La relación entre Sanem y Can entra en una fase de gran intensidad cuando los rumores de un posible compromiso comienzan a circular por la agencia. Sanem se encuentra en una situación difícil al tratar de equilibrar sus sentimientos reales con las expectativas de su familia en el barrio, mientras que Can busca una forma de formalizar su unión sin perder la esencia de su libertad. En este episodio, las intervenciones de Huma y Fabri complican los planes de la pareja, generando malentendidos que ponen a prueba la confianza mutua. No te pierdas este capítulo donde los corazones se sinceran y una sorpresa al final cambia el rumbo de sus vidas para siempre.
▶ Película recomendada: Ella salvó a un millonario:
https://www.dailymotion.com/video/x9jakge
▶ También te puede interesar: El milagro de Bob:
https://www.dailymotion.com/video/x9oaknw
▶ Explora mi canal para más contenido:
https://dailymotion.com/diddier
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▶ Película recomendada: Ella salvó a un millonario:
https://www.dailymotion.com/video/x9jakge
▶ También te puede interesar: El milagro de Bob:
https://www.dailymotion.com/video/x9oaknw
▶ Explora mi canal para más contenido:
https://dailymotion.com/diddier
▶ Lista de Películas Completas en Español:
https://dailymotion.com/playlist/xawbqs
#PajaroSoñador
#ErkenciKus
#Cap29
#PajaroSoñadorCap29
#CanYSanem
#CanEm
#NovelasTurcas
#SeriesTurcas
#RomanceTurco
#DobladoAlEspañol
#CapituloCompleto
#ComediaRomantica
#SeriesEnEspañol
#DailymotionTurcas
Categoría
📺
TVTranscripción
00:00:28Thank you!
00:00:57Thank you!
00:01:21Thank you!
00:01:30And yet, I want you to remember me as an honest person who was able to confess.
00:01:34And despite all my lies, there is something you must believe.
00:01:38Everything I felt for you was real.
00:01:41Beneath all the lies, I truly loved you.
00:01:47I treasure every moment I spent with you.
00:01:52I love you very much, Yandivit.
00:01:55Lot.
00:01:57And I will always love you.
00:02:02Oh my God!
00:02:05He asks me.
00:02:06Leila doesn't get it either?
00:02:07Well no.
00:02:08At least before they used to give notice when they were going to be late.
00:02:10Now they don't care about anything anymore.
00:02:11They think they don't need both.
00:02:14I'm worried about Sanem.
00:02:15This morning she went to work crying.
00:02:17We called her and she said she was fine.
00:02:19But I'm still nervous about that whole mafia thing.
00:02:21I want them to come and sit on my knees like before.
00:02:24And me, darling, and me...
00:02:26Mom, Dad...
00:02:27Where were you, daughter?
00:02:28Where do you come from?
00:02:29And where is Sanem?
00:02:30He left work two hours ago and said he was coming home.
00:02:33Has it not arrived yet?
00:02:34No, it hasn't arrived.
00:02:35Are you sure, Leila?
00:02:35He said he was coming straight home.
00:02:37Yes, Mom.
00:02:37That's what he said.
00:02:38Wait, I'll call her.
00:02:39We've already called him.
00:02:40His mobile phone is turned off.
00:02:41We called her when we heard about the mafia and she told us not to worry.
00:02:45We haven't heard from her since.
00:02:47Mepkibé, I'm telling you, something's happened to him.
00:02:49He's going to give me a solution.
00:02:51You have to do something, please.
00:02:52Mom, stop.
00:02:53Don't do that.
00:02:54Don't you see that his blood pressure is going to rise?
00:02:55Dad, that mafia thing doesn't exist.
00:02:57I'm going to talk to Aijan.
00:02:59You'll see how Sanem will arrive soon.
00:03:01Relax.
00:03:01Check his blood pressure.
00:03:02And what about me?
00:03:03I'm going to have a heart attack, daughter.
00:03:09Hey, Mepkibé, I can't wait here.
00:03:11I'm going outside to get some fresh air.
00:03:14Wait, I'm coming with you.
00:03:27Why are you so quiet?
00:03:29As if you were dead.
00:03:30When there were no social networks, we talked to each other.
00:03:33I'm here, can't you see me?
00:03:34That I am a real person.
00:03:35Talk to me.
00:03:36Hello.
00:03:39Lilac.
00:03:41Hey, Osman, have you seen Sanem?
00:03:43I spoke to her earlier and she told me she would come tonight.
00:03:46But in the end, he didn't appear.
00:03:47As?
00:03:48Has Sanem disappeared?
00:03:50Isn't it where it's supposed to be?
00:03:52Wait.
00:03:53One moment.
00:03:54Sanem said she would come and she hasn't come.
00:03:57It was the mafia.
00:03:58She's definitely been kidnapped by a mafia network.
00:04:00What do you say about the mafia?
00:04:02I'm going crazy.
00:04:03What story is that, Osman?
00:04:04A silly thing they've made up.
00:04:05Where could Sanem be?
00:04:07My goodness, she left the office and said she was going home.
00:04:10But it's not there.
00:04:11And his mobile phone is turned off.
00:04:12When I spoke to her, she told me she was feeling a bit down.
00:04:15and then he hung up on me.
00:04:16He said he was feeling down and hung up.
00:04:17Do you see it?
00:04:18If I tell you that something has happened to him,
00:04:19We have to find out what happened to her.
00:04:22Muse, calm down, man.
00:04:23Let's go look for her, we'll go look on the beach.
00:04:24Okay, wait, I'll get the diving equipment.
00:04:26People talk about the mafia; they say they're in the area.
00:04:28This is no small matter.
00:04:29Close the door.
00:04:30Okay.
00:04:30And turn off the lights.
00:04:58And turn off the lights.
00:05:00And turn off the lights.
00:05:51Sanem, what are you doing here?
00:05:54I had to finish something.
00:06:00Can I come closer?
00:06:01Do you mind if I sit with you for two minutes?
00:06:03Yes, you'll let me, of course.
00:06:03Do you mind if I sit with you for two minutes?
00:06:16Do you mind if I sit with you for two minutes?
00:06:37What are you thinking about?
00:06:45In Sanem.
00:06:48In the scent of Sanem.
00:06:52Sanem's smile.
00:06:57In Sanem's skin.
00:07:02In Sanem's eyes.
00:07:06As soon as I want to kiss her.
00:07:11And hug her.
00:07:14Until the end of the world.
00:07:18Being close to her.
00:07:40Look, you're not that person anymore, Sanem.
00:08:09Being close to her.
00:08:16Say.
00:08:19Hi, Yey, Yey. I'm so sorry to bother you at this hour.
00:08:22At this hour?
00:08:28Oh, I don't know why I haven't fallen asleep yet.
00:08:31I wanted to ask you a question. Have you seen Salem?
00:08:34She left the office and said she was going home. I haven't seen her since. What's wrong? Has she
00:08:37missing?
00:08:38No, no, Yey, Yey. Don't worry. Relax, nothing's wrong.
00:08:43Well, that's all. Good night.
00:08:45This. Oh, Han, I wanted to tell you something. You haven't gotten a boyfriend since yesterday, have you? Because I don't have time for that right now.
00:08:52you, although that doesn't mean I'm not interested in you.
00:08:54No, Yey, Yey, I don't have a boyfriend, just like we agreed. I'll wait until you get over your phobias. I won't back out.
00:08:59boyfriend for the moment.
00:09:00Oh, great. That's the best news I've received today.
00:09:04Run, run, run, I'm geared up. Have you found her?
00:09:07No, not yet.
00:09:09Good night, Yey, Yey.
00:09:11Who is it? Is it Salem? Is that her who just passed by? Is it Salem? Have you found my daughter?
00:09:15Hey, Osman?
00:09:16No, it doesn't appear.
00:09:17If the mafia thing is true, they're already after them. We're in trouble, because I saw a suspicious car today.
00:09:21around the neighborhood.
00:09:22It was dark-colored. A very luxurious car.
00:09:24I've noted the license plate number. Here it is. I'm going to look for that car. If necessary, I'll ask at the traffic department.
00:09:30Usa, Musa, don't talk nonsense. Come here.
00:09:32I'm going to have a heart attack, but where has this girl gone? It's three in the morning.
00:09:38What if we call Jan?
00:09:39No, they've separated.
00:09:41What do you mean they've separated?
00:09:42Nothing, they worked separately in different departments today. She won't be with him.
00:09:48Should we call the hospitals?
00:09:49What if we go to the police station?
00:09:50Don't exaggerate. Every time we've gone to the police, it's turned out he was at home.
00:09:54Yes, Jan is right, Mom. Let's go home.
00:09:57No, daughter, no.
00:09:58I'm not at ease. If it were a normal day, fine, but today she left home half-crying. It was happening to her.
00:10:02something.
00:10:03Okay, calm down, Mebkibe. This whole mafia thing is driving me crazy.
00:10:07I'm going to the police. Your mother and I will go. Come on! Let's go, come on. Let's go, darling.
00:10:11Should we go with them?
00:10:12I don't know what good that will do.
00:10:14Oh my God.
00:10:17They always do the same thing. They always get me into trouble.
00:10:55I told you so.
00:10:57Would I be at home?
00:10:58We spent the night at the police station for nothing.
00:11:01I'll kill this girl.
00:11:03I'm going to kill you, do you hear?
00:11:11What's happening?
00:11:12What's going on? I'll tell you what's going on.
00:11:14Mother!
00:11:14Are you going to find out what he's going to do?
00:11:16Come, come, come!
00:11:17Calm down, woman.
00:11:18The girl had no interaction with me in bed.
00:11:20Calm down, calm down, calm down. It's not a big deal. Nothing happened.
00:11:22Calm down, hold on.
00:11:22That's enough!
00:11:25Oh, aunt.
00:11:26What you're doing is really intense.
00:11:28There isn't a day that goes by that you don't mess things up.
00:11:31With everything I've already got going on in my life, this has been nothing.
00:11:33What amazes me is your ability to dodge your mother.
00:11:37I told her I got a call from work, but Leila didn't make it easy for me at all.
00:11:40Your mother was very worried about you.
00:11:43Well, it's been another adventure, huh?
00:11:45I'm going to open the butcher shop. I can't sleep.
00:11:47I'm so sorry you couldn't sleep because of me.
00:11:50Tell Leila I'm going to work so they don't call the police again.
00:11:54But why don't you wait for her?
00:11:55She's in the bathroom and it takes her hours to get ready.
00:11:58I don't want to be late. See you later.
00:11:59See you.
00:11:59See you later.
00:12:02I'm so sleepy I could fall off.
00:12:03I'm going to lie flat on the bed.
00:12:05Oh, Jan! Oh, Jan!
00:12:08Osman! We're lost.
00:12:10Tragedy is looming.
00:12:11Has Sanem left? Has she left already?
00:12:13Musa, where have you been all night?
00:12:14I haven't slept a wink. I've been looking for that license plate.
00:12:17And it turns out she's Italian.
00:12:18It's very clear. It's the mafia.
00:12:20But wait. Not just any mafia.
00:12:22The Italian mafia.
00:12:23Yeah.
00:12:25The Italian mafia?
00:12:26That's how it is.
00:12:27And the Italian mafia has class.
00:12:29The owner of the car is Enzo Fabri.
00:12:31He owns companies, mansions, hotels, dark suits, and sunglasses.
00:12:35He's an extremely dangerous guy.
00:12:37I'm telling you seriously, it's very dangerous.
00:12:39Come on now, Muse.
00:12:40Stop talking nonsense.
00:12:42An Italian mobster named Enzo Fabri?
00:12:45What are you saying?
00:12:46Look, Muse.
00:12:47I'm very sleepy.
00:12:48I'm not in the mood for weird stories.
00:12:49I'm going to see.
00:12:50Yes, I'm going to bed.
00:12:52Wow, you guys are great friends.
00:12:53How can you just ignore Sanem like that?
00:12:55The mafia is after her!
00:12:56And I hope they catch you too.
00:12:59Sanem!
00:12:59Where are you?
00:13:05Ah, there you are!
00:13:25Oh, my mother!
00:13:26But it's the same car!
00:13:28Ah!
00:13:31Sanem!
00:13:34Stop, taxi!
00:13:36Sanem!
00:13:40Follow that car!
00:13:49You'll see, Sanem.
00:13:51I've been thinking about it a lot tonight and...
00:13:54I have another proposal to make to you.
00:13:56Mr. Fabri, I already told you.
00:13:58I'm sorry.
00:14:00But...
00:14:00But I wouldn't feel good if...
00:14:02Sanem, please listen to me.
00:14:05I understand that your company's situation is affecting you, okay?
00:14:08I know she feels bad.
00:14:10That's how it is.
00:14:12So, let's do the following, okay?
00:14:14I'll take care of resolving the agency's crisis.
00:14:18What did you say?
00:14:20But can you do that?
00:14:23Miss Sanem, if I say I'll take care of it, it's because I can.
00:14:27As I said, I will take care of all the debts you have.
00:14:31And in return, you will give me the perfume you wore to the party.
00:14:38Well, what if instead of that perfume I make an even better one?
00:14:44I can keep testing and get a much better one, I assure you.
00:14:47If you'd like, I can try other essences.
00:14:49Look, Sanem, I can see you know how to negotiate.
00:14:52But I don't want any other scent.
00:14:54However, I'll think about it.
00:14:57I'll let you know my decision sometime today, okay?
00:15:01OK.
00:15:03If you'd like, I can bring it to the office.
00:15:06It's on our way, isn't it?
00:15:07Okay, thank you very much.
00:15:16I swear your little daughter is going to be the end of us, Nihat.
00:15:20It's our fault.
00:15:22Woman, didn't you tell Ihan that he would eventually show up at home?
00:15:26Yes, but you must keep in mind that I am his mother.
00:15:28I can't help but worry, I'm scared.
00:15:30Well, don't be afraid.
00:15:31You have raised two daughters as strong as you.
00:15:35And I'm proud of all three of them.
00:15:37They're a little crazy, but I love them.
00:15:39I thank God for having them.
00:15:40Of course.
00:15:42Nihat, have I gone too far in scolding her?
00:15:45Well, no more than other times.
00:15:47It's been as usual.
00:15:49Thank goodness I hid the rolling pin from you.
00:15:51The last time I chased her with him.
00:15:57Listen, guys, I'm really glad you all came, even though the man already told us that
00:16:01It wasn't necessary.
00:16:02Now this is a team.
00:16:04Thank you all very much.
00:16:07Ah, we've lost quite a bit of prestige lately.
00:16:10Don't you want it?
00:16:11Yeah.
00:16:11I won't deny that the situation is quite serious.
00:16:14We only have Mrs. Remide and several other small accounts left.
00:16:17And we don't know anything about Mr. Fabri either, neither negative nor positive.
00:16:20If Fabri doesn't abandon us, I think we can start recovering.
00:16:24But we're going to have to make cuts in every department.
00:16:27What do you mean by that?
00:16:29We will do without unnecessary expenses.
00:16:31And those cuts are going to start at the lowest levels, because it would be better if they started at the top.
00:16:37that you gain the most.
00:16:38Don't talk nonsense, JJ.
00:16:40You still have a lot to learn about managing a crisis.
00:16:43Look, the main thing is that we are motivated to be able to build Fikri Harika together.
00:16:48J.J., you once showed me something your coach had told you, that you had to smile to have
00:16:52Good attitude, teach it to everyone.
00:16:53Oh, yes, my coach taught it to me.
00:16:56Hello everyone, colleagues.
00:16:57Look, when we smile, our soul is filled with positive energy and that makes us happier.
00:17:01That's the method, I've used it and it works.
00:17:04Let's try it, okay?
00:17:05Smile, for example.
00:17:06Smile.
00:17:08Smile, come on, smile.
00:17:10Further.
00:17:10So.
00:17:13Smile.
00:17:14Come on, smile like that.
00:17:16She doesn't know how to smile, it's getting on my nerves.
00:17:18Come on, everyone laugh.
00:17:20Smile.
00:17:21You too, come on.
00:17:22She doesn't know how to smile, it doesn't work.
00:17:24One, two, three.
00:17:26Oh.
00:17:31You did very well.
00:17:33When Mr. Jan arrives, I want him to see you all like this, smiling.
00:17:36We have to smile at Mr. Jan to cheer him up.
00:17:38Okay, let's do it again.
00:17:40That's it, you don't know how to smile.
00:17:42Why aren't you smiling?
00:17:43Smile, come on.
00:17:44Smile!
00:17:48Why can't you?
00:17:49Smile, smile!
00:17:50Come on, smile!
00:17:52Smile, smile.
00:17:54Smile, smile.
00:17:56A little smile.
00:17:57Okay, we've had our laugh, alright?
00:17:59Now everyone back to work.
00:18:00And may it be very productive for you.
00:18:08It's coming.
00:18:09Do what we've rehearsed or I'll be in trouble.
00:18:12Smile.
00:18:12Okay.
00:18:19Smile.
00:18:35I see you've all come.
00:18:36Thank you so much.
00:18:37The whole team has come.
00:18:39Some have been absent, of course, but it was their personal choice.
00:18:47Please, stop making those forced faces.
00:18:51There's no need to pretend.
00:18:52It's clear that we're not doing very well.
00:18:54I'll find a solution.
00:18:56OK?
00:18:57Okay, guys, let's get to work.
00:19:03Jan.
00:19:03Yes, that's it, go ahead.
00:19:04Yayay, what's up?
00:19:06Well, we're on tenterhooks.
00:19:08The situation is critical.
00:19:10Do you want us to open my box?
00:19:12This could be our last day at the company.
00:19:14Let's open it, okay?
00:19:15Okay, but first I'll take Mr. Jan his tea.
00:19:17And then I'll open it.
00:19:18Yes, of course, I'll wait for you in the break room.
00:19:20Brilliant.
00:19:27Jan, I've sent you an email.
00:19:29Haven't you turned on your computer?
00:19:36I've made a list of the customers we've lost.
00:19:39Another one, with those who are undecided.
00:19:40And a third list, with the clients we could win back.
00:19:49If you're not feeling up to it right now, we can talk about it later.
00:19:52No, let's talk.
00:19:56What's that?
00:19:57The letter C?
00:19:59A letter.
00:20:00Oh, and who writes letters these days when they can use email?
00:20:05Who wrote it?
00:20:09Whose is it?
00:20:11Someone.
00:20:12Someone?
00:20:13Who?
00:20:13Who is that someone?
00:20:19I'll bring you the tea.
00:20:27It just can't be.
00:20:30What can't be?
00:20:31No.
00:20:34Well, you brought Jan tea but not me.
00:20:39My head hurts, you know?
00:20:41If it's not too much trouble, could you make me a double coffee?
00:20:45Clear.
00:20:47Decaffeinated.
00:20:48Yes, I'm coming now.
00:20:52Please.
00:20:53Please.
00:20:58No.
00:20:59No.
00:21:20Yes, I'm coming now.
00:21:26Thank you, have a good day
00:21:34Wait a second
00:21:36It'll only be a second, sorry.
00:21:38It's just a second of nothing, one, yes
00:21:44Good morning, Mr. Mahmoud is coming this way
00:21:46Don't be mistaken, I'm not a beggar.
00:21:48What are you saying? Who are you? What are you, Mr. Mahmoud?
00:21:51Thanks, man.
00:21:53But what is he doing?
00:21:55What do you think I do? City life is exhausting.
00:21:58Today I took four buses to get here
00:22:00And I'm lost, what a mess!
00:22:01And you'll see the mess it will be to get back
00:22:04If I could get closer to the city center or the nearest metro station
00:22:07Even if it's just a little, you'd be doing me a big favor.
00:22:09Look at that light over there, stare at it intently
00:22:11Look at the light, which will soon fade away.
00:22:18Oh, it's already done.
00:22:19It's been very easy.
00:22:21Gee
00:22:22I'm messing with the Italian mafia, no less.
00:22:24The Italian mafia
00:22:25Oh, my mother
00:22:34Take this to my desk and bring me the green folder, please.
00:22:42I've spoken to our public relations team.
00:22:45They're going to make posts that will improve our image
00:22:47But we need something more powerful, a hit
00:22:49I'm on it.
00:22:50Very good
00:23:02What are you doing here?
00:23:03Jan, calm down.
00:23:04I told him not to come back.
00:23:05Jan
00:23:05Jan, relax
00:23:07We have more important matters to discuss right now.
00:23:09I promise I'll talk to Emre myself.
00:23:11Don't worry
00:23:15I'll bring the coffee
00:23:20Keep going, Darren
00:23:21I can't locate Mr. Fabry
00:23:24And I'm going crazy
00:23:25We need to know if he plans to stay with us or not.
00:23:28Jan, can you call him?
00:23:31Hang on a minute
00:23:37Sanem, Sanem
00:23:39Come closer
00:23:41Oh, not again, Mom
00:23:42Damn the day you bought him that phone
00:23:44How annoying
00:23:45Whatever he does, it's wrong.
00:23:46Okay, tell me the truth.
00:23:47Were you with Mr. Jan last night?
00:23:50No
00:23:51And what about you and Mr. Emre?
00:23:52Neither
00:23:54Okay
00:23:54Well, everyone's happy
00:23:55That's how it is
00:23:57Okay
00:23:59Have a good day
00:24:00Likewise
00:24:18I'm here now
00:24:20Hello, Sanem
00:24:21How exciting!
00:24:21How do we do it?
00:24:22Should we just open it?
00:24:23What do you say?
00:24:24Are you ready to open it?
00:24:25Yes of course
00:24:26Let's open it now
00:24:27It will be good for both of us
00:24:28I've covered my eyes so it will be a surprise.
00:24:31Good idea
00:24:32Right?
00:24:44I'm going to open it
00:24:46Wait
00:24:46What's happening?
00:24:47There is something holding her up
00:24:49Open your eyes
00:24:50First I'm going to open the lid
00:25:10No, I need it now.
00:25:12I can't wait a week
00:25:13What do you mean, evaluate it?
00:25:15Let's see
00:25:16How long have you been working like this?
00:25:18Alright
00:25:20Okay, good morning
00:25:35Yay, yay
00:25:49Why did I put that in?
00:25:52Yeyei, tell me
00:25:54What is this?
00:25:56Free from love
00:25:57A book in French about love?
00:26:00Clear
00:26:01Free from love
00:26:02Je suis très gentil
00:26:04Allez, je m'appelle
00:26:05An adorable price
00:26:07But did all this come from this box?
00:26:11Did they send it to you from your town?
00:26:12That's right, it turns out that in my land
00:26:14When you dream about someone, you send them gifts.
00:26:16It's a tradition, you'll see.
00:26:19Look at this, for example
00:26:20For heartbreak
00:26:21A love potion
00:26:24They're a little obsessed with love.
00:26:26Let's see...
00:26:31A violin
00:26:31I've always wanted to learn to play the violin
00:26:33I'll try it.
00:26:34It's held like this
00:26:39It sounds awful.
00:26:40It will need fine-tuning.
00:26:41It's out of tune
00:26:41You think?
00:26:42Yes, that's it.
00:26:47If he plays the violin
00:26:48She will find love
00:26:50It looks like a hidden message.
00:26:52That?
00:26:53Nothing
00:26:54Okay, let's see what else there is.
00:26:58Pancakes
00:26:58Pancakes from my town
00:26:59They are famous
00:27:01I knew it from the smell.
00:27:02How delicious!
00:27:03Do you want one?
00:27:08But hey, that's not it.
00:27:10It looks very similar.
00:27:11Who does she look like?
00:27:13Well...
00:27:14No way?
00:27:15No way?
00:27:16He doesn't look like anyone else
00:27:18Pancakes
00:27:19He was nobody.
00:27:20They're just pancakes
00:27:21You understand?
00:27:24A t-shirt
00:27:24They sent me a t-shirt
00:27:26With a grim face
00:27:27Look
00:27:30This has to be a joke, right?
00:27:31She looks just like Aijan
00:27:33That?
00:27:34It seems to be her
00:27:34No, no, it doesn't look like anyone.
00:27:35That?
00:27:36It's going to look like it
00:27:36How silly
00:27:37And this?
00:27:38Look
00:27:38There is a slight resemblance
00:27:39Okay
00:27:40So what?
00:27:42And this?
00:27:43Hush, hush
00:27:44Hey?
00:27:45You can't deny it.
00:27:46Look at this
00:27:47I see it now.
00:27:48It's Aijan
00:27:49It's Aijan
00:27:56It starts with A
00:27:56And it ends with N
00:27:57And it has an H in the middle
00:27:58We've seen that girl
00:28:00In our dreams
00:28:00We drew it
00:28:01The best we could do
00:28:02Take the potion
00:28:03And he plays the violin
00:28:03Don't go back to the village
00:28:04Until you've earned it
00:28:05His heart
00:28:05That girl is your destiny
00:28:08All that's missing is for him to put
00:28:09Your address
00:28:10It's clear they're referring to
00:28:11Aijan
00:28:11Heal my people
00:28:12Aijan points out
00:28:13But what do I do?
00:28:15How do I get out of here?
00:28:15Of my phobias?
00:28:16She loves you too.
00:28:19Accept it
00:28:19Go and tell him everything.
00:28:21No, don't repeat my mistakes
00:28:23Enjoy it
00:28:24What mistakes are you referring to?
00:28:26Mr. Yan
00:28:27He's in love with you
00:28:28You're going through a rough patch
00:28:29But everything will be alright
00:28:30Believe me
00:28:31He loves you
00:28:32I know
00:28:35A bit of a door
00:28:37Let's see what it can be used for.
00:28:38Ah, I know.
00:28:39Love is home
00:28:40If that means
00:28:41That he/she may form a home
00:28:45The number that has dialed
00:28:46It cannot be found.
00:28:46Is it possible?
00:28:47You've blocked me.
00:28:50Oh, man
00:28:51How could you even think of blocking me?
00:28:53You don't understand anything.
00:29:20What's happening?
00:29:22Isn't that good news?
00:29:24They won't grant us credit.
00:29:26And those who owe us money
00:29:27They have also postponed payments
00:29:28What are we going to do, Yan?
00:29:30Yesterday some people came to collect their money.
00:29:32More will come today.
00:29:32Close the door
00:29:33It's not the solution
00:29:35Well, no
00:29:36I own many properties
00:29:38In Istanbul
00:29:39I have a piece of land
00:29:40With a cabin
00:29:41Perhaps I can mortgage it
00:29:43And I can also sell
00:29:44The New York studio
00:29:46Unfortunately
00:29:47We don't have time.
00:29:48Or we can
00:29:51Sell our shares
00:29:52I have 10%.
00:29:53And Emre has another 10
00:29:55Between the two of us we have 20
00:29:56What can we sell?
00:29:57That's what comes to mind.
00:29:58Yan, I'm afraid that's why
00:30:01You would need the approval.
00:30:02Emre's
00:30:02Yes, I would ask him.
00:30:03He is obligated
00:30:04Don't get any more tense.
00:30:06I will speak with him
00:30:07Okay?
00:30:08But who is going to buy the shares?
00:30:10The other agencies
00:30:11They'll snatch them out of our hands.
00:30:12They will take advantage
00:30:13We'll have to sell for less, of course.
00:30:15But that way we can get by.
00:30:17What else can I do?
00:30:18Also
00:30:19We can make it look
00:30:20A merger with another company
00:30:22And that way we'll see a better image.
00:30:23That's a good idea
00:30:24Okay, I'll start calling
00:30:26To other agencies
00:30:27Do you want me to start calling too?
00:30:29Calls
00:30:29We have nothing to hide.
00:30:31Furthermore, now everyone knows
00:30:32Our situation
00:30:33So...
00:30:35Yan
00:30:36I know you're very upset
00:30:38But all this will pass.
00:30:39We will get through this
00:30:48I've come to collect the glasses
00:30:49Okay, I'm going to start calling
00:31:08Okay?
00:31:08Yes, do it.
00:31:24The Italian mafia
00:31:26Oh, mother, the ether
00:31:27I smelled it
00:31:28And I fainted too
00:31:29My God
00:31:30I'm such an idiot.
00:31:31It seems it was a good dose.
00:31:47Oh, Sanem
00:31:48You'll never get an idea
00:31:49Of the feats
00:31:49What am I doing for you?
00:31:56Okay, I'm going to take it.
00:32:15What are you looking at?
00:32:18Don't get overwhelmed
00:32:19I am not here for you
00:32:20I'm just here to pick up my things.
00:32:26What a psychopath's face
00:32:28What a psychopath's face
00:32:38No, it can't be.
00:32:39He just doesn't understand.
00:32:40We are going to sell 20% of the company
00:32:43Not 50%
00:32:44OK
00:32:45We'll talk later
00:32:46See you later
00:32:52What are you doing here?
00:32:53Here you've come
00:32:54Let's see how you were doing
00:33:01I'm looking for money
00:33:02In order to pay off the debts
00:33:04And it seems you're not having it easy
00:33:06From what I can see
00:33:09Are you worried about the company now?
00:33:11Hey?
00:33:12You refused to sell the house
00:33:13Why are you suddenly interested now?
00:33:15I'm not interested in this agency, dear.
00:33:17I am interested in your agency
00:33:19And I'm interested in you too.
00:33:22Stop blocking my calls
00:33:23That's not how you'll get rid of me.
00:33:25Aileen
00:33:27Please, leave.
00:33:29You're sure?
00:33:33What are you trying to do?
00:33:35Why did you bring her?
00:33:36Here are the documents
00:33:37From our society
00:33:38Perhaps you had forgotten.
00:33:40If Jan ever sees these papers
00:33:42What will she think of her dear brother?
00:33:45Are you threatening me?
00:33:47Did you come here to scare me?
00:33:49Do you really think you can leave me, honey?
00:33:52With all the things I've done for you
00:33:54I never want to hear from you again.
00:33:56Never
00:33:58You always say that.
00:34:00But then you come back to me
00:34:02Because deep down
00:34:03You know I'm right.
00:34:08Jan can't help you
00:34:09And even though you sometimes forget
00:34:12You love me and you know it perfectly well.
00:34:16You're in love with me
00:34:19You can keep the folder
00:34:21I still have the original
00:34:25We'll see each other, love.
00:34:33Something's up here, JJ
00:34:35Yes, I've noticed it too.
00:34:37Something bad is happening
00:34:41Wow, that's intense.
00:34:42I have the Italian mafia
00:34:43Sleeping on my shoulder
00:34:45I'm awesome
00:34:46Yes sir
00:34:54But what are you doing?
00:34:55Are you crazy or what?
00:34:56What are you doing?
00:34:57Are you kidnapping me?
00:34:58You are crazy
00:34:59We're getting off!
00:35:00Stop the car!
00:35:00Take your hands away!
00:35:01Let go of the steering wheel!
00:35:02You don't believe what you're doing!
00:35:04You're kidnapping someone!
00:35:05My God!
00:35:06No!
00:35:08Dome that!
00:35:09I'm fed up!
00:35:10But what does he do?
00:35:11Can't you see I'm driving?
00:35:13I told you to make it look like gas!
00:35:14Stop it now!
00:35:15Stop!
00:35:16Okay, you asked for it.
00:35:21Open the windows!
00:35:22Open the windows!
00:35:22My eyes are burning!
00:35:24I'm going to kill you!
00:35:24I swear to you, you wretch!
00:35:25I'm going to finish you off!
00:35:27What a disgusting gas this is!
00:35:28What a stench!
00:35:29I've been scammed!
00:35:39Things aren't looking good at all.
00:35:42I will sell 20% of the company's shares
00:35:45And there is no acceptable offer.
00:35:47There's only one agency that seems even remotely serious.
00:35:51They will call us shortly and tell us their decision
00:35:54That's just how it is
00:35:55But Jan, that offer isn't enough for us.
00:35:57You'll sell the shares for nothing.
00:35:59I know.
00:36:01But it's better than going bankrupt.
00:36:10Embryo
00:36:11Have you received any offers?
00:36:14Unfortunately not
00:36:15Come on
00:36:17Let's see, social media, the internet
00:36:21Press
00:36:21A statement needs to be prepared.
00:36:25We will avoid the topic of bribery.
00:36:26So we don't throw more shit at each other.
00:36:28Review the campaigns that are still underway
00:36:31Yes, of course, no problem.
00:36:33Actually, there are very few.
00:36:34OK
00:36:35Come on, people, let's get to work
00:36:37JJ, come here for a moment
00:36:41Listen
00:36:41If you see someone going up the stairs
00:36:43Send me a message, okay?
00:36:44To the mobile
00:36:45Don't forget
00:36:46Okay
00:36:46But what are you going to do?
00:36:48I'll tell you later.
00:36:50Now I have to make some calls
00:36:51Come on, let's see
00:37:47Is Mr. M. a partner of Aileen?
00:37:52So that was the reason.
00:37:54They're going to bring me a folder. When I get there, bring it to me, okay?
00:37:59That folder has already arrived.
00:38:01You don't say. And where is it?
00:38:03Well, I accidentally put it with the others and took it to her brother along with the
00:38:07other folders that he asked me for.
00:38:10Damn, this can't be happening.
00:38:11What's happening?
00:38:12Salem, do you know what you've done?
00:38:13No, what have I done, Mr. M.?
00:38:14Go get me that red folder. My brother mustn't see it.
00:38:31What do we want to do? And what do we do in the association?
00:38:33I have no idea, but he said it was very urgent.
00:38:38I'm not going in.
00:38:39I'm sure they'll pull another fast one on us.
00:38:41Come on, man, since we're here, what does it matter?
00:38:43Let's go in and see what he wants.
00:38:46Ah, hello, Mrs. Abdullah.
00:38:50What's up, guys?
00:38:52Hello good.
00:38:54Who is this?
00:38:55But why do you have him tied up and gagged?
00:38:57Why are you speaking in hushed tones? Don't worry, we're safe here.
00:39:00Mr. Abdullah is half deaf. Mr. Abdullah!
00:39:03Hey Musa, who's this?
00:39:04Well, he's a prominent member of the Italian mafia.
00:39:08Damn you, you're a wretch!
00:39:10You'll regret this and you'll pay for it!
00:39:12Did you hear me, you wretch!
00:39:13He's going to shut up!
00:39:14Let me go! Stay still!
00:39:15What are you doing?
00:39:16Hey Musa, are you sure this man is Italian?
00:39:19Because I don't really see it.
00:39:21The Italian mafia is not this man, he is just a henchman.
00:39:24Now we have to find Enzo.
00:39:26We need to tell him to stop harassing Sanem.
00:39:28If they don't leave her alone, we will hand her man over to Mr. Abdullah and he will harm her.
00:39:32Wait, Musa, have you kidnapped this man?
00:39:34Yes, that's right. And from now on, I'm Enzo's rival.
00:39:37I'm going to scare the living daylights out of him. He'd better get ready!
00:39:39You're going to get yourself into serious trouble, and you're going to drag us down with you. Spill it!
00:39:42What are you doing, man!
00:39:44It has been very difficult for me...
00:39:45No, no, don't untie him. We're doing all this for Sanem. Please consider it, okay?
00:39:49Yes, spit it out. Come on, forget Sanem.
00:39:51You're going to end up in jail for kidnapping and you'll never see the light of day again, much less...
00:39:54Sanem.
00:39:54Let this Mr. Musa go!
00:39:56No, Ayhan. Things don't work that way in the mafia. What's customary is exchange. They leave in
00:40:01Peace to Sanem and in return we give back her henchman.
00:40:05Why are you scared? He wanted to scare Sanem. Don't worry. Would you like some tea? I'll make it.
00:40:09Good heavens! Am I the only sane person in this neighborhood? I'm sane too. And from an outsider's perspective,
00:40:15Mr. Abdullah also seems to be like that.
00:40:17Are you alright?
00:40:18This situation is insane.
00:40:21Excuse me, tell me. Do you need anything? Would you like me to get you anything? Tea? Some water? No?
00:40:27That?
00:40:28Do you need to go to the bathroom?
00:40:29I don't know what he's saying.
00:40:30I think he needs to go to the bathroom.
00:40:31Hey?
00:40:46They're calling about the offer. I'm going to answer.
00:40:51Tell me.
00:40:53Yes, it's me. Yes.
00:40:55I understand.
00:40:57Thank you so much.
00:41:00They rejected her.
00:41:14Well, we'll have to declare bankruptcy.
00:41:17What else can we do?
00:41:18Bankrupt?
00:41:23We have the creditors out.
00:41:25And there are already rumors that we're sunk.
00:41:28We'll lose all our customers, Deren.
00:41:31It's better to take the step and leave with dignity.
00:41:34Will you call our lawyer?
00:41:37Yes of course.
00:41:38But the thing is...
00:41:38My hands are trembling.
00:41:40Deren.
00:41:41Okay, I'll call now.
00:41:47Mr. Jan.
00:41:50Don't call him yet.
00:41:52It's better to wait.
00:41:53That?
00:41:54Let things calm down a bit.
00:41:56He needs to give it a little more time.
00:41:58Time won't change anything, Sanem.
00:42:00In reality, nothing can change now.
00:42:03When something ends,
00:42:04The best thing to do is turn the page and move on.
00:42:06Unless, of course, you're waiting for a savior to come down from heaven.
00:42:10Sorry.
00:42:17Hi, Jan.
00:42:19How are you on Sofabre?
00:42:21What are you doing here?
00:42:22Ah, it turns out a mutual friend told me you were going through a rough patch.
00:42:28and I came as soon as possible.
00:42:30Yes, that's true.
00:42:34Hey...
00:42:36You have...
00:42:37Well...
00:42:39The launch of our new perfume.
00:42:41Good.
00:42:42Your reputation.
00:42:43Yours, yours, and yours.
00:42:45The one that belongs to all of you.
00:42:47Hey...
00:42:47It's also my reputation.
00:42:49Look, I don't want to change agencies.
00:42:52Not mid-season, and besides, I know I wouldn't find anyone anyway...
00:42:56Well, better than you.
00:43:05Thank you very much for your support, but the crisis we are in is very serious.
00:43:10Look, Jan, I didn't come here to assess whether I'm still your customer or not.
00:43:14I have come...
00:43:16To support you financially.
00:43:20You see, I can't ask a client for a loan.
00:43:26Well, it's possible I didn't express myself correctly.
00:43:29Let me put it more clearly.
00:43:31We will do the following.
00:43:35I will buy 20% of your shares.
00:43:38And I will be your partner.
00:43:40Ah!
00:43:41Excellent!
00:43:44We are...
00:43:47But, Enzo...
00:43:48You are a client, and I don't think it's appropriate to associate with someone we represent.
00:43:52Why not, Mr. Jan?
00:43:54Yes, it is appropriate.
00:43:55You can be a partner and a customer at the same time.
00:43:57Please accept.
00:43:58Yes, Mr. Jan.
00:43:59Hey, hey!
00:44:00Excuse me.
00:44:01I'm sorry, Mr. Fabry.
00:44:03Jan, Mr. Fabry has come to...
00:44:05Help us.
00:44:05We cannot refuse your kind offer.
00:44:07We would look very bad to a major client.
00:44:10Deren is right.
00:44:14Listen.
00:44:16I know your situation.
00:44:18Sell me those shares.
00:44:20And I assure you that I will return them to you in the future.
00:44:23I promise.
00:44:25OK.
00:44:27I trust you, Enzo.
00:44:30Okay, then.
00:44:34What a joy!
00:44:36Come on, come on, everyone get together.
00:44:38Come here.
00:44:39Come on, come on.
00:44:40Yes, you have to take a selfie.
00:44:41Yes, a selfie.
00:44:42Let's immortalize this moment.
00:44:44Are you ready?
00:44:45Yeah.
00:44:45Smile everyone.
00:44:47Congratulations.
00:44:47Smile everyone.
00:44:50Very good.
00:44:50It looks great.
00:44:53I'm going to upload it to social media right now so the media can see it and it can be shared.
00:44:57This way we'll let everyone know that we're still standing.
00:44:59That sounds like a great idea to me.
00:45:02Mr. Fabry.
00:45:06Welcome to the company.
00:45:09Thank you so much.
00:45:12It doesn't matter.
00:45:13It has been a pleasure.
00:45:20Mr. Jan.
00:45:23Congratulations.
00:45:23You did very well.
00:45:24We will prepare the documentation to formalize the contract as soon as possible.
00:45:28We need to make it official.
00:45:29Whenever you want, please.
00:45:31What a lucky time we've had.
00:45:32It's great.
00:45:33We'll be right back.
00:45:34I believe it.
00:45:34Come on.
00:45:35We're saved.
00:45:50Don't look at me like that.
00:45:52Come on.
00:45:52As if you'd never seen a contract signed before.
00:45:55Cut it down a bit.
00:45:56Pretend you're working.
00:45:57It's going to be difficult for them.
00:45:59JJ.
00:46:00Can you check if Fabry has signed the contract yet?
00:46:03Okay.
00:46:04Do you want me to stare blatantly?
00:46:05Don't make it too obvious.
00:46:12Let's see.
00:46:13Here it goes.
00:46:14He has a pen in his hand.
00:46:16Very good.
00:46:17The contract brings it closer.
00:46:18It looks like he's going to sign it.
00:46:19At least that's what his body language suggests.
00:46:22It's very clear.
00:46:26He has signed.
00:46:32Now everyone back to work.
00:46:34Everyone to their post.
00:46:37Please.
00:46:44Companions.
00:46:46Sofabry is already our partner.
00:46:48Congratulations.
00:46:49Congratulations!
00:46:50Congratulations.
00:46:52Don't worry, Jan.
00:46:54I'm not going to get involved in the management of the agency.
00:46:57Actually.
00:46:59The reason I partnered with you was Miss Sanem.
00:47:06Oh really?
00:47:11You see, I wanted to buy her personal scent.
00:47:14I proposed a deal to him.
00:47:16I wanted to buy the production rights from him and asked him to come and work at my company.
00:47:20But I didn't want to leave you.
00:47:22I wanted to stay here.
00:47:24Then I said to myself.
00:47:25If she doesn't want to come to my company.
00:47:28I'll go to yours.
00:47:30So, in short, my friend Jan.
00:47:33The reason for our partnership.
00:47:36It's Miss Sanem.
00:47:41Well, I didn't know.
00:47:43Nothing of the sort.
00:47:44Miss Sanem and I have been in contact for quite some time, haven't we?
00:47:49One thing, Jan.
00:47:51I want Miss Sanem to work in our laboratories from time to time because she has accepted my offer.
00:47:57And at some point there will be a promotional phase for the new perfume.
00:48:01In short, she has agreed to give me her personal fragrance.
00:48:18That's great news.
00:48:20Congratulations, Sanem.
00:48:23Well, I have to go now.
00:48:25Anyway, we'll see each other often from now on.
00:48:28Miss Sanem.
00:48:31See you soon.
00:48:35Mr. Embley.
00:48:37Bye bye.
00:48:38Have a nice day, Mr. Fabry.
00:48:40Mr. Fabry.
00:48:41Bye bye.
00:48:42See you around.
00:48:43I'm sure we'll see each other.
00:48:59Hey, who's the young woman who arrived late to my party?
00:49:03What's it called?
00:49:04She is one of our employees.
00:49:06Your employee?
00:49:08A rare beauty.
00:49:11That?
00:49:12That?
00:49:14What perfume is she wearing?
00:49:16I could appreciate it while we were dancing.
00:49:31I know you're angry with me, but...
00:49:33How could you speak on my behalf?
00:49:35What are you trying to do?
00:49:36I didn't speak on your behalf.
00:49:37I was just trying to save the agency.
00:49:39Who asked you to make decisions for me without even consulting me?
00:49:42How did you come up with that?
00:49:44Jan, I wanted to talk to you, but you wouldn't even look at me.
00:49:46Nobody wanted to buy our shares.
00:49:48And you go and convince Fabry to partner with us.
00:49:51It's true.
00:49:52I'm sure it didn't cost you much.
00:49:56Jan, do you realize what you're saying?
00:49:58You may be angry, but you don't have the right to be rude.
00:50:01I try to explain everything to you, but you don't even look at me.
00:50:03Oh, really?
00:50:05It's too late for explanations, Anem.
00:50:07Is this everything you want to explain to me?
00:50:08Everything you haven't told me?
00:50:10Well yes.
00:50:12I don't need any explanation.
00:50:14Your actions make everything clear.
00:50:16What have you offered Fabry?
00:50:18How did you convince him?
00:50:19Are you going to give him your formula or will you create a new one for him?
00:50:23That's none of your business.
00:50:24I can give you my formula or create a new one if I feel like it.
00:50:27So it's not my business.
00:50:30Give it to them!
00:50:32Yes, Jan.
00:50:34Call Fabry.
00:50:36We cancelled the agreement.
00:50:37As?
00:50:38Jan, nobody wants our shares.
00:50:40The company will go bankrupt.
00:50:41He said he's cancelling it.
00:50:43Sanem, did I hear correctly?
00:50:44Did Mr. Jan say he's canceling the agreement?
00:50:48Sanem, what did Mr. Jan say?
00:50:50Sanem?
00:50:51Sanem, what agreement did you reach with Fabry?
00:50:54Fabry.
00:50:56Fabry told me to create a perfume for his company and that he would save the agency.
00:51:01And why does Mr. Jan object?
00:51:02Does he want to bankrupt us?
00:51:04I don't know, little sister, I don't know.
00:51:06Well, don't worry.
00:51:08Mr. Jan, with his impulsiveness, is going to ruin the agency and Mr. Emre.
00:51:11Leila, that's enough.
00:51:13Sanem!
00:51:15Yahuda, what!
00:51:16Sanem!
00:51:18Sanem, what's happening!
00:51:19Why aren't you answering?
00:51:20Hey?
00:51:21Is this the end of the agency?
00:51:22Are we fired?
00:51:23He says nothing.
00:51:30Leave me alone, Terén.
00:51:32Sanem!
00:51:34Don't even think about telling Fabry that we've cancelled the agreement.
00:51:37Why would I do that?
00:51:38I don't have such direct contact with him.
00:51:42Now that I think about it, you should put your engagement ring back on.
00:51:45Fabry thinks you and Jan are engaged.
00:51:47It's not necessary, I told him we had broken up.
00:51:51I'm going to ask you a question.
00:51:53Did Fabry ask you for anything else besides your perfume formula?
00:52:01Anything related to the agency?
00:52:02Did he mention if he has any plans regarding the agency?
00:52:06He's not only interested in the formula.
00:52:08Okay, then there's no problem.
00:52:10Let him save the company and let Sanem give him what she deems appropriate.
00:52:14Okay, I agree with you.
00:52:16Sanem was very inconsiderate to speak to Mr. Fabry without your consent, okay?
00:52:20But Sanem always acts like this.
00:52:22It's nothing new.
00:52:23I don't understand why it suddenly bothers you so much.
00:52:26So can I leave now?
00:52:28No!
00:52:29Jan, the only way to save your father's company is to collaborate with Fabry.
00:52:33Please think it over carefully.
00:52:34Think about all your employees.
00:52:36You appreciate them.
00:52:37You always say that their rights are the most important thing.
00:52:40Jan, at least think about your father.
00:52:46I always think about the train.
00:52:49We'll get through this.
00:52:51We need an urgent solution.
00:52:53You know better than I do that the situation is very serious.
00:52:56I don't want Fabry in my agency.
00:52:58He is our most important client.
00:52:59He's coming here constantly.
00:53:05Jan.
00:53:07Hey, you're not doing this for sentimental reasons, are you?
00:53:10Sentimental?
00:53:11What are you talking about?
00:53:13At the party you thought Fabry was flirting with Sanem
00:53:16and you left in a huff before signing the contract.
00:53:18I wonder if you're making the same mistake.
00:53:20Because only a madman would reject Mr. Fabry's offer in this situation.
00:53:24OK.
00:53:25Yeah.
00:53:26You're right.
00:53:27Yeah.
00:53:28It's the truth.
00:53:32We must take care of our company.
00:53:34I guess Sanem is the winner in all of this.
00:53:37Now she will be part of a large perfume company.
00:53:44Come here.
00:53:45Come.
00:53:50Did you sell them this perfume?
00:53:54Or perhaps you're going to create new formulas for them.
00:54:00That's none of your business.
00:54:02TRUE.
00:54:03With all the problems we have, I'm not at all worried about your perfumes.
00:54:15Here comes Mr. Jan.
00:54:19There's nothing to do here today.
00:54:21You can go home.
00:54:22Home?
00:54:22The house is a place where one goes to rest at the end of the day.
00:54:26Why would he have said that?
00:54:27This doesn't give me anything back.
00:54:28It has managed to worry us.
00:54:31This seems serious.
00:54:32We lost our jobs.
00:54:41How much does it weigh?
00:54:43Yeah.
00:54:43They say human flesh is the heaviest there is.
00:54:46Oh, Jan, I can't get in touch with Sanem.
00:54:48Where could that girl have gone?
00:54:49She's definitely been kidnapped.
00:54:51For.
00:54:51I'm telling you that nobody has kidnapped Sanem.
00:54:54Come on, let's do it...
00:54:55Don't shout.
00:54:55For God's sake.
00:54:57Sanem is busy at work and all you do is create problems for yourself and involve the rest of us.
00:55:01Hey, why are you saying my name?
00:55:02What happens if he wakes up and hears you?
00:55:03Stop it now!
00:55:04Why am I saying your name?
00:55:05Why am I saying your name?
00:55:06This man has seen your face and you brought him to our neighborhood.
00:55:09What does it matter if he knows your name?
00:55:10Yes, I made a strategic mistake.
00:55:12This was my first interaction with the mafia.
00:55:14Next time I'll wear a mask.
00:55:15Mosa, for God's sake, let's leave this man alone.
00:55:18We're getting ourselves into a real mess.
00:55:20Also, Sanem is fine.
00:55:21She doesn't have any problem at all.
00:55:23By the way, one question.
00:55:24Why am I carrying this chair?
00:55:26Is it mandatory for the kidnapped person to be seated?
00:55:28What do you want us to do?
00:55:29Should we leave him sitting on the floor?
00:55:30That's not good at all.
00:55:31It can cause serious health problems.
00:55:33Furthermore, Sanem is in danger and I have problems with the mafia.
00:55:36You have to help us.
00:55:37Look, we've arrived.
00:55:38Hey Khan, open the door.
00:55:39Runs.
00:55:40Oh, it must be a very dark place.
00:55:43Come on, what is this danger saying?
00:55:45There is no danger.
00:55:46Let's leave this package and get the hell out of here.
00:55:48Come in, come in, come in there.
00:55:50These things are always done in the dark.
00:55:58But what are we doing?
00:55:59Oh, my mother!
00:56:00Your phone is ringing!
00:56:02What do we do?
00:56:03What do we do?
00:56:03Oh, Khan, that's enough!
00:56:04Don't get so worked up.
00:56:05We've arrived.
00:56:06Don't get angry, we've kidnapped a man.
00:56:08Calm down, let's leave it at that.
00:56:09Brother, brother.
00:56:10You're leaving your fingerprints everywhere.
00:56:14I can't lower it.
00:56:15You have to turn around.
00:56:15Where do you want me to stand?
00:56:16The empty head on the other side.
00:56:17My God, be careful.
00:56:19This is something new for me.
00:56:21I had never kidnapped a person before.
00:56:22Damn it, damn it.
00:56:25He's dead, he's dead.
00:56:27Don't worry, he's not dead.
00:56:31Oh, Muse, what trouble have you gotten us into?
00:56:36Where is?
00:56:38I'm going to have to take a taxi.
00:56:58I'm waiting for a red folder.
00:57:01Let me know when I arrive, okay?
00:57:03Ah, that folder is already here, sir.
00:57:05Find the folder.
00:57:06My brother mustn't see her.
00:57:08It contains information about our mother.
00:57:10Information regarding the company that we should have sent to you.
00:57:26Can we talk?
00:57:28No.
00:57:36I made a mistake.
00:57:37And I'm sorry.
00:57:40I wish I could go back.
00:57:49Fabry is our partner.
00:57:51I manage our father's shares, but you don't have any.
00:57:55So you have nothing to do here.
00:57:59But what are you saying, brother?
00:58:01This company is my life.
00:58:03They should have thought about it before putting her in this situation.
00:58:06We still don't know if we're bankrupt.
00:58:08And because of you I've had to partner with Fabry.
00:58:12Very good.
00:58:14But at least let him help you for a while.
00:58:17I am an expert in financial matters.
00:58:18I can work from home.
00:58:19Ember, your work here is finished.
00:58:21Do you understand?
00:58:23Don't come back here.
00:58:27Go away.
00:58:44Musa, damn it, please tell me right now what your plan is exactly.
00:58:48Don't worry, we're making progress.
00:58:50Don't panic.
00:58:51We're improvising.
00:58:52That phone keeps ringing.
00:58:53Oh, who could be calling him?
00:58:55Your mother?
00:58:55Your father?
00:58:56Your children?
00:58:57It's possible.
00:58:57Let's unroll it.
00:58:58Osman, help me.
00:58:59No, I don't plan to touch it.
00:58:59Come on, help me.
00:59:01Osman, help me.
00:59:02I don't want to look.
00:59:03How did we get here, Ejan?
00:59:04Don't touch anything.
00:59:09Musa, don't be an idiot.
00:59:10Leave this man alone.
00:59:12Don't touch it anymore.
00:59:13What are you doing?
00:59:13For panic.
00:59:14Musa, Musa, what are you doing?
00:59:15For God's sake, stop it now.
00:59:17We've kidnapped a man, dude.
00:59:18Try to calm down and think rationally.
00:59:20Osman, it's too late.
00:59:21There's nothing I can do.
00:59:22I have nothing to lose.
00:59:24And what about us, huh?
00:59:26The boss is calling him.
00:59:27It must be fabricated.
00:59:29But what are you doing?
00:59:30If you're crazy, you're crazy.
00:59:33What do you do with him?
00:59:33I'll take the call.
00:59:35We're leaving.
00:59:35Is this all you want?
00:59:36You're crazy?
00:59:37Give it back to me.
00:59:37Hello, wait a moment.
00:59:38Put that phone down.
00:59:40It's just a second.
00:59:41You are fabric.
00:59:41I have your driver.
00:59:42He's here with me.
00:59:43He is my hostage.
00:59:44What has kidnapped my driver?
00:59:46It's a joke?
00:59:47Who are you?
00:59:49Musa shouldn't be the one chasing that man, but what madness is this?
00:59:52Come here, thief.
00:59:53No, man, it doesn't matter right now.
00:59:55You're going to teach yourself.
00:59:55Let's get out of here, let him deal with it on his own.
00:59:57Here you stay, Musa.
00:59:59Give me Sanem and you'll get your driver back.
01:00:01It's a simple deal.
01:00:02And don't even think about calling the police.
01:00:04Come by yourself.
01:00:05Okay, calm down now.
01:00:06Excuse me, can you take me to the place where you picked me up?
01:00:09Of course, sir.
01:00:15I'm warning you, you're testing my patience.
01:00:18You're going to end up exhausted.
01:00:19What are you doing?
01:00:20You're going to do it.
01:00:21Get out of my way and follow me.
01:00:24Hey, hey, don't bite me.
01:00:25That?
01:00:25You're a dog.
01:00:26Still.
01:00:27Still.
01:00:27Come here, commander.
01:00:28Sit down.
01:00:29Give me back my phone.
01:00:30Yeah.
01:00:31Alright.
01:00:31Give it back to me.
01:00:32Go down now.
01:00:33Go down.
01:00:55Sanem, where are you going?
01:00:56What are you still doing here?
01:01:01Mr. Inde is very worried because the man has already fired him.
01:01:05I thought that maybe he might need my help.
01:01:08Nobody can help you, Leila.
01:01:09It's a problem with no solution.
01:01:11Sanem, why are you talking about Mr. Emre like that?
01:01:13He's having a very hard time.
01:01:15Why don't you empathize with him a little?
01:01:18Alright.
01:01:19Do whatever you want.
01:01:20I'm leaving.
01:01:21But Sanem...
01:01:33Has to?
01:01:39Mr. Fabric, have you forgotten something?
01:01:41I just received a very strange call related to Miss Sanem.
01:01:44With Sanem, you say?
01:01:45Yes, yes, Miss Sanem.
01:01:47Someone just called me saying they've kidnapped my driver.
01:01:51That?
01:01:51Yes, he told me, bring Sanem Aydin to me and he sent me the address.
01:01:55It's in his neighborhood.
01:01:57Sanem Aydin?
01:01:57You're sure?
01:01:58Absolutely, look at this.
01:01:59Excuse me, but you said your driver has been kidnapped.
01:02:02Yeah.
01:02:03Yes, that's near my neighborhood.
01:02:05Who would want to kidnap their driver and have me be the ransom?
01:02:10Musafer.
01:02:11Musafer?
01:02:13Who is Musafer?
01:02:14A boy who had a traumatic childhood, but he is not dangerous.
01:02:17Surely this is all just a misunderstanding, okay?
01:02:19This is more serious than a misunderstanding.
01:02:21Yes it's true.
01:02:22He must be very scared now and probably doesn't know what to do.
01:02:26Deren, what happened?
01:02:26Something dramatic.
01:02:28Someone from Sanem's neighborhood, a certain Musafer, has kidnapped Fabry's driver.
01:02:32Because?
01:02:33We don't know.
01:02:34Everything related to Sanem always ends up getting complicated.
01:02:36If we lose the contract with Fabry because of her, I swear I'll tear that girl to pieces.
01:02:48It won't go with him, only my personal belongings.
01:03:00Mr. Emre, don't be discouraged.
01:03:03You are a strong person, you have already overcome difficult situations and you will do it again.
01:03:08I was very upset when I found out about the bribe, but then I understood that his intention was good.
01:03:13Don't be pessimistic.
01:03:28Thank you, Lila.
01:03:36Is anything else missing? Will this be included too?
01:03:38No, only these things.
01:03:52Have you seen what was in this folder?
01:03:54No, what was it about?
01:03:57What exactly are you looking for?
01:03:59Damn it, damn it.
01:04:02Lila, has anyone entered my office?
01:04:04Jan, Sanem, Gulid, Yei Yei?
01:04:05No, everyone was at the meeting.
01:04:07What are you looking for?
01:04:08Maybe I can help you.
01:04:10It just can't be.
01:04:13Okay, I'll tell you.
01:04:14But now I have to go.
01:04:17Do you want me to pick all this up?
01:04:30Since this isn't resolved, you won't find a job anywhere in Istanbul, Sanem.
01:04:35You'll have to go to the other side of the planet to earn a living.
01:04:38I have no idea what's going on.
01:04:39Why are you blaming me?
01:04:41Excuse me, Miss Sanem, did you say something?
01:04:43Ah!
01:04:45Mr. Fabri!
01:04:46That boy from Sanem's neighborhood is a harmless person.
01:04:49We'll go there, get your driver back safe and sound, and then we can forget about this whole thing.
01:04:53Yes, it will all be forgotten because it is a minor incident of no importance.
01:04:56That man, uh, uh, Mustafa.
01:05:00Mustafé?
01:05:01Yeah.
01:05:01I've heard he's been obsessed with you since he was a child.
01:05:07Interesting.
01:05:08It turns out men are crazy about you.
01:05:11Yes, they're so crazy about me that they all hate me to death and won't even look me in the face.
01:05:15In that respect I am very successful.
01:05:19Obsession is a good thing.
01:05:21Obsession makes people stronger.
01:05:27I hope our customers will also become obsessed with your perfume, Miss Sanem.
01:05:32I'm sure it is, but whether it's for something real or fictional is another story.
01:05:36What's really important is that they become obsessed.
01:05:41Go straight ahead.
01:05:45We're doing well.
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