- 26 minutes ago
1987 POLICE DRAMA "The immediate consequences of Georgiou going off to buy saveloy and chips are quite painful. But what arises for Rockliffe and the Crime Squad as a result of his hunger pangs?" IMDB Starring Ian Hogg, Malcolm Terris, Edward Wilson, Joe McGann, John Blakey, Alphonsia Emmanuel, Bill Champion.
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TVTranscript
00:08I'm a baby in the town block
00:10Your mom's on the social, dad's in the door
00:13Your mom's in the rear, so the cats will call
00:15Dad's in front, mom, but baby I know
00:55Subject, Alfred Golder
01:01Address, 52 Lockerbie Terrace, that's in 11 beat
01:05Subject is suspected of involvement with several armed robberies
01:09As detailed on your song sheets
01:12Purpose of this observation
01:15Firstly, to ascertain Golder's resident at this address
01:19Secondly, make a record of his movements, visitors and so forth
01:24Car registrations
01:26Yes, car registrations
01:28Thank you, Adams
01:30We're looking for a pattern
01:33Such information shall be vital to the CID
01:35And the timing of their arrest to Golder and his accomplices
01:40That's Walsh, George, Hugh
01:41Hood, Adams
01:43Double shifts first week, any questions?
01:45Who takes a body?
01:47CID
01:48Listen, you donkeys
01:50You do donkeys' work
01:51That's what a crime squad's all about, isn't it?
01:54Yes
02:09What was that?
02:11It's my stomach
02:14God, I'm sorry
02:17It's not my fault
02:18It's your stomach
02:23Can't you stop it?
02:24What am I supposed to do?
02:25Eat the spare?
02:25Well, you should have had something before we came out
02:28I didn't have time, did I?
02:29I was chasing up some property
02:31I'm getting elsewhere where you're going
02:32I don't give them monkeys as long as I get my board
02:37Like a murderer, take the way, couldn't we just call it a night?
02:40Not until he's gone to bed
02:41That's a brief and you know it
02:43I'll go and tuck him in if you want
02:44I'll give over
02:45Well, I mean, he's got his ass in marmalade, hasn't he, that one?
02:48Mr. Alfred Golder and his nice house
02:50Feet up in front of the box
02:51Can of lager in one hand
02:52Cheese and pickle in the other
02:54And here we are
02:55Here we are
02:57Clapped in a ready-timed box
02:58With my feet
02:59Chalking, starving, bored rigid
03:00All right, Paul, you've made your point
03:02I ask you, who's the mugs, him or us?
03:04The villain calls the tune
03:05That's the job for you
03:06And don't I know it
03:07Well, shut up, then
03:08You're boring
03:17Oh, sod this
03:18Where are you going?
03:20You passed the chip you're on the way over
03:21We're not supposed to
03:22I know we're not supposed to
03:24I don't care
03:24Rockliffe will kill you
03:25You can find out
03:27Will he?
03:28What if something happens here?
03:30Karen, nothing's happened for the last four hours
03:33Nothing is going to happen
03:35Believe me, I know about these things
03:37Famous last words
03:39Look, I'm only going to go and fight this
03:41Okay?
03:43Be all right, wouldn't it?
03:44Mm
03:47Do you want anything?
03:55Let's have a light
03:56Yeah
04:05Thanks
04:31Excuse me, man
04:33Have you got the time, please?
04:35Oh, yeah
04:39I'm sorry, man
04:40I know what it's like
04:40But I want your money
04:41Whoa
04:41Come on, man
04:43Give me your money
04:44I've got a knife
04:44And it's not for sure
04:46I'm the police
04:52Come on, man
04:53You can take the cash
05:09It's 20 quid
05:10Just leave the wallet
05:11Look, you ask me one more
05:12You don't need a wallet
05:13Look, you're asking for a higher thing, you know
05:15Give me my wallet
05:19All right, you're next
05:20Where the...
05:25If you ought to build
05:26No wonder the country's gone down the darks
05:30Relax, man, relax
05:49Sure
05:50Victor Tango Control from 1-6
05:53Go ahead
05:54Go ahead, 1-6
05:54I got a robbery with violence
05:56Anderson Road
05:57Suspect last seen
05:59Head in east towards Dragon Estate
06:00Alert divisional cars
06:01Over
06:02Are you with the victim?
06:04Over
06:04I am the bloody victim
06:06Over
06:07You burk
06:08Thanks
06:09I don't expect any sympathy, Zodge
06:10Sorry, mate
06:11I know what it's like
06:12But I want your money
06:13That'll look great in a daily printout
06:15We could do with a good laugh round here
06:16I knew he'd understand
06:18Ow!
06:18Keep still
06:20Honestly
06:20An IC3 up a dark alley
06:22Asks you the time
06:23And you tell him
06:23Whatever next, eh?
06:25Look
06:25There's the sheet
06:26You can write it up yourself
06:27No, we're not with this hand
06:28I can't
06:28It's all right
06:29I'll do it
06:30Do you want to see the divisional surgeon?
06:32He'll survive
06:33Now then
06:34Detail stolen property
06:36One wallet, pigskin
06:39One warrant card
06:40You gave him your warrant card?
06:42It was in the wallet
06:43Oh dear, oh dear
06:44He robbed me
06:45Report that to the yard straight away
06:47They'll issue another one
06:47You can't go out without your brief, you know
06:49I know
06:50Come on, what else?
06:52Cash, 20 quid
06:54Check card
06:55Access
06:57Two maps
06:58Ticket
06:59Oh, no
07:00My ticket
07:01One ticket
07:02My ticket for the fake
07:03It was in my wallet
07:03Oi!
07:04That bastard's got my ticket
07:05Don't worry, son
07:07Rest assured
07:07We're handing your case over to the real police
07:10Oi, look
07:10George, you, you, Burke
07:12Get upstairs this instant
07:14That means both of you
07:24I call it disobedience
07:26A neglect of duty
07:28What do you call it?
07:30I think that's fair enough
07:31I think so too
07:34I think so too
07:35You do not go out for light refreshment
07:37In the middle of a covert observation
07:41You do not leave your partner
07:42To cope with all contingencies
07:44Especially if she's a woman
07:46But most important of all
07:47If you want to know either of these things
07:49You make damn sure no one finds out
07:51You fail
07:52On all counts
07:55Sorry, sir
07:55This is a professional force
07:57You don't like the job
07:58You get out
08:03Six months' time
08:04We'll be laughing about this
08:05I hope
08:06For your sake
08:07I certainly hope so
08:09As it stands
08:11We've got a violent subject
08:12Walking around out there
08:13With a warrant card
08:14If he starts using it
08:16We look a right bunch of Charlies
08:18Say
08:19By the heck
08:19This takes the trophy
08:23And don't think you're any whiter
08:24Than he is, Walsh
08:25Me?
08:26Yes, you, madam
08:27You knew what he was doing
08:28You should have stopped him
08:29Well, I...
08:30No argument!
08:30You jeopardized your operation
08:32You've been burnt
08:33For all you know
08:33Golda's no fool
08:35For anything to report
08:40Any comings or goings
08:44You are there tomorrow night
08:46And every night
08:48Until you've cracked it
08:50Understand?
08:54Now, this darky
08:58Recognize him again, will you?
09:01Well, er...
09:02He's a big boy
09:06See the collator
09:08He might be local
09:10Sir
09:13Sarge?
09:14Yes?
09:14Has this gone on my report?
09:16By heck
09:16You've got a nerve
09:18Look at it like this
09:20As far as CID's concerned
09:22You're running up the down escalator
09:24So you'd better run fast
09:28Consider yourself ticked off
09:30And that goes for both of you
09:33Dismissed
09:39Look, I'm sorry
09:41Don't bother
09:41Karen!
09:43I'll tell him it's all my fault
09:44Okay?
09:44See you in the morning
10:07Hands up if you had it last night
10:14Work's wonders you
10:14What does?
10:17Regular sex
10:20Morning all
10:30Bit chilly in here this morning, don't you think?
10:32Is it?
10:34You've got a touch of frost in the air, you know what I mean?
10:36No
10:38God, you're like clotted cream, you
10:40Thick
10:41What happened to your face?
10:44I got mugged
10:46You better go
10:47Don't even start right
10:48When was this?
10:49Last night
10:50Saw you
10:56I'm sorry mate, I know what it's like but I want your money
10:59Classic
11:00It's not funny
11:03Georgiou
11:04Walsh
11:05Mr. Flack wants to see you in his office straight away
11:17Honest, Keith
11:17It's better than the palais last night, right?
11:20Well now, Sergeant Rockcliffe's been putting me in the picture about last night's business
11:24Don't worry, I'm not going to bite your heads off, that's not why you're here
11:27You see, in this job we can't afford to let resentment breed between colleagues
11:30It, uh, sours relationships, inhibits communication, it's unhealthy and, uh, we can't have it
11:35Agreed?
11:36Can I just say something?
11:37Shut up, Paul
11:38Just get me finished, shall we?
11:41So if there is any resentment between the two of you as a result of last night's occurrences
11:45Well now's your chance to air it, get it out into the open
11:49Um
11:50Yes
11:52I'd just like to say it was all my fault and I take full responsibility
11:59That's it
12:02Oh, Karen, are you OK?
12:04Yes, sir
12:06Good
12:09Well, uh, well, that's, uh, that's that then
12:12Uh, I'm glad we've had this little chat
12:16Why don't you take a long lunch, uh, together
12:29I think, what do you like, Alan? It's a sensitive area
12:32So is my arsehole, sir
12:35Do you not bet, you know?
12:45Look, the guy down in the road, right, he said he definitely had some tickets, eh?
12:49I'm very sorry, sir
12:51There's been great demand for these tickets
12:54Yeah, well, look, um, if you do get any returns, give us a bell on this number
13:01Uh, and, uh, ask for PC, Giorgio
13:05That's, uh, PC as in old Bill, you know
13:08Of course
13:10Look, I'll see what I can do
13:13Thanks
13:14Goodbye
13:15Yes, sir
13:20Hey, lad
13:21You're all famous
13:24What are you looking at, eh?
13:29Tear up, man
13:30It could be worse
13:30No, it couldn't
13:32Well, you're still walking on
13:33Oh, thanks, mate
13:34I feel better already
13:35Paul, stop sulking
13:36I'm not sulking
13:37I'm Welsh
13:37He's off
13:38I just don't understand, do
13:40I mean, it's the fight of the decade, innit?
13:42It's Gareth Jones, Swansea's own
13:43I mean, all Wales is gonna be there except for bloody me
13:47It's the B&R, don't you see?
13:48It's the B&R that counts
13:51Oh, look, no doors close to a copper
13:53You got a brief, you got access
13:55That's your sore point, actually
13:56Oh, yeah, sorry
13:57Honestly, all this fuss over a licence
13:59Punch-up
14:00Karen, please
14:01It's an exhibition of the Fistic Arts
14:03Oh, not you as well
14:04No, he's laughing, he got a ticket
14:05You've got a ticket?
14:07Well, why don't you give it to Paul?
14:08Because, Karen, deep down, I'm not that nice
14:10Can I make a suggestion?
14:12If you must
14:12Why don't you try the classifieds?
14:15The what?
14:15The small ads in the paper, you know
14:17I mean, you'll be paying through the nose for it
14:18But if being there means that much to you
14:21The small ads, of course
14:22Why not you think of that?
14:23Should I tell him?
14:24Keith, I don't care what they say about you
14:25You don't like me, mate
14:28And what do they say about me?
14:34Funny race, the Welsh
14:35Very emotional
14:37Personally, I preferred him depressed
14:40But when I was a youth, I used to burn Cali weed in a race law
14:45Oh, I don't know
14:46I used to burn Cali weed in a race law
14:48Now I call my man, I just don't burn Cali weed in a child
14:52Hey, sis, you have a life?
14:58I don't smoke
15:13So where you are, go on, Rit?
15:15Huh?
15:17Things to eat, you know
15:18Okay
15:21And Babylon tried to ban me
15:26You have my defense policy, you know
15:33I don't know
15:33What about you?
15:34Come rest by me in a woman
15:35And just take a pull-up on this thing
15:37And cool yourself
15:47Honest, there's not pleasing some people
15:54Drive straight to Church Street Police Station
15:57Don't stop. What's going on here? Don't you know it is the fence to distract the driver man with a
16:02knife on the upper deck
16:03I'm a police officer. I don't care if you're the queen mother. You are not hijacking this bus
16:07You got a timetable to keep to if you want to get off your right pulling over there
16:23Thanks a lot
16:39All right
16:40One seven to control do you read one seven to control
16:48How much? I think you've been put through to the wrong extension. Where's Jan? Crown Court. No
16:53No, we don't. The mozzie's called hoisting down the market. He's had two adjournments already
16:58Hi, hi. It's Janice the cheerful cockney. Switch off, O'Dowd. You ready to go out? Oh, give me a chance,
17:04will you? I've only just got in
17:06How'd it go? Three guesses
17:08adjourned. Yep
17:10It's marvelous, isn't it? Three times in a row. I don't mind, but my star witness only comes in New
17:15Jersey, doesn't it?
17:16Well, he won't see nothing again. Too right
17:19Oh, look at this
17:21Did he hit you? Don't be stupid
17:23Can I help him?
17:25One week I've had these, one coxy week I could cry. What happened?
17:30Listen, you won't believe this
17:31Go on. I'm coming back on the bus, right?
17:35I mean, you will not believe this
17:38WPC Hargreaves? Yeah
17:39Did you put out a call from Lally Road? Yeah, why?
17:43When you've got a moment, perhaps you'd like to get down the charge room? We think we've got your man
17:47Oh, and if there's anyone else you want picking up, just ask a policeman
17:51We're the ones in the blue uniforms
18:06Yes, that's him
18:08Are you sure? Positive
18:11What's his name? Brinsley Harper
18:15Right, search him
18:19You white nigger
18:20Oi, watch your lips, Sunbeam
18:23You're in a police station now, you know
18:25It's all right
18:26Now you apologise to the lady
18:28I said it's all right
18:30Did you hear me?
18:35All right, Hargreaves
18:39You're a witness, we'll call you
18:56Looks like we've struck oil
18:57Prisoner found in possession of a credit card, property of P. Georgie
19:17Who's he got my brief?
19:18He's got your plastic
19:18No mind about that, what about my brief?
19:21Sorry, son, afraid not
19:22What's he done with it?
19:23Look, you shouldn't be here, should you? So, op it
19:26Has he got your brief?
19:28No
19:29What is this? A union meeting?
19:31This is a classical suite, not the Queen's either way
19:34And I've got a job of work to do
19:35Have they got a statement?
19:36No, not yet
19:37Harry
19:41Let me have him
19:42He's had the lad's brief, I want a quick result for his sake
19:45What are you gonna do? Thump him?
19:47Harry
19:54All right
19:55You're pure gold, mate
19:56All I want's half an hour, no interruptions
19:58No CLO, no lawyers
20:00No other one
20:01All right?
20:03I'll just process it
20:08Right
20:14Walsh
20:15Karen, it's David
20:16Listen, we found a house
20:17Oh, a house
20:18A vacant house
20:19A vacant house
20:19It's on the market
20:20The estate agent gave us the keys without a murmur
20:22Look, it's a bit smelly
20:24But it's got a phone and everything
20:26And it's ideal for position
20:27We can see right into Golda's bedroom
20:30Delightful process
20:32You might as well leave the nondi
20:33There's a back way in down
20:34Bishop's Passage, number 45
20:36Bishop's Passage, number 45
20:39Right, see you in an hour
20:44He even sold my ticket
20:49There he is
20:50There he is
20:54Quick
21:02Yeah, that's him
21:05All he needs to do is look this way
21:08That's it
21:14I've got him
21:27I've got him
21:28You don't have to answer my questions, Mr. Harper
21:31But the sooner you cooperate
21:34The sooner we can all go home
21:40It's your decision
21:49You can make it easier for yourself, you know
21:53All I'm asking is what you did with that Warren kind
21:57You tell me
21:59The magistrate will be advised
22:01Of your cooperation
22:06Do yourself a favour, lad
22:10Where is it?
22:35Yes?
22:36Good afternoon, madam. I'm sorry to disturb you. We're from Church Street CID.
22:39My name's Detective Constable Giorgio and this is my colleague DC Johnson.
22:44I wonder if we might have a word.
22:47Well, my husband isn't home, I'm afraid.
22:49Oh, don't worry about that, madam. This won't take long, I promise you.
22:52May we?
22:54Yes, of course.
23:09Let's try again, shall we?
23:12What did you do with the warrant you took from PC Giorgio?
23:20I sold it.
23:25When?
23:26Lunchtime.
23:27What do you sell it to?
23:29The geezer in the pub.
23:30What pub is that?
23:31Prince William.
23:33Who is the man?
23:35Don't know, I just met him.
23:37Can you describe this man?
23:39Er, white.
23:42What else?
23:43I don't know. They all look the same.
23:47Oh dear.
23:50Time is 17.04. I'm Detective Sergeant Rockcliffe.
23:55I'm now ending this interview with Mr Brinsley Harper.
24:10Sign there.
24:21You got any smaller culture?
24:26No, you just listen to me.
24:29You think you're safe in here?
24:32Well, you're not.
24:36Maybe a big man outside this station.
24:39But in here, you're smaller than my little finger.
24:45So think on.
24:49So what happens now?
24:50You sit there.
24:51I'm going home.
25:06Voila!
25:07We'll take it.
25:17Well, it's going to be a long old night, didn't it?
25:50Good morning, all.
25:52Life is good.
25:54Drop dead.
25:55Dun-da-da!
25:57I'm there!
25:58I'm in!
25:59Oh God, I can smell it already.
26:00It's only a ticket.
26:01Leave him alone, he's happy.
26:03Oh, little booty.
26:03We're going to bath through this day, Mummy.
26:05Let's have a look.
26:06Get your dirty hands off.
26:07Behave.
26:07I only want to see what stands in it.
26:09Any action last night?
26:10Golders.
26:10That little dicky bird.
26:11Lights out at 10.30.
26:13It's like watching the monastery.
26:14Aye, aye.
26:15Here we go.
26:16Right then, boys and girls.
26:18Here we go.
26:18Place your bets with Honest Paul.
26:21Come on, I'm giving it away.
26:23What have you got?
26:24I got 74 against Lincoln and Joan's even favourite.
26:28You're not serious.
26:29Wanna bet?
26:31All right, well then put me down for Lincoln a couple of quid.
26:33Me too.
26:34Make it a Jack's.
26:35Yes, I'll have some of that.
26:36Hang on, hang on.
26:37Talk about erasing certainty.
26:39Karen.
26:40I'm saving up for curtains.
26:41Oh, go on, Karen.
26:42It's Christmas.
26:43Jones couldn't box a milk chocolate.
26:45He bruises like a pear.
26:46I think it's barbaric.
26:48Well, you've really blown it this time, Paul.
26:49Ladbrokes has got Lincoln the favour and 74 against Jones.
26:52Do you think I'd offer odds against my own countryman?
26:54I'm a patriot.
26:55You're a twerp.
26:56Where'd you get this?
26:58Oh, the small odds that Keith said.
26:59How much?
27:00Oh, something over the odds, you know.
27:02Yeah, I bet it was.
27:04Why?
27:05Well, take a look.
27:06The back of this document contains an artificial watermark, right?
27:09This one's mine, with the watermark.
27:12See?
27:14And this one's yours.
27:18No watermark.
27:20Either that's a forgery or I'm a Dutchman.
27:23I'm afraid you've been had.
27:25Oh, believe it.
27:27You're like a member of the public, you.
27:29No idea.
27:31No idea at all.
27:33It's not your week, is it?
27:35You tell him, what?
27:36The forgery's on heavier gauge paper.
27:39Paul spotted it right off.
27:40Good work, that man.
27:43Oh, well.
27:45I'll take it back to Socko.
27:47I'll have to go to the lab.
27:48Look, the way I see it, Sarge, it's a sitter.
27:51Now, all I gotta do is take the bloke who saw me the dummy.
27:53And get back on the up-escalator.
27:55For what?
27:57Staircase to heaven.
28:00You know, there'll be a dollar to trace anyway, cos I got his number.
28:03You think you'll be pegging him out to dry in a washing line, do you?
28:05Look, all I wanna do is balance the books while I've still got the chance.
28:08You don't investigate your own crimes.
28:11You'll end up cross-examining yourself in court.
28:14Oh, Dowd will.
28:16What?
28:16You and Hargreaves.
28:18It's your cakes.
28:19Oh, right.
28:21Off you go.
28:23Um, can I have a ticket back, please?
28:25Well, we'll hang on to it for the time being.
28:28Can I have a receipt?
28:29Get away.
28:32Georgio.
28:34Private word, please.
28:39You want certifying, you do.
28:42Do I?
28:44Seven to four against Lincoln.
28:46It's all round the station.
28:48You're running a book, not a charity.
28:50I know that, but the thing is...
28:51Serious, Paul.
28:52You don't want financial troubles on top of everything else.
28:55I appreciate your concern, Sarge, but it's all right, really.
28:58I may be patriotic, but I'm not stupid.
29:01I ain't covered at the bookies.
29:03I got 50 quid on Lincoln and not a word to mother, eh?
29:06Oh, well.
29:08In that case, I'll have a fiver on Lincoln.
29:13So where's that number, then?
29:15Yeah, I stole your paper, innit?
29:16Hey, tell you what.
29:18I'm glad the cleaners haven't discovered us yet.
29:19The top of the bay, out into weddings.
29:29DS Rockcliffe to DI, flight's office.
29:32DS Rockcliffe to DI, flight's office.
29:48Won't give you a minute, Mrs Fenton.
29:52What's the delivery of abstract?
29:54Here we go.
29:55A Sydney dose of French.
29:57An old friend, according to the collector.
29:59Good old-fashioned ticket's out.
30:01Chex sports jacket, Trilby Aggregate.
30:03The rights bid, by all accounts.
30:05Plenty of form.
30:06He's just another Arthur Daly.
30:08Pays fines like the rest of his pay income tax.
30:09None of his account defitter, though.
30:11No, just handling and theft.
30:12Who'd you make that check out to?
30:14SGF Associates.
30:15That's his Pucker business account.
30:16What business is that?
30:18Making Christmas cards.
30:19So I let them in.
30:21They said there'd been a burglary the night before
30:23and had I noticed anything unusual.
30:25I said I'd been out and they went.
30:27Where did they go to another house?
30:29I'm afraid I didn't see.
30:31No mind.
30:32Please go.
30:32Well, this morning I rang the police station.
30:35Well, of course.
30:36I was told the whole thing was a fiction.
30:38What aroused your suspicions in the first place, Mrs Fenton?
30:41Oh, their manner.
30:42I think you can always tell a policeman.
30:45Really?
30:46Oh, yes.
30:46A certain something.
30:48Brown shoes with a blue suit.
30:50That kind of thing.
30:51Well, I see.
30:53Besides, the one who called himself Giorgio wasn't a Greek.
30:56Well, that much was obvious.
30:58No.
30:58This warrant card.
31:00Mrs Fenton, was it like this one?
31:02Yes, exactly like this.
31:04Only the one who had it held his index finger over the photograph.
31:07Like so.
31:07Hmm.
31:09What do you think they were up to, these two men?
31:11Well, they didn't take anything.
31:13I can only assume they were casing the joint.
31:16I believe that is the phrase.
31:18I wouldn't know, Mrs Fenton.
31:20I read a lot, you see.
31:22Well, it's having the time, isn't it?
31:25Well, what do you think they were doing?
31:27I'll have to reserve judgment on that.
31:30Is there anything else, Mrs Fenton?
31:32Well, the one who called himself Giorgio
31:34asked a rather strange question.
31:36Yeah.
31:37He wanted to know whether I had any worries about security.
31:39What did you say?
31:40Well, I said I hadn't really thought about it.
31:42Hmm.
31:42I didn't want to put them off, you see.
31:44Quite the opposite, in fact.
31:47Did I do the right thing?
31:48Well, if everyone was like you, Mrs Fenton,
31:50we wouldn't have half the trouble we do have.
31:52Well, I have always had an active imagination.
31:55Right.
31:56Well, madam, you've given us a very full description.
31:59Alan, will you do the honors?
32:04May I suggest that you stay with friends tonight
32:06and you'll make sure that your house is secure.
32:08Of course.
32:09Well, you've been most helpful.
32:10This is exciting.
32:23Yes?
32:24It's police.
32:31Hello?
32:36Do you want me to come back with a warrant?
32:58This is exciting.
33:00Fair play to her, Alan.
33:01Who's in us a favour as Mrs Marple?
33:03Aye, that she had.
33:04An observation on her address.
33:06We're tucked up with a gold a job.
33:08A stakeout?
33:09I believe that is the phase.
33:11If they go in, they'll go in at night.
33:13Maybe.
33:14What about the prisoner?
33:15Harper?
33:16Yeah.
33:17It's about time his detention was reviewed, I suppose.
33:19What's his version?
33:20He sold the brief to a stranger in a pub.
33:23White man.
33:23Well, I'll wear it.
33:25Well, then bail him.
33:26We don't want the wheel coming off this one.
33:28Right.
33:28You're barking up the wrong tree, son.
33:30I'm not your son.
33:32What I mean is, I'm not a principal.
33:33I'm an agent.
33:35Well, who's your supplier, then?
33:36I'm not obliged to divulge the information.
33:37Oh, don't piss about Sidney.
33:39Cato's travels.
33:40That's better.
33:41We have a little arrangement, yes.
33:43Here, mind those boxes.
33:45What's inside?
33:46My stock.
33:47I've got a storage problem at present.
33:50Oi!
33:51Christmas cards.
33:52You can't do that.
33:54Complain.
33:55Mind, you'll get finger marks all over them.
33:57This card was designed by a mentally handicapped child.
34:01How touchy.
34:02Sidney, you old softy.
34:03Look, you...
34:04I suppose you are an agent for Mencap as well.
34:07We can check.
34:08You can check what you like, you lousy scouse git.
34:10I'm 100% legitimate.
34:12Language.
34:12What's your turnover?
34:13Mind your own bloody business.
34:15I suppose you are registered for VAT.
34:17My accountant deals with that side of things.
34:20Who's your accountant?
34:21He's on holiday.
34:25To recap, Mr French.
34:27Have you sold tickets for the Jones-Lincoln fight?
34:30Yep.
34:31Have you got any more?
34:32What's the deal?
34:33You giving me immunity?
34:35I wouldn't give you the steam off my piss, pal.
34:37Now answer the question.
34:38I sold the lot.
34:39200 of them.
34:41We have reason to believe these tickets are forgeries.
34:45What?
34:47No.
34:48We're arresting you on suspicion of criminal deception.
34:51You don't have to say anything unless you wish to do so.
34:53But anything you say may be given in evidence.
35:00Brinsley Harper.
35:01I want to get him down to magistrates and bail him.
35:04We're too late.
35:05He's been got at.
35:06What?
35:07He's got a briefing from the law centre.
35:09Oh, heck.
35:09There'll be murders.
35:10It's serious, Alan.
35:11We're looking at a one docket here.
35:13What for?
35:17Prisoner alleges assault in police custody.
35:19You're joking.
35:21Complaints bureau's on the warpath.
35:24Surgeon's seen him.
35:25It's all sweet.
35:26Injuries corresponding to several blows to the head.
35:29I never touched him.
35:32Not you, Alan.
35:34Oh.
35:35Seems like young Parslow gave him a bit of the old apathy.
35:38Parslow?
35:38The lad who made the arrest.
35:41Probationer.
35:42Idiot.
35:43Went down the cells this morning.
35:45For administrative reasons, he said.
35:47Why not till he hit him?
35:49You just don't like blacks.
35:51He's turned into a right dodgy job, this one.
35:54Can't wait.
35:58Well, well.
35:59Hello, Mr. Rockcliffe.
36:01If it isn't Sydney French, I'm a monkey's uncle.
36:04Have a banana.
36:05You're a very funny man, Sydney, aren't you?
36:08I do my best.
36:10Remember the Maltese falcon, Sydney?
36:15Did you hear that?
36:16He's trying to intimidate me.
36:18Fire complete!
36:23He's got the amp.
36:25Sarge!
36:26What is it?
36:27It's French.
36:28He reckons he got the tickets off Cato Travel, the bucket shop in the I Street.
36:32Give it a spin.
36:33Who interviews French?
36:35Right, you can do that.
36:36A doubt can go out.
36:38Me?
36:38Yeah, why not?
36:40He's a real sleepy customer, is our Sydney.
36:42I could do with some moral support.
36:43I'll sit in.
36:45Tell.
36:46Tell the daddy can have Chitty.
36:48Tell Chitty because I saved her off.
36:50You don't need much persuading.
37:05Dave?
37:07What's he doing?
37:09What's he doing?
37:17What's he doing?
37:22What's he doing?
37:24What's happening?
37:28All right, all right.
37:29You want him to come to the airport?
37:33Why don't you help me?
37:34Good afternoon, you can help me?
37:35I hope so. We're the police.
37:39Are you Mr. Yanis Kato?
37:41That's right.
37:55Will this take long? I have a business to conduct.
37:58Just a couple of questions, Mr. Kato.
38:01Firstly, have you had any dealings with a Sidney Joseph French
38:04trading as SJF associates?
38:07Are you arresting me?
38:09At the moment, I'm just asking you a question.
38:12Then I'm not answering it.
38:14What's your prerogative, Mr. Kato?
38:16But I'm entitled to ask you the question.
38:19Now then, Mr. French is detained at the police station.
38:23We've searched his premises and we've found certain property.
38:26Mr. French says he's traded tickets with you for the Jones-Lincoln fight.
38:31Have you traded tickets with him for this fight?
38:33Yes.
38:35Mr. Kato, we'd like you to come to the police station for further questioning.
38:39You can come voluntarily.
38:40Excuse me.
38:41Go away, please. We're close to business.
38:45Please, go away.
38:46They're close to business.
38:48Do you know this person?
38:49The police.
38:51Stop!
38:51Police!
38:54Victor Tango Control, 1-4.
38:57Go ahead, 1-4.
38:58Officer requires assistance, Lallywode and Eglin Grove.
39:02Give me registration check.
39:04Motorcycle, Foxtrot, Oscar Foxtrot.
39:073-9-2-V, Victor.
39:09You stay there!
39:14The police.
39:23Magnus!
39:24Victor Tango, 1-4 to control.
39:27Double knackers!
39:30Were you aware that the tickets you sold were forgeries?
39:33You shook his head.
39:34You shook your head. Is that yes or no, Mr. French?
39:37What?
39:37Yes or no?
39:39I swear on my mother's grave, I didn't know they was duds.
39:42I sold them tickets in good faith.
39:44It's Cato, you should be asking.
39:45Yeah?
39:46It's him, you should be asking.
39:47It's obvious, isn't it?
39:48He was using me, wasn't he?
39:50He wanted me to do his dirty washing.
39:51Well, the next time I see him, I'll kill him.
39:53Is that a figure of speech, Mr. French?
39:55What?
39:56Is that a figure of speech?
39:57How the hell should I know?
39:58Look, Cato had an allocation of tickets from the promoter
40:01and then he wanted a black market outlet.
40:03That's all I know.
40:04Why the black market?
40:05Of course, she born yesterday.
40:07Answer the question.
40:09You get a better price, don't you?
40:12Wonga.
40:21Time now is 14.45.
40:23I'm temporarily suspending this interview with Mr. Sidney French.
40:29What is it?
40:30Sorry, Skip, I couldn't wait.
40:31While we were at Cato's, a biker turned up with more tickets.
40:34I challenged him, but he legged it.
40:35Got his address?
40:36Yeah.
40:36But turn it over.
40:37The only thing is it's off our manor.
40:39Never lied in pursuit of.
40:41Well, if you say so.
40:42Why?
40:43You thieving, the bubble of sweet old fiend.
40:51How did you get in?
40:54Never locked the door.
40:56Sorry.
40:57Oaf.
40:59Any movement?
41:01The van.
41:05Where's Paul?
41:07Coming.
41:09Open up.
41:10Be hands of both.
41:18Do you know how long ago he broke this time off?
41:20Three.
41:20Count them.
41:21Three bleeding months.
41:26And if anybody says that's a job for you, I'll break their bloody necks for them.
41:32I bought a ticket and someone nicked it.
41:34I bought another one and it was a dud.
41:36Well, I'm not going to let a little thing like that get me down, am I?
41:39Course not.
41:42Well, I don't know about you lot.
41:44This is me for the night.
41:45You ain't supposed to drink on duty.
41:47Bollocks of that.
41:48Come on, Paul.
41:49I'm not budging.
41:50Come hell or I water.
41:52It's me and Reg Gatridge all the way.
41:56Cheers.
41:57Anything on the van?
41:59Tired out for two days under his own name.
42:02So he's going to do a moonlight flit, is he?
42:04Looks like.
42:04Good luck with...
42:05Have we got backup?
42:07No, nothing to speak of.
42:08That whole division's tucked up.
42:10The Victory Park Stadium job.
42:13Yeah, check-in tickets for the fight.
42:15Check-in tickets, my deck chair.
42:17They be sat ringside in a golden circle, gargling champagne.
42:20Shut up, Paul!
42:21Well, Chummy over there entertains us with his vanishing act.
42:24I tell you what, I'm past caring.
42:25You two better get some Zed's.
42:27Flight wants you out tonight.
42:28What?
42:29We've been on the go since seven.
42:31What is it this time?
42:32Sitting in some rich woman's mansion waiting for burgers.
42:36Oh, I never get the plums.
42:38I always get the pips.
42:45What do you think you're doing?
42:51Creating an atmosphere.
42:52Yeah.
42:53.
42:54.
42:54.
42:54.
42:59I don't know.
43:51Jerry.
43:57Look at this.
43:59Bingo.
44:00I'll go and get some evidence facts.
44:01No, wait.
44:02Let's go in first.
44:03What?
44:03Are you sure?
44:04Why not?
44:05Repercussions.
44:06Oh, don't be soft.
44:07Jerry.
44:07Just take a shifty.
44:08Come on.
44:09No time like the present?
44:16Oi.
44:16What the bloody hell do you think you're doing?
44:17It's all right.
44:18We're the police.
44:20So are we.
44:23The only difference is you're foreign.
44:26Sorry mate, we're in opposite.
44:28You're in hot water, pal.
44:29This is our operation and you've well and truly queered it.
44:32That garage house is a printing press.
44:34And it's the centre of a massive forgery racket.
44:37Everything from tickets to passports.
44:39And three months groundwork's gone into this operation.
44:44Three months.
44:45Well, I was waiting to know.
44:46We weren't told.
44:47Crime squad, are you?
44:48Yeah.
44:49Might have known.
44:51Teenies.
44:52Listen, there's no need for that.
44:53We was just doing our job.
44:54You was doing it like a nonce.
44:57No!
44:58All right.
44:59Come on.
44:59Come on.
45:01Leave her there.
45:02Get her.
45:02Get her.
45:08We're police officers.
45:09You're under arrest.
45:13Now then, gents.
45:14As you can see, we're a bit short-handed because of the Victory Park Stadium operation.
45:19So it's just the three of you.
45:20You're watching a house.
45:21Number 26, Shepshed Terrace.
45:23We're acting on information given as by the owner of the house, a Mrs Fenton.
45:27We're expecting an attempt to be made to break in there.
45:30Perhaps by two white men.
45:31You've got full descriptions.
45:33Now what you've got to do is collar the suspect.
45:35Simple as that.
45:37Positions.
45:38Sergeant Rockcliffe.
45:39P.C. Adams.
45:40Inside the house.
45:41We've got keys.
45:42P.C. Hood.
45:43Outside in the observation van.
45:44All you've got to do is sit tight.
45:47Any questions?
45:49Uh, just one thing.
45:50It's a nice house, so try not to break anything.
45:52These places, they're an insurance minefield.
45:55What about wiping our feet?
45:57Uh, yeah.
45:58Before you go in.
45:59Alright.
46:00Uh, I want a textbook operation.
46:09You can cut the tension with a knife here tonight at Victory Park Stadium.
46:13Almost blocked it.
46:14And here comes Lincoln, the European champion.
46:16His eighth defense of the title.
46:18He's raising his gloves as he makes his way to the ring.
46:21No doubt a hard night indeed for Gareth Jones.
46:251-5.
46:26Anything handing over?
46:291-5.
46:30Acknowledge.
46:33Steve.
46:37Steve.
46:40Oh, that glisters is not gold.
46:43Steve.
46:44What cats have us to fish?
46:48Steve.
46:51Know something, David?
46:55There's a lot of money in the world.
47:00I think Steve's conked out, Sarge.
47:04Swap places with him.
47:05He can keep down here.
47:10There's no arguing that Jones has had the better of the oak.
47:13Oh, that was a tremendous jab.
47:15Go on!
47:16Paul!
47:17Paul, come here!
47:23Oh, he's got it!
47:24What do we do?
47:25What?
47:26The usual, isn't it?
47:27Just sit and watch.
47:29Oh, we can't just do nothing.
47:30It's not our body!
47:31It's not our pigeon!
47:35Just be quiet, eh?
47:37Because I'm listening.
47:43Steve.
47:45Steve.
47:57Steve.
48:05What's going on?
48:07You slob!
48:19A good hit!
48:37Jason Sands and Chip.
48:37Hey, let's go!
48:37Hey, Bobby.
48:38Hey!
48:38I'm feeling empowered.
49:01Come on, man, if you're coming, what's keeping you?
49:11Any moment, David?
49:15Uh, no.
49:19Not a dicky bird.
49:24Lincoln is continually trying to get inside, guys.
49:27Look, I'm rubbish.
49:28The referee is stepping in to have a look at that eye.
49:32Jones looks like a man who's already won.
49:34The flattering intersection seems simply to have got him going again.
49:37The referee is starting to fight again.
49:39That's what we really saw.
49:41Jones is looking for a chance, and all that looks as though it really is.
49:45Lincoln's down on all fours.
49:47The referee is taking up the count.
49:48Lincoln isn't moving.
49:57That's it.
49:58All over.
49:59He's out.
50:00It's already in the third.
50:01And Garrett Jones is the new European lightweight champion.
50:05He is looking for a chance.
50:07That's it.
50:08He's looking for a chance.
50:10He's doing good.
50:21He's working on something.
50:23While he's looking for a chance,
50:24he's not looking for a chance to have a chance.
50:24You've got this new woman,
50:25you know.
50:25He's looking for a chance to have a chance in my career.
50:46guitar solo
51:06guitar solo
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