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El sargento Giralda no duda en asignar a Víctor Ros un caso del que nadie quiere hacerse cargo: el robo de una reliquia en el Monasterio de Valparaíso donde, aparentemente, hace años que se vienen produciendo escenas milagrosas.
Mientras Blázquez y Ros intentan seguir el rastro de los ladrones del oro español, y que aparentemente están relacionados con los bandoleros de Sierra Morena, aparece en Linares madame de Suberwick, una joven aristócrata francesa que se dedica a recorrer las tierras de Andalucía recogiendo las tradiciones y costumbres de la gente de los pueblos de la Sierra.
Mientras Blázquez y Ros intentan seguir el rastro de los ladrones del oro español, y que aparentemente están relacionados con los bandoleros de Sierra Morena, aparece en Linares madame de Suberwick, una joven aristócrata francesa que se dedica a recorrer las tierras de Andalucía recogiendo las tradiciones y costumbres de la gente de los pueblos de la Sierra.
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TVTranscripción
00:00:04They detonated the bomb at 12 o'clock sharp according to that clock.
00:00:08But the noise must have masked what was happening elsewhere
00:00:11Something much bigger than all this
00:00:13How much are we talking about?
00:00:16A lot, almost the entire gold reserve
00:00:17It is one of the 12 coins made by the provisional government in 1870
00:00:22One of them disappeared that day
00:00:23Where did he get this coin?
00:00:26He didn't give it to this guy
00:00:30And why is nobody doing anything about those bandits?
00:00:32And what are they going to do?
00:00:33The mountain range is a labyrinth
00:00:36And nobody knows her better than the man from Estepa.
00:00:38The Estepa native's group is driving these people out of the town.
00:00:42We have to help them, don't you think?
00:00:44They have no idea what it will be like to capture the bandits of Sierra Morena
00:00:47The guards here certainly don't mess around, huh?
00:00:50And the one in charge is something else.
00:00:51Could it possibly be called Giralda?
00:00:53Himself
00:00:54But this one, right there where you see him
00:00:56José María Llanos's punch and meat
00:00:58The Estepeño
00:01:00I spoke with the marble tree and it told me
00:01:02That Giralda and the Estepeño
00:01:04They are old friends
00:01:06Mr. Ro
00:01:07Before I leave today, I'll tell the handsome guy that they were going to attack him with everything.
00:01:10To pay for his problem with the Estepa native by using the town as a tool.
00:01:13What they don't know is that we're going to be the ones to attack first.
00:01:18No!
00:01:20No!
00:01:24No!
00:01:29No!
00:01:30No!
00:01:38No!
00:01:44In the mountains with the bandits there was a woman
00:01:49I swear I thought it was Juana
00:01:50Juana?
00:01:51Juana's mother
00:01:54Luis Ergoncás's wife
00:02:10Levitoribus nostris
00:02:18Et ne induces us attempts
00:02:22Be free, love him
00:02:32Amen
00:02:40Forgive me
00:03:26Forgive me
00:04:06The commissioner insists it is vital
00:04:08Keeping the robbery at the Bank of Spain a secret
00:04:10The government's position in the conflict with the United States
00:04:13It would be pathetic if all this were made public.
00:04:17They know we're close.
00:04:18But they're not going to make a move.
00:04:20Until they have security
00:04:21They can remove the cargo from the mountain range without any problem.
00:04:25If we had caught the steppe dweller
00:04:27Things would be very different.
00:04:31Boss
00:04:31Don't worry about Juanito
00:04:33He is in Portugal enjoying himself in good hands.
00:04:45I requested information from the Alcalá prison.
00:04:47Where Juana was imprisoned
00:04:49I received it yesterday.
00:04:51Juana died in 1894
00:04:53From pneumonia
00:04:54The same thing the man from Cuenca told him.
00:04:57Forget about it
00:04:58How could I forget?
00:04:59Could Juana's mother still be alive?
00:05:03And if I'm not mistaken, Blázquez?
00:05:04What if it's her?
00:05:06The boy deserves to know, don't you think?
00:05:12I have to go back to the mountains
00:05:14Maybe if we find her
00:05:16Be the piece we need
00:05:17To find out where they hide the gold
00:05:19And how do we catch the steppe dweller?
00:05:21What do we do?
00:05:21Shall we head for the mountains?
00:05:22Going crazy like goats?
00:05:23Didn't he hear what the Basque said?
00:05:25Those people never stay still for two days.
00:05:27In the same place
00:05:29And Giralda didn't need much time.
00:05:31To move the Biscayan
00:05:32To the Ceuta prison
00:05:34But I know who can help us.
00:05:36Leon Cabestani
00:05:38The peddler told me
00:05:39That I knew a woman
00:05:40That he had written
00:05:41Profiles of the bandits
00:05:42Perhaps she can help us
00:05:53Montesión Monastery
00:05:57They have stolen the uncorrupted head
00:05:59From Saint Catherine
00:06:01Take Blasque with you
00:06:02Between the two of them, they'll find her faster.
00:06:04Sergeant
00:06:06I can handle this matter myself.
00:06:09I assure you it will be resolved in one day
00:06:11And what will good old Blasque do in Linares?
00:06:14I suppose it has nothing to do with the departure of the man from Estepa.
00:06:17You're right, Sergeant
00:06:18But if you have any information
00:06:19About the steppe
00:06:20We would be delighted to collaborate.
00:06:23Who wouldn't want that on their record?
00:06:26The arrest of the last bandit of Sierra Morena?
00:06:28Ros!
00:06:31Beware of cronyism insinuations
00:06:34Are you the one who's ripping me off?
00:06:38I'm just trying to do my job well.
00:06:45Come
00:06:50Take Hercules
00:06:52Here, our friend is eager to see how the famous Victor Ross works.
00:07:08Talk to the peddler
00:07:09We need to locate that writer.
00:07:16Although he died more than 50 years ago
00:07:20We discovered that his head was incorrupt.
00:07:23We kept it carefully stored in our crypt
00:07:27She guides our prayers
00:07:30What really worries me is how a creature of God
00:07:34He is capable of such barbarity
00:07:36To act with such violence
00:07:39I thought the thief had only stolen the head.
00:07:41Oh no, that wicked man smashed the urn to pieces with an axe.
00:07:45And he took the uncorrupted head
00:07:47Our saint bled
00:07:49Because of the offense of the wound
00:07:50Did he say he bled?
00:07:51Yeah
00:08:38I present to you Adela del Castillo
00:08:41The restorer
00:08:42And in charge of the maintenance of our relic
00:08:46Victor Ross, delighted
00:08:47If I may offer some advice
00:08:49He shouldn't scratch himself.
00:08:50It will worsen the itching and spread to the other eye.
00:08:53Do you also believe it's a miracle?
00:08:56What else could it be but a miracle?
00:08:59Adela lives in the house next door.
00:09:01Where foreigners who come to take the waters stay
00:09:06Obviously, only the 20 monks of the order live here.
00:09:10So why are there only 19 lit candles?
00:09:14I understood that each candle
00:09:17It symbolizes the personal prayer of the monks
00:09:19Has anyone forgotten to pray for his reappearance?
00:09:24I see that you know the liturgy well.
00:09:26His passing was so recent that I'm still getting used to having him around.
00:09:31Brother Cosme left before this unfortunate incident
00:09:37I could visit his cell
00:09:41Brother Cosme knew how to read and write
00:09:43It seems he has kept a meticulous record of the orchard
00:09:46He spent hours there and had a good touch.
00:09:49I can't tell you much more about him.
00:09:52Here, most people take a vow of silence.
00:09:54And if we need to talk to someone
00:09:57We have God
00:10:00Ah, well, I could ask him where his relic is.
00:10:03He doesn't usually listen to me.
00:10:04It is the duty of men to honor him
00:10:30It seems that Brother Cosme
00:10:32He must have escaped in haste
00:10:34To leave your clothes here
00:10:35The human soul is complex
00:10:37Many arrive here without giving explanations
00:10:40They seek refuge
00:10:43I suppose they're not exactly saints.
00:10:46You are in the middle of nowhere
00:10:48And this place is a good hiding place for someone who is on the run.
00:10:53You can run away from everything except God.
00:10:57Here they seek solace
00:10:59And they learn to embrace faith
00:11:02And if they lose it
00:11:03They are free to leave
00:11:05Like Brother Cosme
00:11:07And now, if you'll allow me
00:11:09I must inform the bishop
00:11:10On the miracle of the blood
00:11:12I wouldn't want to contradict him
00:11:14But I greatly fear that this miracle
00:11:16It has an earthly explanation
00:11:17Yes indeed
00:11:18I won't be able to give it to you until tomorrow.
00:11:21Could we stay overnight?
00:11:24I will give orders that a room be prepared for him.
00:11:26Good
00:11:28Oh, and one more thing
00:11:31Could you tell me where the kitchens are?
00:11:33I would need a crust of bread
00:11:34I've barely had lunch
00:11:40In the morning the Superbic rides around the Minero neighborhood
00:11:43And at night in El Oso
00:11:45Like all of Linares
00:11:46Whether or not you wear a skirt
00:11:47This doesn't seem like the most suitable environment for a lady.
00:11:51Should I make the introductions?
00:11:54I'll take care of it, Buenero
00:11:56Have a glass of wine on me
00:12:01They told me she was asking about the Frenchwoman
00:12:03And I didn't want to believe it.
00:12:04That young lady is a liar.
00:12:06With a little bit of imagination
00:12:08And a lot of bad fucking
00:12:09Could you give me some information?
00:12:10About the departure of Estepeño
00:12:12I don't know if you're aware
00:12:13Of the outrageous things he has written
00:12:15About the Civil Guard
00:12:16Perhaps I was a little unfair, yes
00:12:18But we lose nothing by asking him
00:12:20Don't you think so, Sergeant?
00:12:29Excuse me
00:12:31Good day, madam
00:12:33I would like to speak with you
00:12:34And if possible, in a slightly quieter environment
00:12:38Walking around at that time of night
00:12:39With a stranger in Linares
00:12:41And in that pair
00:12:42It's dangerous for a lady
00:12:43For a lady, maybe
00:12:46Sirs
00:12:50I don't think I need to tell you.
00:12:52Who am I?
00:12:53Very good
00:12:54The Civil Guard
00:12:56What an honor!
00:12:56Mr. Blas
00:12:58What do you think?
00:12:59That behind their articles
00:13:01On the news
00:13:02There may be some truth to it.
00:13:03Why don't you try to convince me?
00:13:06That he does know
00:13:07How to get in touch
00:13:08With the departure of the man from Estepa?
00:13:10The truth
00:13:10I have no interest.
00:13:13Look
00:13:15Two days ago
00:13:16Those men
00:13:18They had an entire village terrified.
00:13:19The only thing we ask of you
00:13:21It's to help us find them
00:13:23And why should I do that?
00:13:25Because I say so.
00:13:26I am the authority
00:13:27Period.
00:13:27I am not in France
00:13:29But here, what I say goes.
00:13:31And the authority?
00:13:32He needs a woman
00:13:34Did this help you?
00:13:35Oh
00:13:35I thought there were more here.
00:13:37As they say?
00:13:38More males
00:13:39They had more balls
00:13:42Look, ma'am
00:13:43Madame
00:13:45I'll do you a favor
00:13:46Don't put her in a pigpen
00:13:47For offense against authority
00:13:48What should I do?
00:13:50But I've got plenty of balls.
00:13:52And I'll prove it to you whenever you want.
00:13:55I think now is a good time.
00:14:24Let me tell you something
00:14:26I'm switching to Napoleon
00:14:28Through the arch of the trinket
00:14:29They call me for a reason.
00:14:32The Tiger of England
00:14:45I confess, Father
00:14:47When I asked him for a crust of bread
00:14:49It wasn't because I was hungry
00:14:52I actually left the crust of bread here
00:14:54Where was the saint
00:14:55To prove something to them
00:14:59Look
00:15:10I'm sorry to disappoint you
00:15:11But the blood they have seen
00:15:13In this crust of bread
00:15:13The same one they found
00:15:15In the urn where the saint was
00:15:17It's a bacterium
00:15:20The Serratia Marquenses
00:15:21It must have spread throughout the crypt
00:15:23Thanks to the humidity
00:15:24And I suppose this one too.
00:15:26She is the one to blame.
00:15:27Adela suffers from conjunctivitis.
00:15:28And some of the monks
00:15:31He'll think we are
00:15:33Some unsuspecting people
00:15:36They are not the first.
00:15:37In confusing this red pigment
00:15:38With blood
00:15:40He will be aware
00:15:41That to Pope Urban IV
00:15:42Something similar happened to him
00:15:44While celebrating Mass
00:15:47The food that he blessed
00:15:49They bled
00:15:50As the body of Christ
00:15:52Luckily we already know
00:15:54That the miracle wasn't a miracle at all.
00:15:55Yes indeed
00:15:56The church came out on top
00:15:58Since then
00:15:59Every year we celebrate
00:16:01The Feast of Corpus Christi
00:16:03God gives and God takes away
00:16:07That's not true, Mr. Ross.
00:16:09Although
00:16:11I must remind you that the reason
00:16:13He can't explain everything
00:16:16Reason, not a miracle
00:16:17That will help us find
00:16:19The saint's head
00:16:21Father
00:16:28I have many tasks at the monastery.
00:16:30I take care of the maintenance
00:16:32From the altarpiece, the altar
00:16:33Besides the saint, of course
00:16:36You took care of it
00:16:37To embalm the saint
00:16:38TRUE?
00:16:40We both know
00:16:41That head
00:16:41It has not been able to remain intact
00:16:43For 50 years
00:16:44Without human intervention
00:16:47But how did he figure it out?
00:16:49I tend to be distrustful
00:16:50Of miracles
00:16:50Embalming
00:16:52It's a common occurrence.
00:16:52In these cases
00:16:53Although the church
00:16:54He wants to hide it
00:16:56It is the work of a mixture
00:16:58Made of resins
00:16:58Sodium salts
00:16:59And something more
00:17:00My father keeps
00:17:01The secret formula
00:17:02You are right.
00:17:04He embalmed the saint
00:17:06When they took her out of her tomb
00:17:07Look
00:17:11He did a great job.
00:17:12Don't you think so?
00:17:14Well yes
00:17:18My father's name is
00:17:19Humberto del Castillo
00:17:20He has lived in Rome for years.
00:17:22In the Vatican
00:17:23They consider him a genius
00:17:26Excuse me
00:17:26Could we go and see
00:17:27That area over there?
00:17:28It doesn't matter
00:17:35The disappearance of the relic
00:17:36Life has stopped
00:17:37In the monastery
00:17:38The truth
00:17:39That and his visit
00:17:40That was the only interesting thing.
00:17:41What has happened here?
00:17:42In a long time
00:17:44It doesn't happen here.
00:17:46Practically nothing
00:17:47Well, it doesn't let me.
00:17:48To surprise me
00:18:16It doesn't matter
00:18:24When I saw Brother Cosme's clothes in his cell,
00:18:27I assumed that something had made him leave so abruptly.
00:18:32But I never thought this would be the end for him.
00:18:35So you believe he stole...?
00:18:37Could be.
00:18:46Look.
00:18:48There are red traces of serratea marquense on the fingers and dirt under the nails.
00:18:53He may have been digging and hidden the relic around here.
00:19:00Hercules.
00:19:13Hercules.
00:19:19I need it to fit in this area.
00:19:21I don't think the saint's head is very far away.
00:19:29Father.
00:19:32Could I analyze Cosme's body somewhere quiet?
00:19:37Guilt drove him.
00:19:41Come to me, all you who are weary and burdened.
00:19:44I will help you to rest.
00:19:46Do you think guilt can knock over plants and break flowerpots?
00:19:49There were clear signs of a fight in that orchard.
00:19:52Do you think anyone else is involved in the disappearance of the relic?
00:19:55I am aware of the value they place on Saint Catherine, but her disappearance right now is secondary.
00:20:01Brother Cosme did not commit suicide.
00:20:03He was murdered.
00:20:06He undoubtedly stole the relic, but someone discovered him.
00:20:11Cosme hid the saint's head somewhere before he was hunted down.
00:20:14He confronted his attacker, but he couldn't do anything.
00:20:20And perhaps the killer tried to drag the body and decided to simulate a suicide by hanging him.
00:20:28Father, could you lend me your crucifix, please?
00:20:37Look.
00:20:40The murder weapon.
00:20:47In this monastery we all wear a crucifix.
00:20:51We even lend one to foreigners as soon as they arrive.
00:20:54Then the murderer will be one of you.
00:20:59Mr. Ross,
00:21:01You were by the tomato plants.
00:21:03It was almost at ground level.
00:21:10Praise be to God.
00:21:12It is very deteriorated.
00:21:14It will take me days to get it back to how it was before.
00:21:16He will have to do it at the barracks.
00:21:19Father,
00:21:20I need to take the saint's head to examine it.
00:21:31Things seem to be getting complicated for you, Ross.
00:21:33Didn't he say he'd solve it in a day?
00:21:36The mystery of the robbery is solved.
00:21:38What we didn't know was that we would encounter a murderer in the monastery.
00:21:42The evidence leaves no room for doubt, Sergeant.
00:21:44What do you think is going on?
00:21:46I questioned the monks and didn't get any clear answers.
00:21:49And the outsiders don't seem to want to talk either.
00:21:51Yes indeed,
00:21:53There's one that gives me a bad feeling.
00:21:55I saw him at the crime scene.
00:21:56But Blázquez
00:21:58It will help me find out if he was hiding something.
00:22:01He will dress like a wealthy man.
00:22:02who wants to try those healing waters.
00:22:04And that way he will be able to establish a relationship with that stranger.
00:22:06He wants them to believe that Blázquez is a gentleman, and I have.
00:22:09For that, you're really going to need a miracle, Ross.
00:22:12The sergeant is right about that, boss.
00:22:14I don't see myself as a rich man.
00:22:15Listen to me, you'll know how to handle it.
00:22:17I'm going to need your help too, Hercules.
00:22:20I need you to find Cosme's family
00:22:21and inform them of his death.
00:22:22The chain of command, Ross.
00:22:24Sergeant.
00:22:27I found this suit in Cosme's cell.
00:22:30A suit that's too expensive for him, don't you think?
00:22:33Look.
00:22:34Saturnino Baeza Tailoring.
00:22:36He probably gave it to a relative.
00:22:37If we locate that tailor,
00:22:39We will learn more about Cosme.
00:22:43Hercules.
00:22:44What challenge?
00:22:45Locate the tailor and bring it to the barracks.
00:22:48To suggest the message.
00:22:49I'll get it out of that stranger myself.
00:22:51What is his role in all this?
00:22:52According to what Blázquez has told me,
00:22:53the last time he tried to get information out of someone,
00:22:56He only got a headache.
00:23:01That French woman must have put something in my liquor.
00:23:04I've never had such a bad hangover in my life.
00:23:06Sure, and I'm sure he's taken more than one.
00:23:08Yes, I've caught as many as there are liars.
00:23:11Here's good old Blázquez, then,
00:23:13I thought that Madame...
00:23:15Madame.
00:23:17Well, that French woman
00:23:19I knew something about the Estepeño
00:23:20And that woman hasn't seen a bandit.
00:23:22not even in paintings.
00:23:25Hercules.
00:23:26Sergeant.
00:23:27Find me a good suit.
00:23:29Make him look like a minister.
00:23:31At your service, Sergeant.
00:23:36The sergeant really went all out last night.
00:23:39so that the French woman wouldn't even say goodnight to us.
00:23:42But perhaps if you pay him a visit...
00:24:04You have a very good eye.
00:24:07With just a few strokes, has he managed to bring the portrait to life?
00:24:11It's not my merit.
00:24:12It's them.
00:24:14The esparto grass worker.
00:24:15They are all so picturesque.
00:24:18Irène de Superfic.
00:24:20Victor Ross.
00:24:21Victor Ross.
00:24:22Enchanté.
00:24:24And why a woman like you?
00:24:26Is he so interested in these humble people?
00:24:29The South, my friend.
00:24:31And it magnifies him.
00:24:34Bordeaux is a very gray and boring city.
00:24:37One day I got fed up with ballroom dancing
00:24:39and of the duck breast.
00:24:40I felt that my life needed more adventure.
00:24:43Well then, you've come to the perfect place.
00:24:46To meet some bandits
00:24:48It has to be very exciting.
00:24:51Oh.
00:24:52I thought he was trying to woo me,
00:24:54But I can see you're looking for something else.
00:24:56Don't pretend you're offended.
00:24:58I'm not her ideal man.
00:25:00And he's right about that.
00:25:01It's not very Spanish.
00:25:03Oh, by the way,
00:25:04How is the tiger of Linares doing?
00:25:08Good.
00:25:09But I greatly fear that Sergeant Giralda
00:25:11He will never be the same again
00:25:12after having spent the night with you.
00:25:15I did him a favor.
00:25:16Nobody comes out on top
00:25:18after facing
00:25:19to the Estepeño gang.
00:25:21I don't want to confront them.
00:25:23At least for now.
00:25:25I just want to know where they're hiding.
00:25:30Thank you.
00:25:32I know it's been seen several times
00:25:34with the bandits.
00:25:35He knows everyone well
00:25:37that goes with the Estepeño.
00:25:39I would like to accompany you
00:25:40at their next meeting.
00:25:41I've only spoken to the mountain goat.
00:25:43and...
00:25:44Look, I've been here a long time
00:25:46traveling alone.
00:25:47And people have always been open to me
00:25:48the doors of his house.
00:25:49And that's because they can trust me.
00:25:51I don't understand why it would change now.
00:25:53You said it yourself.
00:25:54It has only been seen with the mountain goat.
00:25:56Wouldn't you like to interview
00:25:58to someone more important?
00:25:59To the Estepeño, for example.
00:26:01Do you know what a bug is?
00:26:03That's what they call snakes here.
00:26:05That's what a person from Estepeño is.
00:26:07A venomous and elusive creature.
00:26:09And I doubt they'll manage to catch him.
00:26:11At least with men
00:26:12that I spoke about yesterday.
00:26:13You have nothing to lose.
00:26:13for letting me accompany her.
00:26:15Organize a meeting
00:26:16with the mountain goat
00:26:16and get him to come
00:26:17everyone else.
00:26:18The man from Estepa,
00:26:19all.
00:26:20And why was the mountain goat going?
00:26:22Why would you want to do that?
00:26:23Bandits are vain.
00:26:25I'm sure
00:26:26that they would like to have their picture taken.
00:26:28To illustrate his book,
00:26:29of course.
00:26:36Miraculous or not,
00:26:37this water has made
00:26:38disappear my arthritis.
00:26:40Well, you should try it
00:26:41the spa
00:26:42from Montariz in Galicia.
00:26:44There, the rib-eye steaks
00:26:44Yes, they are a miracle.
00:26:45And what a miracle!
00:26:47I threw myself to my chest
00:26:48and back
00:26:49the last time
00:26:49that I was there.
00:26:52Although of course,
00:26:53My thing is
00:26:54oysters
00:26:55and the champagne.
00:26:57And that's how my gout is doing.
00:26:59No matter how much holy water is used
00:27:00Let him drink,
00:27:01This doesn't fix it.
00:27:02not even God.
00:27:04I shit myself
00:27:05in the monocle
00:27:07of the balls.
00:27:11The custom
00:27:12of wearing glasses.
00:27:13This invention
00:27:14I'm not pretending.
00:27:16Good afternoon.
00:27:28For the account
00:27:29which brings us,
00:27:30Mr. Ross,
00:27:31I hope they don't recognize us.
00:27:32First of all,
00:27:33Do not be nervous.
00:27:35OK.
00:27:35There are only two of us photographers.
00:27:37We do the portraits,
00:27:38Miss, your interview
00:27:39And we're going to get married.
00:27:40Better to go back to Linares.
00:27:41We've been here for a long time.
00:27:42Waiting here.
00:27:43Nobody comes.
00:27:44Calm down.
00:27:45They are bandits,
00:27:46my friend.
00:27:47They are not British punctual.
00:27:48I left them a message
00:27:49on the news,
00:27:50in the article.
00:27:51They will appear.
00:27:52We always see each other here.
00:27:53Although I cannot guarantee
00:27:54Let everyone come
00:27:54those you intended.
00:27:56All?
00:27:56All?
00:27:58Look, Mr. Ross,
00:27:59He knows I'm passionate about it.
00:28:00follow.
00:28:01But not this.
00:28:01No, not this.
00:28:02What are you doing?
00:28:03What is he doing?
00:28:05What's the point of this?
00:28:07Cabromonte!
00:28:07Aplosa, damn it!
00:28:09We're just going
00:28:09to a quieter place.
00:28:11Didn't you want to photograph us?
00:28:12everyone for your book?
00:28:14We'll be there.
00:28:40Who is the unsuspecting one?
00:28:41whom you have deceived this time
00:28:42So I can play a game?
00:28:43With you, Aranguren.
00:28:44Have.
00:28:45Don Álvaro Buendías,
00:28:46wine merchant from Jerez.
00:28:48Praxímide de los Riagas.
00:28:49Delighted.
00:28:50So, winemaker.
00:28:51That is.
00:28:51Then he'll have to throw
00:28:53I miss their broths
00:28:53because with such waters...
00:28:55I keep a bottle
00:28:56in the luggage
00:28:57and then we'll give a good account
00:28:58her.
00:28:58That is, without getting caught.
00:29:00The monks, of course.
00:29:04And what do you say?
00:29:05of the dead monk?
00:29:06Who knows if it wasn't
00:29:08one of them.
00:29:09because they found it
00:29:10around here.
00:29:12Poor man.
00:29:13Don't believe it, okay?
00:29:15Brother Cosme
00:29:16He wasn't exactly endearing either.
00:29:18What does he mean?
00:29:19Well, look,
00:29:20I argued with him once.
00:29:21We were playing tresillo.
00:29:22and the topic came up
00:29:23of the attack
00:29:24to Lieutenant Narciso Portas
00:29:26at the hands of an anarchist.
00:29:27Yeah,
00:29:27I read something in the newspapers
00:29:29who fired two shots
00:29:29upon leaving a theater.
00:29:31But he was only injured.
00:29:33Brother Cosme said
00:29:34What a pity
00:29:35that they hadn't killed him.
00:29:36That made me angry.
00:29:38From what I've heard,
00:29:40that lieutenant
00:29:41He is a torturer.
00:29:42We need to be firm.
00:29:43with the anarchists
00:29:44that are revolutionizing
00:29:45to the people.
00:29:46You'll know.
00:29:46for sure.
00:29:47He must have suffered it
00:29:48with his day laborers.
00:29:49Aranguren,
00:29:50The world is changing
00:29:50very quickly
00:29:51and not only because of the cinematograph
00:29:52and automobiles,
00:29:53also the relationship
00:29:53between employer and worker.
00:29:55Look,
00:29:55the world will change
00:29:55whatever they want,
00:29:56But I'm in charge of my factory.
00:29:57And Brother Cosme
00:29:59told me
00:29:59that it didn't surprise me
00:30:00if they threw a bomb at me.
00:30:02Come on,
00:30:02because she wore a habit
00:30:03Otherwise...
00:30:05Andes lodged
00:30:06and away from the monks.
00:30:07I'll let you know.
00:30:07that are not trustworthy.
00:30:09And he has hands
00:30:10very long.
00:30:11In addition to relics
00:30:12and here it disappears
00:30:13everything that's worth it
00:30:14two pesetas.
00:30:19Good, good, good.
00:30:20Very good, very good.
00:30:22But from the farm
00:30:23the parakeet,
00:30:24after the sacks
00:30:25of olives
00:30:25We returned.
00:30:26There were three pigs
00:30:27ajen de hermoso.
00:30:28how it stirred
00:30:29in the sons, whore.
00:30:40Now another one,
00:30:41But without a blunderbuss, okay?
00:30:43That's already known
00:30:43that the weapons
00:30:44They're a real pain.
00:30:46Cabramonte,
00:30:46And what about the Estepa native?
00:30:47He wouldn't like it
00:30:48to have a portrait taken?
00:30:51Cabach,
00:30:53to the Estepeño
00:30:53Don't even come near me.
00:30:55They're not going there.
00:30:55with these things.
00:31:00But what?
00:31:02Are we changing now or what?
00:31:03Yes, yes, yes,
00:31:03We changed, we changed.
00:31:04Okay, let's change.
00:31:05Yes, yes.
00:31:06Photographer?
00:31:07Yeah.
00:31:07Put it on.
00:31:09What are we going to do?
00:31:10as if he were
00:31:10Organize yourself.
00:31:11Yes, yes, yes.
00:31:12It would be an honor,
00:31:13But no, I can't.
00:31:14I have to be
00:31:15to camera operation.
00:31:18You can't imagine
00:31:19the impression
00:31:20that gives me
00:31:20to have so close
00:31:21to the bandit
00:31:22more dangerous
00:31:22from Sierra Morena.
00:31:25Well, it has had
00:31:26easy solution.
00:31:27That I don't want
00:31:28that the impression
00:31:29I killed her.
00:31:30Goat mountain!
00:31:31Everyone out now.
00:31:32The portraits are over.
00:31:34But, let's see,
00:31:35Let's see
00:31:36who am I speaking to?
00:31:36for the goats.
00:31:37Go on, throw it.
00:31:38pull it out.
00:31:41Goat mountain!
00:31:45Goat mountain!
00:31:45Goat mountain!
00:31:50It's you, isn't it?
00:31:52No one else
00:31:53She has that look.
00:31:57Don't tempt fate
00:31:58To hell with the photographer.
00:32:03The owner of the boarding house
00:32:04He started shouting
00:32:06when he saw
00:32:06that we were there.
00:32:08You didn't think of that.
00:32:09another thing
00:32:10that jump
00:32:10through the window
00:32:10of the staircase.
00:32:11And as it fell,
00:32:12you tripped
00:32:12and you twisted your ankle.
00:32:15Then you got up
00:32:16and you hit your face
00:32:18against the wall.
00:32:18But you kept running.
00:32:21And how much did you take?
00:32:24Six pesetas, right?
00:32:28Look, I don't know
00:32:28Who are you talking about?
00:32:30But that's not me.
00:32:31My name is Elena
00:32:33And now go back the way you came.
00:32:34And I'm not responsible.
00:32:35I have many questions
00:32:36what to do,
00:32:37but I also have
00:32:38many answers.
00:32:38Don't you want to listen to them?
00:32:40Stop talking
00:32:41as if you knew me.
00:32:42I could tell you
00:32:43many things about your son.
00:32:47And now he needs you.
00:32:48more than ever.
00:32:49Photographer,
00:32:50Time to go.
00:32:52Or it appears
00:32:52or we'll betray your friends.
00:33:05Eight pesetas.
00:33:09It was eight pesetas
00:33:10what I stole from the pension.
00:33:11No. six.
00:33:20A while ago
00:33:21that no longer responds
00:33:22to the name of Juan.
00:33:25Come with me.
00:33:28The Estepeño
00:33:29He's making deals
00:33:30with whom you shouldn't.
00:33:31This is getting out of hand.
00:33:32very dangerous.
00:33:34Come with me.
00:33:37Juan is better
00:33:38with Luis.
00:33:42For his mother
00:33:43She is dead
00:33:43And so it must continue.
00:33:44I'm not going to bring him
00:33:45nothing good.
00:33:47Don't tell him
00:33:48None of this to Luis.
00:33:49Luis died
00:33:50four years ago.
00:33:52He was murdered.
00:33:56Because?
00:33:56It's my fault.
00:33:59For protecting me.
00:34:01And what did you have?
00:34:02What does this have to do with Luis?
00:34:03What are you saying to him?
00:34:05Or are you no longer a police officer?
00:34:06I wish I could have
00:34:07avoid it,
00:34:08But I couldn't.
00:34:10Since then
00:34:11I am taking care
00:34:12of your son
00:34:12the best I can.
00:34:16Come with me.
00:34:17I can explain it to you.
00:34:18everything to Juana,
00:34:19really.
00:34:19I told you
00:34:19My name is Elena.
00:34:21Abramonte!
00:34:22It's here!
00:34:24That?
00:34:25I'm already dead.
00:34:26And you to me too.
00:34:28We are?
00:34:28Please be careful.
00:34:31Give me that, girl.
00:34:33That?
00:34:34A photographer?
00:34:35Are they hanging around our women?
00:34:38That's really bad.
00:34:44Come on!
00:34:47Mine!
00:34:54It seems unbelievable.
00:34:55that she has been dead for 50 years.
00:34:57I am doing
00:34:58what I can.
00:35:00It's a shame
00:35:01because he has risen
00:35:02part of the makeup.
00:35:04I would have to go back
00:35:04to clean this whole area
00:35:05and repeat it.
00:35:09For God's sake.
00:35:11Who brought
00:35:12To Saint Catherine?
00:35:13That relic
00:35:14should be
00:35:14in his temple.
00:35:15Ross wanted to examine her
00:35:17Okay, but...
00:35:19It's best to explain it to him.
00:35:22It is possible to know
00:35:23What does a dress do?
00:35:24In that way, Ross.
00:35:26Virgin of beautiful love.
00:35:27Who is that clown?
00:35:34The mother who gave birth to me.
00:35:38Can we know?
00:35:39where has he put
00:35:40the formality of the body?
00:35:41Man, my captain...
00:35:42Don't argue with me!
00:35:43I wouldn't say the word
00:35:44that he doesn't wear the uniform.
00:35:51My actions are justified,
00:35:53But in his own way...
00:35:54We went to do
00:35:54a photo of the bandits.
00:35:56Everything was going well.
00:35:57until suddenly
00:35:58Things have escalated
00:35:59a bit.
00:36:01Miss Suburbic
00:36:02has not been able to maintain
00:36:03the distances
00:36:04with the Estepeño.
00:36:05Ross, to my office.
00:36:14So I went
00:36:15to look for the bandits
00:36:16without my permission.
00:36:19The Estepeño
00:36:20He is a dangerous man.
00:36:22I want to think
00:36:22that doesn't bother him
00:36:23go after him,
00:36:24sergeant.
00:36:30What worries me
00:36:31It's their health.
00:36:32I wouldn't like it.
00:36:32that he hit him
00:36:33in a blunderbuss.
00:36:41How have you been?
00:36:42in the monastery?
00:36:44Yeah.
00:36:45I was playing
00:36:45to the letters
00:36:46with Aranguren,
00:36:47a good man.
00:36:48And it's true
00:36:49that wasn't worn
00:36:49I'm fine with Cosme,
00:36:50But he's not a murderer.
00:36:52Apparently,
00:36:53Cosme was an anarchist
00:36:54and Aranguren owner
00:36:55from a factory
00:36:56of textiles,
00:36:57So, an anarchist.
00:36:57bit.
00:36:58So he believes
00:36:59that the robbery
00:37:00of the relic
00:37:00It has been an act
00:37:01against the church.
00:37:02No,
00:37:02It's simply robbery.
00:37:04Any little chapel
00:37:05I would give a fortune
00:37:06through that head.
00:37:07And furthermore,
00:37:08There have been more robberies
00:37:09in Montesión.
00:37:10Watches,
00:37:11gold chains...
00:37:12And why?
00:37:12we have not found
00:37:12nothing in the cell
00:37:13Cosme's?
00:37:14My theory
00:37:14because I had
00:37:15a sidekick
00:37:15and Cosme
00:37:16I didn't want to share
00:37:17the head
00:37:17of the saint
00:37:18and...
00:37:19If he's right,
00:37:21I think I know
00:37:21who could it be
00:37:22that crony.
00:37:23Although it's going to be
00:37:24difficult
00:37:24to coax something out of him.
00:37:26The brother
00:37:26Alvero
00:37:27has taken a vow
00:37:27of silence.
00:37:31It has not been born yet.
00:37:32thief
00:37:33to whom I
00:37:33Don't make him talk.
00:37:45Mr. Ro!
00:37:46Oh, open!
00:37:47For the love of God.
00:37:49Doña Rosario,
00:37:49For God's sake,
00:37:50It's not the right time.
00:37:53What's happening?
00:37:54It has arrived
00:37:55a cable
00:37:56and me
00:37:57I don't like
00:37:57get involved
00:37:57where they don't call me
00:37:58but
00:37:58I haven't been able to
00:38:00avoid reading it
00:38:00So,
00:38:01out of the corner of your eye.
00:38:02His little boy
00:38:02that has escaped
00:38:03of my voice.
00:38:04Juanito?
00:38:09Clara's sister
00:38:10says that
00:38:11Juan has taken
00:38:11a train
00:38:11without your permission
00:38:12that I wanted to be
00:38:12with me.
00:38:13More like a kid
00:38:14What a stubborn person he is!
00:38:15Thank you, Rosario.
00:38:19Get in touch
00:38:19with all seasons
00:38:20What's on the way
00:38:21to Linares.
00:38:21At the first station
00:38:22that for the train
00:38:23have a guard go up
00:38:23and who accompanies Juan
00:38:24So far, so good?
00:38:26OK.
00:38:31Are you planning to tell him?
00:38:32What about his mother?
00:38:36I don't know, Blázquez.
00:38:48Already.
00:38:49I know I don't have
00:38:50permission to be here
00:38:51But I would like it so much.
00:38:53say a prayer
00:38:54by Saint Catherine.
00:38:55I assure you it will be
00:38:57one moment.
00:39:01Thank you.
00:39:03Thank you.
00:39:28Hey!
00:39:30Where are you going in such a hurry?
00:39:35I think we're going to have to review the Ten Commandments.
00:39:39We've forgotten the one about not stealing.
00:39:41That?
00:39:44Do you like spying on strangers?
00:39:46What's wrong? Has the cat got your tongue?
00:39:48No. He has taken a vow of silence.
00:39:51He can only speak to confess his sins, right?
00:39:55Well then, confess that we're all ears.
00:39:58Because either you talk nicely, or the only slap you're going to get is the one I give you.
00:40:02glue.
00:40:03Or worse, the one the big guy is going to give you here.
00:40:14I just want to go far away.
00:40:19You were with Chabao, with Cosme, right?
00:40:21And you stole chains, medals, but he didn't say anything about the saint's head.
00:40:27That wasn't my fault.
00:40:32It's the devil who lives in here.
00:40:38Yes, yes.
00:40:40Did you kill him, or was that the devil's doing too?
00:40:43The abbot argued with Cosme the night he disappeared.
00:41:13Cosme the night he disappeared.
00:42:56No, but the stranger for whom the Estepa native works, yes.
00:43:00That's the man we need to go after.
00:43:05So our man has syphilis.
00:43:07Exact.
00:43:08Blázquez, I want you to visit all the stations in Linares and find out who ordered those gas cylinders.
00:43:12And also ask about the English company that sent them, Smith & Jones.
00:43:16If we keep pulling on the thread, we might find him.
00:43:20Good afternoon, gentlemen.
00:43:24That wretch Albero, apart from being a thief, is dumber than a doorknob.
00:43:31I have confiscated everything he stole.
00:43:34Anyway, I've left it loose.
00:43:37He says that Cosme has never stolen anything.
00:43:40But on the night he disappeared, he saw him arguing with the abbot.
00:43:46I haven't stirred up trouble either.
00:43:48Until we take a look at this.
00:43:51The monastery's account book.
00:43:53That is why the abbot and Cosmas argued.
00:43:56And here, Don Praximedes, the orriaga, got hold of him.
00:44:02There's something striking about it.
00:44:03Even though they have taken vows of poverty, the monastery is making a fortune with the blessed waters.
00:44:09And I don't understand why, because they taste like manure.
00:44:11I'm going to put on my uniform to arrest the abbot.
00:44:14We must maintain our composure.
00:44:16Sergeant.
00:44:18Yeah?
00:44:20Let me speak to him first.
00:44:22We don't know why he killed Cosme, if indeed he did.
00:44:29You shouldn't believe everything Brother Albero says, Mr. Ross.
00:44:33God has not given him the gift of intelligence.
00:44:36I know he has issues with other people's property.
00:44:40I've reproached him for it many times, but...
00:44:42I don't know, maybe that's why he holds a grudge against me and has spread all those lies.
00:44:49However, I've been able to review a book and there's a small detail that I'm missing.
00:44:53What are these donations from nearby churches for?
00:44:56That's why he argued with Cosme.
00:44:58I remind you, Mr. Ross, that this monastery houses the image of Saint Catherine,
00:45:02who has worked miracles for the people of this region.
00:45:06It is normal, then, that many people want to express their gratitude.
00:45:14I see that you imagine a terrible secret in this place.
00:45:20Ross, come with me.
00:45:30My God, it's horrifying.
00:45:33What could have happened?
00:45:41Let Mr. Ross do his job, please.
00:45:58He died just a few minutes ago.
00:46:01His pupils aren't even dilated.
00:46:16Look.
00:46:23Do I know who this gold twin belongs to?
00:46:29Emilio Aranguren.
00:46:33Thank you for your attention.
00:46:35I just hope nothing has happened to Mr. Aranguren.
00:46:38Not a trace.
00:46:39All his belongings are in his room, but no one has seen him.
00:46:43When was the last time you were with Aranguren?
00:46:47We played a game of cards with Don Praximedes.
00:46:50Although I'm afraid that's not his real name.
00:46:53Giralda.
00:46:54Sergeant Giralda.
00:46:56After the game, Aranguren and I went to have dinner at the mansion.
00:46:59He went on all night about how monks were all thieves and anarchists.
00:47:03You will recall that our opinions, our positions, differed.
00:47:07Before the conversation turned into an argument, I said goodbye to him and went to bed.
00:47:12And she never met him again?
00:47:14I thought I saw him this morning in the vicinity of the orchard.
00:47:17But do you believe he is the murderer of the monks?
00:47:24Please excuse us.
00:47:25He didn't seem like a man capable of wielding a weapon.
00:47:28His was bravado.
00:47:30The abbot was with me while someone murdered Alvero.
00:47:34If it wasn't Aranguren, who could it have been?
00:47:37I will order the guards to mount a search of the surrounding area.
00:47:40He can't be far away.
00:47:56I hope he resolves that case soon.
00:47:59Because otherwise half the congregation will die.
00:48:01God forbid.
00:48:02How have the train stations fared?
00:48:05My feet are like sausages.
00:48:06I've been to every station asking about those blessed gas canisters.
00:48:10AND?
00:48:11Did anyone remember a shipment arriving from England?
00:48:14Yes, a waiter.
00:48:15But I pay with certain currencies.
00:48:17Since we arrived in this town, between one thing and another, they're emptying my wallet.
00:48:21The fact is that all I've been able to find out is that a shipment arrived a week ago.
00:48:25English company to Smith &...
00:48:27Smith & Jones.
00:48:28That's right, Smith & Jones.
00:48:29The person who picked up the merchandise is a bad person.
00:48:32He lives in the Cantarranas neighborhood.
00:48:35They call him The Gypsy.
00:48:39The Gypsy.
00:48:41The man from Estepa is an idiot.
00:48:43I can't do anything if he's such a sheep that he'd meet the French woman.
00:48:46Who knows what he told her.
00:48:48I'm more worried about you.
00:48:51I've always managed, Gypsy.
00:48:53When you didn't have that Ross stuck in the barracks.
00:48:59Well, you can start looking for someone else.
00:49:02You think you've got me by the balls, but maybe I'm the one who's got you.
00:49:05to you.
00:49:06You feel more at ease thinking that.
00:49:09Hey?
00:49:12Because you and I know that's not true.
00:49:17Take.
00:49:20Thanks for the heads-up.
00:49:24Saint.
00:49:37Arrived.
00:49:37Tea, you and me.
00:49:41Tea, you and me.
00:49:45Tea, you and me.
00:49:46Tea, you and me.
00:49:48Tea, you and me.
00:49:49Tea, you and me.
00:49:50Tea.
00:50:09Didn't you say I was very angry?
00:50:20Do you know how scared you made Emma? And me? Who in their right mind takes a train?
00:50:25Without permission? What's wrong? Are you still a child?
00:50:29And when did you start smoking?
00:50:35The truth is, I still haven't learned how to twirl it.
00:50:37Look, Juanito, tomorrow you take a train and return to Madrid with Blasquez's wife.
00:50:40No, Victor, no
00:50:41No, yes
00:50:42Please, it's not because of your wife, I find her very nice, but I want to be with you
00:50:46And besides, I want to do something to catch the one who organized the jewelry store incident.
00:50:50Clarera, my mother
00:50:52If the kid behaves, maybe he won't be such a bother, boss, no
00:50:58Enter
00:51:00At least you'll want to rest
00:51:01And grab the suitcase
00:51:17The dead monk's mother
00:51:18From the first one, from the anarchist
00:51:20Yeah
00:51:20Your father died, and you were right.
00:51:23Saturnino Baeza Sastre
00:51:25The mother's name is Angela, and there she is, poor thing, devastated.
00:51:29And do we know anything about Aranguren?
00:51:30Well, it must have vanished into thin air.
00:51:32Because neither his family nor anyone else has heard from him
00:51:35And I suppose that Aranguren and Cosme didn't know each other at all before the latter entered the monastery
00:51:39No
00:51:40The lad must have been a real character.
00:51:42He got into trouble with anarchists...
00:51:44When his mustache grew in
00:51:47His father ended up throwing him out onto the street
00:51:49When he learned that the guards were following him
00:51:51And fleeing, he arrived at the monastery of Montesión
00:51:54There she is, poor thing
00:51:55With the black sorrow
00:51:56Because she hasn't seen him since he left.
00:51:59And how did he know I was in the monastery?
00:52:01Did Cosme write to him?
00:52:02No, his sister was still in contact with him
00:52:04Did he ever go to visit him?
00:52:07Until he moved to Barcelona three years ago
00:52:13My God
00:52:14That?
00:52:18Why did Cosme steal the relic?
00:52:20It's something we don't know yet.
00:52:21And we still don't know?
00:52:23Or not?
00:52:25Mirela
00:52:27They are identical
00:52:31No
00:52:32Mother Holy Island
00:52:33Sergeant, ask him if he has any portraits of his daughter.
00:52:36The one who thinks she's in Barcelona
00:52:44Excuse me, ma'am
00:52:45Do you have a portrait of your daughter?
00:52:47The one in Barcelona
00:53:08Saint Catherine is the sister of Cosmas
00:53:09The mother who gave birth to me
00:53:11And now who's going to tell that woman that I have her daughter's head here in a box?
00:53:22Not a soul will say anything about Zingaro
00:53:25Neither do you?
00:53:28Some things you learn the hard way.
00:53:30You seemed like a good man.
00:53:32Don't be a fool like me.
00:53:37You should tell me what you know
00:53:38Or would you prefer we talk at the police station?
00:53:42I don't know about the capital
00:53:43But in Linares
00:53:44The authorities don't have as much power as they'd like.
00:53:50The Church of Santiago de la Espada
00:53:52The church of Quesada
00:53:53And the church of Beas de Segura
00:53:55The three made very important donations to the monastery.
00:53:58And all three, from what I've been able to find out.
00:54:01They keep the incorrupt bodies of nuns
00:54:05That's why I had to bring all this relic to the barracks
00:54:08This is sacrilege
00:54:10Captain, I don't think the saints mind moving around.
00:54:12This looks more like a procession than a barracks.
00:54:15Show some respect, Sergeant, for the nuns.
00:54:18Sorry
00:54:19Victor
00:54:20If he makes a mistake
00:54:21He is guaranteed excommunication
00:54:24Apparently
00:54:25There's someone who's going to be denied the gates of eternal paradise, Cross.
00:54:29Don't doubt it, Sergeant
00:54:32But who is behind all this?
00:54:35All bodies in reality
00:54:37They're like from Saint Catherine
00:54:39This is crazy
00:54:42And that there won't be any truly incorruptible bodies?
00:54:47The answer may lie within the bodies themselves.
00:54:57And I think it can help me.
00:54:59They have all been embalmed using my father's technique.
00:55:02But wasn't his father's technique a secret?
00:55:04I recognize her by her smell
00:55:06It gives off a sweet, resinous aroma
00:55:10That one over there is more recent
00:55:14It better preserves skin tone
00:55:15And the smell is more intense.
00:55:17As if she had been embalmed recently
00:55:20But is that possible?
00:55:22You told me that your father had been living like a child for years.
00:55:30And these numbers?
00:55:31I discovered them when I was removing my makeup from that area.
00:55:3429-8-71
00:55:37They caught my attention because that date is my birthdate.
00:55:40But I don't know why my father would record it
00:55:43Nor do I know what my birthday could possibly have to do with the relic.
00:55:50It might be a message
00:55:54Did your father know that you would be taking care of the relic's upkeep?
00:55:57Perhaps he wanted to tell her something without anyone else understanding.
00:56:02But what if my father wanted to send me a message?
00:56:04Why hide it so much?
00:56:06I don't know, I could have written it in the letters.
00:56:14Can I see those letters?
00:56:16This is a cryptogram
00:56:17All the numbers indicate where the words that form the message are located.
00:56:21And each number refers to a line
00:56:23Look
00:56:26Line 8
00:56:29Abbot
00:56:31Line 29
00:56:34Cross
00:56:36And line 71
00:56:40Crypt
00:56:40The three words are repeated in all the letters
00:56:44Along the same lines
00:56:48Abbot
00:56:49Crypt
00:56:50Cross
00:56:58Now he can no longer complain that nothing interesting ever happens to him.
00:57:00Of course
00:57:01I will never forget these days
00:57:12Cross
00:57:13Hurry
00:57:38So Blasca is asking about the cingro
00:57:40I didn't say anything to him.
00:57:41But the least important thing is that I know who he is.
00:57:44Thank you, Perla
00:57:52Hercules
00:57:52My sergeant
00:57:53Take the pious women away from here
00:57:54Where, Sergeant?
00:57:56I don't care if you throw them in the dungeons.
00:57:58At your service, Sergeant
00:57:59Hey kid, where are you going?
00:58:00My name is Juan, sir
00:58:01I was looking for Victor Ross
00:58:03I am his godson
00:58:04Victor Ross's godson
00:58:06Yeah
00:58:08Do you want a cigarette?
00:58:10A cigarette
00:58:10Because you'll smoke, right?
00:58:13Come on
00:58:36And he still lives
00:58:41He's just blinded
00:58:49Father
00:58:53Father
00:58:57I thought I would never see you again
00:59:00You've been here all these years
00:59:02Yes, the abbot locked me up
00:59:04And he made you believe
00:59:06That he had gone far away
00:59:12He needed me to embalm the bodies.
00:59:14The church pays a lot of money for an incorruptible body
00:59:17But I'm afraid you don't work on the abbot
00:59:20Of the original saints
00:59:22The abbot
00:59:24Always choose people
00:59:27That they may be like the saints
00:59:30But he doesn't get his hands dirty.
00:59:32Brother Albero was in charge of killing them
00:59:35He was unable to say no to the abbot
00:59:37That's why you wanted it to appear from here
00:59:39Yeah
00:59:39I wanted to run away too.
00:59:41When I found out who Saint Catherine was
00:59:43And if he didn't kill me
00:59:45It was because he needed me to continue embalming the corpses.
00:59:48Then he would put them in a tomb
00:59:50And when they were exhumed
00:59:52Miracle
00:59:54An incorrupt body appeared
00:59:56Poor Cosme must have gone mad
00:59:59When he learned that Saint Catherine
01:00:00It was her sister
01:00:02He tried to tell someone
01:00:04But he couldn't
01:00:05Albero killed her
01:00:08Ricin
01:00:10If ingested, it can be fatal.
01:00:24You poisoned Albero
01:00:29The abbot
01:00:30He knew the guards were after Albero
01:00:33I was afraid he would confess everything
01:00:38He told me that
01:00:40If I didn't do it
01:00:41It would hurt Adela
01:00:46He decided to place the blame on this man
01:00:49Myself
01:00:49I placed
01:00:50His twin in Albero's hand
01:01:01Hide and don't make a sound
01:01:05Juan starting to smoke has been even less helpful.
01:01:16Why are you doing all this, Father?
01:01:21The world has lost its fear
01:01:23And fear is what keeps us alive.
01:01:25And it makes us God-fearing
01:01:27Of a strange God who has abandoned his children
01:01:31My duty
01:01:33It is to remind men of their existence
01:01:35Through miracles
01:01:37Some rather twisted miracles, don't you think?
01:01:43You are a liar and a murderer, Father
01:01:47How will their god view these acts?
01:01:55My work is blessed
01:01:57I only follow the will of the Almighty.
01:02:01When I die
01:02:02I will be rewarded
01:02:25We have good news, Ross
01:02:26Aranguren appears to be recovering
01:02:29According to the doctors
01:02:31Case closed
01:02:32Don Praxime from Lorriaga
01:02:48Mr. Ross
01:02:50I was looking for him
01:02:52Would you mind if we talked privately for a moment?
01:02:59I wanted to apologize, my darling.
01:03:01I know the bandits kicked us out of there because of me.
01:03:04Sometimes I'm a little impulsive
01:03:08That's why I wanted to offer you the chance to accompany me.
01:03:12Will he encounter the bandits again?
01:03:14The man from Estepa wants to see me
01:03:15I don't know what made him change his mind
01:03:18And I thought you might want to continue talking to that woman.
01:03:22The one who lives there with them
01:03:26I thought I hadn't noticed
01:03:28You're not the only one who notices the small details, Mr. Ross
01:03:32I don't know who that woman is.
01:03:33But it matters to him, a lot.
01:03:39I don't know what's wrong with Victor
01:03:41Since I arrived here we've barely exchanged a word
01:03:45I think he's just not comfortable with me here, I don't know.
01:03:47No, that's not it, Juanito
01:03:49He has many fronts to deal with and he's worried
01:03:51No no
01:03:54I'm not Clara, Clara saw it through in a second.
01:03:57But come on, I assure you that something else is wrong with Victor
01:04:00They'll come looking for me in the clearing
01:04:02You can follow us, but you'd better keep your distance.
01:04:06I don't want him to ruin my interview with the Estepa native
01:04:17Come on
01:04:29I'm glad you agreed to see me
01:04:32You don't see such beautiful women every day in these mountains.
01:04:36I'm sorry if I bothered you the other day
01:04:38I just want to write about her life, for her to tell me about her adventures.
01:04:41In fact, we can start right now if you'd like.
01:04:45You'll remember me for the rest of your life, Gavacha
01:04:49Nobody move or I'll shoot
01:04:51We have been followed by Estepa native
01:04:54I didn't see it coming
01:04:56Did you bring it?
01:04:59Madame de Suburbic
01:05:01I'm afraid the man from Estepa didn't want to chat with you.
01:05:05Leave
01:05:05Come on, quickly
01:05:14Go back the way you came.
01:05:15Or he wants to end up in a hole
01:05:16In the time it takes you to grab the blunderbuss, I've shot you three times.
01:05:18So don't move.
01:05:21The razor
01:05:24The knife!
01:05:28Good
01:05:29Where is the gold?
01:05:32I want answers, and you're going to give them to me.
01:05:33What does he think you are?
01:05:34Is this the first time I've seen myself like this?
01:05:38Speak up, or I swear this is your last adventure, Estepeño.
01:06:08Come on!
01:06:10Come on!
01:06:12Vampa!
01:06:13Come on!
01:06:13No, no, no, no, no.
01:06:43Won't you have a moment to spend with me?
01:06:49Of course, Juan.
01:06:51But you, better than anyone, know why we're here.
01:06:54And I'm getting closer.
01:06:56Do you want me to leave?
01:06:58Am I going back to Lisbon?
01:07:00But tell me, I promise I won't get angry.
01:07:05Unfortunately, I'm glad you're here.
01:07:12Will you stop them?
01:07:14I don't know, Juan.
01:07:16But one thing I am sure of.
01:07:18And this trip will have been worth it.
01:07:22Well.
01:07:23See you tomorrow.
01:07:23Rest.
01:07:42Thank you.
01:07:45What's happening?
01:07:52Can the pain?
01:07:54Can the pain?
01:07:54Do you know that only that wall separates you from your son?
01:07:59Don't talk to me, please.
01:08:01I wouldn't know what to tell you now.
01:08:05I no longer know why I come here with you.
01:08:06Wait, wait.
01:08:08You're right.
01:08:09You'll see it when you're ready.
01:08:18I'd like you to tell me something.
01:08:21In the mansion I found some oxygen tanks.
01:08:24They are used to treat syphilis.
01:08:26Do you know who they belong to?
01:08:27Yeah.
01:08:28A while ago a stranger came to do business with the man from Estepa.
01:08:32I don't know who he is, or what his name was.
01:08:34But it was him who used those gas cylinders.
01:08:38And did you ever see him?
01:08:39From afar.
01:08:41He only dealt with the man from Estepeña.
01:08:43I suppose the syphilis must have affected his face.
01:08:47He's wearing a mask.
01:08:53What covers half his face?
01:08:54Yeah.
01:08:55Shit.
01:08:58And how come I didn't realize it before?
01:09:04Is that why you're in Linares?
01:09:06Following that stranger?
01:09:13Yeah.
01:09:19But he still has a head start on me.
01:09:31I'm looking for the gypsy.
01:09:32Can you tell me where it stops?
01:09:34Where did you fall from?
01:09:35What do they cover or not?
01:09:38No.
01:09:38What do they cover or not?
01:09:41No.
01:09:48Isn't that him?
01:10:08In this morning's newspaper, four obituaries appeared, in addition to his three, including that of the illustrious Don Emilio
01:10:14del Campo.
01:10:15Mr. del Campo was murdered, imitating an execution by garrote.
01:10:20How are you, Magistrate del Campo?
01:10:25What does it feel like to be helpless?
01:10:28That, along with the four obituaries, suggests that someone has something against you.
01:10:32If that's the case, they'd better start saying goodbye to their families.
01:10:41Do you really prefer to go back to the mountains instead of getting your son back?
01:10:44They're looking for me, Victor. Why would I tell them who I am?
01:10:51You're leaving with less, huh?
01:10:53Why should I cry at my funeral?
01:11:01You have no idea what I've been through, don't even think about judging me.
01:11:10The cargo needs to be removed.
01:11:14Since when do you give the orders, Gypsy?
01:11:17We'll get the gold out when I say so.
01:11:20Now we must take care of my good friend Victor.
01:11:24I am not a murderer.
01:11:26You will be what I tell you, Marcos.
01:11:28Or would you prefer that everyone knows what you've been doing?
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