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00:26Thanks for watching the video.
00:30No, no, ma'am. I would be incapable of doing that, wouldn't I?
00:34Of course. You're not a chemist.
00:36No, no, ma'am. I did study and I know my profession.
00:41And that formula was fine.
00:43But, but I don't know. It's just that everything that happened was very strange.
00:47No, no, sorry. But the only strange thing here is you.
00:51You, whom we don't even know who you are.
00:54Look, I had you investigated and it turns out you're a fraud.
00:59So I imagine she understands when I tell her she's fired.
01:03No, no, ma'am. Please, I, I need the job.
01:07Ah, no, that's all I needed.
01:09And you know what? Get out of here.
01:13Be grateful I'm not taking her out safely.
01:16You know what? I could send you to jail because you're an identity thief.
01:22Get out of here.
01:24Thank me for letting her go.
01:26Go away, I don't want to see you in this building for another minute.
01:29Long.
01:34They're not taking it!
01:36My little boy hasn't done anything wrong.
01:38They're not taking it!
01:39Okay, okay, Pedrito, my love, okay!
01:41But why are they taking him away!
01:45Tell me you're going to get him out of jail.
01:48Tell me about it.
01:50My love.
01:52Of course, my love. I promise you.
01:54Look, of course.
02:01Where are you going?
02:03Your work here is not finished.
02:05I need to talk to Marixa and find out what happened.
02:08Marcos, now.
02:10Stop making up excuses to run after that girl.
02:14Here we have a very serious problem.
02:17That's precisely the problem I want to solve, Dad.
02:19I need to investigate what happened.
02:21Investigate? What are you going to investigate?
02:24That makeup won't work.
02:25It's useless.
02:26You can't defend the indefensible.
02:29Dad, I took responsibility for hiring Marixa Ferrer because I believed in her.
02:33And I know for a fact that that formula was perfect.
02:35Now I have every right to find out what happened, and that's what I want to do.
02:39Gabriel, please, at this rate and with such a lack of discipline, we're never going to finish.
02:44With so many delays and problems, this campaign is costing me an arm and a leg.
02:50I want solutions.
02:51Solutions.
02:52You'll have them.
02:53Give me until tomorrow and you'll have them, please.
02:58I'm going with you.
02:59Xiomara, you can't come with me because I'm extremely busy, okay?
03:02Clear.
03:04Busy with that girl, huh?
03:06Because now the only thing you care about in the world is that woman.
03:09You know what?
03:12I'm not going to argue with you.
03:14Listen to me, Marcos.
03:16Marcos.
03:18Marcos!
03:20Marcos, are you leaving already?
03:21Well, come on, I need to talk to Marixa.
03:24Hey, after the scene that girl made, are you still going to look for her?
03:27You're beyond help, my brother.
03:28I know she's not responsible for this and I need to see what happened, so let's go.
03:33Camila.
03:41Mommy, why is she so sad?
03:44I brighten her day with a few drinks.
03:47Mamacita.
03:54Oh, gorgeous mama!
04:01We walked all over the neighborhood, but nothing.
04:03There is no sign of Pedrito.
04:05No, and Luzmila doesn't appear either, teacher.
04:08Oh, I think that kid got lost.
04:10Already.
04:10Oh, girl.
04:11You never get rid of your children, never.
04:15No.
04:15Oh, that child is going to appear.
04:17Yeah.
04:18So, Juliana, have you arrived yet?
04:21No, not either, Mrs. Regina.
04:23That strange?
04:24If he's always here at this time.
04:28Julianita, my love, what happened to you?
04:30Why are you crying?
04:31Why was I fired?
04:34I was fired from my job.
04:38In that way?
04:39Because?
04:40Because?
04:42Why did the formula fail?
04:44The formula I invented failed and...
04:48And he started to see people's skin.
04:50In that way?
04:50Who fired you?
04:52Huh?
04:52Was it Muti?
04:54Was that wretch?
04:55Oh no, Mommy.
04:57It wasn't a man you don't even know who came to them.
04:59He wasn't there.
05:00But I swear it wasn't my fault.
05:03I swear.
05:04Just when we had moved into our apartment and...
05:07And we brought all our things.
05:09And what for?
05:10So that?
05:11So that we can't pay.
05:12And of course, don't lie down again.
05:15Oh, Juliana, you're useless.
05:17You are a...
05:17Useless.
05:20Damn Gabriel Muti!
05:23Damn you!
05:24What are you saying, Barbara?
05:26Give it to me, you hear me, sweetheart.
05:28That young lady does not appear in the official government records.
05:33So Maritza Ferrer is a fraud.
05:37That's very serious, Barbara.
05:41I have to admit you were right.
05:45Marcos is...
05:47Marcos is much more naive than he appears.
05:50See?
05:51Do you see why I'm telling you that you can't give him so many responsibilities?
05:55Barbara, please, when Marcos arrives, tell him what's happening.
06:00I have no idea how he's going to react, because he ran out of here, ready to defend himself at all costs.
06:05place
06:06Maritza Ferrer's work.
06:08Well, Maritza Ferrer or whoever that woman is.
06:13Don't worry.
06:14Your son is already here.
06:16Well, it's my turn, I'll tell you.
06:19Clear.
06:20A kiss, sweetheart.
06:21Bye.
06:22Where is Maritza?
06:24I was told that he was talking to you when he arrived.
06:27Well, I don't know.
06:28And I don't care.
06:30What I can tell you is that Maritza Ferrer no longer works at this company.
06:36I fired her.
06:38By what right, if I hired her?
06:40I am responsible.
06:42And who decided on his fate in this company?
06:44Well, in this case you're wrong.
06:47Because we're not simply talking about a woman who lacks the slightest notion of makeup.
06:52We're talking about something more.
06:54Something very delicate.
06:56The Maritza Ferrer person does not exist.
07:01That name is fake.
07:04That woman is a liar.
07:07A fraud.
07:26Mommy, mommy, how could you call Mr. Muti?
07:29No, Mommy, you can't.
07:30You don't even know him.
07:32It's about time someone put that bully in his place.
07:36He can't just kick you out like that.
07:39Furthermore, you are Regina Soler's daughter.
07:43Nothing more and nothing less.
07:45So, Mommy, Mommy, I'll get another job, okay?
07:49And even better.
07:50But please, don't call him, I beg you.
07:54Regina, don't do anything stupid, we're already very worried about Pedrito.
08:00With Pedrito?
08:02And what about Pedrito?
08:03Well, he didn't go into school when Luzmila dropped him off this morning, and the poor girl is running around like crazy looking for him everywhere.
08:09parts.
08:10Oh my God, but then what are we doing here? Let's go look for him, shall we?
08:13Of course.
08:14Come on, my dear friend.
08:15Mommy, let's go.
08:16Little Peter?
08:17Oh, Pedrito.
08:18Pedrito, my love, come here.
08:20What happened to you?
08:21Luzmila, what happened?
08:23The police took my dad away.
08:27I don't know, I even thought about calling the police to take her away.
08:31But no, no.
08:32In the end, I decided to simply fire her.
08:34Of course, I didn't want to cause a scandal at this company.
08:37Anyway, you shouldn't have made this decision on your own.
08:42Why didn't you tell me when you found out?
08:44I had to know and decide.
08:46Look, I think I made the best decision.
08:49Well, I don't think so.
08:51And you know what?
08:53I'm going to get to the bottom of this because this can't go on.
08:56Oh, Marquitos.
08:58You don't know how much it hurts me to see you like this.
09:02Look.
09:03I think the best thing is for you to forget about that woman.
09:06Hey, admit it.
09:08He fooled us all.
09:11It's a scam.
09:12She's a gold digger, and she might be something worse.
09:15She may be a criminal.
09:19This can't be true.
09:22This is impossible.
09:25Poor Juliana.
09:27What happened, teacher?
09:28Why does he have that face?
09:29It's Regina.
09:31You definitely can't work with her.
09:33She went to the company where Juliana works
09:36because he got it into his head
09:38that he had to talk to Mr. Muti.
09:40With the owner?
09:41With the owner.
09:42And the worst part is that I'm sure
09:44that she's going to get my goddaughter into terrible trouble.
09:48Poor Juliana.
09:50I couldn't persuade Regina.
09:52I couldn't.
09:54Juliana will never forgive me for this.
09:56I know.
09:57I know.
10:04This itches horribly.
10:05What is this?
10:11This is proof
10:12that you are a fraud.
10:16Maritza Ferrer
10:18It does not exist.
10:29Don't cry, Juliana.
10:31We're going to get my dad out of jail right now.
10:37I already spoke with my people
10:38And believe it or not
10:39We've almost finished everything for the commercial.
10:43We broke records
10:44with the whole show
10:45of your little headache, eh?
10:48Marcos.
10:50Marcos, are you listening to me?
10:52No, sorry.
10:54I am looking for Maritza's resume
10:56and...
10:57nor anything that appears.
10:59I warned you.
11:00She is Jennifer Lopez
11:01with a false name.
11:02I'm serious, Charlie.
11:03I'm serious, man.
11:04I need to speak with Maritza,
11:05But no matter how much I look for it
11:07I can't even find their address
11:09nor his phone.
11:09Look, don't stress, okay?
11:11If you don't have their address
11:13nothing to be done.
11:15I don't know what to do.
11:16Hey, don't you remember?
11:17from the dance academy
11:18That one we went to the other day?
11:19And how could I forget?
11:20if they still hurt
11:21the blows they gave me?
11:23Although kisses
11:24of the dancer
11:24They were very tasty.
11:25There's a friend of hers there.
11:27that maybe
11:27Can you locate me?
11:29Where to find Maritza.
11:31Okay, then?
11:32I'm in.
11:32I'm going with you.
11:33That's right, hold on tight!
11:34because if we run into each other
11:35to the guy from the other day
11:36we're going to have
11:37You have to hit people, huh?
11:38Whatever comes, comes.
11:39But we have to go.
11:40I have to find out
11:40What is happening?
11:43The man is going to have
11:44to spend the night here
11:45because they're sending it tomorrow
11:46for the central prison.
11:48Oh no.
11:49No, you can't do that, sir.
11:50That prison is very dangerous.
11:52Hey, boss,
11:54Lieutenant Lozada
11:55He still works here.
11:56Yeah.
11:57He's the commander, why?
11:59I need to talk to him.
12:01Good.
12:02Then walk
12:03to see if he receives it.
12:04He is my student at the academy.
12:06Sorry?
12:08I'm not promising anything.
12:11But I'll see.
12:11if you can help us.
12:12Oh, cousin, cousin,
12:13I hope you can do something.
12:19Please, sir.
12:20We didn't come
12:21looking for trouble.
12:22I just want to see
12:22that girl
12:24who helped me the other day.
12:25That's all.
12:25To Luzmila?
12:26Yes, yes.
12:27I need him to see me
12:28some information from a friend of hers.
12:29From a friend?
12:31It must be Juliana's, then.
12:33i guess.
12:34No, her name is Marixa.
12:37Marixa Ferrer.
12:38Marixa Ferrer?
12:40No, I don't know her.
12:42In any case,
12:44Luzmila is not here
12:44because he's working on solving problems
12:45a personal matter.
12:46Marixa Ferrer.
12:47Well,
12:48If you'll allow me,
12:50I would like to wait for her.
12:51It's really
12:52I really need to talk to her.
12:53Well,
12:54Then you'll have to forgive me,
12:55But they have to wait for her
12:57outside
12:57because I'm teaching.
12:58No, no, no, teacher,
13:00wait,
13:00Don't be such a mean person.
13:02Let them in.
13:04It's great to see you, Charly.
13:05I agree.
13:07Lovely.
13:08Let's dance.
13:08Come on.
13:47Oh, what a misfortune.
13:50Now,
13:52Juliana unemployed
13:53me too,
13:53How am I going to pay?
13:54because of my liposuction?
13:55As?
13:56Mister,
13:57as?
14:08And who's there?
14:23What are you doing here?
14:44Answer me.
14:46Who are you?
14:47What are you doing here?
14:48I,
14:50I am Marcos,
14:51a friend of Luzmila.
14:53A friend of Luzmila?
14:55And what is he doing here?
14:57How did he dare to enter?
14:58The truth,
14:59I was looking for a bathroom,
15:00But excuse me,
15:01You are absolutely right.
15:02I have no right
15:03to be here,
15:04So, with your permission.
15:06Excuse me.
15:10A friend of Luzmila?
15:13That young man
15:14She has a lot of class.
15:15to be friends with Luzmila.
15:31So you
15:32He is a friend of Luzmila.
15:34Is it strange that a girl
15:36like her
15:36have a friend
15:37Like you?
15:39Regina Soler,
15:41model in period
15:42vacation,
15:43soon to return
15:44to the catwalks.
15:45Well,
15:46It's a pleasure.
15:46And please forgive me.
15:48one more time,
15:49Yeah?
15:50Did he come to class?
15:51dancing?
15:52Because if he doesn't have a partner,
15:53I can teach you
15:55a couple of steps.
15:56No,
15:57to be honest no.
15:58I didn't come here for that.
15:59I don't like it
16:00be around
16:01of these people,
16:02You know?
16:02what happens
16:03I'm fascinated by it.
16:04the dance.
16:06I'm used to it
16:07to devastate me
16:08with people
16:08of higher category.
16:11Do you understand?
16:12Yeah,
16:13clear,
16:14Of course he understands.
16:15Do you know that
16:15my daughter too
16:16is surrounded
16:17from important people?
16:19Do you know where
16:20Does my daughter work?
16:22in a company
16:24international
16:25of great prestige.
16:28How did you tell me
16:29What was it called?
16:30Regina?
16:32What are you doing here?
16:33Didn't you feel
16:34very badly?
16:35I was waiting
16:36to Juliana.
16:37He hasn't returned yet.
16:39Better
16:39Go home
16:40and lie down
16:41It's already very late.
16:42Alright,
16:44But if you see Juliana
16:45you tell him
16:46I'm waiting for her.
16:47Yes, ma'am.
16:49I loved it
16:50to meet him.
16:51Likewise.
16:52Excellent.
17:00Mister
17:02Wall,
17:03Do you think
17:04that Luzmila
17:04Will it take a long time?
17:06The thing
17:07It's complicated.
17:09Commander Lozada
17:10told me
17:10that was
17:11hurry
17:12the process
17:12so that they can
17:13pay the bail
17:14and Peter comes out
17:14today.
17:16Oh no,
17:16Dear God,
17:17And where am I from?
17:17I'm going to withdraw the money
17:19with poverty
17:19Making up?
17:22Oh, Nino,
17:24Child.
17:28We need to get
17:29the money.
17:31Oh, Nino,
17:33I know
17:33that you are saving
17:34for a car,
17:35But lend me the money
17:36And I swear
17:36I'll pay you.
17:37How are you going to pay me back?
17:38if you stayed
17:39Unemployed, Juliana?
17:40Well yes,
17:41But I get another one,
17:42I assure you.
17:45OK that's fine,
17:47But swear to me
17:48that you pay me.
17:49I swear,
17:50I swear.
17:52Can I ask you
17:53Another favor?
17:54Can you get me
17:55have him talk to Pedro
17:56right now?
17:57Yeah,
17:58And I'll take care of it.
17:59that imposter
18:00I can't get a job
18:01nowhere.
18:03Perfect, cousin.
18:05I never imagined
18:06that you were going to receive me
18:07with this great news.
18:09Hey,
18:09But who would have thought
18:10that chick
18:11Was she an imposter?
18:12I don't know.
18:14I don't know
18:14with what intentions
18:15That woman snuck in
18:16in this company,
18:17But I'm going to find out.
18:19Know?
18:20It could be a
18:21saboteur
18:21of the competition.
18:23Any
18:23Let that be the plan
18:24that I had,
18:25Everything went wrong for him.
18:26You should have seen
18:27the face he made
18:28when he started
18:29to sting the body
18:30to the models
18:30because of that makeup.
18:33I told you I had
18:34Everything is under control.
18:37Cousin,
18:37You have to trust me,
18:38Hey?
18:40So what?
18:41Shall we make a toast?
18:43The truth,
18:44I still
18:44I'm not declaring victory yet.
18:47Marco returned
18:48desperate
18:48to look for her.
18:49He says that
18:50clarify what happened.
18:51Imagine.
18:53He won't be able to.
18:55In the documents
18:57of that woman
18:57There isn't even a telephone.
18:59not even an address.
19:01I already reviewed them.
19:03So let's celebrate!
19:05Let's make a toast.
19:07Because that woman,
19:09Maritza Ferrero,
19:10whatever it's called,
19:12It's already history.
19:13Marcos,
19:14It's entirely yours.
19:17Phallus!
19:30Really,
19:32Had you never danced before?
19:32one of these,
19:33puppy?
19:34Never.
19:35Oh,
19:36But who do you hang out with?
19:38Well,
19:39with Marcos.
19:41Just look at it.
19:42Oh,
19:43And why is he a man?
19:44So much for rain?
19:45No, uh.
19:48He likes it very much
19:49the blowout,
19:50but,
19:50But since he didn't find it
19:51the friend who came
19:52to search.
19:53Hey,
19:54Don't you know Maritza?
19:55A friend of Luzmila.
19:58The only friend
19:59from Luzmila
20:00that I know
20:01Her name is Juliana.
20:02And she's ugly.
20:03that's around
20:04acting like a troublemaker.
20:05I can't stand her.
20:06I can't stand it
20:07to hypocritical people.
20:09Get me out of here!
20:10Damned!
20:11Get me out of here!
20:12unfortunate!
20:18Lieutenant!
20:19Lieutenant!
20:19He doesn't know!
20:20what I am capable of!
20:21They'll regret it!
20:23Get me out!
20:25Get me out!
20:25Juliana.
20:27Juliana,
20:27help me get out
20:28from here,
20:28please.
20:30Of course we'll go
20:31to help, Pedro,
20:32but with three conditions.
20:35Three conditions?
20:41What a scare!
20:42The one you gave me, Dad.
20:43I thought you were going
20:44to leave locked up
20:45forever.
20:46No, son,
20:46don't worry.
20:47They're all brutes here.
20:48They got the wrong person.
20:50Yes, very brutal.
20:52But your dad
20:54He has something to tell you,
20:55Right, Pedro?
20:58Yeah,
20:59After much thought,
21:01I want to move in with you
21:03And with your mom, son.
21:05Oh,
21:05you're talking
21:06Seriously, Pedro.
21:07Very seriously,
21:08I told you I was going to change
21:09And I'm going to do it.
21:15Ah, Nino,
21:17Thank you for lending me
21:18the money.
21:19I swear I'm going
21:20to work hard
21:20And I'm going to pay you for it.
21:26Look, also,
21:28I found a wallet
21:29from a student of Tapia
21:30and I'm going to give it back to her.
21:33This is a miracle.
21:34Peter,
21:35really,
21:35It's a miracle.
21:41Sirs,
21:42I'm sorry about you,
21:43But it's about time.
21:43to close.
21:45See you later.
21:46I think that
21:47Luzmila is taking a long time
21:48because it is solving
21:49a problem
21:49very delicate.
21:51A delicate problem?
21:52Uh-huh.
21:52Well, I could help her,
21:53if you'll allow me.
21:54She was very special.
21:55with me the day we come.
21:56She doesn't need
21:58your help, young man,
21:59But anyway,
22:00thank you so much.
22:01Oh well,
22:01leave,
22:02but tomorrow morning
22:03I'll be back early.
22:04I need to talk
22:05with her
22:05something very important.
22:06Sure, sure.
22:07Bye bye.
22:08See you later.
22:09Charlie, now,
22:09Let's go, shall we?
22:11Thank you.
22:12See you later.
22:12Thank you.
22:14Hey,
22:16lovely,
22:16So what then?
22:17We're going to follow her
22:17Somewhere else or what?
22:19And where are you going to take me?
22:21Wherever you want,
22:22my queen.
22:48And where are you going to take me?
23:23So what, Marcos?
23:25Shall we continue from here?
23:26somewhere else?
23:26No no,
23:27the truth,
23:28I'm not in the mood,
23:30I am married,
23:30But you go ahead.
23:31Well,
23:31then we moved on
23:32and we'll take you home
23:34Ginger and I
23:35We're going to leave
23:36from here.
23:37That's lovely.
23:39Is this your car?
23:40Let me introduce you to
23:42my car.
23:45It's good, isn't it?
23:46Yeah.
23:48It's still
23:49just
23:49with Marcos's,
23:50Hey?
23:53Marcos?
23:54What are you doing here?
24:01That?
24:02in the Stereo.
24:11On the Stereo.
24:18Hey, Nino!
24:20Child!
24:20Will you open the door for me?
24:23Will you open the door?
24:24Please.
24:26I forgot something.
24:27The hairbrush.
24:29Yeah,
24:30down there.
24:31Hence.
24:34No, no, no, no.
24:36Under the chair.
24:39That?
24:41That?
24:42That?
24:43That?
24:43That?
24:44That?
24:44No, no, no, no, it's not here.
24:47No.
24:52Hey godmother, what's wrong?
24:55Hey, little sister, come here, let me tell you.
25:05Marcos Muti was here.
25:09Oh.
25:11Are you sure?
25:14Yes, absolutely.
25:15He and his friend Charlie.
25:17What's more, they got into a car with Gigi.
25:20Oh no, little sister.
25:21Thank goodness you entertained us, Nino.
25:23because wherever I had seen them,
25:24What a mess, my friend.
25:26Well, Mila, you know what?
25:29The boys came to look for you
25:31who started the fight here the other day.
25:34Me?
25:35Yeah.
25:36One of them told me that he needed you.
25:38for something very important.
25:40He asked me if you knew someone like that,
25:44What was it like?
25:46Maritza, I don't know what.
25:49Julianita, it's time for you to go home.
25:52Your mom must be worried sick about you.
25:54To our department?
25:56Yes, of course, you already know her.
25:59As soon as he learned that the landlord had given the green light,
26:01He didn't want to stay here for even a minute longer.
26:04But don't worry
26:05that everything is already there.
26:07Oh, thank you so much, godfather.
26:11Luzmila,
26:13I'm glad everything turned out well.
26:20I'm going to put the child to bed.
26:23We'll be waiting for you upstairs.
26:24Well.
26:26Oh, it's going up now.
26:29My love.
26:36Marcos Muti,
26:37Marcos Muti is looking for you, friend.
26:40No, no, that was Mrs. Barbara
26:42He already told her that Maritza Ferrer doesn't exist.
26:46Oh, Luzmila,
26:47At the very least, he's going to ask about me again.
26:49And what are we going to say to him, huh?
26:52Don't you want a drink, cousin?
26:55I help you forget your sorrows.
26:58She has cried so much since she arrived
26:59That's why I allowed him to see me.
27:02But all of this is Marcos's fault.
27:05Marcos, that sounds familiar.
27:09Of course, I had a boyfriend named Marcos
27:12and I was going to marry him.
27:15But I have no one left.
27:19That witch took it from me
27:21And I have no one.
27:23Samara, please, calm down, calm down.
27:26Look, the best thing is that...
27:27It's just that you should go to sleep, come on.
27:29No no.
27:31I don't want to sleep.
27:33I want to die!
27:35I want to die!
27:36Because Marcos
27:37He just wants to be with someone else.
27:41And you know what the worst part is?
27:42Because I want to be with him.
27:45Yes, I know.
27:46I love him.
27:47I know.
27:47I'm in love with...
27:50I'm in love.
27:55No.
27:56I think it's best if I take you to your room.
27:59I would have been tired.
28:00And you need to rest too.
28:02I'm in love.
28:10Not so fast.
28:12With her cinnamon body.
28:15And that's how it works for me, and what I know.
28:18I like it.
28:19And that's how it works for me, and what I know.
28:21My sadness and impatience are leaving me.
28:24And that's how it works for me, and what I know.
28:26But...
28:27I don't know.
28:29Here.
28:30If you want, we can go to my house.
28:34But don't make that face, friend.
28:37Look, don't worry because...
28:40Because something's up with this little chest...
28:41She'll think of something in case that man comes back.
28:44Well.
28:45Hey.
28:47Oh, Routes.
28:48Could it be that that angel there realized he was completely hooked on you?
28:53No?
28:54Oh, friend.
28:56My dear friend, please.
28:58After everything that happened...
29:00No, I know that...
29:02All you want is to complain to me about the fake documents and the formula that failed.
29:08But I swear it was perfect.
29:11Okay, but then you won't think about it anymore.
29:13No, ma'am.
29:14Go to that company tomorrow and face everything.
29:17And you clarify absolutely everything.
29:18And with what face?
29:21No, they are right.
29:24I'm just a bystander.
29:28I'm just a woman pretending to be someone else.
29:31What is it?
29:36I'm not going to see him again.
29:41I...
29:42For the first time in my life...
29:45I had developed feelings for a man.
29:49Oh, Auntie, why did you get me into this?
29:55What am I going to do now?
29:58You will do what you have to do.
30:01Aunt...
30:02Aunt...
30:03Auntie, you're back.
30:05Don't cry anymore, Juliana.
30:07Auntie, I failed.
30:10I already failed.
30:11Auntie, I don't want to be the pretty woman anymore.
30:13I want to give up on everything.
30:16You can't quit.
30:19You yourself asked to be someone else with all your heart.
30:22Oh yes, aunt, but I just don't want to anymore.
30:24I no longer want to be the pretty woman in the mirror.
30:28I don't want to be Maritza Ferrer anymore.
30:30I don't want to, aunt, I don't want to.
30:32I don't want to.
30:33I told you clearly that you had to think about it because there was no going back.
30:36Yes, aunt, but...
30:38But if I could turn back time, I swear I would tell you no.
30:42It's already very late.
30:45But don't worry.
30:47You haven't done anything wrong.
30:49Your formula is wonderful.
30:51Now what you have to do is go back to that company.
30:55Go back?
30:56And prove to everyone that your formula is really good?
31:00Auntie, aunt, I can't...
31:02I can't check.
31:04I was fired.
31:05Yes you can.
31:06Trust yourself.
31:08Be brave.
31:11Life must be faced with courage, Juliana.
31:15Even though no horrible things have happened.
31:19Sometimes at night everything looks terrible.
31:23But then, when dawn breaks again,
31:26You see problems differently.
31:29Now sleep, my love.
31:31Sleep.
31:33Don't let anything steal your sleep.
31:37Sleep, Juliana.
31:39Sleep.
31:41Tomorrow a very special day awaits you, Juliana.
31:56Did my aunt come or did I imagine it?
32:04But she's right.
32:06I have to do something.
32:09Why did everything go so wrong?
32:13If the makeup formula was perfect.
32:16I know it was okay.
32:18It was fine.
32:30That?
32:32Yeah?
32:34This is sensational.
32:37This product had been stuck for months.
32:41Clear.
32:41That is.
32:44That is.
33:00Where are you going so early, shorty?
33:03I have to do something very important for Juliana, Pedro.
33:07Couldn't it wait a little while?
33:10Oh no!
33:12Oh, me, Pedro!
33:15Oh, what a guy!
33:17Yeah, yeah, yeah, yeah...
33:20Oh, come on!
33:21Oh, Pedro!
33:23Oh, Pedro!
33:26Oh, Pedro!
33:27Oh, Pedro!
33:29Oh!
33:30Oh!
33:33Oh, Pedro!
33:35Oh!
33:36Oh!
33:37Pedro, no more!
33:38Pedro, I have to go
33:40I have to go
33:43Need
33:45I need you to take Pedrito to school, okay?
33:47I won't be long today.
33:48Okay, fine, but when you come back I won't be here anymore
33:50Because?
33:52Because after taking the child to school
33:56I'm going to go look for a job
33:59Oh, my prince
34:31Oh, my prince
34:38Juliana, Juliana
34:46I went out to do something very important, Mom.
34:49I'll call you later
34:50Juliana
34:53Oh
34:55I hope he went and got a better job
35:02And Luzmila?
35:04And so?
35:06Hey godmother, what are you doing here so early?
35:10I'm reviewing the makeup formula
35:12I know it was okay
35:15I know
35:16And I'm going to find out what happened.
35:18That
35:19That's what I like to see.
35:24My aunt appeared to me last night.
35:26And it encouraged me
35:27What did he tell you?
35:29That he would trust me
35:30That would prove that my formula is correct
35:34And that's why I'm here.
35:36And when that happens
35:37I'm going to send a letter to Mr. Muti
35:39Explaining everything to him
35:41I would have liked to do it in person.
35:43But
35:43As they've already discovered that Maritza Ferrer doesn't exist
35:46Suddenly, godmother
35:48Everything will be alright for you
35:51And how?
35:53Oh no
35:54Don't listen to me.
35:55I'd better go, okay?
35:57Hey
35:57Whenever you can
35:58Could you give my mom a spin?
36:00Yeah
36:01She thinks I went out
36:03Oh
36:03I don't know
36:04I don't know how I'm going to keep pretending he doesn't find out.
36:09I'm going to have to stay locked up here.
36:11Until I get another job
36:18Good morning, Dad
36:19Marcos, good morning
36:22Do you still have the sample of the formula I gave you yesterday?
36:26Yeah
36:26Yes of course
36:27Here it is
36:32Good morning
36:34Don Olegario
36:36Can?
36:37Sure, Luzmilita, go ahead
36:38It's great to see her
36:39And tell me
36:41What is this surprise about?
36:42Because I don't think it's his turn.
36:43Office cleaning
36:44No
36:45The thing is
36:47Well, I came to see you
36:49Oh, really?
36:50Uh-huh
36:50Sit down
36:53Well
36:57Don Olegario
36:59I need you to do me a favor
37:02Very, very important
37:05And very big
37:06And very big
37:07And extremely urgent.
37:09What is it you're trying to do?
37:12Well, I'm going to analyze it.
37:14Because something tells me that Maritza had nothing to do with the makeup disaster.
37:18Look Marcos, I don't want you to investigate or think about Maritza Ferrer anymore.
37:22But let me prove what I'm saying.
37:25The paperwork, then, is another matter.
37:27It's nothing else.
37:28I don't know what that girl's intentions were when she came to work here.
37:33Barbara investigated it very well
37:34And there is no mistake about that.
37:36Whether we like it or not
37:37That girl is not who she said she was.
37:39And that is very serious.
37:41The only thing I don't want is for an injustice to be committed against her.
37:44Well, I don't want to
37:45That an injustice is being committed against Xiomara
37:48Why don't you clear up your situation with her once and for all?
37:51If you truly love her, respect her.
37:54But Marcos, you're hurting her
37:56And that's not right
37:58I know whether I've ever cheated on her or not, Dad.
38:00And as far as I know, we've never talked about marriage.
38:03Now, if you'll excuse me, I have something to do.
38:04I long to love you, I have found the time
38:10I long to love you, I always beg you to.
38:16And even if your eyes get lost without seeing me
38:22My heart continues to be born here inside me
38:36I wasn't wrong
38:37I knew they had altered the formula
38:43Marixa's makeup was perfect.
38:46Here's the proof.
38:47I compared them to the ones they used for the recording of the commercial.
38:50And it's not the same
38:52Marixa's formula was altered
38:57Good morning, miss
38:59I'm looking for engineer Marcos Muti
39:02Do you have an appointment with him?
39:04No, but...
39:06But you can tell her I'm here on behalf of Marixa Ferrer.
39:10Marcos, the serious thing here
39:12That woman doesn't exist.
39:14And if, as you say, the formula was adulterated
39:17Well, it's obvious that she was the one who did it.
39:19Why should I have to do it, Barbara?
39:21Marixa cared a lot that things went well
39:23Someone interfered here and adulterated the formula
39:25But how can you doubt it?
39:26Here's the proof
39:28It's crazy
39:30I mean, I have no idea.
39:31Who in this company could do something like this?
39:33Excuse me, Mrs. Barbara
39:35Sorry, I didn't realize you were busy
39:36Romero, what do you want?
39:39Thank you, sir.
39:39I wanted to tell you that something happened in the lab.
39:43I found the machines turned on.
39:45And all the rules
39:46It was me, Romero
39:46It was me
39:47And tell me one thing
39:51Are you by any chance
39:52Did Marixa Ferrer prepare a base of makeup?
39:56Marcos, Marcos
39:56Marcos, how dare you doubt Romero's honesty?
40:00This man has been loyal to the company for years.
40:03I know
40:03But someone also adulterated the formula
40:06And I won't stop until I find out who did it.
40:07I cannot tolerate the injustice that was done to Marixa Ferrer by firing her
40:11Marcos, that woman doesn't have papers
40:14She's a fraud.
40:15That woman is a criminal.
40:17Do you understand?
40:17Barbara
40:17You're going to eat your words.
40:20Because I'm going to show them
40:22They are wrong
40:25Permission
40:27Follow
40:31Chelita
40:32I need you to test this makeup on the models' bodies.
40:35But right now
40:36Yes sir
40:36Ready
40:38Engineer
40:38May I have a moment?
40:40Mila, it's so good that you're here.
40:42I passed by your house last night.
40:43That's what they told you, right?
40:44Yes sir
40:45And that's precisely why I came
40:48Because I need to give this to him.
40:50What is this?
40:52Marixa Ferrer's legal papers
40:56The papers?
40:57I already know that he was fired from this company, right?
41:01But I want you to know, engineer
41:02That she is a decent woman
41:04Worker
41:05And he's a great person
41:07And that it's extremely wrong because of everything you did to him
41:10And that he doesn't plan to return.
41:12But at least I want you to know that she is no imposter.
41:16I knew it
41:17I knew it
41:18I need to see her
41:18Please take me to her right now
41:20Oh no
41:20Please
41:21No, no, engineer
41:22I can't, I can't
41:24Very sorry
41:24But I don't want to know anything about you.
41:27Please
41:28Yeah
41:34They adulterated you
41:36They adulterated my formula
41:42The millets?
41:48Happens
41:49Oh
41:50Sorry
41:52I long to love you
41:56I have found the time
41:59I long to love you
42:01I always beg you
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