- 31 minutes ago
1987 POLICE DRAMA "Sergeant Rockliffe thinks that PC Paul Georgiou is lazy. Why has Georgiou roused himself and acquired an informant-and a dodgy one at that?" IMDB Starring Ian Hogg, Malcolm Terris, Edward Wilson, Joe McGann, John Blakey, Alphonsia Emmanuel, Bill Champion.
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TVTranscript
00:00Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh.
00:08Welcome home, baby, in town, look.
00:10Your mum's on the social, dad's in the door.
00:13Your mum's in the rear, so they catch me on the call.
00:16Daddy, mama, baby, I know.
00:18Daddy, mama, baby, I know.
00:48Daddy, mama, baby.
01:00Daddy?
01:01That's it, fatty.
01:05Hey, up.
01:06Run on around the corner and wait.
01:17You're still there, who?
01:18Gone for a pizza, actually.
01:20This is a recorded message.
01:21Speak after the bleep.
01:23Look, he's not a flasher, but he may be the panty pincher.
01:26What?
01:27Just wait.
01:30A very good friend, an open set.
01:45I'm really happy.
01:48I'm happy.
01:53It's so cute!
02:23I don't believe it.
02:37Oh, dear, oh, dear, oh, dear.
02:39Coming your way, fluffy bum, carrying a box.
02:44Box of girls?
02:45Next game, men.
02:46We'll see.
03:00Police officers.
03:02Police officers?
03:06Coppers?
03:07What's your name, pal?
03:08It's only ten quid for us.
03:10What's the matter?
03:11Are you short results this month, or what?
03:13This isn't in, Paul.
03:16Oh, it's only worth ten quid.
03:19I'll pay for it.
03:20Go on, find the milk yard bung in my tenner.
03:22Yeah?
03:24And you can get on with it, can't you?
03:26Get in the motor.
03:41What's on, Bush?
03:44Oh.
03:46Who reckons his groceries, do you?
03:48Go on, Arthur.
03:49Tell him.
03:50He's my brother.
03:51Ain't you?
03:54Sorry, mate.
03:56I've put them on the step, 31 Downley.
03:58And he nicked them, right?
03:59I ordered them.
04:00I wrote the note out.
04:01Can't nick them off meself, can I?
04:03Who was going to pay for them, was he?
04:04But of course I was.
04:05Which is why you were heading for the hills.
04:09I'll pay for them, can I?
04:11Go on.
04:14Go on, then.
04:16Right.
04:16We both understand that you're accepting payment for these goods.
04:19Looks like you lucky day.
04:20Can I go now?
04:21Yeah, when I got the details.
04:22Got any yogurts?
04:23Sure, just a minute.
04:24Oh, Karen.
04:25Get me one, will you?
04:26My belly thinks my throat's cut.
04:27I'll do it.
04:32They're the wives?
04:33I'll bet they are.
04:36Oh, look at that, man.
04:39Oh, look at that.
04:43Five minutes, George.
04:44Me?
04:45You.
04:46Mr. Flight's Office.
04:47What have I done, Sarge?
04:48Not that much.
04:49That's the problem.
04:52What was all that about?
04:53How should I know?
04:55I'll give you the place and the time that you can meet.
04:57The main thing is, though, don't get your knickers on it.
04:58No, I don't agree.
04:59Hey, does this nutter, right?
05:00Is this the one where the social worker goes into the mental hospital?
05:03No.
05:04Is this the one where the seagull flies over and ponies on his head, then the nurse comes
05:08out and says...
05:09No.
05:10Behave.
05:12Is this nutter, right?
05:13I hate you jokes, I don't.
05:14Oh, this is good.
05:15Come on.
05:16Janice.
05:21Kids.
05:22I've got to go.
05:22I've given you all of that.
05:24That's what you are.
05:25Kids.
05:26Box full of Bloomer's old place.
05:27It's like the Benny Hill shop.
05:30Has she did him yet?
05:31The milkman?
05:32Yeah.
05:32Yeah, we have.
05:33Have a good excuse, did he?
05:35He said it was his hobby.
05:36He's not.
05:37He was.
05:38Well, some people collect stamps, he said, only they can go to stamp shops.
05:41Yeah, well, there is such a thing as knicker shops.
05:43Does he know that?
05:44They need to have been used, he said.
05:46Oh, that's interesting, that.
05:48And it must be like stamps being framed.
05:50Ah!
05:51Come on.
05:54So does this head the ball, right?
05:56He's just getting out.
05:57Is this the one where he pinches the elastic out of a woman's drawers and makes himself a
06:01catapult?
06:03Thanks, Janice.
06:04You don't work hard enough, sir.
06:07If you were a ship, you'd be a coaster.
06:10You had a nice bite this morning, but most of the time you sit in the office and let the
06:12others freeze their asses off, right?
06:15Right?
06:17I think I do my share, sir.
06:22Somebody's got to sit in the office, but it's you too often.
06:26Too often, too regular.
06:31When you do go out, you do well.
06:33Get your feet wet a bit.
06:35You want to be CID, do you?
06:38Yes, sir.
06:40Move it.
06:42That's all.
06:55It's hard to the right place.
06:57Mm.
06:58Just make sure he's behind us, too.
07:21It's not you, Peter.
07:23What's not him?
07:25Having trouble with me and marrying again, eh, Janice?
07:27My lovely little drop your flower.
07:28Oh, right.
07:30Robin Hood, yeah.
07:31He doesn't just hate Janice because she's...
07:34Because I'm a cool one.
07:35Bloody hell, Janice.
07:36That's racist.
07:38He doesn't like women at all much.
07:39I don't think he's ever...
07:40Oh, hang on.
07:41Look who's here.
07:41Who is that?
07:42Oh, God.
07:43Met him this morning.
07:45Well, he's not the lad with the kex, is he?
07:48Can I have a word, Gar?
07:52Go on, then.
07:54We're all mates here, sunshine.
07:55All for one, one for all.
07:57No, it's just that, er...
08:00Shall we step outside a minute?
08:03Oh, come on.
08:04See we shout, right?
08:09So, er...
08:10What's in your mind, then, pal?
08:12Well, thanks for letting us out of the frame.
08:14You're on that thing this morning, you know?
08:15Yeah, well, the milkman did that.
08:16Not me, poor sod.
08:18Been having a bit of bad luck lately.
08:20I wouldn't have thought of a thing like that.
08:21Hey, you didn't pull anything, did you?
08:23You bought some groceries, as far as I could see.
08:26Yeah, yeah.
08:27It's just that, um...
08:28You're expecting someone, are you?
08:30You're CID, aren't you?
08:32And if we were?
08:35Well, I hear things.
08:36You know, time for time.
08:39Oh, do you know?
08:40And, er...
08:41What have you heard lately, then?
08:43Well, I just wondered if it was worth anything.
08:45Depends what it is.
08:46You tell us what it is, we can tell you what it's worth.
08:48It's your problem, isn't it?
08:49Sure, are you?
08:50Sure, I'm a bleeding dwarf.
08:52Oi!
08:54What's you lying when you're not harvesting doorsteps?
08:56I'm trying to do you a favour!
08:59And earn a few bob at the same time.
09:00There's nothing wrong with that, is there?
09:01Yeah, well, I can hear this toffee, Karen.
09:03I don't know about who.
09:04Hmm.
09:05Well, is it worth a pony, then?
09:07Is what worth a pony?
09:08Not this don't do in the end.
09:11I can put you next to some muggers.
09:13Yeah, well, they've been to Oxford Street, thanks very much.
09:14Do you want this thing or don't you?
09:16I mean, I don't care.
09:19Shoot.
09:20I need 25 quid.
09:22Look, if it gets a result, you can have it.
09:24I can't say no fairer than that, can I?
09:27Gang of muggers comes over the river every day.
09:30Black and white.
09:31All they need is cash and gold.
09:35And?
09:36A bloke called Bonamy has got a gold shop.
09:40They take the gold in there, it's melted down the same day.
09:43Where's the melt to live?
09:45Where's the gold shop, then?
09:49Gold shop?
09:51Where?
09:52Romulus Road.
09:54So what are you going to do about it?
09:55Have a look first.
09:58Likely to know you, are they? In the shop?
10:00No.
10:03All right.
10:07This snout.
10:09Ferns.
10:11He came to you, yes?
10:13In the pub.
10:14Why?
10:16Because it ain't got to be the crime of the century, is it?
10:19Dead chicken and a dozen eggs.
10:21Oh, it's a loaf and five pound of potatoes.
10:22Oh.
10:23He's still not going to end up in Alcatraz, though, is he?
10:27What's his previous?
10:29Computers down.
10:30Well, when it's up again, find out.
10:32Hello.
10:37I don't want this turning out to be three days of you two sitting still holding hands for nothing.
10:46Good job the computer's down.
10:48I only hope he never finds out Ridden.
10:52Come on.
10:57It's hard to argue with.
10:58I'm not arguing.
10:59Well, we twist his balls, he does something about it.
11:03Just enough.
11:04What would nothing to do?
11:06More than enough?
11:07Enough's right.
11:10That's what you're always telling me.
11:12And he pulled a stroke.
11:14He's a good lad.
11:15He'll do all right.
11:16And I reckon that kid and all.
11:18She'll hold him steady.
11:21Women have got more sense.
11:22She's a girl.
11:24They're all girls.
11:25Stripes being mad.
11:26Kids.
11:27What stunt did he pull?
11:29He said the computer was down.
11:32He said the computer was down.
11:35Wonder of modern technology.
11:38Similar circumstances.
11:41What did you used to say?
11:44Phone was always engaged.
11:48I'll tell you something.
11:49This, er...
11:50This geezer.
11:51What's it?
11:52Ferns.
11:54He lives south of the river.
11:56Right?
11:57Yeah.
11:58So what's he doing over here?
11:59Thebanese breakfast?
12:01Morda?
12:02There's nothing on there.
12:04So he's gonna spend two pounds getting here to steal what?
12:08Yeah.
12:08Mm.
12:10Stand on George Hughes' foot.
12:12All right.
12:26Are you pairing up my skirt sex maniac?
12:29No.
12:30Well, no need to be like that.
12:32It has been known.
12:35No, no, no, no.
12:38What?
12:40Ty's wrong.
12:41It's a rugby club tie.
12:43It's not that.
12:43I'm not.
12:44Come on.
12:45Come on.
12:50Oh, God.
12:52God almighty.
12:54You're like a bag of tax, you.
12:56Well, where's he say it gotta be tidy?
12:59Scruffy people get engaged.
13:02Alternate with Karen and Paul.
13:04They use the van every other day.
13:07Unless they find a shop they can use.
13:09There's something over the way.
13:11What do you want?
13:15I was looking for Paul G.
13:26Sorted.
13:27Come on, Gerald's.
13:29Thank you very much, Constable.
13:32What?
13:33No, nothing, Sarge.
13:34You want thanks.
13:35Join the Samaritans.
13:36Get a shave!
13:43Do you know nothing, Hood?
13:45Nothing.
13:47It wouldn't last five minutes on the street where I come from.
13:51What happened to all that underwear Karen got off the milkman?
13:54You wet your knickers, have you?
13:55Cut it out.
13:56Ooh.
13:57It's all right, oh, Dad.
13:57I can manage.
13:58But what happened to it all?
14:00See the desk?
14:01The desk asked me, Gerry.
14:06Five minutes.
14:08Liverpool is the rectum of the universe.
14:10Oh, no.
14:11I've been there.
14:12Just passing through, was ya?
14:13Matter of fact, yeah.
14:16What?
14:18Figures.
14:18Nice one, Janice.
14:20Erm, yeah, this is Janice Hargreaves.
14:22You got a box of underwear down there?
14:25No, the Dutton case.
14:34I don't know.
14:36Well, what do you want, Dad?
14:37If I knew what I wanted, I'd get it, wouldn't I?
14:39Look, we get new stuff in all the time.
14:41You want to pop back?
14:43All these rings, I mean, they're not exactly lucky pieces, are they?
14:47What do you mean, love?
14:48I mean, they come off people that have broken their engagements off, don't they?
14:51Oh, not necessarily, love.
14:54Oh.
14:56No.
14:56You see, one of them died.
15:02Sometimes I don't think you want to get engaged.
15:07Is this all you've got, is it?
15:08We get new stuff in all the time.
15:10I think we should go to Oxford Street.
15:13And about.
15:14They cost a lot more brand new.
15:16Well, if you don't want to pay the money.
15:17I thought we were supposed to be splitting it.
15:19Oh, come on.
15:20I've got to get back to work.
15:27I'm sorry.
15:29I've got a temperament.
15:30It's all right, mate.
15:37Can I, er...
15:40do you anything else?
15:43Got any gold chain and stuff like that?
15:46Ah.
15:47No.
15:48Sorry, mate.
15:49Nothing in your style.
15:53Ingots?
15:57You, er...
15:58You changing your mind?
15:59You don't want to do that.
16:01It's a tiff.
16:01That's all.
16:02She'll come round.
16:03Aye.
16:05Spexel.
16:06She usually does most times.
16:15He's killing me, your singers.
16:17No chains.
16:18No ingots.
16:19No nuggets.
16:20Nothing.
16:20Right?
16:21Mount them down, right?
16:23Lake Fernseth.
16:24And he gets all of the AT.
16:25Oh, I don't understand VAT.
16:27Well, it's simple, innit?
16:29He's got all this iffy gold, right?
16:31He hasn't paid VAT in it, has he?
16:33Of course he hasn't paid VAT on it.
16:35It all fell off the back of a tourist.
16:36Yeah, so he melts it down.
16:37He has it melted down and turns it into little ingots, for instance.
16:40Yeah.
16:41So now he sells me this little ingot, right?
16:43So on top of that, he gets 15% VAT, which he hasn't laid out to me.
16:47In about.
16:49In.
16:50Two hundred quid on his back and feet.
16:53Pound to a pinch of sugar he gives him.
16:56Done.
17:05That'll do all right.
17:06Yeah, we get back.
17:07I want to see if Barnaby's got any kind of previous.
17:13I make it right.
17:14Keith makes it wrong.
17:16Walsh and Georgiou.
17:18They're sussing out the gold shop, sir.
17:20Can I have a word?
17:21Yeah.
17:23Not in here.
17:24It smells like a fastballer's boots.
17:30What about the school teacher?
17:31They've got quiet when I go in there.
17:33Walsh and Georgiou.
17:35They're looking at the shop for a possible oboe.
17:37Worth it?
17:38Well, if it's where Buggers goes, crimes against a person.
17:41They'll be handy when you go to argue about overtime, boss.
17:44And this.
17:46They get half a story, you know.
17:48Ten minutes and it's all written down.
17:50Half an hour, you might get a full story.
17:53I mean, this fella firms.
17:55They've had a lifelong career.
17:55They've had a life-long career.
17:56They've got to be out of blaggan.
17:57He's not as strong as that.
17:58He's been fancied a couple of times, that's all.
18:01Wheel man on two blags.
18:02They went fully.
18:03Nothing nicked.
18:04One of his mates tried to put him in a frame on that cock-up over Wimbledon dogs.
18:08Only his old lady halibied him.
18:10I'll tell you something, if you like.
18:11He doesn't sound like the snout to me.
18:14Georgiou reckons he's on his arse.
18:15Needs a couple of quid.
18:17If he's got bottle and he knows motors, he can earn a ton.
18:19Any day of the week, he doesn't need 25 quid out the funds.
18:22You have a natto with Georgiou before he sees this fella, yes?
18:25Right.
18:45What's your mouth now?
18:55Чise.
18:58This virus.�s
18:59are nasty animals. This looks
19:03like a good chance to put a stop to one of their little games. Right.
19:09Finish?
19:12SHUTTER
19:12BEN ten to the nine o'clock Before you go,
19:16Duty stays looking..
19:18Drag it, clean it up.
19:20For your own protection, and don't get sloppy.
19:25Georgio, I want you a minute.
19:29Sarge, before you see this grass ferns...
19:34What?
19:35Met him already, Sarge. He wanted to make a meeting, Harry.
19:39Another day I told you, get up your arse. You're pulling strokes now.
19:43That is just as bad. What do you get?
19:46Give me five. Five what?
19:48Muggers. You keep being muggers. Don't go in fives.
19:52Muggers opportunity crimes. That's toffee, Paul. You know that.
19:55Swear to God, Sarge is straight. These five are on the street.
19:59They're at different areas. They only look for gold and use the same shop.
20:02Right.
20:03Don't ask Pess. You don't have to do well, do you?
20:06He melts it down himself. In the shop?
20:09Who's done no?
20:11But the day after the staff's been pitched, nobody's going to recognise it.
20:16Take a camera when you go.
20:18Right, Sarge.
20:19I haven't finished yet.
20:25What's ferns form?
20:29Come on.
20:31It's my sleep, Sarge.
20:33What is a blagger doing pinching his sundry dinner across the city from where he lives?
20:39Come on the street?
20:40He's not good.
20:42He's not a blagger.
20:43He drove a bit and his heart won, innit?
20:45He just got married and his bottle's gone and all in his scratching.
20:48Why over here?
20:50He's a bit low, innit? Off the doorstep.
20:52I don't want anyone to know which style's gone down.
20:54I don't want anyone to know which style's gone down.
20:55I don't know where somebody did that long phone job.
20:57Across the river and into the tree.
21:03I don't know.
21:04I don't know.
21:07This is a Karen.
21:08That house is a store.
21:11Large property store.
21:12Why?
21:13Your phones are up the street.
21:14Who looked after those nickers that Milton nicked?
21:16I don't know what to keep.
21:17Why?
21:18Steve, is that one working?
21:19Yeah.
21:19Going to be long?
21:20Yeah.
21:21Right.
21:22I'll be the camera and I'll show you down with the cat.
21:24Jan?
21:25Oh, grab it a minute, O'Dad, will ya?
21:27It's just, there's a woman down at the desk wants her drawers back.
21:30Just a minute.
21:31I'll write in finally, mate.
21:32What about him?
21:34There was just a woman on the phone just now, Mrs Duncan.
21:36So she's still coming around.
21:38Once we know what we're doing, I'm like, oh, I'm sorry, Mr Nottenham.
21:41The man says come down.
21:44Sorry, mate, I'm next to you.
21:49And silence was the stern reply.
21:56What are you doing?
21:58Well, we've got to put him up.
22:00Look, there's been no nets up yet for years, right?
22:02If we hang him and help on him, he's going to sussle straight away, innit?
22:04Yeah.
22:05Which, uh, which will you stand?
22:12Hey, Karen.
22:13Hey.
22:18Two white, three black, Fern said.
22:21He's dressed right.
22:22Street smart.
22:23He could be a break dancer.
22:25God, that kid, look at him.
22:27You've got 200 quids worth of gear on.
22:28That's from ya?
22:30Hey, up, down there.
22:40Come on, my lovely boys.
22:48One in.
22:50One out.
22:51Looks good.
22:52Is that the same guys yesterday?
22:55Same style, I don't know.
22:57All right, early days.
22:59They all look alike to me, anyway.
23:01You're just a tight little bundle of prejudices from the valleys, aren't ya?
23:05Well, I can't help it, can I?
23:06My grandfather was a sheep.
23:09Look at this.
23:11Harding up.
23:13All we need now is one more pearl riding and we've got the set.
23:17Funny, though.
23:18Funny, how?
23:19White and black working together.
23:21Well, they've got no grant or the GLC's going on.
23:23That instructor said mugging was a black crime.
23:25He also said there'd be a lot less attacks on women if they didn't walk around on their own.
23:29True.
23:30But I always thought muggers were all black.
23:33Only a place in New Zealand.
23:34Ranked being out carried.
23:37Where's Adams, then?
23:39In court.
23:40Oh, yes.
23:42Now, railway road.
23:44Three arms to boot for a man.
23:46Ah.
23:47Right.
23:49Is that it, then?
23:51Apart from the mad milkman with the nasty habits.
23:53What about him?
23:55Don't look like he's a flasher.
23:57Nothing on the ID per head?
23:59No.
23:59So we'll keep looking for Mr Dingle Dangle, eh?
24:02Variant.
24:03Someone in one of the houses?
24:04That sooner do it on the ground, he started waving it at kids.
24:08Oh.
24:08All right.
24:09Ah, this shop.
24:11It's going fine.
24:13We'll jump him soon as we work out where he melts it.
24:16But if he melts it, then we can claim the muggers and all.
24:18What about the guy who runs it?
24:19The shop?
24:20Bonamy?
24:22No form.
24:23Not under that name.
24:23Used to run carpet shops.
24:25Never been in the frame?
24:27No.
24:29And the snout.
24:30Why is he dropping Bonamy in it?
24:32Needs a few quid, so the story goes.
24:34Horse fellas.
24:35Yes, but if he's coming up with good information, let's just run him and see where he goes.
24:40He's been a driver, hasn't he?
24:42Yeah.
24:43Ah, he doesn't taste right.
24:46Keep an eye on us.
24:47All right.
24:48Any more?
24:49How far can I go?
24:50Oh, that milkman.
24:51Still working the same route.
24:54So?
24:54There's a neighborhood watch scheme over there.
24:57Liaison officers doing his conkers.
24:59Well, ring the dairy.
25:01Tell them the score.
25:02Innocent will prove the honor, but it might be in their interest to tell them.
25:05Put them working somewhere else.
25:07Preserve the image of the pure painter.
25:27Hey, where's some glasses?
25:29There, on the table.
25:30Why, what's he doing?
25:32He's packing something up.
25:39Oh, bugger it.
25:42What?
25:43Paper lad.
25:45Good old Karen.
25:46You'll probably knock that one off your wages.
25:48Shut up, Giorgio.
25:49You're not perfect either.
25:51Name one slate blemish.
25:53I'm too embarrassed.
25:57What?
25:58Well, it's not the sort of thing nice girls talk about, is it?
26:02Nice one tall.
26:04Oh, leave off.
26:05Everyone in, everyone out.
26:07That's the rule.
26:08At least you started thinking, last.
26:10Won't be used while she wanted.
26:14He's favoured, are they?
26:16Looks like it, Sarge.
26:17Description from Oxford Circus favours him and...
26:23him.
26:24And there was a message from Good Street Tube Station.
26:26About half an hour after the other.
26:28Same fellows?
26:28Sounds like it.
26:29Same general build.
26:30Tracksuit trainers.
26:32And?
26:33Maybe someone could go and we'll list a stolen property.
26:35Maybe.
26:35Just after Mrs. O'Sale, maybe.
26:37See how he shifts it.
26:38Where?
26:39Oh, did he do?
26:40Who's there now?
26:42From Dalton Janis.
26:43You've got some fighters, Dalton Janis, have you?
26:46I didn't want to disturb you, Sarge.
26:48You've disturbed me the day we met both of you.
26:56Sarge?
26:57I'm not happy about this new friend of yours, Ferns the Snout.
27:02Why, Sarge?
27:04What was he really doing in that street?
27:07Eh?
27:09Find out.
27:12And...
27:15Yes, Sarge?
27:16You've not charged him, have you?
27:17No, he paid for it, the stuff.
27:18Yeah, that's how we got the milk once in.
27:20Next time you see him, ask him what he's doing in the area.
27:23Right, Sarge.
27:24Same time, ask him, will you, why he's so keen pushing one upon me.
27:30Here's one.
27:33Woody?
27:35No.
27:37One in.
27:39Tell me when he's out.
27:40It would be very hard for me to ask her where she's staying, as a matter of fact, madam.
27:44Because, as another matter of fact, madam, the reason I've rung you up is because the young lady in question,
27:50who's standing right in front of me, is either Chinese or Japanese,
27:54some of the closely relatedese, and doesn't speak a word of English.
28:00Yes, madam, I'd be glad to.
28:02Hang on, you talk down there, yeah?
28:06Oui?
28:07Yes, mate.
28:08Hi, I'm going to phone you.
28:10Uh, bloke I know, asked me to come in.
28:12Yeah, what name is it, this, er, this, this mate of yours?
28:14Well, it was just a general query, actually.
28:16You see, er, he, er, well, er, someone in the pub said that if...
28:20Yeah, one moment, can you cut this short, please?
28:23Yeah, look, er, does your name go in the paper if it's a sex crime?
28:26You know, cos, cos this bloke said that if it was a sex crime,
28:29there was no need for your name to go in the paper.
28:31Uh, well, rape is the only sex crime for which the name of the defendant and the assailant is normally,
28:37er, kept.
28:37Thank you very much, constable.
28:39I don't mention it at all, constable.
28:41Oh.
28:45Well, there's a bit of progress, anyway.
28:51Stay your level, have your fluent by five o'clock.
28:53Yes, madam.
28:57Here we go.
29:02Three minutes, hoodie.
29:05You're welcome.
29:11Get back in the motor.
29:12Till he's out the road.
29:14Problems.
29:16It don't make all that difference, does it?
29:18I'll swing for that, tool, I will.
29:20Cool down, O'Dowd.
29:22He walks in there while the stuff's still sweaty.
29:24It's too adjacent.
29:26O'Dowd.
29:26Swim rack.
29:28Jerry.
29:28What?
29:29We want him to panic, not you.
29:34Do it the easy way, or I can come back with a warrant.
29:37You say, I don't care.
29:40I'm easy.
29:55Got a list, have you?
29:59I know what I'm looking for.
30:01Well, tell me then.
30:02And I'll tell you if I've seen it.
30:06Gold chain, thick link, carrying a little gold nugget on the end.
30:13No.
30:15A couple of bracelets.
30:18Gold again.
30:20Might be a bit stained.
30:21Stained?
30:21Stained.
30:22Because a bastard that nicked them took a couple of square inches of skin off at the same time.
30:28No, sorry.
30:30Yeah, so will he be.
30:35Excuse me.
30:54So will he be, when we catch him.
30:57And I wouldn't be surprised if he fell down on the way in, you know what I mean?
31:00Look, I haven't seen any of these.
31:01You sure about that?
31:03Hiya, Mr. Bonamy.
31:09I'll tell you what.
31:11I could give you a bell if they did come in.
31:14Of course, you wouldn't buy them, would you?
31:16I mean, not now you know they've been, um, come by dishonestly.
31:20Well, I could ask the fellow to come back.
31:23Come on, Mr. B.
31:27But give me a bell anyway.
31:29I might nip back.
31:31You've got a nice lot of gear here.
31:34I bet these walls could tell a few stories.
31:40Be lucky.
31:42Mustard, Phil.
31:45Come on, you pig.
31:46This is getting really boring.
31:50Just give us the glasses, will you?
31:55Anything doing?
31:57Made the one call.
32:01Cobblers!
32:03Oh, dear.
32:04San's getting in his eyes.
32:09Hello.
32:12Bloody hell.
32:13What?
32:14It's the bloody paper lad.
32:15There's a paper shop next door.
32:16He's not going to have one delivered.
32:18Hoodie!
32:19You should have got me stop saying that.
32:22He's even getting me at it.
32:26How the hell can I follow a bloody bike in a car?
32:33And don't lose him.
32:36You prat.
32:43I'll go down.
32:45Got a bike, then.
32:46You in the motel?
32:47Wait.
32:55Where's that go to?
32:56What?
32:56The jigger.
32:57The passage.
32:58Where's it go to?
32:59Down with the archers.
33:01Go the other end of the archers, Hoodie.
33:13Where'd he go?
33:16If I knew where he went, I'd be there, wouldn't I?
33:19Where's the mess?
33:22What?
33:26He didn't have the bag, I don't think, coming out of First Passage.
33:29Dost it.
33:30Not if his wages was in it, I don't think.
33:34What's down there?
33:35Workshops, car places, stuff like that.
33:38One Bonamy seat.
33:39You and Jan, aren't they?
33:40Who's Bonamy?
33:41Don't you read nothing, I doubt.
33:44The shop.
33:49So, come on, Jan, baby.
33:50Let's have a saunter, right?
33:52Right?
33:53Right.
33:55It's mostly just garages, though.
33:57It's got to be something.
34:01What are you doing?
34:04Hey, up.
34:09What are you doing?
34:12Is he there?
34:14Yeah, I think he's more nice.
34:15Oh, shut up.
34:17What's he doing?
34:18He's getting things in the car.
34:20You're really enjoying this, aren't you?
34:21I've got to make it look good.
34:22Pack it in.
34:30You're really enjoying it.
34:35Hold it.
34:37Pure research.
34:39All right.
34:41Just don't push your luck, eh?
34:43Did you clock it?
34:44All I could clock was I thought I was getting strangled.
34:47The queer fellow had the paper lines bag.
34:48Car number.
34:50JV 574V.
34:55Paul?
34:57Yeah?
34:58See you for...
34:59Green Granada Estate.
35:01Green Granada Estate.
35:02Julia Echo Victor.
35:03574 Victor passes, will ya?
35:06You.
35:08And he never came by.
35:10Right?
35:11All that happened was the day drew to a close
35:13and Barnaby exited stage left.
35:15Pursued by Bear.
35:17Eh?
35:18He went home.
35:20Surries ought to plan B.
35:23Which is what?
35:26Go around, smash his windows,
35:29dress up as nuns,
35:30see if he'll throw himself on the mercy of God,
35:34send in the trained hand-eaters
35:35to lick it out of him.
35:37What?
35:39Well, there's an electric arc fan.
35:41It's a little one
35:42in one of those places under the arches.
35:44How do you know that?
35:46Well, I knick around the lucky board
35:47and spoke to the meter reader.
35:48You're not nearly as daft as you look, are you?
35:50No, Sarge.
35:51Yeah, well, he couldn't be, could he, Sarge?
35:53Ha, ha, ha, ha.
36:01What?
36:02A lady downstairs insists on seeing Paul G.
36:05or Karen Moves, Sarge.
36:07What for?
36:08No, it's about a milkman.
36:09It's only about a milkman.
36:10She won't tell me.
36:12Go on, then.
36:15What's her name?
36:17I don't know.
36:17Thanks.
36:18What's the matter about?
36:23So, plan B will turn out to be plan A.
36:26Only better.
36:28And without you going in the shop,
36:31we're going to share the same cage, you and me.
36:42Just you a dairy?
36:45Can I speak to the manager, please?
36:49He's got a message to ring me already.
36:51It's just, well, it's not very nice, is it?
36:58I can see how you feel, Mrs. Duncan.
37:04What's it, Dean?
37:06What, Joe Dutton, our milkman?
37:10That last lot of stuff was mine, off my line.
37:13I see.
37:13Now, I know it's innocent and he'll prove guilty.
37:17But he is still delivering on our road.
37:21And if it wasn't him,
37:23if he didn't do it,
37:24then I really think the police ought to...
37:26What?
37:28Well, I was going to phone his firm up.
37:32But suppose it wasn't him.
37:35And they sacked him.
37:41Well, what are we going to do?
37:44Well?
37:46I'm going to use my initiative.
37:48Good.
37:48Wait till it goes away.
37:50Oh, God, you're so decisive.
37:54Right.
37:55Oh, what are you doing now?
37:57Are we going to be lit?
37:58Or dead?
37:59I'm going to use my initiative.
38:17I'm going to use my initiative.
38:25Come on, stand by.
38:35Oi!
38:37This is not a good idea.
38:38Stay in the car, then.
38:40You're going to be late.
38:41Half a minute it'll take.
38:42Half a minute.
38:48Where the hell are they?
38:51Woody's down now.
38:53I know Woody's down there.
38:54I've been talking to bloody Woody.
38:55Yeah.
38:58So what's he done, then?
38:59We can't anticipate any charge or trial at the moment, Mr Bailey.
39:03But you still want me to take you off his rounds?
39:05It would be better for all concerned.
39:07Well, then tell me what you think he's done.
39:08There's been some petty thefts on.
39:11Here.
39:12He's not this bleeding panty pincher, is he?
39:18I don't believe it.
39:21Joe Dutton.
39:22He's already done, doesn't he?
39:23No, but I'm sure he'll tell me.
39:25He just made that idiot at the laughing stock of the dairy.
39:27God!
39:29I hate men.
39:32It's a waste of bloody time.
39:36This fella goes home 5.30.
39:40Well, if he doesn't tonight, we'll know we've got one.
39:49Oh, Kit.
39:56Yeah, I'll just get on the bike, then, eh?
40:09Hey, Hope.
40:10Who wants his tea, then?
40:16Sorry.
40:17Doesn't matter.
40:21The lad's still in there.
40:37Where the bloody hell have you been, though?
40:38Down at Derry.
40:44Here it is.
41:04Where are you been, Lonnie?
41:05Don't start on me, Dad.
41:07One of me weren't ready.
41:09Hello, darling.
41:11Want to swap your bike for something inside?
41:14I'll give you a fair trade.
41:16Don't hold your breath, smelly.
41:18Ha, ha, ha, ha, ha.
41:19Dad, it's too disgusting.
41:21Ah.
41:23Here.
41:2420.
41:25OK?
41:26Yes.
41:27Fill up.
41:28Yeah.
41:35Come on, no boy, you're up.
41:38Dad!
41:38That's your bill!
41:40Get in the car and stay in the car, look.
41:44Police!
41:45We're police officers!
41:46You're right!
41:53Yeah?
42:00Hang on, sunshine.
42:02Eh?
42:05Oh!
42:07What are you doing?
42:09What are you doing?
42:10Acid!
42:11It's acid!
42:11Get it off, believe me!
42:12Acid!
42:13Acid!
42:14What is this?
42:18Lubricating oil.
42:23What about Bonamy, the gold shop geezer?
42:26What's up?
42:27Morning.
42:27Morning.
42:27It says the kid takes a bet for him, that's all.
42:29Never seen any of it before.
42:32Down into the street and get it with that.
42:35Close.
42:36Hey.
42:37We're not even getting a goldless draw here, are we?
42:39Morning, sir.
42:40Morning, sir.
42:40Good morning, sir.
42:40Chor-Chor's having another go at this now.
42:42Let's see if we can tie closer to Bonamy.
42:44Oh, well, good luck.
42:49Bye!
42:57Why'd you close him down?
42:58Bonamy, the guest.
43:00I should have stamped on him.
43:02As soon as them little yobs went in there sharpish.
43:05It's not your problem, is it?
43:06It's my problem.
43:10Look, we can claim your friend, Bonamy, any day of the week.
43:14He's ours.
43:15Oh, yeah?
43:16And what are you jumping up and down on me for then?
43:19You can claim him any down the way. You don't need me. You need handcuffs.
43:22Oi! Who's the one who needs a friend, pal, not me, so don't get saucy?
43:27What have I had from you so far, anyway?
43:30Nishtick. Nothing.
43:31Well, I can't do no more.
43:35Well, what happens if the milkman changes his mind about the life support he was naked?
43:39Say he says it was you and him having it away with the silk and satin.
43:42Leave it, handcuff.
43:44It's not me you want to worry about, is it?
43:46No one of them nonsense alike. They jump all over the place.
43:49Hey!
43:51How's that going to look on page three?
43:53Daring bank robber turns underwear fetishist.
43:59Must be joking.
44:02No, me.
44:04I've got no sense of humour.
44:08I mean,
44:10you can see the fixer, I mean, can't you?
44:12I don't know for sure what he was doing there, do I?
44:16Do you know, Sam, you're going to make a right good copper, you are.
44:22Oh, it's not a compliment.
44:27I want to drop him right out of the frame on this.
44:32Barnaby, you bastard.
44:34He's done the brown.
44:37Keep talking.
44:38I'll let you know when you've finished.
44:41Ferns has been driving for Barnaby for about seven or eight months.
44:45He's just got married and she doesn't like him getting mixed up with thieves.
44:49He took her.
44:50Thieves?
44:51Just reading between the lines, sir.
44:53Stay on the lines for the time being.
44:56Sorry, Sarge.
45:01Barnaby pinches cars.
45:03How?
45:04Well, it's simple.
45:06Barnaby has a classy motor, all legit.
45:09Uses his own plastic, trade references, everything.
45:12Drives around for a couple of days.
45:14Then while he's got it, he has a set of keys made.
45:16Takes it back.
45:18It's all about board.
45:20Okay.
45:21Then, whenever he's ready,
45:23he uses the keys to pinch it.
45:26See,
45:28Barnaby's just a messenger boy
45:29for a few of the old-time villains
45:30still left on a cost of packet.
45:33These boys have made it legit,
45:34but they still like to dabble.
45:36So they send cash over to Barnaby
45:38and he turns it into gold.
45:40Buying, selling, doing the VAT.
45:42He buys a belt and a belt.
45:44Bent or straight, Barnaby don't care.
45:46Because his end is a 15% VAT,
45:48which he does charge, but don't pay.
45:50What about the motors?
45:52Barnaby drives up the spine and sells them cheap.
45:55You pulled Barnaby,
45:57we got a real result.
45:59Even if he got stopped,
46:00most times he'd get away with it.
46:01Right.
46:02And, uh,
46:03who does this car belong to, sir?
46:05Oh, it's a hire car officer.
46:08Yeah, well,
46:09they did all right, your lot.
46:10I'll pass it on, then, chiller.
46:11Yeah, except for the business with the milkman.
46:13We'll see him later,
46:13you and me.
46:14Right.
46:16It was a nice, tidy piece of work,
46:17Barnaby and the muggers.
46:19Well done.
46:21Thank you, sir.
46:21Thanks, sir.
46:24Which one of you went to the dairy?
46:26It was my idea, sir.
46:27I agreed, though.
46:28Yeah, well,
46:29I don't give a cast iron for the musketeers,
46:30one for all,
46:31all for one.
46:32Both of you.
46:34Yes, sir.
46:34Sir.
46:35And, uh,
46:36what did you say?
46:39Did you ask the manager
46:41to take Dutton off the route?
46:43Yes, sir.
46:45Did you tell him why?
46:48Just put two and two together, sir.
46:51Then he went and told
46:51the rest of the depot
46:52that Dutton was an underwear fetishist.
46:58Dutton topped himself this morning.
47:01What?
47:02His mother rang up.
47:08Dutton was a sorry little prat,
47:09but I don't think any good purpose
47:10was served when he hanged himself.
47:14Just remember that next time
47:15you attempted to step out of line.
47:20All right.
47:22That's all.
47:39He might still have put the string
47:41around his neck
47:41if I'd spoken to the manager.
47:46I couldn't have used it
47:47to teach you a lesson,
47:48though, could I?
47:52I just hope
47:52Walsh and Georgi
47:53are more impressionable.
47:57Otherwise,
47:58I'll have wasted a sermon.
48:04I'll have a second.
48:13I'll have a yeah-la Big Ges
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