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A passionate declaration of love for the cinema and poetry of Iran, which also offers a frank view of the precarious situation for critics of the regime and shows the uncompromising daily struggle of Iranian women against their oppression.
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00:05:37About 10 years ago, I remember being in a dark room with other young and agitated students
00:05:43who had joined the films who had joined the cinema course for many reasons.
00:05:47I did not have a reason then.
00:05:49I was 21.
00:06:00The films that we were to watch shortly changed everything.
00:06:05Some of the first Iranian films shown to us during our film studies classes were those by Mohsen
00:06:12Mohsen Mahmalbaf, Abbas Kiarostami and Jafar Panahi.
00:06:31This cinema and the cinema and the poetry of the film, a rebel poet and filmmaker from the 60s broke
00:06:41the image of Iran that reached us through conventional news and media.
00:06:46These films spoke of hope and poetism despite being made under an obsessive totalitarian regime.
00:06:54I would say...
00:07:24Iran is in a black and white space.
00:07:29In this case, I don't think of that time,
00:07:35that this film will teach itself and teach itself.
00:07:40The film that came out of Iran's people,
00:07:42was in Iran's own.
00:07:45It was not allowed.
00:07:46It was not allowed.
00:07:47But it was not allowed to do it.
00:07:54I feel that if you have a lot of creative and creative ideas,
00:08:01the first thing we can do is a woman.
00:08:05Because she is a woman of a woman of a woman.
00:08:11Not only a woman of a woman, but every woman of a woman can do her woman with a woman,
00:08:18with a woman, with a woman, with a woman, with a woman.
00:08:20I feel like you're a woman of a woman, with a woman with a woman with a woman.
00:08:26She has suffered from a woman in a woman with a woman with a woman.
00:08:42Where did this hope emanate from?
00:08:44How could such life-affirming stories of beauty emerge from the claustrophobia of censorship?
00:08:51I wanted to learn. Fueled by passion, I let myself be taken to the land of unheard stories on the
00:08:59wings of cinema.
00:09:17Hi.
00:09:18Telephone, Telephone, Telephone.
00:09:23Hello.
00:09:29Hello.
00:09:30Hello.
00:09:32What's your name?
00:09:33Shri Moe.
00:09:34I'm from Hong Kong.
00:09:36I'm from Hong Kong.
00:09:36I'm from Hong Kong.
00:09:39I'm from Hong Kong.
00:09:40It's so good.
00:09:41So good.
00:09:44It's so good.
00:09:49It's so good.
00:09:53What do you want to do with her?
00:09:56Along with she has a song on a dance?
00:09:58Do you want to dance?
00:09:58Your motto is so good.
00:09:58What do you want?
00:09:59Ok, I want to dance.
00:10:00It's a little shame.
00:10:01It's a mermaid.
00:10:03It's a mermaid.
00:10:06Why?
00:10:10Why?
00:10:11What are you doing?
00:10:12I do.
00:10:13I am not sure.
00:10:15That's the one who does not take me.
00:10:18For him!
00:10:19You will be a little better.
00:10:21I will give you a little bit.
00:10:24No, I will give you a little bit.
00:10:27I will give you a little bit.
00:10:27No, no.
00:10:38Let's sing it.
00:10:39It goes.
00:11:21Thank you very much.
00:11:35It's very good, you can always change
00:11:39Are you ready?
00:11:45How can everything be made?
00:11:47No, why?
00:11:49Your friends?
00:11:50In Iran?
00:11:50Are you alive?
00:11:52No.
00:11:53No one likes to eat some more.
00:11:54I don't want to. I don't have to think that I'm coming here to Kasebi.
00:12:02Thank you. Good afternoon. Good afternoon.
00:12:06I was learning Farsi more through the songs I heard than the language classes I took.
00:12:14While music instantly got me closer to everyone, it seemed to be a privilege I had only as an outsider.
00:12:24For I glaube, we all we have all we have to do.
00:12:27I love the Lord. I love the Lord.
00:12:32I love the Lord. I love the Lord. I love the Lord.
00:12:39I love the Lord. I love the Lord.
00:12:46Women could not publicly sing in Iran.
00:12:49Everyone I met asked me to sing Persian songs
00:12:52as though desiring to fill the absence of a feminine voice.
00:18:02I can't do it and I'll show you the time.
00:18:05It's like a woman who has spoken to a woman in the world.
00:18:10It's not that she's happy to be a woman who has a passion for a woman.
00:18:19It's a shame that she wants to be like a woman, not like a woman.
00:18:25She wants to listen to a woman that she wants to listen to a woman.
00:18:32she does not give me a Pelon.
00:18:33I love you.
00:18:35I love you all.
00:18:35That's why I feel a good girl,
00:18:38I trust you.
00:18:39It's been a good morning.
00:18:43I did not have a routine.
00:18:45I know my first day,
00:18:47I felt like you were just like one card.
00:18:50I felt like a letter.
00:18:51Myimmee was really good and that was a good day,
00:18:54and my sister,
00:18:56I was a
00:18:56and the science of the French Revolution,
00:18:59I was able to read my book in the Korean literature
00:19:06and read about the Korean literature.
00:19:08I was able to read that
00:19:13the book is a part of the original translation of the French and French.
00:19:17If we want to talk about these books,
00:19:21we can't read the book.
00:19:32is there a language?
00:19:39the language is and not the same
00:19:46but the language is still interesting
00:19:49until the language is still open
00:19:51the language is still open
00:19:57I don't know what to do.
00:20:00I don't know what to do.
00:20:02I know that...
00:20:05Every night, I have a good idea with the trees.
00:20:13Do you know what to do?
00:20:17It's a good idea.
00:20:25There it is.
00:20:26It's in that house.
00:20:30Here is Ali's house.
00:20:32This one?
00:20:33Yes.
00:20:35Okay.
00:20:38Ali, do you think we can go in?
00:20:41I don't know if we can go in, but I'm not sure if you can go in.
00:20:47I had walked up to Kirastami's house one afternoon, hoping to meet him.
00:20:53Instead, I slid a note under his door.
00:20:58He died a week later.
00:21:04That was the closest I could get to him, except through the memories recounted by his friends.
00:21:33He's so...
00:21:34Ha, ha.
00:21:37Ha, ha.
00:21:39Ha, ha.
00:21:40Ha, ha.
00:21:44Ha.
00:21:47One of the first friends I made in Iran was Swahrhad.
00:21:51He had acted in two of Kirastami's films.
00:21:56This is the same answer.
00:21:57We spent endless afternoons discussing cinema, Kirastami, and stories of a generation that
00:22:04had witnessed the revolution.
00:22:05This is the same answer here.
00:22:09This is Keshawaz.
00:22:10Keshawaz and me.
00:22:14Cinema happened to him by chance one day
00:22:16when he caught Kirastami staring at him at a party.
00:22:21Soon he was called for an audition for And Life Goes On.
00:22:35He said to me, he said to me he said,
00:22:39He said to me, he said to you.
00:22:42I think that girl is a little strange.
00:22:46I said to him I would sing a song.
00:22:49I said that I have to sing the sound of this song.
00:22:52That song is the Italian song.
00:23:06I don't want the sea anymore, I've seen enough of it,
00:23:13I've been left from the bushes, from the houses,
00:23:17from the things that were disappeared that belonged to me.
00:23:25Beyond the yellow hills, there's the sea,
00:23:30but the sea of the sea never happened.
00:23:35I'm from the city, I know it enough,
00:23:41from the bushes, from the empty houses,
00:23:45from the things that were disappeared that belonged to me.
00:24:02When the film was finished,
00:24:05they had to see the film,
00:24:08they had to see the film.
00:24:11One of them was a man who was a leader,
00:24:14and he was a leader.
00:24:16He told me that he was a leader when he was a leader.
00:24:21But he heard the music,
00:24:22and he told me why he was listening to Italy.
00:24:23He forgot what he was saying.
00:24:28When I said to myself,
00:24:31I was very afraid,
00:24:33because I said,
00:24:34it was a kind of a sadness,
00:24:35and that's a lot of pain.
00:24:40And then I said,
00:24:43now I'm going to give a film on my own side.
00:24:47I said,
00:24:47I will stay.
00:24:56Let's go down to eat Osh.
00:25:00That's very delicious.
00:25:03I remember I was staying in a dormitory back then.
00:25:06I was given a bed, but the room had no window.
00:25:11Farad and his wife Tarane insisted that I stayed with them in their house.
00:25:16And this is Farouk Farouk's document that she was in our house.
00:25:35It was Farouk who brought me to Iran.
00:25:38I could feel her presence from the very beginning.
00:25:42As Farad showed me her rent document, I came to know she lived in the very house I was staying
00:25:49in them.
00:25:51The feeling hadn't sunk in yet.
00:25:53You see, none of this was planned.
00:25:57Sheer chance brought me so close to her.
00:25:59I don't think I can fully express the feeling in words.
00:26:03Yeah, 1339.
00:26:06According to Iranian calendar.
00:26:0918 years before the revolution.
00:26:25I'm getting tired.
00:26:28By the way, there's a place I was a family.
00:26:29I was at the inn that time.
00:26:29In the next couple of weeks.
00:26:31Yeah, we're going to create an underground movie.
00:26:32I can't do that.
00:26:34But I'm working together with an underground movie.
00:26:35Here's a big house.
00:26:40Do not vote, do not vote, do not vote, do not vote.
00:27:10Do not vote.
00:27:12You voted.
00:27:14Do not vote.
00:27:14You voted.
00:27:15You voted on me.
00:27:17I did.
00:27:23It's the style of the lighting and lighting.
00:27:24This is a much better experience.
00:27:26It's a perfect look at all.
00:27:30I love it!
00:27:31I love it.
00:27:41It's a beautiful interior.
00:27:42I love it.
00:27:44It's a beautiful color.
00:27:45I love it.
00:27:46Notice how it's a little in the dark.
00:27:59Look, you're probably gonna do something like that.
00:28:02I have to try it.
00:28:05I'm too willing to try it.
00:28:06What is the first time you've eaten?
00:28:06I think it's a team camp.
00:28:07You have to come.
00:28:10You can't get lost.
00:28:12You don't walk alone.
00:28:28All my friend Majdi wanted was to play his music in peace, but once again the accidental
00:28:35senses of the city got in our way. As we left Farooq's grave, we saw black flags hanging
00:28:43in the streets, marking the death anniversary of the 6th Imam. The air felt heavy as I prepared
00:28:51to meet Banahi that afternoon.
00:29:05But it was not a story about the kids. It was not a story about the kids, but from the
00:29:15way of the kids, it was a lot of words.
00:29:21I started the cinema with Konaak Sifid.
00:29:26It's been a long time, and it's been a long time.
00:29:29But I had to come back to a place where I came from.
00:29:34After the film, I thought that I would like to make films that I love them.
00:29:41For this film, the film started.
00:29:45And the films that I created, the problems were solved.
00:29:49The films that I wanted to do in Iran
00:29:54and then I will be able to make a
00:29:56and then I will be able to
00:29:58with her
00:29:59and then I will
00:30:02the work of her
00:30:03and every film that I made
00:30:05I will make a decision
00:30:08and I will make a decision
00:30:08and I will make a decision
00:30:12you can see
00:30:15better
00:30:17I will be able to
00:30:20this situation
00:30:21But I don't know what I'm doing
00:30:28I know I know
00:30:28I know
00:30:33I am not going to be social, but I can't be social,
00:30:37where the government has to be dealt with.
00:30:39I don't want to open it for somebody,
00:30:44but then I can't say I'm going to live with them,
00:30:52but I want to...
00:30:54I don't want to be social,
00:30:57but I don't want to make this be a,
00:31:03I need to react to this film
00:31:05What's this film?
00:31:09For me it means a film of a civil rights film
00:31:12What is good, what is good, what is good, what is good, and what is bad
00:31:18What kind is fine and what is bad
00:31:21What is it worth?
00:31:23For the essence?
00:31:25For the essence?
00:31:28For the essence?
00:31:30It's important
00:31:30Pornham
00:31:34It was a very good idea.
00:31:42It was a dream.
00:31:50It was a dream that I didn't work for 20 years.
00:31:55I wouldn't have to do a job for 20 years.
00:31:56I wouldn't have to do a job for 20 years.
00:31:5820 years ago, I would not have to go abroad, and I would not have to be able to do
00:32:03it.
00:32:05And 6 years ago, I would have to go to London.
00:32:08But there are so many opportunities in the world that I would not have to be able to go to
00:32:16London.
00:32:20So today I thought I would not have to go in and spread the่am of London.
00:32:26I thought I would have to say, why do I have to go abroad?
00:32:28The country used to be, but I didn't want to go abroad, and I would have to go abroad.
00:32:42I would have to be scared that I would not have to go abroad.
00:32:49If I'm going to go there, I need to do a film.
00:32:55When you make a film, you make a film.
00:32:59One time I made a film.
00:33:01What did you do?
00:33:04You make a person.
00:33:06You go to a place where you go.
00:33:11You make a film.
00:33:15But I had a bad impression.
00:33:18One day I went to that place and I went to the river where my feet were going.
00:33:24And the river was a bad thing that I had to go to the river.
00:33:28It was the place where I went to the river.
00:33:31It was the place where I went to the river.
00:33:34I went to the river and I went to the river.
00:33:44I went to the river and I was able to get into the water.
00:33:52I got to go to the river.
00:33:53I got to the water so I won the river.
00:33:55I got the water.
00:33:56I started seeing a way.
00:34:34Oh
00:34:39Oh, you missed it. There was a whole bit of a house.
00:34:51Do you want to see this?
00:34:53What? What is happening?
00:35:04It was the World Cup of 2018 and Iran was playing against Spain that night.
00:35:12My friends wanted to watch the match at a mall nearby with everyone else.
00:35:22The growing excitement everywhere brought alive scenes from the film Panahi had made years ago
00:35:28on how Iranian women were banned from watching football matches with men in stadiums.
00:36:08That night, before my eyes, I saw malls, cinema halls, cafes and the streets of Tehran
00:36:16transform into live stadiums where women stole their moment of freedom alongside men.
00:36:46They were all obsessed with a narrative of the public and a film called the R utilitarian
00:36:53in the era ofommtifying schools.
00:36:54That's my body.
00:36:55That's my body. That's my body. That's my body. I cut it twice.
00:36:58That's my body. That's not your body.
00:36:59That's my body.
00:36:59Oh, that's my body.
00:37:19I came here seeking the stories of filmmakers, but cinema opened a window through which I
00:37:26entered an unexpected world.
00:37:56Yes, there was a lot of dirt.
00:38:02For a bit.
00:38:26I was like, this is my doctor, and I said, I'm going to go to the doctor.
00:38:34And I said, I don't need to do this.
00:38:40I said, I'll give you a story.
00:38:42After that, I said, I'm very happy, I really appreciate it.
00:38:49I said, I'll give you a story.
00:38:51I said, I'll give you a story.
00:38:56But everyone can do something like this.
00:39:00For me, I want to know it.
00:39:04Because when we see a lot of things, we can see that it's not going to be done.
00:39:10It's not going to be done.
00:39:12But I like to know that it's like a Barbie.
00:39:16Like a small head.
00:39:18I'm going to be that way.
00:39:26A friend once told me, Iran is the mecca of nose jobs.
00:39:34In a world where women's bodies are erased, sculpting a flawless face seemed to be the path to perfect beauty.
00:39:50There's a lot of things that I am going to use.
00:39:54It's been a long time to believe that I would make a difference.
00:40:05I would say that it would be a lot.
00:40:08Yeah, I can't believe it to be a part of it.
00:40:11It's because it's important to me.
00:40:20I'm not sure if it's a part of it.
00:40:25But there's been a couple of times that I want to share it.
00:40:28I really don't know if I can share it.
00:40:29But, I can't be able to share it with my friends.
00:40:31And, there are people who can see it.
00:40:32And they can see it in my comments.
00:40:37But, they can see it in their comments.
00:40:38They can see it in their comments.
00:40:40It was better than me.
00:40:43It was better than me.
00:40:48And do you want to do this?
00:40:52Do you want to do this?
00:40:56Yes.
00:40:58Yes.
00:40:58Yes, I'm a company.
00:41:07It's a Hindi company.
00:41:08I'm listening to this.
00:41:10I'm a company in Hindi.
00:41:16Okay.
00:41:19Wait, wait. Let me see it.
00:41:52What do you want to do?
00:41:53It's his chastity and hijab are a goal of nature and it brings the society to excellence.
00:42:23Her self is more important than hijab.
00:42:29Hijab is in your self.
00:42:33Hijab is in your self.
00:42:39Daroni.
00:42:41Daroni.
00:42:42Janice.
00:42:43But what do you think about hijab?
00:42:45Is this one?
00:42:56Man who puts his hand on the shoulder.
00:43:00So, he doesn't want the other hand, but he doesn't want the other hand.
00:43:07He doesn't want the other hand.
00:43:08He does not want the other hand on his hand.
00:43:10Do you have any benefit?
00:43:11Yes, very good.
00:43:13Good luck.
00:43:14Good luck.
00:43:14Good luck.
00:43:16Good luck.
00:43:18Good luck.
00:43:19Good luck.
00:43:25Good luck.
00:43:26Good luck.
00:43:29Ice cream shop there too.
00:43:30That was nice.
00:43:32But I know that they didn't.
00:43:34What?
00:43:35You sure?
00:43:37Huh?
00:43:41What?
00:43:42You know what he said?
00:43:43I know.
00:43:44So you know he's like a kid and he's a police hijab.
00:43:47Yeah.
00:43:48Yeah.
00:44:03Yeah.
00:44:04Mm-hm.
00:44:15Even before I began learning Persian, I knew the word Engulab.
00:44:20In Urdu, we called it Inkilab or revolution.
00:44:26The Engulab street in Tehran was a place where one could find uncensored copies of books
00:44:33and posters of rebels from all across the globe.
00:44:39I found my copy of Farooq's verses here.
00:44:44Yet each corner was heavily guarded by both uniformed and plain-clothes policemen
00:44:50who circled the streets penalizing women for improper dress code.
00:44:56.
00:44:56.
00:44:56.
00:44:56The go-to the school board.
00:44:58No.
00:45:00The next election.
00:45:01The election.
00:45:03The election.
00:45:05The election.
00:45:07The election.
00:45:08The election.
00:45:21What did you do?
00:45:25Thank you for your support.
00:45:33It's time for you to stay.
00:45:35It was a lot of fun.
00:45:41It was the work that they did.
00:45:47I don't think I'm afraid to go to the police,
00:45:55but it's very strange.
00:46:03You know that you have a big risk.
00:46:06I think it's a great job.
00:46:10I think it's a great job.
00:46:15I think it's a great job.
00:46:15But I'm very excited.
00:46:19What happened to this doctor?
00:46:24Well, I think many people have been doing this.
00:46:30They were in the same way.
00:46:32They were doing this job, but the police didn't get them.
00:46:37I know that the two men are the same.
00:46:40I mean, this law is the law that you had to give.
00:46:43It is the law that you had to give.
00:46:44And the women are not very resistant to each other.
00:46:50They can't wear a hat or not.
00:46:52Because it's a choice.
00:46:54I mean, my mom is a man with a hat.
00:46:57and I can feel that he is not suitable for him, because he will be chosen for him.
00:47:11But in 1989, a day at the same time,
00:47:18I had to go to my office and my office at the office of my office.
00:47:23They had about 10 hours of the office.
00:47:30And they had a lot of work in my office.
00:47:34They had a lot of work in my office.
00:47:37They had a lot of work in my office.
00:47:37They had to do it for 3 hours.
00:47:41After 3 hours, I was able to get into my office.
00:47:45I had a journey.
00:47:48I had a dream of my obsession when I was.
00:47:51I had a did orientation to myself.
00:47:54I was like, what can I do to have started?
00:47:58I got one because I got a man.
00:48:00And my seeing that my story,
00:48:14I am a gift to them, I am a gift to them, but it was a gift to them.
00:48:21The gift of men was that I am a gift to them and I am a gift to them.
00:48:29They had to be able to use them for the gift of their gift.
00:48:35I told you that I was sixth- piorated
00:48:39But I told you that I was going to come and I wanted to come
00:48:42For the use of the process that they had met me, I wanted to come
00:48:47And I told them that I wanted to come and give them to me
00:48:50But they told them that I was going to come and make better
00:48:53And they told them that I wanted to come and make better
00:49:03It was about a year and a half ago, until we met all of the women, the political women.
00:49:17We had a good friend of mine.
00:49:20Thank you very much.
00:49:23I love you.
00:49:24I love you.
00:49:25I love you.
00:49:36I couldn't meet Nasreen again.
00:49:38She was sentenced to 38 years of prison for defending the rights of the girls who were arrested for raising
00:49:46their scouts.
00:50:13From somewhere, the cry of a woman filled the street.
00:50:17Standing on a bridge, she was howling in agony.
00:50:20The signal had turned red.
00:50:22Lines of cars halted in the street billet.
00:50:37As the car moved on, I looked at the walls of Tehran, decorated with images of dead sons, martyred in
00:50:45war, and grieving mothers.
00:50:58What was this?
00:50:59What was this?
00:51:18We held an important business in the room to these why we heldlland 눈 for doors.
00:51:23Here is the welcome of The
00:51:26movie under Makal White.
00:51:27The book of Tehran isooooo which gave a lot of pride.
00:51:33He was raised.
00:51:34He eie, he eie, he eie, he he eie.
00:51:37He eie, he eie.
00:51:38He eie, he eie, he eie, he eie, he eie.
00:51:38He eie, he eie, he eie.
00:51:40I think it's a good thing.
00:51:42But now, this tree is very nice to be able to get it.
00:51:52It's better to get this tree with a small tree.
00:52:01It's a small tree.
00:52:02It's a small tree.
00:52:13I'm very happy to be here.
00:52:29Would you like to read the other one?
00:52:32Yes.
00:52:32I'm going to read it.
00:53:02MAL TIR'E QUANON MEE BEST PEND
00:53:06W AZ CHQUIQUEHAI MUSTRB ARZO Y MEN
00:53:12FABWARHAI KHON BE BIRON MIE PASHIED
00:53:15WAKTI KE ZINDAGIE MEN DIGR
00:53:19CHEIZI NBOOD
00:53:21HEEK CHEIZ
00:53:23BEJUST TIK TAKE SAHAT DEEBARI
00:53:28DRIYAFDEM BAAYED
00:53:30DRIYAFDEM BAAYED
00:53:31DRIYAFDEM BAAYED
00:53:41DRIYAFDEM BAAYED
00:53:43ON THE FIRST DAY OF NEW YEAR IN 2016
00:53:46I SAT BY THE BANKS OF THE RIVER ZAYAN DERUDE IN ESVAHAN
00:53:50AND TOOK THIS PHOTOGRAPH
00:53:52I PENNED A FEW LINES RIGHT AFTER
00:53:56I WILL BRING YOU BACK THE WIND
00:53:59A HANDFUL IN MY POCKETS
00:54:01TRACES IN MY CHEKS
00:54:03A GUST OF CHILL ENTRAPPED IN A CHADOR
00:54:07AND A SHIVER BURNING THE SKIN WITH A MEMORY
00:54:10I'LL BRING YOU BACK THAT MEMORY
00:54:31WHEN I VISITED THE SAME SPOT THREE YEARS LATER
00:54:34THE RIVER HAD DRYED UP
00:54:45PEOPLE VISITED THE SIOSEPOL BRIDGE
00:54:48IN MEMORY OF THE ONCE PUSTLING RIVER
00:54:58A LOT OF ANGER AND SORROW FILLED THE AIR
00:55:02WHEN ONE DAY AS IF BY MIRACLE
00:55:04IT STARTED SNOWING
00:55:22AND SORROW FILLED THE AIR
00:55:35AND SORROW FILLED THE AIR
00:55:36SORROW FILLED THE AIR
00:55:39AND SORROW FILLED THE AIR
00:55:44IN MERCHES
00:55:46TOO END
00:56:05This tree is breaking under the load of the snow.
00:56:08I want to go and save it.
00:56:12It's a cedar tree, it should not break under the snow.
00:56:17Hey, I am happy, I am happy because I only live one day.
00:56:26That's very good.
00:56:41Hello.
00:56:43How are you?
00:56:44I am happy.
00:56:44I am happy.
00:56:46I am happy.
00:56:50Hello.
00:56:51Who are you?
00:56:54I am.
00:56:54I am.
00:56:55Who are you?
00:56:57What happened?
00:56:58Who is the one who lived in the woods?
00:57:06What happened to you?
00:57:13What happened to you?
00:57:14This tree is a few times.
00:57:15You should see that first place.
00:57:19In a way you look at it.
00:57:21If you have a new tree, you will see me in the middle of the snow.
00:57:24What are you doing now?
00:57:24This tree is not the same.
00:57:25my father
00:57:27and have a political reaction
00:57:29my father
00:57:37my father
00:57:39and have a
00:57:42and
00:57:43his
00:57:53really
00:57:54just
00:57:55I will test you.
00:57:57Yes, I will.
00:57:59One more, one more.
00:58:01I will not do it.
00:58:02The project is a way to help.
00:58:05This is a way to help.
00:58:07I will do it.
00:58:09I will not do it.
00:58:11Because I will not do it.
00:58:14I will do it.
00:58:18I will do it.
00:58:19I will do it.
00:58:20For one year, I will do it.
00:58:25A long time.
00:58:29Yes,
00:58:30A long time
00:58:54given tocek.
00:58:55I will do it.
00:58:55oh my god
00:59:01oh my god
00:59:03I will find my friend
00:59:06yeah, I can see
00:59:10my friend
00:59:12I don't want to drink water, I don't want to drink water, I don't want to drink water.
00:59:42You are my grace, me neither will you Meine, alright, what I mean?
01:00:02Let me let myself, come here, come here Now you will eat my dinner
01:00:40Satsang with Mooji
01:00:43Hello, how are you?
01:00:46What are you doing?
01:00:48Album.
01:00:48Hello, how are you?
01:00:52I'm going to tell you.
01:00:53I'm going to tell you.
01:00:55I'm going to tell you.
01:00:58Okay.
01:00:59Did you hear that?
01:01:01Did you hear that?
01:01:03No, now I'm coming.
01:01:06This is our album.
01:01:08This is our album.
01:01:09This is our album.
01:01:09Let me tell you.
01:01:10This is important.
01:01:12Do you know this girl?
01:01:13Yes.
01:01:14Do you know it?
01:01:15Yes.
01:01:15It's a girl.
01:01:17Yes.
01:01:18Do you want to tell us if you want to tell us?
01:01:21No.
01:01:22This is not a film.
01:01:24Why?
01:01:26Do you not.
01:01:27It's not a film.
01:01:30This is a film.
01:01:31Do you want to tell us a film?
01:01:34Yes.
01:01:35Do you want to tell us a film?
01:01:35Yes.
01:01:36I want to tell you.
01:01:36And I am going to tell you what it is?
01:01:37Yes.
01:01:38Please tell us a film.
01:01:40Yes.
01:01:44I want to tell you a film.
01:01:49Yes.
01:01:49Last time.
01:01:49I will tell you a film but I will tell you.
01:01:52Yes.
01:01:53Yes.
01:01:54Yes.
01:01:56Yes.
01:01:57Yes.
01:01:58Yes.
01:01:58Yes.
01:01:58Yes.
01:01:59Yes.
01:02:00What are you doing?
01:02:31There was one place in the first place that I found.
01:02:36What is that?
01:02:37Yes, I was in this place.
01:02:39I can't remember that.
01:02:42My father and my father, we went to work for a lot of work.
01:02:46They told me that until the summer, we need to make a conversation.
01:02:50We came back and came back and came back to you.
01:02:55I came back and came back to you.
01:02:56I came back and came back to my family.
01:02:57I got it.
01:02:59It's like you were thinking about them.
01:03:03I think...
01:03:04I think that it...
01:03:08It's very clear that you weren't coming from the company and you didn't have this company.
01:03:16We have one month and we have a bad day, it's just that our diastoms won't be.
01:03:21If it was before, then I came to a store and I came to a plate.
01:03:27And it was a lot better.
01:03:30What is the reason you could use it?
01:03:33We did a month earlier.
01:03:34So, all the women?
01:03:36All the women.
01:03:37We are 15 women and we are happy.
01:03:40We have to ask them to help us in the store.
01:03:45We will ask them to ask them.
01:03:46We will ask them to help us.
01:03:47We were able to use the paper and put the paper in our paper.
01:03:51We all worked hard and later we were happy that we were using the form of a dress.
01:03:56So, before that, it was a lot more formal?
01:04:04Yes, it was a very traditional dress and a professional dress.
01:04:08For every single time they bought a dress for years, we would have to invite them.
01:04:12We were all in a shape, a model, a model, a model, a model, a model, a model.
01:04:19It was about two years ago. Then, after two years, we fought, fought, fought, fought.
01:04:24Then, I accepted it. I said, let's go.
01:04:27Let's go.
01:04:28Let's go.
01:04:29What happened?
01:04:39Farooq died in a car accident 53 years ago. She was 32. On her death anniversary, we decided to get
01:04:48her flowers and sit by her side.
01:04:52It was the day before Valentine's Day.
01:04:55Street vendors stopped our car with teddy bears and heart-shaped balloons.
01:05:02I was only looking for some flowers.
01:05:49At her grave, someone was trying to light a candle which was being blown off by the winds.
01:05:54The sound of the evergreen trees swishing madly suddenly resembled the sound of waves breaking into a shore.
01:06:05It felt like she was around.
01:06:07It felt like she was being set off the subway.
01:06:33It felt like she was moved on.
01:06:37Please do it!
01:06:39Go!
01:06:41Go, go!
01:06:42Go, go!
01:06:42Go, go!
01:06:43Go, go!
01:06:53This is an opportunity to say,
01:09:05I have often wondered why I sing a lot more in Iran and why my hands keep reaching out
01:09:12for my falling scarf.
01:09:23On my last day in the city, I picked up a dried leaf from the street to imprint the memory
01:09:29of the majestic chenna trees lining Tehran.
01:09:36A lot remains unfinished.
01:09:42On my way back home, my mind was flooded with images of faces known and unknown.
01:10:13Yet, the memory of an afternoon spent among schoolgirls,
01:10:18I am bringing home that memory.
01:10:25I am bringing home that memory.
01:10:38I am bringing home.
01:10:56I am bringing home.
01:11:29I am bringing home.
01:11:29Satsang, you are your heart
01:11:35In the woods, you are your heart
01:11:39To障�ers with your heart
01:11:41With my heart, with your heart
01:11:44I am your mind
01:11:52When I'm a boy, I've been so far,
01:11:56I'm so young, I've been so young,
01:11:59I've been so young, and I've been so young,
01:12:04I've been so young!
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