workers.
20:06Other injuries were probably but not conclusively
20:09post-mortem so not gored she has lots of piercings that look like they were
20:14caused by deer antlers I didn't say the deer was responsible for putting them
20:17there she was mounted on them like hooks she may have been bled her liver was
20:25removed you see that mm-hmm took it out and then yeah he put it back in oh why
20:32would he cut it out if he's just gonna sew it back in again something wrong with
20:36the meat she has liver cancer he's eating
21:15them
21:32please
21:41thank you
21:47I hate being this neurotic if you weren't new budget Franklin you would be something much worse
22:01our brain is designed to experience anxiety in short bursts not the prolonged
22:06duress your neuroses seem to enjoy it's why you feel as though a lion were on the verge of devouring
22:11you
22:16Franklin you have to convince yourself the lion is not in the room when it is I assure you you
22:25will know
22:32Dr. Lecter
22:34I'm a special agent
22:35I hate to beat this courteous but this is a private exit for my patients
22:38oh Dr. Lecter
22:40sorry
22:42I'm a special agent
22:44Jack Crawford
22:45FBI may I come in
22:47you may wait in the waiting room
22:49Franklin
22:50I'll see you next week
22:51yes
22:52unless of course this is about him
22:55no this is all about you
23:05please
23:06come in
23:12so may I ask how this is all about me
23:15you can ask
23:16but I may have to ask you a few questions first
23:22you expecting another patient
23:23we all alone
23:25good
23:27no secretary
23:28she was predisposed to romantic whims
23:31followed her heart to the United Kingdom
23:34sad to see her go
23:38wow
23:44are these yours doctor?
23:46among the first
23:46my boarding school and parents when I was a boy
23:49the amount of details incredible
23:53learned very early a scalpel cuts better points than a pencil sharpener
23:56well now I understand why your drawings earned you an internship at Johns Hopkins
24:03I'm beginning to suspect you're investigating me
24:06Agent Crawford
24:08no no
24:10no you were referred to me by Alana Bloom
24:13in the psychology department Georgetown
24:16most psychology departments are filled with personality deficiency
24:20Dr. Bloom would be the exception
24:22yes she would
24:23yes she would
24:25well she told me that you mentored her during her residency at Johns Hopkins
24:29I learned as much from her as she did for me
24:30she also showed me your paper
24:33evolutionary
24:35evolutionary origins of social exclusion
24:37yes
24:38very interesting
24:40very interesting
24:40even for a layman
24:43a layman
24:44yeah
24:45so many learning fellows going about in the halls of behavioral science at the FBI
24:49and you consider yourself a layman
24:50I do when I'm in your company doctor
24:53um
24:55I need you to help me with a psychological profile
25:02tell me then
25:02how many confessions
25:04twelve dozen last time I checked
25:06none of them had any details
25:08until this morning
25:09and they all had details
25:11some genius in Duluth PD
25:13took a photograph of Elise Nichols body with his cell phone
25:16shared it with his friends
25:17and then Freddie Lowndes posted it on tattlecrime.com
25:21tasteless
25:22do you have trouble with taste?
25:26my thoughts are often not tasty
25:29no mind
25:29no effective barriers
25:32I build forts
25:34associations come quickly
25:36so do forts
25:41not front of eye contact
25:43I am
25:44now eyes are distracting
25:46see too much
25:47not see enough
25:48and and
25:48it's hard to focus
25:50when you're thinking
25:51um
25:51oh those whites are really white
25:54or
25:54he must have hepatitis
25:56or
25:56oh is that a burst vein?
25:58so
25:59yeah
26:00I try to avoid eyes whenever possible
26:03Jack?
26:04yes
26:05I imagine what you see and learn touches everything else in your mind
26:09your values and decency are present yet
26:12shocked at your associations
26:14appalled at your dreams
26:17no forts in the bone arena of your skull for things you love
26:21whose profile are you working on?
26:24whose profile is he working on?
26:26I'm sorry Will
26:27observing is what we do
26:28I can't shut mine off any more than you can shut yours off
26:31please
26:33don't psychoanalyze me
26:35you won't like me when I'm psychoanalyzed
26:37Will
26:38now if you'll excuse me
26:39I have to go give a lecture
26:41on psychoanalyzing
26:46maybe we shouldn't poke him like that doctor
26:48perhaps a less uh
26:50direct approach
26:52what he has is pure empathy
26:55he can assume your point of view
26:57or mine and maybe some other points of view that scare him
27:01it's an uncomfortable gift Jack
27:02hmm
27:05perception's a tool that's pointed on both ends
27:09this
27:11cannibal you have him getting to know
27:14I think I can help Goodwill see his face
27:38the stag head was reported stolen last night about a mile from here
27:42just the head?
27:44Minneapolis Homicide's already made a statement
27:46they're calling him the Minnesota Shrike
27:48like a bird?
27:50Shrike's a perching bird
27:52impales mice and lizards on thorny branches and barbed wire
27:56rips their organs right out of their bonds
27:59puts them in a little birdy pantry
28:01and eats them later
28:02can't tell whether it's sloppy
28:04or shrewd
28:05he wanted her found this way
28:10it's petulant
28:13I almost feel like he's mocking her
28:16Lord
28:17he's mocking us
28:21where did all his love go?
28:24whoever tucked Elise Nichols in the bed
28:26didn't paint this picture
28:29he took her lungs
28:32I'm pretty sure she was alive when he cut them out
28:34we need to help her
28:42we need to be a ghost
28:44we need to be a ghost
28:50we need to be a ghost
28:50we need to be a ghost
28:50we need to be a ghost
28:50and we need to be a ghost
28:50our cannibal loves women
28:53he doesn't want to destroy them
28:55he wants to consume them
28:56keep some part of them inside
28:58this girl's killer thought that she was a pig
29:02you think this was a copycat the cannibal who killed elise nichols had a place to do it and
29:07no interest in in field kabuki so he has a house or two or a cabin something with an antler
29:15room
29:22he has a daughter
29:25the same age as the other girls same same hair color same eye color same height same weight
29:34she's an only child she's leaving home
29:39he can't stand the thought of losing her
29:44she's his golden ticket what about the copycat
29:49you know an intelligent psychopath particularly a sadist
29:53very hard to catch there's no traceable motive there'll be no patterns he may never kill this
29:57way again have dr lector draw up his psychological profile he seemed very impressed with his opinion
30:23and
30:35and
30:56Good morning, Will.
30:58May I come in?
31:00Where's Crawford?
31:02Deposed and caught.
31:03The adventure will be yours and mine today.
31:07May I come in?
31:18I'm very careful about what I put into my body,
31:20which means I end up preparing most meals myself.
31:25A little protein scramble to start the day.
31:28Some eggs, some sausage.
31:37That's delicious.
31:39My pleasure.
31:44I would apologize for my analytical ambush,
31:48but I know I will soon be apologizing again,
31:50and you'll tire of that eventually,
31:51so I have to consider using apologies barely.
31:54Just keep it professional.
31:56Oh, we could socialize like adults.
32:00God forbid we become friendly.
32:03I don't find you that interesting.
32:05You will.
32:13Agent Crawford tells me I have a knack for the monsters.
32:20I don't think the Shrike killed that girl in the field.
32:26The devil is in the details.
32:28What didn't your cover cat do to the girl in the field?
32:30What gave it away?
32:31Everything.
32:34It's like he had to show me a negative
32:36so that I could see the positive.
32:39That crime scene was practically gift-wrapped.
32:43The mathematics of human behavior.
32:45All those ugly variables.
32:48Some bad math with this Shrike fellow.
32:53Are you reconstructing his fantasies?
32:55What kind of problems does he have?
32:57He has a few.
33:01You ever have any problems, Will?
33:05No.
33:07Of course you don't.
33:09You and I are just alike.
33:11Problem-free.
33:12Nothing about us to feel horrible about.
33:17You know, Will?
33:20I think Uncle Jack sees you as a fragile little teacup.
33:25The finest china used for only special guests.
33:35How do you see me?
33:41The mongoose I wander under the house
33:43when the snakes slither by.
33:50Finish your breakfast.
33:58What are you smiling at?
34:02Peeking behind the curtain.
34:05I'm just curious how the FBI goes about its business
34:07when it's not kicking in doors.
34:10You're lucky you were not doing house-to-house interviews.
34:13We found a little piece of metal in Elise Nichols' clothes,
34:15a shred from a pipe threader.
34:19There must be hundreds of construction sites all over Minnesota.
34:23There's a certain kind of metal, certain kind of pipe, certain kind of pipe coatings,
34:27so we're checking all the construction sites that use that kind of pipe.
34:30What are we looking for?
34:32Well, at this stage, anything, really, but mostly anything peculiar.
34:42Two fellas from the FBI.
34:46They're going through the drawers now.
34:48Mm-hmm.
34:48Putting papers in file boxes.
34:50Yes, they are taking things.
34:53No.
34:54Well, they didn't say...
34:56Yes, they can.
34:58What did you say your name for?
35:03Garrett Jacob Hobbs.
35:04He's one of our pipe threaders.
35:06Those are all the resignation letters.
35:08Plumber's Union requires them whenever members finish a job.
35:12I'll call you back.
35:14Uh, does Mr. Hobbs have a daughter?
35:16Might have.
35:1818 or 19, wind-chafed, plain but pretty.
35:22She'd have auburn hair about this tall.
35:25Maybe. I don't know.
35:26I don't keep company with these people.
35:29What is it about Garrett Jacob Hobbs, your five so peculiar?
35:32He left a phone number, no address.
35:36And therefore he has something to hide.
35:38The others all left addresses.
35:40He also missed work for days at a time.
35:42Do you have an address for Mr. Hobbs?
35:53I got it.
35:54Right now.
36:18Just a second.
36:20Dad, it's for you.
36:23Who is it?
36:25Caller ID said it was blocked.
36:29Hello?
36:31Mr. Garrett Jacob Hobbs.
36:35You don't know me, and I suspect we'll never meet.
36:39This is a courtesy call.
36:40Listen very carefully.
36:46Are you listening?
36:48Yes.
36:52They know.
37:06See you later.
37:09I don't know.
37:51I don't know.
38:14I don't know.
38:51I'll see you.
38:54I'll see you.
39:08I'll see you.
39:44I'll see you.
40:10I'll see you.
40:18I'll see you.
40:20You said he wouldn't get too close.
40:50I'll see you.
41:02I'll see you.
41:05I'll see you.
41:17I'll see you.
41:20I'll see you.
41:38I'll see you.
41:48I'll see you.
41:53I'll see you.
41:59I'll see you.
42:02I'll see you.
42:02I'll see you.
42:03I'll see you.
42:04I'll see you.
42:05I'll see you.
42:06I'll see you.
42:06I'll see you.
42:06I'll see you.
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