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Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de muchos actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y cliquear "seguir" para saber de próximos estrenos en versión original y subtitulados. ES GRATIS!!
PRESIONA "SEGUIR" PARA ESTAR AL TANTO DE LOS PRÓXIMOS ESTRENOS DE ESTE CANAL.
NUESTRO FACEBOOK:https://www.facebook.com/profile.php?id=100076118118963
Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de muchos actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y cliquear "seguir" para saber de próximos estrenos en versión original y subtitulados. ES GRATIS!!
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00:06:40Oh, it's a woman's jail
00:06:43Okay, now
00:06:55I came just as soon as I heard the news
00:06:59Am I glad, Juan?
00:07:00I sure can use you
00:07:02Unfortunately, I can't call you in on this case officially
00:07:05I'm more or less doing it on my own
00:07:06I'll do everything I can to help
00:07:10Dan Grady was my friend, too
00:07:13Thanks, you know what it means to me
00:07:15I'm not too fast with your thanks
00:07:17You know, the only reason I've been useful in the past
00:07:20Was because in each case the audience was involved
00:07:23Well, Dan Grady was a sign of the smuggling detail
00:07:26And smuggling in San Francisco means the O.I.N.
00:07:30Let's have a look at his office
00:07:31Good
00:07:37Wife and kid
00:07:43You say he was working on a smuggling detail
00:07:46Yes, sort of a roving commission
00:07:49The reason they gave it to Dan
00:07:50Was because he was born and raised here in San Francisco
00:07:52He knew every nook and cranny
00:07:55But the seaman's clothes would indicate
00:07:57That he was working on something with waterfront
00:08:00Yeah, but what?
00:08:05Whoa, look here
00:08:06What is that?
00:08:13Why, that's a rare piece of emerald jade
00:08:16As fine a specimen as I've ever seen
00:08:19Carved in the fashion of the Ming Dynasty
00:08:22Now the art of that carving has been lost for hundreds of years
00:08:25This piece is worth two or three thousand dollars
00:08:27Really?
00:08:29Dan was sure working on something hot
00:08:33Probably that's why he was killed
00:08:39Yes, I have seen many similar in the past three months
00:08:45From the captured provinces
00:08:47Even so
00:08:49From the ruined temple of Lao-ji
00:08:53Is it not so?
00:08:57Torn from their settings
00:08:58By alien hands
00:09:02Even young China would not use such methods
00:09:05To win its wars
00:09:10Where did you obtain this?
00:09:13It was in the drawer of the desk of the policeman who was killed
00:09:17A policeman?
00:09:19A good man
00:09:20Can you help me?
00:09:24A store called Belton's
00:09:26Is on Market Street
00:09:27There
00:09:28A wise man
00:09:30Could become more wise
00:09:46How do you do?
00:09:47I'm Mr. Belton
00:09:48Something I can do for you?
00:09:49I'd like an appraisal on this piece
00:09:51Why, certainly
00:09:57A most unusual piece
00:10:00The coloring is magnificent
00:10:03But I'm afraid I can't appraise its real value
00:10:06But I understood you specialized in oriental jewelry and art objects
00:10:10No
00:10:11Only imitations
00:10:12We haven't a piece of jewelry in the house worth over fifty dollars
00:10:16I'm afraid you've come to the wrong place
00:10:18So it would seem
00:10:28Morning, Dan
00:10:34I suggest you try Harriet's over on Kearney
00:10:37They handle that type of merchandise
00:10:38Thank you for your time
00:10:40Not at all
00:10:40I'm sorry I couldn't help you
00:10:55Yeah, Chief
00:10:56That's the guy all right
00:10:57I'd know that face anyplace
00:10:59Why, that mustache
00:11:01Even a checkered tie
00:11:04Yeah, that's him
00:11:06Checkered tie, huh?
00:11:08Yeah
00:11:08Where'd you see him?
00:11:10On the bus going uptown
00:11:11What time was it?
00:11:13Twelve o'clock noon
00:11:14Twelve o'clock noon, huh?
00:11:16You don't say
00:11:17Yeah
00:11:17At that time he'd been lying dead for three hours in the morgue
00:11:21Yeah?
00:11:21Yeah
00:11:22Why, did you want a stack of Bible, Dan, with your guy?
00:11:25I know, Mr. Uniper
00:11:26We all make mistakes sometimes
00:11:28But thanks for coming in, anyway
00:11:29Oh, not at all, Inspector
00:11:30Not at all
00:11:31Say, maybe it was the guy's double
00:11:33Yeah
00:11:33You know, they say every guy's got a double
00:11:35Sure
00:11:35Even me
00:11:36Sure
00:11:37Even you
00:11:38Yeah, sure
00:11:43Mike
00:11:44Get Bobby Logan on the phone
00:11:45Yes, sir
00:11:50Market 6400
00:11:52Hello, Bobby
00:11:53I was just trying to get you on the phone
00:11:55Oh, are we going someplace?
00:11:56Yeah
00:11:57You're going someplace
00:11:58If you ever pull a bright idea like that again
00:12:00Well, what's the matter with that?
00:12:02Somebody might be able to give you a lead
00:12:03Somebody might be able to give me a lead
00:12:04I've had every crank in San Francisco in here this afternoon
00:12:08Yeah
00:12:09Logan doesn't answer
00:12:10What do you think I ought to look for?
00:12:12Try my office
00:12:13Huh?
00:12:16Every one of them has seen Dan Grady in five different sections of the city at the same time
00:12:20Well, but he
00:12:20But nothing
00:12:21You see that guy that just went out of here?
00:12:23Yes
00:12:23He was on the bus today at noon with Dan
00:12:25Well, that's silly
00:12:26Of course it's silly
00:12:27But I've had to talk to those ghosts
00:12:28That's what your idea's done
00:12:30Waited my whole afternoon
00:12:32Yeah, Mike
00:12:33A gentleman out here says he saw Detective Grady
00:12:36What?
00:12:38Miss Logan will interview him
00:12:39Well, did you hear it?
00:12:41Just faintly
00:12:42Go on, he's your witness
00:12:49Are you Mr. Lyon?
00:12:50Yes
00:12:51Well, I'm Miss Logan, Mr. Harold
00:12:52I put that picture in the paper
00:12:54How do you do?
00:12:55Well, I saw the man last night
00:12:58Are you sure?
00:12:59Certainly
00:12:59We've talked for quite a while
00:13:01In the bar at the Club Neptune
00:13:03Good afternoon, Miss Lover
00:13:04I came in answer to your advertisement
00:13:07Oh, now look, Mr. Lawrence
00:13:12Now give me the details
00:13:13And talk fast
00:13:16Oh, see any information?
00:13:18I called on a little friend of mine
00:13:20In Chinatown
00:13:21Who advised me to investigate
00:13:22Belden's store on Market Street
00:13:25Belden's?
00:13:26You know, the jewelry shop
00:13:27Oh, sure
00:13:28I'll put a couple of men in it
00:13:29No, I think I'd leave things
00:13:31The way they are
00:13:32At the time being
00:13:32Bill Street, I got him!
00:13:34Got who?
00:13:34This man did see Dan Brady
00:13:36Now look, Bobby
00:13:37We've been all through that
00:13:38Look, this man is positive
00:13:39All right, if he's so positive
00:13:40What was he wearing when you saw him?
00:13:43Well, sort of like a sailor
00:13:45You know, a pea jacket
00:13:46Striped sweater
00:13:48He had on dungarees
00:13:49Peak cap with black patent leather visor
00:13:53Where'd you see him?
00:13:55At the Club Neptune
00:13:56He was sitting at the bar
00:13:58Having a drink
00:13:58What time was that?
00:14:00About 8.30, I guess
00:14:02That's better than one
00:14:04Yes, it does
00:14:05Well, of course it does
00:14:06Silly idea, huh?
00:14:08You've been ahead of him
00:14:08With that paper
00:14:09Quiet!
00:14:10You're quite sure this is the man?
00:14:12You're absolutely certain
00:14:13Of your identification?
00:14:15Oh, yes
00:14:15My drink happened to tip over
00:14:17And spit on him
00:14:18And I apologized
00:14:20And we got to talking
00:14:22And then what happened?
00:14:23Well, we talked together
00:14:25For a couple of minutes
00:14:26About football
00:14:27And things like that
00:14:28Then I left
00:14:30And went home
00:14:31You left him
00:14:31At this Club Neptune
00:14:32Yes, he was still
00:14:33Sitting there when I left
00:14:35Well, thank you very much
00:14:36You've been a great help
00:14:38Is there
00:14:40Any reward
00:14:41Connected with this?
00:14:42Well, you see
00:14:43Miss Logan
00:14:44Takes care of that
00:14:48Well, I'm sorry
00:14:49Mr. Lyons
00:14:50I'm afraid
00:14:51There's no reward
00:14:52But I'd be very glad
00:14:53To mention your name
00:14:54In my next story
00:14:55As a tough case
00:14:56Did you say
00:14:57Your first name
00:14:58Was Homer?
00:14:58Yes, Homer
00:14:59L-Y-O-N-S
00:15:03Thank you
00:15:03Too bad
00:15:04You haven't got a picture
00:15:05I have
00:15:06I brought one along
00:15:08Just in case
00:15:09Oh, thank you
00:15:10Very much
00:15:11Mr. Lyons
00:15:11Thank you
00:15:12Good day
00:15:15Well, Bell Street
00:15:16Do I get an apology
00:15:17Or don't I?
00:15:18Sure
00:15:18I'm going to get the mayor
00:15:19To give you a key to the city
00:15:20Terrific
00:15:21The police thanked the herald
00:15:23For giving him their only clue
00:15:25How's that, Mr. Wong?
00:15:26Not nearly, sir
00:15:27You burned out
00:15:28A dying refugee
00:15:29Well, I hope the information
00:15:30Is some use to you
00:15:31I'll see you later
00:15:32Not me, Flatfoot
00:15:33Get one of the nurses
00:15:34Out of the receiving hospital
00:15:36They don't mind
00:15:36A pain in the neck
00:15:38Hey, you think
00:15:38It's a bad idea?
00:15:42On that street
00:15:43Plus, what do you even know
00:15:44About the club Neptune?
00:15:45Oh, not much, Wong
00:15:47We better have dinner together
00:15:49I'll take you down there later
00:15:50I want to talk to this Harry Lockett
00:15:52Harry Lockett?
00:15:53Yeah, he's the fellow
00:15:54That owns the club Neptune
00:15:55Hardway Harry, they call him
00:15:57Hardway?
00:15:58Oh, gambler
00:15:59Yeah, gambler
00:16:00Smuggler
00:16:00Crook
00:16:00Everything
00:16:04We are very good at that
00:16:08Yeah, that's a nice day
00:16:11I don't know
00:16:13I don't know
00:16:13I don't know
00:16:16What do you mean?
00:16:19I don't know
00:16:21What do you mean?
00:16:22I don't know
00:16:25I don't know
00:16:27We are
00:16:27I don't know
00:16:28We are
00:16:35¿Algo nuevo?
00:16:36No
00:16:37¿Algo de las cosas?
00:16:38Unosuario, no hay mucho que ver
00:16:42¿España? ¿Vamos aquí hoy?
00:16:44No
00:16:45¿Vamos a ver cuando se viene?
00:16:46Ok
00:16:48¿Vale?
00:16:49¿Vale?
00:17:25Bueno, no te reconocen alguien?
00:17:29¿Qué?
00:17:30I bet you don't even know what Davis is.
00:17:32Of course I do.
00:17:33It's Friday.
00:17:34That's why you insisted upon coming here for a fish dinner.
00:17:37Oh, no, it isn't.
00:17:38We came here because this is an anniversary.
00:17:49Where is it?
00:17:53Daniel's here.
00:17:54But she's got young Bella in with her.
00:17:56Huh?
00:17:56He's doubting that over again, eh?
00:17:58Better than me.
00:17:59Okay.
00:18:02Listen, Tonya.
00:18:03I've been lying awake nights planning our future together.
00:18:07I realize that I haven't much to offer you, but...
00:18:10I'll try awfully hard to make you happy.
00:18:19Well, give me, Frank.
00:18:21I think I better go pick my neck up.
00:18:23Sure.
00:18:46What do you want?
00:18:47I thought I told you to keep away from young Bella.
00:18:49And I told you that my personal affairs are none of your business.
00:18:54What are you trying to do?
00:18:55Get the old man on our neck?
00:18:56Keep away from that boy or I'll...
00:18:58Or what?
00:19:00I guess I'm good enough to help handle his smuggled junk.
00:19:04To run the risks that he cashes in on.
00:19:06I'd bet company for his son.
00:19:07Well, what about a certain other gentleman?
00:19:12I'm good enough to help him.
00:19:14I'm good enough to help him.
00:19:15I'm good enough to help him.
00:19:16I'm good enough to help him.
00:19:16Frank Belden wants to marry me.
00:19:18So?
00:19:20You've got a dad, eh?
00:19:22Why don't his old man hear that?
00:19:24If you open your mouth, they trouble for that boy.
00:19:27So blow me down.
00:19:29You have to really fall over it.
00:19:31Maybe.
00:19:32Or maybe it's just a novelty of finding someone decent and on the level.
00:19:39Come on.
00:19:40Come on.
00:19:40Have some sense.
00:19:42Get the boyfriend out of here and keep him out.
00:19:44We're not in any spot to invite trouble, girly.
00:20:01I seem to have developed a headache, Frank.
00:20:04Maybe it was a drink.
00:20:05Oh, I'm sorry.
00:20:07Well, maybe some trash air will do you good.
00:20:09So we'll take a drive?
00:20:10Yes.
00:20:23Hello, everybody.
00:20:24Well, ain't it glad we can all be together?
00:20:27Tommy?
00:20:28Game I use you.
00:20:29You know, the good old devil.
00:20:33Well, I know you.
00:20:35You're Logan of the Hell.
00:20:36Don't you remember me?
00:20:38I'm the guy you wrote about in that audible penance.
00:20:41You know, in those days I was a drinker.
00:20:44Are you going to have your dinner?
00:20:46What dinner?
00:20:47The one you ordered.
00:20:49I ordered a dinner?
00:20:50I'm sure you did.
00:20:52Sure.
00:20:53I know you can handle your drinks better if you have something to eat.
00:20:58I think you have something to eat.
00:21:00Don't go away.
00:21:02You know, I always forget to eat when I go out to spend it.
00:21:06I'm awfully sorry.
00:21:07Well, that's all right.
00:21:08He was just feeling hospitable.
00:21:10That he's going to send.
00:21:12The Club Neptune feels the same way, Miss Logan.
00:21:15He is.
00:21:16I'm famous.
00:21:17Who would recognize the footage of yours if they read the hell?
00:21:23I'm Harry Lockett.
00:21:25I'm very glad to meet you.
00:21:27I've heard a lot about you and your Club Neptune.
00:21:30I've heard themes judging from today's herald.
00:21:33You don't sound pleased.
00:21:34I'm not.
00:21:35I don't like that publicity.
00:21:37You don't?
00:21:38No.
00:21:40How about a chat in my office?
00:21:42Why not?
00:21:56I think I'll take a look around the back.
00:21:59All right, I'll see him, son.
00:22:02This is the future.
00:22:11You see, Miss Logan, we don't like newspaper people around here.
00:22:16I see your point.
00:22:19You know, if you had this place down through, those folks just up there wouldn't make such a racket.
00:22:23That's a little friendly advice.
00:22:25Thanks.
00:22:27And here's some for you.
00:22:29I wouldn't write any more stories about the Club Neptune if I were you.
00:22:32Are you trying to tell me what to put in the herald?
00:22:35I'm trying to tell you what you shouldn't put in the herald.
00:22:38In fact, I just assume you stay out of here.
00:22:42I think you'll be safer.
00:22:45Sometimes some people get hurt.
00:22:47Yeah.
00:22:48Dan Gray got hurt, didn't he?
00:22:51Hey.
00:22:52You sure stick out your neck.
00:22:54Don't you, little girl?
00:23:00Who is it?
00:23:01Yeah, it's free.
00:23:06What are you doing here?
00:23:08Mr. Barker was just making some suggestions into the news policy of the herald.
00:23:12All right, Bobby.
00:23:13Well, now, look here, Bill.
00:23:14Come on, come on.
00:23:18Well, Hartley.
00:23:20Come on, Cutler.
00:23:27Have a drink?
00:23:28No, thanks.
00:23:35What's on your mind, sweet?
00:23:36I suppose you read about Dan Grady.
00:23:39Oh, yes, yes.
00:23:40That's too bad.
00:23:41I don't think I knew him.
00:23:42I've taught everybody on the waterfront, New Grady.
00:23:45He was on the smuggling detail.
00:23:47It's funny you didn't run into him.
00:23:49I resent that speech.
00:23:51I resent what happened to Dan Grady.
00:23:53Chris Stolen, Hardway.
00:23:54He was in this place last night at 8.30 at your bar.
00:23:57Well, maybe he was.
00:23:58So what a lot of other people.
00:24:00We had a big night last night, and nobody saw Dan Grady.
00:24:03None of my boys did.
00:24:04Because as soon as I saw the papers, I asked all of them.
00:24:08You can talk to them yourself.
00:24:10Maybe I will.
00:24:11You can talk to them.
00:24:19You're right.
00:24:21Over there.
00:24:23You're right.
00:24:51Gracias por ver el video
00:24:54Gracias por ver el video
00:25:51Gracias por ver el video
00:25:54Gracias por ver el video
00:25:56Gracias por ver el video
00:30:32Gracias por ver el video
00:31:28Why not give it a chance
00:31:29Just glance through this
00:31:31And you'll get the idea
00:31:32After the commercial
00:31:33The music fades out
00:31:35And you'll hear footsteps
00:31:36And a knock
00:31:36Now read from there on
00:32:02Pretty melodramatic isn't it?
00:32:03But that's the kind of stuff
00:32:05They like nowadays
00:32:05Mr. Forrest
00:32:06The highly dramatic programs
00:32:08Are the most successful
00:32:09Suppose we try it for a couple of weeks
00:32:10It wouldn't cost a fortune
00:32:11And it might get results
00:32:13Well, all right
00:32:14We'll try it
00:32:14Thanks, Mr. Forrest
00:32:16I'm sure you won't be sorry
00:32:17We go on from 10 to 10 to 15 tonight
00:32:19I hope you're listening in
00:32:21We will
00:32:22Those bills are all right
00:32:23I'll see you in the morning
00:32:25Hello, thanks
00:32:26Hello, Mr. Forrest
00:32:30How are you feeling, Dad?
00:32:32Oh, as well as could be expected
00:32:34Considering the fact
00:32:35That I don't have anything
00:32:36To say about my own business
00:32:38When are you going to
00:32:39Take me in with you?
00:32:40Not for a while yet
00:32:41But, Dad, I've got to go to work
00:32:42I've got to make some money
00:32:44Isn't your allowance enough?
00:32:46No
00:32:47I'm going to get married
00:32:50Who to?
00:32:52That Sir Oba woman?
00:32:54That Sir Oba, yes
00:32:55How did you know?
00:32:57I haven't taken my eyes
00:32:58Off you completely
00:33:00You've been out
00:33:00With that adventurous
00:33:01Every night for a month
00:33:02I wouldn't talk like that
00:33:03If I were you, Dad
00:33:04We're both liable to be sorry for
00:33:06Besides, it won't change my decision
00:33:08Frank, I won't permit you
00:33:09To wreck your life
00:33:10To throw away your entire future
00:33:12For the sake of that
00:33:13Scheming unscreening
00:33:13That's enough
00:33:16I'm sorry you feel that way about it, Dad
00:33:18But
00:33:19There's nothing you can do about it
00:33:20You'll never marry that woman
00:33:22Do you understand?
00:33:23Never
00:33:31Morning, Sophie
00:33:32Everything chip-shaped?
00:33:33No sign of the police
00:33:34If that's what you mean
00:33:35Oh
00:33:36Why, Sophie
00:33:37That's the father thing
00:33:38From my mind
00:33:39Bring me the checks
00:33:40From the left side, eh?
00:33:41Okay
00:34:05Hey
00:34:06Have you been fooling around like that?
00:34:09Me?
00:34:10What?
00:34:11I wouldn't touch your stuff, boss
00:34:13Something missing?
00:34:14Yeah
00:34:14My God
00:34:15Gee, that ain't so good
00:34:17When did you last see it, boss?
00:34:18I don't know
00:34:19Yesterday, I guess
00:34:21I want to talk to you
00:34:26Say, what are you thinking of
00:34:30Coming down here
00:34:30After what's happened?
00:34:31I told you
00:34:32I'd get the stuff to you
00:34:33As soon as it was safe
00:34:34Or kept to bring it in
00:34:35That isn't why I'm here
00:34:36I want to know
00:34:37What that Sarova woman is doing
00:34:38Running around with my son
00:34:40Well
00:34:40I did my best
00:34:42You know
00:34:43After all
00:34:43It's not such a bad idea
00:34:44Sort of a
00:34:46Close corporation
00:34:47Are you mad?
00:34:48My boy had no part in all this
00:34:50I went into it
00:34:51Because it was the only hope
00:34:52I had of saving my business
00:34:54Of meeting my obligations
00:34:56But not to the extent
00:34:57Of wrecking his life
00:34:58And that's what this marriage would mean
00:35:00Not your problem
00:35:01Right now
00:35:02I have more important things to do
00:35:04Than nurse
00:35:05A love-sick pup
00:35:06If you value your neck
00:35:08You'll do something about it
00:35:09I'm warning you, Lockett
00:35:10Before I see this happen to my son
00:35:12I'll blast everything white open
00:35:16Including yourself?
00:35:17Including myself
00:35:19Uh-huh
00:35:20I see you
00:35:21You like the idea
00:35:23Of a few months
00:35:24On Alcatraz?
00:35:27I'll stop at nothing
00:35:48Hello
00:35:49Hello, Tanya
00:35:51This is Harry
00:35:54I want to apologize
00:35:55The way I talked to you last night
00:35:58Oh
00:35:59You know, I couldn't mean it
00:36:02We were both a little
00:36:03Jittery and unreasonable
00:36:07Now listen, Tanya
00:36:09I, uh
00:36:10I want to see you
00:36:12I have to talk over something with you
00:36:14I think you'd be interested
00:36:16All right
00:36:17I'll be in all evening
00:36:19Goodbye
00:36:25I hope I didn't keep you waiting, Fancy
00:36:27Well, that's all right
00:36:27You don't mention it
00:36:29Best Lord
00:36:31Thank you
00:36:32Thank you
00:36:42So
00:36:43The fact so
00:36:44I hope I did
00:36:44I feel too
00:36:48I hope I didn't know
00:36:49What do I prepare you
00:36:49I feel like I did
00:36:57I don't know
00:36:58And I still
00:36:58¡Suscríbete al canal!
00:37:47¡Suscríbete al canal!
00:38:47¡Suscríbete al canal!
00:38:58¡Suscríbete al canal!
00:39:00¡Suscríbete al canal!
00:39:01¡Suscríbete al canal!
00:39:28¡Suscríbete al canal!
00:39:31¡Suscríbete al canal!
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00:39:45¡Suscríbete al canal!
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00:46:25Better than Nuserova
00:46:27Hardway knew her
00:46:29They're all mixed up in this thing some way
00:46:32I'm going to have them all come in my office
00:46:33Tomorrow morning at ten o'clock
00:46:35What am I doing?
00:46:51Sit down, my boy
00:46:53See who's out there, Jim
00:46:56Well, how's your deal?
00:46:58Not bad
00:47:00Have pretty good breakfast to you fellas, you know
00:47:02Thanks for the cigarette
00:47:03Oh, we always take care of our guests
00:47:06Who's out there?
00:47:07Ritchie and Taff Anderson
00:47:09All right, Jim
00:47:12Couple of friends of yours
00:47:16What were you doing here last night?
00:47:19Well
00:47:20I caught one of your boys following me
00:47:22And I figured he wanted to make sure where I was
00:47:25So when he lost me
00:47:27About nine o'clock
00:47:29I decided I'd better check in
00:47:30So you'd have an alibi
00:47:31Because you knew Tanya Serova was going to be killed last night
00:47:34What?
00:47:35Yeah, murdered last night
00:47:38Oh
00:47:38Coming in here wasn't such a bad idea, was it?
00:47:41What time did you get here?
00:47:43Nine twenty-nine
00:47:44On the dock
00:47:45Oh, got it figured out a minute, eh?
00:47:47You can check with the sergeant
00:47:48I know, I know
00:47:49So
00:47:50Hello, Walt
00:47:52Oh, Mr. Wong
00:47:53With Charlie's copper
00:47:57Look here, Street
00:47:58You haven't got a thing on me
00:48:00I knew Serova, sure
00:48:01She used to come to my place very often
00:48:03But so do a lot of other people
00:48:05Including young Belden
00:48:07Yes, with Serova
00:48:08So what?
00:48:09How well did you know young Belden?
00:48:13Casually
00:48:13How well did you know his father?
00:48:17Just an acquaintance
00:48:19When was the last time you saw him?
00:48:23I saw him in my office
00:48:25Yesterday
00:48:25He came to pay his son's barb bill
00:48:29Man, you had a little quarrel
00:48:30Then you followed him down to his jewelry store
00:48:33And shot him
00:48:34Old man Belden shot
00:48:36Yeah
00:48:38That's too bad
00:48:39Yeah, it is too bad
00:48:40He got it the same way Gray
00:48:41He got it in the back of the neck
00:48:42What's your alibi for that?
00:48:44I was being sailed by one of your coppers
00:48:47By good luck
00:48:50What?
00:48:50A man named Forbes is out here
00:48:52He said you sent for him
00:48:53All right, send him in
00:48:54Wait outside, huh?
00:49:05Good morning, Mr. Forbes
00:49:06You want to see me, Captain?
00:49:07Yes
00:49:08You know Mr. Wong
00:49:09Oh, where is it?
00:49:10How are you, Mr. Wong?
00:49:11Forbes
00:49:11We were kind of interrupted last night
00:49:13And I'd kind of like to find out
00:49:14What you know about young Belden
00:49:16Well, I'm afraid I can't tell you very much
00:49:18Most of my dealing has been with his father
00:49:20Well, what sort of a kid is he?
00:49:23He's always struck me as being a rather nice sort of a chap
00:49:26Quiet, well brought up
00:49:28So you don't think for a minute
00:49:30That he had anything to do with his father's murder?
00:49:32Maybe
00:49:32I do know he's mixed up with Sir Oda, Ted
00:49:35Oh, I can't believe it, Captain
00:49:36Why, it's impossible
00:49:37I'm afraid you're wrong
00:49:40Hey, tell him, Captain
00:49:41Pick him up in a quick lunch joint
00:49:43Have him coffee
00:49:43All right, sit down
00:49:46Have you met Mr. Wong?
00:49:48Perhaps you met him last night
00:49:50I've never met Mr. Wong
00:49:52How are you doing?
00:49:53We've been looking for you all night
00:49:55Where were you?
00:49:56I don't know why the police should be interested in my movements
00:49:59What's this all about?
00:50:00What were you doing in Tanya, Sir Oda, the apartment last night?
00:50:03Oh, we know you were there
00:50:04The maid saw you sneaking up the back way
00:50:06If I were you, I'd tell the captain all he wants to know
00:50:09Well, I don't know what this is all about, Frank
00:50:11But, uh, you're welcome to my legal advice
00:50:13If I can be of any assistance to you
00:50:15Uh, for his father's sake
00:50:17I feel that I ought to do everything I can to protect him
00:50:19Oh, but I still want to know what you were doing in Tanya, Sir Oda
00:50:22The apartment last night at ten o'clock
00:50:23Were you there, Frank?
00:50:25Yes, I was there, but
00:50:27But I didn't kill her
00:50:28She
00:50:29She was dead when I found her
00:50:31Don't give me that
00:50:32Well, you don't know what you're saying, Frank
00:50:34I demand that this boy be advised of his constitutional rights
00:50:37I'll take care of his constitutional rights
00:50:39This is a murder investigation
00:50:40Tanya Sir Oda was killed last night at 10.15
00:50:43Just 15 minutes after this young man was seen going in her apartment
00:50:46That's not true
00:50:47It's not true, I tell you
00:50:48She was dead when I found her
00:50:50Are you sure of the time, Street?
00:50:52Your own switchboard operator
00:50:53Heard the argument and the report
00:50:56They phoned Street in your study, you remember?
00:50:59Yes, yes, that's right
00:51:00All right, Bill, an alibi out of that
00:51:02Come clean
00:51:03Why'd you kill her?
00:51:04I didn't, I didn't, may I tell you
00:51:06I
00:51:06I love Tanya
00:51:08Why would I want to kill her?
00:51:09I'll tell you why
00:51:11Because you were jealous
00:51:12You thought she was devil crossing you
00:51:14And you went up to her apartment
00:51:14And you quarreled
00:51:15And then you killed her
00:51:16That's a lie
00:51:17Every word of it's a lie
00:51:18So you found your sweetheart murdered
00:51:20And what did you do?
00:51:21You ran out and hid
00:51:22Why didn't you call the police?
00:51:24I, I don't know
00:51:25I, I was half crazy
00:51:26Now see here, Street
00:51:27This boy is no condition for questioning
00:51:29I'll say he isn't
00:51:30Because he doesn't know the answers
00:51:31Gentlemen
00:51:33I suggest that we all calm down
00:51:35And allow young Mr. Belder
00:51:36To tell us what happened in his own work
00:51:38All right, all right
00:51:39I'm listening
00:51:41Now suppose we go back just a little way
00:51:43Shall we?
00:51:45When did you last see Tanya Sarova alive?
00:51:49When she promised to marry me
00:51:51Yesterday afternoon late
00:51:52And where was that?
00:51:55In her apartment
00:51:56I, I was going to take her for dinner
00:51:58See and, but she said she didn't feel well
00:52:00So, so I went out and got a bite
00:52:02And then I drove around a little while
00:52:03Yes, and then
00:52:05Well, on the way home
00:52:06I, I saw a light in the apartment
00:52:07And I, well I went up to tell her goodnight
00:52:10Are you in the habit of using the back way?
00:52:12Yeah, I had a key
00:52:14See sometimes Tanya wasn't in
00:52:16And I'd go in and wait for her
00:52:17Yeah, but she was in last night
00:52:18Did you use the key then?
00:52:21No
00:52:22No, that's funny
00:52:23I remember that the door was open
00:52:26What else do you remember?
00:52:28Yes, Belle, it didn't go on
00:52:30Well, I, I went in and called her
00:52:32But there was no answer
00:52:33So I went in the living room
00:52:35And on the floor I saw her by the window
00:52:39Near the telephone
00:52:42I don't know, I
00:52:44I didn't see anything but Tanya
00:52:48Was there anything else in the room
00:52:50That was unusual
00:52:51That attracted your attention?
00:52:52Anything at all?
00:52:56Yeah, see, I remember that the radio was on
00:52:58Oh, don't kid me
00:52:59The radio wasn't playing when I got there
00:53:03If you didn't leave that apartment
00:53:04Until before 10-15
00:53:05Where'd you go?
00:53:07I don't know, I just
00:53:07I, I, I drove around
00:53:09I, I don't know where I went
00:53:10I, I drove all night
00:53:14What?
00:53:15Captain?
00:53:16All out here named Griswell
00:53:17Says he's got to see you
00:53:18Who's Griswell?
00:53:19What does he want?
00:53:19What does he do?
00:53:21What do you want to see him both?
00:53:22I got to talk to him
00:53:23I'm from radio station LMAB
00:53:25He's from radio station LMAB
00:53:27I don't know anybody from a radio station
00:53:29Tell him to wait
00:53:30And he says he got to wait
00:53:36All right, come clean
00:53:38You didn't leave that apartment
00:53:39Until after 10-15
00:53:41After you killed her
00:53:42Stop it, I tell you, stop it
00:53:44Street, you're getting nowhere
00:53:45For I'll beating the boy this way
00:53:47Maybe you should let me talk to him
00:53:48Quietly somewhere
00:53:49All right, all right
00:53:50I'll talk to him quietly
00:53:52Would you like to see your father?
00:53:54No
00:53:56Why should I want to see him?
00:53:59He's probably glad she's dead
00:54:01Why should he be glad?
00:54:02Doesn't he like her?
00:54:03No
00:54:04Did you quarrel over with your father?
00:54:07Yeah
00:54:08Yeah, we had a quarrel
00:54:09I walked out on him
00:54:10And then you walked back last night
00:54:12To his jewelry store
00:54:13And shot him
00:54:14Kill him
00:54:17You mean my father's dad?
00:54:21Stop it, what are you?
00:54:22Stop it, what are you trying to do?
00:54:24Somebody get me a glass of water
00:54:25I don't even make the water
00:54:26Oh, I protest
00:54:27Get him a glass of water
00:54:28Where is it?
00:54:29Outside
00:54:32Something wrong, Captain?
00:54:33Yeah, give me that brandy
00:54:42Now go and sit down
00:54:43Walk with you
00:54:44Come on, what is this?
00:54:46What am I supposed to do?
00:54:47Spend the weekend here?
00:54:48He'll get you
00:54:51Mr. Howard, what is it?
00:54:52The crest
00:54:53Yes
00:54:53Yes, the crest
00:54:54What in the office?
00:54:55Pardon me
00:55:07What's the matter?
00:55:10Who is this?
00:55:11It's a powerful radio station
00:55:12Visual
00:55:16Where'd this paper file come from?
00:55:18Say, that looks like mine
00:55:19It's missing
00:55:20It's missing from a desk
00:55:21All right
00:55:22Who did it?
00:55:24This is the payoff
00:55:25Right in my old office
00:55:26Stay away from that phone
00:55:34Start talking hard way
00:55:37What again?
00:55:45Sorry for the interruption, Mr. Wong
00:55:46But that was a new program
00:55:47And I wanted to check
00:55:48I'm not at all
00:55:49It's all most interesting
00:55:50Yes, but full of headaches
00:55:53Replacing Grizzle
00:55:54Is going to be one of them
00:55:55I can quite imagine
00:55:57His programs were popular, weren't they?
00:55:59Very
00:55:59He was a talented young man
00:56:01Wrote most of the sketches
00:56:03And played all the parts
00:56:04And he played female roles as well
00:56:07Oh, yes
00:56:10In the sketch you want to see
00:56:11The one he did last night
00:56:13He played a very emotional feminine role
00:56:21Here's the manuscript for it, Hank
00:56:23This program runs on the air
00:56:26Sharply at 10 o'clock
00:56:28Oh, yes
00:56:29Radio works on split seconds
00:56:30Every program is timed exactly
00:56:33And it ran for how long?
00:56:3515 minutes in all
00:56:36The sketch went on at 10.1.5
00:56:38And finished at 10.14
00:56:40The balance of the program time
00:56:42Was taken up with commercials
00:56:44As advertising
00:56:45Uh, would it disturb you
00:56:47If I turn on this program?
00:56:48Not at all
00:56:49I've just finished
00:56:51I'd like to take this with you
00:56:53Oh, it'll be all right
00:56:54Thank you very much
00:56:55Goodbye
00:56:55Goodbye
00:56:57Presenting for your understanding
00:56:58With the first mystery killer
00:56:59In their new series of programs
00:57:10How do you do, sir?
00:57:11Can I help him?
00:57:12Yes
00:57:13Is this the new remote control radio?
00:57:15Well, yes
00:57:16And a very grand answer to it, too
00:57:17I wonder if you'd be kind enough
00:57:19To give me a demonstration
00:57:20I'd be glad to
00:57:21Won't you sit down?
00:57:22Thank you
00:57:25Now, uh
00:57:26This is the remote control box
00:57:28Looks like the dial
00:57:30Of a multi-static telephone
00:57:31And works very much
00:57:32On the same principle
00:57:33You see, it's not attached
00:57:35In any way
00:57:35To the demonstration radio
00:57:36However, being in any part of the house
00:57:39And desiring to change the program
00:57:40We simply switch the dial
00:57:41And the radio automatically switches
00:57:43I'll show you
00:57:52And just what distance
00:57:54Would that still be effective?
00:57:56Guaranteed up to 200 feet
00:57:57And you can shut the radio off
00:58:01In the same way
00:58:02Oh, yes
00:58:03Just press down on this
00:58:04Right here
00:58:04Come in suddenly
00:58:05And then
00:58:16What, again?
00:58:17Yeah
00:58:18Didn't take long
00:58:19For that lawyer
00:58:19To get you and the boys out
00:58:20Did it, Hartley?
00:58:21Why should it?
00:58:23Say, listen
00:58:23You can't hang that murder rap
00:58:24On any of us
00:58:25Somebody killed Griswold
00:58:26And three of you
00:58:27Were there when it happened
00:58:28And plenty of others
00:58:30That office of yours
00:58:31Was a close second
00:58:32To a railroad station
00:58:34But, uh
00:58:35What's this, Ditterport?
00:58:36According to Ballistics
00:58:38The same gun killed
00:58:40Sarova, Belden, and Grady
00:58:41Mind if I check yours?
00:58:43You know, I don't carry a gun
00:58:45I haven't had one
00:58:46Around here in years
00:58:47Come on, search the place
00:58:49You think if I had one
00:58:50I would keep it here
00:58:51Just to kill?
00:58:52Looks like you're getting
00:58:52A little carrots, aren't we?
00:58:55That gun matches those bullets
00:58:56It'll be too bad for you
00:58:58Give that to Ballistics
00:58:59So you still think
00:59:00I killed Sarova
00:59:01While I was in your office, eh?
00:59:03You could have
00:59:04Farmed that rod out
00:59:05Take him away
00:59:07You make a mistake
00:59:09Street
00:59:10Murder is not my racket
00:59:12Maybe
00:59:12We'll wait and see
00:59:13What that ballistic report says
00:59:17You don't want it
00:59:20And I understand
00:59:29I'm not
00:59:35I'm
00:59:37I'm
00:59:43I'm
00:59:44I'm
01:00:00All right, keep your hands right there.
01:00:03Turn around.
01:00:06Ah, Cap Anderson, huh?
01:00:10From Harry Lockett's Fishing Carge.
01:00:15So this is the safe which you supply this place with.
01:00:23Ah.
01:00:35Ah.
01:00:38Ah.
01:00:39Ah.
01:00:40Ah.
01:00:41Ah.
01:00:41Ah.
01:00:48Ah.
01:00:50Ah.
01:01:03Ah.
01:01:06Ah.
01:01:07Ah.
01:01:08Ah.
01:01:08Ah.
01:01:08Ah.
01:01:08Ah.
01:01:09Ah.
01:01:09Ah.
01:01:10Ah.
01:01:10Ah.
01:01:10Ah.
01:01:10Ah.
01:01:11Ah.
01:01:23Gracias.
01:02:12I'll be experimenting with the phone for a little while, so pay no attention if it rings.
01:02:26Oh, come in, Forbes.
01:02:27Oh, it's you, Mr. Wong.
01:02:29Well, that is a relief.
01:02:31I was wondering who was up here.
01:02:34Oh, you put that string down past my window.
01:02:37Yes.
01:02:38When I found the receiver off the stand last night, I had an idea that the switchboard
01:02:44operator was intended to overhear what she heard.
01:02:47I don't follow you.
01:02:48I believe that the murderer had a way of forcing her to listen at the right time.
01:02:53You think that a murderer would deliberately invite a witness to his crime?
01:02:57He might arrange to have her think she was a witness.
01:03:00With a piece of cord, a telephone, and a radio.
01:03:07I don't understand.
01:03:08Now, this radio is a new remote control march.
01:03:11Now, let us assume that a certain radio program exactly fitted a given situation.
01:03:18How easy it would be to tune in the desired station at the right time and be nowhere near the
01:03:23instrument.
01:03:24Oh, I see.
01:03:26You mean that the crime could have been committed some time before?
01:03:30Of course.
01:03:31And by any of our suspects who had such cast-out advice.
01:03:36Partway Harry Lockett, for instance, who planted himself in the streets' office at the supposed time of the murder.
01:03:42Any of his friends.
01:03:43Even young Belvin?
01:03:45Even young Belvin.
01:03:46He was here at Canna Claude.
01:03:49Who knows?
01:03:50Perhaps it was his second visit.
01:03:54You don't believe that, do you?
01:03:58No.
01:04:00Not that any of the others did it, either.
01:04:04No.
01:04:06Not that any of them, Father.
01:04:21Yes.
01:04:21Is that what you were looking for, Mr. Bohm?
01:04:24Yes.
01:04:26And you pulled the cord when I went to get the drink?
01:04:29And when you reach for the cigars...
01:04:31I turn off the radio by remote control.
01:04:35Thank you, Mr. Forbes.
01:04:37Keep away from that telephone.
01:04:39Get over there.
01:04:53Operator.
01:04:56Oh, hello, Captain.
01:04:57Hello, is Mr. Forbes in?
01:04:59I'll see for you.
01:05:02Operator.
01:05:04Mr. Forbes doesn't answer.
01:05:05All right, thanks.
01:05:08Why don't you answer that call?
01:05:12Well, that's Mr. Wong.
01:05:13He told me not to pay no attention to it.
01:05:15Mr. Wong?
01:05:16Yeah, he's at Mr. Rose's apartment playing with the telephone.
01:05:20Well, I hope he's having a good time.
01:05:21I'll drop up and see him.
01:05:23Playing with the telephone.
01:05:32I killed Greta because he was in the way.
01:05:34And Belden because he was getting ready to talk.
01:05:37Griswold when he recognized his own program.
01:05:39And Talia Sarova because she knew too much.
01:05:42No.
01:05:43Because she was leaving me for a younger man.
01:05:51It's you who knows too much.
01:05:55Wong, Mr. Streep.
01:05:57Just a moment, Streep.
01:06:05What are you doing up here?
01:06:07Get him up.
01:06:09I'll die with him.
01:06:18Well, the two of you.
01:06:21That makes it perfect.
01:06:25I suppose you'd like to have us turn around
01:06:27so you could give it to us in the back like you gave it to Grady.
01:06:30Drop that gun.
01:06:32Drop it, I say.
01:06:37Nice work, kid.
01:06:41Take it, Mom.
01:06:43Oh, Bobby.
01:06:44Bobby.
01:06:46Bobby.
01:06:47Bobby.
01:06:49Yes?
01:06:50Oh, it's all right, Bessie.
01:06:51The experiment's over.
01:06:53You might get it to Harold, will you?
01:06:55Harold?
01:06:57You have a star reporter on your staff.
01:07:00And this Roberta Logan?
01:07:01She has just been instrumental in the capture of John Forbes,
01:07:05confessed murderer in the Dan Grady Sarova case.
01:07:09Oh, yes.
01:07:10This is a scoop.
01:07:39¡Gracias por ver!
01:08:07¡Gracias por ver!
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