Sanem se encuentra atrapada en su propia red de mentiras cuando el trato con Fabri amenaza con salir a la luz frente a Can. Mientras la agencia lucha por una campaña decisiva, los celos y la desconfianza comienzan a fracturar la relación que apenas florecía. Una firma apresurada pondrá en juego el futuro de la empresa y la honestidad de Sanem será puesta a prueba en un encuentro que cambiará las reglas entre ellos.
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▶ Sigue la historia completa aquí:
https://dailymotion.com/playlist/xbt8c4
▶ También te puede interesar Más Hermosa Que Tú:
https://dailymotion.com/playlist/xbt8b9
▶ Descubre el plan en Mi nombre es Leyla:
https://dailymotion.com/playlist/xbt87g
#PajaroSoñador
#ErkenciKus
#Cap25
#PajaroSoñadorCap25
#NovelasTurcas
#SeriesTurcas
#CanYSanem
#RomanceTurco
#DobladoAlEspañol
#CapituloCompleto
#ComediaRomantica
#SeriesEnEspañol
#NuevasSeries
#DailymotionTurcas
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TVTranscripción
00:00:28Thank you!
00:00:57Thank you!
00:01:19Thank you!
00:01:32Salim, don't be sad. It's not your fault; she included you in her lie herself. If she comes and me
00:01:37If you ask, I'll tell you the same story. Don't worry.
00:01:41No, that's not it, Osman. I already told you I didn't want to lie to him again. Remember? And look what
00:01:49It's taken me a while. I can't stop lying, I can't help it, and it makes me feel terrible.
00:01:54Thank you! I want to tell him everything, but I don't feel capable. Am I being selfish? For not giving him up?
00:02:02What will happen if you tell him? Wouldn't that be selfish? He'll hate his brother, and he'll hate you too.
00:02:07You. She'll surely leave the country. She'll be sad. And you'll have done everything to silence your conscience.
00:02:14I wish he knew me.
00:02:15But he already knows you. And he loves you, Salim. Every day he'll love you more and more, Salim. Stop with all that nonsense.
00:02:23Your head. After everything you've put him through, the boy deserves your love.
00:02:27Okay, I'll try. I still can't believe it. How could Mr. Emre do something like that?
00:02:34to his own brother?
00:02:35Salim, stop talking about that man, it makes me want to hit him.
00:02:39Okay. Now it turns out everyone else is getting stressed.
00:02:44Hi how are things?
00:02:45Hi, it's good to see you.
00:02:47Look, I have a surprise for you. I've come to give you some joy. Let's see what you think.
00:02:51What is this?
00:02:51The rent for all the shops in the neighborhood.
00:02:54Oh, how quick, Isan! You've certainly made my day.
00:02:58Yeah.
00:02:58Being happy is the best thing. I wish I were happy too.
00:03:03Of course you're going to be happy. What's wrong with you?
00:03:07Tell me.
00:03:11Come on, man, do you have a problem?
00:03:13I've broken up with my girlfriend.
00:03:15I didn't know that. What happened to you?
00:03:18It doesn't matter.
00:03:19No, no, tell me what happened. You know you can tell me anything you want.
00:03:24I've fallen in love with someone else.
00:03:26From another woman?
00:03:27If I tell you, you'll judge me too. But what can I do if I've fallen in love?
00:03:30I'm not going to judge you. Love is a beautiful thing.
00:03:34Well yes.
00:03:36You understand me, and that's why I appreciate you.
00:03:39Yes, in fact, when I had the grocery store, you were one of the few who came to buy anything. Do you remember?
00:03:43I still remember your smile. When you took the cleaning supplies, I couldn't stop thinking about you.
00:03:50Oh, really?
00:03:52Oops!
00:03:54Sorry, because I forgot to give you your share earlier.
00:03:56Don't worry, please. Can I wait? I could wait my whole life, no problem.
00:04:02My share is 10%, but we could raise it to 15% since I'm single. I have a lot of expenses.
00:04:07Of course.
00:04:10Here you go.
00:04:11Thanks a lot.
00:04:12I have to leave. I'm going to collect the rest of the rent.
00:04:15And remember to walk in the shade. You know what happens to chocolates.
00:04:21Good morning.
00:04:22What are you two doing here? Are you drinking?
00:04:25Girl, what a joy!
00:04:27The weather is really nice and I have a feeling that today is going to be a very beautiful day.
00:04:32That's true, yes.
00:04:34The sky is very clear.
00:04:36Yes, yes.
00:04:36Oh, yes.
00:04:38Yes, it's a very nice day.
00:04:46What's happening?
00:04:48What's that?
00:04:49Let's see.
00:04:51Oh!
00:04:52It's a wedding!
00:04:54Run!
00:05:05Friends, I'm back.
00:05:07I have finished my military service.
00:05:09I have fulfilled my duty to my country and I return with the victorious lion.
00:05:13I swear I am the happiest man in the world.
00:05:15Get out of here!
00:05:17Welcome.
00:05:17Thank you.
00:05:18Welcome, Moussafer.
00:05:19Thank you.
00:05:20I left here crying and I'm coming back with a smile.
00:05:23Mom, mom.
00:05:25I've used so much from the wick!
00:05:27What are you doing here now?
00:05:28But he's only been in the military for three days.
00:05:30He's definitely escaped.
00:05:31He told me to get whatever I wanted.
00:05:33If he had escaped, he wouldn't be coming back here with drums.
00:05:35Namely.
00:05:36But it is there, my dear Moussafer.
00:05:39Welcome, Moussafer.
00:05:41Only three days have passed.
00:05:43Thank you.
00:05:44What a joy I feel!
00:05:46Welcome, Moussafer.
00:05:47But what do my eyes see, my dear Sanem?
00:05:49Your beautiful letters gave me hope during my days in the army.
00:05:54That?
00:05:54If I didn't write them.
00:05:55We wrote them all together.
00:05:56I just said that it was mine.
00:05:59Yes, I was going to answer you, but right at that moment I found out something.
00:06:02I have three kidneys!
00:06:04Surprise!
00:06:05They've let me come back because society needs me.
00:06:08You've been rejected, haven't you?
00:06:10Refused?
00:06:11But no way, man.
00:06:12Don't you see I have extra organs?
00:06:14I've been told, go fight for your country.
00:06:16So I have decided to donate a kidney to serve my country.
00:06:18Because organ donation saves lives.
00:06:21Bravo!
00:06:21Yeah!
00:06:24I was always struck by how often Aihan went to the bathroom
00:06:27And I only did it once. Sometimes I would get up at night, but rarely.
00:06:30And of course, now I understand why it was like that.
00:06:32Like!
00:06:32Enough already with talking about this subject.
00:06:34Come on, why don't you go and say hello to the others?
00:06:36We'll talk later, okay?
00:06:38I'll buy you a fish.
00:06:39I'm coming now, but I have things to do.
00:06:41Now that I have completed my military service, the time has finally come for me to get married.
00:06:45Oh my God!
00:06:45What are you saying?
00:06:46Stop talking nonsense.
00:06:48Okay, so I'm not just talking nonsense, huh?
00:06:50Well, look, I've written you a letter.
00:06:53Sixty-seven pages!
00:06:54Sixty-seven pages?
00:06:55I have decided to express myself simply.
00:06:58Simple.
00:06:58While you read this, I'm going to take a walk around the neighborhood.
00:07:01I'm sure the neighbors have missed me, huh?
00:07:04Yes, you already know.
00:07:05Stick the tampon! Come on, let's go!
00:07:20It just can't be.
00:07:22Sixty-seven pages!
00:07:23Hello.
00:07:24Hello, Osman.
00:07:26What are you celebrating?
00:07:27Well, he's already returned from military service in Mississippi.
00:07:30Okay, we're leaving now.
00:07:32We have a lot of things to do.
00:07:34Yeah.
00:07:35Can we talk?
00:07:36Yes of course.
00:07:56Wow, what are we doing at the port?
00:07:58What are those leaves?
00:08:00What are those leaves?
00:08:00You still haven't told me what they are?
00:08:01Phew, a letter from Mississippi.
00:08:03Ah, it's not a letter.
00:08:04He has written you a novel.
00:08:05I didn't know you liked writing letters.
00:08:08If you want, you can write to me.
00:08:09I don't usually write letters, but if you want I can write you one.
00:08:12Of course I want to.
00:08:13I'll wait impatiently for the cartel to bring it to me.
00:08:17Hey, forgive me for being a bit abrupt this morning.
00:08:22I'm sorry, I'm sorry about the ring.
00:08:25I should have told you sooner too.
00:08:28Sanem, you know you can tell me everything.
00:08:33Whatever it is, we'll figure it out together, okay?
00:08:36You can talk to me.
00:08:39Trust me.
00:08:40I know, but I don't want to talk about that right now.
00:08:43Okay.
00:08:44But don't be sad.
00:08:45If you're sad, so am I.
00:08:47Okay.
00:08:47Okay?
00:08:48Do you promise me?
00:08:50Yeah.
00:08:51I just want you to be happy.
00:08:52I am happy if you are happy.
00:08:54Me too.
00:08:56And one more thing.
00:08:58This thing about...
00:08:59Seeing each other in secret is starting to get tiring.
00:09:02I know you're worried that the people in the office will find out,
00:09:05But we could tell your parents.
00:09:07Yes, of course, I'll tell him, but I still want to wait a little while.
00:09:11So what are you waiting for?
00:09:12That means you're not going to tell him.
00:09:14Your mother is delighted with me.
00:09:16In fact, she adores me, so don't worry, I'll tell her.
00:09:19Are you going to tell him?
00:09:20Yes, I'll tell him.
00:09:22I'll go talk to her and tell her,
00:09:24Sanem and I are in love.
00:09:26We are madly in love, crazy in love.
00:09:28That's what I'll tell him.
00:09:29I'll tell him everything I feel.
00:09:31Maybe I should write myself a speech.
00:09:33Yes, I will.
00:09:34I'll think of something.
00:09:35Where you can't do that.
00:09:36Don't even think about it.
00:09:37Please, you can't tell my mother.
00:09:39Jan, stop it now.
00:09:42Stop acting foolish.
00:09:43Don't worry.
00:09:44But not yet.
00:09:45Please don't take it.
00:09:46No, please, I'll replace it for you.
00:09:50Who is it?
00:09:51It's me, darling.
00:09:56What are you doing here?
00:09:58I was going to bring you food.
00:10:00Who's in the store?
00:10:01Rami is watching her.
00:10:03I wanted to come home to see you and have lunch with you.
00:10:08Mepkibé, what are you doing?
00:10:10Are you making meatballs with those beautiful hands?
00:10:14What makes them turn out so good?
00:10:16Today is special.
00:10:18Is it special?
00:10:20For us, it always is.
00:10:22But today is more special.
00:10:25Even more so.
00:10:27Why would we lick our fingers after eating such delicious meatballs?
00:10:31Well, I'll wash my hands and come back.
00:10:39Good heavens, he's forgotten.
00:10:42She doesn't remember, oh my god.
00:10:44He doesn't remember.
00:10:47I am so disappointed.
00:10:50Uh-huh.
00:10:51Jan.
00:10:52Tell me.
00:10:52You can't do it.
00:10:53For.
00:10:54Of course it was out.
00:10:55One moment.
00:10:55Just look at me and you'll see how I do it.
00:10:56Jan, please.
00:10:58Jan, please don't do it.
00:11:00You can't talk to my parents.
00:11:02I can do it and I will.
00:11:03I'm going to talk to them.
00:11:05Observe and learn.
00:11:05No, wait.
00:11:06I'll tell him when the time comes.
00:11:08If anyone has to talk to them, it's me.
00:11:10This relationship is between the two of us, so it doesn't matter who tells you we're together.
00:11:13But you can't tell him like that.
00:11:14They're suddenly going to have a heart attack.
00:11:16Come on, don't worry.
00:11:17I'm not going to tell him just like that.
00:11:19I'll take it one step at a time.
00:11:20I'm not going to make a formal declaration.
00:11:21No, please.
00:11:22First we need to define a strategy.
00:11:24No, no, no strategy at all.
00:11:26Oh, look, I rang the doorbell.
00:11:28What have you done to him?
00:11:29Ring the doorbell.
00:11:32Sanem, what are you doing?
00:11:33The neighbors are watching you.
00:11:34Please don't make a scene.
00:11:36Okay, then we go in, have some tea, and then we leave.
00:11:43There it is.
00:11:44Hello, Mr. Yan.
00:11:45Please don't call me, sir.
00:11:48I've come to talk about something very important.
00:11:50Is Nihat at home?
00:11:52Yes, yes.
00:11:53Go ahead, Yan.
00:11:54Happens.
00:11:54Come on in.
00:11:55Don't worry, I'll take care of it.
00:11:56I'll take you, okay?
00:11:57You take care of everything.
00:11:59Why are you doing this to me?
00:12:01Something may have happened in the office.
00:12:02Don't know.
00:12:06Hello, Nihat.
00:12:07How are you?
00:12:08Ah, welcome, Yan.
00:12:09Welcome.
00:12:10I see you're cooking.
00:12:11Am I interrupting?
00:12:12No.
00:12:12This delicious food is for a very ungrateful person.
00:12:16Ungrateful?
00:12:16It looks really good.
00:12:18I love it.
00:12:19I wish I could serve them to you, but they're not ready yet.
00:12:22Ah, you'll see that once you try Mepkibé's meatballs, you'll never forget their flavor.
00:12:27But I have to wait, right?
00:12:28Well, look, then I'll wait.
00:12:30Yes, stay for dinner and try them.
00:12:32Of course, we'd be delighted.
00:12:33Of course.
00:12:34Well, I don't want to bother you any longer, although we've actually come because Sanem has something very important to tell you.
00:12:40Oh, really?
00:12:41Yes, although it might be better if we go out to the garden.
00:12:44Let's go outside and get some fresh air.
00:12:46Oxygen is good, fresh air is great.
00:12:49I'll leave it open.
00:12:49Yes, Nihat, please, and you stand here, Mepkibé.
00:12:53Mr. Jan.
00:12:53Here, please.
00:12:54Sit down, Mepkibé.
00:12:55I'm going to sit right here.
00:12:57Stop it now.
00:12:58Sanem, you can sit here next to me, if you want.
00:13:00Yes, of course, I'm sitting down now.
00:13:02Would you like me to bring you something for the baby?
00:13:04No, no, thank you very much.
00:13:05I'll be right back, Mr. Jan.
00:13:07No.
00:13:07Don't go.
00:13:10Tell us what you want to say.
00:13:12Well, I think it's best if I start talking.
00:13:14The other day, when they saw us together on the rocks and noticed I had a lipstick mark,
00:13:19On my cheek, well, you should know that a model didn't give me that mark.
00:13:24No no.
00:13:25No.
00:13:27Exact.
00:13:29It was actually my fault.
00:13:31Because I didn't understand it properly and I apologized.
00:13:36My daughter, what difference does it make to you?
00:13:37You can kiss whoever you want, it's none of your business.
00:13:39I don't mind.
00:13:40Well, out of curiosity, I want to ask you a question.
00:13:45Who kissed you?
00:13:46Sanem.
00:13:49Did Sanem kiss you?
00:13:50Yeah.
00:13:51No, but...
00:13:51Sanem?
00:13:52Sanem.
00:13:53What are you saying?
00:13:53Well, Sanem.
00:13:53Yeah.
00:13:54Did he kiss you?
00:13:54He kissed me.
00:13:55Sanem.
00:13:56What he says is true.
00:13:59You calmly tell me that my daughter kissed you, is that right?
00:14:03But you know what you're saying, you come to my house, to my garden, to tell me that.
00:14:08Lord, give me patience.
00:14:10What are you saying?
00:14:12I'll tell you another way.
00:14:14He couldn't resist and kissed me.
00:14:21He gave me a kiss and that was it.
00:14:25Couldn't he resist and kissed you?
00:14:27Yes, exactly.
00:14:29I couldn't resist.
00:14:30Yes, yes, he kissed me.
00:14:31It seems you have something more to tell us.
00:14:33Yeah.
00:14:35Sanem kissed me because there is...
00:14:40There's something else you need to know.
00:14:42We would like to tell you that we, Sanem and I...
00:14:47Jan.
00:14:49Please let me be the one to tell my parents.
00:14:53Okay.
00:14:58Well, Mr. Jan told me that from now on I was going to be a screenwriter in training.
00:15:03Yes, it made me so happy that I gave her a kiss.
00:15:05It's true, I kissed him, yes, I kissed him.
00:15:08I was so excited and it made me so happy that I gave her a little kiss on the cheek.
00:15:13That's the truth.
00:15:14That's how it was.
00:15:16Very good, you've really outdone yourself this time.
00:15:22I want you to know that I'm not the kind of man who dates models, goes to parties, and makes out with women.
00:15:29with anyone who happens to be around.
00:15:31I'm not like that at all, no.
00:15:33I don't want you to get the wrong idea about me now.
00:15:36This has nothing to do with you, my son.
00:15:39This is our daughter's fault.
00:15:40What a shame.
00:15:41Do you understand?
00:15:42It's true.
00:15:43Clear.
00:15:44What a shame.
00:15:46It's not your fault, we like you.
00:15:49Thank you.
00:15:52Oh dear, we're running late.
00:15:55We need to go back to the office.
00:15:57There's a lot of work to do, isn't there, Mr. Jan?
00:15:59You stay.
00:16:00You'll go later.
00:16:01But I have to go with him.
00:16:03Yes, it's better if you come with me.
00:16:05Jan, let him stay here.
00:16:06We're very busy and I need you to come with me to the office.
00:16:10Okay, Mepkibé.
00:16:12If Jan says he has to work, let him go.
00:16:15We'll talk later.
00:16:17We're leaving.
00:16:19It's just that since I became a screenwriter intern, I have a lot more work.
00:16:22Well, as I was saying before, Mr. Jan, we would have to put up a very big sign.
00:16:26Do you believe it?
00:16:27Your daughter is going to drive me crazy.
00:16:28He doesn't know how to behave.
00:16:30What a scandal!
00:16:31Although the blame...
00:16:33It's your fault, Nihat, for spoiling her.
00:16:35Oh my God, is it my fault now?
00:16:38Was it me who told me to kiss her?
00:16:40Besides, you're her mother, so you should talk to your daughter.
00:16:43I am her father, but you are her mother.
00:16:45Come on.
00:16:46Thankfully Jan is sensible and understands that our daughter is completely crazy.
00:16:50So now Jan is sensible.
00:16:52But you weren't the one who said he was a playboy.
00:16:54You didn't tell me we had to save our daughter from a man like that.
00:16:58It's amazing how quickly you forget things.
00:17:00It's true.
00:17:01But look who's talking about forgetfulness.
00:17:03Think about where we were 30 years ago.
00:17:05Let's see if you remember.
00:17:06What day is today?
00:17:07Did you know?
00:17:08I'm going to the kitchen to think about my destiny.
00:17:10Having to deal with an ungrateful husband and two immature daughters, I'm fed up!
00:17:14If it weren't for me, nobody would remember anything.
00:17:17That's enough, okay?
00:17:19I'm fed up with all of you.
00:17:21I'm fed up!
00:17:21My ungrateful husband?
00:17:23And two crazy daughters.
00:17:25What a scene!
00:17:26So now you call me ungrateful, what have I forgotten?
00:17:32I'm not getting on.
00:17:34Please come up.
00:17:35No, I'm going by bus.
00:17:37If you don't get in the car in five seconds, I'm going to talk to Miss Melahat and tell her we're...
00:17:41lovers.
00:17:42If your mother finds out through her, it's your decision.
00:17:45You wouldn't be able to.
00:17:46Look at me.
00:17:47Miss Melahat.
00:17:48See you later.
00:17:49Oh, hello already!
00:17:50How are you?
00:17:51Good morning.
00:17:52What are you doing?
00:17:53I have come to speak with you.
00:17:54I know she's very talkative.
00:17:55Does it have bus stops?
00:17:56Of course I have one.
00:17:57Meat?
00:17:58Whatever you want, darling.
00:17:59Come on in.
00:18:00Okay, perfect.
00:18:01We have to leave now.
00:18:02Don't go, don't leave.
00:18:03We need to take in the car.
00:18:04There is no grayness.
00:18:05Bring us from.
00:18:05Go.
00:18:06We'll stop by later.
00:18:07We are busy now.
00:18:08Oh really?
00:18:09Yeah.
00:18:09He always does the same thing.
00:18:10Call me later and tell me everything.
00:18:12Yes, I'll call you.
00:18:12Sure, sure.
00:18:13Okay, we'll talk next week.
00:18:15I'm getting in the car!
00:18:18This boy is so handsome.
00:18:30Why the long face?
00:18:32Don't tell me you're sulking now.
00:18:34Don't change the subject.
00:18:35How could you tell my parents that I kissed you?
00:18:37They don't know that we're both in love, but I suppose they must have some idea by now.
00:18:43But I promised you I would talk to them later.
00:18:46Well, everything's sorted.
00:18:48They scolded me like a child.
00:18:50I don't even want to imagine what I'm going to get tonight, honestly.
00:18:53They won't tell you anything.
00:18:55I'm going to have dinner with you.
00:18:57Dinner time?
00:18:58Yeah.
00:18:59Really?
00:19:00Really.
00:19:00Do you already know that you will become part of the family?
00:19:03And does it bother you?
00:19:04Besides, I want to try the...
00:19:06Meatballs.
00:19:08It's my parents' wedding anniversary, that's why I'm telling you.
00:19:11Well, thank goodness you told me.
00:19:12I'll buy your mother a bouquet of flowers.
00:19:16And then they say I'm the crazy one.
00:19:19I just can't believe it.
00:19:21You'd better come then, because my mother is going to find out we're together eventually.
00:19:24Don't worry, I'll be careful.
00:19:26If you have it, I have it too.
00:19:28Don't exaggerate, you'll see nothing will happen.
00:19:31I don't trust you one bit.
00:19:32No, but your mother is a really good cook.
00:19:37I've brought you some tea, my son.
00:19:41Take.
00:19:42Tell me, what do you want for dinner tonight?
00:19:45My darling.
00:19:46In the army they teach you to be humble, Mom.
00:19:48I don't choose anymore, I'll eat whatever you give me.
00:19:50It seems like you've been gone for months, but you haven't even been gone for three days.
00:19:53You haven't even had time to do basic training.
00:19:57You've been sent home because you're disabled.
00:19:59Invalid?
00:19:59Watch what you say.
00:20:00How can you call me an invalid?
00:20:02Our country has decided that I have the important task of serving as a civilian citizen.
00:20:06So, he's not disabled at all.
00:20:08Oh, my dear son.
00:20:09My handsome little boy.
00:20:10Mom, what are you doing?
00:20:11Don't do that to me, I'm not a child anymore.
00:20:13I have completed my military service.
00:20:15And that has made me a brave man, a lion, and a man with hair on his chest.
00:20:19Of course.
00:20:19I am a man who has completed military service.
00:20:21Oh.
00:20:22The commander has returned.
00:20:24Welcome, Commander.
00:20:25We've missed you so much here.
00:20:27Good morning, Isan.
00:20:28Rero, can you tell me what you're doing here?
00:20:31What have you lost?
00:20:32Here again?
00:20:34Again?
00:20:34Does he come here often?
00:20:36I see you've taken advantage of my absence to start loitering around the neighborhood again.
00:20:39Well, Isan, you should know that Musafer has already returned to the city.
00:20:42And I'm not going to take my eyes off you.
00:20:45Oh, son, do yourself a favor and comfort yourself.
00:20:47Isan has helped me manage our properties while you were away.
00:20:50So don't treat him this way.
00:20:52What, what, what, what, what, what?
00:20:54So this man, Isan the jackal, has dared to take my place, Mom.
00:20:58I go to the army for just three days and when I come back everything has changed.
00:21:03It's a...
00:21:03I wanted to talk to you about business.
00:21:06Can you come here for two minutes, please?
00:21:09But...
00:21:12Well, well, well, well, well.
00:21:14Well yes.
00:21:15Well, well, well, well.
00:21:17And what a shame.
00:21:18I go to the army for three days to defend my country, I come back and find this disaster.
00:21:23And Isan has taken my job, oh my god, what a shame.
00:21:26And he's not only interested in your work, but...
00:21:31That?
00:21:32I've started coughing.
00:21:34Have you started coughing?
00:21:35Has my coach started coughing?
00:21:36Find a solution for me.
00:21:38A project, a plan, whatever.
00:21:41I have an idea.
00:21:43Mosa, listen to me.
00:21:44When you left...
00:21:48I'll go in first so they don't suspect anything.
00:21:51Sanem, bring me tea or something, anything, to my office.
00:21:55All you have to do is come to my office.
00:21:58Okay, then get ready and I'll be there in five minutes.
00:22:00Don't be late.
00:22:01No, no, and no.
00:22:04When I say no, I mean no.
00:22:06What we need is romance.
00:22:10What we need is action and adventure.
00:22:12No, I told you no.
00:22:14No and no.
00:22:14Would you please calm down?
00:22:16Everyone is watching you.
00:22:19We need romance, period.
00:22:21Honey, the romance is dead.
00:22:23Your idea of romance is the same as our grandmothers' and it's outdated.
00:22:27The best thing is for us to opt for action.
00:22:29What's going on here?
00:22:30We're talking about the new campaign for Omdo, but I'd like to know who's responsible.
00:22:34Eileen is in charge of the project, or I am.
00:22:36I think so.
00:22:38I am responsible.
00:22:41Jan, I want to do a campaign full of adventures.
00:22:43Young people love action.
00:22:45Young people like romance, and please don't talk about romance, my dear Eileen.
00:22:48The word loses its meaning when you pronounce it.
00:22:51I don't care about romanticism.
00:22:53All I want is to do my job.
00:22:55And Jan, I know what the customers want.
00:22:57Should we ask the customer?
00:22:58That's not a question, Yeyeye.
00:23:00We'll meet in half an hour.
00:23:03Get ready because I'm going to leave you at the level of the concrete.
00:23:05Wow, a little action.
00:23:07I love it.
00:23:09Dear ones, where are you going?
00:23:10You're coming with me, is that clear?
00:23:12Yes, of course I'm going with you, Deren.
00:23:14Of course.
00:23:16Everyone go back to work.
00:23:18Let's wake up.
00:23:19Get to work!
00:23:22What's going on here?
00:23:23Well, nothing, the same old thing.
00:23:24The company Ovido is going to present a new car and they want us to make an advertisement.
00:23:27It is aimed at a young audience.
00:23:28So we need to see which is the best approach, action or romance.
00:23:31Without a doubt, Romance.
00:23:33Don't get so excited, Sanem, no.
00:23:35Don't you see that the company is divided?
00:23:36Deren is in one corner and Aileen is in the other.
00:23:39You need to calm down a little.
00:23:41Come on, let's have a drink, a tea or a coffee.
00:23:44And in the meantime, take the opportunity to tell me about Aijan.
00:23:46No, I'm not going to talk about Aijan, and don't mention her to me.
00:23:48So then we're talking about Aijan.
00:23:49No, Sanem, I'm already nervous enough, please.
00:23:53Mepkive, I'm leaving.
00:23:55Don't overthink the kiss, don't make a big deal out of it.
00:23:58I can't, Mijat.
00:23:59I want to forget it, but I can't.
00:24:00What are those kisses about?
00:24:02Already.
00:24:02I know I have to think about something else, but I just can't concentrate.
00:24:08What do you have to think about?
00:24:09Stop asking me questions, that's enough.
00:24:11I need to see my daughter's face and look into her eyes to see what she's feeling.
00:24:18Melajat?
00:24:18Yeah.
00:24:19You have a phone ready, right? For a video call.
00:24:21You're the only one who doesn't have a smartphone.
00:24:24Enough, Melachat. Look, enough already.
00:24:27Mepkive, please.
00:24:28Okay, you always have something to say.
00:24:30Yeah.
00:24:31Give it to me.
00:24:32Take.
00:24:35Hey, Melajat. Ask Rami for tea. Let's have some tea. I have a lot to tell you.
00:24:42Really? Any news?
00:24:45Yes, and very interesting.
00:24:46Give me a minute, I'll be right back.
00:24:48Mepkive.
00:24:51This phone is so complicated.
00:24:54For example, Jan likes roast meat and he really likes tea.
00:25:00Shut up. Don't tell me those things.
00:25:02Don't get angry. Jan likes roast meat.
00:25:08Why is Melajat video calling me?
00:25:10It'll be my mother, who's dying to ask me a thousand questions.
00:25:15So I'm leaving, because I'm sure he'll mess with my clothes and I couldn't stand it.
00:25:19Didn't you understand it?
00:25:19Okay, okay, we'll talk later.
00:25:23Hi, Mom.
00:25:24We need to talk.
00:25:25But what have I done now?
00:25:27I've tried to hold back, but I can't anymore.
00:25:30Why did you kiss Jan on the cheek? You've lost your mind.
00:25:33Well, it was a very happy moment and then I became very happy.
00:25:37And why didn't you come and give your father a hug and a kiss?
00:25:40That.
00:25:41Or you could have kissed your mother, don't you think?
00:25:43Yes, you're right.
00:25:45My daughter, look, I don't like having to talk to you like this, but this can't be.
00:25:50I tell everyone you're smart and intelligent and you do this, huh?
00:25:53For Jan, it's an awkward situation.
00:25:55Okay, I won't do it again.
00:25:57Never again.
00:25:59I've already told you I won't do it again, okay?
00:26:03I'm coming.
00:26:04I have a daring.
00:26:05Don't call me at work anymore.
00:26:07A kiss.
00:26:09Well, well, you're always complaining that I talk too much, but I see you're not far behind.
00:26:14That's not true.
00:26:15I speak when I have to speak.
00:26:16No more, no less.
00:26:18You should already know that.
00:26:19I'm very proud of you.
00:26:20And if you also remembered everything, that would be perfect.
00:26:23What are you saying?
00:26:26Don't you want to have some tea?
00:26:27I can't, I have to go back to the store.
00:26:29Okay, okay, well, tell me, tell me, tell me.
00:26:33Oh, but how handsome my son is!
00:26:35My love, my life, my child, my lion, my tiger, my brave son.
00:26:41No, don't think that's going to soften me up.
00:26:44You've been working with Isana behind my back.
00:26:47It's unbelievable that you let yourself be deceived.
00:26:49He's a charlatan, a liar, and a con artist.
00:26:52Do you really think they call him a jackal because he's nice?
00:26:54What was I saying?
00:26:56Okay, you just described it in great detail,
00:27:00although you had to make a metaphor comparing Isana to a jackal,
00:27:03But it doesn't matter.
00:27:04Ah, I'm very angry.
00:27:06I swear I'll teach that jackal a lesson.
00:27:08Son, you weren't there and I felt very alone,
00:27:10So I asked him for help.
00:27:11And please don't call him a jackal.
00:27:13Oh my God.
00:27:14If I take any longer, he'll become my stepfather.
00:27:17Shh.
00:27:18Son, don't talk nonsense.
00:27:20Okay, I admit I may have gone too far.
00:27:21I shouldn't have said that.
00:27:23Look, let's change the subject, okay?
00:27:24Because right now the only thing that relaxes me is my wedding with Salem.
00:27:28What are you saying?
00:27:29Enough!
00:27:30Don't give me any trouble.
00:27:33Tonight I will go to her house and ask her to marry me.
00:27:36Period.
00:27:39OK.
00:27:40Ayhan, let's go.
00:27:42Goodbye, Aysun.
00:27:50Here is the financial report of IRT Holding.
00:27:53Thank you.
00:27:54And I hadn't even asked you yet.
00:27:55Perfect.
00:27:57Thank you.
00:27:58And I also bring you the report from the Ovid Focus Group.
00:28:01If you don't want anything else, I'd like to leave.
00:28:03Lela, please sit down.
00:28:06Come on.
00:28:08Come on.
00:28:09Come on.
00:28:10Come on.
00:28:11Come on.
00:28:13Come on.
00:28:17I've noticed you've been acting strange since that day we had dinner.
00:28:21No, not at all.
00:28:22I simply do my job.
00:28:26Lela, I've known you for a long time.
00:28:29Look, you're the person I trust the most.
00:28:32I like working with you.
00:28:35I'll tell you things that not even my family knows.
00:28:37I know it's a very difficult situation for you and I understand.
00:28:41But we have to get used to it.
00:28:46I understand now.
00:28:47But I'm not used to working this way.
00:28:50I don't want to cross any lines.
00:28:52I find it difficult.
00:28:54Listen.
00:28:55You are a very intelligent woman.
00:28:57If you want to move up, you have to know everything.
00:29:01The whole business.
00:29:04OK?
00:29:05OK.
00:29:06Well.
00:29:08Yes, I'm calmer now.
00:29:10I've closed it more, okay?
00:29:14With your permission, I'll return to my work.
00:29:20Hey, Muse.
00:29:21We are close friends.
00:29:23Why don't you listen to me?
00:29:24You can't be with Sanem.
00:29:25You have nothing in common.
00:29:26How can you say those things to me?
00:29:28Because?
00:29:28If all I need is a makeover.
00:29:31I have to be more handsome than Yandibir.
00:29:33I have to have a perfect image.
00:29:34I will defeat you, Yandibir!
00:29:36Look, you're right.
00:29:37You need a makeover.
00:29:38That.
00:29:39Let's focus on your change and see if we can solve the problem you mentioned.
00:29:44That's what I hope.
00:29:45Come on.
00:29:47He's forgotten.
00:29:49Today is our anniversary.
00:29:51And no matter how many hints I drop, he doesn't get it.
00:29:55I don't even know why I came to the hairdresser.
00:29:57I'm sure he won't even notice.
00:29:59Don't worry, Yandibir.
00:30:01He always remembers your anniversary.
00:30:03It's been many years and you know him well.
00:30:05I don't know.
00:30:06Oh, look.
00:30:07I'm going to try something new.
00:30:09I'm going to take this part and turn it sideways like this.
00:30:12OK?
00:30:13And let's see what you think of this.
00:30:15I'm going to curl it all and then, to give it volume, I'm going to give it a good shake.
00:30:19You're going to look gorgeous.
00:30:21What do you say?
00:30:21But I already have curly hair, don't curl it anymore, woman.
00:30:25I like what you said about putting it on its side.
00:30:28Gather it up for me so I can see it on my face, and do something more artistic so I understand what it is.
00:30:32a special day.
00:30:33Okay.
00:30:33Let's see if that makes him realize that today is our anniversary.
00:30:36Okay.
00:30:37OK.
00:30:37You'll see how clear it becomes to him.
00:30:38Although if you prefer, I can go see him and tell him through my vagina.
00:30:42As if it were nothing.
00:30:43Today is a day...
00:30:44No, not at all.
00:30:45Don't even think about giving him a hint.
00:30:47If he remembers, great, and if not, we'll see.
00:30:52Look what happened to us, Melahat.
00:30:55We were the perfect couple, and look, you think our love has ended.
00:31:01Don't say that, woman.
00:31:02You'll see, everything will turn out alright.
00:31:04Ashley, come here, come.
00:31:06Hey Ashley, make my friend Mezquebé a really good coffee.
00:31:10Understood?
00:31:10Wait, I've changed my mind.
00:31:12It's better if it's chamomile, right?
00:31:13So put some water on to heat and make her some chamomile tea.
00:31:18I think it will suit you well.
00:31:20It will help you relax and relieve all that stress.
00:31:23You'll see.
00:31:23Do I need tranquilizers?
00:31:25Oh, we're done.
00:31:27Honestly, we've run out of love.
00:31:31I see you.
00:31:32Melahat.
00:31:32Don't cry and think for a while.
00:31:34Honey, you've known your husband for years.
00:31:37And you know he won't forget you.
00:31:39So stop crying.
00:31:40Turn around and you'll see.
00:31:41Uh-huh.
00:31:41I see you.
00:31:43I'm going to make you look gorgeous.
00:31:44You're going to leave the whole neighborhood speechless.
00:31:47You're not just going to surprise your nijat.
00:31:50You're right.
00:31:51I only have eyes for my husband.
00:31:53But make me look beautiful so the whole neighborhood will admire me.
00:31:56Make me beautiful.
00:32:11Mr. Jan, I'll bring you your tea.
00:32:13Ah, I don't see anyone else here.
00:32:15We didn't agree that there would be no Mr. Jan when we were alone together.
00:32:18Ah, Jan.
00:32:19Hello.
00:32:19I've brought the tea.
00:32:21I promised I would buy you candy.
00:32:22What do you want?
00:32:23How about having tea with you?
00:32:24Yes, sit down.
00:32:28Jan, I feel.
00:32:32I don't know what's wrong with me, I can't stop thinking about you, and I'm also unable to
00:32:37to be separated from me.
00:32:39Me neither.
00:32:40I can't stop thinking about you.
00:32:42If someone could hear my thoughts, they'd say I'm crazy.
00:32:46There's nobody here.
00:32:54What are you doing?
00:32:55What are you doing?
00:33:21What's wrong with him?
00:33:24What's wrong with him?
00:33:25He said you have a meeting and that they are waiting for you in the meeting room.
00:33:29Oh, really?
00:33:30Okay.
00:33:31See you later.
00:33:31See you later.
00:33:32See you.
00:33:34JJ, tell me what's wrong.
00:33:36And breathe a little, man, you're going to drown.
00:33:39Already.
00:33:40They leave.
00:33:43Can we talk?
00:33:44No, sir.
00:33:45I don't want to talk to you.
00:33:48Don't you want to talk to me?
00:33:55How beautiful she is!
00:34:08You don't have to talk to me.
00:34:11I don't want to talk to myself.
00:34:12I don't want to talk to myself.
00:34:14I want to talk to myself.
00:34:19What's wrong, Mekkibe? You seem a little different.
00:34:22Different? No way. I'm the same as always.
00:34:25No, no, you look more beautiful than usual today.
00:34:28You always look beautiful, but today even more so.
00:34:39Mekkibe
00:34:42Your hands smell like meatballs
00:34:45Oh really?
00:34:46My love, stay a moment, I'm going to head home
00:34:49Why? Wait a moment
00:34:52We're talking
00:34:53Why are you leaving? Everything used to be different.
00:34:56We loved to talk
00:34:57And today, nothing remains of those wonderful days.
00:35:01What has happened to us after so much time?
00:35:03Mekkibe, when I smelled your hands I got hungry
00:35:06I'll have a bite and come back.
00:35:08Sometimes I think my husband likes my meatballs better.
00:35:12Not his poor wife
00:35:13That's why I went to the hairdresser
00:35:17He doesn't remember
00:35:18She doesn't remember our anniversary
00:35:19But why?
00:35:21And my hands smell
00:35:23Meat
00:35:52Music
00:36:06Customers need to be able to establish a relationship with the car by ear.
00:36:10And young people identify more with action
00:36:12With adrenaline
00:36:13So there's no need to resort to romanticism
00:36:15Which is also something that's outdated
00:36:17Well, I think just the opposite.
00:36:20What young people are looking for most is love.
00:36:22They are those touches of tenderness in romance
00:36:24Our focus group should be young couples.
00:36:27What do you want to do?
00:36:28Make them build bridges and stuff like that?
00:36:30I'm really curious about your concept of adventure.
00:36:34That's enough.
00:36:35I've heard quite a bit
00:36:36Ultimately, the question is
00:36:38Are we looking for action or are we looking for romance?
00:36:42Let's vote
00:36:43Who votes for action?
00:36:45Bravo
00:36:45We have eight votes in favor
00:36:48Who votes for romance?
00:36:55Raise your hand
00:36:56What boats?
00:36:57That?
00:36:58Raise your hand
00:36:58I didn't find out.
00:36:59Romance or adventure, vote, run
00:37:01Seven votes for romance, Sanem
00:37:03Vote for romance
00:37:04Raise your hand
00:37:05Come on, run
00:37:08I vote for romance
00:37:10Well, that's it
00:37:12Well, we'll have romance and action.
00:37:14How are we going to combine the two?
00:37:15That's going to be impossible.
00:37:16A focus group was organized with six couples between 18 and 25 years old
00:37:20And divided into two groups
00:37:21Those who prefer romance and those who prefer action
00:37:23Understood?
00:37:24Okay, let's organize the focus group
00:37:26Where are we going to work?
00:37:30Luna Park
00:37:31The amusement park
00:37:32The meeting is over
00:37:33Luna Park?
00:37:35Luna Park
00:37:36Luna Park
00:37:37Luna Park?
00:37:38Luna Park?
00:37:38Luna Park?
00:37:38Luna Park?
00:37:38Luna Park?
00:37:39Luna Park?
00:37:39Luna Park?
00:37:39Luna Park?
00:37:39Yes, we'll go on the bumper cars
00:37:41Yes, yes, it's great!
00:37:42Guys, we're going to Luna Park
00:37:44Luna Park?
00:37:46Luna Park?
00:38:04Luna Park?
00:38:10Luna Park
00:38:15Oh no, my father's calling me
00:38:17Say hello to her for me.
00:38:18Okay
00:38:20Hi, Dad
00:38:21Sanem
00:38:21I want to write a poem to your mother
00:38:24But I can't think of anything at all.
00:38:25What can I do?
00:38:26What's the matter?
00:38:27So, you said you want to write a poem?
00:38:29Yes, exactly.
00:38:30I'm feeling sensitive
00:38:31I want to write a poem
00:38:32But I've always been terrible at it.
00:38:34I once recited a poem at school
00:38:36And the other children threw tomatoes at me.
00:38:38Do you understand?
00:38:39Don't think it's easy.
00:38:41But if
00:38:41I have also experienced similar situations.
00:38:43No, no, I'm sure
00:38:45That what happened to me was much worse
00:38:47Sanem, you are a writer
00:38:48Help me
00:38:49Your script won the contest
00:38:50They even filmed an advertisement
00:38:52Or have you already forgotten?
00:38:53Besides, you have talent
00:38:55And you can't stop writing
00:38:56No, no, it can't be compared
00:38:57Okay, Dad
00:38:58Okay
00:38:59And what do you want to do?
00:39:00Well, I want you to help me.
00:39:01Because I can't think of anything.
00:39:03Your mother has prepared a lot of dishes
00:39:05And I can't even write three lines
00:39:07I'm extremely overwhelmed
00:39:08Dad, I trust you
00:39:09I'm sure you'll get it.
00:39:10Yeah I know
00:39:11And couldn't you write me something?
00:39:13Dad
00:39:14I am a poet
00:39:15And I only write my poems
00:39:16You have to be the one to write it.
00:39:18That's precisely the beauty of it.
00:39:20Mom has always said
00:39:21That he has been waiting for years.
00:39:22Write her a poem
00:39:23You need to let your feelings out.
00:39:25Those are your feelings, Dad.
00:39:26You can do it
00:39:27You just have to trust yourself
00:39:30You're not going to write it to me, are you?
00:39:32I'm sorry, but I can't
00:39:33Look, it has to be something very special
00:39:35Sit down and put on some music you like.
00:39:37And try to concentrate
00:39:39Yes, okay.
00:39:39I'll listen to you.
00:39:41Understood?
00:39:42Understood
00:39:43Present your ideas to me
00:39:46Well
00:39:46Let's identify the romantic elements
00:39:49From the amusement park
00:39:50At the amusement park
00:39:51We have cotton candy
00:39:53The carousel
00:39:54Roller coasters
00:39:55Fireworks
00:39:56The Ferris Wheel
00:39:57And there's also the boxing machine
00:39:58Yes, couples approach the machine.
00:40:00The girls hit the sack
00:40:01Without success
00:40:02Then he hits the boy
00:40:04But he also gives it to her gently.
00:40:05So that he wins
00:40:05She is all very beautiful.
00:40:06And very romantic
00:40:08I've never been
00:40:10To an amusement park
00:40:11So just know
00:40:12What I've seen in the movies
00:40:14Haven't you been to any?
00:40:16Don't worry
00:40:16We're going there right now.
00:40:18Okay
00:40:19Any other romantic ideas?
00:40:20I think we should invite
00:40:22To a famous singer
00:40:23It would help us
00:40:24I like
00:40:25With what money?
00:40:26If we don't have a budget
00:40:27It's true
00:40:28Write down whatever comes to mind.
00:40:29And we reviewed it.
00:40:30OK?
00:40:31I'm now a screenwriter in training.
00:40:33But nobody has asked me.
00:40:34Let him write nothing.
00:40:36I have an idea
00:40:37For the general concept
00:40:38We see six couples
00:40:39They go together
00:40:40To the amusement park
00:40:41And they spend the most romantic day.
00:40:42Of his life
00:40:43And they return to their cars.
00:40:44To run back home
00:40:45This would only
00:40:46The general idea
00:40:47And by the way
00:40:49I want the screenwriters
00:40:51Get started with the story
00:40:52As soon as possible
00:40:52Sanem
00:40:53Start writing too
00:40:54Then I'll choose the best script.
00:40:55There is no female writer
00:40:57More romantic than me
00:40:59Bravo
00:40:59I agree
00:41:00And don't teach him anything
00:41:02Aileen
00:41:03Nor his team
00:41:03Under no circumstances
00:41:04I don't want them to steal our ideas.
00:41:06Is that clear?
00:41:09That?
00:41:10You spend all day with her
00:41:11You're always glued to her.
00:41:13Exaggerated
00:41:16More romantic than me
00:41:17There is no female writer
00:41:19There is no female writer
00:41:24There is no female writer
00:41:32There is no female writer
00:41:36There is no female writer
00:41:45What's happening?
00:41:47Jan, we need to talk about Aileen
00:41:49Oh really?
00:41:50Tell me
00:41:53Aileen has to leave
00:41:54From this office
00:41:54You don't know her
00:41:56And you don't know what he's capable of.
00:41:57We suffered it
00:41:58When you weren't here yet
00:41:59It's bad.
00:42:02Have you seen the way he's looking at us?
00:42:03Have you seen it?
00:42:08And what do you want me to do?
00:42:09The company has hired her
00:42:10As an advisor
00:42:11I only ask you
00:42:12Be careful.
00:42:13Open your eyes
00:42:14If you look closely
00:42:15Their gazes
00:42:16His attitude
00:42:17And their behavior
00:42:18You'll see what I mean.
00:42:19When I say it's bad
00:42:20Will you keep watch?
00:42:21I will
00:42:22But calm down
00:42:22Okay
00:42:24Would you like a coffee?
00:42:25No, but thank you
00:42:26You're not going to get away that easily
00:42:28To endure it
00:42:30I need something stronger.
00:42:31You owe me a drink.
00:42:32Let's organize something
00:42:34Okay, perfect.
00:42:36And it had better be soon.
00:42:38Because I'll keep reminding you.
00:42:39OK
00:42:40See you later
00:42:41Okay, see you.
00:42:46Mr. Harun will come shortly.
00:42:47Oh really?
00:42:48Please say hello to Mr. Harun for me.
00:42:50When...
00:42:51But what is all this?
00:42:52When I go to the hairdresser
00:42:54They wash me, cut my hair, and style my hair.
00:42:55And in 15 minutes I'm out on the street
00:42:57I don't understand
00:42:58Let's see
00:42:58Don't you want to change your image?
00:43:00And you talk about this hair salon like that?
00:43:02Look
00:43:03It's not a normal hair salon.
00:43:04It is a hair care center
00:43:07You need to know these places
00:43:09Otherwise
00:43:10You won't win that race.
00:43:12What have you set up all by yourself?
00:43:13Against Yandivir
00:43:14You're right
00:43:15I place myself in your hands
00:43:16I trust you completely
00:43:17Not in my hands
00:43:18You're going to put yourself in their hands
00:43:19From Mr. Harun
00:43:20Look, there he comes.
00:43:21Ah
00:43:21Welcome
00:43:22Mr. Harun
00:43:36How are you?
00:43:38Well
00:43:39I think all of this can be improved considerably.
00:43:44Oh, come on, let's go
00:43:46Further
00:43:48Further
00:44:15Subscribe to the channel!
00:44:19Great!
00:44:49Write it down!
00:44:49But what is it that you don't like?
00:44:51If there was something I liked, I would tell you, work on this, but I've told you to rewrite everything.
00:44:57Ah, Deren, I don't think you read it properly.
00:44:59I'm about to scream. Do you want me to scream, Anem?
00:45:03I'm going to cry.
00:45:04Well, don't cry.
00:45:05Whatever you want.
00:45:15Meki, go!
00:45:16That?
00:45:17Did you leave them speechless?
00:45:19Okay, woman, be quiet.
00:45:21I think my daughter has a surprise for me.
00:45:25I'm going to go in quietly to see if I can find out anything, okay?
00:45:28Shh!
00:45:29Let me know how it goes.
00:45:31Okay, yes, yes.
00:46:10Take it with you.
00:46:11Okay, fine.
00:46:13Have.
00:46:14Hello how are you?
00:46:15Very good.
00:46:16I wanted to ask you a small favor.
00:46:19I wrote this script for the amusement park advertisement.
00:46:21Let's see.
00:46:22Thank you.
00:46:28Oh.
00:46:28It's funny.
00:46:29Do you think so?
00:46:31AND...
00:46:33And is it yours?
00:46:34Yeah.
00:46:34It's terrible.
00:46:35But really bad.
00:46:37Bad, bad, bad.
00:46:39What does this have to do with romanticism?
00:46:41Are you trying to scare the focus group?
00:46:44I see that you don't quite understand my ideas.
00:46:47Break it.
00:46:49Or burn it, it doesn't matter.
00:46:50Try again.
00:46:54If you want ideas, I'll give you ideas.
00:46:57OK.
00:46:59Thank you, thank you.
00:47:18What does this have to do with the mini hat?
00:47:25My dear!
00:47:27You never think about Minijat
00:47:29You only know how to think with your stomach.
00:47:32You've forgotten
00:47:34TRUE?
00:47:36Oh my God, what have I done to deserve this?
00:47:40I wish I could erase this day
00:47:42That it disappeared
00:47:47Mepkibé, how could I forget?
00:47:50It's impossible.
00:47:5130 years ago
00:47:53That we became one
00:47:55That you and I seal our love forever
00:48:00How could I forget?
00:48:03But you're always following me around and you don't let me do anything.
00:48:06I also have my plans and preparations to surprise you.
00:48:09But if I have you stuck to my back, there's no way I can do anything.
00:48:12I thought you had forgotten, and that's why I was so sad, please forgive me
00:48:17Oh, my love, how could I forget it, huh?
00:48:20Do you really think I can forget that we've been together for 30 years?
00:48:24I always do the same thing
00:48:26Right?
00:48:42Tell me, why did you call me?
00:48:44Oh, wow
00:48:46If you're in a bad mood
00:48:50Are you throwing all the untalented screenwriters down the stairs?
00:48:53Of course not
00:48:54What are you thinking about?
00:48:56I don't think you want to know what I'm thinking.
00:48:59Better not
00:49:00Although I'm more interested in knowing what you have in that pretty little head of yours.
00:49:04Why do we have to see each other in secret?
00:49:06Why don't you tell me how you feel?
00:49:08But honestly, okay?
00:49:10Thus, openly
00:49:11Of course
00:49:13I'll do it when the time comes.
00:49:14You always say the same thing
00:49:17Okay?
00:49:19Whatever you want
00:49:20I just want this to be resolved as soon as possible.
00:49:23And believe me
00:49:24I love you very much
00:49:26But work is work
00:49:27And that script you wrote was terrible.
00:49:29Well, I think my script was very good.
00:49:32But he's right.
00:49:33Love is one thing and work is another
00:49:35It's good that you defend your work
00:49:37I wanted to give you a couple of tips
00:49:39Do you want to hear them?
00:49:40Yeah
00:49:40Okay
00:49:42Be yourself
00:49:43Good
00:49:44Relax
00:49:44Okay
00:49:45Write from the heart
00:49:46You'll see the difference
00:49:48You're the one who confuses me
00:49:50How am I going to be able to organize my thoughts?
00:49:51I'm leaving before they see us.
00:49:53Won't you give me a goodbye kiss?
00:49:55Come on, a little kiss
00:50:06Oops, on the cheek
00:50:07Okay, okay, that works for me.
00:50:09Okay
00:50:11I hope you haven't left a mark on me now.
00:50:15The thing is...
00:50:16I don't want you to get into trouble.
00:50:27I don't want you to get into trouble.
00:50:27I don't want you to get into trouble.
00:50:32I don't want you to get into trouble.
00:50:38I don't want you to get into trouble.
00:50:42I don't want you to get into trouble.
00:50:42I don't want you to get into trouble.
00:50:44I don't want you to get into trouble.
00:50:44I don't want you to get into trouble.
00:50:44I don't want you to get into trouble.
00:50:46I don't want you to get into trouble.
00:50:46I don't want you to get into trouble.
00:50:47I don't want you to get into trouble.
00:50:48I don't want you to get into trouble.
00:50:54I don't want you to get into trouble.
00:51:25Thanks for watching the video.
00:51:54Thanks for watching the video.
00:51:56Thanks for watching the video.
00:52:26I'm so sorry. Can I ask you a small favor?
00:52:29Just a tiny little favor. Give me an idea.
00:52:34Just a little idea.
00:52:36Why are you stepping away?
00:52:37No way! I'm not moving. Sorry, I'm just really busy. I'm also working on the script for the park.
00:52:43attractions.
00:52:45But I helped you with Galina. You were desperate for ideas, and when you came to me, I helped you without hesitation. Thank you.
00:52:53It worked for me, huh? The campaign came about because you used my idea.
00:52:57And now I need help. Help me, don't you understand?
00:53:02I'm sorry.
00:53:04Am I sorry? Oh, I'm going to go crazy. Oh my God.
00:53:08Well, now you're on my blacklist. Do you understand? If you come asking me for any ideas that day, you'll be sorry. Is that it?
00:53:20clear?
00:53:22He won't forgive you.
00:53:30Great job, guys. Keep it up.
00:54:00JJ, what do you think? Do you want to use this for the ad?
00:54:04Alright?
00:54:04Hey, don't pressure me. If you all talk at once, I can't understand anything. I only hear JJ. And the
00:54:09My phone won't stop ringing. Come on, get out, get out, get out.
00:54:12Tell me, Ayhan.
00:54:12How are you, JJ?
00:54:13What? How am I? Well, everyone's after me. Ugh, I'm so fed up. Everyone's asking me questions.
00:54:18As if I were the CEO of the agency. I can't take it anymore. This is chaos.
00:54:22I'm going to have a panic attack. I'm going to have a fit. You see. I'm not well. I'm not...
00:54:27not good.
00:54:28I see that. I can see you're stressed. Uh, I was calling about the coaching. It's been a long time since we've had one.
00:54:34session and it seems you urgently need one. May I come by?
00:54:37Look, Ayhan, but on top of everything else, you want to meet up this afternoon. We have the shoot at the amusement park tomorrow. And I
00:54:42I'm responsible for everything. Someone has an idea and... Okay, it's my turn to run.
00:54:47to organize everything. Anyway, I don't even know what I'm saying.
00:54:50In short, I can't meet up with you. Well, when all this is over, yes, but... I don't know. It seems like
00:54:55This damn campaign will never end.
00:54:58Hey, I don't understand anything.
00:54:59Of course you don't understand anything. Neither do I. I don't even understand myself. So
00:55:03It's impossible for you to understand it.
00:55:04Yes, but JJ, I need your help... with marketing. I'm having a lot of problems with the website and I
00:55:12You promised you would help me.
00:55:14Yes, Ayhan, I remember now. It's true, I promised you. Let me check my planner. Yes, I wanted that there.
00:55:20See... Alarm clock, shower, breakfast, office, tea.
00:55:25Oh, look, I have an hour free this afternoon. I'll come see you after work.
00:55:30Perfect, see you this afternoon.
00:55:32JJ, JJ, where is what you took to the archive?
00:55:36What's wrong? You can't find them, they're in the archive. Where else would they be? There's no need to
00:55:41Ask me everything.
00:55:41Go on, leave me alone!
00:55:47So, how's it going?
00:55:48Take.
00:55:48I hope this one is better than the other one.
00:55:50Yes, of course. I think it's better this time.
00:55:57No, no. Well, it's not any better. Rest. You're not feeling romantic, okay? Don't force it. It's not working.
00:56:05Is it wrong?
00:56:06Fatal.
00:56:12What's wrong? What's wrong?
00:56:14Now I understand.
00:56:15What do you mean?
00:56:16I understand. I understand what you're doing.
00:56:21You're doing it so no one thinks you're favoring me. Now I understand everything.
00:56:27You're so funny. You're really funny. And a really good actor, I'm telling you.
00:56:37Why would it benefit you?
00:56:39Because?
00:56:40If I like it, I'll tell you.
00:56:42You're super nice.
00:56:44Your script is bad.
00:56:45Okay.
00:56:46And it surprises me, because I don't see your romantic side.
00:56:50Don't you see it?
00:56:52I'm dying of laughter.
00:56:52You're not doing it right, Sanem.
00:56:54I'm dying of laughter.
00:56:56Let's see if you understand it this way. Look, do you see it? Well, take a look.
00:57:00It's gone now. Have you seen it?
00:57:02And I'm going to give it to you very slowly.
00:57:04This is how we work here.
00:57:05You have to be a good screenwriter, or you'll see your work end up in the trash.
00:57:12I can be very romantic.
00:57:14More romantic than anyone.
00:57:16Of course I can write romantic things, but you don't understand.
00:57:19My first script was excellent. The problem is, you didn't like it and you threw it away.
00:57:23Okay.
00:57:23Okay?
00:57:24Yes. See you later.
00:57:31As?
00:57:32Well, see you later.
00:57:37But, but we just had an argument.
00:57:40Yes, but it's a work-related issue.
00:57:43Besides, you look beautiful when you're angry.
00:57:48Well, I'm still angry.
00:57:50What do you mean it's a work-related issue?
00:57:52What is the topic of work?
00:57:52No.
00:57:52Thank you.
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