- 52 minutes ago
1998-2000 POLICE DRAMA "Sgt. Mackey offers a friendly ear to troubled teen Nikki Reed. Hours later she is found murdered and dumped on the road. Lucy is looking for revenge so smashes into Barnham's car. Jane questions unknown DNA left on Hayley Morrison's body." IMDB Starring Sean MacKenzie, Ian Aspinall, Dave Hill, Ashley Jensen, Sarah Kirkman, Lorraine Ashbourne, Philip Martin Brown, Ian Burfield, Ray Stevenson
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TVTranscript
00:01You're having nothing, Nicky, till you sober up.
00:03Get off me, you chock!
00:05Get me!
00:07Why do you think I even bother coming in here?
00:09When you've got the answer to that question, then maybe you'll see me differently.
00:13Escort Miss Reid off the premises, would you?
00:16And see you tomorrow.
00:17Not if I see you first, you won't.
00:19We'd like to see the officer in charge of the Hayden Morrison case.
00:23Or any other...
00:24I killed her.
00:25I killed her.
00:26You'll see.
00:28This is my chief's house.
00:30Kiss me.
00:33We have to work together.
00:35Get some clothes on and get out.
00:41Come take the wine.
00:44Come hear the back.
00:47Come blow your heart.
00:49Start celebrating.
00:51Right this way, your table's waiting.
00:54I'm missing.
00:55From cradle to tune.
00:57It is a matter of honesty.
01:03Life is a cabaret on the show.
01:08So come to the cabaret.
01:23Hey, I didn't even get here tonight.
01:25Only I had to go pay me back to the bill.
01:27Well, a woman's work is never done, is it, though?
01:29No.
01:30No.
01:31No.
01:32Anyway, when they told me how much it was, well, I fainted.
01:36Oh, I did.
01:37I fainted.
01:38Oh, Mr. Mateo's been half an hour giving me artificial insemini.
01:41You can see the ears.
01:43You can see the ears.
01:43You're already getting there.
01:45I'll put a smile on your face, whatever it were.
01:48Here, look, you can have drowned those puppies.
01:50I'll have one at left with a pink nose.
01:53All right, hands and booze is a sex maniac.
01:56Hands and booze not getting in here.
01:59Right, you want to know where you are?
02:00Well, he put his hand up twice.
02:09I can see you were a man of distinction, a real big speller, full of luck, it's so refined.
02:23Say, wouldn't you like to know what's going on in my mind?
02:27Right to the point.
02:29All right, then.
02:31Is there a problem, Mr. Redson?
02:32No, I'm just looking for somebody.
02:36Delizzing, great voice tonight.
02:38Yeah, so what are we looking for?
02:40All right, we both know the answers to that, don't we?
02:44I know he's here.
02:45He'll go mad if he knows I've been talking to you.
02:47Why, you just point us in the right direction, we'll do the rest.
02:53In the kitchens.
02:54But you didn't hear it from me.
02:56Would you like to have fun?
02:59Wow, wow.
03:00This is your memory.
03:01How did you blast, blast, blast, and you sure you are.
03:08Good time.
03:10The minute you walked in the joint.
03:14I can see you were a man of distinction, a real big speller.
03:36Oh, hello, love.
03:38Do you want a chip?
04:52Is he ready?
04:53Noria, wait there.
04:59When you find him, you can give him these.
05:27I've just been to pick you up.
05:28Yeah, we're not hitting them up.
05:31Debbie nearly bit my head off.
05:33You could have walked it before I went round her.
05:39Sorry, Pop.
05:41My marriage is going down the car, is there?
05:42You didn't need to pick me up, sorry.
05:44I should have let you know.
05:46She'd give me all your game, man.
05:48What's that?
05:51What's what?
05:52On your face.
05:54You've got a black eye.
05:56It's a bruise.
05:57Did Debbie hit you?
05:59It was an accident.
06:00Do you want to talk about it?
06:02Nope.
06:22You don't have to pick your places.
06:42Do you want to get a kiss, then?
06:45Oh, no.
06:46He's going to be boring.
06:47Rip Pickering heard the message you left.
06:49So?
06:50So he recognised your voice.
06:52He knows about us.
06:53I'm jealous, is he?
06:55It's out of hand, and I can't afford for that to happen.
06:59Then why did you call me?
07:02Because I didn't like the way it was left.
07:05You deserve better than that.
07:07So that's it?
07:08We're still finished?
07:09Yeah.
07:13OK?
07:16Don't worry, I'm not going to make a fool of myself again.
07:24Is it your loss?
07:28Yeah.
07:31You know, you said you were sorry about how you treated me the other night.
07:35Did you mean it?
07:39Yes.
07:46Why don't you put it right?
07:59Why don't you put it right?
08:19Sorry.
08:20Teddy, it's just the man.
08:23Well, you've got it.
08:25You can move in whenever you like.
08:27You star!
08:28I really appreciate this.
08:30I thought I'd take ages to find a decent place.
08:31That's what friends are for.
08:33I owe you one, mate.
08:38Brilliant!
08:40Right, we'll have a drink, and then we'll go around and start measuring up.
08:43We're going to have to get you started for curtains and cupids.
08:45Hang on, hang on.
08:46I can't go there today.
08:47Why not?
08:48Because I'm working.
08:49I'm on two till ten.
08:51So you've not even got time for a drink now?
08:52Well, but you have one.
08:53I'll have a coffee.
08:58See if we can get something a bit better tomorrow, eh?
09:02See you, Wiggy.
09:03So, who have we got?
09:05Just the one.
09:10Shut the door, Willie.
09:11There's a shaft, do you know?
09:22Shall we give you a lift home?
09:26Can't we go somewhere for a drink or something?
09:33I don't think that's a good idea, do you?
09:35Okay, tonight, then.
09:37Cinema.
09:37Lucy.
09:38Oh, right.
09:39Not the cinema.
09:40We could get a takeaway and video.
09:42Go back to yours.
09:42It's finished.
09:44I meant what I said.
09:46Don't you think it's a little impolite
09:48to dump a girl before she's even dressed?
09:53If all this has been about getting me to change my mind,
09:55it hasn't worked.
09:56You can't treat me like this.
09:57Oh, no.
09:58Lucy gets what Lucy wants.
10:02You really think you can just dump me, don't you?
10:03I knew this was a mistake.
10:06Come on, out.
10:08No.
10:11Out!
10:13Out!
10:20Out!
10:22Out!
10:23Out!
10:27Let's go.
11:18You can't just throw me out. It's raining.
11:20This is a police station, not a bus shelter.
11:23I was causing a disturbing.
11:24I read the report.
11:25It was raining, so you threatened to trash the shop
11:28until the shopkeeper was forced to phone us.
11:30Yeah, well, it's still a breach of the peace, though, isn't it?
11:32We'll forgive you. I don't want to be forgiven.
11:34Bye, Nicky.
11:35You'll miss me.
11:36I'll manage.
11:38Do you reckon she's seeing someone else?
11:40I've not missed you.
11:41Her husband's always the last to know.
11:42Yeah, well, I'd know, wouldn't I?
11:43Anyway, you'd want to, eh?
11:45It was me wondering why she threw you out.
11:46Nobody's thrown me out. It was a mutual decision.
11:49Which you made before, after she gave you a right to...
11:51I'll give you a slap in a minute.
11:52All right, children, that's enough.
11:54Well, P.E. started saying Debbie was putting it about.
11:56I didn't say she was. I was just asking him who you thought she was.
11:59What's this?
12:00Oh, Debbie's thrown Steve out.
12:01What? Nobody's thrown me out.
12:03Sorry, they've mutually decided that he shouldn't live there any more
12:05and he should pack his things into bin liners and go.
12:07Then she hit him.
12:07I'm warning you.
12:12Still calm down.
12:13Just give her a few days.
12:18Hey, Terry.
12:19Are you in your new flat?
12:21Yeah, I've got the keys this morning.
12:22Yeah?
12:23There's only chance of me keeping down here for a few days.
12:25Until Debbie realises what she's left for her fingers, eh?
12:28Might take more than a few days, mate.
12:30Come on, mate.
12:31It's all for her doing, eh?
12:32It's not that much, am I, yeah?
12:34You can't ask, Terry.
12:35I've only just moved in.
12:37At least give him a few days, let him settle down a bit first.
12:39What about your place, Cole?
12:40You sure will do.
12:41Yeah, brilliant.
12:43No chance.
12:44What, you'd see me on the street?
12:46Rather than live with me?
12:47Yeah.
12:47Yeah.
12:48Come on, Cole.
12:49I mean, just for tonight then, you know.
12:50Till I get myself sorted.
12:57What?
13:01You're in my big mouth.
13:09Gav, just heard a whisper.
13:10Andy Parsons model moving out of their area.
13:12Where?
13:12Into the city centre.
13:14Uh, OK.
13:14Talk to Mackie.
13:15See if she can get her a lot to keep their eyes open.
13:17Right.
13:20How's it going?
13:22Hmm?
13:22Oh, OK, yeah.
13:23Should be done this afternoon.
13:26You heard the Leicester forensics came through?
13:27Yeah.
13:28Yeah, we've got Reeve's DNA all over Hayley, and now we've got hers on the murder weapon.
13:33That'll be it, then.
13:33Back the sticks.
13:35Yep.
13:37Listen, I was, uh, I was thinking.
13:39Uh, tonight, after you've, um, finished everything up,
13:42maybe we should go for a drink.
13:45Just you and me.
13:47OK.
13:52Right, now, I know it's raining, and those of you on Forts will be struggling a bit,
13:56but that doesn't mean I want all of you in the shopping arcade bumping into each other,
13:59nor do I want you sneaking back in here, PC Green.
14:03Right, have you checked the computer?
14:04Sorry.
14:05Pick up your radios, and let's get wet.
14:09OK?
14:10Yeah, great, sir.
14:11Sir, who are these blokes?
14:13Parsons mop.
14:14I'm working my way through the city like a dose of the clap.
14:16You've got the voice of experience, Raymond.
14:18Well, penicillin's a wonderful thing.
14:22Steve!
14:23Steve!
14:23Why are you so quiet?
14:28That's that subtle humour we're all so familiar with.
14:30Love me, Casey.
14:31That's my man.
14:33Love me, Casey.
14:36Love me, Casey.
14:38Love me, Casey.
14:42Love me, Casey.
14:45Love me, Casey.
14:46Love me, Casey.
14:51Love me, Casey.
14:51Love me, Casey.
14:51Love me, Casey.
14:52Love me, Casey.
14:52Love me, Casey.
14:53Love me, Casey.
14:54Love me, Casey.
15:02Well, after he set fire to the waste paper basket,
15:05he then urinated on the charity box,
15:07jumped up on the counter and barked at Mrs Edgar.
15:11Full name, please.
15:13Woof, woof, woof, woof!
15:14That's all you'll get out of him, Sergeant.
15:15Can you empty your pockets, please?
15:24Is that it?
15:26It's Sergeant. It must be a dog whistle.
15:27Right, let's get him in the kennel while we find out who he is.
15:30Just come on!
15:41He shouldn't be allowed out on the street.
15:43It's all right, it's all right. We'll get someone to look at him.
15:46How much damage did he do?
15:47Well, the charity box could do the hose down
15:49and the fire made a bit of a mess.
15:51Right, how's Mrs Edgar?
15:52She's been for a cook at the biscuit.
15:54Right, OK, write it up and we'll let you know how it turns out.
15:57It's hard.
16:00Is it quiet today, or is it me?
16:03No, it's the rain. Everyone's off the streets.
16:05Let's hope it keeps on.
16:09Quiet!
16:09Get out, or I'll get a vet in.
16:13Have you castrated?
16:19Hello.
16:20Is Alison now, please?
16:23No, she's not.
16:25No, no, I just thought she'd be back by now, that's all.
16:28All right, just tell her, tell her your own.
16:30OK, thanks.
16:41How long have you been married, Pete?
16:42Since 1836.
16:44Seriously?
16:46All right, it's our silver wedding next year.
16:49Hey, your wife, does she mind?
16:51Do you know, does she mind you being a copper?
16:53Girlfriend trouble, is it?
16:55Well, nice.
16:57I just don't think she can handle it.
17:01My Brenda, she says she knew I was a copper the minute she had first laid eyes on me.
17:04Really?
17:05Yeah, mind you, I was wearing my uniform at the time.
17:08Listen, son.
17:10This young lady of yours, she knew what you did when she first got involved with you.
17:13It's no good a complaining now.
17:16Well, she's not complaining exactly.
17:17She will.
17:18Well, she's a woman, she can't help it.
17:20She's in the jeans.
17:23What's the other for?
17:26Nice.
17:27That's all I've got.
17:28Can you check it out, over?
17:29Any contacts?
17:30Sorry, Pete.
17:31Call, I won't leave a name.
17:32Over.
17:32OK, received.
17:34Well, how are we going to get there?
17:36Run!
17:45All over the pavement.
17:51These radios working, or what?
17:52It's just quiet, that's all.
17:53It is quiet, though, is it?
17:55Well, maybe we'll just get out that you've got a strop on.
17:56See, we haven't got a strop on.
17:58Aye, and what about the man with the dog?
17:59Yeah, well, people have to walk on the pavement, you know.
18:01Think of quiet words, but I've done...
18:03Sue, do me a favour.
18:03Get off me case, will you?
18:07Steve, why don't we just phone Debs?
18:10What?
18:11Speak to her.
18:12What for, eh?
18:13Just talk to her.
18:14Did you see that?
18:14What?
18:15That guy's just locked a bottle over the...
18:17Aye, aye, you lot, come here.
18:23Jane, so you're leaving us today, then?
18:29Yes, sir.
18:30Colin, let's see me before you go.
18:32Sir.
18:34Boss, have you got me?
18:35There's still something bugging me about Hayley.
18:38These bruises.
18:40You remember we first thought they were made when he dragged her to the canal's edge?
18:43Yeah.
18:43Well, in his statement, Reeves said he carried her to the canal wrapped in a quilt.
18:48Listen.
18:50I held onto the edge of the quilt and pulled.
18:53It unrolled and the body went into the water.
18:55It went under at first, but then came back up.
18:57Yeah, so?
18:57Well, to get those bruises, her arms must have been loose.
19:00But according to this confession, they won't.
19:02They must have happened before he dumped her body.
19:05He's still saying he can't remember the blood that killed her.
19:07They must have happened then.
19:09Yeah.
19:11Do you want to interview him again?
19:13No, no, no.
19:14I don't think it warrants that.
19:16I just don't like loose ends.
19:18Careful.
19:19People will start thinking you don't want to leave.
19:21All right, Rhea.
19:21I just don't want CPS throwing it back at us.
19:24No, of course not.
19:28Well, I'll look at it again later.
19:40Do you have to keep winding her up?
19:42Listen, if she can't stand the heat, she should get back in the kitchen.
19:46Heard you more than Parsons, lot?
19:48No, it's all gone quiet.
19:50Maybe rain's stock play, eh?
20:00No, I'm telling you, they'd be perfectly happy if they just didn't know what this year's
20:04colour was or how light and long their M's should be.
20:08Just to have settled something to think that they're missing out.
20:11And hell, that's no fury like a woman I think she's missing out.
20:15Yeah, I try and remember that.
20:17Ah, I expect you and young Alison are still in the first of the rules of the faction.
20:20Oh, my word, sex, never enough.
20:24Sooner or later, she'll want a dishwasher.
20:26Can you wear that?
20:27What?
20:31It's going for not best one.
20:55Hey, stop for here.
20:58Hey, stop for here.
21:14Hello, sir!
21:15Oh, what?
21:19Oh, this is a joke, right, Nick?
21:21We only chucked her out two hours ago.
21:23Breach of the peace, Sarge.
21:24And what was she doing, exactly?
21:26Well, she became very offensive, stole my cap, called me an idiot.
21:29Since when was it a crime to tell the truth?
21:32Ah, good one, Sarge.
21:33No, but this is it, is it?
21:34This is the best that you could do?
21:35It's raining, Skip.
21:36There's no one about.
21:37Have I missed me dinner, Dan?
21:38If Sergeant Mackie finds you back here, she'll have all our guts for garters.
21:42Could you at least give us a cuppa?
21:44All right, and then straight out.
21:46And, Nick, you can do the honours while I go and chase the doctor up to come and look at
21:49Fido.
21:52Get down!
22:02Gov.
22:03What's so funny?
22:04Nas and Markie, two of Andy Parsons' lads.
22:06We pulled him in a couple of months ago for GBH.
22:08Oh, yeah.
22:09And all the witnesses went down with amnesia.
22:11That's the ones.
22:11Listen, you're going to love this.
22:13Someone's only stripped him.
22:14Give him a good kick in there.
22:16This is the best bit.
22:18They've only gone and shaved him from head to toe, haven't they?
22:21They look like Pinky and Perky.
22:23What?
22:24Shaved.
22:25Shaved, don't.
22:25A pair of them.
22:26Smooth as a baby's bum.
22:27Eyebrows, legs, no...
22:28Who would have the bottler do that at Parsons' firm?
22:30I know.
22:30No one.
22:31I'd know.
22:31Listen, I've got that side in the interview room.
22:33Just deal with it, right?
22:34I've got enough pain in my life without a gang war breaking out.
22:36Yes, gov.
22:37Come on, Dan.
22:49With you in a minute.
22:54All right.
22:56All right, Alex.
22:58Shhh, they're juicy.
23:03Like I said, don't remiss.
23:18Oi, is anyone on the front desk?
23:20Show me my wife's up.
23:25Is this really what you think is going to get Deb's back?
23:28Sitting outside her work in a police car?
23:30You don't understand, Sue.
23:31I mean, I do love the girl.
23:33Yeah, I know.
23:33But this might not be quite what she's looking for.
23:35What does she want to know?
23:36Well, should you not be asking her that?
23:38She won't talk to me.
23:39Well, write to her.
23:40Oh, don't be stupid.
23:41I mean, it's to write her a letter or something.
23:43Sometimes it's easier just to write that kind of stuff down than it is to say it.
23:47Yeah, I couldn't do that.
23:47I mean, she'd show people, wouldn't she?
23:49Well, you know, her mates then.
23:51Her mates at work.
23:52So?
23:52So.
23:53I'd have looked daft then, wouldn't I?
23:55What do you think you look like now?
24:01PC Green.
24:03Sarge.
24:03Why aren't you out on the streets where the taxpayers expect you to be?
24:07Um, I've just brought in a prisoner, Sarge.
24:09Oh, found an old lady later on outside her post office, did we?
24:12Breach of the peace.
24:14Oh, anyone we know?
24:15Come on, out.
24:17Staying comfy, then.
24:18Right, you can't keep doing this.
24:20Doing what?
24:20Using it as a hostel.
24:22It's not what we're here for.
24:23What, using you does not?
24:24It takes me 35 minutes to print out your record sheet.
24:28Now, I haven't got the time or the manpower for this one.
24:30You don't seem to be doing anything for yourself.
24:32What?
24:33Right, let me talk to social services for you.
24:36Sort out something permanent.
24:37Somewhere to stay and help you find a job.
24:39No, you keep them away from me, right?
24:41They're there to help.
24:42I don't need anyone's help.
24:44I'm better on you.
24:45My inspector is losing patience with you, Nicky.
24:48So what?
24:49So sooner or later, we're going to have to start charging you every time you come in.
24:52Eventually, you'll end up in prison.
24:54Is that what you want?
24:54I'm not scared of prison.
24:56No, no.
24:57Well, maybe you should be.
24:58Well, what are you doing?
24:59Taking all the big interests forward out the world?
25:01Well, it doesn't owe you a living.
25:03You just don't care, do you, Ray?
25:05I don't want anything from anyone, right?
25:08I've had people looking after me before, right?
25:11When me dad died.
25:12I was eight when he died, right?
25:15And they all looked after me, okay?
25:18I had eight years of feeling safe and warm, and then the next week being touched up by
25:23tears of our men in one room after another, right?
25:30I was too pretty, you see.
25:33That's what one of them said to me, you know.
25:37I was too pretty.
25:39It wasn't his fault.
25:41So the world doesn't know where we live and we'll sack the world, right?
25:48No.
25:55You know, my dad used to tell me that no matter what anyone did, however much anybody hurt me,
26:10if I cried, right, or changed what I did or who I was, then they'd won.
26:16They'd stolen my life from me.
26:19Now, those people who hurt you stole something very precious,
26:23but don't let them steal the rest of your life.
26:25You're still young.
26:27There's nothing you can't do if you set your mind to it.
26:32I just want to stay here and safe.
26:39This is a police station.
26:40You can't come here just because it's raining.
26:47I know you've had a rough start, Nicky, and I, you know, I, I, I'm not sure I'd have survived
26:53what you have,
26:54but no one gives you a life.
26:55You have to go out and make your own.
27:04Nick!
27:05Sir.
27:09Give Nicky a lift wherever she wants to go, right?
27:14I don't ever want to see you in here again.
27:16Do you understand?
27:23When's it going to stop raining, eh?
27:29I don't know.
27:37Come on, Naz, who did this to you?
27:38Lean on the wrong person, did we?
27:40Got out your depth.
27:40Look, I've told you before.
27:42I didn't see nothing, I didn't hear nothing, I don't know nothing.
27:46And what does Mr Parsons think about what happened to you?
27:48Because you see, Mr Bainham's slightly concerned this is the start of the war between your lot
27:51and some other single-cell lifeforms.
27:53I'm afraid to leave whenever I like, right?
27:55No.
27:56No, you can leave when you've answered my questions.
27:58I'm the victim here.
28:00You're not supposed to treat me like this.
28:02I'm still thinking about arresting you.
28:04What for?
28:05Oh, I don't know.
28:06What do you reckon, Dan?
28:07Being an ugly git.
28:09This is harassment.
28:11Put the tape on.
28:12I want this recorded.
28:13Who turned you over, Naz?
28:15No one.
28:16Who turned you over?
28:22Planning on sorting it out yourself, is that it?
28:26We could sit like this all day, asking me the same questions over and over.
28:32You'd get the same thing.
28:35I didn't see no one.
28:36I didn't hear nothing.
28:38I don't know nothing.
28:40I don't know nothing.
29:11Neither of us, our word.
29:13Well, it's well known Andy Parsons has moved into protection.
29:15It might be an hazard mark.
29:16You've been ripping Parsons off.
29:17Easy, easy.
29:18What's going on?
29:19Uh, snooker hall in Glen Garry Street.
29:21Petal bomb, apparently.
29:23How many policemen does it take to put out a fire?
29:25Now, they're all brought to tears.
29:26It's the first bit of excitement they've had all day.
29:28Easy.
29:29What about the clown from reception?
29:30Have we charged him?
29:31Richard?
29:32You know, I think it's an interesting idea.
29:33You know who I mean.
29:34How can we charge him when he's barking?
29:37I think that's for the doctor and the social worker to decide when they get here.
29:40Don't you?
29:40No, he's actually barking, you know.
29:42Woof, woof.
29:43Why are they always on my shift?
29:44Let the doc sort it out.
29:45Give me a shout when he gets here, eh?
29:47Will do.
29:49You won't believe this.
29:51It doesn't bother you, then.
29:53People shaving your foot soldiers.
29:54You don't know what you're talking about.
29:56It don't do the reputation much good, does it?
29:58What about a Molotov cocktail?
29:59You're going to have to relay the table.
30:00Kids.
30:01Kids?
30:03Look, you're putting two and two together and getting nine.
30:05There's nothing going on.
30:07I don't believe you, Andy.
30:09You know what I think?
30:10I think you've sent two of your firm on a little excursion into someone else's area and they've
30:14come a cropper.
30:16Now, Mr. Bainham wants to know who it is.
30:18What's going on?
30:19I told you.
30:19I don't know what you're talking about.
30:21You won't have your start in a war in the city centre, Andy.
30:25Look, tell Mr. Bainham, no more aggro.
30:27It's got my word on it.
30:29It's finished.
30:34Somebody's really got to you, haven't they?
30:42All right, I'll tell the DI.
30:43What about Naz and Marky?
30:45Well, we've got nothing to keep them with.
30:47What do you reckon, Dan?
30:48Give us a bit of spit and polish and send them packing?
30:50What do you reckon?
31:17No, of course I don't mind, but you have to understand.
31:20I've work to do.
31:21It's raining.
31:24Didn't you say you were going to the library?
31:26I can't be bothered.
31:28You have to make an effort, Lucy.
31:30Okay.
31:33Can I go to the canteen?
31:34I'm hungry.
31:35Yeah, all right.
31:35But straight there and back.
31:37I don't want you wandering around.
31:41Yes, Daddy.
31:46Did you know there was a trace of a third DNA in the samples taken from Hayley?
31:50Neither hers nor Reeves.
31:52Yeah.
31:53Well, doesn't that bother you?
31:54No, not really.
31:54I mean, we know Hayley was sexually active and there's nothing unusual in that.
31:59I suppose not.
32:01What's this about, Jim?
32:03I mean, you know, first it was the bruises and now this.
32:05Why are you trying to complicate things?
32:06I'm sorry.
32:07It's just, you know, even with the confession and the post-mortem, we still haven't got the full picture.
32:12We know Reeves killed her.
32:15Yeah.
32:15And then he dumped her body in the canal.
32:17Yes.
32:17So what more do we need to know?
32:19CBS seemed happy enough.
32:20I know.
32:22So what's the problem?
32:25No problem.
32:28Probably just getting pedantic in the old age.
32:39What the hell do you think you're playing at?
32:41Nothing.
32:42You don't just walk into my office.
32:43She's a bit old for you, isn't she?
32:46I've said all I wanted to say.
32:48I came to see Daddy.
32:50He always says I should tell him something's bothering me.
32:53Don't threaten me.
32:55Just...
32:56Just go away, Lucy.
32:59I'll tell him.
33:01I mean it.
33:04Come on!
33:05What are you doing?
33:06You don't need to be stupid!
33:07Wait!
33:13You wouldn't dare.
33:15It's finished.
33:17Do what you want to do because I'm past caring.
33:19Go on!
33:22Lucy!
33:46I'm sorry, Nicky.
33:49OK.
33:58Yep.
33:59Dr Reska. Are you all done?
34:01I think so.
34:02Right, where's he going?
34:03Nowhere.
34:04Sorry?
34:05We can't find anything to warrant having him sectioned.
34:08He's not mad.
34:09He thinks he's a dog.
34:11No, he doesn't.
34:11Then why is he barking?
34:13He's attention-seeking.
34:14Right, so him scurrying around on all fours,
34:17barking at the custody sergeant is, what,
34:19just a kink in his personality, is it?
34:21In a way.
34:22What, trying to burn down the police station?
34:24More attention-seeking.
34:26If he really thought he was a dog,
34:28he wouldn't have done that.
34:29Dogs don't like fire.
34:31What?
34:32What would you like us to do with him?
34:34Whatever you normally do.
34:35All I can do is charge him,
34:37which means he'll be back on the streets in the morning.
34:49That's for you, that.
34:54Marilyn?
34:55You see my keys?
35:14You see my keys.
35:49Call up an ambulance.
35:50Got a plane from 593, urgent message.
35:53Ambulance, please, to Christmas Street Station, over.
35:59We're going to run with this next way, sir.
36:01We'll take her in the car, it'll be quicker.
36:03Sorry, sir, I think it might be better if we don't move.
36:04She'll be fine, she's moving, Mike!
36:06I'll bring one up.
36:08What happened?
36:10Barnard scored her.
36:11What?
36:12She's crashed his car.
36:14This house she's gone into, isn't it?
36:16Yeah, somewhere in there.
36:18Go Fleam up in 377, can you cancel that ambulance, Kate?
36:21We're going to take her by car, over.
36:39Let's go.
37:06I've set the Morrison pile up.
37:08Great.
37:10Are we still on for that drink?
37:12Yeah.
37:15I don't mind, you know, as soon as it's come up.
37:17No.
37:22Half an hour?
37:23Yeah.
37:24Yeah, hello?
37:25Yes, sorry.
37:26I'm calling about Lucy Barnard.
37:28She was brought in a couple of hours ago.
37:30A friend.
37:42I haven't seen you round here before.
37:44You shouldn't.
37:46Never get me edge round.
37:47All that stuff, mate.
37:48People staying on at school.
37:50Any chance of another mother take?
38:14Lucy Barnard.
38:15Yes.
38:29Gentlemen, we come bearing gifts.
38:46We could go for a beer all sort of.
38:48You're not better than anything else.
38:49I'm not a calf.
38:50That's what you're thinking.
38:51Just sobbing me.
38:53You must have gone home.
38:59We arranged to go for a drink.
39:00Well, I ain't doing anything this evening if you don't mind slamming it.
39:04Thanks.
39:05I'm gonna get home again.
39:06Just thought the boss and they'd like to sue me off.
39:08Nice working with you anyway, Sarge.
39:10Oh, cheers, darling.
39:13Ray?
39:14Hmm?
39:15Oh, yeah, listen.
39:16You weren't all bad.
39:18Cheers.
39:23I'll give my regards to the inspector.
39:30All quiet?
39:31Yeah.
39:32Even Lassie's gone home.
39:34Mm-hm.
39:34I think that's like a car.
39:36Go and have a look round.
39:37Might as well.
39:39Yeah.
39:44Where is everyone?
39:45Go home.
39:46Oh, Dick McCormack sent her regards.
39:48Said it was a pleasure working with you.
39:50I thought maybe we should have chipped in, bought her a box of chocolates or something.
39:54Yeah.
39:55You had a rough day?
39:57A bit.
39:58I heard Lucy Barnard smashed up your motor.
40:00I hope you're covered.
40:02How'd you get on in this snuggle hall?
40:05Yeah, I drew another blank.
40:06The person says it's not the start of the war, so, you know, and that's closed.
40:10But I thought I might make one more call before I drop it.
40:14Where?
40:15Well, you remember when I first came here, you said to me, if ever there was anything I ever
40:18needed to know about Clubland, there was one person I should ask.
40:22I was afraid, I was petrified.
40:26We have a feature-length DL and Pascoe here at one o'clock, but will that extra time mean
40:31a more complicated case for the boys, or just more arguments?
40:35Find out later.
40:36Next, though, a harrowing band of gold, here on UK TV Drama.
40:41I've just walked in to see you there with that sad look upon your face.
40:45I should have changed the stupid lot.
40:47I should have thrown away the key.
40:50If I thought for just one second you'd be back to bother me.
40:53Go on, now, go.
40:55Walk out the door.
40:56What are we going to do then?
40:58Just going to drive round here all night.
41:02When you're the one that tried to hurt me with goodbyes Did I rumble?
41:07Did I lay down and die?
41:09Oh, no, not I.
41:11I will survive.
41:30I think I'll give Jane a call.
41:32She's gone, Gav, leave it alone.
41:34Didn't like her much, did you?
41:36Not much, no.
41:37Why? Because she wouldn't sleep with you?
41:39Nope, because she was teacher's pet.
41:42You think that was because she was a good detective?
41:45No.
41:47Well, she was.
41:48Oh, and I'm not.
41:49You go through the motions, Ray.
41:51You've been treading water ever since the turf show at the Met, Ray.
41:54Excuse me, they did not throw me out.
41:55They encouraged me to ask for a transfer.
41:59Why?
42:02Personal.
42:07I was caught in bed with a DCI's missus, all right?
42:12You're the same, I had months to fall apart.
42:15You've been treading to me, my broken heart.
42:19I've been treading water.
42:21I'm feeling sorry for myself, I used to cry.
42:25Now I hold my head up high and you see me.
42:29At least you've already stopped, right?
42:30I'm not that single person still in love with you.
42:35And you think you can drop me and expect me to be free.
42:39No one's screaming, no one's coming.
42:41Oh, someone that's not me, me.
42:43Go, now go.
42:45Go, go, go, go.
42:47Don't turn around now.
42:48Because you're not welcome anymore.
42:51Weren't you the one that tried to hurt me with your life?
42:54Well, did I crumble, did I lay down and die?
42:59Oh, no, not I, I will survive.
43:03As long as I know how to love, I know I'll stay alive.
43:06Because I've got all my love to give, and I've got all my life to live.
43:10I will survive, I will survive.
43:13I will survive, I will survive.
43:18What about you's about, then?
43:20The cars?
43:21Yeah.
43:21Trouble?
43:22So is it on or what?
43:23No.
43:24Single man again, then?
43:27Married to the job, aren't I?
43:30Talking, a witch.
43:31Might have gone up a little bit, but Dillyway will still stand.
43:56Come in, lads.
43:58Mr. Bainham.
43:59Long time no see.
44:02Still packing them in, then, Dilly?
44:03That's always a good night of Fridays.
44:06Who's your friend?
44:07Ray, Ray Pickering.
44:08Pleased to meet you, Ray.
44:10Don't let the frock put you off.
44:11I'm a drag queen.
44:12Not a puff.
44:14Make yourself at home, lads.
44:18You don't mind if I get changed, do you?
44:20No, I hope you so.
44:23I take it you're not here for me autograph?
44:25Andy Parsons.
44:27Nasty little toad.
44:28Yeah, well, this afternoon somebody firebombed his snooker hole.
44:31I'm not surprised.
44:32Have you seen him play?
44:33And this morning we found two of his lads, stripped, beaten and shaved.
44:38Shaved?
44:39Head to tour.
44:41I do hope you took pictures.
44:42Well, I was wondering if you'd heard anything.
44:45Oh, I feel like Huggy Bear was stasky a notch.
44:50So?
44:51Well, let me think while I wash my face and slip into something a little more comfortable.
45:18Well, what was wrong with that one?
45:19It's not coming out right.
45:20Steve, just tell her what you told me.
45:23What's that?
45:23That you love her.
45:25I can't put that on.
45:25Why not?
45:26Well, I can't, can't.
45:26Look, Steve, if you don't want to do this, I could be doing other things.
45:29I know, but will you just...
45:30Hurry up.
45:32Dear Debbie.
45:34All units from Golf Lima, reports of body found, stables roll.
45:38Where have we gone?
45:38Where you were, didn't you, stables roll?
45:40We've gone indeed, that's Luke.
45:41Sue, I'll do that later.
45:42Come on.
45:43Itch this, right, and we can drop it off in the way it's been able to listen to me.
45:48It's typical.
45:50Nothing all day, then five minutes to go and the city goes crazy.
45:58As much as I hate to disappoint you, it's all a bit of a mystery to me.
46:02I could have a guess for you, if you like.
46:06Yeah, please do.
46:08Well, let's say these two goons walk into someone's nightclub and...
46:12...stack demanding protection money, only they don't know whose club it is.
46:17Yeah.
46:18Oh, by the way, you're not looking for anyone over this, are you?
46:20No, this is purely curiosity.
46:23Oh, right.
46:25Well, let's say the person who owns the club doesn't like having their staff threatened,
46:29so he or she decides to teach them and the normark they work for a bit of a lesson.
46:37Sounds like quite a guess to me.
46:41Hey, call it energy care against Mr. Burnham.
46:43Oh, and by the way, they weren't shaved.
46:48They were waxed.
46:49Nice, real sweet.
46:50Girl, I think I don't know.
46:53Yeah.
46:53I think I don't know.
47:05Oh, oh, oh, oh, oh.
47:08Yeah.
47:10It looks like a sea.
47:25I guess it stopped raining.
47:36I don't know how anybody can do that.
47:50Oh, no.
47:57Oh, no, no, no.
48:02Oh, no, no, no.
48:26Oh, no, no.
49:10Oh, no, no, no, no.
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