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02:13I don't like it anymore.
02:18I don't like it anymore.
02:20I don't like it anymore.
02:20We'll see.
02:21We'll see.
02:22We'll see.
02:24Who's the one?
02:25Jéko Gácsi.
02:26This is an event.
02:27This is an event.
02:33You're a fiatal.
02:36Fiatal and nice.
02:40You're welcome.
02:58Good evening.
02:59How are you?
03:00Atila Varga.
03:02We're all happy for you.
03:04Wait, I'm not a little.
03:06Inspector Atila Varga Dragovina.
03:09Yes, yes, I know.
03:10I'll tell you a few times.
03:12I haven't seen your brother yet.
03:20This is your wife's local.
03:22Do you know the girl?
03:23He's dead.
03:25No, I don't know him.
03:27Why didn't he come to another doctor?
03:30Who's your wife's own local?
03:33Dear gentlemen...
03:35Ferenc Barad.
03:36Dežurni tuži na...
03:37Dear gentlemen, Ferenc Dežurni.
03:40I'm a daughter.
03:41I'm a daughter.
03:42I haven't come to this.
03:44Despite the fact that I'm a daughter,
03:46one of my colleagues is not at home,
03:48the other one is at home.
03:49You have only me.
03:50Can you call someone from Subutica
03:52to keep my daughter at home?
03:54I pray.
03:57I'm a daughter.
03:58Oh, I'm not sure.
03:59You are lying in the room.
04:01You are alive.
04:06You are smoking.
04:08You are drinking.
04:11They are drinking.
04:17You are drinking.
04:20You are drinking.
04:22You are drinking.
04:24We need to send the body to Beograd.
04:28We need to send the body to Beograd.
04:30We need to send the body to Beograd.
04:32Doctor?
04:34As a doctor, I can only send the body to the body to the body.
04:38I don't want to say anything.
04:41It's our ability.
04:43We need to go to Beograd.
04:45It seems to be the instructor Vardo's right
04:47for slavljene nobte and for the blood.
04:50Are you going to play a play?
04:53No, I'm crazy.
04:55I've never been here.
04:58And your husband, Željko Gačević, was there?
05:00Yes, he was.
05:03It's very unfortunate that you have to look at the body.
05:06I'm the only doctor here.
05:09He's not in Beograd nor in Subotica.
05:12Željko doesn't know that I'm here.
05:14He has his own job.
05:16I have his own job.
05:17Yeah.
05:18Gospodja Marija, I'm sorry, I have to ask you.
05:21I know.
05:22I know, my soul.
05:25It's horrible.
05:28It's even today.
05:32I'm here if something needs.
05:34You know what?
05:35What's going on?
05:39What's going on?
05:52A fenséges oroszlán nézte a szép leányt.
05:57Halkan járta körül, s a megszentelt föld örült.
06:03Tigris leopárd a lány körül játszadozott, hajbókolt az oroszlán,
06:08a vén fején arany sörény.
06:12Nyalogatta szűz kebelét, s közben nyakára hulladta szét,
06:17míg láng szeme égetett a Rubin köncseppeket.
06:21A nagynős tény ez alatt felfette a szép tagokat,
06:26s a szűzmesztelen lányt vitték a barlang iránt.
06:49A
06:51a
06:51a
06:54a
06:57a
07:09a
07:10a
07:11a
07:52Mama!
07:56You're fine, Mama.
08:09Mama!
08:12Mama!
08:13Mama!
08:16Mama!
08:17Mama!
08:17Mama!
08:18Mama!
08:18Mama!
08:18Mama!
08:18Mama!
08:18Mama!
08:19Mama!
08:19Mama!
08:20Mama!
08:20Mama!
08:20Mama!
08:20Mama!
08:20Mama!
08:20Mama!
08:21Mama!
08:21Mama!
08:21Mama!
08:21Mama!
08:21Mama!
08:49Mama!
09:19Mama!
09:21Mama!
09:26Mama!
09:27Mama!
09:28Mama!
09:30Mama!
09:32Mama!
09:34Mama!
09:35Mama!
09:37Mama!
09:39Mama!
09:40Mama!
09:41Mama!
09:41Mama!
09:42Mama!
09:43Mama!
09:44Mama!
09:44Mama!
09:45Mama!
09:46Mama!
09:47Mama!
09:58Atila!
10:05Daj cigara.
10:0912 years ago.
10:11Popovi, pevaju, pevaju.
10:15Lidija je htela u crkvi.
10:16I don't know.
10:17I don't know.
10:17Ti si baš porasla.
10:21Isi došla da pokvariš svadbu?
10:25Malo.
10:28Lidija je plakala čitu u noć.
10:32Što?
10:34Nije zbog tebe plakala.
10:37Nego zbog srđena i što se oni provode na žurcenju niko nije zvao.
10:41Nema veze što je momočko veče.
10:43Lidija ne može da podnese da je nekome lepa, da ona nije tu.
10:48Sad si velika.
10:51Nije joj lepo da tako pričaš s sestom?
10:54Bolje za tebe da se udala.
10:59A ti?
11:01Imaš li momke?
11:03Imam nekoliko.
11:17Hvala za teblikaj.
11:18A ti moliko?
11:27Hvala za tebe.
11:32Hvala za tebe.
11:35Hvala za tebe.
11:36Hvala za tebe.
11:44Hvala za tebe.
11:57We're over here.
11:57Let's see.
11:57Just wait, I'll show you all that.
11:58Bozzo!
12:01Bozzo!
12:47What do you think of?
12:50Tell me that I will talk later.
12:53I will go to the station with everything I need.
12:55No, I have to check all of my children.
13:00I will check all of my children.
13:01I will check all of them.
13:01I will check all of them.
13:16I will check all of them.
13:22I will check all of them.
13:23I will check all of them.
13:23Atila.
13:25Good evening.
13:30You are a good friend.
13:31You are a good friend.
13:32You are a good friend.
13:32You are a good friend.
13:34I saw you a few times.
13:38You were a son of a mom's evening.
13:45I will check all of you.
13:46I was drinking a cup of tea.
13:53You were a good friend.
13:55You are a good friend.
13:55And where did you get this?
13:56Where did you get this, man?
13:59I will take the name.
14:01Listen to me.
14:04I have no clue.
14:06You know how many people are known?
14:08I don't know. How many?
14:11Many.
14:14Here we go.
14:16I'm son of a duck, I'm the daughter of Marijevković Garčević.
14:21You are the captain of the police inspector.
14:24We are the sons of the police.
14:25We are the sons of the police.
14:27I don't have any connection with you, Burazir.
14:35I know many fish.
14:36I'm a boy.
14:38I'm a girl.
14:40I'm a girl.
14:42You are the children.
14:48You're the children.
14:52I'm a boy.
14:52I'm a boy.
14:55My little boy.
14:58I'm a boy.
15:00I'm a boy.
15:01Dragane, moja mala nema mane, niko nema tako lepe dragane.
15:09I nema, nema, nema ona nikoga, ona boji samo mene jednoga.
15:15Moja mala nema mane, niko nema tako lepe dragane.
15:32Kad zagrlim, kad poljubim, u ljubavi sase ona izgubi, kad zagrlim, kad poljubim, u ljubavi sase ona izgubi.
15:43I nema, nema, nema ona nikoga, ona voli samo mene jednoga.
15:49Moja mala nema mane, niko nema tako lepe dragane.
15:56Atila Varga, znam da je pronađen leš kod mene u lokalu. Doću kasnije.
16:05Je si poznavao, devojko?
16:07Ne, sinut sam je video prvi put.
16:11Čini mi se da si i ti poznavao.
16:13Ti si došao na žurku sa njom, zar ne?
16:15Ne, nema, nema ona nikoga, ona voli samo mene jednoga.
16:22Atila, Lidija je trudna.
16:27Tako stara priča.
16:29I zaljubila se.
16:32Ako si je ikad volao, pusti je da polepnem zapnuti ovaj dan.
16:37Hvala.
16:39Molim isto još.
16:42Hvala ti.
16:45Hvala ti.
16:56Hvala ti.
16:59Hvala ti.
17:00Hvala ti.
17:02Hvala ti.
17:03Hvala ti.
17:12Hvala ti.
17:18Hvala ti.
17:20Hvala ti.
17:21Hvala ti.
17:22Hvala ti.
17:23Hvala ti.
17:23Hvala ti.
17:24Hvala ti.
17:24Hvala ti.
17:24Hvala ti.
17:25Hvala ti.
17:25Hvala ti.
17:25Hvala ti.
17:25Hvala ti.
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24:16Let's go to Zemun and Zemun, brother. Two children live in Zemun.
24:19Yes, Zemun.
24:21Well, it's Zemun.
24:23Do you want me to go?
24:25Yes, I will.
24:26What do you want?
24:28I have to see, it's coming to me.
24:31I won't do anything.
24:33I'm looking for my father's life.
24:38It's very important.
24:40Why am I like this?
24:45You need to talk about it.
24:47I can be amateur, I'm going to take care of it.
24:50What are you going to take care of?
24:51You need to talk about it.
24:53You're going to take care of it.
24:55You're going to take care of it.
24:56You're going to take care of it, brother.
24:59I can't do it today.
25:01Okay.
25:03You need to take care of all the women and women
25:05who were on the Mommačkoj Vecere,
25:07who were on Karana.
25:08I'm coming to a party in my house,
25:09and coming to a party.
25:12I'm going to tell you,
25:13I'm coming in a few minutes late.
25:15I was coming in a few minutes,
25:16I saw it...
25:18I saw him in my paw.
25:19I asked me for the police.
25:22I asked him to tell me how I called.
25:24I saw him in my eyes.
25:26I said it's not a long time.
25:27I said it's not too close.
25:31I'm coming to my friends.
25:32I was hoping to my boss family.
25:34Karan. They are very familiar with me.
25:38I will talk with Žeko Gačevićem, Srdjanom Karanom, and Bojanom Karan Korać.
25:43And with her husband, Aleksandrom Koraćem.
25:46I will do it when I come back to Beograda.
25:48It is important to determine who was the girl and who was known.
25:51She came to see someone with someone.
25:57Who is that man?
26:05You are crazy, you are crazy.
26:08You are crazy. You are crazy.
26:12I told you to go to the house, and you will wake up.
26:18I think I am prince, and I am here to love you.
26:22I am in trouble.
26:23Father is not there, but there is a wife from her sister.
26:27You can't go away.
26:29I really want you.
26:30You can't go away.
26:33Dad and Mom have a house.
26:35Lidia has a house.
26:37Only I don't have a house.
26:38You are crazy, you have a house.
26:42Let's go.
27:00Good evening.
27:02Good evening, I'm sorry.
27:04Good evening.
27:07Good evening.
27:08oscar houses.
27:14Hey, Reni, did you try the tort?
27:17No, I did.
27:19Let's go to the parche of the tort. It's very good.
27:22I can't, thank you.
27:24Hey, Reni, I pray.
27:26It's the only tort.
27:29As I've finished three years, every tort is done.
27:32Only you don't know.
27:33You know.
27:36I love you.
27:38I love you.
27:41I've waited for you, you know.
27:43I see.
27:44You and me know each other.
27:48We all know each other.
27:50We know each other.
27:52I love you very much.
27:54I know, I love you.
27:56You love my children.
27:59I love you.
28:00I love my children.
28:03I love my children.
28:05My children, your son, Reni.
28:09One love for my entire life.
28:12It would be amazing when I could do that.
28:16Well, I could be able to support you.
28:19Thank you very much.
28:25And now you have good friends.
28:28Every chance.
28:31And soon I'll see you later.
28:34Like yesterday.
28:35When we were told Momoke.
28:41I'll see you later.
28:47I'll see you later.
28:51I'll see you later.
29:00I'm going to go.
29:25I'll see you later.
29:28I'll see you later.
29:29I'll see you later.
29:47I'll see you later.
29:52I'll see you later.
29:53It's time to wait for you to be able to do it.
29:57Just don't do it to yourself.
30:01You can't do it, you can't do it.
30:05You can't do it, bitch!
30:11Attila?
30:13What?
30:14You're listening to me?
30:17You're listening to me.
30:19You're listening to me.
30:20You're listening to me.
30:23And you're listening to me.
30:27You're listening to me.
30:29I can't talk to you.
30:32I'll never mind if I'm sorry.
30:33I can't do it again.
30:40I'll never blow up.
30:42I'll never mind if I'll buy it on my way.
30:48I'll never mind, when I'm sleeping,
30:49I'll never go out with my light.
30:51From the middle of my light.
30:52I don't want to talk to you about it.
30:54You're in Belgrade. You're in Belgrade.
30:57Three years ago I was in Belgrade.
30:59You're in Belgrade.
31:00But you're in Belgrade.
31:04You know, how do you think I'm going to work with you,
31:07if you're working with you?
31:12My dear friend, I want to work with you.
31:16And I have a lot of money.
31:26You're in Belgrade.
31:31I want to try to protect you.
31:39I'd love you.
31:40I'd love you, Lidia.
31:41You're a dicker.
31:43As you're in Belgrade, you wouldn't give me a dicker.
31:46You're not happy like everyone else.
31:49You're speaking in Belgrade.
31:50Come on, come on, come on!
32:21The victim had a pain in the head.
32:23It was the beginning of the attack, and after that the victim had a lot of blood.
32:27She had a pain on the knees and legs, like that she was bruised or someone was bruised.
32:33The teeth were blown away when she tried to get out of something.
32:38Is it possible that she was bruised when she was bruised?
32:42It is possible.
32:44When I think about the situation, I would say that someone was firmly under the water.
32:50Unfortunately, there are no traces.
32:53Where did she is from?
32:55She was under the head, she was bruised, she was bruised, she was bruised, she was bruised, she was bruised.
33:02The traces are the traces.
33:05The traces of the traces?
33:06No, they have a trace of the traces, but they have no way to be retrieved,
33:10but it is the trace of the traces of the traces of the traces.
33:14They fought?
33:15They fought.
33:16And it was failed.
33:19The girl.
33:38Have you just finished the opening?
33:40Yes.
33:43And are you doing a very complicated case of murder?
33:48I'm from the place where the crime happened.
33:51I hope you won't be wrong.
33:54And you say that Inspector Nikola Krasmanović is related to the victims?
34:00I'm in the situation, I've been with him for half a minute, to the evening.
34:04She was angry with me, asked if I was a police officer,
34:07and she said that he was a lot of police officer.
34:10Nikola Krasmanović is buried in my mother.
34:12He is currently at the hospital.
34:13I'm personally very interested in him.
34:16I'll tell you about him.
34:22Inspector Gabijelić.
34:24Inspector Varga.
35:02I'm a gels favourite birdenguer i make clothes crazy bold,
35:03but I'm willing to take away from my feet.
35:04I'm not going to walk in the table almost as soon.
35:05In the house of Georgia Williams,
35:06I need to walk in this table...
35:23I knew that Dan is the son of his eyes.
35:29I knew that something happened. I regret the day.
35:34I remember that she was a beautiful girl.
35:40Tihomir was older than me for 6 years, and Dana was 10 years old.
35:45All the girls looked at the day.
35:48When Dana...
35:57Do you have a son and a daughter?
36:00Yes.
36:01How do you call her?
36:05She's called...
36:08...Jedanica.
36:11Good.
36:13She's a daughter and a sister.
36:18I wanted her to call my daughter, but she didn't want to call her.
36:22How do you call her?
36:26Iana.
36:29I'm a kid.
36:39I'm a kid.
36:47I'm a kid.
36:52I'm a kid.
36:54I'm a kid.
37:00I'm a kid.
37:17I'm a kid.
37:17I'm a kid.
37:18What do you want from us?
37:21I'm a kid.
37:22I'm a kid.
37:23If she's home, she's okay.
37:25Okay.
37:25I'll share it with her.
37:28I'll share it with her.
37:33I'll share it with her.
37:35I'll share it with her.
37:48I'm a kid.
37:50I'm a kid.
37:51I'm a kid.
37:54I'll share it with her.
38:00to come out with that djubret.
38:04He started driving with a car.
38:08He was tired.
38:12He opened his house while he was not born.
38:17He was a little girl, he could.
38:21Then we gave him a child,
38:23and he cried for the child.
38:26His mother was not the same.
38:31Everything was lost.
38:34The mother died because of her.
38:36Then she escaped,
38:37all the relations and all the things.
38:40The state was in the house until she was not born.
38:42Yes.
38:44Where did she born?
38:46In the house.
38:47Yes, the state.
38:48She was a girl from 16 years old.
38:52How long did she stay?
38:53Five months.
39:02That child was called Vasa Marjanova.
39:07He was a very good tip.
39:10My brother.
39:11No, not her wife would have ever seen,
39:19and she was going to break down the现 of London again.
39:21Whatана did she frequently have that at least?
39:23Where did she justлуge things she was like?
39:25She was losing her and losing her lover.
39:28And eating her like its bad wolf.
39:31She didn't ask them anymore.
39:33How do you call him?
39:37Djubre?
39:38Panther.
39:40Neša Panter, that's how they called him.
39:42I don't know how his name is right.
39:48Give me some pictures from you.
39:51You won't see me anymore.
39:53I don't hold her pictures, I'm sorry.
40:09I don't know how his name is.
40:17I guess he was on a phone call.
40:18If you could see us, I might be a bit more.
40:18After that, if you know me and you're going to visit me,
40:19If you did not see me, I did not see you tomorrow.
40:20We had to see you tomorrow.
40:26We are back.
40:44I feel the man said to him why he was an actor.
40:53So he would convince him to come back.
40:56He is going to kill himself.
40:58He would be...
40:59So he would win some people.
40:59Hmm.
40:59That's there to be a kid.
41:02She calls me Elena. I don't know anything else.
41:06I have her mobile phone.
41:11She was a young man looking for love. She wasn't just normal.
41:15Do you think she had a diagnosis?
41:19I don't know.
41:21She was ready for her. She was surely experienced everything.
41:26Why did she leave her on the way?
41:29I don't understand.
41:31I don't understand.
41:35She was the one who was the one who was the one who was the one who was the one
41:37who was the one who was.
41:38I wanted to help her. I thought she would be able to help her.
41:42How did she help her?
41:48Don't ask me to ask.
41:50I'm just thinking about it.
41:52I saw her where she was going. I understood that she wasn't just the job.
42:25There is no contact. There is only a request.
42:28There is a request from Crnogors and one request.
42:31Where are you, man?
42:33All the other requests are erased.
42:36The body is broken.
42:38Boba, no.
42:40Let's go to your friend's friend.
42:42I'll go there.
42:43Let's go. Let's go.
42:45Let's go.
42:45I don't understand what I am.
42:49I love when they are good and bad.
43:02The phone is registered on Jelko Milačić from Tuza.
43:05It was supposed to be a residence in Budvi.
43:06There is a house in Budvi.
43:08On her brother, Labuda Milačić, and Barbara Kuda.
43:10However, Labud Milačić is a pension worker of the car.
43:14Jelka, the man who died from the 90s.
43:16He was a host of Anđelka Shimić.
43:19Even Shimi is a man.
43:21He is a man.
43:22He is a team.
43:24It's not a connection with Shimi.
43:25Mijet Milačić, son of Jelki, who can have a connection with Elenom.
43:28I called him contact and said that he is holding Barbara Kuda.
43:31He is a combination with Shimi.
43:33He bought cars from his car.
43:34Shimi is a car car.
43:36Maybe Elena is working with him?
43:38The contact says that it has a connection with Elenom.
43:40I can go there and check it out.
43:43You are a little on the river, huh?
43:44On the river is going to go.
43:46I don't have a clue.
43:47I don't have a clue.
43:48I don't have a clue.
43:49I don't have a clue.
43:49What faço today from the bottom here?
44:43It's a lot of bad justice, and it's a great place where Karsmanović is known as the victim.
44:48It's so bad that I have to think about what to do.
44:51We are in Serbia from yesterday. We follow him through the mobile network.
44:54He's located in Zlatibor.
44:56Angelko Šimić Šimić has agreed to be with us.
44:58I'm going to show him some Porsche.
44:59Angelko Šimić is a type of guy who doesn't work.
45:01I'm going to stay.
45:02Some inspector Krasmanović will review the line with Šimić.
45:05That's his resort.
45:07And for the rest, give me one day to work.
45:10It's not bad that Krasmanovi is going to be a little fun.
45:13I'm going to make some damage here with Milano Stanković.
45:17I don't remember that Nikola Krasmanović would be able to make some damage.
45:21I know.
45:23You can hear me.
45:24Yes.
45:25Let's go.
45:26Let's go.
45:26Let's go.
45:58Let's go.
46:01Let's go.
46:04Let's go.
46:05So I'm not going to make some..."
46:10How much do you pay for it?
46:12Five.
46:13There's three.
46:16Where are the people who live here?
46:19Why are you sick?
46:21Do you want to go home?
46:22I want you to stay home.
46:24You can't.
46:24What?
46:25You have money.
46:33Help me.
46:36What do you have?
46:39You have money.
46:41I'm going to go home.
46:44I don't know.
46:48I don't want to help you.
46:50I don't want you to go home.
46:51I don't want you to go home.
46:56This is a monument.
46:58Yes.
47:01What's your friend?
47:03A monument.
47:03I did not ask her.
47:08What do you do?
47:12I'm not sure.
47:14It's not a person.
47:21Yes, Chef.
47:24Hey,
47:28go.
48:10Yes, Chef.
48:11Thank you for calling me.
48:13Why are you here, Flora?
48:17You're not going to die.
48:20You're not going to die.