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00:18¡Suscríbete al canal!
00:30¿Qué es el proyecto?
00:32El irrigation ditch.
00:34We've got water on the other side.
00:35We aim to bring it down into the valley.
00:38Bless you, Sergeant.
00:39Sir.
00:44You'd be using that defile.
00:48First charge at the top.
00:49Second near the bottom.
00:50Should do it.
00:51Yes, sir.
00:52Just about a minute in between.
00:54You a demolition man?
00:55Hardly.
00:56Excuse me, sir.
00:57But would you be, by any chance, Major Jonathan Elliott?
01:01I am.
01:03Could I...
01:04Would it be okay if we shook hands, sir?
01:08I'm mighty proud to know you.
01:13Excuse me, sir.
01:27Morning, ladies.
01:28Sorry I got to stop.
01:39Don't be blown to bits.
01:41Hold it, Major.
01:42Stop.
01:46He'll never make it.
01:48I'm betting he will.
01:50Hang on, Audra.
01:52Hang on.
02:11I can't hold him, Audra.
02:14Jump!
02:22Are you all right, Audra?
02:24Yes.
02:38It's my leg.
02:38I can't make it.
02:39Run.
02:40Run, Audra.
02:41I can't make it.
03:02You're right, Audra.
03:40¡Gracias!
03:57¡Gracias!
04:06Nick, I think that's the best looking woman I've seen you with in a long time.
04:12Mother's house has fixed up the guest bedroom.
04:14Thank you.
04:14Ah, but first madame is going to try the latest thing in Barclay buggies, right this way.
04:19Guaranteed to stop and turn better than any cutting horse.
04:22And I have some new magazines for you to read.
04:24Oh, thank you.
04:28Well, you all keep this up, I may decide never to get well.
04:31If I know you, you'll be tearing up and down those stairs under your own steam within two weeks.
04:36Well, I certainly hope so.
04:37I know I'm very grateful to Major Elliot.
04:40Oh, I hope someone thought of inviting him for dinner.
04:43I did. As a matter of fact, he should be here any minute.
04:46Good.
04:46He's a very courageous man.
04:50Real legitimate war hero.
04:52And quite good looking, wouldn't you say, Nick?
04:55Is he? I didn't notice.
04:57I'll bet.
04:59Oh, that must be him now.
05:00Otter, your nose is shiny.
05:02Is it?
05:02No, no, on second thought, I think it's your eyes.
05:07Hello, Silas.
05:08Oh, come in, Major.
05:09Thank you.
05:10I hope I'm not late.
05:12No, sir, you're right on time and mighty welcome.
05:18Hello, Major.
05:18Jared.
05:19Howdy.
05:20Hello, Nick.
05:21Major.
05:21Good to see you again, Mrs. Barkley.
05:24Miss Audra.
05:25You both look just fine.
05:28Please, sit down.
05:29Thank you.
05:30Major, you have no idea how nice it is to see you.
05:33Only, how does one thank a man for doing what you did?
05:37By not mentioning it again, please.
05:39Seeing you, all of you, is ample payment.
05:42Well, it's nice seeing you again, Major.
05:43And if you'll excuse me, I have a few things to tend to.
05:45Of course.
05:46Audra, why don't you pour the Major cup of coffee?
05:50What's your assignment going to be here?
05:52Locating five acres of suitable land within the easy riding distance of Stockton for a supply depot.
05:57Preferably near water.
05:58That sounds like the North 40 to me.
06:00And it's not very far from the river.
06:02Well, that's fine.
06:03I'll make that my first stop.
06:05And why don't you make our home your headquarters while you're here?
06:07There's plenty of room for you and your orderly.
06:10Oh, I wouldn't want to impose.
06:12It's no imposition at all, believe me, Major.
06:14And I could be your guide, if you'd like.
06:17Well, in that case, I accept.
06:19With your permission, of course, Mrs. Barkley.
06:21Permission granted, Major.
06:33And just how long are we going to be around here anyway, Major?
06:38Oh, it's hard to tell.
06:44Listen, I've got an idea.
06:45You're not really needed here.
06:46Why don't you go up to San Francisco and stay at the palace and enjoy yourself for a few days?
06:52A treat's on me, of course.
06:54Well, thank you now.
06:55But I don't think I will.
06:57Why not?
06:58You've always liked the palace.
07:00Good service, fine liquor.
07:02Maybe even a girl or two you remember fondly.
07:06I'll be all right right here.
07:08And anyway, you just may be needing me, Major.
07:17Suit yourself.
07:19Where would we be going now?
07:22Not we.
07:23Me.
07:23I'm going to look at that land.
07:25Alone?
07:26I'll have a guide.
07:28A guide?
07:30It wouldn't be the girl now, would it, Major?
07:32We won't discuss it.
07:33Come off it, Elliot.
07:35Why do you think I want to stay around here?
07:36That'll do, Sergeant!
07:37Major?
07:39Here comes your guide, Major.
07:41Do you want to talk about it in front of her?
07:44McQuaid.
07:46You don't understand.
07:49Yes, sir, Major.
07:50I'll have the other horses saddled in a moment, sir.
07:53Very good, Sergeant.
07:57Very good.
08:02Good morning, Miss Audra.
08:18Interesting.
08:19A definite possibility.
08:25It would seem to be just what we need, Major.
08:27Let's not be hasty, Sergeant.
08:30How far are we from Stockton, Miss Audra?
08:32About 13 miles.
08:35Did we take a look around?
08:36Of course.
08:36You may water the horses, Sergeant.
08:38Yes, sir.
08:50What do you think?
08:53I have some view.
08:55Is it always like this?
08:57It's especially lovely this time of year.
08:59Where every prospect pleases.
09:02And only man is vile.
09:04A soldier who reads poetry.
09:07It has sustained me from time to time when everything else has failed.
09:11May we rest here for a moment?
09:15I've been reading Swinburne.
09:17Oh, yes.
09:18Are you familiar with his work?
09:19My favorite lines are from the garden of Prosserpine.
09:23Here where the world is quiet.
09:26No, another stanza.
09:29Which one?
09:33From too much love of living.
09:38From hope and fear set free.
09:41We thank with brief thanksgiving whatever gods may be.
09:45That no life lives forever.
09:49That dead men rise up never.
09:51But even the weariest river winds somewhere safe to see.
10:01Obviously, that's not your favorite stanza.
10:03No.
10:05It's too dark, too hopeless.
10:08And your world is full of hope.
10:11Full of bright and beautiful sunshine, isn't it?
10:14I like to think so.
10:26Does the Major have any further orders for me, sir?
10:30No, Sergeant.
10:31We'll be moving on now.
10:44Very funny.
10:46More beef, Sergeant.
10:48No, thank you, ma'am.
10:49It's the finest meal I've ever had, but I'm all full of hope.
10:52Well, you figure the land in the north pasture is what you're interested in, eh?
10:55Well, it's the best I've seen so far, but I'd like to scout around some more, if you don't mind.
10:59It'd be our pleasure, Major.
11:01My pleasure, really.
11:03I've never had a more charming guide.
11:05Sounds like a good job for you, Audra.
11:07Regimental guide.
11:10Oh, Ed Masters wants to know if he can come out and do an interview on you for our local
11:13newspaper.
11:14Only if I can't avoid it.
11:16That's one of the prices of fame, I'm afraid, Major.
11:18And a waste of time.
11:20I gave an interview several months ago in St. Louis.
11:23The reporter wanted to know all the gory details of old battles,
11:26while I wanted to talk about the things that concern me today.
11:31The interview was a fiasco, of course.
11:34What are the things that concern you, Major?
11:36This is not the time or place for an oration, Mrs. Barclay.
11:40I'm sure we'd all be interested.
11:45Well, briefly, then.
11:47Our cities have become cesspools of ice, and the corruption is spreading throughout the entire land.
11:53Well, now, do you really feel that way, Major?
11:56Yes.
11:56And it's one battle I'd be eager to fight.
11:59I told the Major he should run for public office.
12:02That'll do, sir.
12:04Oh, try our wine. It's from our own vineyards.
12:08Thank you.
12:10Begging the Major's pardon. No wine for you, sir.
12:15Surely just a half a glass, Sergeant.
12:17Oh, no, sir. The regimental surgeon gave me strict instructions.
12:21Alcohol for medicinal purposes only, and only in an emergency.
12:26McQuaid is my faithful watchdog.
12:28And he's right, of course.
12:31My old wounds sometimes prohibit my simple pleasures.
12:47Do you want to hang?
12:49Because I can erase it any time you like, Major, and you know it.
12:54So here are your orders, Major.
12:57Number one, you stay away from the Barclay girl.
12:59Don't dirty her name by mentioning it.
13:01Oh, you're a real little leprechaun, aren't you, my love?
13:03Order number two, you stay away from the booze.
13:07Even you should know better by this time.
13:09Get out.
13:10Ah, get out. Happens to be order number three.
13:13You stop your stalling, you finish your business, and you get out.
13:17Because if you don't, I may not be able to save your skin this time.
13:22Do you understand?
13:26So I'll say goodnight.
13:29And I'll be seeing you in the morning, Major.
13:40No, we'll be leaving them.
13:44No.
13:45No, no, no, no, no.
13:51No.
14:03Meg, Meg.
14:05Meg.
14:10El pueblo sabe.
14:14¿Cómo puedes hacerlo?
14:20No eres nada para mí.
14:23Nada.
14:25No eres de malas.
14:26No eres de malas.
14:28No eres de malas.
14:40No eres de malas.
15:11No eres de malas.
15:27I'm going to get you.
15:29I'm going to get me a gun and I'm going to get you.
15:31You're going to go sleep it off.
15:32Now get out of here Crowley and don't come back.
15:34I'll get you. I'm going to get me a gun and I'll be back.
15:47It's getting late and we're getting ready to close up.
15:50So if you don't mind sir.
15:53Major Elliot.
15:54We've met.
15:55Well not exactly but I was with the seventh at Dollar Creek.
15:59If you want a drink it's on the house Major.
16:02Well thank you but you buy yourself a drink
16:04and bring me a bottle please.
16:06Yes sir Major.
16:13Hello Major.
16:15They call me Cora around here.
16:19Good evening.
16:21And getting on towards morning
16:23I got me a room upstairs
16:25out across the alley.
16:28You'd like to do your drinking there?
16:30Well some other time perhaps
16:32if you don't mind.
16:33You just might be missing out on something real special.
16:37Fellas come from all around
16:39just for me.
16:41Do they?
16:42One fella came all the way from Arizona.
16:45Get away from me.
16:48You heard him Cora.
16:49Beat it.
16:56The best in the house.
16:57Pennsylvania rye whiskey.
16:59That'll be just fine.
17:09To the brave men of Dollar Creek.
17:11Yes sir.
17:16Excellent.
17:18My compliments.
17:20Oh my pleasure Major.
17:22And we'll be open as long as you care to stay.
17:24Thank you.
17:25Yes sir.
17:29Thank you.
17:30Thank you.
17:31Thank you.
18:01Thank you.
18:32Thank you.
18:34Thank you.
18:48Thank you.
18:52Thank you.
19:18¡Suscríbete al canal!
19:33¡Suscríbete al canal!
19:53¡Suscríbete al canal!
20:00¡Suscríbete al canal!
20:03¡Suscríbete al canal!
20:16¡Suscríbete al canal!
20:17¡Suscríbete al canal!
20:29¡Suscríbete al canal!
20:44¡Suscríbete al canal!
21:16¡Suscríbete al canal!
21:27¡Suscríbete al canal!
21:30¡Suscríbete al canal!
21:34¡Suscríbete al canal!
21:46¡Suscríbete al canal!
21:49¡Suscríbete al canal!
21:51¡Suscríbete al canal!
21:55¡Suscríbete al canal!
21:59Ahora que él está en San Francisco, lo hará todo el trabajo para mí.
22:03No hay que irme a la gente ahora.
22:05¿Vale?
22:06Bien.
22:07Bueno, yo creo que hay que estaré en mi camino, también.
22:11Mata, usted está en orden de tener un buen día.
22:14Bien.
22:15También, Mata.
22:16Gracias, estoy seguro.
22:26Me envío tu familia, mrs. Barclay.
22:29Mi padre murió cuando era un niño, y no tenía ni hermanos o hermanas.
22:34¿Y tu madre?
22:36Mi madre.
22:38Ella vive en México ahora.
22:41Yo creo que tenía una familia de esas cuando era un niño.
22:46Mi madre mantuvo un árbol sobre nuestras vidas en la construcción de la casa.
22:50Así que siempre había gente alrededor.
22:54Men de todo el mundo.
22:58Mi madre me dio una educación.
23:00Creo que no me gustó el tiempo.
23:03Sí, mi madre me dio bastante a la vida en la vida.
23:07¿Tienes fotos de ella?
23:11No, pero ella era hermosa.
23:14Ella era la hosta de la casa de la casa.
23:18Recuerda, la gente llamaba a la primera vez.
23:22Y así, cuando era muy pequeño.
23:24No, la gente pensaba que era muy divertido, y creo que era.
23:28¿Qué era su nombre?
23:32Mec.
23:43Bueno, hola, Fred.
23:44¡Mira, en!
23:45¡Casi, Jared!
23:48¿Qué te dio a vosotros?
23:50Te voy a ver a majo, Elliot.
23:51¿Casi?
23:53¿ases creen una niña que trabajó con el edificio de la orientación?
23:56Sí.
23:57¿Has sido muriado el día?
24:11¡Suscríbete al canal!
24:34¡Suscríbete al canal!
24:58¿Recuerdas mi conversación con McQuaid sobre el vino de la noche?
25:01Sí, sí.
25:03Bueno, todavía estoy carryingando un poco confederante de leche en mí, y es doloroso.
25:08Cuando me da mucho tiempo y no puedo dormir, el alcohol va a hacer el trato.
25:13Pero, nuestro médico prefiere que me abstenga hasta el tiempo de real necesidad.
25:18La noche fue una de esas veces.
25:20¿Major, había alguien más en el salón?
25:23Just la barra y la mujer, cuando llegué.
25:28La barra estaba sola cuando llegué.
25:32¿Jarred, recuerda Judd Crowley?
25:34¿Judd Crowley? Sí, él trabajó para nosotros hace un año.
25:36Sí, sí.
25:37Sí, sí.
25:38Él ha estado ayudando a Cain's Stable recientemente.
25:41La barra dijo que Judd le pidió Cora una vez más de la noche.
25:45Así que no tenía que irle a la noche, hasta el momento de que llegué.
25:48Sí, ahora me acuerdo.
26:00No, no, no, no, no, no, no.
26:19No, no, no, no, no, no.
26:49Major, you had a good look at this man earlier.
26:52Was it Judd Crowley?
26:58It was.
26:59Thank you, sir.
27:02It's Tucson all over again.
27:04Everything's exactly the same.
27:06We're all right.
27:07They don't suspect me.
27:09And I give you my oath it won't happen again.
27:12Your oath?
27:12Don't make me laugh, Major.
27:15Yes, I'm rid of that feeling.
27:16I'm cleansed.
27:18Look in my eyes.
27:20It's out of my system.
27:22Until you get your hands on a jug again.
27:25You were a blooming maniac.
27:28I'm not.
27:30That's not true.
27:32I was a hero during the war.
27:34I risked my life time and time again.
27:37Look at some of these medals.
27:39The war's over, Major.
27:41And that won't wash out what you've done to these innocent girls.
27:46Innocent.
27:47They were filth.
27:48And the world's a better place without them.
27:51Oh.
27:52Really?
27:53And just what did they ever do to you?
27:55They exist.
27:55That's no answer, Major.
28:00Sergeant.
28:03I'm going to tell you a story.
28:06What a surprise.
28:08I'm going to tell you about my mother.
28:11I'm not interested in your mother.
28:13My mother.
28:14For and the most popular boarding house in the city.
28:19And it wasn't because of the quality of the rooms.
28:24Do you have any idea?
28:26What it's like for a little boy
28:29to find that out about his mother?
28:32To hear dirty jokes?
28:34To be pointed out with a wink and a smirk?
28:38Do you want to hear more?
28:40Where are you going?
28:41You take it easy.
28:43Anything happens to me
28:45and they open a letter that puts a rope around your neck?
28:49I don't think so.
28:51You've been living too well.
28:53Too high on the hog, love.
28:55So to speak.
28:56I don't think you're going to give that up.
28:58And besides,
29:00you're an accomplice now.
29:02Me?
29:02You.
29:04You.
29:05You could have turned me in after Tucson.
29:08But you didn't.
29:09Because you were a rear private with a bad record and no future.
29:13You wanted to climb aboard a gravy train.
29:15Get a promotion.
29:16Be my orderly.
29:17Live my kind of life.
29:18Share my money.
29:19That's not how it happened.
29:20Oh, no?
29:21No.
29:22I didn't ask you for anything.
29:24You did all the offering.
29:26Anything I wanted I could have just so long as I kept my mouth shut.
29:30You begged me.
29:32You told me that I'd be a fool to pass up such a chance.
29:35You tell that to a court and see where it gets you.
29:41Oh.
29:42Oh.
29:46You really are a leprechaun, aren't you, Major?
29:49Mm-hmm.
29:51All right.
29:52You win.
29:55But there's got to be no more killing.
29:57Oh, I told you there wouldn't be anyone else.
30:01No, it's over now.
30:02Over.
30:03I pray that it is, Major.
30:06Now, you just relax.
30:10And enjoy your stay here.
30:11Sure, you may never have another opportunity to be at such a fine place.
30:20All right.
30:22But doesn't the Major think that it's time for us to leave this place?
30:26The Major does not.
30:29The Major has plans.
30:31Plans?
30:35Audra Barclay, Sergeant.
30:38I've never met anyone like her before.
30:41With her, I feel it would change everything.
30:47Are you serious, Matt?
30:49Yes, I am.
30:51She will be my salvation.
30:53She's pure.
30:56I feel I can fully and finally cleanse myself with her.
31:26Well, we're off.
31:27Are you sure you're going to be all right?
31:29Just fine.
31:30Good.
31:31Major, why don't you join us?
31:32Before you go?
31:33Well, it's just the Cattlemen Association meeting, but we usually cut that short and sweet and get into the most
31:38cutthroat poker game you've ever seen.
31:40Thank you, but I think I'll just stay here and keep the ladies company if you don't mind.
31:44Well, all right.
31:44Jared, don't keep a kicker.
31:47Never.
31:47Where's Nick?
31:48Where's Jared?
31:49There's Nick.
31:51And you, Nick.
31:52What?
31:52Don't draw to an inside straight.
31:54Oh, no, not me.
31:55I learned not to do that from you.
31:56You who beat me out of five dollars, remember?
31:58Well, that's very pretty playing, Miss.
32:00Very pretty.
32:01That's because you have no ear for music.
32:03You are absolutely right.
32:04Major?
32:04Nick, will you come on?
32:05All right.
32:10Oh, I'm sorry.
32:11I hope your ladies don't mind.
32:13Not a bit.
32:21Well, now, Jared, you ready to lose the east wing of the Barkley Ranch?
32:41So pure, so lovely.
32:47Please, don't stop.
32:49Not now.
32:50You've heard my entire repertoire.
32:52Besides, it's time for coffee.
33:03Mrs. Barkley.
33:05Hmm?
33:05I'm going to marry your daughter.
33:13I beg your pardon?
33:14I said I'm going to marry your daughter.
33:16I hope this pleases you.
33:19Well, Major, have you discussed this with Audra?
33:23Well, not yet.
33:23I didn't think it was proper.
33:25And you are quite correct.
33:29Major, well, we all admire you very much, and we are very grateful to you for what you
33:35have done, but...
33:36Am I to understand that you're rejecting me?
33:38Oh, no, no, no.
33:40In the final analysis, Audra's wishes are all that important.
33:45But you barely know each other.
33:48Aren't you being a bit hasty?
33:50Hasty?
33:51Well, who knows how much life is left for you, for me, for anyone.
33:55Can't you see?
33:58What's the matter?
34:06She is opposed to our marriage.
34:12Our marriage?
34:14Yes.
34:15I won't permit it.
34:18I respect your mother, Audra, but our future together is really all that matters.
34:26Major, I don't know what I could have done to cause this misunderstanding.
34:30I think you're a wonderful person, and I think you're very attractive, but...
34:35Then you will marry me, despite what anyone else says.
34:38I'm sorry, but I don't love you.
34:41In fact, I barely know you.
34:42It takes time.
34:43Time?
34:46There is no time.
34:51I thought you were different, but perhaps not.
34:54Perhaps there's another man.
34:56Lots of men.
34:59I thought you were pure, but...
35:05With your permission, ladies, I shall remove my unwelcome presence.
35:15I've never seen him act like that.
35:18Well, Audra, he's a strange man.
35:22A very strange man.
35:25A very strange man.
35:49I know.
35:51I don't know.
36:17Bueno, ha sido un viaje interesante, viajando a mí, escuchando a mí, hablar de mí.
36:22No te han dicho 10 palabras desde que nos dejó la ranch.
36:26Oh, me lo siento, Nick.
36:27Yo estaba pensando en el Audra y Elliot.
36:30Sí, he estado pensando en él, también.
36:32Él es muy divertido en Audra, ¿no?
36:33Sí, sí, sí.
36:34Si no nos vemos en el paso, podríamos terminar con un héroe de la familia.
36:38Podemos.
36:40¿Cómo se está con vosotros, Nick?
36:42No, no te he deudas.
36:44Otra 이게 desde queHola.
36:48No es así que una persona llena pura.
36:49Viviene un truco pesca amorosa.
36:53Gracias a Gary Hannele sobre la purergación, ¿no?
36:57Sí, sí que ha hundred.
36:57Voy a de vosotros, для quien le déjune.
37:00¿Qué es lo que pasa, Rodnick?
37:00Lo mismo, vice, corrupción, no hay nada más como una mujer pura.
37:04Ya sabes, este hombre hace un precioso.
37:07Claro que se trata de la pura pura, ¿no?
37:09Sí, sí.
37:10Bueno, después de ti, Counselor.
37:12Te lo digo.
37:12Voy a seguir.
37:13No te preocupes de hacer algo pura pura.
37:17No te preocupes.
37:18No te preocupes.
37:30Buenas tardes, Jaren.
37:31Hola, Fred.
37:32¿Quieres un beso?
37:33No, gracias.
37:35¿Coffee hot?
37:36Sí, sí.
37:40¿Cómo estás haciendo con Judd Crowley?
37:42¿No?
37:43No, no.
37:46No, no.
37:47No, no.
37:47No, no.
37:47No, no.
37:47No, no, no.
37:47No, no, no.
37:48No, no, no.
37:48No, no, no.
37:48No, no, no.
37:50No, no, no.
37:52No, no, no.
38:00No, no, no.
38:04No, no.
38:05¿Es algo así?
38:12¿Vale?
38:13¿No, no?
38:13¿Ite para hablar con él?
38:14No.
38:15¿Viste?
38:19¿Vale?
38:24Judd, ¿ve?
38:25Voy a visitar.
38:28Call when you're through.
38:29Gracias, Judd.
38:36Hola, Judd.
38:40¿Qué quieres, Barclay?
38:42Un poco de conversación.
38:45¿Cómo?
38:47Bueno,
38:50puede ser que pueda ayudarte.
38:53¿Qué es lo que me ha hecho?
38:54La última ayuda de Barclay fue una boot en la seat de mis brazos.
38:57Es porque te fue un maldito, Judd.
39:00Un maldito maldito maldito.
39:03Nick warned you about it, no escuchaste.
39:07Bueno, yo he estado bien sin Barclays, ¿no?
39:10Claro, claro.
39:12Por eso, por eso, en la caja de la cárcel,
39:14se convirtió en sucesión de murder.
39:17No lo hice.
39:20No lo hice.
39:21I suppose you'd tell me about it.
39:24Some people get all the breaks, that's all.
39:27I've been kicked around all my life.
39:29Did you go back to Cora's room after the saloon closed?
39:32No.
39:33Major Elliott said he saw you going up the stairs.
39:37The only thing I can figure, he just...
39:39Well, he must have seen somebody who looks a whole lot like me.
39:46Light must have been pretty poor, right, Judd?
39:49Well, that's the answer.
39:51That's the whole thing right there in a nutshell, ain't it?
39:56Judd, if it comes down to your word of the Major's,
39:59you realize whose word the jury's going to take, don't you?
40:03Yeah.
40:05But I didn't kill that girl.
40:08I couldn't kill anybody.
40:12Least of all her.
40:13You were drunk.
40:15Yes, I was drunk.
40:16And I was talking mean.
40:18That's all it was, just a lot of talk.
40:23Judd, were you in Tucson, Arizona about a year ago?
40:28No.
40:28I never been in Tucson in my life.
40:32I was working for you a year ago, remember?
40:34Does the letter A mean anything to you?
40:36What are you talking about?
40:43I never learned how to read and write.
40:48Mr. Barkley, I'm going to tell you something.
40:52You probably ain't going to believe it.
40:58Why don't you try me, Judd?
41:03I was in love with that girl.
41:06I wanted her to marry me.
41:09She wouldn't do it.
41:12That's why I got so drunk.
41:14That's why I got thrown out of that place.
41:17Tell me something, Judd.
41:20Do you feel that she was pure enough for marriage?
41:24She was a good girl.
41:26She just never had no decent chance, that's all.
41:28I don't mean any offense, Judd.
41:32Anyway.
41:34What's so pure about me?
41:37I'm up.
41:41Well, I drank too much.
41:43I don't blame her for turning me down.
41:45I wasn't good enough for her.
41:49Anyway, what difference does it make?
41:52I reckon she's gone now.
42:06I don't blame her.
42:08Red?
42:28Bueno, ¿qué opinas?
42:30Estoy de acuerdo con él, no lo hiciste.
42:33¿Va a defender?
42:34Quizá, si se trata de eso.
42:38¿Puedes escuchar la muerte de una chica de una chica de la danza en Tucson, arizona, hace un año?
42:43No, ¿no?
42:45No, no hay razón por qué no debería.
42:48Es solo que...
42:50Bueno, yo leí a un par de líneas en la biblioteca de San Francisco.
42:54Bueno, las chicas están siendo golpeadas y...
42:57...y a veces, no es lo que se llama una cosa fácil.
43:01Sí, pero esto fue especial.
43:03¿Cómo es especial?
43:05Sí, pero...
43:06...y fue armado...
43:07...y adecuado con el nombre A.
43:43...y adecuado con la chica de la chica de Tucson, arizona.
43:45Sí, sí.
43:46Salón girl, murdered and branded.
43:50...your town, aproximadamente one year ago, is criminal still at large.
43:56Urgently request immediate answer and details of crime.
44:01Collect care of this office.
44:03Signed, Fred Madden, sheriff.
44:06¿Va a esperar esto?
44:07Vamos a ver el gol, Eagle.
44:08Vamos a ver el segundo que viene, ¿no?
44:10Sí, señor, señor Bartley.
44:16¿Qué?
44:29¡Gracias!
44:56¡Gracias!
45:19¡Gracias!
45:19I don't know what the major is suggesting.
45:22The major is suggesting that the major would be no harm to the sergeant when dead
45:28and therefore incapable of contradicting whatever story the sergeant chose to tell the authorities.
45:35No, sir.
45:36I was just trying to keep you out of any further trouble by forcing you to leave.
45:40I figured if you stayed here much longer...
45:59...to the brave men of Dollar Creek.
46:11Hiya, Harry.
46:14Thanks, Nate.
46:15That Tucson gal died the same way poor Cora did, Sheriff.
46:19And they never caught the man that did it.
46:20Let's go, Fred.
46:31Major Elliott?
46:43Major, I thought I heard an...
46:49You're impatient, aren't you, Meg?
46:51I was just coming to get you.
46:55Maag?
47:06Meg?
47:07No!
47:11No!
47:13No!
47:14No!
47:15No!
47:15No!
48:01¡Felete!
48:03¡No!
48:04¡No!
48:07¡No!
48:14¡No!
48:17¿Dónde están todos tus hombres ahora, Meg?
48:20Ellos usaron a ti y jocaron a ti.
48:24Pero no pueden ayudarte ahora, ¿no, Meg?
48:28Te amo, Meg.
48:31Podría matar a ti rápido, ¿sabes?
48:35Pero no.
48:38Porque tienes que ser culpable.
48:41Todo el mundo debe saber lo que eres.
48:49¡No!
48:50¡No!
48:52¡No!
49:00¡Elliot!
49:11¡No!
49:13¡No!
49:21¡No!
49:24¡No!
49:34¡No!
49:51¡Suscríbete al canal!
50:11All right, you two, what's going on?
50:13Well, we just got through talking to the army.
50:15Seems they're very well satisfied with the North 40.
50:18Of course, we told them we didn't think so, but we'd let them know.
50:22Well, why not? It would be good for the town and good for us too, wouldn't it?
50:26Atta girl, Audra.
50:27Nick, what do you say we take care of that little thing?
50:29All righty. Bye, Mother.
50:32Audra.
50:37I guess they were afraid they'd stir up some bad memories.
50:42You know, it's strange, Mother.
50:44You were so brave and yet so gentle.
50:49I wonder what changed him into another man.
50:52I don't know, Audra. I don't know.
50:56Because there were two men, you know.
50:59And they fought a silent battle that no one could see until...
51:05Until finally they...
51:09They both died.
51:16I don't know, Audra. I don't know, Audra. I don't know, Audra. I don't know, Audra. I don't know, Audra.
51:25I don't know, Audra. I don't know, Audra. I don't know, Audra. I don't know, Audra. I don't know, Audra.
51:28I don't know, Audra. I don't know, Audra. I don't know, Audra. I don't know, Audra. I don't know, Audra.
51:29I don't know, Audra. I don't know, Audra. I don't know, Audra. I don't know, Audra. I don't know, Audra.
51:30I don't know, Audra. I don't know.
51:41Gracias por ver el video.
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