- hace 43 minutos
La Brigada recibe una carta para reunirse en casa de Fernando de la Escosura, delegado del gobierno y marido de Clara. Al llegar allí se encuentran a Fernando muerto y a Víctor Ros con las manos empapadas de sangre. La estupefacción de todos es total. Víctor es detenido y llevado a comisaría como presunto autor del asesinato. De camino a la comisaria, custodiado por Blázquez, Ros no recuerda nada. Pero Blázquez, ante la magnitud del asunto, decide que la mejor manera de solucionarlo es que Ros escape fingiendo ser agredido.
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00:00:01Eduardo de la Rubia must be taken out of prison and transferred to Vienna.
00:00:04And since when has the Brandenburg seal been interested in our criminals?
00:00:07This is the embryo of a European interstate police force.
00:00:10For the future, Lewis Osborne.
00:00:12Aldanza was also part of the label.
00:00:14And he was one of the best, but I do what one of them did.
00:00:18I've come to arrest you, Mr. Aldanza.
00:00:20I have an offer to make.
00:00:21Investigate crime worldwide.
00:00:23To create a better society.
00:00:24Shove your offer where the sun don't shine.
00:00:26It won't stop me well.
00:00:31We know that he was trying to recruit people to create a new label.
00:00:34And that's probably why he came here to Madrid.
00:00:36And that's why he knew so much about me.
00:00:39Stop!
00:00:41What to do here?
00:00:42Your friend has killed Congressman Escobar.
00:00:45Yes, I robbed that man.
00:00:47But I didn't kill him, I'm not a murderer.
00:00:50Has something happened to my father?
00:00:52Yeah.
00:00:54But nothing your uncle Victor can't fix.
00:00:57That man is innocent.
00:00:58Because I killed Marcial Escobar.
00:01:01Do you want to kill President Canoas?
00:01:02And they will try to do it as soon as possible.
00:01:06Ross knows everything.
00:01:08We need to address the plan.
00:01:09By no means.
00:01:11I know how to neutralize Victor Ross.
00:01:18It's strange that they haven't arrived yet.
00:01:21They must have been entertaining themselves over there.
00:01:23You and the boss?
00:01:24They're never late, are they?
00:01:25They look Spanish.
00:01:27In our profession, it's best not to force the work.
00:01:30Listen to what Faenón did yesterday, Garrita.
00:01:32Four bars and the tail.
00:01:33And I was at home with my mother-in-law.
00:01:35Commissar.
00:01:36Yeah.
00:01:37Wait.
00:01:45The boss wants us to meet at his house.
00:01:48How odd?
00:01:49His reason is genuine.
00:01:50And Ross?
00:01:52The note says that he has already been notified.
00:01:53Come on.
00:02:02No, no, no, no.
00:02:24Fuck.
00:02:33She is alive.
00:02:35Chlorophor.
00:02:37Come on.
00:02:54Holy God.
00:02:56Holy God.
00:03:24Holy God.
00:03:26Holy God.
00:03:27Holy God.
00:03:43Holy God.
00:03:57What's happening?
00:04:15What the hell happened, boss?
00:04:17Don't know.
00:04:17How long have you been here?
00:04:19Don't know.
00:04:20Was there anyone else in the room?
00:04:21Don't know.
00:04:21But damn it, did he kill him or not?
00:04:23No.
00:04:26Vázquez, take him to the police station.
00:04:30Arrested?
00:04:37Come on, boss.
00:04:39Don't worry, everything will be alright, come on.
00:04:54I want him to take charge of the investigation.
00:04:57Question all the servants.
00:04:59Start with the girl who is in the living room when she wakes up.
00:05:01And Ross?
00:05:03Should I question him too?
00:05:04Yeah.
00:05:05But wait until I arrive.
00:05:06I want to be present.
00:05:08And what about his widow?
00:05:09No, I'll do that.
00:05:12The little gift comes with the position.
00:05:19He still doesn't remember anything.
00:05:23Nothing coherent.
00:05:24Not even how he got to the house.
00:05:30I know I was at Fernando's house yesterday.
00:05:33And we are talking about an attack that is being prepared against Canoas.
00:05:36Do they want to assassinate the president?
00:05:39I know.
00:05:40And they will try to do it as soon as possible.
00:05:42The president is returning from his trip tonight; tomorrow morning, he will go to speak with him first thing.
00:05:46The Brandenburg seal, Escobar...
00:05:49We are facing a high-level conspiracy.
00:05:52The documents.
00:05:54What documents?
00:05:55There were documents that proved that this was all a conspiracy.
00:05:58They haven't found them.
00:05:59No.
00:06:00Fernando was going to see Canoas to explain it to him.
00:06:03And then he would meet with the brigade.
00:06:08But...
00:06:09What were you doing at Fernando's house?
00:06:10We were summoned by letter.
00:06:12By letter?
00:06:13No, if the meeting...
00:06:14The meeting was at the brigade headquarters.
00:06:21This is all a trap, Blázquez.
00:06:23It's a trap.
00:06:24Well, if it's a trap, they've pulled it off brilliantly.
00:06:27Especially considering that you are in love with your wife.
00:06:31Does everyone know?
00:06:32No, boss, I know that.
00:06:37Clara.
00:06:37What happened to her?
00:06:39I went to see her.
00:06:41Tell me you don't love me, Clara.
00:06:43Tell me and I'll leave you alone.
00:06:47He sure loves getting into trouble.
00:06:51Tell me you don't think about me.
00:06:55And I promise you that as soon as this case is over, I'm leaving.
00:07:02Why are you doing this to me, Victor?
00:07:04Because I can't take it anymore.
00:07:09I tried to forget you through work.
00:07:11Cheating on me with Lola.
00:07:13But I can't.
00:07:15I can't forget you, Clara.
00:07:22So, what did he answer her?
00:07:23They're driving me crazy.
00:07:30Neither do I like you.
00:07:32But what can I do?
00:07:37If I listened, my heart would go with you right now.
00:07:45But I can't do that, Fernando.
00:07:48He doesn't deserve it.
00:08:03And what time was all that?
00:08:07I think it was before ten o'clock.
00:08:09And then what?
00:08:11After...
00:08:11Then I walked to the police station.
00:08:14Haven't you been at the police station all morning?
00:08:16I don't know.
00:08:17The last thing I remember is...
00:08:20He already knows.
00:08:35This looks really bad, boss.
00:08:37It was there, there was a reason, his blood was all over his clothes.
00:08:41If there was a Victor Ross out there, maybe he could fix it.
00:08:45But the only thing there is is in here.
00:08:47And he's on his way to jail.
00:08:50You have to let me go, Blázquez.
00:08:52You said it.
00:08:53With everything that's going on, I'm going to get beaten.
00:08:55I have to be out to prove my innocence and to be able to stop Cánovas.
00:09:02I must be going crazy.
00:09:11Hit me.
00:09:13As?
00:09:14Go ahead, hit me.
00:09:14Otherwise, nobody will believe he escaped.
00:09:16Anyway, they're not going to believe it either.
00:09:18Go ahead, hit me.
00:09:21One thing.
00:09:23Tell Corcoles to set the time of death.
00:09:25OK?
00:09:25Very good.
00:09:26Hit me.
00:09:27And the documents.
00:09:27Find the documents.
00:09:28OK.
00:09:29Hit me.
00:09:30Blázquez.
00:09:33Thank you.
00:09:37I'm sorry.
00:09:47See you tomorrow.
00:09:50Bye bye.
00:09:52Goodbye, Carmela.
00:09:53See you tomorrow, Petra.
00:09:57Goodbye, Amalia.
00:09:59Bye bye.
00:10:01Bye bye.
00:10:04Commissioner, is something wrong?
00:10:10It's her husband.
00:10:37Are you sure it was Ross?
00:10:39Everything points to it being him.
00:10:48Wait.
00:10:50Excuse me, but I need to ask you a few questions.
00:10:55Were you at home when Ross arrived?
00:10:59When was the last time you saw your husband?
00:11:02This morning.
00:11:04It would be nine o'clock.
00:11:06After that I went to teach my classes.
00:11:08And Ross?
00:11:16Yesterday Fernando called him to show him some documents that affected national security.
00:11:20National security?
00:11:22Yeah.
00:11:23He found them in a safe deposit box belonging to Congressman Escobar.
00:11:27And do you know what those documents were about?
00:11:30It was a plot to assassinate Canovas.
00:11:36What happened to him?
00:11:38Ross has escaped.
00:11:41What he told me about Ross coincides exactly with what Clara Alvear told me.
00:11:45Regarding the documents, Don Fernando's visit this morning to President Canovas.
00:11:50All the more reason to think it's true.
00:11:52Or to think that it's a plan between two lovers.
00:11:54First they get rid of the husband, and then they come up with the excuse of a plot against the president.
00:11:59Does he doubt Ross?
00:12:01You tell me.
00:12:03The alleged plot documents have not surfaced.
00:12:06The servants had the day off, except for the one they anesthetized.
00:12:08Only the widow could know that.
00:12:10A police officer who doubts a colleague's word.
00:12:13He's neither a police officer nor a colleague.
00:12:14Blaske.
00:12:16That's all.
00:12:17You can leave.
00:12:25I'm sure I've let her get away.
00:12:27I know.
00:12:29But having one police officer involved is bad enough without having two.
00:12:34Do you believe the story about the attack on Canovas?
00:12:37To be honest, the Brandenburg seal thing gives me a very bad feeling.
00:12:41And that the blonde also escaped.
00:12:44So, what do we do?
00:12:48You will look for Ross.
00:12:50I will go see President Canovas.
00:12:52I know they want to kill me.
00:12:54All the anarchists want my head.
00:12:57And even more so since the Montjuic trial.
00:12:59But this time it's a different matter, sir.
00:13:01Already.
00:13:01The mysterious documents he told me about.
00:13:05Bring them to me and I'll believe you.
00:13:07I will do so, sir.
00:13:08May I ask you a question, sir?
00:13:10Yeah.
00:13:11Did Mr. Fernando Velasco Sura request a meeting for this morning?
00:13:15Yes, but that's nothing new.
00:13:17Every week he would come to see me to ask for more funding for his brigade.
00:13:22A police inspector who kills his own boss.
00:13:26It's a scandal.
00:13:28Anyway, sir, I think it would be good to consider other possibilities.
00:13:34Let me see if I understand.
00:13:38They found that inspector at the crime scene with his hands covered in blood.
00:13:44That's right, sir.
00:13:46I want the toughest possible treatment for Ross.
00:13:48An exemplary punishment.
00:13:52Any problem?
00:13:56You see, Mr. President.
00:14:00Ross...
00:14:03He has escaped.
00:14:07Holy uselessness.
00:14:11You are commander.
00:14:13Isn't that right? Good day.
00:14:14That's right, sir.
00:14:15Infantry.
00:14:17Well, find Ross as soon as possible.
00:14:19or I'll send him to Cuba.
00:14:22They need people with your experience there.
00:14:27Nothing else.
00:14:30So the police are after you, huh?
00:14:32Very good.
00:14:33You've gone back to your roots, haven't you?
00:14:35There it is.
00:14:36That seems to be the case.
00:14:38Thank you.
00:14:39I suppose you'll have to hide.
00:14:42Well yes.
00:14:46Don't worry.
00:14:48I have a great hiding place.
00:14:49They're more likely to find you in the Philippine jungle than there.
00:14:54I need Blasquez to know where I am.
00:14:56No problem.
00:14:57How are you going to do it?
00:14:59And how am I going to do it?
00:15:01If you can take something out of a pocket without anyone noticing,
00:15:03You can put something in there too, right?
00:15:06I'm going to ask one last time.
00:15:10Does anyone know where Ross is?
00:15:17Blasquez, do you have nothing to say?
00:15:19No, sir.
00:15:21Permission to speak, sir.
00:15:23Speak.
00:15:24Look, I don't know if Inspector Ross is a murderer,
00:15:27But I'm sure he's not an idiot.
00:15:29Can you explain that better?
00:15:30Damn, the boss knows more about murder and evidence than anyone.
00:15:34I'd say he wouldn't be so stupid as to get caught red-handed.
00:15:38I'm not very clever.
00:15:39But that's as far as I go.
00:15:41I agree, sir.
00:15:44Well, you know what I think.
00:15:46If they send me to Cuba,
00:15:48The mosquitoes aren't just going to bite me.
00:15:50That's my opinion.
00:15:54Excuse me.
00:15:55And who are you?
00:15:56Don Fernando de las Cosuras, please.
00:16:00I am Marcelo Picorelli,
00:16:01of the Buenos Aires Metropolitan Police.
00:16:04Don Fernando invited me to give a course on digital bones.
00:16:07Already.
00:16:09There were few of us and then the grandmother gave birth.
00:16:10My God.
00:16:14What do you mean Don Fernando isn't in Madrid?
00:16:15But if we agreed that he would receive me in person.
00:16:20Is it going to take long for him to come?
00:16:22Quite a while, I'm afraid.
00:16:24Well,
00:16:25I didn't cross the ocean for nothing.
00:16:26I'm still going to teach the course.
00:16:27I don't think this is the best time.
00:16:31Alright.
00:16:32I'm going to talk to my country's embassy.
00:16:33This is not going to end like this.
00:16:35Wait, wait, please.
00:16:36Sit down.
00:16:36Sit down.
00:16:38Alright?
00:16:38Will you be giving your lecture tomorrow?
00:16:40It's not a conference.
00:16:42It's a three-day course.
00:16:44And couldn't you summarize it in a couple of hours?
00:16:49Please.
00:16:50Wait.
00:16:52Plázquez, accompany him to a pension
00:16:54and charge it to our account.
00:16:56And I could use some cash, wouldn't I?
00:17:02Okay, take care of everything.
00:17:05Have a pleasant stay in Madrid, Mr. Pecorelli.
00:17:08Pecorelli.
00:17:08Connie.
00:17:17What's happening?
00:17:17That the entire agreement has been brought.
00:17:19What is the material for my lectures?
00:17:21So don't tell me that knowledge doesn't take up space, huh?
00:17:23Yeah.
00:17:24Andereje, may he help you.
00:17:25Okay, but be careful, okay?
00:17:26Please.
00:17:27Come on.
00:17:33Come in, come in.
00:17:42Certainly, Spanish diplomacy is not exactly exquisite.
00:17:46What are you waiting for?
00:17:47The grand hotel of Paris?
00:17:48Well, if you don't need anything, I...
00:17:50Yes, yes, yes, yes.
00:17:51Don't forget the cash your boss told you about.
00:17:54Ah, yes.
00:17:55Excuse me.
00:18:14So they hid him in a sacristy.
00:18:17That's how it is.
00:18:18Nobody here will suspect a thing.
00:18:20And besides, the priest is a friend of Luis.
00:18:21Any news?
00:18:22No.
00:18:23The truth is, no.
00:18:24Ah, yes, yes, yes.
00:18:26A tiresome Argentinian has come to give us a course on fingerprints.
00:18:31Marcelo Picoleri?
00:18:32Do you know him?
00:18:33He is the right-hand man of Juan Bucetich, of the Buenos Aires police.
00:18:38Yes, this is the first time a murder case has been solved using fingerprints.
00:18:43Exactly the same.
00:18:44Can a murderer be identified by a fingerprint?
00:18:46Yeah.
00:18:47And that's just the beginning of a new police force.
00:18:50You'll see.
00:18:52Hello.
00:18:52What's up, Luis?
00:18:53Vázquez.
00:18:54I'll bring you some clothes, but they're not from Mr. Hitingo, okay?
00:18:58Thank you.
00:19:00By the way, how's Corcoles doing with the autopsy?
00:19:03There is no mystery.
00:19:05But Don Fernando died with his throat cut at about 11 or 12 in the morning.
00:19:0811, 12?
00:19:10And what was I doing at that time?
00:19:12You don't even know what time you arrived at the scene.
00:19:14If Clara said she was with you until 12...
00:19:16No, that would be lying and tarnishing Fernando's memory.
00:19:21And what about the documents detailing the plot?
00:19:23Have they found them?
00:19:24No.
00:19:25Chief, can you assure us that you did not kill Don Fernando?
00:19:31No, I can't.
00:19:33Hey, what's with that bruise?
00:19:36It looks like a puncture.
00:19:42I was drugged.
00:19:46I left Clara's classroom and...
00:19:48I was walking towards the police station.
00:19:56But why all the fuss?
00:19:58Wouldn't it have been easier to kill you along with your boss?
00:20:01Clear.
00:20:02A passionate argument and a loaf of bread?
00:20:04Yeah.
00:20:06But all this reminds me of someone's way of acting.
00:20:10Who is he thinking about?
00:20:11If I told her, she'd think I was crazy.
00:20:22I have a plan.
00:20:23But we have to work as a team.
00:20:26Or will this be the first time?
00:20:30The last time I saw him was last night.
00:20:33We'll talk for a moment.
00:20:34And you haven't seen him since?
00:20:36No.
00:20:38I warn you that I can turn this place upside down.
00:20:43Do it.
00:20:44You won't find it.
00:20:48What to talk about one night?
00:20:53Are you thinking about what lie you're going to tell me?
00:20:55I would never lie to the police, inspector.
00:21:00We talked about my upcoming wedding to the Marquis of Peralías.
00:21:02Is she marrying a marquis?
00:21:04Yeah.
00:21:05He's outside if you want to ask him.
00:21:09What has he found out?
00:21:11He's not in the brothel.
00:21:13And nobody has seen the barley.
00:21:15Well, keep looking.
00:21:16Canovas wants us to find Rosa at all costs.
00:21:18He doesn't believe the story about the attack.
00:21:19And you?
00:21:24I don't know what to believe anymore, Carvallo.
00:21:27But just in case, set up a surveillance unit.
00:21:30People capable of killing.
00:21:33Get a picture of De la Rubia.
00:21:35And if you see him appear, don't hesitate to shoot.
00:21:57What's up, De la Rubia?
00:22:00Are you prepared to honor the agreement?
00:22:01Yes, but first I would like you to clarify how I am going to leave Spain.
00:22:07Here are your train tickets.
00:22:10Madrid, Iron, Iron, Paris, Paris, Geneva.
00:22:14And the passport?
00:22:19We'll give it to him when it's all over.
00:22:24Don't they trust me?
00:22:26Yes, but only slightly.
00:22:30When do I have to act?
00:22:32Act?
00:22:34You're always so theatrical.
00:22:37To tell you the truth, I don't know yet, but soon.
00:22:40It depends on us neutralizing an old friend of his.
00:22:43Inspector Ross.
00:22:45Do you want a chromate too?
00:22:46No.
00:22:48We have other plans for him.
00:22:50We will let you know when everything is ready.
00:22:54Take it away.
00:23:07Fernando's papers.
00:23:09Exactly.
00:23:11Now there is no evidence left.
00:23:15And what do we do with Ross?
00:23:18We hope they find him.
00:23:21Will the Spanish police find Mr. Ross?
00:23:23Don't be ridiculous.
00:23:26No, friends, Gord.
00:23:27We'll find Ross.
00:23:38Hello.
00:23:40Look for entry.
00:23:47Wouldn't it be better if you went to your room?
00:23:50Nobody would bother you there.
00:23:53You're right, it doesn't belong here.
00:23:55I'm going to change.
00:23:56But where are you going?
00:23:59Where do you need me, Rosa?
00:24:09Lady.
00:24:12You have a visitor.
00:24:14So late?
00:24:20Lola.
00:24:22What are you doing here?
00:24:28I think you shouldn't be alone tonight.
00:24:42That's how things are, gentlemen.
00:24:44The boss is in hiding.
00:24:46Do you know where it is?
00:24:47Yeah.
00:24:48But if you ask me, I'll deny everything.
00:24:50And I haven't been talking to you, is that clear?
00:24:55What are you laughing at, corcoles?
00:24:57Let's talk about nerves.
00:24:58I've never been in a situation like this before.
00:25:00If they ask you about your smile, just say you won the lottery.
00:25:04Or I'll slap him twice.
00:25:06Smiling like that is very suspicious.
00:25:08Ross swears he did not kill Don Fernando.
00:25:10And I need your help with a little matter.
00:25:12Can I count on you?
00:25:15Count on me.
00:25:15And what about me?
00:25:17Good.
00:25:18Things are looking bad.
00:25:19And honestly, I can't prove to you yet that Edictor is innocent, but I believe him.
00:25:23Sorry, boss, but you're not asking us if we think he's innocent.
00:25:27He's asking us if we're going to help Ross.
00:25:30Yeah?
00:25:31Well, we've already told him yes.
00:25:44What time is it?
00:25:46It's ten o'clock and I have to go.
00:25:49I have a very important appointment and I haven't gotten ready yet.
00:25:52Thank you, Lola.
00:25:53But you didn't have to stay so late.
00:25:56Yes, it was necessary.
00:25:58When reality is a nightmare, it's better to be accompanied when you wake up.
00:26:01Believe me.
00:26:05And that important appointment?
00:26:08It's with the Marquises of Peralías.
00:26:11I'm marrying his son.
00:26:12With Ernesto?
00:26:13But if it is...
00:26:14Yes, you total faggot.
00:26:15Hey, the thing is, you guys are so clever at calling things by their names, aren't you?
00:26:19He's already a good person and I think this is an opportunity to change his life.
00:26:23By the way, I spoke with Victor two days ago.
00:26:26Yes, he told me yesterday.
00:26:27He likes you a lot, Lola.
00:26:29But he's in love with you.
00:26:33The truth is, you're not bad.
00:26:36But I think I'm much prettier than you.
00:26:40So what?
00:26:41I've lost everything, Lola.
00:26:43What do you mean, what does it matter?
00:26:44Victor is coming back, you can be sure of that.
00:26:47And those who did that to your husband will pay for it.
00:26:50OK?
00:26:58The fundamental patterns are the arch, the whorl, the inner loop, and the outer loop.
00:27:05The clasp is a damned thing.
00:27:09Carballo.
00:27:10He could make his comments louder, mainly so that Mr. Corcoles isn't the only one laughing.
00:27:16Good.
00:27:18In 1892, led by Mr. Bucetich, we discovered that a woman had killed her two children.
00:27:24He had inflicted a wound on his neck on himself in order to blame someone else.
00:27:27And how did they discover it was her?
00:27:29He left a fingerprint on the bloodstain on his front door.
00:27:33Well, if it was her front door, it's normal that they knocked. It was her front door.
00:27:37Yeah.
00:27:38What wasn't so normal was that it matched the one we found on the murder knife.
00:27:42Were they able to find his fingerprint on the handle of a knife?
00:27:45All human beings sweat and generate fat.
00:27:48Fingers are no exception and leave their mark.
00:27:51Mr. Picolino, look, if the criminal flees and we don't have a record of his fingerprints, how are we going to identify him?
00:27:59In Argentina we have a photographic, anthropometric and fingerprint archive of all criminals ever arrested.
00:28:05Do you have that file?
00:28:10Sirs!
00:28:12So what the hell are they laughing about?
00:28:15Well, since I see that you are men of little faith, let's move on to the practical side.
00:28:21They are going to put their fingerprints on these papers you have here.
00:28:25Please.
00:28:28That's disgusting!
00:28:30Blackhead, put your finger out, man, that way we'll be done with it once and for all.
00:28:36This is like playing the piano.
00:28:38More or less, yes.
00:28:39Why do they take our fingerprints?
00:28:41Do you see these glasses?
00:28:42Yeah.
00:28:42Well, as you can see, they are all different.
00:28:45I'm going to leave the room and you're going to touch one of these glasses.
00:28:49One each.
00:28:50One each.
00:28:51Exact.
00:28:51Then I'm going to go back inside and compare the imprints on the glasses with the ones I'm giving them.
00:28:55I'm taking a few drinks now and I'm going to find out who touched each glass.
00:29:00Good heavens, isn't that right?
00:29:11And it takes a long time, right?
00:29:14Yes, yes.
00:29:15Almost a year.
00:29:17A stroke doesn't control anything for the poor man.
00:29:23And you?
00:29:24Have you been in Madrid for a long time?
00:29:27Several years, yes.
00:29:28And what does he do for a living?
00:29:29She is a seamstress, a mother.
00:29:31Oh.
00:29:33I didn't know that prostitutes sewed now.
00:29:40Who are you trying to fool, son?
00:29:42I had a servant follow you.
00:29:44And he told me that he saw you at the brothel where he works.
00:29:47Leave this house right now.
00:29:48But mother...
00:29:49Don't you realize he just wants our fortune?
00:29:52Wait, I'll go with you.
00:29:53No, I already know the way.
00:29:59It has been humiliating.
00:30:01The worst part is that Ernesto hasn't done anything to prevent it.
00:30:05You could try again.
00:30:07Talk to her.
00:30:09I never want to see that vixen again in my life.
00:30:13I hate those people who act like they're so great.
00:30:15Although deep down...
00:30:18I'm glad about what happened.
00:30:20Don't talk nonsense, Lola.
00:30:22And I trust you a little more.
00:30:26I was going to marry him to stop being a whore.
00:30:30But putting up with those people is putting up with all sorts of nonsense just for money.
00:30:35And I think that's also being a whore.
00:30:41Where are we going?
00:30:42Do you like cod, Picorelli?
00:30:43Yeah, right?
00:30:44A lot?
00:30:44Well, he's going to be very happy, because where we're going they serve excellent cod.
00:30:47Right, Crespo?
00:30:48Yeah.
00:30:48Cod, cod.
00:30:49Excellent?
00:30:53Gentlemen.
00:30:54All yours.
00:30:56I'm going for the pieces.
00:30:57No, no, no, please!
00:31:06What infamy is this?
00:31:08I swear there will be a diplomatic conflict.
00:31:10Please calm down.
00:31:12Who are you?
00:31:13I am Inspector Ross.
00:31:15I lead the metropolitan brigade.
00:31:17I didn't see it around.
00:31:18Because the police are after me.
00:31:20Because?
00:31:21I am accused of having killed Don Fernando de la Escosura.
00:31:24The government delegate?
00:31:26He invited me to come here.
00:31:27I know.
00:31:31And if you happen to move.
00:31:39Calm down, Picorelli.
00:31:41I need your help.
00:31:43I did not kill Don Fernando, and you can prove it with your science.
00:31:46A Spaniard who trusts in science?
00:31:48This is a miracle.
00:31:51I believe in science and justice.
00:31:53That's why I want to find out who killed Don Fernando.
00:31:55Will it help me?
00:32:00Do I have another option?
00:32:02Yeah.
00:32:04I can tell my colleagues to drop you off downtown in ten minutes.
00:32:07Victor.
00:32:07I can't force him.
00:32:11If he wants to, he's free.
00:32:17Alright.
00:32:18I'm going to help him.
00:32:19What I don't know is how.
00:32:21I don't even have to analyze my instruments.
00:32:23No no.
00:32:23So relax, Mr. Picorelli.
00:32:25Here you have everything.
00:32:26The murder weapon, Don Fernando's clothes, the fingerprints of the entire brigade,
00:32:30including those of Don Fernando, as you said, boss.
00:32:33And now he has to analyze my fingerprints.
00:32:35We need to check which of the footprints there are not ours.
00:32:39In fact, a hand.
00:32:45Hey, is this fingerprint thing true?
00:32:47To me, all of that seems like magic, to be honest.
00:32:50Well, if that magic works, we thieves are screwed.
00:32:54We're going to have to steal with gloves on.
00:32:57And a cat with gloves doesn't hunt.
00:32:59How come nobody knows where the Argentinian is?
00:33:04We're going to be the laughingstock of this country.
00:33:06If we don't know how to keep our own house in order,
00:33:09How do they expect us to believe we can maintain safety on our streets?
00:33:13Oh!
00:33:17Tomorrow they bury Don Fernando and we still have nothing.
00:33:24Get to work.
00:33:25And if necessary, search under every rock.
00:33:28But I want results.
00:33:30And I want them now.
00:33:32Come on!
00:33:35You, wait a moment.
00:33:42Is there really nothing you should know, Plázquez?
00:33:44Commissioner, for God's sake, do you doubt me?
00:33:47Right now I even doubt the mother who gave birth to me.
00:33:58Open up, Luis!
00:33:59Run, Juanito.
00:34:01I'll take a child!
00:34:02No!
00:34:06No, let me do it.
00:34:53Hey, isn't that the son of the guy from Cuenca?
00:34:57Juanito, what's wrong?
00:35:00Some men have come for my father.
00:35:04Sanchez, accompany him to my house and stay there keeping watch.
00:35:07Be careful.
00:35:07Yes sir.
00:35:08Come on, kid.
00:35:11And we're going to Luis's house to see what we can find.
00:35:25What a fight there's been here.
00:35:32Has anyone left their wallet behind?
00:35:34Luis used a virgola to tell us who attacked him.
00:35:36As a pickpocket, that bastard is unrivaled.
00:35:39A passport.
00:35:41Devis Osborne, from the Brandenburg label.
00:35:43Ross was right.
00:35:45And they're going to be very relieved when they see this.
00:35:53You know where Ross is hiding, right?
00:35:56Buendía will tell him.
00:36:22Where is Victor Ross?
00:36:25No idea.
00:36:34Okay, okay, okay.
00:36:36I don't remember very well, but I think it's...
00:36:41with your fucking mother.
00:36:46We're not in the neighborhood, Luis.
00:36:48Your swagger won't help you here.
00:36:52Besides, you have a son, don't you?
00:37:15You know, here's my good friend, Mr. Osborne,
00:37:19not only cultivates his intellect,
00:37:20but it is also what in their homeland they call
00:37:22a...
00:37:24a...
00:37:24Sportman.
00:37:27Since I assume you don't know English, I'll explain it to you.
00:37:30It means...
00:37:31sportsman.
00:37:34Do you understand?
00:37:36A healthy mind
00:37:37and incorporate healthy.
00:37:42We have all night.
00:37:45Let me know when he starts talking.
00:37:56Indeed.
00:37:56On clothes and on letter openers
00:37:58There are footprints that aren't even yours,
00:37:59nor of his colleagues,
00:38:01nor from Don Fernando.
00:38:02Good.
00:38:03Now we just need to find out who they belong to.
00:38:07Boss.
00:38:09Blasquez, what's happening?
00:38:10Luis has been kidnapped.
00:38:13Shit.
00:38:13And Juanito?
00:38:14He's at my house, don't worry.
00:38:15The only good thing is that we know who it was.
00:38:18Look.
00:38:21Leo and Sosborne?
00:38:22Yeah.
00:38:23Luis must have taken her wallet without her noticing.
00:38:25Who touched her?
00:38:27Just me.
00:38:28Maybe we can find something.
00:38:31But what did he do to that Englishman to make him hate him so much?
00:38:34No.
00:38:35He is nobody.
00:38:37There is an explanation for all of that.
00:38:40Dance.
00:38:41Don't talk nonsense.
00:38:42Aldanza died in the fire.
00:38:44No.
00:38:45I've always believed that it was all a trap.
00:38:48Victor won't stop me.
00:38:50Before.
00:38:52I prefer death.
00:38:58Aldanza is a psychopath who confuses police investigation with a game.
00:39:02I won that time.
00:39:04But now he wants revenge.
00:39:05But then what does Canovas's murder have to do with all this?
00:39:08I don't know, Blasquez.
00:39:10Don't know.
00:39:14Don't know.
00:39:16Aldanza loves me.
00:39:18He fears that he could prevent the attack and that is why he has kidnapped Luis.
00:39:21So everything happens because Luis won't reveal his hiding place.
00:39:24He won't.
00:39:25But I fear for his life and I have to go after him.
00:39:28No.
00:39:30Absolutely not.
00:39:31Because if his theory is correct and he ends up in jail or catches Danza,
00:39:36Canovas is a dead man, isn't he?
00:39:39Yeah.
00:39:40We are police officers.
00:39:41And saving the president comes first.
00:39:45Ross,
00:39:46Even if he doesn't sleep tomorrow morning, he'll have the results first thing.
00:39:50I promise you.
00:40:02Did he say anything?
00:40:13Sit him down.
00:40:33We have your son.
00:40:36Tell us where Mr. Ross is and you'll leave here with him.
00:40:41In jail.
00:40:44He's there, he's there, in jail.
00:40:47In jail.
00:41:00Saint of the prison!
00:41:03Bloody hell!
00:41:04Let me see.
00:41:05Ah!
00:41:08Go get that fixed.
00:41:09It's not!
00:41:18Your son...
00:41:19Come on.
00:41:20If you had it, you would have shown it to me.
00:41:24Well.
00:41:25We had to try.
00:41:28You act all high and mighty and elegant, but...
00:41:31Deep down, you're all the same.
00:41:36Give firewood.
00:41:38You're not going to tell me, are you?
00:41:41I haven't left the neighborhood, you know?
00:41:44And I only put together three or four letters.
00:41:47The thing is, the neighborhood...
00:41:51They teach you two or three things, but they last a lifetime.
00:41:56And one of them...
00:41:59It's about not abandoning your loved ones.
00:42:02And victories for my team.
00:42:05Even if seeing your son again depends on it.
00:42:08I will never see my son again.
00:42:13TRUE.
00:42:17TRUE.
00:42:20TRUE.
00:42:22TRUE.
00:42:24TRUE.
00:42:35TRUE.
00:43:03Thanks for watching the video.
00:43:13Thanks for watching the video.
00:43:38He has three broken ribs, and one punctured his right lung. He would have died anyway, even without the gunshot.
00:43:43When did they bring her?
00:43:45Early this morning. They found him right at his front door.
00:43:49It's a warning. The next one knows what awaits him if he doesn't sing.
00:43:55Commissar.
00:44:04When did they bring her?
00:44:07When did they bring her?
00:44:18When did they bring her?
00:44:27He tore off this piece of his ear
00:44:30That was in his stomach
00:44:34Are you with us or not?
00:44:40I'm
00:44:43For your son
00:44:44There can't be anyone better than Luis.
00:44:48Just because I'm a donkey doesn't mean
00:44:49I want my son to be that.
00:44:51Although I will need your help on this issue, Victor
00:44:53You'll always have her on that.
00:45:01I need to see your son
00:45:03Ror, if I let him leave and he doesn't come back
00:45:06I have been dismissed
00:45:08And the judge is waiting for news
00:45:10She will have them
00:45:16Sanchez, wait outside
00:45:24Is there any news?
00:45:29Oh God, my poor little thing
00:45:34Marina, let's go
00:45:51Have you found my father?
00:45:56He is dead
00:46:02Yeah
00:46:07I'm sorry, Juanito
00:46:09I'm sorry
00:46:11Forgive me
00:46:14Because?
00:46:16You and I saved him once
00:46:22And now he has saved me
00:46:25He has now saved me
00:46:27Come
00:46:28Come
00:46:30Come
00:47:11How's the ear injury going?
00:47:13Worse than the nose.
00:47:17Doesn't it look like Victor is here?
00:47:20Sometimes I think he's obsessed with Ross.
00:47:23If he's the only one who can stop us, why don't we kill him along with Fernando?
00:47:29Lois will never understand anything.
00:47:32One competes with the best to become even better.
00:47:36Victor is a great policeman, much better than you, in fact.
00:47:40And the label needs men like him.
00:47:44And after everything we've done to him, do you think he'd come with us?
00:47:48He will come.
00:47:49Roses like thoroughbreds.
00:47:52Wild until you catch them.
00:47:56Where could he have gone?
00:48:04Victor.
00:48:06What are you doing here? Can't anyone see you?
00:48:08No, listen to me.
00:48:11I wanted to apologize for not going to the cemetery.
00:48:15And don't worry.
00:48:16From here I'm going straight to the police station.
00:48:19I have proof that shows who killed Fernando.
00:48:21What happened, Victor?
00:48:25I was drugged, Clara.
00:48:27It was all a trap.
00:48:30I have to ask you something.
00:48:34I don't want anyone to know that we were together that morning.
00:48:37Fernando's memory doesn't deserve this.
00:48:40Sometimes I think none of this is real.
00:48:43I want to wake up and for none of this to have happened.
00:48:47It has happened, Clara.
00:48:49And it's terrible.
00:48:51But we cannot give up.
00:49:01Take care of yourself.
00:49:11I'm glad that Victor can demonstrate his inattention.
00:49:16Thanks for letting me know.
00:49:18It was the least I could do after everything you've done for me these past few days.
00:49:22Although sometimes I wonder if I'm doing the right thing.
00:49:25Why's that?
00:49:27You love Victor.
00:49:28And it's like reminding yourself of what hurts.
00:49:31And I'm the one reminding you of that.
00:49:34Well, I guess things are the way they are.
00:49:36And if there's one thing I've learned in this life, it's how to overcome adversity.
00:49:40Let's see if I can learn that subject.
00:49:43I'm sure he will.
00:49:44And it will be good for him not to be so prim and proper.
00:49:47Who went to speak?
00:49:48The Marchioness of Peralías.
00:49:52Any problem?
00:49:53No.
00:49:55Simply put, I'm not going to be a marchioness anymore.
00:50:01Ernesto's mother treated me like an idiot.
00:50:04He knows what I do for a living.
00:50:05Because if you're born a whore, you'll stay a whore.
00:50:07No, Lola.
00:50:08You can't let anyone humiliate you.
00:50:10So what am I going to do?
00:50:12Defend your dignity.
00:50:13It's the first step you have to take if you want to change your life.
00:50:22As I can clearly see, Ross never wielded the murder weapon.
00:50:25His footprints are not there.
00:50:26However, there are a lot of footprints or whatever they are here.
00:50:28These are the ones of the brigade members who manipulated said evidence.
00:50:32This is Blaskel's, Corcoles's and now comes the best part.
00:50:35Wednesday, please.
00:50:38There are traces of another person everywhere.
00:50:41Both in Don Fernando's house and in the wallet found in the house of the second murdered man.
00:50:46And whose footprints are these, in your opinion?
00:50:49De Levi Sosborné.
00:50:50We found this wallet at Luis Alconquense's house.
00:50:54As you can see, everything is very clear.
00:50:56Well, you'll be the one to say that.
00:50:57All I see here are smudges and I can't distinguish them from one another.
00:51:01They are fingerprints.
00:51:03In Argentina...
00:51:03I don't care whether it's Argentina or Paraguay.
00:51:06We're in Spain, sir.
00:51:09I understand that they want to defend and save their comrade,
00:51:12But they found him at the crime scene.
00:51:15He had blood on his hands, so it was as clear as day.
00:51:18True, but if milk contains cyanide it will kill you and it will still be white.
00:51:22The liquid must be analyzed like the bones of a crime scene.
00:51:26Don't give me orders.
00:51:28I judge based on the evidence provided by the police and on what I see.
00:51:31And I don't see anything here.
00:51:33Then get your glasses re-prescribed, you ignorant old fool.
00:51:36What century do you live in? The 18th?
00:51:37Do you want me to arrest you for contempt?
00:51:40Conchado and his mother. You can't get any more of an idiot!
00:51:43Sir, I apologize.
00:51:48Do you have anything else to add?
00:51:49Yeah.
00:51:50Don Fernando had been dead for several hours when we found Inspector Ross.
00:51:54You tell him.
00:51:55Yes, yes, at least three hours.
00:51:58And can the detainee prove where he was at that time?
00:52:05I see that's not the case.
00:52:07In that case, the prisoner will go directly to the Moncloa model prison tonight.
00:52:13Here is the order.
00:52:17Oh, try not to let him get away again.
00:52:25The model prison.
00:52:26Ross won't last five minutes, commissioner.
00:52:28that half of the criminals he has arrested are locked up there.
00:52:51That face doesn't bode well, does it?
00:52:53No.
00:52:55The judge has not accepted the fingerprints as evidence.
00:52:59Do you think I killed him?
00:53:00No, of course not.
00:53:02Whatever that record says, the evidence proves otherwise.
00:53:07I'm glad to see that you're open to new techniques.
00:53:09Yes, but that won't do him any good.
00:53:11He is being transferred to the Moncloa prison tonight.
00:53:19I will try to have him isolated in a cell.
00:53:21That doesn't worry me, sir.
00:53:24I'm worried that whoever did this will pay.
00:53:27And don't kill the president.
00:53:28Are you sure about the attack?
00:53:30Yeah.
00:53:31As for the dance...
00:53:32How is it that the dance? Isn't the dance dead?
00:53:34No, sir. He's alive.
00:53:36And tomorrow he will order Cánovas to be killed.
00:53:38I have a unit watching over the president.
00:53:40It won't do any good.
00:53:41The blonde will be assaulted.
00:53:51Well, what would you do in my place?
00:54:10Can you tell me what you're doing here?
00:54:13Come and talk to you.
00:54:15And while she's at it, take care of her husband as is his custom.
00:54:17Leave right now.
00:54:18No, I'm not leaving until I've heard everything I have to say.
00:54:22Okay, hurry up, please.
00:54:24Listen, I really can't stand people like you, who go around acting all dignified, believing that dignity is having money.
00:54:30I want you to know that it was your son who came to find me first.
00:54:33Not me to him.
00:54:34I am not a gold digger.
00:54:35I'm just doing my job.
00:54:37His work is interesting.
00:54:38Ma'am, if there were no prostitutes, I swear to you that many wives would pray for our existence.
00:54:42Where does he want to go?
00:54:43If you don't accept me, it's your loss.
00:54:45Because I could take care of her husband just like I did with my father.
00:54:48If your son is happy thinking about a boyfriend, I could give him the most handsome grandson.
00:54:52that I have ever seen.
00:54:53I have never been a mother nor have I had an abortion, just so you know.
00:54:56I would never be disloyal to your son or to you.
00:54:59Because I have the strength that you lack, which is the strength of necessity.
00:55:03The desire to escape from misery, yes.
00:55:07You may not like it, I accept it and I understand.
00:55:10But I do not deserve their contempt.
00:55:13If you had lived my life, I'm sure you would have done exactly the same.
00:55:23Lola, what are you doing here?
00:55:29Don't worry, I was just leaving.
00:55:30No, no, wait, wait.
00:55:32Have you seen?
00:55:33His friend Victor has been arrested and taken to jail.
00:55:36It's in all the newspapers.
00:55:48Well, how is that possible?
00:55:50Clara told me she had proof that it wasn't him.
00:55:53Do you speak to Clara?
00:55:54That's the least important thing right now, don't you think?
00:55:57What happened?
00:55:58The case is being handled by a judge who's older than Methuselah and didn't validate any of the evidence.
00:56:02of the tests.
00:56:03I don't rule out that he was under pressure from above not to let Ross go.
00:56:07What bastards?
00:56:09It's all been a scandal, with more noise, more haste, and more exemplary punishments.
00:56:13Lola, if I told you the number of crimes that have been solved by condemning innocent people.
00:56:19But there's nothing that can be done then.
00:56:22The only solution would be for Clara to say that she was with him that same morning.
00:56:26And was she there? She told me herself.
00:56:27Before ten.
00:56:29I would need to lie, to say that she was with him until at least 12:30.
00:56:33Well then, let him lie.
00:56:34The problem is that Victor doesn't want her to testify.
00:56:37He thinks that would tarnish the honor and memory of Don Fernando.
00:56:41As?
00:56:43Are we going crazy or what's going on?
00:56:45I just don't understand how people can be so stupid.
00:56:47Honor.
00:56:49What good is it if they're just going to beat you, right?
00:56:51I believe that when necessity is the mother, neither honor nor anything else matters.
00:56:54Or is that not the case?
00:56:55I think the same as you.
00:57:00Now we'll see if Mr. Ross prefers to spend the rest of his life in prison or join us.
00:57:06Anyway, this is the appointed day.
00:57:09Let's go over everything, Osborne.
00:57:10According to the president's schedule, a journalist from Le Journal will interview her at four in the afternoon.
00:57:17The journalist, a certain Routier, has hired the services of a photographer from El Heraldo.
00:57:23How good is De la Rubia at photography?
00:57:25I'm sure I'll make an unforgettable portrait.
00:57:28Here is everything you asked us for to change your image.
00:57:31And the camera, of course.
00:57:35De la Rubia is your guarantee today.
00:57:38Very few people go down in history for having killed a president.
00:57:42And far fewer are those who come out alive.
00:57:45You will do it.
00:57:46I need it for other companies.
00:57:49Here's the perfect route to get out of there.
00:57:53Study it and then you'll know what to do.
00:57:56Osborne will be waiting at the entrance to hear the gunshots to know that everything has gone well.
00:58:00And do I do it?
00:58:02Then I go back to my hiding place to wait for them to come and get me.
00:58:06Very good.
00:58:08The lesson has already been learned.
00:58:09Now all that remains is to apply it.
00:58:15I knew you were going to ask me about slavery, Blondie.
00:58:19It stands to reason.
00:58:21His support for the Alfonsine National League, which defends the slave trade, is widely criticized throughout Europe.
00:58:27For England, for France, for Holland.
00:58:30They all got rich off the slaves.
00:58:34One last question.
00:58:35What does politics mean to you?
00:58:39Politics is the art of applying, at each stage of history, that part of the ideal that circumstances dictate.
00:58:47makes it possible.
00:58:48In politics, what is not possible is false.
00:58:58Excuse me.
00:58:59I received them from the herald.
00:59:00Come in, come in.
00:59:01Nothing else.
00:59:02It has been an honor, President Cánovas.
00:59:04Thanks a lot.
00:59:05I hope I can give them to you when I read that you have written what I told you, without making anything up.
00:59:11Stay calm.
00:59:12Bye bye.
00:59:14I will stop by your newspaper's offices to pick up the photographs.
00:59:17Very good.
00:59:26It will take a long time.
00:59:28I have to govern a country.
00:59:30Don't worry.
00:59:32It will be a second.
00:59:55Lola.
01:00:00Thank you, you can go.
01:00:03Are you here for Victor?
01:00:04And why else would it come if not?
01:00:08You have to declare that you were with him, Clara.
01:00:10Vázquez told me that it's the only way to get him out of jail.
01:00:12And you have to lie if necessary.
01:00:14I can't do it, Lola.
01:00:16Victor asked me not to do it.
01:00:17And who are you doing this for?
01:00:19For Fernando or for Victor?
01:00:22You once told me to fight for my things, didn't you?
01:00:24Well, now it's your turn to fight for yours.
01:00:27It is not the memory of the dead that matters, but the memory of the living.
01:00:32If I could talk to Fernando right now, he would tell me the same thing as you.
01:00:36Do not doubt him or his memory.
01:00:37Well then, do what poor Fernando tells you, not what Victor tells you.
01:00:44Good.
01:00:46Everything has gone exactly as we had planned.
01:00:50Despite all his doubts.
01:00:52We know nothing about cannabis.
01:00:55We heard the gunshots.
01:00:57Don't worry.
01:00:59When these things happen,
01:01:01if the attack is not in the middle of the street,
01:01:03The wall of silence is lifted.
01:01:06And do you still plan to rescue Victor?
01:01:09We cannot afford to do without a police officer like him.
01:01:16The blonde one?
01:01:32It's a trap.
01:01:34I'm walking!
01:01:35Come on!
01:01:36Come on, police!
01:01:41I'm walking!
01:01:42He sold us out about the blonde.
01:01:48He had no other choice.
01:01:50And neither did his men.
01:01:52Victor.
01:01:55I already told him he was very good.
01:01:58Come on, damn it.
01:01:59It is true that he was alive.
01:02:05We already know who ripped off half his ear, Luis.
01:02:08He still has his other ear and his tail.
01:02:09If you want, we can finish the job, boss.
01:02:12So he escaped the fire.
01:02:15So what about the corpse that was with his ring?
01:02:18It belonged to Gerardo de la Calle.
01:02:22TRUE.
01:02:24It's a shame I can't travel to Paris.
01:02:27It's a beautiful city.
01:02:31He also killed his butler.
01:02:34It had to look like there were no survivors.
01:02:36To checkmate the king,
01:02:38Sometimes it is necessary to sacrifice a dolphin.
01:02:41What the hell is this guy saying?
01:02:42My fucking idea.
01:02:44Take Osborne away.
01:02:45And to the others.
01:02:46I want to be alone with Alganza.
01:02:50If you need help, call us.
01:02:53We'll be out.
01:03:03Tell me how you did it.
01:03:06I believed he was in jail.
01:03:09I was never there.
01:03:11Buendía and I devised a secret plan.
01:03:13Well, what would you do in my place?
01:03:15I would look at the president's schedule.
01:03:17See if he has any events with other people.
01:03:19So it won't be an attack on usage.
01:03:21No.
01:03:22The blonde doesn't have that style.
01:03:24He is much more theatrical.
01:03:25So what do we do?
01:03:27Act with great caution.
01:03:29One or two men at most.
01:03:31And wait for the right moment.
01:03:32Two men.
01:03:33So, you and I are at odds.
01:03:36But the model's record shows her income.
01:03:39A friend from Luis's band replaced me.
01:03:46That same night, Buendía had learned of Cánovas's schedule for the following day.
01:03:52And we saw that he had hired a photographer from the Herald.
01:03:56It was the perfect setting for the blonde.
01:03:59We just had to wait for him there.
01:04:11You'd better let go, Sierma.
01:04:28Are you crazy?
01:04:29This is an attack.
01:04:30And it has to continue to look that way.
01:04:34And I assumed he would have someone on standby to listen for the gunshots.
01:04:38How did you manage to convince the blonde to collaborate with you?
01:04:43We agreed to replace life imprisonment with serving the homeland in Cuba.
01:04:47He'll never get there.
01:04:49He will escape.
01:04:50I know.
01:04:51But if you have to choose a dish, the stew is better than the dessert.
01:04:57You are brilliant.
01:05:00But he's fighting on the wrong side.
01:05:03We had the possibility of ending that war.
01:05:05And to prevent thousands of young people from dying in Cuba.
01:05:08My job is to be a police officer.
01:05:09Whether I like it or not.
01:05:10Well, his job...
01:05:12...has prevented a future agreement with the United States.
01:05:15I don't give a shit about the United States.
01:05:16They are the future, believe me.
01:05:19And sometimes the future is worth more than a president.
01:05:23Future.
01:05:27Do you want me to tell you about my future?
01:05:29Tomorrow I'm going to bury my best friend.
01:05:31And tomorrow I won't be able to talk to my godfather because you, you son of a bitch, have killed them.
01:05:36It has taken away their future.
01:05:38And the present has screwed me up.
01:05:49Is he leaving already?
01:05:51Aren't you going to stop me?
01:05:59You're a dead man, Aldanza.
01:06:01And the dead are not stopped.
01:06:14They're from Luis's gang.
01:06:15They were very eager to meet him.
01:06:18Don't worry, he won't survive this time.
01:06:22Wait!
01:06:23If you think that eliminating me will end the nightmare, you are wrong.
01:06:27The Brandenburg Seal is much more than a person.
01:06:30After me, there will be another.
01:06:33I'll be waiting for you.
01:06:34You'll never know when we're watching you.
01:06:37To you.
01:06:38To Clara, to the people she loves.
01:06:41We're going to change the world, and you'll be on the wrong side.
01:06:46I don't want to change the world.
01:06:48I'm happy just cleaning my backyard.
01:06:50And without you, it will be resplendent.
01:06:53I assure you.
01:06:58All yours.
01:07:01She!
01:07:14No!
01:07:16No!
01:07:19No!
01:07:37I hope he speaks well of the Spanish police in Argentina.
01:07:40Yes, of course I will.
01:07:42They're not very organized, but they improvise wonderfully.
01:07:45The thing is, the bullfighting tasks are handled depending on the bull, Mr. Pecorelli.
01:07:50Don't worry, sometimes we don't understand her either.
01:07:52Thank you so much, really.
01:07:54And we feel that the first meeting was so unusual.
01:07:57Yeah, you don't get kidnapped every day, do you?
01:07:59No.
01:07:59If we have to kidnap you again to get you to come back, we'll kidnap you.
01:08:03No, don't worry.
01:08:04I had a much better time in Madrid these past few days than in my entire career in Buenos Aires.
01:08:08Look, here comes your gift.
01:08:10As a gift?
01:08:12I'm sorry I couldn't arrive earlier.
01:08:14For me?
01:08:16We hope you like it.
01:08:18I'm sure he was expecting a medal.
01:08:20It is requested.
01:08:21The problem is that in Spain, the paperwork process is quite slow.
01:08:26This gift is perfect, I swear.
01:08:29And I'm really sorry that the fingerprint thing didn't work at all.
01:08:32No, you did everything you could and more.
01:08:34But the judge doesn't understand that...
01:08:36No, no, but the judge shouldn't worry.
01:08:37That's all sorted.
01:08:45I told you that you didn't have to declare anything.
01:08:48But someone convinced me to do it, and I'm glad I did.
01:08:51But it's Fernando's memory, and you didn't have to lie.
01:08:55Furthermore, another judge would surely accept the evidence.
01:08:59Admissible fingerprint evidence?
01:09:01Please, Ros.
01:09:02This is Spain.
01:09:04Only their grandchildren will see it.
01:09:05And if a truth needs a little lie to shine, then so be it.
01:09:10No?
01:09:12Well.
01:09:13I'm going now, I'm sure you all have plenty to talk about.
01:09:16Venese.
01:09:19Who convinced him?
01:09:21Rázquez?
01:09:22No.
01:09:23It was Lola.
01:09:24And I think you should thank him for that.
01:09:29I'm glad everything has been resolved.
01:09:32And that in the end, the murderer of my classmates has finally paid for what he did.
01:09:36Thank you for coming to let me know.
01:09:38It's the least I could do.
01:09:40Although I know you would have preferred someone else to come.
01:09:45You are enough for me.
01:09:50Do you have anything else to tell me?
01:09:53I never quite understood the affection that Don Armando felt for you and now Victor, but I finally understand it.
01:09:59And people can say whatever they want, but...
01:10:04I sincerely believe you are a great lady.
01:10:06In no uncertain terms.
01:10:10Thank you so much.
01:10:16Sorry, I didn't know you were busy.
01:10:19I was just leaving.
01:10:21Okay, Lola, so whatever you need, whatever it is, you know where to find me.
01:10:30Why have you come to say goodbye?
01:10:33No no.
01:10:34I came to ask you what you said to my mother.
01:10:36Oh, she's still angry.
01:10:38No, quite the opposite.
01:10:39Please accept our marriage.
01:10:43Really?
01:10:45Yeah.
01:10:46I've never wanted to hug a woman so badly.
01:11:05Did he die a hero?
01:11:08Yeah.
01:11:13I'm afraid.
01:11:15About what?
01:11:18If I never see him again.
01:11:21If I don't remember him.
01:11:27I will always remind you of that.
01:11:32We'd better leave.
01:11:46Inspector Ross.
01:11:47Inspector.
01:11:48Hello good.
01:11:50I don't know if he remembers me.
01:11:51Yes of course.
01:11:52Mostenés Pérez, right?
01:11:53The gravedigger.
01:11:55He helped us solve a case not long ago.
01:11:57How are you?
01:11:58How are you?
01:11:58Good, good, good, good, good, very good, very good.
01:12:01If I could speak with you for a moment.
01:12:03I was going to go to the police station, but right at the door they told me you were here.
01:12:07What's happening?
01:12:09Well, if you would be so kind as to accompany me alone.
01:12:14Is it for that one at the door?
01:12:17Please follow me.
01:12:25I ran into him this morning.
01:12:28Of course, if it's a joke, you must have very bad taste.
01:12:32This is not a joke.
01:12:35It's a warning.
01:12:36This is not a joke.
01:13:13This is not a joke.
01:13:40This is not a joke.
01:14:22This is not a joke.
01:14:23This is not a joke.
01:14:23This is not a joke.
01:14:30This is not a joke.
01:14:31Thanks for watching the video.
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