- 11 hours ago
Upon the order of the High Court of Chancery, Esther Summerson, together with Ada Clare and Richard Carstone, wards in the Jarndyce case, travel to meet their guardian, John Jarndyce, at Bleak House.
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00:19It would have been better, little Esther, if you'd never been born.
00:31Submission, self-denial, diligent work.
00:40These are the preparations for life begun with such a shadow on it.
00:47You are different from other children, Esther.
00:52You're set apart.
01:00Your mother is your disgrace, and you're hers.
01:12The time will come, and soon enough, when you'll understand this better.
01:18And you'll feel it as only a woman can.
01:23Pray daily that the sins of others be not visited upon your head.
01:31It would have been better, little Esther, if you'd never been born.
01:39It would have been better.
01:44Toys!
01:45Toys!
01:46Toys!
01:48Toys!
01:50Toys!
02:05Toys!
02:59You'll be busy today, Jo.
03:02Take your cross, sir.
03:03Do you have money for your supper and lodgings tonight?
03:05I can borrow my supper.
03:08You're richer than I am then today, Jo.
03:20I'm going to eat the tuppence, sir!
03:24Hey, you!
03:28Boy!
03:30Boy!
03:31Boy!
03:33Boy!
03:38Boy!
03:47Boy!
03:49Boy!
03:51Watch!
04:23Watch!
04:54Miss?
04:57Are you Miss Esther Summerson, Miss?
04:59Yes, that's my name.
05:01Mine's Guppy.
05:03Mr. Guppy.
05:04From Kenge and Cardwoods. Solicitors. Lincoln's Inn.
05:10Mr. Kenge gave me a description of being this which I would say was accurate as far as it went
05:14up to being a point of law.
05:16But not up to the mark in a personal sense, Miss.
05:20If you'll permit a compliment.
05:22I remember meeting Mr. Kenge once. Some years ago.
05:27I'm privileged to be sent to meet you, Miss.
05:30You ought to see the Lord Chancellor directly in the chambers of the High Court of Chancery.
05:36Tough writing you, Miss.
05:38No.
05:40Why should it?
05:42In Chancery, Miss, you can't go any higher than the Lord Chancellor.
05:46I'm sure you're right, Mr. Guppy.
05:52If you'll point out your boxes, Miss.
05:55Oh, yes, of course.
05:57That one, that one and that one.
06:11I suppose you not being in point of fact in the Jandice and Jandice case, although I'm being attached to
06:18it now by force of circumstance, I suppose you not being in it yourself, you have less cause for apprehension
06:25in approaching the High Court of Chancery.
06:30I know nothing at all about these matters, Mr. Guppy.
06:35You know, that's the third of Jandice and Jandice.
06:39The most famous case in the history of Chancery.
06:43Generations of the family.
06:45Cost at last count put at 60,000 to 70,000 pounds.
06:50I'm not wishing any undue familiarity, Miss, but, uh, Mr. John Jandice being your guardian and you being here to
06:57meet the two young wards in the case.
06:58Two?
06:59Oh, yes, Miss.
07:02Didn't you know?
07:06Let me explain it for you.
07:08Thank you, Mr. Guppy, but I'm sure your Lord Chancellor will do that.
07:12Well, I can hardly take my luggage to see the Lord Chancellor.
07:14I'm to go on with it to your lodging, Miss.
07:16My pleasure.
07:17My pleasure.
07:22Sure.
07:28Truly, Miss.
07:38Miss Ada Clare, not yet of the age of maturity, orphan.
07:46Mr. Richard Carstone, not yet of the age of maturity, also orphan.
07:56Miss Clare and Mr. Carstone, wards of this court, and related at various removes to Mr. John Jandice,
08:10who resides at, it seems, Bleak House in the county of, um...
08:22I believe it's Hertfordshire, my lord.
08:25Thank you, Mr. Carstone.
08:27I'm much obliged.
08:35Now it seems...
08:40Yes.
08:41I see.
08:47Miss Clare and Mr. Carstone, you are cousins at some distance and meeting for the first time.
08:57Is that correct?
08:59Yes, my lord.
09:00I have been asked to make an order which puts you both under Mr. John Jandice's roof.
09:08Mr. John Jandice is an unmarried man, and he suggests Miss Summerson will be a suitable companion for Miss Clare.
09:20Miss Summerson is a young lady of good education who has, in turn, educated other young ladies.
09:27Mr. John Jandice is known to all of you as your benefactor, if to none of you by sight.
09:36Unusual, but no hindrance to law.
09:42Well, I can see no objection if you offer none.
09:49Not that that would be a hindrance.
10:03I shall make the order.
10:20Where to now, Miss Summerson?
10:21Our lodgings, I would suggest, Mr. Carstone.
10:24Ah.
10:25But where, though?
10:26See, I haven't the least idea.
10:28I don't know one street from another.
10:29I have an address written down, but how we find it...
10:33I suppose I should have asked a young man from the lawyer's office to come and collect us.
10:38The house is in...
10:40Favey's Inn.
10:41Wherever that may be.
10:43I know it well.
10:45Let me guide you.
10:47Only too happy to guide the wards in Jandice and Jandice.
10:53Very happy, I'm sure, to have the honour.
10:56It's a good omen for youth and hope...
11:00And beauty.
11:02When they find themselves in this place and don't know what's to come of it.
11:06Oh, I've...
11:08Right, young gentleman.
11:10Mad.
11:11I was a ward myself once.
11:14I wasn't mad then.
11:15I had youth and hope.
11:18And beauty, people said.
11:21But it doesn't matter now.
11:23I expect a judgement shortly.
11:26I have my documents.
11:28Pray accept my blessing.
11:30I confer estates on you all.
11:33I know my way.
11:35I'll take you.
11:36It's...
11:37It's very kind of you, but I'm sure we can use it.
11:40Oh, my dear.
11:41It's not far.
11:43I'll show you my own lodgings on the way.
11:46A real honour to offer hospitality to the wards in Jandice and Jandice.
11:53Oh, such a case.
11:56Oh, such an honour.
11:58Oh, thank you.
12:08Is there a house on fire?
12:10Oh, no, young gentleman.
12:12No fire.
12:13This is a London particular spot.
12:16Don't you think it's a fine nettle?
12:18Here we are.
12:21My lodgings.
12:23Pray...
12:24Walk up with me.
12:26Lovely boys.
12:38Hi!
12:40Come.
12:41Come now.
12:47Hi!
12:52This is Crook, my landlord.
12:55Anything to sell?
12:56A very eccentric person.
12:59Yes.
13:00Well, thank you very much for showing us where you live.
13:02Now, if you'd just like to give us our directions, I think we'd better be on our way.
13:04Oh, but you must do me the honour to walk up and see my chambers.
13:09Miss Fly's chambers.
13:10Yes.
13:11Come here.
13:12Come here.
13:13See Miss Fly's chambers.
13:16You're welcome.
13:19To please the old lady.
13:21Oh, very well.
13:22For a minute or two.
13:30Oh, there's lovely hair.
13:33What a colour.
13:34What a texture.
13:34That'll do, my friend.
13:37Now, I'm sorry.
13:38I simply cannot allow you to...
13:39Mr Carston, it's of no concern.
13:41I'm deeply flattered by Mr Crook's attention.
13:45The neighbours call this the Chancery.
13:48And they call me the Lord Chancellor.
13:55And why's that?
13:58Because I've got so many things, of so many kinds, all wasted away and going to rack and ruin.
14:05Or so the neighbours think.
14:07But what do they know?
14:11Parchments and papers.
14:14I've got so many of them.
14:17And I've got a liking for must and rust and cobwebs.
14:25And I can't bear to part with anything once I lay out.
14:30Or so the neighbours think.
14:32But they know nothing.
14:37All's fish that comes to my net.
14:41That's how I got the ill name of Chancery.
14:44But I don't care.
14:45I go to see my learned brother pretty well every day when the corpse's sitting.
14:51He don't notice me.
14:52But I notice him.
14:55There's no great odds between us.
14:57We both grub along in the muddle.
14:59Crook!
15:00You mean well, but you're Tarson.
15:08My young friends are pressed for time.
15:11They are the wards in Jandice and J...
15:15Jandice!
15:17Think of it.
15:19Will we ever get out of Chancery?
15:22Hey!
15:28What's your name?
15:30Richard Carstone.
15:32Carstone.
15:33Yes.
15:34And there was a Barbary.
15:38And the name of Claire.
15:40Ah!
15:41And the name of Deadlock.
15:44Do you think the real Lord Chancellor knows as much about our case?
15:47Tom Jandice!
15:49Ah!
15:51And Tom Jandice used to come in here often.
15:54You never knew him?
15:55No, no, too young.
15:57He came in here often when the case was on.
15:59Or expected.
16:01He took to walking about, restless.
16:04And talking to all the little shopkeepers.
16:06And telling them to keep out of Chancery.
16:09Whatever they did.
16:10Because, he says,
16:14Chancery is being ground to bits in the slow mill.
16:19It's being roasted at a slow fire.
16:24It's being stung to death by single bees.
16:28It's being drowned by drops.
16:32It's going mad.
16:34By grains!
16:38On the day that he did it,
16:40he come in at my door
16:42and asked me to fetch him a pint of wine.
16:45Crook, he says.
16:46I'm much depressed.
16:49Now, I hadn't a mind to leave him alone.
16:51The old neighborhood had been sane for months before
16:54that he's bound to do it of a certainty sooner or later.
16:58So, I took him to the tavern over in Chancery Lane.
17:02And I looked in through the window.
17:04And saw him comfortable in a chair by the fire.
17:07Also, I thought...
17:10I hadn't hardly got back in here
17:13when I heard the shout
17:14go echoing and rattling right down at Chancery's self.
17:20Tom Charndyce!
17:23Gone!
17:26Gone!
17:33Follow me.
17:35If you please.
17:56Gone!
18:00Gone!
18:00Gone!
18:03Gone!
18:05Gone!
18:06Gone!
18:08Gone!
18:12Being in Chancery,
18:15I don't mind confessing,
18:16but I sometimes find difficulty
18:18in keeping up a genteel appearance.
18:22I expect a judgment shortly.
18:25Very shortly.
18:27I have a premonition of the Chancellor
18:30I will mention my case
18:31first thing tomorrow morning.
18:34I've done nothing.
18:38They need to have patience,
18:39I've done nothing.
18:43I've done nothing.
18:45I've done nothing.
18:45I've done nothing.
18:49I've done nothing.
18:51I've done nothing.
18:57Do you want to go on?
18:58I've got to look for the department.
18:58Well, that's the department!
19:01Let's go.
19:04You need to know my own town.
19:04Crocs have a lodger, a law writer.
19:16They say he sold himself to the devil.
19:23Mr. Tulkinghorn.
19:41Sir Lester, Lady Deadlock.
19:45Good evening, Mr. Tulkinghorn.
19:49My lady's suit has been before the Chancellor again, has it?
19:53Yes, it was mentioned again today.
19:55It would be useless to ask, would it, if anything has been done?
19:59Nothing that you would call anything has been done today.
20:02Or ever will be.
20:04My lady's interest in the case seems of so little consequence.
20:09I often wonder if it's worth the trouble pursuing it.
20:12A cause in Chancery should always be properly attended.
20:15I could never advise you to neglect it.
20:17If only for support of the law itself.
20:20Yes, of course.
20:21But the time it takes...
20:24Since it was the only legal matter Lady Deadlock introduced at your marriage...
20:28I can't complain. She overburdens me.
20:32Some fresh affidavits have been put upon the file.
20:36They are short.
20:37I beg leave to acquaint you with the relevant details.
20:46And Chancery, between John John Dice and...
20:50Yes, Mr. Tulkinghorn. I am familiar enough with that.
20:52Please get on.
20:57It has been entered in the name of Tristram Ward of 29 Mill Street of St Albans.
21:04Who copied that?
21:08Is that what you people call...
21:11Law hand?
21:14Not quite.
21:17I would say the legal character it has was acquired well into maturity.
21:22Not trained, no.
21:25Why do you ask?
21:29Anything to vary this detestable monotony.
21:32Do go on.
21:34A trained hand would be less distinctive.
21:42Sir Leicester.
21:43What did you say?
21:45I say I am afraid Lady Deadlock is ill.
21:49The...
21:51heat of the fire after my chill.
21:53Please ring.
22:02Adieu.
22:05I've never known you faint before.
22:09It's nothing.
22:12Nothing at all.
22:13No.
22:28Lord, begging your lordship's pardon.
22:32A new application.
22:34This day received no evidence to consider relating to the court order given on this matter.
22:42Malad.
22:43Not acceptable.
22:45Not given due notice.
22:47Notice given lord.
22:48Notice presented in accordance with court order and filed for this hearing.
22:53Malad.
22:54We will proceed with the hearing on Wednesday fortnight.
22:58All round.
23:00My lord!
23:00My lord!
23:03I beg!
23:04I beg!
23:05Goodbye!
23:08I beg.
23:15I beg!
23:25We'll sit here!
23:26I beg!
23:30I beg!
23:31I beg!
23:33I beg!
23:34I beg!
23:37tell you what i wish about this chancery business i wish they'd let me sell my interest in it
23:42i'd take the lowest terms and i'd be off to see the world where would you go
23:49would you go to india why not all that way
23:55and what's your wish ada
23:59may i call you that
24:04of course your name richard
24:10this is esther
24:13but there
24:14we're the best of friends and nothing shall ever make us different
24:19that's one wish
24:22i do have another
24:28i wish
24:29the lord chancellor would decide against me altogether so i have no more interest at
24:36all in the case
24:38and there'd be no more reason for all those relations of mine that i've never seen
24:43to be my enemies anymore
24:47because i suppose we are enemies
24:50we're all trying to ruin one another without knowing how or why
24:54you'll never hurt anyone ada
24:56for one thing's certain anyway
24:58we're not going to let any dreary old court case divide us
25:02goodbye london good riddance chancery
25:08you're here
25:29you're here
25:34you're here
25:35you're here
25:45I don't know.
26:08I don't know.
26:19Master at home.
26:24Master at home?
26:26Mind in the shop.
26:32Mr Snakesby!
26:44Bless my soul, sir.
26:46Mr Tolkienhorn.
26:48Dear me, sir.
26:50Why didn't you send your boy round for me, sir?
26:54Pray step into the private room, sir.
26:56Come on.
27:15John Dyson John Dyson.
27:17You copied some affidavits for me lately, Snakesby.
27:20Yes, sir.
27:22We did.
27:22There was one of them, the handwriting of which is peculiar, which I rather like.
27:27As I happened to be passing and thought I had it about me.
27:33Ah!
27:33Yes, here it is.
27:34Good.
27:35All right.
27:38Who copied this, Snakesby?
27:41I can tell you in a moment, sir.
27:53John Dyson.
27:56John Dyson.
27:58John Dyson.
27:58John Dyson.
27:59John Dyson.
28:00John Dyson.
28:01To be sure I might have remembered.
28:03This was given out, sir.
28:05To a writer who lodges nearby, sir.
28:09At Crook's Warehouse, to be precise, sir.
28:12That's the name he goes by.
28:14It may not be his real name, but it's what he uses when he's wanting employment.
28:21I have no other name for him, Mr Tolkienhorn.
28:25It's not so unusual, sir.
28:27For the writers who live by job work.
28:31No, ma'am.
28:38Namor is Latin for no one.
29:07Prime Minister.
29:21Miss Ada Clare?
29:23Yes.
29:31Miss Esther Somerson?
29:33Yes, thank you.
29:34I have a great day.
29:35Yes, thank you.
29:35Who are these notes from?
29:37Master, sir, if you please.
29:41Mr. Richard Carstone.
29:45Yes.
29:47Here.
29:55Dear Esther, I look forward, my dear,
29:58to our meeting easily and without constraint on either side.
30:03I therefore propose that we meet as old friends
30:06and take the past for granted.
30:08It will be a relief to you, possibly, and to me, certainly.
30:13And so my love to you, John Jandice.
30:17Mine says exactly the same.
30:20Mine too.
30:21What a quaint fellow our guardian is.
30:25Take the past for granted.
30:28Where would the three of us be now if it weren't for him?
30:31But we must do as he says.
30:46Esther, my dear.
30:48Ada, my love.
30:50You're welcome.
30:51Rick, I'm heartily glad to see you.
30:53Come.
30:54You're at home.
30:55Bleak House is your home.
30:56You're welcome.
31:11Come.
31:12Warm yourselves.
31:13Here.
31:20It feels so comfortable.
31:22Well I hope it is. It'll be more so with such bright young looks in it.
31:32I must say sir, Bleak House is the oddest name. How did that come about?
31:37I can't believe you chose it.
31:40No.
31:42Nothing bleak to be seen.
31:44I think Richard, Mr. Jandice might not wish.
31:46I hope I've not offended sir.
31:49No Rick, no. One of you was bound to ask. Why ever not?
31:56My great uncle gave the house its name. Tom Jandice.
32:02I see you know what happened to that poor man.
32:06I was his heir.
32:09When I first came here it was bleak indeed.
32:14It left the signs of his misery on it.
32:18The wind whistled through the cracked walls.
32:22The rain fell through the broken roof.
32:26When I brought what remained of Tom Jandice home.
32:32The brain seemed to me to have been blown out of the house too.
32:40Shattered.
32:44Ruined.
32:55I made some changes.
33:00And now I've made some more.
33:09It suits you, Rick.
33:11Room to breathe, have you?
33:12It's a splendid room, sir.
33:14Everything a man could need.
33:16Good.
33:17Well you have half an hour till supper.
33:18If you get lost, shout.
33:26I'd like you two girls to share this sitting room.
33:29Your own little council chamber.
33:32Visitors by invitation only.
33:34Now you're free to make any improvements you may wish of course.
33:37Oh, cousin John, it's a dear perfect room.
33:42Cousin John will do perfectly, my dear.
33:44Now, Ada, I want you to go through that door.
33:47And Esther, you through that one.
33:49Hurry now.
33:49Supper's on the way.
33:58Esther, you must come and rush.
33:59I want you to see my bedroom.
34:02Thank you, Mr Jandice.
34:04At supper you'll meet another friend who's staying with me for a while.
34:08An engaging creature.
34:10I was educated for the medical profession.
34:13But since I've always been a mere child when it comes to weights and measures,
34:17I was never able to prescribe any physic of any description with the requisite accuracy.
34:26A considerable shortcoming in a doctor, you will agree.
34:30I can't deny it.
34:35I lived once in my medical capacity, or incapacity it might be better called,
34:42in the household of a German prince.
34:45It was a great mistake on the prince's part.
34:50He was quite right to terminate the engagement.
34:57And so then, having nothing to live upon but love,
35:01I fell in love.
35:05Married and surrounded myself with rosy cheeks.
35:09You have a family, Mr Skimpole.
35:11I have three children.
35:13And I am the baby of the family.
35:16My good friend John Jandice here and one or two other good friends
35:19have tried to help me to several openings in life.
35:24But to no purpose.
35:27You see...
35:31I know nothing of time.
35:33Nothing of money.
35:35I could never transact any business.
35:39All I've ever asked of society is to be allowed to live.
35:44My wants are few.
35:49Conversation.
35:50Music.
35:52Mutton.
35:53Coffee.
35:54Landscape to sketch.
35:56Fruit and season.
35:57A little...
35:59sherry.
36:03Clarit.
36:06I'm a child in the world.
36:09But I don't cry for the moon.
36:12But, Mr Skimpole, how do you make your way?
36:14What work?
36:20I have a function in life, my young friend.
36:24Being a mere child, I depend upon the generosity of others.
36:28But do I feel any vulgar gratitude?
36:32Not at all.
36:34Take my good friend John Jandice here.
36:38I almost feel as if he ought to be grateful to me
36:43for giving him the opportunity to enjoy the luxury of generosity.
36:49I know he likes it.
36:51You all like it.
36:54For anything I know, I may have been put into the world expressly for the purpose
36:58of increasing your stock of happiness
37:02by allowing you to assist me in my little perplexities.
37:10Why should I regret my incapacity for worldly affairs
37:14when it leads to such pleasant consequences?
37:17Well said, Skimpole.
37:20I am a child.
37:23Play with me.
38:10Come in.
38:13For you, Miss, if you please.
38:15The housekeeping keys, Miss.
38:19For me?
38:20Mr. Jandice sent them, Miss.
38:22And he said if you'd be so kind to see him for a few minutes
38:24before retiring in the growlery.
38:28That's the room next to his bedroom, Miss.
38:30He calls it the growlery.
38:37Thank you, Miss.
38:38Miss.
38:38Miss.
38:49But such a responsibility, Ada.
38:53I wasn't prepared.
38:56Cousin John trusts you, and that's all that matters.
39:03You were born to it, Esther.
39:05To look after us all and be loved for it.
39:09To look after us all and be loved.
39:18Isn't this the loveliest house you've ever seen?
39:22Oh, yes, Ada.
39:31I've never lived anywhere like this before.
39:35We'll be so safe and happy here.
39:40I'm sorry.
40:21Please, sir.
40:22Please, sir.
40:24Please, sir.
40:25Could we have a penny, please, sir?
40:26For the children.
40:28Please.
40:29Sir, we haven't eaten for two days.
40:31Please, sir.
40:32Please, sir.
40:34Sir, please.
40:34Please, sir.
40:46I call it the growlery
40:49because when I'm out of humour
40:50I come here and growl.
40:53Has one of us displeased you
40:55in some way, Mr. Chalndyce?
40:56No.
40:58I thought it best that you should know from the beginning
41:00that I have such a place
41:02and such humours.
41:04I can't believe you're here often, sir.
41:07You don't know me.
41:10And I feel deceived,
41:13angered,
41:14disappointed.
41:17And I feel the wind in the east.
41:20The growlery is the best used room in the place.
41:25You'll see my black moods.
41:30You'll see my black moods.
41:32I could never have hoped.
41:38But for heavens, why not?
41:42I mean, I...
41:43I hear of a good little orphan girl without a protector
41:46and I...
41:47I take it into my head to be that protector.
41:51She grows up
41:52and more than justifies my good opinion
41:55so that I remain her guardian.
41:58And friend,
42:00what is there in all this?
42:08Of course, Esther,
42:09you don't understand this chancery business.
42:13Nothing.
42:15Died of any man alive.
42:16That's what it means.
42:20Chancery.
42:24Chancery has its decaying houses
42:26and blighted lands in every shire.
42:29It's a worn-out lunatic in every madhouse.
42:33It's driven dead in every churchyard.
42:37It's a ruined suitor borrowing and begging.
42:43Chancery.
42:45So John Dye's case, sir,
42:47is it about a will?
42:50It was about a will
42:51when it was about anything at all.
42:56The lawyers have twisted it into such a state of bedevilment
42:59that the original merits of the case
43:01have long since disappeared from the face of the year.
43:04We're forever appearing and disappearing
43:06and swearing and interrogating
43:08and filing and cross-filing
43:11and arguing and motioning
43:12and sealing and referring and revolving
43:14around the Lord Chancellor.
43:20But, yes, there was a will made by a John Dye
43:23who left a great fortune.
43:26And the question of how the trusts
43:28under that will are to be administered,
43:30that great fortune is squandered away
43:32through such an infernal country dance
43:34of fees and costs
43:35and nonsense and corruption
43:37as was never dreamed of
43:39in the wildest visions of a witch's Sabbath.
43:42And he can't get out of the suit
43:44on any terms
43:45for we are made parties to it
43:47and must be whether we like it or not.
43:57Is there no way by which Richard and Ada
44:00can be released from their involvement?
44:04No.
44:08I would give all I have if it would buy a different answer.
44:15I don't think either of them is avaricious.
44:18No.
44:20You and I must protect them from chancery
44:22as best we can.
44:26You see, Esther, this room does have its uses.
44:29There are things to be said here
44:30that I would spare the rest of the house.
44:33I leave it to your discretion
44:34to decide how much of what I tell you in this room
44:36you should pass on to Rick and Ada.
44:40I hope you don't expect too much of me.
44:44I am not clever.
44:47You're clever enough to be the good little woman of our lives here.
44:54This is not the place to say good night in.
45:04Second floor, if he's there.
45:08It comes and goes all hours, that one.
45:10Hi.
45:12If he's asleep, don't wake him.
45:14That's my advice.
45:15He's a bad'un.
45:17Ain't he, Lady Jane?
45:26He's what?
45:39He's kind of wise.
45:39Who's my husband and his wife?
45:41You're my wife.
45:44I was like the guy, I didn't know.
45:44He's like the guy on the floor and he's in the room.
45:44We Rhys and I don't know.
45:44He's in the room.
45:44I don't know.
45:45I don't know.
45:45I'm sorry.
45:47He's in the room.
45:48He's in the room.
45:49I don't know.
45:54He's always in the room.
46:18Hello, my friend.
46:29My friend?
46:59Hello, my friend.
47:26Is there anything that you want to ask me?
47:30About myself?
47:33Yes.
47:38I am sure that if there were anything I ought to know,
47:42I should not have to ask you to tell me.
47:46I have nothing to ask you.
47:50Nothing in the world.
48:14I have nothing.
48:18Oh, my God.
48:56Oh, my God.
49:01Crook!
49:03There's a doctor.
49:05I think your lodger is dead.
49:41I think your lodger is dead.
49:48I think your lodger is dead.
50:18I think your lodger is dead.
51:04I think your lodger is dead.
51:04I think your lodger is dead.
51:04I think your lodger is dead.
51:05I think your lodger is dead.
51:05I think your lodger is dead.
51:05You
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