- hace 23 horas
Víctor Ros debe resolver la desaparición de un importante empresario de minas inglés. Para ello, se infiltrará en la colonia británica haciéndose pasar por un respetado ingeniero padre de familia acompañado por Juana y Juan. Una situación que animará a Juana a confesarle la verdad a su hijo, antes de que un inesperado acontecimiento les aleje de nuevo. Mientras, para sorpresa de la Guardia Civil, El Estepeño se entrega dispuesto a colaborar para coger al culpable de matar a todos sus hombres: De la Rubia. La ambición de Suberwick hace peligrar la operación, poniendo contra las cuerdas a un enamorado Giralda. Gracias a su capacidad deductiva, Víctor Ros tendrá en su mano dar el golpe definitivo a la mano Negra.
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TVTranscripción
00:00:00Our only hope is the gypsy.
00:00:01He has a target on his head and nothing to lose.
00:00:04First we have to find it.
00:00:07Keep your hands where I can see them.
00:00:11It's the blonde one we're interested in.
00:00:14You don't owe him anything.
00:00:15Not him, but he did take an oath, Mr. Ross.
00:00:19And I swore not to reveal certain secrets.
00:00:22Unless it's with my own people.
00:00:24In a low voice.
00:00:25And provided the nearest person is more than 40 steps away.
00:00:28What the hell are they talking about?
00:00:30The rules of the black hand, remember?
00:00:34Let's hope the gypsy can clarify this for us.
00:00:36How could this have happened?
00:00:38Man, he must have been kicking it until it gave in.
00:00:44Gypsy!
00:00:48Shut up, woman.
00:00:50The thing is, you don't recognize me anymore.
00:00:53You are one of my whores.
00:00:55Not anymore.
00:00:58Peaceful.
00:01:00Here it is.
00:01:01You'll see.
00:01:03I'll shoot him in the head.
00:01:10Victor!
00:01:16The gypsy has Lola.
00:01:18He's going to kill her.
00:01:19Come on.
00:01:26Drop the weapon.
00:01:27Drop the weapon!
00:01:32No!
00:01:38He owed it to you, Victor.
00:01:40I owed it to her.
00:01:41The gypsy has died.
00:01:43I suppose you won't come to collect, because I already know what happened.
00:02:04Come on!
00:02:06Come on, Cinnamon!
00:02:07I wish I had a secretary like yours, Jones.
00:02:12Paco is a pieceworker in my wide-pit mine.
00:02:16But he knows this mountain like no one else, right, Paco?
00:02:20Of course, sir.
00:02:23A bundle?
00:02:24Thank you.
00:02:30Sir, I think we should take a different path.
00:02:34I know better paths than this one, with hares this fat.
00:02:38Furthermore, they call this the pasture of the dead.
00:02:42And that brings bad luck.
00:02:54This wine is from Tarrantio.
00:02:56I'm sorry, sir.
00:02:58He's a fighter.
00:02:59But it calms the stomach for a while.
00:03:02I have to relieve myself.
00:03:08Here, sir.
00:03:10A hare has moved in those bushes.
00:03:12Yes, a hare has moved.
00:03:29I think I've hit him.
00:03:33Jones.
00:03:40Jones!
00:03:53Jones!
00:03:56Jones!
00:03:57Jones!
00:04:10Jones!
00:04:15Jones!
00:04:22Jones!
00:04:27Jones!
00:04:29Jones!
00:04:32Jones!
00:04:41Jones!
00:04:41Jones!
00:04:45Jones!
00:04:52Jones!
00:05:04Jones!
00:05:13They found us in a barn in Vilche.
00:05:16Piled up like sacks of potatoes.
00:05:19A butcher shop.
00:05:21And the body of the man from Estepa?
00:05:22He's not here.
00:05:23But here it's all in his crew's hands.
00:05:25He's probably dead, like these wretches.
00:05:29It seems that the deals with the blonde haven't gone well.
00:05:33He's letting go of a burden.
00:05:36He got rid of the bandits because he no longer needs them to keep hiding him.
00:05:40He's going to move it.
00:05:41Exact.
00:05:42Where do we start, boss?
00:05:50We don't have enough guards to put a pair on every road.
00:05:55We should comb the farmhouses and the surroundings of Vilches in case the man from Estepa has survived this.
00:06:00Can you think of anything else, boss?
00:06:06Right now, the only thing that can save us is if the hidden hand makes a mistake and we know about it.
00:06:09See it.
00:06:11The director of one of the most important mines in Linares disappeared yesterday while hunting.
00:06:17His name is Aaron Jones.
00:06:19The British vice-consulate is pressuring me.
00:06:22I suppose, gentlemen, that I don't need to explain to you how important the British community is to us.
00:06:26Another Englishman was killed a week ago.
00:06:29A certain Charles Bruch or something like that.
00:06:31And, captain, we'll do what we can.
00:06:32That's Peru.
00:06:42Jones' company had a private railway line.
00:06:47And it would give them an outlet as far as Huelva.
00:06:49Some have built railways from the mines to the sea to transport the ore.
00:06:53Would that be the mistake we're waiting for?
00:06:56Don't know.
00:06:58So, where does Jones live?
00:07:03I had a room at the Hotel Sevilla.
00:07:05Okay, have them bring their personal belongings.
00:07:08Gentlemen, I don't know if this has anything to do with the dark hand, but we cannot give up.
00:07:17I went over there for a second, to see if the piece had been charged.
00:07:20And when I came, it had vanished into thin air.
00:07:24We searched the entire mountain, but found nothing.
00:07:36I told the gentlemen that it wasn't a good idea to come through the dead man's pasture.
00:07:40These lands are very treacherous and many people have been lost.
00:07:44They say...
00:07:45They say this is the mouth of hell itself.
00:07:50Let's leave the devil to the priests and we'll take care of the people.
00:07:55Mr. Jones disappeared with ease, or someone took him against his will.
00:08:00It's clear that the devil had nothing to do with it.
00:08:05Let's go.
00:08:18Thank you, Martos.
00:08:21The hotel manager says that no one has entered or left his room since his disappearance.
00:08:26Jones was an excellent guest.
00:08:29A true English gentleman.
00:08:31Breakfast, lunch and dinner always at the same time.
00:08:34Single?
00:08:35Did you receive any visitors at the hotel?
00:08:38He arrived from London a few weeks ago and since then all he's done is work.
00:08:42Is there anything out there that catches your eye?
00:08:44Nothing relevant.
00:08:45Engineering books, clothes bought on Seville Road, London, handmade Italian shoes.
00:08:51The guy had good taste.
00:08:54Boss?
00:08:59Adhesive for wigs.
00:09:15Blázquez.
00:09:20I don't think our friend Jones has run away.
00:09:22Otherwise, he would have taken all of this.
00:09:24Don't you think so?
00:09:26A kidnapping.
00:09:28Can.
00:09:33But why didn't they leave a ransom note?
00:09:36Locate the mine foreman, a certain Connor Wells.
00:09:38It's English.
00:09:39He can surely tell us more about Mr. Jones.
00:09:42Good.
00:09:44Send me some guards to the sales points from here to Carolina.
00:09:46Let's see if there are any...
00:09:48Busts!
00:09:50Who is it that will arrest her for insubordination?
00:09:52No, no, no, no.
00:09:52My fault.
00:09:54Bustos was telling me that he has family in Bordes.
00:09:56But I was already leaving.
00:09:57As soon as you tell me what happened?
00:09:59Basically, they're really getting on my nerves, madam.
00:10:02That's what happened.
00:10:04He doesn't realize that he won't have to see me anymore.
00:10:07As soon as you give me all the information I need to finish my live stream...
00:10:13Mr. Asalento.
00:10:17Don't move.
00:10:20Hercules!
00:10:21Card!
00:10:22Tell Ros.
00:10:32Why did you turn yourself in?
00:10:36Because I have nothing left.
00:10:39At least the blonde should pay for everything my people have done to her.
00:10:43Even if it's the last thing I do in this miserable life.
00:10:51What happened?
00:10:52That son of a bitch sold us out.
00:10:56I had everything prepared.
00:10:59Some guys came out of nowhere and riddled us with bullets.
00:11:03They gave it to me badly and I fell.
00:11:06They left me for dead.
00:11:08In the car I opened my eye and saw all my people.
00:11:17If I hadn't arrived because of the pain from my wounds, I would have thought I was in hell.
00:11:24I jumped out of the car and hid in the woods.
00:11:29And why should we love you?
00:11:31It's up to you what you do.
00:11:33But I know what you're looking for.
00:11:37The gold that was stolen from the Bank of Spain.
00:11:39No?
00:11:41And I also know where you plan to take it from, you bastard.
00:11:46In three days.
00:11:48Along the road to Andúja.
00:11:54Can we talk for a moment alone?
00:12:11If he told us the truth, we have to tell Captain Barrera.
00:12:15And notify the command so they can send us reinforcements.
00:12:18On the contrary, sergeant.
00:12:20If he's told us the truth, the last thing we need now is a regiment making noise to attract attention.
00:12:25of the black hand.
00:12:26Would they change their plans?
00:12:27So what do we do?
00:12:30For now, no one but us should talk to this guy.
00:12:33By now the hidden hand will already know that he has surrendered.
00:12:35And perhaps they want to prevent him from revealing what he knows.
00:12:39Look, I've explained it to you a hundred times.
00:12:42It must be this way, along the road from Andúja that leads to Córdoba.
00:12:46Then on to Seville.
00:12:47And then to the port of Huelva to ship it by sea in Marco.
00:12:51This area here is very rugged.
00:12:53But she's good at ambushing him.
00:12:56Do you think they're going to extract all the gold at once?
00:12:58That's a lot of money, don't you think?
00:13:01The mule train carrying the tiles is a large sight every year.
00:13:05You won't notice the difference.
00:13:06The gold will be hidden in the merchandise.
00:13:10And do you know where they'll be coming from?
00:13:12The blonde was very careful not to tell me where she was taking it.
00:13:16But he won't be far away.
00:13:17I think that if they leave in the early hours of the morning, they could be close to Andúja, more or less around here.
00:13:25And does the blonde know you're aware of the plan?
00:13:28No.
00:13:29I heard him say it while he was sending one of his men.
00:13:32Why would he tell me anything if he was going to kill me?
00:13:45Candle?
00:13:46Was it your father who brought me out?
00:13:48Yes, and you're welcome, okay?
00:13:49I thought you were going to get a little bit or something.
00:13:51Just so you know.
00:13:52I don't need any young gentleman calling his family there.
00:13:55No, maybe you'd have preferred to stay in jail.
00:13:58Don't you realize that if you continue like this you're going to end up badly?
00:14:01And where do you want me to get the bread?
00:14:03Do you know how much a train ticket costs?
00:14:05Do you want to leave?
00:14:07Where to?
00:14:09To Paris.
00:14:10To Paris?
00:14:11And what do you think?
00:14:12Will you be better off there than here?
00:14:14Well no.
00:14:14In cities, the poor are even poorer.
00:14:18I'm happy as long as I get there on time to see my mother.
00:14:21He dies of tuberculosis.
00:14:30I hope you will forgive our delay.
00:14:32We cannot boast of their British punctuality.
00:14:34Mr. Conor Well, I presume.
00:14:36Inspector Ross, Sub-Inspector Blázquez.
00:14:39Please sit down.
00:14:42You are the foreman of the Pozo Ancho mine
00:14:45in charge of Mr. Aaron Jones.
00:14:47Isn't that right?
00:14:47What do they want from me?
00:14:49Well, their boss has disappeared off the face of the Earth
00:14:51without leaving any trace.
00:14:53We wanted to ask you a few questions, and it's no trouble at all.
00:14:56Did you see Mr. Jones the morning of his disappearance?
00:14:59He came to the office to sign papers.
00:15:01Company stuff.
00:15:03And do you know if he has any enemies?
00:15:04Did you argue with anyone?
00:15:05Or perhaps someone wanted him dead?
00:15:07Mr. Jones has just arrived from London.
00:15:10He is only interested in his work in the mine.
00:15:12In hunting.
00:15:13He accompanied Mr. Turner on occasion.
00:15:16Mr. Turner?
00:15:17Yeah.
00:15:18Could you tell us about Mr. Turner?
00:15:21Do you know if Jones considered him a friend?
00:15:23More than friends.
00:15:24Partners.
00:15:25Mr. Turner's Company
00:15:26He made some offers to buy the Pozo Ancho mine.
00:15:30It's public.
00:15:31Yes, yes, of course.
00:15:32I'm aware of it.
00:15:33Pozo Ancho is not only rich in lead,
00:15:35It also owns a private railway line
00:15:37which Mr. Turner does not have.
00:15:39My job is to make sure Spaniards work the way they should.
00:15:45And our goal is to find Mr. Jones as soon as possible.
00:15:50Thank you very much for your time.
00:15:52If we need more information, we will contact you.
00:16:04Why does that guy Turner refuse to cooperate?
00:16:07As if he didn't have to submit to Spanish authority.
00:16:10We'll have to find other ways to talk to him.
00:16:23Thank you.
00:16:27Thank you.
00:16:59Thomas told me he wanted to talk to me.
00:17:02Do we know each other?
00:17:03Don Enrique de la Garza.
00:17:04And no, we don't have the pleasure.
00:17:07I'm just passing through on business.
00:17:08And I didn't want to miss the opportunity to meet you, Mr. Turner.
00:17:12I would like to acquire some land.
00:17:13And I've been told that you are the greatest expert on mines in Linares.
00:17:16Are you an engineer?
00:17:18That's how it is.
00:17:19My specialty is iron, copper, and manganese.
00:17:22But this central Iberian area of Sierra Morena
00:17:24and its alternation of slate and quartzite layers
00:17:26It produces very high quality lead.
00:17:29So I'm also interested in lead.
00:17:32You'll see, it's just that I'm a little busy right now.
00:17:37Why doesn't he come to dinner with his wife?
00:17:39What if we got to know each other better?
00:17:41My wife?
00:17:43Judging by his ring, I understand he's married.
00:17:47It will be a pleasure, Mr. Turner.
00:18:08Take.
00:18:10My wife warned you.
00:18:13That?
00:18:14Thank you, sergeant.
00:18:16And the wine, well, I won't even mention it.
00:18:22You look good in the uniform, huh?
00:18:26What a bunch of bigwigs they've become.
00:18:28But I'm glad.
00:18:30I got caught by a guard,
00:18:32better you than anyone else.
00:18:34Man, to get you...
00:18:35I haven't caught you, I'm not the one who's caught you.
00:18:38No.
00:18:38I had to give myself up so he could take me.
00:18:43Bastard.
00:18:45Who wouldn't tell him, huh?
00:18:47Do you remember when we were just little lads on the steppes?
00:18:49were they stealing melons?
00:18:52And then we'd dive in headfirst
00:18:54to soak in the washbasins.
00:18:56The car washes.
00:18:58The car washes.
00:19:03You were always like an older brother to me, Marco.
00:19:08You bastard, your tooth.
00:19:10You should have kept the melons.
00:19:12No.
00:19:12Then came the hams,
00:19:14the farmhouses and the rest.
00:19:16So what do I do?
00:19:17If they didn't have to be more of a snob.
00:19:20Such is life.
00:19:22Why did you get involved in making deals with these people?
00:19:24Knowing how dangerous they are.
00:19:26Because of greed, sergeant.
00:19:28Because of greed.
00:19:30I thought I could retire from the mountains
00:19:32with what they were going to pay me.
00:19:33Do you know how much they were going to pay me?
00:19:34That?
00:19:35And she's with my baby.
00:19:36He has a decent life.
00:19:42And the only thing I carry
00:19:43to all my people at the cemetery.
00:19:47Did you know?
00:19:47Maybe this one will give you a carrot, right?
00:19:51Ah.
00:19:58How long has it been since you last saw the girl?
00:20:01Maria, it's okay.
00:20:02Don't worry.
00:20:05Sooner or later, the dark hand will appear.
00:20:06You'll know you've sold them out.
00:20:08And if it bites them,
00:20:09They're going to go after what you want most.
00:20:12Your daughter.
00:20:14And where is it from?
00:20:16I promise I'll take care of her.
00:20:17Look, don't come at me with that sanctimonious nonsense.
00:20:19and mind your own business.
00:20:20I told you I have everything sorted out.
00:20:21Do you understand?
00:20:23Marco, if you find out.
00:20:24Yeah.
00:20:26I find out.
00:20:29Eat.
00:20:34Hey!
00:20:38Everything you need
00:20:39so that you may become my beloved wife.
00:20:41Just for one night.
00:20:49Mrs. Amelia Eguizábal,
00:20:51born in San Sebastián,
00:20:52from a good family, of course,
00:20:54and, obviously,
00:20:56She has to have jewelry
00:20:57in accordance with his position.
00:21:04I'm not going to measure up, Victor.
00:21:07Besides, I've never been to San Sebastián.
00:21:11Juana,
00:21:13I need your help
00:21:13to solve a case.
00:21:17And why would I go and help the police?
00:21:21And hang out with those people?
00:21:22highbrow?
00:21:24People from good families
00:21:26Victor, it gives me hives.
00:21:27It wouldn't do you any good.
00:21:29I, on the other hand,
00:21:30I think you're perfect.
00:21:44To rob them,
00:21:46We learned how rich people behave.
00:21:49We know them better
00:21:50from what they themselves know.
00:21:58We're sure we're still the best.
00:22:04No, Victor, no.
00:22:08I'm sorry, Victor.
00:22:12There will be other opportunities.
00:22:19What if there aren't any?
00:22:22Juan and I, surely
00:22:23We'll be back in Madrid in a few days.
00:22:27Are you that close?
00:22:27Are you going to get that one now?
00:22:30You know that it's not just
00:22:30That's why I'm telling you.
00:22:35Dinner is at eight.
00:22:38In case you change your mind.
00:22:53Sergeant Giraldo
00:22:54has given me permission
00:22:55to interview the man from Estepa.
00:22:57It's sealed.
00:23:06You have the gift of appearing
00:23:08in the most unexpected places, huh?
00:23:10When something interests me.
00:23:13And what interests him?
00:23:20See the Estepeño humiliated
00:23:22and intermingles.
00:23:24It's not something worth seeing.
00:23:26the truth.
00:23:27That is worth it to me
00:23:29Tell me your story
00:23:30so that it is not forgotten.
00:23:31And even more so now that...
00:23:33That?
00:23:36What now?
00:23:40Come on, I say.
00:23:41Say it.
00:23:42Do not be feared.
00:23:45Now they're going to beat me...
00:23:48Why was he surrendered?
00:23:51I never thought a bandit
00:23:52how you would surrender.
00:23:55Go away now.
00:23:57Haven't they told you?
00:23:57that I am very dangerous
00:23:59and that the blondes
00:24:01Are they making me lose my mind?
00:24:04Why won't you tell me?
00:24:05what makes an inspector
00:24:06of the caliber of Victor Ross
00:24:08Follow in his footsteps?
00:24:09Why is he so interested in you?
00:24:15And what the hell is this?
00:24:16of a special permit?
00:24:18Madam?
00:24:33This time he's gone too far
00:24:35of list, madam.
00:24:36I could stop her
00:24:37because of what he just did.
00:24:39Forward.
00:24:40But let it be in a cell
00:24:41near the one from Estepeño.
00:24:43Don't you ever get tired?
00:24:45Mr. Ross promised me.
00:24:47in exchange for my collaboration.
00:24:48Exactly, Mr. Ross,
00:24:50not me.
00:24:51And it just so happens
00:24:52that it's me
00:24:52who is in charge
00:24:53of this position.
00:24:55Well.
00:24:57Perhaps I could find
00:24:59the form
00:25:00to reward him appropriately.
00:25:05This interview
00:25:06It could be the culman
00:25:07from my book.
00:25:12Surely with his
00:25:13flowery imagination
00:25:15will be able to finish the book
00:25:16without José María Llanos
00:25:17the man from Estepa.
00:25:25Madam?
00:25:30Because?
00:25:32Because?
00:25:48We're going to be late.
00:25:53It was a shame.
00:25:54return the dress
00:25:55and the jewelry.
00:25:57The truth is that
00:25:57You didn't do anything wrong to him.
00:26:03That's why I married you,
00:26:04Amelia.
00:26:05I'm going to be the envy of everyone.
00:26:07at night.
00:26:08But if we want
00:26:09to be the perfect family
00:26:10We're missing something.
00:26:14The perfect son.
00:26:16Juan.
00:26:20What do you think, Victor?
00:26:23I'm dressed elegantly.
00:26:24I've thought
00:26:25that he could call me
00:26:26Heriberto.
00:26:29Juan is fine.
00:26:31Juan de la Garza.
00:26:48Mr. Tana,
00:26:49my wife, Amelia.
00:26:50Delighted.
00:26:51And my son, Juan?
00:26:52Hey,
00:26:53I see that
00:26:54Don Enrique
00:26:55He is a man
00:26:56very lucky.
00:27:02Nice to meet you,
00:27:03young man.
00:27:04Tell me,
00:27:05Do you like geology?
00:27:05And do you like your father?
00:27:07I like it,
00:27:08but I'd rather
00:27:09study law
00:27:09like my grandfather.
00:27:12Well,
00:27:13It's always good
00:27:13to have a lawyer
00:27:14in the family.
00:27:16We always
00:27:17we will feel proud
00:27:17his.
00:27:24Didn't you understand?
00:27:25nothing?
00:27:25It was noticeable.
00:27:33Oh,
00:27:34Mr. Tana,
00:27:36I see that you're interested
00:27:36antiques.
00:27:38One of my passions,
00:27:39Yeah.
00:27:40This land
00:27:40It is also a
00:27:41mine,
00:27:42in that sense.
00:27:44Do you know
00:27:44from the settlement
00:27:46Roman
00:27:46of Claust?
00:27:47No.
00:27:49This is my piece
00:27:51more valuable.
00:27:53In London
00:27:53they would pay more
00:27:54of three thousand pounds
00:27:55for her.
00:27:56represents Juno.
00:28:01Shall we have a drink?
00:28:09welcome,
00:28:10Don Álvaro.
00:28:12I present to you
00:28:14to the engineer
00:28:14Enrique de la Garza
00:28:15and her adorable
00:28:17family,
00:28:18Amelia and Juan.
00:28:19Don Enrique.
00:28:24Well, gentlemen,
00:28:26gentlemen,
00:28:26we go directly
00:28:27at the table.
00:28:28You,
00:28:29The Spanish,
00:28:30They have dinner very late.
00:28:31In London
00:28:32I'd be here for a while.
00:28:33in bed.
00:28:39Don't defend
00:28:40to those ruffians,
00:28:41Don Álvaro.
00:28:42The biggest hobbies
00:28:43of the miners
00:28:44Spaniards
00:28:44They are drunkenness,
00:28:46the game
00:28:47and prostitution.
00:28:48Can,
00:28:50but it is forgotten
00:28:51from the very hard work
00:28:52what they do in their mines,
00:28:53risking their lives
00:28:54every day.
00:28:55to you
00:28:55They like
00:28:56because he has kneaded
00:28:57a fortune
00:28:58selling him wines
00:28:59to those unfortunate people.
00:29:00But I know
00:29:01what they are like.
00:29:01And what are they like?
00:29:02Mr. Tanner?
00:29:07Are they worse?
00:29:08What about the English miners?
00:29:10And the children?
00:29:11who work in the mine
00:29:12instead of being
00:29:12at school?
00:29:14Will they be worse too?
00:29:15English children?
00:29:17Like women
00:29:18who break their backs
00:29:19for a pittance of a day's wage?
00:29:20They are also worse.
00:29:21Please.
00:29:23No censorship
00:29:24to his wife,
00:29:25Don Enrique?
00:29:26Definitely,
00:29:27Mr. Tanner
00:29:28It is forgotten to mention
00:29:29that,
00:29:29despite how annoying it is
00:29:30which he finds
00:29:31to the miners
00:29:31Spaniards,
00:29:32your company produces
00:29:33significant benefits
00:29:34Thanks to them.
00:29:35Oh my God!
00:29:36Wait for dessert
00:29:37to shoot me.
00:29:39I don't want to stay
00:29:39without tasting the pudding.
00:29:43Mr. Tanner,
00:29:45if I wanted to
00:29:45settle here,
00:29:47Do you think
00:29:47that I could use
00:29:48its railway
00:29:49How to remove the lead?
00:29:50Don't be impatient,
00:29:52Don Enrique.
00:29:54We'll talk later
00:29:55business.
00:29:56And you can rest easy.
00:29:58I like them
00:29:59women
00:29:59with character.
00:30:02Although neither
00:30:03It would be easy.
00:30:04convince her
00:30:05so that she would get married
00:30:06with you.
00:30:09Well,
00:30:10In fact
00:30:10it was more
00:30:11the other way around.
00:30:12Since I have
00:30:13use of reason
00:30:14I remember
00:30:14in love
00:30:15from Enrique.
00:30:17however,
00:30:18he had
00:30:18other interests
00:30:20like those stones
00:30:21which she talks about so much.
00:30:25Money,
00:30:26the profession
00:30:27They are important,
00:30:28Mr. Delgaza.
00:30:30And what are they worth?
00:30:31if one cannot
00:30:32enjoy them
00:30:33In company?
00:30:34You're absolutely right.
00:30:35Mr. Tanner.
00:30:37And thank God
00:30:38I have had
00:30:39a second chance
00:30:41And I don't think
00:30:42to waste it.
00:30:51And now,
00:30:52If you'll excuse me,
00:30:54I need to go to the toilet.
00:31:06As soon as I get back
00:31:08Don Enrique
00:31:08from the toilet,
00:31:11we can pass
00:31:12to the living room
00:31:12to have a drink.
00:32:50Have you got what you wanted yet?
00:32:51They are starting
00:32:52to send me
00:32:53rashes.
00:32:53Not yet,
00:32:54please.
00:32:55Well, you're going to have
00:32:56that end
00:32:56just you,
00:32:57Victor.
00:32:57Hands-on!
00:33:00The best.
00:33:02It's a shame.
00:33:03that the Americans
00:33:04are about
00:33:05to chaff
00:33:05the game
00:33:06in the colonies.
00:33:07Do not sell
00:33:08the skin of the
00:33:09before hunting her,
00:33:10Mr. Tanner.
00:33:18There's no need
00:33:19that he/she thanks me
00:33:20The same as before.
00:33:24I don't know
00:33:25what you are looking for
00:33:25here,
00:33:26Mr. Ross,
00:33:27but I hope
00:33:28that he finds it
00:33:29and that son
00:33:31of the treacherous
00:33:32Albion
00:33:32take
00:33:33He deserved it.
00:33:35By the way,
00:33:38He already enjoyed it
00:33:39choosing a husband.
00:33:40Pity
00:33:41who must leave
00:33:42so soon.
00:33:42maybe
00:33:44tomorrow
00:33:45early
00:33:46accompany me
00:33:47to hunt
00:33:47and so
00:33:48we could talk
00:33:49of their interests
00:33:50in the lands.
00:34:09What game are you playing?
00:34:11A woman
00:34:11who has pretended
00:34:12his own death
00:34:12It doesn't collapse
00:34:13because an Englishman
00:34:14treat like cattle
00:34:15to his workers.
00:34:17And you
00:34:17what will you know
00:34:18of what hurts me?
00:34:22Álvaro
00:34:23Cuen Díaz
00:34:24You know each other,
00:34:25TRUE?
00:34:29Some night
00:34:30came home
00:34:30of the Gypsy.
00:34:32It's not that unusual.
00:34:34I was a whore.
00:34:36I will have forgotten
00:34:37of their faces
00:34:38But it's clear.
00:34:38that they
00:34:39of mine
00:34:39No.
00:34:41Victor
00:34:41no one can erase
00:34:42his life.
00:34:44I am an impassive person.
00:34:47There are no second chances
00:34:48opportunities
00:34:48for me.
00:34:53It's true
00:34:53what you said
00:34:54at dinner.
00:35:00So true
00:35:01like what you said.
00:35:08Then you will know
00:35:08that I'm not going to leave you
00:35:09escape again.
00:35:17Look,
00:35:17Juana,
00:35:17I don't...
00:35:19I don't know where
00:35:20it's going to end up
00:35:20all of this.
00:35:21Don't know.
00:35:24But what is true
00:35:24I can assure you
00:35:25the thing is
00:35:27this time
00:35:27I won't let you down.
00:35:29I guess
00:35:29that now
00:35:29We already know.
00:35:31No.
00:35:34No.
00:35:42No.
00:35:43No.
00:35:46No.
00:35:47No.
00:36:16Thanks for watching the video.
00:36:45Thanks for watching the video.
00:37:08Thanks for watching the video.
00:37:15Thank you.
00:37:38Thank you.
00:37:39Thank you.
00:38:42Thank you.
00:38:49Thank you.
00:38:50Thank you.
00:38:57Thank you.
00:39:02Thank you.
00:39:09Thank you.
00:39:41Good morning.
00:39:52Thank you.
00:39:53I wish you good hunting.
00:39:54Thank you.
00:39:54Thank you.
00:40:04Thank you.
00:40:06Thank you.
00:40:38Thank you.
00:40:40Thank you.
00:40:48Thank you.
00:41:23Thank you.
00:41:24Thank you.
00:41:26Thank you.
00:41:28Thank you.
00:41:32Thank you.
00:41:34Thank you.
00:41:36Thank you.
00:41:37Thank you.
00:41:39Thank you.
00:41:41Thank you.
00:41:43Thank you.
00:41:55Thank you.
00:42:06Thank you.
00:42:07Thank you.
00:42:18Thank you.
00:42:18Thank you.
00:42:28Thank you.
00:42:29Thank you.
00:42:33Thank you.
00:42:35Thank you.
00:42:36Thank you.
00:42:37Thank you.
00:42:38Thank you.
00:42:39Thank you.
00:42:40Thank you.
00:42:42Thank you.
00:42:46Thank you.
00:42:50Thank you.
00:42:51Thank you.
00:42:55Thank you.
00:42:58Thank you.
00:42:59Thank you.
00:42:59Thank you.
00:42:59Thank you.
00:43:03Thank you.
00:43:04Thank you.
00:43:04Thank you.
00:43:05Thank you.
00:43:14Thank you.
00:43:20Thank you.
00:43:21Thank you.
00:43:36Thank you.
00:43:37Thank you.
00:43:39Thank you.
00:43:40Are you interested in Mr.
00:43:41Is Jones dead so he can keep his railroad line?
00:43:44Having received no reply to the first letter, the kidnappers amputated Mr. Jones's finger, waiting for him to
00:43:50They would react.
00:43:51But what they didn't know is that you and Mr. Connor were willing to sacrifice a life just for
00:43:57gain a few more pounds.
00:44:00Only...
00:44:01It's just business.
00:44:03Business.
00:44:05You are a despicable person.
00:44:08No.
00:44:10No.
00:44:11No.
00:44:13No.
00:44:14No.
00:44:14No.
00:44:22Stand up.
00:44:34Look.
00:44:37The ring fits him perfectly even though his finger has been amputated.
00:44:53That's the hallmark of Oxford University, isn't it?
00:44:55Uh-huh.
00:44:59Land.
00:45:01It looks like galena.
00:45:03And this...
00:45:07It's lead.
00:45:11He was digging.
00:45:12He tried to escape.
00:45:14But which way?
00:45:15Because in this land you lift a stone and there is lead.
00:45:20Inspector?
00:45:23I did what he asked me to do.
00:45:26The wineskin was opened lengthwise, taking great care not to touch anything inside.
00:45:30Perfect.
00:45:44As if it were sulfur.
00:45:46No?
00:45:48The smell is not the only flaw of this powder.
00:46:03Just when I thought I'd tasted the worst broths in this country?
00:46:06Woe to him who drank from that boot.
00:46:09Well, that poor fellow was none other than Mr. Jones.
00:46:12This powder is Lita Vesicatoria, better known as Cantharides.
00:46:16It comes from the Spanish fly.
00:46:18The Cantharides made him feel weak.
00:46:20He distanced himself from the people and then became easy prey.
00:46:25Vázquez, let's go.
00:46:27There is no time to lose.
00:46:29Hey, Mr. Ross?
00:46:30Yeah.
00:46:31And my fees?
00:46:38I saw the look on your face when the Englishman said what the statuette was worth.
00:46:42If you want to sell it, there's a guy in Cantarranas who sells these things.
00:46:46Although I don't know if he'll pay you that much.
00:46:47But how did you get it?
00:46:51What do you need the money for?
00:46:53Wait, Candela.
00:46:58Look, he has to make a very long trip.
00:47:02AND...
00:47:03I didn't want to ask Victor for the money.
00:47:05You don't have to explain anything to me.
00:47:08If I could have, I would have taken off the Englishman's underwear.
00:47:11Do you remember what I told you about the letters?
00:47:14Some start with more cards than others.
00:47:16Yeah.
00:47:17But don't tell Victor anything, he'll kill me, okay?
00:47:20I don't think I see things the way others do.
00:47:27Elena, what's going on?
00:47:29Elena, what's going on?
00:47:52I don't know where to begin, darling.
00:47:54I don't know where to begin, darling.
00:48:00I lied to you.
00:48:03When you were a child.
00:48:08To you and your father.
00:48:12I know it's very difficult to understand, Juan.
00:48:15But I did it for you.
00:48:17What do you have to do with me?
00:48:20Don't you remember?
00:48:23They put me in the Alcalá prison.
00:48:27I was sure you were never going to get out of there.
00:48:30That's not true.
00:48:31That's why.
00:48:32That's not true.
00:48:35Honey, I...
00:48:38I don't...
00:48:38I didn't want your father to spend his life worrying about me.
00:48:43Neither you.
00:48:51That's why I made you believe I was dead.
00:48:57I had truly lost all hope, darling.
00:49:02I never thought life would give me this second chance.
00:49:10Do not touch me.
00:49:11You are not my mother.
00:49:13You are not my mother.
00:49:14Yes, I am.
00:49:15My mother is dead.
00:49:17My mother's name is Clara and she is dead.
00:49:19You are nobody.
00:49:21Nobody.
00:49:33Pacorro.
00:49:35Where is Jones?
00:49:38He disappeared.
00:49:39I...
00:49:39I don't know anything else.
00:49:40I assure you that I would have preferred a different ending, Paco.
00:49:45I should have suspected those blisters.
00:49:48I thought they were a consequence of work.
00:49:51I directed the investigation towards Tanner.
00:49:53But the Englishman only wanted to take advantage of the situation.
00:49:57Do you remember when I tried to take his wineskin during the hunt?
00:50:00Don't do it, Don Enrique.
00:50:02That wine is rancid.
00:50:04And then I noticed a strange smell.
00:50:07The cantharides.
00:50:09That's the one he used to make the poison, right?
00:50:14Those blisters are a result of having handled it and having put it in the wine.
00:50:20Then Jones drank it.
00:50:22She felt unwell.
00:50:25And he withdrew from the others.
00:50:27There, sir.
00:50:28On Matojo Street.
00:50:30But at that moment...
00:50:31You were distracting Tanner.
00:50:34Who else helped him?
00:50:36Nobody.
00:50:37I swear.
00:50:39One more miner from his crew of pieceworkers would have been enough for him.
00:50:45After...
00:50:47They hid Jones in a place they had previously prepared.
00:50:54And voilà.
00:50:56Mr. Jones disappeared as if by magic.
00:50:59I won't give him a name.
00:51:01They are not criminals.
00:51:03They are simple miners.
00:51:06We never meant to hurt him.
00:51:09The Englishman had a lot of money.
00:51:11But he didn't pay attention to the notes we sent him.
00:51:13Stop with the stories, Paco Ron.
00:51:15Where is Jones?
00:51:16The pasture of the dead man.
00:51:19Watch your step around here, Don Enrique.
00:51:22This land is full of sinkholes and caves that were dug by the Romans themselves.
00:51:26It's a perfect place to hide Jones.
00:51:29And I'm sure he's in that area, Paco.
00:51:35And probably just a few steps from where he disappeared.
00:51:40Sometimes the best place to hide something is in plain sight.
00:51:45Right where I was.
00:51:50Don't move, don't move.
00:51:52Okay, here it goes.
00:51:54That's it, let's go.
00:51:55Wait there.
00:51:57That's it, that's it.
00:51:59Plathker, help me.
00:52:00Come on.
00:52:02Let's go.
00:52:07Let's go.
00:52:16Enough?
00:52:17What are you talking about, you fools, Tomás?
00:52:18What is enough?
00:52:20But where did he get so much money?
00:52:22It's best not to ask.
00:52:24What matters is that you need that money more than anyone else.
00:52:26The rest doesn't matter.
00:52:28Oh.
00:52:30You've definitely gotten yourself into some trouble.
00:52:33I wouldn't be so stupid and I'd get out quickly.
00:52:38Has something happened to you?
00:52:42Well, sometimes I'd like to be alone like you, you know?
00:52:46I'd like to take a train and leave and forget about everyone, absolutely everyone.
00:52:51Look at that, lettuce.
00:52:53I'm going to miss you when I'm in Paris.
00:53:07Good job, Ross.
00:53:09Although it seems unbelievable that an old miner could have orchestrated the entire kidnapping on his own.
00:53:14Yes, that's true.
00:53:16But he knows the pasture like the back of his hand and the cantharides have done the rest.
00:53:20Oh, I almost forgot.
00:53:21There is someone who wants to thank you in person.
00:53:26I've lost a finger.
00:53:28But it could have been much worse.
00:53:30Fortunately, thanks to that drug, I barely remember what happened.
00:53:36So I won't have to make an effort to forget either.
00:53:40We will take your belongings to the hotel.
00:53:43Ah.
00:53:46And his Oxford ring.
00:53:55Ah, those were the days.
00:53:58I reiterate my thanks.
00:54:02They are a source of pride for this country.
00:54:04Good night.
00:54:07Sirs.
00:54:11Okay, boss.
00:54:14Now I think we should go and rest.
00:54:17No.
00:54:18We can't, Blázquez.
00:54:20Until we resolve this matter.
00:54:24For God's sake, boss, this smell is worse than that poison.
00:54:29Mr. Brooks died more than two weeks ago.
00:54:32What did you expect?
00:54:33What if we opened the lid and it smelled like roses?
00:54:49I found it strange that Mr. Jones's ring didn't fit the pissed finger.
00:54:53Is that why we're here?
00:54:55For a ring.
00:54:56Not quite.
00:55:06For God's sake, by all the demons, what are you doing? What are you doing? A sacrilege?
00:55:10No.
00:55:11It's just a wig.
00:55:13And of very good quality, by the way.
00:55:16It's Indian hair, highly prized.
00:55:20Among his belongings, there was also this.
00:55:23Adhesive for wigs.
00:55:28My dear Blázquez,
00:55:31I greatly fear that the corpse we have on this table
00:55:34It's not Mr. Brooks.
00:55:36This is the real Aaron Jones.
00:56:02I wasn't expecting this, Sergeant.
00:56:04I'm not doing it for you.
00:56:06I'm doing it for your daughter.
00:56:07So I can find out about your life
00:56:09He's going to have to read the Frenchwoman's book.
00:56:12Nothing will come out of you.
00:56:15He's going to ask her in front of me.
00:56:17And don't move from there.
00:56:19Dele.
00:56:19And you, don't tell too many lies.
00:56:22That's going to be difficult.
00:56:23I can't sit next to him.
00:56:25Would you prefer that we leave?
00:56:26Likewise, blonde.
00:56:28If we sound the same that way.
00:56:32We can start by talking about its origins.
00:56:35From his childhood in the village of Estepa.
00:56:37What was it like?
00:56:42Hunger.
00:56:44Hunger everywhere.
00:56:46We did what we could to have fun,
00:56:49like any shrewd person.
00:56:51I can tell you a few things about the sergeant.
00:56:54that we grew up together.
00:56:55For example, his affair with Serafina.
00:56:58This is for sharing things about your life,
00:57:00not mine.
00:57:01Were they childhood friends?
00:57:03And who is this Serafina?
00:57:13Come.
00:57:20Let her go!
00:57:21Don't move, I swear I'll stab her in the neck.
00:57:23Open it.
00:57:24Open.
00:57:26You know I can't do that.
00:57:28Open the cell or I'll run you over.
00:57:30I have nothing to lose, Marco.
00:57:38Open the door, Marco.
00:57:43Open it.
00:57:44From the gun.
00:57:45Bet.
00:57:47Tell me the gun.
00:57:49Tell me the cliff.
00:57:50Don't worry.
00:57:52Tell me the gun.
00:58:08Calm down, calm down, calm down
00:58:10That's it, that's it, that's it, that's it, that's it
00:58:17Don't worry, nothing's going to happen
00:58:27Pull back, pull back
00:58:31Stay still, stay still, stay still, stay still
00:58:32Don't move.
00:58:35Peaceful
00:58:41You won't be able to get out of here.
00:58:44Think about your daughter
00:58:45That's why I do it
00:58:46So that he knows his father never gave up
00:58:48And you, close to me
00:58:50Come on, let's go
00:58:59Don't worry, nobody has to die here.
00:59:02Don't worry
00:59:05Don't worry
00:59:06Don't do it
00:59:07You still have time
00:59:08Maybe they won't garrote you at the trial.
00:59:12I want a horse at the door
00:59:13Now!
00:59:15And to tell everyone that José María Llano will not die on his knees
00:59:19Please don't hurt me.
00:59:22What does it say?
00:59:23But boss, I have it all
00:59:24That says it all!
00:59:28That?
00:59:29Quiet
00:59:35Don't mess with me or I'll shoot you, Gabasa.
00:59:44No!
00:59:45No!
01:00:09What have you done?
01:00:10I don't know
01:00:11Because?
01:00:12I already know myself, Marco
01:00:14He will end up not lending to the mountain
01:00:17Call a doctor, damn it!
01:00:20Where are the arches, Marco?
01:00:24Take care of me, son, Marco
01:00:27Take care of me
01:00:42Mr. Jones
01:00:45Are you going on a trip?
01:00:47After what has happened
01:00:49I'm looking forward to returning to London
01:00:51With my family
01:00:51Stop pretending, man
01:00:53We don't have all day
01:00:54Who are you, really?
01:00:56Brooks?
01:00:57And why has he impersonated
01:00:58Jones's true identity?
01:01:01This is an outrage, gentlemen.
01:01:03I'm going to give a report
01:01:04To the British vice-consulate
01:01:06You can submit as many reports as you want.
01:01:08But he's not moving from here.
01:01:09Until I sing for loneliness
01:01:11Okay, okay
01:01:13But don't do anything to me.
01:01:15I can't take it anymore
01:01:18I'm just a comedy actor
01:01:20That plays a role
01:01:21And who hired him?
01:01:23A strange man
01:01:25At first I refused
01:01:27A man wearing a mask?
01:01:31It paid very well
01:01:35He provided me
01:01:37All data
01:01:37The clothes
01:01:39All
01:01:39And what did he ask her to do?
01:01:42She just had to let me see.
01:01:44Through the mine offices
01:01:46And sign some documents
01:01:48When he asked me to
01:01:49What type of documents?
01:01:52Trivial things
01:01:54Authorizations to make lead shipments
01:01:56Towards a private port
01:01:57That the Jones company railroad
01:02:00It has one in Huelva
01:02:00Lead shipments?
01:02:03Today was the day
01:02:04What did the man from Estepa tell us?
01:02:05That the convoy
01:02:06I would leave via the road to Andújar
01:02:10While we
01:02:10We were heading towards the mountain
01:02:11She...
01:02:13Blázquez
01:02:13We have to leave
01:02:14So what do we do with this guy?
01:02:15We'll deal with it later
01:02:17He's going to get the gold from the blonde on the train
01:02:19Come on!
01:02:34Blázquez
01:02:35Go to the platform
01:02:36Tell the waiters to unload the emergency
01:02:38Come on
01:02:38OK?
01:02:41Excuse me
01:02:42Police
01:02:43May I?
01:02:44Yeah
01:02:58Move away from that box
01:03:04Throw the weapon away from you.
01:03:14My good friend Victor Ross
01:03:17He was on his way to Andújar
01:03:19But it's obvious
01:03:21That it's not easy to let go of you
01:03:25I didn't want her to leave without saying goodbye first.
01:03:29It would have been easier for both of us
01:03:32Having finished our disfigurement without tears
01:03:35You go your way and I'll go mine.
01:03:38Should I expect more guests?
01:03:40Of course
01:03:40The station is surrounded by the entire Civil Guard
01:03:45I did come accompanied.
01:03:48But I doubt it.
01:03:50That you are accompanied by someone else
01:03:53Apart from Blázquez
01:03:55He thought he had won the game, didn't he?
01:03:58That we had believed the lure of the man from Estepa
01:04:03He came here with the entire cargo
01:04:05And I expected the station staff
01:04:07I got him on the train without any problem.
01:04:10Clear
01:04:11Who would have suspected?
01:04:13From some boxes belonging to a mining company?
01:04:18He overlooks a detail
01:04:21I'm carrying the gun
01:04:22That's something that can change at any time.
01:04:28Wasn't the jewelry business enough for him?
01:04:32Regarding Clara
01:04:35Does he hate me that much?
01:04:37He has a bad habit of taking himself too seriously, Mr. Ross.
01:04:40And he does the same with me.
01:04:43I'm sorry to disappoint you
01:04:44But I had nothing to do with it
01:04:46With what happened there
01:04:48I only picked up the boxes in Linares
01:04:52So who organized the coup at the Bank of Spain?
01:04:57The dark hand is more powerful than you think
01:05:00There's always someone above you.
01:05:03Pity
01:05:03May you go and die without ever seeing his face
01:05:07But the great master is too wise.
01:05:09Even for you
01:05:10The great master
01:05:14The same one who also played you.
01:05:18Have you seen what's inside the boxes?
01:05:21I've already opened two.
01:05:22I'm sure the rest are the same.
01:05:28Forward
01:05:29Step aside
01:05:33Step aside
01:05:34It just can't be
01:05:42It just can't be
01:05:44It just can't be
01:05:48Step aside
01:05:52It's funny, isn't it?
01:05:54To think that we were going to die
01:05:56For some boxes full of lead
01:06:01Don't feel bad
01:06:04The weight of lead is similar to that of gold
01:06:09You thought it was more important, didn't you?
01:06:21I already told him that things could change at any moment.
01:06:26Roll over
01:06:45Move
01:06:46Come on
01:06:56Vázquez
01:06:58I was already missing you
01:07:17We've known each other for a long time, haven't we, the blonde?
01:07:24You are not a believer
01:07:27He used the black hand
01:07:29Only to rise again
01:07:33And why not spend the rest of your life in a sanatorium with all the necessary care?
01:07:39You know I can get it for you?
01:07:43Negotiating again with the great Victor Rus
01:07:46You are such a noble man.
01:07:50If he keeps his word
01:07:53I promise I will tell you who the grand master is
01:07:58He was the one who organized everything.
01:08:00He was the one who killed his wife
01:08:02He was...
01:08:15He was the one who killed his wife
01:08:15He was the one who killed his wife
01:08:19He was the one who killed his wife
01:08:23He was the one who killed his wife
01:08:24He was the one who killed his wife
01:08:24He was the one who killed his wife
01:08:25He was the one who killed his wife
01:08:25He was the one who killed his wife
01:08:25He was the one who killed his wife
01:08:27He was the one who killed his wife
01:08:31He was the one who killed his wife
01:08:40You know?
01:08:43I could have ended up like him.
01:08:47But I joined the Civil Guard.
01:08:50To get out of this damn hunger.
01:08:53But he continued stealing.
01:08:55If I had followed his path,
01:08:58Right now I'd have a bullet in my chest.
01:09:02But he didn't.
01:09:04I'm sorry it all ended this way.
01:09:10And what am I supposed to tell her daughter?
01:09:13He did everything he could for his father.
01:09:21Why don't we continue talking in a more private place?
01:09:38I don't know what the man from Estepa was up to.
01:09:41But it seems he made a mistake.
01:09:43That he made deals with the wrong people.
01:09:46TRUE?
01:09:49And you, madam?
01:09:51Don't you get tired of asking so many questions?
01:09:57I promise not to include it in my book.
01:10:00But since I'm the sergeant's lover,
01:10:03I'll have to enjoy the privilege of knowing some little secret, won't I?
01:10:08You know how much I love good stories.
01:10:12Well, you're going to have to push yourself a little harder.
01:10:15to make me talk.
01:10:16I can be very persuasive, can't I?
01:10:20Oh!
01:10:43And his blood?
01:10:47It's best not to ask.
01:10:50And Elena?
01:11:03And then pension time comes, and he's gone.
01:11:23We talked in the afternoon.
01:11:28Did you know she was my mother?
01:11:33Why didn't you tell me anything?
01:11:37Juan.
01:11:39He's not going to leave just like that.
01:11:42He will return.
01:11:44Trust me.
01:12:06Gentlemen.
01:12:10I need to speak with Captain Barrera.
01:12:11It is an honor to welcome our mayor.
01:12:15How can we help you?
01:12:17A murder is going to happen and they must prevent it at all costs.
01:12:21And I suppose you know who they're going to assassinate?
01:12:25Me?
01:12:27We are on the brink of war and the country needs everyone to pull together.
01:12:33Remove the tax.
01:12:34Or next time we won't demand it verbally.
01:12:36The people will take to the streets with whatever it takes.
01:12:38Above!
01:12:39Above!
01:12:40Above!
01:12:41Above!
01:12:42Above!
01:12:44Above!
01:12:55Above!
01:12:56Farm laborers are mixed in with the people and only answer to one person.
01:13:07The grand master.
01:13:08If we want to put an end to all this, we have to find him.
01:13:14We all see you in death.
01:13:17You are no different.
01:13:20And you will begin to feel that fear.
01:13:25When you realize that no matter how much you shout Victor Ross, you won't be able to hear yourself.
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