- hace 1 día
Las esquelas de cuatro antiguos magistrados aparecen en el periódico de Linares. Nada extraño, salvo por un detalle: esos cuatro hombres todavía no han muerto. Víctor Ros comprueba pronto que no se trata solo de una broma de mal gusto, ya que el primer magistrado de esa macabra lista ha sido asesinado. Mientras tratan de mantener con vida a los jueces, la investigación sacará a la luz la identidad del asesino y, también, el oscuro secreto que ha puesto en marcha esta venganza. Por primera vez en mucho tiempo, Ros cuestionará su fe en la justicia. Pero ésta no será la única dificultad a la que tendrá que enfrentarse. Juana sigue escondida en la pensión tras huir de la partida de El Estepeño; acorralada y temerosa de confesarle la verdad a su hijo, a la vez que intenta ayudar a Víctor a resolver el caso que le ha traído hasta ese pueblo: el oro del Banco de España. Una búsqueda que, por primera vez, pondrá a Ros frente al hombre que está detrás de ese gran robo.
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00:00:00I have to go back to the mountains.
00:00:02Perhaps if we find it, it will be the piece we need to know where to hide the gold.
00:00:06He didn't hear what the Basque said.
00:00:08Those people don't stay still in the same place for two days.
00:00:10The good man told me that he knew a woman who had written sketches of bandits.
00:00:14Perhaps she can help us.
00:00:16Irene de Suberfic.
00:00:17Victor Ross.
00:00:18Enchanting.
00:00:19I know he has been seen with the bandits several times.
00:00:22I would like to accompany you to your next meeting.
00:00:25Cabramonte, wouldn't the man from Estepa like to have his portrait taken?
00:00:30It's you, isn't it?
00:00:33Nobody else has that look.
00:00:35Come with me.
00:00:36I could tell you many things about your son.
00:00:38And now he needs you more than ever.
00:00:40I can explain everything to you, Juana, really.
00:00:42I told you my name is Elena.
00:00:44Emma, Clara's sister, says that Juana took a train without her permission, that she wanted to be with me.
00:01:01Blázquez, I want you to visit all the stations in Linares and find out who ordered those gas cylinders.
00:01:06The person who picked up the merchandise is a nasty piece of work.
00:01:09They call him the Gypsy.
00:01:12Will he encounter the bandits again?
00:01:15Lestepeño wants to see me.
00:01:16You don't see such beautiful women every day in these mountains.
00:01:20Nobody move or I'll shoot.
00:01:24Leave.
00:01:25Where is the gold?
00:01:47Where is the gold?
00:01:56Yes, but he's still ahead of me.
00:02:30You are very beautiful and you dance very well, but that's not why you came here.
00:02:35I'm in charge today.
00:02:37The stronger you are, the better time we'll have.
00:02:57How are you, magistrate of the countryside?
00:03:02What does it feel like to be helpless?
00:03:05What are you doing?
00:03:06Who are you?
00:03:08Who I am is irrelevant.
00:03:10The important thing is what I'm going to do.
00:03:17I'm sorry to tell you that the pardon has not been granted.
00:03:19I'm sorry to tell you that the pardon has not been granted.
00:03:47No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
00:03:48no, no, no, no, no, no.
00:04:16I'm sorry to tell you that the pardon has not been granted.
00:04:19No, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
00:04:41Thank you so much for the cure.
00:04:46You can't leave.
00:04:49Because of Juan, and because you owe me an explanation.
00:04:52And what do you want to know?
00:04:54Is bad luck following me?
00:04:56Start wherever you like.
00:05:00He had been in prison for two years when there was a riot.
00:05:04A jailer died.
00:05:06I had nothing to do with it.
00:05:09But they don't care.
00:05:10They put me in the sack with the others.
00:05:12They increased your sentence.
00:05:1330 years old.
00:05:15There, if the sight doesn't kill you, the disease will.
00:05:18How could I do that to Luis?
00:05:21To my son.
00:05:24Shortly after, my cellmate died of pneumonia.
00:05:27Elena Guzmán.
00:05:29Since nobody in there has papers,
00:05:31I just had to tell them her name was Juana
00:05:33when they came for the body.
00:05:37And why didn't you go looking for your family when you left?
00:05:40You have no idea what she's going through.
00:05:43Don't even think about judging me.
00:05:45Now you have another opportunity to change your life.
00:05:49I can no longer be the Juana you knew.
00:05:52Going to be a mother.
00:06:02Don't force me.
00:06:11I could take the knife from you if I wanted to.
00:06:16But it wouldn't do any good.
00:06:20One day you would have the opportunity to leave.
00:06:23And if seeing your child again doesn't make you stay,
00:06:25Nothing will do it.
00:06:27Now we understand each other.
00:06:32But the guards are looking for you.
00:06:36And were the bandits supposed to have come with me?
00:06:42I don't think they'll let you go back to the mountains.
00:06:44And when the man from Estepeño sees you, he's going to kill you.
00:06:46If that man with the mask doesn't do it first.
00:06:49You don't know what's in that cargo.
00:06:54Help me get it back.
00:06:56And I promise I'll let you go free without charges.
00:07:00Is that all you're interested in, Victor?
00:07:03That shipment?
00:07:05You haven't changed that much.
00:07:06You have no idea what I've been through either.
00:07:09And I don't care.
00:07:11Since you don't care about me, I'm the same to you.
00:07:13You're just using us to prove to everyone that you're the best.
00:07:18I once thought you were my friend.
00:07:20But I won't make the same mistake again.
00:07:55Very pretty.
00:07:57It's easier for you with her, isn't it? To forget Clara.
00:07:59I won't allow you to speak to me like that, Juan.
00:08:01I should pack my things and go back to Lisbon.
00:08:03That woman is helping me find the people behind the gold and Clara's death.
00:08:11The thing is...
00:08:14I'm sorry.
00:08:23What do we know about the Gypsy?
00:08:25Those oxygen bottles can take us there.
00:08:28I saw him last night in Cantarranas.
00:08:30Guess who she was chatting with.
00:08:32With our beloved Sergeant Giralda.
00:08:34For the glory of God.
00:08:36A real for a poor man who doesn't even have a crust of bread to eat.
00:08:39Yeah.
00:08:42Thank you.
00:08:44I read that the American Congress has given the green light to a $50 million loan.
00:08:50War is a matter of days.
00:08:53Boss, please get your feet on the ground.
00:08:55What are we going to tell Buendía if he asks us for information?
00:08:58It's not easy to catch the man behind the robbery.
00:09:01He knew we were following him when we set foot in Linares.
00:09:04He will be very calm.
00:09:06Didn't he want realism?
00:09:08Do you believe that...
00:09:09Did Giralda put a warning on him?
00:09:12It wasn't necessary.
00:09:14Do you remember when I told you that oxygen bottles were used to treat syphilis?
00:09:18A disease that can also affect the face.
00:09:21Where does he want to go?
00:09:25Bear Café.
00:09:26The night we arrived.
00:09:27There was a beggar.
00:09:29He was wearing a mask.
00:09:31It was him, Plázquez.
00:09:32That's why nothing happened in the cafe.
00:09:34They were expecting Sarabia to arrive, and we showed up instead.
00:09:37I gave him alms myself.
00:09:43We must continue to pull on the gypsy's thread, even if Sergeant Giralda doesn't like it.
00:09:49Come on.
00:09:58The cargo needs to be removed.
00:10:02Since when do you give the orders, gypsy?
00:10:06We'll get the gold out when I say so.
00:10:09Now we must take care of my good friend Victor.
00:10:13The dog is dead.
00:10:15The anger is over.
00:10:18I have a friend who can make things easier for us.
00:10:27Ros.
00:10:31I want to introduce you to some people.
00:10:37Don Luciano Viadea, Don Ángel Setién and Don Mateo Alcaraz.
00:10:44They were judges of the court and now that they have retired, they appear to be victims of a bad joke.
00:10:50Gentlemen, Inspector Victor Ross.
00:10:53Nice to meet you.
00:10:54Four obituaries appeared in this morning's newspaper.
00:10:56In addition to his three, there was that of the illustrious Don Emilio del Campo, also a magistrate.
00:11:02I think everyone here looks great.
00:11:04I should do more tests, but I think they're alive.
00:11:09Our colleague Ross has just arrived in Linares and doesn't yet know where he's putting his foot.
00:11:14Please excuse me.
00:11:15We'll excuse him this time.
00:11:19What date are the obituaries?
00:11:21According to that libel, I should die today.
00:11:24I demand that you immediately arrest the author of this insult.
00:11:30And you, Mr. Riada, will die tomorrow, and you, Mr. Setién, in two days?
00:11:36My dear friends give excessive credence to that role.
00:11:40It is the result of this country's main hobby.
00:11:43Envy.
00:11:46And Mr. Emilio del Campo?
00:11:48According to the obituary, he was due to die yesterday.
00:11:53God.
00:11:55How little glory has the illustrious Don Emilio del Campo become?
00:12:00Excuse me, could you bring a thermometer, please?
00:12:03Thank you.
00:12:08The service had the night off.
00:12:11As always when Mr. del Campo received his prostitutes.
00:12:16In other words, there are no witnesses.
00:12:18It's unbelievable that at her age she had bodies suitable for so many fairs.
00:12:23Thank you.
00:12:31I don't want to spoil the party, Ross.
00:12:33But he doesn't have a fever. He's deader than Cánovas del Castillo.
00:12:36Body temperature will tell us when he was killed.
00:12:42Any guesses?
00:12:44Yeah.
00:12:50Well, Mr. del Campo was a degenerate. That much is clear at first glance.
00:12:55Yeah.
00:12:56He had masochistic tastes. He's set his sights on the library.
00:12:59There were books like Justin's, by the Marquis de Sade.
00:13:02Sure, sure, sure.
00:13:04And then the whore arrived, put on her little show, and gave him a beating like a rabbit.
00:13:11Although I don't know anyone around here who likes these little games.
00:13:15You're right.
00:13:16Perhaps we should start looking elsewhere.
00:13:19And what about the staging?
00:13:21Doesn't this look familiar?
00:13:23The hood, the chair, the piece of iron with which they killed him.
00:13:29Garrotevil.
00:13:30Garrotevil.
00:13:31And we couldn't say that he died of a heart attack in the middle of the act.
00:13:35I say this for the sake of the honor of the illustrious Emilio.
00:13:46Eucalyptus.
00:13:50A whore who smells like the countryside was not going to have many customers.
00:13:53I'm telling you, I'm an expert on that.
00:14:00He died before noon.
00:14:02Exactly what the obituary said.
00:14:04And look at the handkerchief.
00:14:06It has ink stains.
00:14:08Do you know any prostitutes who are going to get a job?
00:14:11In summary.
00:14:12This is not the work of a whore.
00:14:14No.
00:14:16Let's see.
00:14:18He published the obituaries when he had everything ready.
00:14:21Then he waited for the lord of the field to receive his prostitutes as usual.
00:14:25and pretended to be one of them.
00:14:28He left his signature simulating an execution by garroting.
00:14:32And now it's everyone else's turn.
00:14:34I was so peacefully chasing bandits through Sierra Morena.
00:14:40Ross, I'm risking my job with this one.
00:14:44I want you to put all five senses into this case.
00:14:50We should start with the news.
00:14:52Perhaps someone can tell us who ordered those obituaries to be published.
00:14:56The infallible Inspector Ross has brought justice to this land.
00:15:00The dungeons are filled with evildoers and the bald heads of good men with hair.
00:15:05It is the miracle of science.
00:15:07Come on, for three pesetas, two bottles and a free red leather razor blade.
00:15:14You're underestimating yourself, huh?
00:15:17Don't love me so much either, because there's no more signed agreement between you and me, okay?
00:15:20But without much to say.
00:15:21Come with me, you have to explain to me why you went with that policeman.
00:15:26So this is how you thank me for saving your skin in the cave, huh?
00:15:30Do you think that idiot won't sell me one of mine, even if it's a woman?
00:15:35Thank you very much, sir.
00:15:37But when I fail you, man, even though I'm a woman...
00:15:40Give it to me.
00:15:45Ah!
00:15:51Ah!
00:15:51Ah!
00:15:52Ah!
00:15:54Ah!
00:15:56Ah!
00:15:57Ah!
00:15:58Ah!
00:15:58Ah!
00:15:58Ah!
00:15:58Ah!
00:16:01Ah!
00:16:01Ah!
00:16:02Ah!
00:16:03Ah!
00:16:04Ah!
00:16:05Ah!
00:16:06Ah!
00:16:06Ah!
00:16:07Ah!
00:16:08Ah!
00:16:08Ah!
00:16:08Ah!
00:16:10And you shut the fuck up!
00:16:13I'm very sorry, sir.
00:16:15Other, safer communities are demanding my science.
00:16:18Ah!
00:16:19Ah!
00:16:19Ah!
00:16:22Ah!
00:16:22It's a disgrace that they won't let us leave here.
00:16:25Nobody is stopping it.
00:16:26We only recommend that you stay here for your own good.
00:16:30I'm afraid there's someone out there who wants to buy them a ticket to the other world.
00:16:33And you think that scares me?
00:16:36I have an appointment and I see no reason to cancel it.
00:16:40We want them to return home as soon as possible.
00:16:42And for that we need your collaboration.
00:16:45Given the circumstances of Mr. del Campo's death, the obituary must be taken into account.
00:16:51What have they released in Chara so far?
00:16:53Mr. del Campo was murdered after inviting a Garrote Bill execution.
00:16:57That, along with the four obituaries, suggests that someone has something against you.
00:17:02Against the four.
00:17:05Possibly some sentence they handed down.
00:17:07Well, if the sentence was death by garrote, they'll have to look for that man in the cemetery.
00:17:14Unless they're after a resurrected person.
00:17:18The convicted person would be a man.
00:17:20With the exception of Mariana Pineda, there have been no other executions of women in Andalusia.
00:17:24However, the Lord of the Field was not killed by a man.
00:17:27A woman killed him.
00:17:29A woman who had ties to that man who rests in the cemetery.
00:17:32A woman?
00:17:34Are you telling me we're locked up here, terrified by a woman?
00:17:38I shouldn't despise her.
00:17:40I assure you that Mr. del Campo did not have his best night.
00:17:43Is this the response from the Civil Guard?
00:17:45It seems to me that his men have no idea what needs to be done.
00:17:49Excuse me, but that woman has been planning these crimes for years.
00:17:53He published those obituaries so that they would know what would happen to them.
00:17:55So that they know they are going to die because of one of their sentences.
00:18:03With that, Mr. Ro does not want to cast doubt on his convictions, which will surely be well deserved.
00:18:10TRUE?
00:18:12They can help us find that ruling, or they can despise this woman and forget the obituaries.
00:18:18If so, they'd better start saying goodbye to their families.
00:18:33They should start saying goodbye to their families.
00:18:37How does he have the nerve to say that to the judges?
00:18:40He has no idea how angry the captain is right now.
00:18:43Fear can make them cooperate, sergeant.
00:18:46What is this?
00:18:50The original obituaries were provided by Mr. Vinuesa, from the newspaper.
00:18:55They published them because the year wasn't coming up and they thought it was a reminder.
00:19:00Based on the handwriting, I could tell you that the author is left-handed.
00:19:03And you know what they say, there's no such thing as a good left-hander.
00:19:08And the smell?
00:19:11Eucalyptus, like handkerchiefs.
00:19:13It allows.
00:19:15They had to reduce it so that it would fit in two columns.
00:19:26This phrase has not been published and is repeated in all the obituaries in a similar way.
00:19:31In the case of Don Emilio del Campo, your strength is like iron.
00:19:35In the one of Don Mateo Alcaraz, your fireproof vigor.
00:19:39In Viada's, your vigor is poison-proof.
00:19:42And he has from that care strength proof against slander.
00:19:46Apparently, the author was lacking in imagination.
00:19:51Iron, fire, poison, and slander.
00:19:55Any idea what he's trying to tell us?
00:20:07Come on, hurry, before they run out.
00:20:14But what if I don't need bread?
00:20:16Go out and get yours, because they don't buy them where the stony ground is.
00:20:23The guards.
00:20:24And shortly after he ruined my hair growth sales, I...
00:20:30Mr. Ross, do you think the steppe dweller will come and kill me while I sleep?
00:20:37She should be like Madame de Suberbic and leave Linares, for he who hangs around bandits, hangs around death.
00:20:43I don't think he has any interest in you.
00:20:45No, I don't plan to stay another minute, I'm not a prisoner.
00:20:48Ross, try to reason with him.
00:20:50Sir, I recommend that you stay at the barracks.
00:20:53And I recommend that you be part of my journey.
00:21:08Mr. Setién, we will send someone to your house to protect you.
00:21:13I am perfectly capable of defending myself.
00:21:20Fire! Fire!
00:21:28Fire! Fire!
00:21:31No, no, no, no, no.
00:21:56Iron, fire, poison, and slander.
00:21:59Those are the ways in which he brings death to magistrates.
00:22:11Here, take your share.
00:22:13It was worth it, to take the bread, to keep them hooded.
00:22:17Here, keep it.
00:22:18I don't need the money.
00:22:20If you think I'm going to argue with you, you're mistaken.
00:22:24Where are you from? You don't look like your village face.
00:22:26I'm from Madrid.
00:22:29I was telling you.
00:22:31That's how you are, a real lettuce-head.
00:22:33But what do you mean, "lettuce-grower"? I'm not a lettuce-grower.
00:22:38Hey, Paris is bigger than Madrid.
00:22:40My mother is there.
00:22:41He went to look for work when my father died in the mine.
00:22:44Of course. Paris and London are the two biggest cities there are.
00:22:47Yeah?
00:22:49But my mother sometimes sends me money that isn't from here; it's called something else.
00:22:54Francs?
00:22:55That.
00:22:56Let's see who's going to give you something, Linares, give me a break.
00:22:58With luck you'll get two.
00:23:03But, Mom, your mother has to leave you a bag full of coins.
00:23:10No.
00:23:11Come on, don't be a liar.
00:23:13Look, can you see my dress is half torn?
00:23:16I'm sure you could lend me one for a new one.
00:23:19Look, I'm telling you I'm no fool.
00:23:23If you're going to stay in Linares, you should get your act together a bit more.
00:23:25By?
00:23:29I did it for you in the queue at the little well.
00:23:33You have to be careful here.
00:23:35The chugino.
00:23:39You should give me a dress.
00:23:41And that the clock forgives you.
00:23:42No.
00:24:20You should give me a dress.
00:24:38We'll be up until dawn reviewing all these sentences.
00:24:41This is the only way we have.
00:24:43In one of those trials that the four judges worked on,
00:24:46The answer we're looking for has to be there.
00:24:48If I had been at the barracks instead of in Cantarranas looking for the Gypsy.
00:24:52In short, what good has it been? Now it turns out that nobody knows about it.
00:24:56Someone tampered with Alcaraz's coat before he entered the barracks.
00:25:01He filled the lining with cellulose nitrate.
00:25:04And when it was out on the street, a single spark was enough to set it on fire.
00:25:08And taking advantage of the confusion, he escaped.
00:25:13A lot of work for one woman.
00:25:18Cheer up.
00:25:29I hope you don't mind.
00:25:34The peddler told me that you had it with this guy.
00:25:40Hurts.
00:25:42Do you have anything to drink?
00:25:51They gave me the opportunity to escape.
00:25:55He would have been in prison for five years.
00:25:58But it seemed like a hundred to me.
00:26:02I knew I had to pay those people back somehow.
00:26:05But I never thought it would be like this.
00:26:19As I was leaving, they sold me out.
00:26:22Like a piece of meat.
00:26:26Not all prostitutes are in brothels because they want to be.
00:26:30Some of us were paying a price.
00:26:34That's why I could never look for my family.
00:26:37Tell me who she was, Juana.
00:26:38And I swear I'll take him to jail.
00:26:40And will that erase all these years?
00:26:43Nothing, Victor.
00:26:44He won't.
00:26:46Do you think this guy is some kind of unscrupulous bastard?
00:26:49But that's not the case.
00:26:51He got me out of there.
00:26:53He let me go to the mountains with his people.
00:26:56Do you really prefer to go back to the mountains instead of getting your son back?
00:26:59They're looking for me, Victor.
00:27:01Why would I tell you who I am?
00:27:03Why should I cry at my funeral?
00:27:09They'll only leave me alone when I'm dead.
00:27:11Not if you stop being the woman they know.
00:27:17Trust me.
00:27:22We declare the rich outside the law of nations.
00:27:26We declare that in order to combat them as they deserve and as is necessary,
00:27:29We accept all means that best lead to that end.
00:27:33Even iron, fire, poison, and even slander.
00:28:01The Virgin Mary, Mr. Ross, what does she want?
00:28:02To stop my heart.
00:28:04I'll bring you business.
00:28:12He knows very well that for me, helping the most distinguished inspector in this country is a pleasure.
00:28:17As long as it doesn't put my health at risk.
00:28:20I've had my fill of adventure.
00:28:22And among all this, are there any clothes that look good?
00:28:25I must still have some of the dresses I brought back from London.
00:28:28And they turned out not to be very much to the liking of these lands.
00:28:36And for which lady would it be?
00:28:38No, no, no. I say this to find a pattern that flatters her features.
00:28:42He will have to come to my boarding house and take your measurements.
00:28:45And we need to be discreet.
00:28:47They collaborate on a case and it cannot be shown on the street.
00:28:50But I'm sure that among his things we'll find what we need to end his confinement.
00:28:54I understand.
00:28:56And what exactly do we need to prepare a quote for you?
00:29:01Don't look like her.
00:29:02New clothes, a different hairstyle, and papers.
00:29:06An identification card.
00:29:09It is usually you, the police, who give out those papers.
00:29:12I want them to be fake.
00:29:17You will be aware that what is fake is more expensive than what is real.
00:29:21Of course.
00:29:29What is The Black Hand?
00:29:34I've never heard of them.
00:29:36A crime syndicate.
00:29:39The Black Hand is over.
00:29:41We took her off her shoes 15 years ago.
00:29:43I don't know what relationship he can have with us now.
00:29:46We accept all means that best lead to the end.
00:29:49Even iron, fire, poison, and even slander.
00:29:53It seems familiar to me.
00:29:55It is part of the rules of La Mano Negra.
00:29:58Those anarchist organizations have always liked a lot of talk.
00:30:02A piece of iron was used to kill the lord of the field.
00:30:06And the fire ended Alcaraz's life.
00:30:08And now we know that poison and slander await you.
00:30:16They don't seem like mere words, exactly.
00:30:19Are you going to tell me what happened in that trial?
00:30:27God willing, I'm wrong.
00:30:29But if The Black Hand survives, I don't know what you will do to prevent our death.
00:30:36Can I have a porter bring me some things from my house?
00:30:38At least I'd like to change.
00:30:40Of course.
00:30:43What are we up against, gentlemen?
00:30:47It grew everywhere.
00:30:49Criminals.
00:30:50But also miners and farm laborers.
00:30:53There was a pact of silence.
00:30:56Everyone knew about The Black Hand, but no one talked about it.
00:30:59I remember the devastation they caused in this land.
00:31:02They played with fear.
00:31:04They even killed their own people and refused to obey their orders.
00:31:07I understand that in 1883 eight men were sentenced to death by garroting.
00:31:12The dome of La Mano Negra.
00:31:16Captain.
00:31:18Do you think that after that,
00:31:20Can a secret organization like this continue to exist?
00:31:24Could be.
00:31:28A woman killed the lord of the field.
00:31:29There is no doubt about that.
00:31:32But who set Mr. Alcaraz on fire?
00:31:36Is anyone else involved?
00:31:39It was an army.
00:31:42And now they've returned to take revenge for being sent to jail.
00:31:47Captain, we need to gather the families of the condemned.
00:31:50If this organization continues to exist, the widows or orphans will have contact.
00:31:57Alright.
00:32:05I heard that Rosa has summoned the relatives of those convicted.
00:32:10Since they arrived at this barracks, it's been like a complete mess.
00:32:12Come on, the only thing I'm missing is for the peddler or the Frenchwoman to appear at the door.
00:32:17I understand that Madame de Suberbic has left Linares.
00:32:20I won't be the one to miss her.
00:32:25Why is he looking for the gypsy?
00:32:28Smuggling.
00:32:29Not much.
00:32:30I don't want to stop him or anything, no.
00:32:32I just want to ask you a few questions.
00:32:33They have a very strange way of working in the capital.
00:32:36We don't start asking questions here until someone dies.
00:32:40Well, he'll get used to it.
00:32:41But I can assure you that it is the most effective method.
00:32:43Yes, I know how it will be to spend you.
00:32:47Let's imagine that you will find it just as strange.
00:32:49Our way of keeping things organized, right?
00:32:52Yeah.
00:32:53In some ways it is very peculiar.
00:33:02The gypsy organizes card games where the melitona.
00:33:07At this time of day, when there are no customers, a lot of money changes hands.
00:33:14Thank you, sergeant.
00:33:41Leave us alone.
00:33:58We have something half-finished and I don't know it.
00:34:01Because I get the feeling that he asks about me a lot.
00:34:04Does he have so many partners that he doesn't even remember their names anymore?
00:34:08More than business partners, I have friends.
00:34:12You can rest assured, I have nothing against you.
00:34:14I'm just looking for some boxes he picked up at the station.
00:34:18They bore the seal of an English company, Smith & Jones.
00:34:22What did they contain?
00:34:25How do you know I took that box?
00:34:28In the same way that he knows I'm looking for him.
00:34:35Well, it didn't occur to me to open it.
00:34:38What was inside?
00:34:40Tobacco from perfidious Albion?
00:34:42I'd be happy if you just told me who gave you the order.
00:34:45I did a job.
00:34:46They paid me for it.
00:34:47And if they find out I talk too much, they'll never trust me again.
00:34:53Wide range with smuggling.
00:34:55Because that's the arrangement he has with the station attendant, isn't it?
00:34:59Goods from the port of Cadiz, from Madrid.
00:35:01I promise you we won't interfere.
00:35:04Nobody has done it so far.
00:35:06Things can change.
00:35:14A man from Estepeño asked me to pick up those boxes.
00:35:18And that he would take them to Lario's workshop.
00:35:22What else?
00:35:24Nothing else.
00:35:29I have a feeling he hasn't made a good deal.
00:35:32I don't know as much as I expected, do I?
00:35:36TRUE?
00:35:40Hercules, go and find the magistrates.
00:35:43Make them cross the room with any excuse.
00:36:33Do you plan to question all the family members?
00:36:36No.
00:36:39That woman alone is not enough.
00:36:41Notice how he breathes through the handkerchief.
00:36:43That's why I wanted them to see the judges up close.
00:36:46Nerves can sometimes trigger asthma attacks.
00:36:50In the house of the lord of the countryside I found some handkerchiefs with eucalyptus.
00:36:53A common remedy for asthma.
00:36:56Do you think that's the woman you hired from the countryside?
00:37:00The magistrate is a bit odd, isn't he?
00:37:04Asthma is an ailment that can be hereditary.
00:37:07Vázquez, for now, is the only thing we have to reach that hidden hand.
00:37:11She is the woman who killed the field.
00:37:13And do you think you're related to that woman?
00:37:17Okay, I'm going to come.
00:37:18No, no, no.
00:37:19If we question her, she may shut down completely.
00:37:21Make it her.
00:37:24As if the matter weren't important.
00:37:26Use your charms and find out if he has any daughters.
00:37:29And where can we find it?
00:37:32Good.
00:37:39She was scared and didn't want to talk.
00:37:41But from what others say,
00:37:42The entire process against the black hand was a sham.
00:37:45An invention to silence the farm laborers
00:37:47who went on strike against the gentry.
00:37:50There was no crime syndicate.
00:37:54Have I already found out if he has any daughters?
00:37:56She had a husband, Juan Ruiz.
00:37:59But he was executed when he was very young,
00:38:01So they only had the option of having one daughter.
00:38:03Her name is Carmen.
00:38:04She is a teacher.
00:38:05And he's very attentive to his mother.
00:38:07She's the one who gets him the eucalyptus leaves.
00:38:09to make the steam,
00:38:10as you well know,
00:38:11It's the only thing that calms asthma.
00:38:14And unfortunately, both of them suffer from it.
00:38:17A good daughter.
00:38:20Anyone can be a soldier of the Black Hand.
00:38:23Perhaps we are mistaken.
00:38:25I don't know, boss, they seem decent to me.
00:38:29And where did he say he gives those classes?
00:38:33My mother told me that she taught classes until lunchtime.
00:38:37We'll wait, just in case he decides to show up.
00:38:40I doubt he will.
00:38:42The mother was reserved about everything except one thing.
00:38:45His daughter.
00:38:50She even told him that she was still single.
00:38:52Yes, I was proud of her.
00:38:55Enough to be his accomplice.
00:39:00Let's see.
00:39:01He made us come all the way here.
00:39:03Did you give her the school schedule?
00:39:06Why would I want to do it?
00:39:12He sent us here to have a clear path.
00:39:14Come on, come on, Plásquez.
00:39:20Close the doors.
00:39:22No one is to enter or leave the barracks.
00:39:26Don't touch that food.
00:39:28It may be poisoned.
00:39:29Who brought her?
00:39:30Impossible.
00:39:31They brought it from the kitchen of the Hotel Sevilla.
00:39:33And Barrera told us that a guard was by the cook's side the whole time.
00:39:36Good heavens!
00:39:42No, don't open it.
00:39:46Tell me.
00:39:48My wife sent it.
00:39:49She must be worried.
00:39:51Who gave it to him?
00:39:53A waiter a moment ago.
00:39:54I don't know his name.
00:39:55He was wearing a cap and a long jacket.
00:39:58He said he was coming from my house.
00:39:59Come on.
00:40:00Open the door.
00:40:06Who gave it to him?
00:40:12Boss, he's vanished.
00:40:26Excuse me, I've made a mistake.
00:40:31I got scared.
00:40:36Warning to the guards.
00:40:44Carmen.
00:40:45Carmen, stop.
00:40:48When justice is done.
00:40:51Carmen.
00:40:53Carmen.
00:41:11Rizina, sergeant.
00:41:14It would have come out of the envelope and killed Aviada.
00:41:19What has that crazy woman written?
00:41:21Let's take a look.
00:41:26Not opposing an action is the same as unanimously agreeing to its execution.
00:41:37He saved the judge.
00:41:38There will be time to get that woman.
00:41:40This has nothing to do with an organization.
00:41:42This is a personal crusade.
00:41:45She alone is doing justice.
00:41:47But why?
00:41:48Maybe I'll try again with more energy.
00:41:53I don't know if he believes he has achieved his goal.
00:41:56That Viada died poisoned.
00:41:59That will give us time.
00:42:00I need to review the sentence of the black hand.
00:42:02Ros, sergeant.
00:42:11He's doing a good job.
00:42:17The Black Hand trial was a charade.
00:42:20They used the name of a legend to trap those strikers.
00:42:24But I have reviewed the ruling and there is no evidence to indicate that such an organization existed.
00:42:28It's not always our turn to defend the good guys, boss.
00:42:32Look, there it is.
00:42:34This is the place Alcíngaro told me about.
00:42:36I've been hanging around the workshop, but not a soul has moved.
00:42:39The neighbors say that Larios hasn't been seen around here for a long time.
00:42:43Do we know anything else about the ceramist?
00:42:45Yes, he's a good man, single, he inherited the business from his father.
00:42:49But they say it's finer, that it has a better touch.
00:42:52Vlázquez, don't stop smiling.
00:42:55But I think they've brought us here to kill us.
00:43:02Don't mess with me, boss.
00:43:04Isn't it easy to smile in a situation like this?
00:43:08Look at the farmer behind you.
00:43:11It takes longer than usual to roll a cigarette.
00:43:13And in the sack next to him there's a sawed-off shotgun.
00:43:20Shall we start shooting each other?
00:43:22No, no. I don't think we'd get out alive.
00:43:25And there are possibly more than one.
00:43:26Perhaps they are waiting for us inside.
00:43:31So what do we do? What's the plan?
00:43:32Because he has a plan, right?
00:43:36No.
00:43:44No.
00:43:48No.
00:43:50No.
00:44:11I'm so sorry, boss.
00:44:12I don't know how I could have believed it completely.
00:44:14every lie of the gypsy.
00:44:16Perhaps what happened today wasn't so pointless after all.
00:44:17and lead us to the gold.
00:44:19Just in time, Mr. Ross.
00:44:21I hope you consider it money well spent.
00:44:26The paper is in the name of Elena Guzmán.
00:44:28I had to use a little imagination.
00:44:30He was born in '73 and is from Cartagena
00:44:33in homage to a lover I once had.
00:44:58It's not me.
00:45:01And isn't that what we were looking for?
00:45:03Yeah.
00:45:04Yeah.
00:45:08How long has it been since you walked around without fear of being discovered?
00:45:12I don't know if I've ever done it.
00:45:14Do you remember when we were kids?
00:45:16In the Latina?
00:45:18We were convinced that we would be able to achieve whatever we wanted.
00:45:22Yes, although what we wanted wasn't good.
00:45:25To steal, to be the masters of the city.
00:45:28I remember my mother crying and praying that nothing would happen to me.
00:45:31You have always been clear about what is right and what is wrong.
00:45:35Perhaps I am not able to see that difference.
00:45:37Well, sometimes it's not easy to find.
00:45:42Victor, what has brought you here is not just another case, is it?
00:45:47Like those stories the bone seller told me.
00:45:54That man, the one with the mask,
00:45:56He orchestrated a coup in Madrid.
00:45:58He robbed a jewelry store
00:45:59and he took all the gold from the Bank of Spain.
00:46:02That's what they have hidden in the mountains.
00:46:07AND...
00:46:08Clara,
00:46:10My wife died in the jewelry store.
00:46:16I'm so sorry, Victor.
00:46:21I have to hunt that man down.
00:46:22I owe it to you, Juana.
00:46:23I've told you everything I know.
00:46:30Juana.
00:46:32How did the man from Estepa and the man in the mask see each other?
00:46:35Sometimes someone would bring a message to the man from Estepa.
00:46:39We didn't know who he was, and we never saw him again.
00:46:43Have you ever heard of a man they call the Gypsy?
00:46:48He was the one who got me out of Alcalá prison.
00:46:50and then he locked me up in his brothels.
00:46:53Victor, promise me one thing.
00:46:56Someday you'll have the opportunity.
00:46:58Kill him.
00:47:09That Ruth has eyes in the back of her head.
00:47:12I am not a murderer.
00:47:14You will be what I tell you, Marcos.
00:47:16Or would you prefer that everyone knows what you've been doing?
00:47:20Get out of here!
00:47:21Can't you hear me?
00:47:23I never want to see you again!
00:47:25If you want to stop seeing me,
00:47:27kills Victor Fros.
00:47:49What's wrong, Mrs. Rosario?
00:47:51The child who has contracted a fever.
00:47:55I saw it coming.
00:47:57I'm going for a quick fix.
00:48:00Boss, the kid caught a chill, that's all.
00:48:06Juan.
00:48:16Your fever is going down.
00:48:18In a few hours you'll be as good as new.
00:48:25Excuse me, is this Inspector Ross?
00:48:28He's in the room.
00:48:34What's wrong, Hercules?
00:48:37This is Magistrate Viada.
00:48:39He has died.
00:48:40He has died.
00:48:46I'm leaving here.
00:48:48Did Barrera hear me?
00:48:50His men cannot protect me from the black hand.
00:48:52The guards have done their job.
00:48:54And obviously it has been insufficient.
00:48:56It was a guard who found Mr. Viada's body.
00:48:58Where were you, Mr. Setién?
00:49:02Upstairs.
00:49:04I didn't want to have a drink with Viada.
00:49:06I was very tired.
00:49:06I wanted to sleep.
00:49:09Don't you notice a peculiar smell?
00:49:13Like bitter almonds.
00:49:20Cyanide.
00:49:22Someone put it in Mr. Viada's wine glass.
00:49:25May God have him in his bosom.
00:49:28When dawn breaks, I won't leave on the first train.
00:49:30I don't care where I go.
00:49:32Anywhere will be safer than this.
00:49:34Why does he continue to accuse that organization?
00:49:36You know as well as I do.
00:49:38that these murders have another motive.
00:49:40Another author.
00:49:42If he's so convinced, why doesn't he stop her?
00:49:44She killed the lord of the field and Mr. Alcaraz.
00:49:47But he couldn't kill Mr. Viada
00:49:48because for her he was already dead.
00:49:53You were the one who murdered him.
00:49:57Are you accusing me?
00:49:58I don't have proof yet.
00:49:59But I'm sure you
00:50:00He is the only one who could poison him.
00:50:04Perhaps they brought him cyanide
00:50:05when he asked for a suitcase with clean clothes.
00:50:08He didn't want the truth to come out.
00:50:10about the trial of the black hand.
00:50:12Isn't that right?
00:50:13Ross is not from dice.
00:50:14If you have no evidence to accuse the magistrate,
00:50:17I'd better leave him alone.
00:50:18Why did he condemn Juan Luis?
00:50:20Ross! Ross!
00:50:22Do you want to be given a sin?
00:50:24Okay, captain.
00:50:25Alright.
00:50:28It's the same as not opposing a fact.
00:50:32to be agreed upon unanimously
00:50:34in its execution.
00:50:36Do you know why he wrote that on the envelope?
00:50:38Because it's the same thing Mr. Viada did.
00:50:40Abstain from voting.
00:50:44He knew that Juan Ruiz
00:50:45He didn't have to go to the garrote.
00:50:47But he didn't have the courage
00:50:48to face the judges.
00:50:50To confront you.
00:50:52And the court that you presided over
00:50:54He sentenced eight men.
00:50:56They all belonged to the black hand.
00:50:58Many union members
00:50:59that had nothing to do with the black hand.
00:51:02Ross, that's enough.
00:51:03He doesn't realize
00:51:04which is calling the system into question.
00:51:06The entire system.
00:51:07This is outrageous, Ross.
00:51:10One of them was Juan Ruiz.
00:51:12The caretaker of a farmhouse
00:51:14in the mountains.
00:51:17A farmhouse you own, Mr. Setién.
00:51:19He didn't even participate in strikes.
00:51:22Enough with the accusations.
00:51:24Please excuse us, magistrate.
00:51:27I will make all the preparations
00:51:28necessary for your trip.
00:51:30Why did he send Juan Ruiz to be garroted?
00:51:36What is the truth, Mr. Setién?
00:52:03Why did he send Juan Ruiz to be garroted?
00:52:20Why did he send Juan Ruiz to be garroted?
00:52:28Why did he send Juan Ruiz to be garroted?
00:52:29Why did he send Juan Ruiz to be garroted?
00:52:30Why did he send Juan Ruiz to be garroted?
00:52:30Why did he send Juan Ruiz to be garroted?
00:52:31Why did he send Juan Ruiz to be garroted?
00:52:31Why did he send Juan Ruiz to be garroted?
00:52:31Why did he send Juan Ruiz to be garroted?
00:52:32Why did he send Juan Ruiz to be garroted?
00:52:33Why did he send Juan Ruiz to be garroted?
00:52:34Why did he send Juan Ruiz to be garroted?
00:52:40Why did he send Juan Ruiz to be garroted?
00:53:08Thanks for watching the video
00:53:12At least allow my man to accompany you to the train station.
00:53:14No, thank you, I prefer that you do it for my benefit.
00:53:18And have no doubt that in the Government of Madrid
00:53:20They're going to find out about the incompetence of this staff.
00:53:24Is there anything I can do to change his mind?
00:53:26Yes, the waiter tells me to take my suitcase.
00:53:45I've already been filled in on the one I organized with Setién.
00:53:50He asked me to put all my senses into this case, and that's what I'm doing.
00:53:53Sometimes we have to lose Ros
00:53:55And whether we like it or not, the captain is going to escort the judge to the station.
00:53:59Don't mess it up
00:54:04Sergeant
00:54:14What are you doing here?
00:54:19Now I can tell you what it means to die from slander.
00:54:28We must declare and do declare that Magistrate Setién
00:54:31He committed his last crime
00:54:33By poisoning Don Luciano Viada
00:54:36How dare he?
00:54:38Does it offend you?
00:54:39The path to the station is full of these posters.
00:54:43Do you believe your good name can withstand these insults?
00:54:46That's exactly what I was looking for.
00:54:48Isn't that right, Carmen?
00:54:56His hand
00:54:57I realized it when we had our first run-in
00:55:01I could barely move her
00:55:04I would have preferred a different ending
00:55:05Lower your weapon
00:55:07He's aiming at the wrong person
00:55:09He is the killer
00:55:10I told him to put the gun down
00:55:13I can understand you, Carmen
00:55:15But I can't let you do it.
00:55:18I have nothing left to lose.
00:55:20No, stay still
00:55:21Lower your weapons
00:55:22Lower your weapons
00:55:25Mr. Setién
00:55:27If you have something to say in your defense
00:55:29Now is the time
00:55:31They made use of the black hand trial
00:55:33To cover up their shame
00:55:36It mattered no more or less
00:55:38And all four of them were interested
00:55:39To shut my father up
00:55:44Carmen
00:55:47He remembers that night
00:55:51He was only thirteen years old
00:55:55And every day
00:55:56Seeing my useless hand
00:55:58I have to remember
00:56:00We had drunk too much
00:56:02Tell me what you did
00:56:05My father looked after the farmhouse
00:56:07From time to time
00:56:08They came there
00:56:09Let's eat and drink
00:56:10With a prostitute
00:56:12But they didn't throw that in.
00:56:13Caprichateis of a girl
00:56:14My God
00:56:17It only happened once.
00:56:19Son of a bitch
00:56:24They hit me
00:56:26The hand in just a little
00:56:28About what they did to me
00:56:31They abused me
00:56:34And they wanted to be free from punishment.
00:56:36But my father wasn't going to stay silent.
00:56:37No, he was a good man
00:56:40How could I overlook it?
00:56:41What had they done to her little girl?
00:56:45I'm sorry, aren't I?
00:56:52Your apologies won't bring my father back to life.
00:56:55This is not the way, Carmen
00:56:58Think about your father
00:56:59He wanted to do justice.
00:57:02Let us take care of it.
00:57:05Let everyone know
00:57:07What did they do to you?
00:57:17It may already be too late
00:57:23But your father can still win the battle
00:57:42Swear to me that justice will be done
00:57:46You have my word.
00:57:52It seems that destiny has reserved something for me.
00:57:54The same end as my father
00:57:56The club
00:57:57But he will have accomplished his goal.
00:58:00Setién will not tolerate
00:58:01Let their story be made public
00:58:02He is a man who has
00:58:04Your honor is held in high esteem.
00:58:05Perhaps too much
00:58:20No, I don't have any appreciation
00:58:21Coma
00:58:23In five minutes
00:58:24The changing of the guard will come
00:58:25And they'll take the food.
00:58:27He will regret it
00:58:28If you haven't eaten a bite
00:58:37I only keep my word.
00:58:39To do justice
00:58:51Carmen
00:58:54What is the truth behind the legend of the black hand?
00:58:57The truth?
00:58:58Yeah
00:59:01Don't know
00:59:07A real
00:59:07For the glory of God
00:59:09Some coins
00:59:10For this servant of the Lord
00:59:13And which master do you serve?
00:59:26It's outrageous
00:59:28This killer escapes
00:59:29And I have to face it
00:59:30To the infamies
00:59:31What do they put up those posters?
00:59:32And how would you describe his actions?
00:59:34The Honorable Magistrate
00:59:36Setién abusing
00:59:37From a poor, defenseless girl
00:59:41I have a court in my condemnation
00:59:43It's been too long.
00:59:45Not all convictions
00:59:46They are issued in the courts
00:59:47And you can be sure.
00:59:49That Inspector Ross
00:59:50You will find the necessary evidence
00:59:51To prove that you
00:59:53He murdered Luciano Viada
00:59:55And Ross?
00:59:56Where has he gone?
00:59:57Bustos told me
00:59:58That he saw him leave
00:59:59He makes a dungeon
00:59:59Not long ago
01:00:24Who brought you here?
01:00:25Inspector Ross?
01:00:26I was just asking
01:00:27That's all, sergeant
01:00:28It's a crime to be poor
01:00:30And you steal?
01:00:37Gabriel, please
01:00:40Gabriel
01:00:42Get in the car
01:01:00Little girl!
01:01:02Little girl!
01:01:09Little girl!
01:01:34Come on
01:01:35What are they going to give us at matins?
01:01:46Do you have a gypsy cigar?
01:01:49Did they still have nothing left?
01:01:51In the mountains
01:01:51There is no custom
01:01:52To taste this thing
01:02:02Come on, there are still boxes left
01:02:04Come on, there are still boxes left
01:02:10What have you come here to look at?
01:02:12Come on
01:02:19Come on
01:02:19Come on
01:02:25A cigar
01:02:26The best thing Cuba has given us
01:02:37It'll be ready by this afternoon
01:02:38It'll be ready by this afternoon
01:02:46He entrusted you with a job
01:02:48And you failed to deliver
01:02:50I don't know what it says
01:02:53At this time
01:02:55Victor Ross should be dead
01:02:59And it should be.
01:03:02If he were really dead
01:03:04Can you explain?
01:03:05What are you doing here?
01:03:18Are you a ghost, Mr. Ross?
01:03:24There's only one way to find out.
01:03:29Run, Ross!
01:03:31Runs!
01:03:42Step aside
01:03:43Leave it to me!
01:03:58Congratulations on coming so far, Mr. Ross
01:04:01When I learned that his wife had died
01:04:04I had a feeling you were going to give me trouble.
01:04:13I'm going to deny that I would have preferred to find him
01:04:15Under more favorable circumstances
01:04:22One doesn't always have everything one wants
01:04:32At least I'll have the privilege
01:04:34to know who is hiding beneath that mask
01:04:37I doubt he remembers me.
01:04:43His voice sounds familiar to me.
01:04:45And his fondness for dressing up
01:04:49I was disguised as a beggar when I arrived in Linares
01:04:52Although I greatly fear that syphilis
01:04:54has forced him to put on that mask
01:04:56Isn't that right?
01:04:57Oxygen tanks are useless
01:05:09One can escape justice
01:05:12But you can't escape the disease
01:05:18They took you prisoner to the colonies
01:05:23Forced labor
01:05:32From the blonde
01:05:51I would love to see him die slowly
01:05:55As I will
01:05:58You organized everything, right?
01:06:01The Bank of Spain
01:06:03The jewelry
01:06:07Take me after the ghost of Aldanza
01:06:09I'll take that as a compliment.
01:06:13But that's where it all ends.
01:06:17Strain it!
01:06:38Would you teach me how to do those things?
01:06:43You should be in bed
01:06:44Okay, well, but I'm feeling better now.
01:06:47Rosario told me that you stayed with me all night
01:06:49Yeah
01:06:51You had nightmares last night
01:06:54Yes, but they're not because of the fever.
01:06:58I've had them for a while.
01:07:04Karen, can't you trust me?
01:07:18It's Clara, right?
01:07:22Victor told me about her
01:07:26He told me what happened in Madrid
01:07:30I always dream about jewelry.
01:07:34When she told me to leave, that was the last time I spoke to her.
01:07:39But please don't tell Victor anything about this.
01:07:41I don't want to worry him
01:07:43Don't worry
01:07:46Sometimes it's good to vent
01:07:51And I also lost my family
01:07:56And I've done it a lot, at least
01:08:05Look
01:08:08I already remember it.
01:08:11If you teach me how to do what you do
01:08:15What deal has he made?
01:08:21He's seen the wolf's ears, boss
01:08:24Luckily the sergeant saw him go
01:08:26I too would have preferred an army with me.
01:08:29But I didn't have the chance.
01:08:31Please note that I cannot save your life every day.
01:08:36Okay, so what now?
01:08:38Are you going to tell me who that ugly guy is who wanted to kill you?
01:08:41And what have you come here to do, Alinare?
01:08:49Her name is De la Rubia
01:08:50He organized a coup in Madrid
01:08:51Maravine Jewelry
01:08:53That was just a distraction tactic.
01:08:55While we were dealing with the robbery
01:08:58He ransacked the entire vault of the Bank of Spain
01:09:02That stuff that was in the boxes, Sergeant
01:09:05It is Spain's gold
01:09:06The government wants to keep this whole matter secret.
01:09:10Sergeant can't tell anyone
01:09:13Not even a barrier
01:09:14His old friend, the man from Estepa, works for him.
01:09:17And now we know that the gypsy is also involved
01:09:19Although I don't think they'll spare De la Rubia's life
01:09:23Milky
01:09:24And why are you telling me this?
01:09:25I was living so happily
01:09:40What happened, sergeant?
01:09:43I hope the gypsy doesn't grab me from behind.
01:09:46Should I start looking for it?
01:09:47Nothing is worse than a wounded animal.
01:09:49And that's what the gypsy is now
01:10:00The handle weighs more than the blade
01:10:02So you have to hold it like this
01:10:05Edge
01:10:08So
01:10:18Want to try?
01:10:21Why not?
01:10:42You know?
01:10:45Yeah
01:10:46Women
01:10:48The Gypsy
01:11:01Ros, it's very close
01:11:04But he doesn't imagine how far the dark hand reaches.
01:11:47Thank you!
01:11:54I've slit men's throats for less than this
01:11:56Madame de Suerbeck, I understood that he had left on a trip
01:11:59There is more information in Linares related to my articles
01:12:02Just like characters worthy of a profile
01:12:05Like the gypsy
01:12:07I'll give you one of the ingots if you bring me the gypsy.
01:12:10Dead
01:12:11There's no need to take off your hat, Ro
01:12:15They are waiting for him at the Linares palace
01:12:17A maid was found dead last night at the foot of the stairs
01:12:21She fought to avoid being thrown into the void
01:12:22But someone grabbed her tightly.
01:12:24He left fear etched on her face.
01:12:26The marquesses are a God-fearing couple.
01:12:30We haven't told them the whole truth about what's happening in that house.
01:12:33The strange events that take place there
01:12:36Is there a spirit in this room?
01:12:41And we all know who it was.
01:12:43The ghost of the girl
01:12:54Thank you!
01:12:55Thank you!
01:12:56Thank you!
01:12:57Thank you!
01:12:58Thank you!
01:12:59Thank you!
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