Can empieza a notar que las piezas del rompecabezas en la agencia no encajan, mientras Sanem se desespera por ocultar una verdad que podría separarlos para siempre. Un encuentro inesperado al final del día pone a prueba la paciencia de ambos y cambia el rumbo de su relación.
▶ Continúa la historia aquí:
▶ Empieza desde el inicio:
https://www.dailymotion.com/playlist/x72p3m
▶ También te puede interesar:
https://dailymotion.com/playlist/xa5lxo
Capítulo completo con doblaje al español. Calidad de imagen optimizada para una experiencia fluida en dispositivos móviles y tablets.
#PajaroSoñador
#ErkenciKus
#Cap22
#PajaroSoñadorCap22
#NovelasTurcas
#SeriesTurcas
#CanYaman
#DemetOzdemir
#RomanceTurco
#DobladoAlEspañol
#CapituloCompleto
#CanYSanem
#SeriesEnEspañol
#Novelas2026
#DailymotionSeries
▶ Continúa la historia aquí:
▶ Empieza desde el inicio:
https://www.dailymotion.com/playlist/x72p3m
▶ También te puede interesar:
https://dailymotion.com/playlist/xa5lxo
Capítulo completo con doblaje al español. Calidad de imagen optimizada para una experiencia fluida en dispositivos móviles y tablets.
#PajaroSoñador
#ErkenciKus
#Cap22
#PajaroSoñadorCap22
#NovelasTurcas
#SeriesTurcas
#CanYaman
#DemetOzdemir
#RomanceTurco
#DobladoAlEspañol
#CapituloCompleto
#CanYSanem
#SeriesEnEspañol
#Novelas2026
#DailymotionSeries
Categoría
📺
TVTranscripción
00:00:28Thank you!
00:00:57Thank you!
00:01:18Thank you!
00:01:45Thank you!
00:02:14What's going on? What time is it?
00:02:16It's six o'clock.
00:02:17I can't sleep anymore. Make room for me.
00:02:20But why are you waking me up?
00:02:22You could have gone to see Ihan.
00:02:25Mom is driving her crazy about the smartphone.
00:02:28He has locked himself in his room.
00:02:32I'm very tired.
00:02:36I'm exhausted. I don't feel like going to work. I don't have any doors to get to the office.
00:02:42Don't you want to go to work?
00:02:46Leila, are you alright?
00:02:50I know you don't want to tell me.
00:02:53But could you break down that wall and tell me?
00:02:57I can't. It's a very long story.
00:03:01Just leave it.
00:03:07I dreamed, I'm in love.
00:03:08Whose?
00:03:09Of the gentleman.
00:03:10Already.
00:03:12Well, what a surprise.
00:03:14The truth is, I don't know what to tell you.
00:03:18I like him a lot, but he's my boss.
00:03:20And he doesn't even look at me.
00:03:22There can never be anything between us.
00:03:24I have to forget about him.
00:03:25And that's it.
00:03:28That makes perfect sense, Leila.
00:03:30Precise as mathematics.
00:03:32I, on the other hand, would be incapable.
00:03:34I would weigh everything up.
00:03:35Again and again.
00:03:37And I would assess the possibilities.
00:03:39I would keep waiting for nothing.
00:03:40And in the end, I would experience the disappointment of my life.
00:03:42That's just how I am.
00:03:42It took me months to process what you just said.
00:03:46You see.
00:03:48And what do you want me to do?
00:03:50It can't go well.
00:03:51If I wait, it will only lead to more suffering.
00:03:53Well, you may be right.
00:03:56But even if it's not reciprocated, love is precious.
00:04:01Sister.
00:04:04Mr. Ebre doesn't deserve you.
00:04:05Oh really.
00:04:06He is very calculating.
00:04:08And it's not standing up.
00:04:11Well, that's my opinion.
00:04:13You deserve better.
00:04:14You don't realize it now because you're in love.
00:04:21So what?
00:04:25It seems you're already smitten with the man.
00:04:27No.
00:04:28I am your sister.
00:04:29You can tell me.
00:04:31Has something happened?
00:04:33I like it a lot, that's true.
00:04:35I actually like her so much that I don't have eyes for anyone else.
00:04:40You're in love.
00:04:42Do you know why you hadn't told me?
00:04:45Why did you keep it to yourself?
00:04:46And what was I going to do?
00:04:47I deny it even to myself.
00:04:51Furthermore, it is not reciprocated.
00:04:53It's impossible.
00:04:56Oh, little sister.
00:05:00What are we going to do?
00:05:03We will endure and let time heal everything.
00:05:05One day or another it will happen.
00:05:07I hope so.
00:05:09At least you and I both have good taste.
00:05:11They are two charismatic and handsome men.
00:05:14A lot.
00:05:20Besides,
00:05:22Osman has nothing to envy them for either, don't you think?
00:05:25Yes, Osman is very handsome too.
00:05:28But I've never seen him that way.
00:05:30I couldn't have that kind of relationship with him.
00:05:33But did you know that?
00:05:33Did you know he likes you?
00:05:34Of course, Sanem.
00:05:36But I can't give him hope.
00:05:37We are childhood friends.
00:05:39He's like a brother to me.
00:05:40And we also live in the same neighborhood.
00:05:42If it goes wrong, it will be very complicated.
00:05:45I wish I could love him.
00:05:46Yes it's true.
00:05:48If you can't risk leaving, it's better not to love.
00:05:53Oh, sister, that makes perfect sense too.
00:05:56Analytical thinking calms me down a lot.
00:05:58Oh.
00:05:59You should help me think that way.
00:06:03I can teach you if you want, but it doesn't suit your personality.
00:06:06You would vomit.
00:06:07Try it.
00:06:07Perhaps this will help me, the fatal one.
00:06:09However you want, I'll try.
00:06:11Okay, let's compare.
00:06:13Very good.
00:06:13What kind of environment did he grow up in, and what kind of environment did you grow up in?
00:06:16Let's analyze it.
00:06:23Have a good day.
00:06:24And you.
00:06:25See you later.
00:06:26Good morning, JJ.
00:06:31JJ.
00:06:34Oh my God, what happened to you?
00:06:36Salem, how could you do this to me?
00:06:38Why are you telling me your secrets?
00:06:40As if you didn't know me.
00:06:41So, what do I do now?
00:06:42I gather my things and return to the village.
00:06:43You know that there are no secrets there because nobody knows how to keep them.
00:06:47Where is your town?
00:06:49Never mind, just leave it.
00:06:50Don't exaggerate, it's not that big of a deal, man.
00:06:54Okay, it's my big secret and nobody should know.
00:06:57I'm sorry I said that to you.
00:06:59I think I'm going crazy.
00:07:00What do I do now that I know?
00:07:02What I do?
00:07:03Should I take it to my grave?
00:07:04Will I end up completely ill?
00:07:05What do you want me to do with that three-letter name?
00:07:06Tell me, tell me what I can do.
00:07:09Help me, Salem.
00:07:10Why did you tell me?
00:07:11You've really messed things up, good one.
00:07:14What's happening?
00:07:16Good morning, Mr. Jan.
00:07:24Our relationship is a little tense.
00:07:26Shut up, shut up.
00:07:28Don't tell me anything else.
00:07:29What are you doing?
00:07:29You want to kill me.
00:07:31J.K.
00:07:32Salem.
00:07:33Come to the meeting.
00:07:35Someone will take it eventually.
00:07:37Come on, wake up.
00:07:38I don't know if I can.
00:07:39What's the matter?
00:07:39Can't you walk?
00:07:41Don't let go.
00:07:42No no.
00:07:42That's the one I'm going for.
00:07:46First of all, a warning.
00:07:48Eileen will arrive soon and we'll meet her, but don't worry for now.
00:07:52OK?
00:07:52J.K.
00:07:53J.K., don't be so dramatic.
00:07:55Because this will be the last time we see her.
00:07:57Eileen will come to introduce us to the car client and to give us the project.
00:08:01And then he'll leave.
00:08:02Go ahead, you can applaud.
00:08:05I love applause.
00:08:12And now for the good news.
00:08:16We worked very late last night, but the effort was worth it.
00:08:20We finally chose a script.
00:08:21More specifically, I chose it because I loved the text.
00:08:24The winning story is that of the dreamy bird.
00:08:27Of course, it's a pseudonym.
00:08:29I'm going to tell you the story briefly.
00:08:31It's exactly what we needed.
00:08:32It takes place in a modest and humble neighborhood.
00:08:34The main characters are four girls who grew up together
00:08:37and embark on a journey to fulfill their dreams, during which they will get to know each other better.
00:08:41But I've made a few small changes.
00:08:43I have focused the story on the family character of the car, which is at the same time.
00:08:47The ideal vehicle for adventures is a great idea.
00:08:50I love the result.
00:08:51It will be great.
00:08:52Yes that's how it is.
00:08:53Filming begins tomorrow.
00:08:55Since we don't have a big budget, we'll have to do everything with our own resources.
00:09:00Furthermore, the dreamy bird will come to help us.
00:09:02We'll do it all in one day.
00:09:03Very good, Yeyei.
00:09:05We need to contact the dreaming bird as soon as possible.
00:09:08Find his phone, call him, and tell him he needs to meet with Mr. Yan and the team before filming.
00:09:12And we'll give him a one-month internship contract.
00:09:15The sooner what?
00:09:17Yeyei is not feeling well.
00:09:19I'll do it.
00:09:19Ah, okay.
00:09:21But hurry, call him as soon as possible.
00:09:23Okay, I'm coming.
00:09:26Are you OK?
00:09:28Mr. Yan.
00:09:30What's the matter?
00:09:31What are you doing?
00:09:33Come on, take it inside.
00:09:36Okay, everyone get to work.
00:09:47There you go, you're the best, Sanem.
00:09:48Wow!
00:09:54Have they called you?
00:09:55Yes, they called you from there.
00:10:07Very well, dear friends, esteemed mayor, president and other authorities, I send you my warmest regards.
00:10:15Now I'm going to sign photos of myself personally.
00:10:20Musafer.
00:10:21That?
00:10:23Musafer.
00:10:23Oh, family.
00:10:25Musafer.
00:10:27But son, can't you hear them knocking at the door?
00:10:29Leave that for five minutes and go open it.
00:10:31I'm recording, don't shout.
00:10:32Musafer this, Musafer that, leave me alone.
00:10:35Enough with Musafer, you just ruined my video, Mom.
00:10:37And what are you doing with your dishwashing gloves on?
00:10:39If you don't mind me asking.
00:10:40It's not stylish.
00:10:42Just so you know, you're now the mother of a star.
00:10:44Just so you know.
00:10:44Let's see if you can start using the dishwasher already, woman.
00:10:47I don't like how the dishes look in the dishwasher.
00:10:49Open the door, man, can't you see I'm covered in foam?
00:10:51I'm a star who opens doors and my video has gone to hell, it's all messed up.
00:10:57Above the outside door.
00:11:02If I have to play goalkeeper, I don't know what good being famous is to me.
00:11:14Good afternoon, officers of the police force.
00:11:17What do we offer them?
00:11:18Can this noble citizen do anything for you?
00:11:20Is Musafer Calla at home?
00:11:21This is the first time I've heard that name, Musafer Calla.
00:11:24Don't...
00:11:24Ah!
00:11:25Now that you mention it, yes, that's true.
00:11:26A Musafer Calla lived here; he was from Yosgat.
00:11:29But he told me he was going back to his village and that he didn't know if he would return to Istanbul, I don't know
00:11:33nothing else.
00:11:34Would you like something to drink?
00:11:35Tea, coffee, fruit juice, or perhaps herbal tea?
00:11:37Hey?
00:11:38No, thank you very much.
00:11:39You are welcome.
00:11:40And know that we are very grateful to you for protecting us.
00:11:42You are the pride of this country.
00:11:44Thanks to the brave and honorable members of the security forces,
00:11:47Thanks to people like you,
00:11:49We live peacefully and can go out on the street without fear.
00:11:52Musafer Calla is his brother.
00:11:53No, not at all, he's actually my cousin, my uncle's son, but I don't know which one of them.
00:11:58He lost his mother when he was just a baby and my mother took care of him, she even called him
00:12:03mother.
00:12:04He and I were like brothers, but one day he left for Yosgat and never came back.
00:12:09But if I see him, I'll tell him that the police, who are in charge of enforcing the law, are looking for him and
00:12:13that he/she may appear before you.
00:12:15Yes, please tell him we need to talk to him, it's important.
00:12:18Talk? Where? At the police station?
00:12:19Of course, where else would it be?
00:12:21Of course, that's true.
00:12:22Okay, I'll tell him.
00:12:23I'll tell him to go straight to the police station if I see him.
00:12:25Good afternoon.
00:12:26Good afternoon.
00:12:27Glory to the homeland!
00:12:32You've been found, you're very sore!
00:12:35What, no, mother? Calm down, it's okay, let me go.
00:12:38Come on, let me tell you.
00:12:39Wait a moment, calm down.
00:12:41Don't you realize what a great actor I am?
00:12:43My performance has been impeccable, Mom.
00:12:45I outsmarted the police themselves.
00:12:47I've made them believe I'm Missy Fu and not Musafer Calla.
00:12:50I am a different person now.
00:12:52Go on, let them find Musafer!
00:12:54See you later!
00:12:54I hope so, I hope so.
00:12:56Please don't cry, Mom.
00:12:58Peaceful.
00:13:05Jan, you hadn't told me that.
00:13:06And then what happened?
00:13:08I'll tell you the rest another day, okay?
00:13:11What a lively conversation!
00:13:15I have another idea.
00:13:16You should tell me tonight when we go out for a drink together.
00:13:19What did you say?
00:13:21Is something wrong?
00:13:23Not at all.
00:13:24I've gotten confused.
00:13:26Dreamy bird says he cannot come.
00:13:28In fact, he prefers to resolve everything by phone.
00:13:30What do you mean he can't come?
00:13:31The contract is ready and it will be at least two days.
00:13:34One for preparation and one for filming.
00:13:36And then a month as an intern.
00:13:37Doesn't he want to come?
00:13:38Don't know.
00:13:39She told me it's inconvenient for her and that she lives very far away.
00:13:41How far away?
00:13:42It can't be that much either.
00:13:43Well, in Conia.
00:13:45It is in Anatolia.
00:13:46It is the largest of the regions.
00:13:48Famous for its meat.
00:13:49It's true.
00:13:50It's delicious.
00:13:51Yes, I know where Conia is.
00:13:52So what are we going to do now?
00:13:56Call him again, Sanem.
00:13:58And I will speak with him.
00:14:00I'll try to convince him.
00:14:01He doesn't want to talk to anyone.
00:14:02Well, give me the phone number, I'll call.
00:14:04She doesn't want me to give her number to anyone.
00:14:06It's very rare.
00:14:07But if you want, I'll tell you to call him.
00:14:09She is a woman.
00:14:10Okay, have him call me.
00:14:12Good.
00:14:14Ah, the gentleman already...
00:14:16Yes, it counts.
00:14:16Well, the gentleman already...
00:14:17What's wrong with him?
00:14:17Well, our boss.
00:14:18He's our boss.
00:14:20Yes, our boss, our boss.
00:14:21Yes, yes, yes.
00:14:22Something has happened.
00:14:23Excuse me, is Jay Jay here?
00:14:24Over there.
00:14:25She's had another panic attack.
00:14:26Something incredible.
00:14:27Really.
00:14:28Yes, you'll see.
00:14:29This is...
00:14:29Jay Jay.
00:14:30Oh, Han!
00:14:31Oh, Han!
00:14:31What are you doing here?
00:14:32Why have you come?
00:14:33Tell me the reason.
00:14:33You didn't come for me.
00:14:34So tell me, tell me why you're here.
00:14:36Don't keep me on edge, please.
00:14:37Tell me about it once and for all.
00:14:38I can't stand it anymore!
00:14:39But man, what's wrong with you?
00:14:41Okay, I'll tell you why I've come.
00:14:44It turns out that Sanem wanted to talk to me.
00:14:46He told me it was urgent.
00:14:47Hey Han, what are you doing here?
00:14:49Hello, Sanem.
00:14:50You called me.
00:14:51Don't you remember?
00:14:51You wanted to talk to me about something important.
00:14:53You asked me to come.
00:14:54So talk, and leave me alone.
00:14:56Sanem, don't tell me anything.
00:14:58I don't want to know.
00:14:58Leave.
00:14:59I can't stand it.
00:15:00Don't talk to me.
00:15:00J.J., I have to...
00:15:01Viti, Viti.
00:15:02But what's wrong with him?
00:15:03Don't tell me anything.
00:15:03I can't take it anymore.
00:15:04Enough.
00:15:04J.J.
00:15:05It cannot process any more information.
00:15:06I don't want to.
00:15:07Don't tell me anything.
00:15:08J.J., calm down.
00:15:09Come on, fill up.
00:15:10Calm down, man.
00:15:12Oh, Han, he knows it too.
00:15:14What does he know?
00:15:15That on Miss Polen's birthday, Mr. Jan left the party, put on a tuxedo,
00:15:20He went to the opera house and kicked me out of the building to kiss you in a box.
00:15:23Well yes.
00:15:28I feel so much better now.
00:15:35So why did you call her?
00:15:37Hey?
00:15:37Why did you bring her here?
00:15:38Are you up to something?
00:15:40Do you want to be free of me?
00:15:41Oh, Han is your childhood friend.
00:15:42You trust her, but not me.
00:15:44What are you doing?
00:15:44Are you going to strangle me?
00:15:45What are you going to do?
00:15:46What are you going to do?
00:15:47The police will come, investigate the crime scene, draw my outline with chalk on the ground, and take me away.
00:15:51my corpse.
00:15:52J.J., J.J., J.J.
00:15:53Stop talking nonsense, Sanem hasn't called me, okay?
00:15:56I came on my own.
00:15:57Did you come of your own accord?
00:15:58Did you want to get rid of me?
00:15:59That's your plan, huh?
00:16:00Hey, I get it now.
00:16:01Don't worry.
00:16:02Do not touch me.
00:16:02Hey, you're messing things up.
00:16:05Hey, you're messing things up.
00:16:16Of course.
00:16:20Oh, Han, you'd better take it with you.
00:16:22This is very important, you can't tell anyone.
00:16:25I have to go to Connie's right now.
00:16:26What on earth are you doing, Connie?
00:16:27Connie's license plate starts with 42.
00:16:29Unnecessary information comes to mind.
00:16:31Don't tell me any more secrets.
00:16:32Okay.
00:16:32J.J., J.J., calm down.
00:16:34Take a deep breath, okay?
00:16:39That's great.
00:16:41I came because you're not answering your phone and I wanted to talk to you.
00:16:46Do you remember that the other day we talked about love?
00:16:48Be quiet!
00:16:49Don't say that word, don't say it, I can't stand it, I can't.
00:16:52I can't even listen to other people's love stories, let alone mine.
00:16:55I can't, I'm not that strong.
00:16:56I'm not okay, what's wrong with me?
00:16:58Ah, my eyes feel like the day I jumped into the pool.
00:17:01I can't see, I'm blind, I can't see anything.
00:17:03J.J., what's wrong with me?
00:17:04I can't see.
00:17:05J.J., what's wrong with me?
00:17:06I can't see anything, I'm blind.
00:17:08J.J., relax, nothing's wrong.
00:17:10Calm down, I'm here with you.
00:17:11Easy, take a deep breath, J.J.
00:17:13J.J.
00:17:17Don't tell me you're the coffee grounds.
00:17:19No problem, I'll take care of it.
00:17:20Don't worry, it's no trouble, leave everything to me.
00:17:23Wow, I'm glad I came.
00:17:25And what does that mean, Lelo?
00:17:27Come on in, I'm going to get a coffee.
00:17:28OK.
00:17:29Until now.
00:17:33With that smile of yours, you could do toothpaste commercials, I'm telling you.
00:17:38Thanks, but I'm happy as a butcher; I have no plans to be an actor.
00:17:42That's great, but you looked fantastic in the ad.
00:17:44Thank you.
00:17:48Osman, hello, what are you doing here?
00:17:50Have you come here for something?
00:17:51Yes, I've come to collect payment for the work I did the other day, but it seems everything is a bit chaotic.
00:17:56Yes, that's right, you have to go to accounting, I'll go with you.
00:18:00I haven't finished my coffee yet, Goulis is joining me later.
00:18:04Of course, taking you to the guard is what he wants.
00:18:07But remember that Osman is Sanem's ex-boyfriend, okay?
00:18:10And maybe he'd mind seeing you together in the office.
00:18:12No, not at all, I already spoke to her and she told me that she wasn't interested in Osman.
00:18:16Oh, sorry you're here, I hope I didn't bother you.
00:18:19Oh no, I'm not interested in her either.
00:18:21The engagement was a setup, don't worry.
00:18:23Oh, would you like a coffee?
00:18:25Goulis knows how to read the wells.
00:18:26Do you want me to read your future?
00:18:27No, thank you very much.
00:18:29Besides, I have a lot to do, I can't waste time with fortune tellers.
00:18:32Well then, Goulis will help you, see you later.
00:18:36Come on, let's continue.
00:18:38I'm not finished, we still have the deadline.
00:18:41Obido Automoción may seem like a complicated client, but they are meticulous and control the details.
00:18:45But you'll get used to it over time.
00:18:48They control the details.
00:18:49Deren, it's made just for you.
00:18:53Yes, it seems so, and it's very normal.
00:18:55That they are worried about the outcome of their new ad is a new concept for us too.
00:19:00And there's the added difficulty that we'd never asked for a script through social media before.
00:19:04although the story of Dreamy Birds is a true marvel.
00:19:07And what's that script about?
00:19:08That's a trade secret, you'll see when they broadcast it.
00:19:11Deren, don't exaggerate, Aileen, you can tell her, she's the one who brought us the client.
00:19:15No, when we end this meeting, Aileen will be just another person to me.
00:19:20Never mind, Jan, it doesn't matter. I'll take a look at the others; maybe I'll be surprised.
00:19:25Have you received any orders from Fabry?
00:19:27Because after the last project, he hasn't contacted me again.
00:19:30He has placed several orders with us.
00:19:32And soon they will present their new perfume worldwide, we will deliver it to them.
00:19:36I get the feeling you haven't had much work lately, since you visit us so often.
00:19:40Deja and Orgate are my main clients, as you know.
00:19:43That's why I've passed this client on to you.
00:19:45It's too much for me, to be honest.
00:19:47I lost my team.
00:19:49Now I work with freelancers and you can't ask for more than that.
00:19:52I don't know how much longer I can stay afloat.
00:19:55I'm sorry.
00:19:56I hope things get better.
00:19:58Thanks, Jan.
00:20:03Ah, well, let's go over the budget.
00:20:06The customer will arrive shortly.
00:20:08Very good.
00:20:08Sorry.
00:20:13Hello, blocked number.
00:20:16Good afternoon, I am Dreamy Bird.
00:20:18My voice is a little hoarse, sorry.
00:20:21Hello, Dreamy Bird, where are you?
00:20:23Well, in Conia.
00:20:25Ah.
00:20:26What is the prefix of Conia?
00:20:30I don't know, I'm calling from a mobile phone.
00:20:33And Conia's registration number?
00:20:40I don't know, because I don't have a car.
00:20:43I don't even know the names of the streets in Conia.
00:20:45I'm not from here.
00:20:46I ran away from home and came here.
00:20:48And how long are you going to keep running away, Dreamy Bird?
00:20:54I don't understand.
00:20:58Listen, your script is wonderful.
00:21:00Why are you hiding your identity?
00:21:02Because I've already given it to him and I'm transferring all copyrights to him, okay?
00:21:07I will not complain to him about anything.
00:21:09You can't do that.
00:21:10The screenwriter must be present at the meetings and filming.
00:21:14I'll be waiting for you in my office in ten minutes, Dreamy Bird.
00:21:22Why nothing?
00:21:24Why can't anything ever go right for me?
00:21:28Sir, now...
00:21:28Come here, I'm going to tell you a secret.
00:21:30What is it? What is it?
00:21:32Do you want to know who Dreamy Bird is?
00:21:33Yes, who?
00:21:34Salem, yes.
00:21:35That?
00:21:37Tell it.
00:21:39Listen up, everyone!
00:21:40Dreamy Bird is Salem, she is the screenwriter.
00:21:44Bravo!
00:21:45Bravo, bravo!
00:21:46Congratulations.
00:21:47Congratulations!
00:21:48Thank you.
00:21:49What a surprise!
00:21:50I didn't expect it.
00:21:52Good.
00:21:52What's happening?
00:21:53Very good.
00:21:53What's happening?
00:21:53I heard applause, I want to know what happened.
00:21:56Miss Deren, it turns out that Dreamy Bird is Salem.
00:21:59Bravo!
00:22:00Applause, guys!
00:22:01More applause!
00:22:06Wow, you've surprised me again.
00:22:08You wrote the script under a pseudonym and won the contest, you could have told me.
00:22:12Ah, but it was mandatory to use a nickname so that you could choose without knowing the author's identity.
00:22:16That's true, I set the rules.
00:22:19Okay, then I have nothing to say about it.
00:22:24Can you congratulate me, for example?
00:22:26Yes, congratulations.
00:22:28The script is very good, actually, yes.
00:22:30And I want you to know that I'm very happy that you chose it, thank you very much.
00:22:35That's right, I chose the script.
00:22:38And it's a great script, it's going to be a big success.
00:22:42Congratulations, get to work.
00:22:43Another round of applause, yes!
00:22:45Congratulations!
00:22:45You deserve it!
00:22:46Bravo, Salem!
00:22:47You've really done a great job.
00:22:49Bravo!
00:22:50What's going on here?
00:22:51Why all the applause?
00:22:52It turns out that Dreamy Bird is your sister.
00:22:55That's true?
00:22:56Yeah!
00:22:57Come here, little sister!
00:22:59Ha!
00:23:00I can't believe it, I'm so proud.
00:23:03Among the many stories that have come to us, they have already chosen yours.
00:23:06Oh, Salem, I'm so happy!
00:23:08You can consider it the first step in your writing career.
00:23:11It's great.
00:23:12You're very kind, thank you, but there's no need to exaggerate.
00:23:16It's simple and it's not!
00:23:17Here, afe!
00:23:18No, no, no!
00:23:19Come on, come ...
00:23:21come, come, come, come, come, come, come, come, come.
00:23:35What happened? Did I get fired?
00:23:37I'm sure I've been fired.
00:23:39I feel so good.
00:23:41My torture is finally over.
00:23:43A quiet life awaits me now.
00:23:45Yei, yei!
00:23:47You're finally awake. How are you feeling?
00:23:49Ay, Han, ay, Han.
00:23:50What's wrong? What have you done to me? Why am I here?
00:23:52What is this site?
00:23:54What are you doing? Are you standing still, woman? Are you trying to strangle me?
00:23:56Are you going to suffocate me with the pillow like in the movies?
00:23:58The typical murder from the movies.
00:24:00Is that it? Are you going to kill me there?
00:24:02Don't talk nonsense. How could I possibly suffocate you?
00:24:05I was fluffing up your pillow so you'd be more comfortable.
00:24:07But the pillow is so comfortable.
00:24:10Okay. Come on, Yei, yei, I need to talk to you about something.
00:24:15About what? What do you want to talk about? Do we have unfinished business?
00:24:19You were talking to me about love the other day. Do you remember?
00:24:23Ah, that's right. I told you something about love.
00:24:26And now you bring it up and you're going to give me another panic attack or a heart attack.
00:24:30That will be your tactic. You're going to kill me.
00:24:32And there won't be any evidence left, I understand. You could have suffocated me with the pillow, but this is smarter.
00:24:39Why am I so calm?
00:24:41Huh? What happened to me?
00:24:43You're like this because they've put tranquilizers in your IV.
00:24:46Ah! Fantastic!
00:24:48I'm absolutely thrilled. Completely comfortable. I'm going to have to come in every day to get it done.
00:24:53from this.
00:24:53By the way, you were going to tell me something, weren't you? Go ahead, tell me, Ihan, about this love thing.
00:24:58You already told me how you felt. And I think I feel the same way.
00:25:02We can try to be good friends. That'll be best. I can't have a relationship.
00:25:10That sounds great. If that's what you think, then it's really good because we agree. So, fantastic.
00:25:27My job. And they also have the agency. I think the effect is wearing off. I've had another attack.
00:25:31of panic.
00:25:32Are you at it again? J.J., calm down, okay? Relax. You can think about work later.
00:25:43What are you laughing at? Have they sedated you too?
00:25:46I've had an idea. What idea?
00:25:48Let's call it the effect, Ihan.
00:25:52Why did you jump on me?
00:25:58Do you want to kill me?
00:26:03Here you go. You see, we can't give you discounts as a matter of policy.
00:26:07From the company, but I can give you a signed photo of myself. For you.
00:26:12Okay.
00:26:13Show it to me, because I need to promote myself among my neighbors.
00:26:16A star is born and I need publicity.
00:26:19The contact details are on the back.
00:26:21But son, what's this about wanting to be a star?
00:26:24Good heavens, you have a great store.
00:26:26And we also have many problems.
00:26:28I told you, they've found you, they've found you.
00:26:30Don't worry, they haven't found me.
00:26:33I have escaped from danger, I am safe now.
00:26:35Now I'm going to go up step by step.
00:26:37Like a Hollywood star, you know?
00:26:39So, what do stars do in their early days?
00:26:41For example, they work as waiters, doormen, or whatever is needed.
00:26:45But they are not ashamed of it.
00:26:46I sell lingerie and at the same time I'm climbing the ladder to fame.
00:26:50Towards the idea, mother.
00:26:51Furthermore, after seeing the fantasy world you live in, Anem,
00:26:54I also dream of living in a world like that.
00:26:57What do you want me to say, son? What do you want me to say?
00:27:00Don't say anything.
00:27:01I have a feeling the agencies are going to be fighting over me.
00:27:04And do you know why?
00:27:05Because now I have photos.
00:27:07I've invested in them, they've cost me money.
00:27:09I'm already somewhat famous, I'm ready for worldwide fame.
00:27:12That's why I've made a lot of copies.
00:27:17Can we talk?
00:27:22I don't want to work as a screenwriter.
00:27:25Because?
00:27:27Because I don't want to.
00:27:28And why did you write the script?
00:27:30Jayay insisted, and I did it.
00:27:32But I want to give you all the rights.
00:27:34You can't. In this project you'll have to make decisions.
00:27:39Then I quit. Find someone else.
00:27:41If you do that, you'll lose your job.
00:27:45Why are you treating me like this?
00:27:47Why are you being so cold to me?
00:27:50Sanem, now I'm talking to you as your boss.
00:27:52If you turn down an opportunity like this, I don't need you as an employee.
00:27:55I want people to be committed to the company.
00:27:58Don't you need me?
00:28:00That is.
00:28:00You run away from everything that could mean something.
00:28:02You get bored and stop writing your novel.
00:28:05They choose your script from thousands and you want to quit the job.
00:28:07What do you want to do?
00:28:08Prepare and make photocopies?
00:28:10Is that what you aspire to in life?
00:28:14Yes, I want to make photocopies.
00:28:16Okay, then find another job.
00:28:19I don't want someone on my team who turns down an opportunity like the one you have.
00:28:22to dedicate themselves to making and photocopies.
00:28:25Very good.
00:28:26OK.
00:28:28Goodbye, Mr. Jan.
00:28:29Bye bye.
00:28:32Bye bye.
00:28:39Bye bye.
00:29:01Thanks for watching the video.
00:29:20Thanks for watching the video.
00:29:41Are you here for the campaign?
00:29:43Yes, that's why I'm here.
00:29:45Come.
00:29:46She is the creator of the idea for our advertisement, Miss Sanem.
00:29:50Welcome Sanem, nice to meet you.
00:29:52We've read your script and it's exactly what we were looking for.
00:29:55We all think you've hit the nail on the head.
00:29:57Congratulations.
00:29:58Yes, congratulations Sanem.
00:30:00Thank you, Miss Eling.
00:30:01We all liked her idea, we're proud of it.
00:30:05Are you serving tea?
00:30:07Yes of course.
00:30:10Okay, let's continue.
00:30:12Here is the company's annual plan, where you will find all the details, production capacity, customer satisfaction, the
00:30:22campaigns we have done previously and the development of new products.
00:30:25And here is the analysis of sales made in the last three years, plus two graphs with the
00:30:32minimum and maximum costs in foreign currency.
00:30:36Well, with your permission, if you need anything else from me, you can contact me through Jan or Embré
00:30:41whenever.
00:30:42I'd be happy to help.
00:30:45Ms. Calle, our legal department is overwhelmed.
00:30:48Can I send you the contracts in a few days?
00:30:51Yes, no problem.
00:30:52Thank you Eileen, you have presented us with a magnificent campaign.
00:30:55We will do everything we can.
00:30:56You're welcome, Jan.
00:30:57I was delighted working with Ovid.
00:30:59I'm sure you'll do a good job with them.
00:31:01Wait, Mr. Jan.
00:31:02Aileen has done a lot for us and she won't deny that this project is in some way hers.
00:31:07She developed it.
00:31:09He knows us very well and is aware of the market and the competition.
00:31:12Perhaps it would be helpful if you could lend us a hand for the next three months.
00:31:17What do you think?
00:31:17Don't worry.
00:31:19Fikri Harika is where I trained.
00:31:20I'm leaving you in very good hands.
00:31:21You have nothing to worry about with them.
00:31:25That transition period is very important to us.
00:31:31If you're interested, we'd love for you to collaborate as a consultant.
00:31:36Okay, if you insist.
00:31:39I will try to adjust my schedule to get everything done.
00:31:41Thank you very much, Mr. Jan.
00:31:43Consulting is exactly what I was going to suggest to them.
00:31:45Great.
00:31:46It doesn't matter.
00:31:47The important thing is that everyone is satisfied and the campaign is a success.
00:31:50Eileen, let's briefly discuss the script and then I'll go over the details with you.
00:31:55Okay, then if you like, I'll wait for you outside.
00:31:58Have a good day.
00:32:04Are you ready?
00:32:05Clear.
00:32:07Well, sit down.
00:32:09Come on.
00:32:32You're feeling better now, right?
00:32:33Yes, much better.
00:32:34Thank goodness you advised me to do this.
00:32:36JJ?
00:32:37Slowly.
00:32:38JJ, where were you?
00:32:39There is so much to do.
00:32:40What happened to you?
00:32:41You look terrible.
00:32:42JJ?
00:32:46JJ?
00:32:47What's happening?
00:32:47Look.
00:32:48It's JJ.
00:32:51Oh, Jan.
00:32:52It's starting now.
00:32:53Oh, no.
00:32:55What's wrong with him?
00:32:56It's not going up, then.
00:32:58Turn the wheel.
00:33:00Hey, hey.
00:33:03Hey, hey.
00:33:03Hey, hey.
00:33:03Hey, hey.
00:33:03Hey, hey.
00:33:04Hey, hey.
00:33:05Hey, hey.
00:33:05Hey, hey.
00:33:05Hey, hey.
00:33:07Hey, hey.
00:33:08Hey, hey.
00:33:08Hey, hey.
00:33:09Hey, hey.
00:33:09We're going to need more coffee.
00:33:13Let me see.
00:33:14Send that to the client.
00:33:15That file is not the right one.
00:33:16You have to take the other one.
00:33:17Make copies of that.
00:33:18Why would I want that water?
00:33:19Throw that away.
00:33:20Haven't you sent it?
00:33:21Find the folder.
00:33:22Oh, Jan.
00:33:23I lack energy.
00:33:24Get me another IV bag right away.
00:33:25Another bag?
00:33:26Yes, another one.
00:33:26Okay, I'll go for it.
00:33:28Sorry.
00:33:33Jan, thank you very much.
00:33:34I told you a little about my company's situation, you know.
00:33:37I confess that this consultancy is a great help to me.
00:33:41It doesn't matter.
00:33:41It's three months.
00:33:43They'll get through without any problems.
00:33:45Your team doesn't want to work with me.
00:33:46That could complicate things.
00:33:48Our employees are very professional.
00:33:50I'm sure they'll know how to separate their personal life from their work life.
00:33:53You have nothing to worry about.
00:33:54Of course, I don't doubt it.
00:33:56But there's a project ahead, and it will take months.
00:33:58It won't be easy if I work from my office.
00:34:01One more thing, if you don't mind, I would like to have an assistant to help me stay in touch with you.
00:34:09Could it be Sanem?
00:34:10She's the errand girl, but she's very intelligent and resourceful.
00:34:13You can work some days here and some days with me, half and half.
00:34:17What do you think?
00:34:18It just can't be.
00:34:20Sanem no.
00:34:22To be honest, we don't have any employees who can come to your house.
00:34:27So how do we do it?
00:34:28How can we stay in touch?
00:34:30Well, I don't know.
00:34:31If it's going to be a problem, I'll find you an office.
00:34:34Is there one available?
00:34:36Otherwise, you can work from home and drop by here from time to time.
00:34:41It's an alternative.
00:34:43So you're offering me an office?
00:34:45It will be difficult, but I'll manage.
00:34:47No problem.
00:34:48Even so, I'll need an assistant if I stay here.
00:34:51Will Sanem be able to do it?
00:34:52Yes, no problem.
00:34:54Sanem can help you.
00:34:55She is a smart and very capable girl.
00:34:57You'll be happy with it.
00:34:59Brilliant.
00:35:01Then I'll bring everything that's needed.
00:35:05See you later.
00:35:07See you.
00:35:29Osman!
00:35:29Nijad, Osman has arrived!
00:35:31How are you?
00:35:32Hello, son.
00:35:33How are you?
00:35:33Fine, thanks.
00:35:34And you?
00:35:35Divinely.
00:35:35Osman, how's everything going?
00:35:36Very good.
00:35:37You're on a roll, huh?
00:35:38Yeah.
00:35:39And how's the race going?
00:35:40Did anything else come up?
00:35:41No, nothing has come out.
00:35:42That's what I wanted to tell you.
00:35:44I've already been paid for the ad.
00:35:46This is for you.
00:35:50Take it, Mepkibe.
00:35:51You've earned it.
00:35:52You put in a lot of effort that day.
00:36:05Did I mess up or something?
00:36:07No, no, son.
00:36:08No way?
00:36:09It's just that mothers are very sensitive.
00:36:11Come here.
00:36:12You're sweet.
00:36:13You can't get any better than this.
00:36:16We are very proud of you.
00:36:17Really.
00:36:18No, don't say that.
00:36:19I'll end up crying.
00:36:20Me too.
00:36:21Well, I came because...
00:36:23Aiham told me you needed a new mobile phone.
00:36:27I can't believe it.
00:36:28Have you been pestering Aiham about that darn phone?
00:36:30What are you saying?
00:36:32Don't exaggerate.
00:36:33I don't need a new phone.
00:36:35I only asked them for help to earn a living.
00:36:36They're all grown up now.
00:36:38Well, I know someone who sells mobile phones.
00:36:40If you want, you can go and see him and I'm sure he'll give you a good price.
00:36:44Honey, we can't spend that much money now, and I don't need to anyway.
00:36:48Yes, well, but keep that in mind.
00:36:50You can go whenever you want.
00:36:51Very well thank you.
00:36:52See you later.
00:36:53Bye bye.
00:36:54Bye bye.
00:36:54Have a good day.
00:36:55Likewise.
00:36:56That's enough, Meckybe.
00:36:58Because you said so?
00:36:59I only asked them to look at one thing.
00:37:02It's not that big of a deal.
00:37:02Come on, there's a lot to do.
00:37:04I love Osman as if he were my son.
00:37:06That boy is such a sweetheart, such a darling.
00:37:09No way.
00:37:10No, it's not possible, I haven't heard anything, it can't be, right?
00:37:13Well, it is.
00:37:13Are you serious, Jan?
00:37:15Yes.
00:37:17Yes, but...
00:37:17You divine brothers have gone mad.
00:37:21Forget it, he didn't even come here, I refuse.
00:37:24Calm down, please.
00:37:26I understand that Jan wasn't there, but you were, Emre.
00:37:29You know perfectly well what that woman did to me, and you know that I spent a year going to a psychologist because of her.
00:37:34And I know, Aileen is your ex-fiancée and I don't want to hurt you either.
00:37:37But you know perfectly well what happened in this office.
00:37:40It's only going to be three months, don't exaggerate.
00:37:42Only three months?
00:37:44That's a quarter of a year, Jan.
00:37:46Dren, it's already decided.
00:37:48And I can't object to anything.
00:37:50Well, I have to go.
00:37:52You sort it out.
00:37:54Emre, Emre, stay, look at how he is.
00:37:56I'm sorry, brother, you comfort her.
00:37:58She looks like she's going to cry.
00:37:59See you later, we'll see you around.
00:38:03A coffee?
00:38:04Would you like that?
00:38:05We'll have a coffee, okay?
00:38:07Come on, it'll do you good.
00:38:08That's what you need right now, you'll see.
00:38:10No, I don't want any coffee.
00:38:13Are you going to keep me calm for three months with coffee, caffeine, for goodness' sake, intravenously?
00:38:16I'm going to cry in my office.
00:38:19This is humiliating, Jan.
00:38:31Congratulations.
00:38:33Thanks, Emre.
00:38:37What are you doing?
00:38:40Who do you think you are?
00:38:42I am the woman you love, Emre.
00:38:44I'm the one who always helps you.
00:38:45And the one who has taken advantage of this opportunity to redirect her life.
00:38:48Now, I'm getting by with a little help.
00:38:51What did I tell you?
00:38:52I told you not to plot anything behind my back.
00:38:55We would make future plans together, right?
00:38:57That's how it is.
00:38:58And I haven't done anything that was prohibited.
00:39:01I haven't plotted anything.
00:39:02An opportunity presented itself and I took advantage of it.
00:39:04What did you want me to do?
00:39:05I think about both of them.
00:39:07Aileen, don't you dare harm my brother or the company.
00:39:12Harm him how?
00:39:13If everyone is delighted.
00:39:15Your brother?
00:39:16The client?
00:39:17We've killed two birds with one stone.
00:39:20In the coming months I will be able to keep a close eye on Sanem.
00:39:24Separating her from Jan will be a piece of cake.
00:39:26I will have the opportunity to put an end to the love you have had to endure right under your nose, without realizing it.
00:39:32We could have gone far.
00:39:36But your ambition gets in the way.
00:39:38There is no plan, Emre.
00:39:39If the secret is discovered, I will also be harmed.
00:39:42At least now we'll be together and we can control Sanem.
00:39:45And if something happens, we'll be able to stop it.
00:39:48But instead of being happy, you frown.
00:39:51I don't understand you.
00:39:52I don't know.
00:39:54I don't know what to do, do I?
00:39:56Emre.
00:39:59This is our secret.
00:40:00We're in this together and we'll be together for life.
00:40:06Why don't you know how to value it?
00:40:08I don't understand.
00:40:11Forgive me.
00:40:13A lot has happened.
00:40:15And I haven't had time to process them.
00:40:18Sometimes I feel confused.
00:40:20Keep worrying about us being seen together.
00:40:22But you shouldn't be afraid.
00:40:25We're in this together, everything's going to be alright.
00:40:28Alright.
00:40:29Let me tell you about the job.
00:40:30See you at home.
00:40:50Hello.
00:40:51Hello.
00:41:00He was right, you know?
00:41:05I want to be a writer.
00:41:07With all my strength.
00:41:08But I lack self-confidence.
00:41:10If you believe in yourself, you'll go far.
00:41:12We already talked about that.
00:41:15What if you look me in the face?
00:41:19Do you want to tell me something?
00:41:21No.
00:41:25Don't go so far away from me.
00:41:28Don't walk away?
00:41:31Okay.
00:41:37Is this okay?
00:41:38No.
00:41:40And so?
00:41:43You are slowly approaching.
00:41:45I don't understand.
00:41:47What exactly do you want?
00:41:49A friendship between boss and employee, isn't it?
00:41:51Do you want that kind of relationship?
00:41:53Exact.
00:41:54I don't want you to be too far away,
00:41:56but not very close either.
00:41:59Yes, absolutely.
00:42:00I didn't seem attractive to you.
00:42:01Do I make you nervous?
00:42:06Well no.
00:42:11If I kissed you now,
00:42:14Would you let me?
00:42:22Sané Maidín.
00:42:24Don't fight someone you're going to lose against.
00:42:32And so?
00:42:34So it was a tactic.
00:42:36Oh, Sané!
00:42:37Look, you're a dad.
00:42:39So the war is serious.
00:42:40Great.
00:42:41Bravo!
00:42:44Play with me like a cat plays with a mouse.
00:42:48And he will win the war because of his experience.
00:43:00Miss Eileen, did you want to see me?
00:43:01Yes, can you sort these files by date, please?
00:43:06What's happening?
00:43:07It seems you're very interested in the details of my office.
00:43:10Yes, I was thinking
00:43:12This is the smallest office
00:43:14and the section that is in the whole office.
00:43:16And he's also the saddest.
00:43:19Regarding the files,
00:43:20I can't help her.
00:43:21Very sorry.
00:43:22I am Mr. Embre's secretary.
00:43:23Ah, yes, of course.
00:43:24You are Embre's secretary.
00:43:26Sorry, I sometimes forget.
00:43:27the insignificant details.
00:43:29It's true.
00:43:30Actually, who do I need to help me with?
00:43:32She's your sister, Sané.
00:43:33You can leave, thank you.
00:43:51Oh, Han, where were you?
00:43:52There was no way to locate you.
00:43:54Ah, I went to get serum for Yeyeye.
00:43:56Serum, you say?
00:43:57So that?
00:43:58I'll tell you later, it's a bit long.
00:44:01And what were you looking for me for?
00:44:03There are a lot of things happening, you see.
00:44:06This is very strong.
00:44:08I don't know what to do.
00:44:10That's clear.
00:44:11He has declared war on me, for real.
00:44:13He's playing with me.
00:44:14He comes closer to me and then suddenly moves away
00:44:16And I want to get closer to him too.
00:44:18What do you advise, Seiko?
00:44:19But are we talking about Mr. Yan?
00:44:21No, the one with the blue shirt.
00:44:23Of course we're talking about Yan.
00:44:24Whose is it going to be?
00:44:25Yes, wait, let me think about it.
00:44:27I think you shouldn't take any steps backward.
00:44:29I will not give up.
00:44:30Exact.
00:44:31You have to take the initiative
00:44:32and attack with all your weapons.
00:44:34Stand before him
00:44:35and show him that you don't care.
00:44:37She has it and it was nothing.
00:44:38You'll see how he reacts.
00:44:39You're right.
00:44:40Yes, that's good advice.
00:44:41That's what I'm going to do.
00:44:42Yes, it's the best.
00:44:42Now I'm going to complete the mission.
00:44:44And then at night you'll come crying to me
00:44:46as always and saying
00:44:47that you can't live without Yan.
00:44:48I'm used to it by now.
00:44:49That's the life we're going to give him.
00:44:50Yes, that's it.
00:44:51Such is life.
00:44:52Give me the serum.
00:44:53I'll take it to Yeye now.
00:44:54Wait, wait, wait.
00:44:55Do I want to give it to him?
00:44:56No no.
00:44:57Miss Deren is furious.
00:44:58It's better if I don't see you here.
00:45:00Otherwise, it might scratch you.
00:45:02Believe me.
00:45:32Did you see?
00:45:32No, I meant a very distant future.
00:45:36Leave it.
00:45:37We'll talk later.
00:45:38Okay, whatever you want.
00:45:40We'll talk later.
00:45:41But let that be a long, long time from now.
00:45:45And this is because of the tholmas I prepared.
00:45:47Twenty, beautiful.
00:45:49Mepkibé.
00:45:50I can't get over my astonishment.
00:45:51You're a box of surprises.
00:45:54I'll put them in with the rest of the money.
00:45:58Ah, look, Mr. Halil.
00:46:07Good morning, Mr. Halil.
00:46:09Good morning, ma'am.
00:46:10Lijad, what's wrong?
00:46:11Why did you call me?
00:46:12What is so urgent?
00:46:14Here, take what we owe you.
00:46:16What are you taking about?
00:46:17What debt?
00:46:18What's missing is what Sanem is paying you in installments.
00:46:23I cannot accept it, Lijad.
00:46:25Let her pay for it.
00:46:26The debt belongs to Sanem.
00:46:27But seriously, how come it belongs to Sanem?
00:46:28I owed this money and you know it.
00:46:30So accept it.
00:46:31I told you no.
00:46:32Keep it to yourself.
00:46:33Don't put up the number in the middle of the street.
00:46:35Halil, don't make me angry.
00:46:36Take the money.
00:46:37Please, take it.
00:46:39That's enough, man.
00:46:40I told you no.
00:46:41You have to see it to believe it.
00:46:42First, your daughter comes and says she wants to pay off her father's debt.
00:46:45And then, the father says he wants to pay off his daughter's debt.
00:46:48Look, Lijad.
00:46:49I've already spoken to Sanem about it.
00:46:50She'll pay the debt, okay?
00:46:52Really.
00:46:53That's annoying.
00:47:00He's gone mad.
00:47:01I would say yes.
00:47:06Medkibé?
00:47:07I think Sanem gave Halil quite a scare.
00:47:10You know our daughter is a force to be reckoned with.
00:47:12It's true.
00:47:14In that respect, he's like you.
00:47:16Could be.
00:47:18Yeah.
00:47:19Anyway, let's put it in the safe.
00:47:21Seem to you?
00:47:22Very good.
00:47:22Come on, let's go.
00:47:23Okay.
00:47:53Hey, Rami.
00:47:53Look at life from the outside, like a spectator.
00:47:56Even the flight of that fly relaxes me.
00:47:59Do you see the fly?
00:47:59How it flies.
00:48:01In summer, it's the mosquitoes that fly.
00:48:03In my town, winters are wet and cold, and summers are dry and hot.
00:48:08Are you scaring me?
00:48:09What mosquitoes?
00:48:10What are you talking about?
00:48:11Don't be afraid, don't be scared.
00:48:12This serum helps me a lot, you know?
00:48:14I don't plan to take it off.
00:48:15I'm afraid it will run out.
00:48:16I want it to always flow through my veins.
00:48:18I love it!
00:48:19Give me more serum!
00:48:20Do you have more serum for me?
00:48:21Give it to me!
00:48:21Why don't you give me more serum?
00:48:23Bring me more serum!
00:48:23Give me some IV fluids, for God's sake, this bag is going to run out!
00:48:26Give me serum!
00:48:27More serum!
00:48:27I want more!
00:48:28Can you hear me?
00:48:29Serum!
00:48:29Serum!
00:48:29I want more!
00:48:30More serum, this is running out!
00:48:31Hey, hey, calm down already!
00:48:33Here, daughter, he's cut you more.
00:48:34Serum!
00:48:35Serum is the best.
00:48:37I plan to wear it at all times.
00:48:38I'm going to change my bag.
00:48:39I'll be right back.
00:48:40Excellent!
00:48:41It's going to drive me crazy.
00:48:44Sanem!
00:48:45Where were you?
00:48:46Kerim has been looking for you.
00:48:47Kerim?
00:48:48And why was he looking for me?
00:48:49You have to go and find locations for filming.
00:48:51I would have to go with Mr. Jan.
00:48:52He has instructed Kerim to go with you.
00:48:54He said that you two should go.
00:48:56Did he say that?
00:48:58Okay, fine.
00:49:06Leila, do you have the budget for the filming?
00:49:08I was doing it right now.
00:49:10Very good.
00:49:11These financial reports need to be corrected.
00:49:13If they're not ready by tomorrow,
00:49:15I think we'll have to postpone the meeting.
00:49:16Don't worry.
00:49:22Leila, hey, are you okay?
00:49:25I can tell you're a little annoyed.
00:49:28It's nothing, Mr. Emre.
00:49:29These are my own things.
00:49:30Anything important?
00:49:32Tell me, what's wrong?
00:49:35Miss Eileen called me earlier.
00:49:37And so?
00:49:38What did he want from you?
00:49:40He asked me to organize some files for him.
00:49:42and I told her I couldn't help her
00:49:43because I am his secretary,
00:49:44But I don't know if I did the right thing.
00:49:46Have I put my foot in it, Mr. Emre?
00:49:48If you'd like, I can help Miss Eileen too.
00:49:50There's no problem.
00:49:52No, not at all.
00:49:53You did the right thing.
00:49:55I can't do without you
00:49:56And I don't want to share you with anyone.
00:50:00Thank you so much.
00:50:01When I finish the reports,
00:50:03I'll leave them on your table.
00:50:05Okay, perfect.
00:50:06Thank you.
00:50:07It doesn't matter.
00:50:23Be quiet already, you're driving me crazy.
00:50:25I can't do the calculations like this.
00:50:27Mother, you don't understand the seriousness of the situation.
00:50:29I've sent my photos to almost every agency in the city,
00:50:32The ones that billboards carry, you know?
00:50:34You'll see how they're going to answer me, you'll see.
00:50:37They're going to call me, they're going to call me, I'm sure of it.
00:50:40Oh, my son, son of my life and of my very being.
00:50:44You have a lot of heart, but little brain.
00:50:46Do you really think that sending three photos is all it takes?
00:50:49We've opened a beautiful shop.
00:50:51You have a lot of clients and we're doing better and better.
00:50:53Why are you so obsessed with being famous?
00:50:55What's the point?
00:50:56Who put that in your head?
00:50:57Mother, you're breaking my heart.
00:50:59I'm worth less than that butcher with the curly hair.
00:51:02And besides, I do it all for Salem, for Salem, everything for her.
00:51:05My son, I am so sorry that you are upset.
00:51:08But tomorrow you'll be even more so, and all this is driving me crazy.
00:51:12I'm your mother, don't give me any more grief.
00:51:14I love you and I suffer for you, do you understand?
00:51:16Look, it's definitely from some agency.
00:51:18Tell me.
00:51:19Yes, I'm Musafer, shut up.
00:51:21For an advertisement?
00:51:23Really?
00:51:23Yes, I am available.
00:51:25Did you see? They're calling me about an advertisement.
00:51:28I'm listening.
00:51:29What does it say?
00:51:29A cheese and dairy company.
00:51:31Great.
00:51:32I'm an all-rounder.
00:51:33One meter ninety-five.
00:51:34Yes, I'm one meter ninety-five tall.
00:51:36But when I get going, I reach two meters five.
00:51:39Yes of course.
00:51:39I'll be there in a couple of hours.
00:51:41It's because I'm being followed by a group of female admirers.
00:51:42And first I have to get rid of them.
00:51:44But I'll go as soon as possible.
00:51:45Thank you so much.
00:51:46What do you mean, a group of admirers?
00:51:48And what's this about you being two meters five tall?
00:51:50Since when have you been so tall?
00:51:51You've never been like this before.
00:51:52Those are unimportant details.
00:51:54They sell cheeses and other dairy products.
00:51:56It's a great company.
00:51:57My photos are going to pay off.
00:51:59I'm going to become a famous man
00:52:00And the whole neighborhood will know who I am.
00:52:02Tremble, butcher!
00:52:13Why do I have to look for locations with Kerim?
00:52:15There is no time and no alternatives.
00:52:17Besides, we're on a tight budget.
00:52:19You and Kerim will choose a place to film.
00:52:22Well, that's all.
00:52:23You'll have to take charge.
00:52:24The contract says I'm your intern
00:52:26And I have to go scouting locations with you.
00:52:28Either I go with you or I don't go at all.
00:52:36Okay, whatever you want.
00:52:38We will fulfill the contract, yes.
00:52:40We'll both go.
00:52:42Very good.
00:52:47Dear neighbors, a star is born.
00:52:50I am the pride of the neighborhood.
00:52:51Musafer Callá, Mr. Semil.
00:52:53Put it in your shop window so everyone can see it.
00:52:55Okay, here are the positions, gentlemen.
00:52:57Here you go.
00:52:58Yes, it's me.
00:52:58Musafer Callá, thank you.
00:53:00And the beautiful women of my neighborhood.
00:53:02There is also information and contact details for you.
00:53:04On the back: age, height, weight.
00:53:06That's where she's going, looking so beautiful.
00:53:07Please have a signed photo of me.
00:53:09Keep it safe, because one day it will be worth a lot of money.
00:53:16Hey, how are we doing?
00:53:17Divinely.
00:53:24Is something wrong?
00:53:25What a question.
00:53:26Can't you see I'm posing?
00:53:27Now I work in advertising.
00:53:29And just so you know, I'm better than you.
00:53:30I don't make tacky ads for organic nonsense and stuff like that, no.
00:53:34I'm going to advertise cheeses and curds all over Anatolia, you know?
00:53:37A nationwide campaign.
00:53:39From now on, call me Cheese Man.
00:53:43Well, I'm very happy for you, man.
00:53:44You're right to be happy.
00:53:45Because everything I touch ends up becoming a success.
00:53:48Although now I need you to come with me.
00:53:50Get out of there.
00:53:51Come on.
00:53:53Wait, who works at the butcher shop?
00:53:55As?
00:53:56But aren't you the boss?
00:53:57Don't you have an assistant you can leave in charge?
00:53:59You tell her to take care of it and close up shop, and that's it.
00:54:03Didn't I help you get started in advertising?
00:54:06Didn't I motivate you?
00:54:07Didn't I teach you how to move on stage?
00:54:09Didn't I polish you, which you needed?
00:54:10I, on the other hand, don't need that help.
00:54:12I am the part of the iceberg that you can't see.
00:54:14Just so you know!
00:54:15Musa, I have a job, okay?
00:54:17No, wait a moment, please.
00:54:19I need you to come with me.
00:54:20You have to do it.
00:54:21This is the moment I've always dreamed of.
00:54:23I have to shine on stage and you have to be there to applaud me.
00:54:27Also, someone will have to tell Sarem all of this.
00:54:29You have to help me.
00:54:30You owe me.
00:54:31And you say it's an advertisement for cheese and dairy products?
00:54:33You're sure?
00:54:34That's right, cheeses and dairy products.
00:54:36And it will be broadcast nationwide.
00:54:39I already told you, man.
00:54:40Why don't you take seriously the fact that I'm a star now?
00:54:42I'm going to be cheese, man.
00:54:44Muse, I have to work.
00:54:46Take off your apron right away and come with me.
00:54:48Take it off!
00:55:20I need the glasses.
00:55:21Let me.
00:55:30Shall I get them for you?
00:55:31No, no, don't worry.
00:55:32I already have them.
00:55:43What's the matter?
00:55:44I'm hot.
00:55:45Today it's very hot.
00:55:46Don't you think so?
00:55:47No.
00:55:47Should I turn on the air conditioning?
00:55:48What are you saying?
00:55:49Air-conditioning?
00:55:51Great.
00:55:51I'm cold now.
00:55:52Ah.
00:55:53Well, I'll turn it off.
00:55:54No, no, leave it on.
00:55:56Leave the air conditioning on and I'll open the window.
00:55:59I'm going to turn on the radio, it's very quiet.
00:56:02Okay, are you trying to prove that you can behave like a normal person when you're with me or what?
00:56:08Exact.
00:56:09I see, yes, very normal, yes.
00:56:11What are you saying?
00:56:12I can't leave you because of the music.
00:56:14You start on me.
00:56:15What's this about?
00:56:16Turn down the volume.
00:56:17Rebuilt like a baby.
00:56:18Come on, turn the volume down or turn it off.
00:56:20Stop touching it.
00:56:22I'll find you a radio station you'll like.
00:56:23Leave it to me.
00:56:24Just like that, very still.
00:56:25That's right, very good.
00:56:26Very good.
00:56:27Okay, let's see what music.
00:56:28It's definitely the song of my life.
00:56:30Clear.
00:56:33See, it's done.
00:56:36Stop, what are you doing?
00:56:37Don't turn it off, listen to it.
00:56:39You'll see how much you like it.
00:56:40It's very pretty.
00:56:41Don't turn it off, listen to it.
00:56:46Don't turn it off, listen to it.
00:56:55Don't turn it off, listen to it.
00:57:02Don't turn it off, listen to it.
00:57:30Subscribe to the channel!
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01:04:33We're looking for a location to film an advertisement and to see if we can get inspired, we've come to visit you.
01:04:39Would you treat us to tea if it's not too much trouble?
01:04:41What trouble? Not at all. Come in, I'll get it done.
01:04:44No, no, Mr. Jan, that's not necessary. Why bother my mother? Let's find another place, Mom.
01:04:50Come in, here are some sneakers.
01:04:53Leila, are you leaving already?
01:04:54Yes, I'm leaving now. I wanted to ask you something.
01:04:57Tell me.
01:04:57How long will it stay there?
01:04:58I don't know, but if he keeps behaving like this, it's going to feel like forever.
01:05:02I've heard it's going to be three months, but I don't know.
01:05:04What? Three months?
01:05:06Oh, God! What bad luck! How are we going to put up with that witch for three months?
01:05:11Don't exaggerate, she's not that bad. She's very talkative and has a great sense of humor.
01:05:15You'll see how you get used to it.
01:05:17You only think that way about her because she helped you get the role in the ad.
01:05:21Maybe a little.
01:05:23I figured as much.
01:05:25Speaking of the ad...
01:05:29Osman and I made a great team on set.
01:05:38Listen, I'm going to say something, but don't take offense, okay?
01:05:41Okay.
01:05:42It's so obvious you're trying to seduce him. It's really clear.
01:05:46If I were you, I'd forget about Osman. Find someone else.
01:05:49Why? What difference does it make to you if I want to hook up with him?
01:05:51Because Osman is a very good boy. He has a big heart and is naive.
01:05:55It's true, he's very handsome and nice, and he has great style. And he has a smile that melts my heart.
01:06:00Exactly. That's why I'm telling you. Because it's not your style, you two don't click.
01:06:05Eventually you'll get tired of him and break his heart. I know you, and he doesn't deserve that. Find someone else.
01:06:10other.
01:06:10Hey, I'm not going to marry him either. We're just going to meet up to go to the movies.
01:06:14Oh, really? Well then, have a great time.
01:06:16Well, he doesn't know it yet, but I'm already organizing everything.
01:06:20Just leave it to me. You know I'm good at organizing things.
01:06:24What I've told you hasn't helped at all. It goes in one ear and out the other.
01:06:28It works, right?
01:06:29Honey, nothing went in one ear and even less came out the other.
01:06:33Okay, do whatever you want.
01:06:37But I'm warning you. If you break Osman's heart, I'll never speak to you again.
01:06:42Can you hear me? Let's go.
01:06:48So you're planning to shoot an advertisement in the neighborhood and San Emma has written the script?
01:06:52Why didn't you tell me, daughter?
01:06:54It all happened so suddenly.
01:06:56That's right, in our company many things happen like that, suddenly, out of the blue.
01:07:02Without thinking, it's curious, but it's our style. That's how we work.
01:07:07Well yes.
01:07:08Oh, it's important that you like your job.
01:07:10Yes, very much so. Absolutely.
01:07:11And hey, tomorrow when we come to film, could you take care of the catering?
01:07:16We could eat here in your garden.
01:07:18But nothing fancy, huh?
01:07:20A small catering service, that's all.
01:07:21A mini catering? I'd love to.
01:07:23Of course we can do it in the garden.
01:07:25Of course.
01:07:26Great, great.
01:07:26And the neighborhood is perfect for filming.
01:07:29It's very family-oriented.
01:07:30The main characters are the same age as Sanem.
01:07:33They are four girls who are in their room packing their bags to leave home.
01:07:37In short, now all I need to find are four bedrooms.
01:07:41Well, if you want, you can use the girls' rooms.
01:07:44Brilliant.
01:07:45No way.
01:07:45Why not? If you wrote the script, don't give Mr. Jan any headaches.
01:07:49Let it roll in Leila's room.
01:07:51It'll turn out beautiful, right?
01:07:52What does that have to do with anything? While we're at it, let's film it in the bathroom.
01:07:55Yes, Mezquivé is right.
01:07:57Why are you giving Mr. Jan so much trouble?
01:07:59Why? Why? I don't understand.
01:08:00May I see the rooms? Is that possible?
01:08:02Why not?
01:08:03Mother.
01:08:04Well, I'll have to go shopping for the catering.
01:08:06What do you mean, catering?
01:08:06No, no, no, otherwise we don't need anything special.
01:08:09Mr. Jan, where are you going? The tea isn't finished.
01:08:11Wait, my room isn't tidy.
01:08:15Jan.
01:08:24Jan.
01:08:31Albatross.
01:08:34Tell me, why is it still there?
01:08:36I just stuck it there and it stayed there.
01:08:42Are you writing a novel?
01:08:43Yes that's how it is.
01:08:47Haven't you given up?
01:08:48Of course not.
01:08:53You see, now that I've seen your room, I don't think we're going to use it.
01:09:00No, I want to ruin it, you know?
01:09:03We'll look for another one.
01:09:06Okay, whatever you want.
01:09:09Shall we go now?
01:09:09What is it?
01:09:18Hammock, sea, camp, C, C, C.
01:09:22What is it?
01:09:25My aunt Yavidan.
01:09:27I don't want to forget her scent, and that's why I write her initial everywhere.
01:09:33Your aunt.
01:09:34My aunt Yavidan.
01:09:37My name starts with C, like Yavidan's.
01:09:40The Wishing Tree.
01:09:42Keep it.
01:09:44Are you being rude?
01:09:46What a lack of respect!
01:09:47Did you go and pick it from the tree?
01:09:48Ill-mannered?
01:09:50Are you serious?
01:09:51Do you think so?
01:09:52First, analyze your behavior.
01:09:53I don't want to analyze anything or think about anything, I'm fed up.
01:09:56I am too.
01:09:58And it's my fault.
01:09:59Yes, I misunderstood you.
01:10:01I was wrong about you.
01:10:03You're right.
01:10:04Now I know you can't love me.
01:10:06Because this is not what love is.
01:10:07You don't run away from the person you love.
01:10:10And you don't play with their feelings either.
01:10:14What exists between us is stupid.
01:10:17Yana.
01:10:18You can rest assured.
01:10:20I don't think you ever loved me.
01:10:22Yana.
01:10:26Congratulations, Sanem.
01:10:27You have won the war.
01:10:29Yana.
01:10:30Yana.
01:10:32Hang on a minute.
01:10:37Yana, please.
01:10:57Sanem, let me out.
01:10:59Yana, I don't want you to leave.
01:11:02Please move aside.
01:11:03Let me.
01:11:04Please.
01:11:15Yana.
01:11:16Yana.
01:11:17Yana.
01:11:30Yana.
01:11:32Yana.
01:12:00Subscribe to the channel!
01:12:05Oh, I feel so sorry for poor Musafer!
01:12:08It added a touch of color to the neighborhood, I don't know what color, but it brightened it up.
01:12:11It's true, and poor Aysun is devastated, she's a sea of tears, and it's understandable, you see, suddenly they come
01:12:17and they take the boy away.
01:12:18Yes, exactly, even Sanem seems upset.
01:12:21Well, his displeasure is about something else; he's locked himself in his room.
01:12:24Mom hasn't locked herself in her room, she's going for a walk on the beach.
01:12:29Daughter, did you talk to your sister about Mr. Yang, like we said?
01:12:32Yes, Dad, of course, what she wants is to stand out at work, for the bosses to notice her, but no
01:12:37There's nothing like what you think.
01:12:38My goodness, how this girl has changed in such a short time, the way her boss speaks to her.
01:12:43Tell me, does this seem normal to you?
01:12:45No, actually, I shouldn't. Don't worry, I'll talk to her again.
01:12:49Very good.
01:12:51You wouldn't believe it. I don't know what you'd do without me; in the end, I'm the one who keeps the family together.
01:12:56Yes, my daughter, and I am just like you. We are the same. On the other hand, your father and your sister are beyond measure.
01:13:01What problems.
01:13:02Thank you so much, Mebkibe. What do you mean? I'm always on your side, you can't deny that.
01:13:07Dad, you always take Salem's side, always.
01:13:10It's true.
01:13:13Yes, it's true, I'm a little protective of her, but I love you very much too. And you, of course.
01:13:17I know.
01:13:18Shouldn't I take your side?
01:13:22Well, I guess sometime.
01:13:24Enjoy it for your health.
01:13:26Likewise, Dad.
01:13:27I was in London at that time, I was there for three months. Did you study there?
01:13:31Yes, but it would have been impossible to meet up with you, because back then I was a very good student and I didn't go out partying.
01:13:37She was very ambitious.
01:13:39Were you? So you mean you're not anymore. What happened to you?
01:13:42Well, let's just say I'm now an executive focused on professional success, in general.
01:13:47And you have succeeded, absolutely. I acknowledge that you have done a lot for the company.
01:13:51I'm glad you saw it. Cheers.
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