- 8 minutes ago
2006 SITCOM "The ashes of Sal's late husband are released in a firework at the village pantomime. A proper send off." IMDB Starring Sue Johnston, Dawn French, Jennifer Saunders, Joanna Lumley, Maggie Steed, Doreen Mantle, Patrick Barlow, Pauline McLynn, Sally Phillips, David Mitchell
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00:23I really missed you this Christmas, you grumpy old sod.
00:31What are we going to do with you, hmm? Mum?
00:36I was just talking to your dad.
00:41Don't you think we should, like, scatter him or something?
00:47Yeah. It's hard, though.
00:53Oh, did you wear the hat?
00:56I was saving it, you know, for a special occasion.
01:00You didn't need to do that. It's like an everyday hat. I should know. I made it.
01:17I think I'll have a bath.
01:22OK, well, don't use the Yardley your brother bought me.
01:25Mum, I said bath, not chemical peel.
01:29I love it. He's been buying me that ever since he was tiny.
01:35This was your dad's favourite time of the year, pub and panto.
01:40Yeah. Are they doing panto?
01:44I don't know.
01:51Sometimes I wander down the low and I'll go away on my door.
02:05Right, now, Kate, I think we'll make this area...
02:09Goodbye.
02:10...the hub of the production.
02:13We should be all right.
02:15Oh, my goodness, here she is.
02:17Aw, our lady director.
02:21Come on now, Queenie. How are you?
02:25First day of auditions. A little bit nerve-wracking.
02:28Yes. Yes, it is.
02:40I come for the auditions.
02:50Rosie, you've got wings on.
02:53I've got wings on Eileen.
02:54How else am I going to get home?
03:08Hello. My name is Rosie. Hello.
03:12I've definitely got the X Factor.
03:14And tonight, Matthew, I'm going to sing a song from Cher and the Little Mermaids.
03:20Margaret's going to start it off.
03:24Oh, no, he'll be deceived.
03:29Oh, no, he'll make believe.
03:32Come on, Margaret.
03:34It's in his case. That's where it is.
03:39Margaret doesn't want to join in.
03:40That's lovely, Rosie. I take it from your costume.
03:43You want to be the fairy godmother?
03:45No!
03:46Shut up, Margaret.
03:48Yes, I do, please.
03:53Eileen, I've dumped at the door.
03:55Thank you, Caroline.
03:56Back to pick them up later and do the next stage group.
03:58Will we see you this year, Susie?
04:01Ha, ha, ha, ha, ha, ha, ha, ha.
04:05We have our Dandini.
04:07Oh. Not Prince Charming.
04:09It was decided to go for a younger casting on the Cinderella,
04:13and it was also thought that it wasn't appropriate in these modern times
04:17to go for a girl-on-girl thing.
04:19Oh. Dandini it is, then.
04:22Can I be heard?
04:24How are you?
04:25I'm surviving.
04:26it's the worst bit the aftermath all that build-up what are you left with a
04:32hangover a roll of fat it's some crap you never wanted in the first place you
04:37coming down the hall you help him with the panto
04:42you smell like oh god what's all that stuff probably just like the glitter
04:46from the Christmassy bathy fizzy bomb thing oh my god did you say panto yes
04:51which one am I allowed to say oh go on Cinderella oh my god oh my god oh my
04:59god oh my god oh my god oh my god will you tell them that I am like available oh
05:02my
05:02god no words no touch I don't think it's quite that simple what why
05:12tushy vine I think it'd be better if you went down there and auditioned excuse me
05:20what me what go down there and like do like a script-ready auditiony thing like
05:24mom duh I have been like the lead in every girl lead panto for the last like 20 years
05:32I think they might just be aware of my work yes well I still think it would be a good
05:35idea if
05:36you went down yeah well I might I might actually go down there I might just go
05:38down there and you know tell them that I am available unless you're having lunch
05:42with the red graves
05:44with all the best musicians you hear about today
05:48I think don't you mean
05:53for one
06:10well done Janine lovely voice well done you wasn't she good Queenie I think it may have
06:18something to do with the batteries hi ladies do you want the next one yes please bring her on
06:24come on it's all right come on reach for the stars kiddo you've got to step it up in this
06:30round
06:30right go on go on
06:35sorry Marcus I normally have a tin of family sir right you are Queenie
06:47okay sorry sorry I just trying to remember how many million bicycles there are in Beijing I think
06:54it's nine or ten oh is it three okay
07:05there are nine million bicycles in Beijing that's a fact
07:12it's a thing that's a night
07:15I want to sell
07:16I want to sell
07:22I want to sell
07:24I want to sell
07:25I want to sell
07:27brave
07:28well
07:31but Mike who loved the panto really
07:33happy memories
07:34yeah
07:35a bit too emotional to get totally involved
07:38oh well
07:39oh now listen I thought that this year I do just makeup
07:41wicked stepmother if you don't mind a tip
07:44and if you could remember the panto is in the hall and not the pub
07:47we would be grateful
07:49damn
07:53will Colin be hard up
07:55Well, let's leave the rudery for the stage, shall we?
08:00Right, well then, a simple yes.
08:02Right, I'm off on a mission.
08:05Do you want to come?
08:06No, I'd better wait for Tash.
08:11Oh!
08:12The green button again!
08:14That's it, Marcus.
08:15Well done, you.
08:17I was pushing the red one, I think.
08:20It's a thing we can't deny.
08:22Do you actually want to be in the panto, Kate?
08:26No.
08:27No, not really.
08:29Well, would I put you down for ticket sales, love?
08:31Yes, yes, please.
08:33Right, you are.
08:34Oh, yes.
08:37Thank God, Rosie.
08:48Virgin.
08:50I've, um...
08:51Come on, come on.
08:52Becker, you don't have to do's auditions.
08:55You all know what you do's.
08:58Every Sunday you make us laugh our head club in the church, don't you?
09:02Do I?
09:02Yeah.
09:04Good, yes.
09:05It's all right, Rosie.
09:07Yes, Becker, come on, take a script.
09:10Have a read.
09:11Oh, he's so funny, isn't he?
09:13Yeah.
09:14You're so funny!
09:19Marvellous, thank you, ladies.
09:21Ballroom scene.
09:22Oh, now, Marcus, that's ideal.
09:25And I'm thinking hard-up castle on the front
09:27and the palace ballroom on the back.
09:30And then one quick pivot of the caster,
09:33we're transported.
09:55Oh, yes, me.
09:56I just thought I'd pop in, see who the team was this year.
10:06You haven't told her, have you?
10:09No.
10:10It's so hard.
10:12I mean, this is the only thing her and Mike ever did together.
10:16Yes, but...
10:17I know, he's not here anymore.
10:20Well, what are we going to do?
10:22What is Queenie going to do?
10:25I would have told her.
10:26Well, I will.
10:29Well, I'm very sorry, Sal,
10:30but we are very behind her hand
10:32and I think we're going to have to just press on regardless.
10:36Sorry.
10:39Right now, ladies, come on.
10:41Can I have my cinderellas?
10:43Please.
10:44Up on the stage.
10:50It's just you.
10:51I don't want to do it.
10:53Why you don't want to do it?
10:54You've got to audition her.
10:55They won't give you the part.
10:57How do you think people get parts?
10:58How do you think the people in that programme you watch, the OC,
11:01how do you think Misha Barton
11:02and the little hamster boy Ryan
11:03that lives in the pool house
11:04got their parts by auditioning?
11:06You see, Freya would make a lovely Cinderella,
11:08wouldn't she, Queenie?
11:09Why don't you want to do it?
11:10It's just, like, it's sad.
11:13Queenie.
11:14I'm normally Cinderella.
11:15Well, this is very difficult,
11:21but it has been agreed that you are a little, a little...
11:35They think that you are too old.
11:43But, like, how old was Cinderella?
11:46I don't think she was 36.
11:48See, the thing is...
11:49It's all right, Eileen.
11:51I'll deal with this.
11:52Fine.
11:57It's just...
12:00But, actually, why can't she be Cinderella?
12:05Because all the Prince Charmings are still at school.
12:09Well, Susie can do Prince Charming.
12:12She's done it before.
12:14No, would rather die.
12:15How about Cinderella rises up against the patriarchal system
12:19and saves herself?
12:21Or is that too progressive for you?
12:22If Mike was here, she would be Cinderella.
12:25You would not get away with this.
12:27Oh, Queenie, Queenie.
12:30Queenie, it has been a terrible Christmas without him.
12:34Don't bother.
12:35Queenie!
12:36Oh, let her play, Cinderella.
12:39We'll find you a Prince Charming, I promise.
12:42Please.
12:43I'm quite embarrassing.
12:44Please.
12:45Right.
12:45If it's that important, it is.
12:49Right, well, against my better judgment,
12:53Tash, it is.
12:54Oh, thank you.
13:04It smells of toilets, kids.
13:07He really doesn't want to do it.
13:08He doesn't like being laughed at.
13:09Oh, he should be so lucky.
13:12Hi, ma'am.
13:13Where's Marion Tozer?
13:14Tip said she'd had a fall on some antique bunting.
13:18Marion Tozer went to a rest home in Torquay
13:20in the middle of last year,
13:21as Tip, well, like what?
13:22Oh, but now that you're here.
13:24Oh!
13:26Absolutely not.
13:27No, go on.
13:28It'll be a laugh.
13:30James, in the panto, you sure?
13:32Because the last time I saw him,
13:33it was like Aladdin in 82,
13:35and I didn't really rate him there.
13:36Well, now Tash is doing it.
13:38Is she really?
13:39But then I suppose unemployment and acting
13:40have always gone hand in hand.
13:42Oh, I think your dad would be so proud.
13:45But dad was always an ugly sister.
13:48Yes!
13:50Marvellous.
13:50Thank you, ladies.
13:51Ballroom scene.
13:53Morning has broken
13:56like the first morning.
14:00Oh, shalom, Yasmeen.
14:02It sounds like you don't believe in Christmas,
14:04which is strange, isn't it?
14:05Because it does actually exist.
14:07Well, it's not quite like that.
14:09Otherwise, how would we have Jesus?
14:12Fresh from the word.
14:15Lizard footman.
14:17Well, if you're up for it,
14:19I suppose in theory I could be too.
14:22Keep up the family tradition.
14:24Always up for a laugh.
14:25Yes, laugh.
14:25Oh, yes, absolutely.
14:27Always up for a laugh.
14:29I've got to place these cups
14:31down like that
14:34and a ball on each.
14:36So what do you want to play?
14:39Griselda or Gertrude?
14:42Entirely up to you, Vicar.
14:44I see myself
14:45more as a Gertrude.
14:48Oh, I've gone wrong.
14:49Hang on, I've gone wrong.
14:50I think that's very good.
14:52You're very good.
14:53So you're through to the next round.
14:55Well, as I said,
14:56entirely up to you, Vicar.
14:58Oh, good.
14:59Good.
14:59That's something settled at last.
15:01Well done, Queenie.
15:04And I mean,
15:05I suppose under all that make-up
15:06will hardly be recognisable anyway.
15:09I was thinking more
15:11light foundation,
15:12more flesh tones,
15:14a little bit of blue eyeshadow.
15:15I do.
15:29So you're doing
15:30your cinders again?
15:32I don't know.
15:33Panto is now
15:34under Nazi rule.
15:36I can't act
15:37save my life.
15:39Obviously,
15:39I'm doing it ironically.
15:41You probably don't even know
15:42what that means.
15:43I'm not acting.
15:45I'm making a statement.
15:46All right.
15:48Well, I'm sure it'll be
15:48a laugh, whatever.
15:50No, I mean, like,
15:52like an ironic laugh.
15:59Skeletons.
16:00Huff-nuts.
16:11Look how I lean.
16:12Mm-mm.
16:14It's all right.
16:15I just...
16:15I just never had you down
16:17as a pushy show business mum.
16:19So...
16:21Leaves me with a charming problem.
16:25Oh.
16:27It's just I've got
16:27the whole family coming,
16:29you know,
16:29they're going to see it.
16:31I suppose I'm feeling
16:32the pressure.
16:35Oh.
16:38Right?
16:39No?
16:40Can I have your attention,
16:41please, everybody?
16:44Come on, Kelly!
16:46Can I have your attention,
16:48please, everyone,
16:49just for a moment?
16:51Listen, everybody!
16:53Well done, Sal.
16:54See, I've got these, um,
16:56little sticky labels
16:57somewhere for them.
16:58Oh.
17:00Skeleton?
17:01Yeah.
17:02Mermaid?
17:02Yeah.
17:04Hawaiian dancers?
17:05Yes, it's for the ballroom scene.
17:07Make perfect sense
17:08when you see it.
17:09Oh, OK.
17:10All right.
17:10Come on over here,
17:11I'll do these.
17:12All right.
17:13You all help me.
17:14Great.
17:15OK?
17:15Put that on yourself.
17:17You want to be a skeleton?
17:18Sal?
17:18Me?
17:18Yep.
17:19Yep.
17:19Yep.
17:20I will.
17:21What?
17:22How?
17:24Well, just with the kiddies,
17:26you know.
17:28So, I hear you're looking
17:29for a Prince Charming.
17:30We're not so much looking
17:31as just kind of
17:32narrowing down the options.
17:35Well, just as long as you know.
17:37I'm always around,
17:38always here,
17:40always happy in britches.
17:41And remember,
17:42we made a pretty good team.
17:45Anyone who came with me,
17:46come with me now.
17:47You, you, you, you.
17:49Susie, who are you taking?
17:50I'm not taking these.
17:51All right.
17:51Well, I can't take anyone
17:52as a four-four-five.
17:53Well, I can take them all
17:53if you like.
17:54I've got a booster.
17:55Oh, no, I've got loads of them.
17:56I've got the room.
17:57Oh, Spike.
17:58I have.
18:00I told Arlene I'd help
18:01with the pyrotechnics.
18:03We can untell her.
18:04But, um,
18:05I don't want to.
18:06I like the bangs.
18:08Bangs are good.
18:09Thank you very much,
18:10friend of mine.
18:11Whom will the glass slipper fit?
18:14Well, Tash,
18:15you'd better find
18:16a bloody Prince Charming.
18:17or you know
18:18what will happen.
18:19Please.
18:31And stop.
18:32And dialogue
18:34on the balcony.
18:35That's right.
18:37Keep going.
18:38Jan, Pauline,
18:39keep dancing.
18:40Come into the centre.
18:42Don't worry.
18:43Men will be with you tomorrow.
18:45And...
18:45Come.
18:46Take my hand.
18:50Come closer.
18:54It's a bit weird.
18:56Well, I know.
18:58But what alternative
18:59do we have at this late stage?
19:01Have you found another Charming?
19:03No.
19:06Could someone please
19:07bomb the clock for midnight?
19:08But would you say
19:10this says,
19:11director,
19:12more than
19:13this one?
19:26Oh, dear.
19:27Oh, dear.
19:28You know why you should never
19:29date a Clatterford farmer?
19:30No.
19:31Why should you
19:32not date
19:33a Clatterford farmer?
19:34Well, dear,
19:35they're so bad at sex,
19:36the sheep fall asleep.
19:38Couldn't you do it
19:38in a funnier voice?
19:39That is the funny voice.
19:43Why?
19:44It fits.
19:46No, I don't think
19:47they'll do that.
19:48What do you mean?
19:48I don't think they'll do that.
19:49Are you thinking
19:50what I'm thinking?
19:51It's horrible.
19:53I'm so sorry.
19:57See, it's not just
19:58this girl-on-girl thing, Sal.
20:02There's something
20:03about Susie.
20:05Turn, turn, turn, turn, turn, turn, turn, turn.
20:07I saw your Mikey on Parkinson.
20:09He was awfully good.
20:10Oh, don't.
20:11John and I
20:12are still seething about it.
20:14I mean, I'd like to go on there
20:15and say, you know,
20:16for your information,
20:17when my mother comes for Christmas,
20:18she does not sleep
20:19on a lilo.
20:20It's one of those, you know,
20:21plastic beds
20:22that you get from Ikea
20:22that you blow up
20:23with a hairdryer.
20:24And the noise
20:25that they all seem to think
20:25was so hilarious
20:26is, in fact,
20:27that when you turn, darling,
20:28that when you turn over
20:29on it,
20:30it just moves
20:30against the parquet.
20:32So that's just plastic
20:32on parquet.
20:33Oh, I see.
20:35Ridiculous.
20:35Did you go for the stockings
20:37or all the tights in here?
20:39Knee-highs.
20:41Had to, really,
20:42because of my, um,
20:44ankle-freshing scene
20:45of Prince Charming
20:46in Act Two.
20:47Yes, yes, of course.
20:49Wait, you just had to try it,
20:50Acapulco.
20:51I haven't got the track yet.
20:54Oh, dear, oh, dear.
20:56I've put in a call
20:57to Freya
20:58and young Jimmy Bale,
21:00I am sorry.
21:01No, I agree with you, Irene.
21:03No, I'm really, really,
21:05really sorry.
21:06Look, I'm sorry,
21:07I don't really know this tune,
21:08but I'll give it a go, OK?
21:11I don't want to run away,
21:14but I can't take it.
21:16I don't understand.
21:18That's not right, is it?
21:19Can somebody give me a note?
21:20Just a note?
21:21Do you know a note?
21:22No.
21:22I don't understand.
21:26Oh, but what am I?
21:28If I make it all my way,
21:31Oh, for God's sake,
21:32it's...
21:33I don't want to run away,
21:35but I can take it.
21:38I don't understand.
21:40Right.
21:41If I'm not made for you,
21:44then why does my heart
21:46tell me that I am?
21:49Is there any way
21:51that I can stay
21:53in your arms?
22:01Sorry, she was just
22:02doing my head.
22:11I was just wondering
22:12if we have to stay
22:14on the top layer
22:15or if it will be OK
22:17if I push my finger
22:18right into the bottom
22:19for a chocolate ring.
22:21Now, I'm Dandini.
22:33Oh, fair princess.
22:35Tell me your name.
22:36I cannot, sir.
22:36You can't be that close
22:37to me because that dress
22:37is huge.
22:38That's all right.
22:53And when you look at me
22:54don't look at me
22:54in the eyes
22:55look at the centre
22:56of my forehead.
23:04I can hear you.
23:09Mum, can you not
23:10watch us, please?
23:13Sorry.
23:19Get some of my chips,
23:20Spiky.
23:21Mm, yeah, thanks.
23:24Weird.
23:26Oh, yeah.
23:26Old school friends.
23:28Oh.
23:30Can you not
23:30talk about us, please?
23:33It's a professional
23:34relationship.
23:37Can I have a yoghurt?
23:39Yeah.
23:40Mm.
23:40Go on.
23:49Spiky,
23:54can you put ashes
23:55in a firework?
23:57Mm, mm.
23:57Yeah, you can, like,
23:58do anything.
24:01I'd like to send
24:02Mike off
24:03over the town
24:04at the end
24:05of the panto.
24:07Mm, yeah, cool.
24:09Nothing to do with that.
24:09Do, like,
24:10big, bangy,
24:11like, glittery thing.
24:15Yeah.
24:23All too much.
24:24Come on.
24:27Oh, boy.
24:28Come on.
24:34Oh, boy.
24:42Yeah, skype.
24:43Oh, boy.
24:44Oh, boy.
24:44Oh, boy.
24:45If you would
25:01Tash, sorry you're in rot.
25:02I got you something.
25:05It's like, you know, what they say for first night presents.
25:15It's a brooch.
25:18Rosie, darling.
25:21What's the matter?
25:22Come on.
25:23The audience are coming in now that we're sitting down here.
25:25What have you got there?
25:26It's cheese, for luck.
25:29Oh, Rosie, thank you.
25:31Caroline, look, you've given us cheese for luck.
25:35Oh, darling.
25:38Margaret's not coming, is she?
25:39No, Eileen, Margaret's not coming, no.
25:41She said it was, um...
25:42What did she say?
25:43It was infantile nonsense, and she'd rather watch Deal or No Deal.
25:48Well, probably for the best.
25:50Yeah.
25:51Are you nervous?
25:52Why?
25:53What's happening?
25:55Well, it's the pantomime, my darling.
25:57What?
25:58Oh, Tash, good luck.
26:03You look just like your father.
26:06Wish each other luck, please.
26:08Go on, go on, go on.
26:10Good luck.
26:10Good luck.
26:11I'm scared of the end.
26:13Order!
26:14Can you all gather round?
26:16I have something to say.
26:20Um, good luck!
26:23Oh, break a leg, everybody.
26:26Not literally.
26:27Please, and the mask is over by the door, please.
26:30Let me see.
26:31Right, mask's pitted.
26:42Can you see through that?
26:43Yeah.
26:44Well, keep your head to the front when you go on,
26:45because otherwise the light won't see your head.
26:47You'll look headless.
27:02Oh, me.
27:04Here I am, all alone at night, with only the friendship of mice.
27:11Oh!
27:12Hey!
27:13What about me?
27:15Oh, Buttons.
27:17My faithful friend Buttons.
27:19Buttons, that is.
27:20You lot wait there a minute.
27:21I'll be back later.
27:25Oh, yeah.
27:26Oh, yeah.
27:27Oh, yeah.
27:29Oh, yeah.
27:30Oh, yeah.
27:31When I was young, I never needed anyone.
27:40And making love was just for fun.
27:45Those days are gone.
27:48Where will this glass slipper fit?
27:50Where will this glass slipper fit?
27:54Oh, come on, pull yourself together.
27:56It'll be over before you know it, you big Jesse.
28:00It's only the village panto.
28:03I'm only doing it for Tash, you know.
28:05Oh, yes, I know, Sue. Come on.
28:08Yeah.
28:10Oh.
28:13Big wuss.
28:17All by myself
28:28I suppose they know we're here.
28:31Only a couple of seconds away.
28:32What are you having, then?
28:33Well, we've not got much time, so just a pint of oakum.
28:36All right, so I'm in.
28:39Anymore, anymore, anymore!
28:45Here, did you hear about the prince's ball?
28:48I'm so excited I can't speak.
28:50Oh, chance would be a fine thing.
28:53The prince is holding his big ball.
28:55Oh, steady.
28:57And all the eligible ladies in the kingdom are invited.
29:01Tiddus, Tiddus.
29:02That means you.
29:04We said ladies.
29:05Mother, mother, mother, mother, mother, mother, continue.
29:21We must start making dresses right away.
29:25Cinderella, you urge him, must help us.
29:27But father, stepmother.
29:34But stop all this idle chatter and let's talk about me for a minute.
29:40Dandini will be here in a minute with the invitations any minute.
29:45I'm thinking about the doorbell, when are you going to ring it?
29:48When are you going to ring it?
29:50I'm talking about the doorbell, when are you going to ring it?
29:53When are you going to ring it?
29:55I'm thinking about the doorbell, when are you going to ring it?
29:58When are you going to ring it?
29:58Don't get your hands off me.
30:00Order your living bra.
30:01Now.
30:03Well, I've put a call out for a common tip.
30:07They're soldiering on.
30:08Oh, I know, but the audience are going along with it, Eileen.
30:12It's OK.
30:15Why don't you go side stage and keep an eye on Rosie for a bit?
30:20I'll look after the kids.
30:22Oh, thanks, Eileen.
30:25You might like to see how Tash is doing.
30:27Oh, yes.
30:28Great.
30:29Great bit of cast in there.
30:31Thanks, Eileen.
30:56I'm in a panto.
31:01Let it be true, this wish I grant you.
31:05To the ball you will go.
31:07Come sun, snow, rain or snow.
31:19That weren't supposed to happen.
31:21Never got that right.
31:22Shh.
31:22Here she comes.
31:23Oh, fairy godmother.
31:25How can I thank you?
31:27Oh, just promise me this, that you, a word you will not miss.
31:33At home you must be.
31:35By midnight, you see.
31:36The spell will not stay for the dawn of a new day.
31:40More skeletons.
31:41More skeletons.
31:42Skeletons here.
31:43Come on.
31:43I'm on.
31:44Goodbye, dear fairy godmother.
31:46How can I thank you?
31:47Goodbye, everyone.
31:48Goodbye.
31:49Goodbye.
31:50I'll be asleep in the car.
31:50Do you want me to go and get the...
31:51I'll fill you with a ride.
31:53Oh, well, now I must go back to that wonderful ball, even though I have no one to dance with.
31:59Don't be nervous.
32:00Just remember the weight of the production's on me.
32:06Dancing queen, young and sweet, only 17.
32:15Dancing queen, feel the beat of the tambour.
32:20Dancing queen, young and sweet, only 17.
32:21Oh, yes!
32:23Oh, yes!
32:23Oh, yes!
32:31I don't fancy yours much.
32:32Don't fancy yours much.
32:34I don't fancy mine much.
32:35Don't fancy mine much.
32:37Don't fancy mine much.
32:37Oh, you dare!
32:39And you, too, naughty boy.
32:42Ooh!
32:44It's going really well.
32:45Is it?
32:46Do you think so?
32:46I can't tell.
32:47Oh, they're getting it.
32:48Oh, yes.
32:49They're getting it.
32:58Hi!
32:59I need Colin or Tip.
33:00Colin or Tip.
33:01They're late.
33:01They're late.
33:01They're late.
33:02They're late.
33:02They're late.
33:02They're late.
33:02They're late.
33:02They're late.
33:02Thank goodness.
33:02You're there.
33:03Quickly, quickly.
33:04Because you're on in about 30 seconds.
33:05Come on, hurry up.
33:09Can I finish these?
33:10No, you're on.
33:11Shall we, Mr Harder?
33:13When you're ready, Mrs Harder.
33:14Oh, God, I could.
33:15Come on, quickly.
33:16Quickly, quickly.
33:22Thank you, kind sir, for giving me the fairest hand in the kingdom.
33:26Sorry, bye.
33:27I promise I shall cherish her and love her.
33:30And we shall have the finest wedding and honeymoon
33:34that money can buy.
33:37Now you are my husband, it seems.
33:39And the fairy godmother has fulfilled all my dreams.
33:43But for my sisters, I am sad.
33:47Surely there is some local lad.
33:50Some local lad to stop their haranguing
33:53and give them both a jolly good.
33:56Prospect for the future.
33:58So let us go off into the sunset with laughter
34:01and live together happily ever after.
34:04Hooray!
34:06Here far, wherever you are, I believe that the heart does go on.
34:21Hooray!
34:24Hooray!
34:27Hooray!
34:28Hooray!
34:28Hooray!
34:29Yeah.
34:30Yeah.
34:30Now our show do's come to an end.
34:32Ironically, of course.
34:33I'm encouraging.
34:34Sorry.
34:35But if for next year you cannot wait, see you all in 2008!
34:55Thank you, ladies and gentlemen.
34:57Please, ladies and gentlemen.
34:59Ladies and gentlemen, please, ladies and gentlemen.
35:01Thank you first of all for this wonderful show.
35:04you all did so well welcome and i'd like to please ask for a moment of quiet to remember
35:15someone who was a regular class member and a great supporter of our panto who cannot be
35:21with us today i refer of course to mike vine much missed but didn't his children do him proud
35:40and now on with the finale thank you
36:16going for a drink yeah
36:31was that mike in that last bank oh yeah yeah that was cool i told you to put him in
36:37a firework and
36:38let him off over the town center you skanky idiot oh right oh bloody hell um well sorry about that
36:49oh well it's okay i suppose he got to be in the panto didn't he
36:54i am now shush shush please everybody for queenie our director
37:08oh we've been quite a good team don't we do it don't go soft on me eileen oh don't you
37:13worry
37:13i have no intention of doing that another triumph i hate to take all the credits but she will we
37:20never
37:20ever think it's going to come together but then at the last minute it starts as if by magic
37:30that's show business i suppose
37:52i'm going home
38:00i'm going home in this
38:03oh
38:07well that was great well it was really fun do you know there's a scene all right
38:10great great all right well see you down the fountain there yes
38:14yes oh i left my costume here
38:16oh everybody loved it i loved it yeah yeah ma'am i i got lots of people waiting for me
38:28i don't want to
38:28put them down like this you know have to know that everybody got it oh everybody got it okay so
38:33i've got everyone just i'm gonna i'm gonna build on this for next year next year next year
38:36yeah queenies asked me to play the little mermaid okay i better go my public awaits
38:51what will it be a benedictine eileen oh double please and it lovely yeah you see that's what acting is
39:02gives people a chance to not be themselves for a bit excuse me
39:10no i think it makes them more themselves i think it gives you a chance to see who they really
39:14are
39:19he's lovely isn't he yeah they look lovely together yeah do you think no chance no
39:34we are the village green preservation society god save donald dog lord of ill and variety
39:44we are the desperate and appreciation society god save strawberry jam and all the different varieties
39:59well
40:03you
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