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00:28Captioning by Red Bee Media
00:56Good morning.
00:59Good morning. Mail to action. Week to view diary.
01:05And you've got an appointment at 10 o'clock.
01:07Huh? Ria Cheetah.
01:09Sticking her nose in already.
01:26It's only me. Come order a cup of coffee.
01:29Yeah, no problem. You're a star, thanks.
01:34You could just shout through, you know.
01:37Just enjoy the trappings of power, Bridget.
01:45We'll find her. I promise you.
01:49See what the police say this morning, yeah?
01:51Hi, Mr Clarkson. Hi, Nuka.
01:53Have you heard anything?
01:55No.
01:57She's taking it bad, isn't she?
02:00Don't worry, Mr Clarkson. Me and Maxine will look after her.
02:11Steph, no-one even comes close to Brett.
02:14Oh, come on, Matt. There must be somebody.
02:16Well, I've made my decision.
02:18Fill your boots, lad.
02:19What's all this?
02:21This is how Eddie's starting off. He's gonna make a great headteacher.
02:25Ooh. Out with the old, eh?
02:28Oh, Stephanie, you don't think Lawson's doing this out of the goodness of his heart, do you?
02:33It's to soften us up for something.
02:36And I tell you, power corrupts.
02:39Absolute power turns you into a right push.
02:44Is this you starting like you mean to go on?
02:47Well, this is just a little thank you from me to everyone.
02:51Last week was...
02:53not easy.
02:54And I think you all did an amazing job of keeping the kids on task.
02:58So, well done, everyone.
03:00A couple of things from me.
03:02We're a senior teacher down.
03:04So I'd just like to ask everyone to keep on their toes.
03:07It'd be nice to see a few faces out and about in the corridors.
03:10And the, er, second thing...
03:14In case anyone was wondering...
03:17Looks like the governors are gonna confirm me as acting head till the end of term.
03:22I'll give you two weeks, Tom.
03:24After that, it's anyone's guess.
03:25They'll have to advertise, obviously.
03:29So, you're gonna be throwing your hat into the ring?
03:32Course he is.
03:33Never gave it a second thought, Steph.
03:34I just want to get to the end of term.
03:37Anyone got anything?
03:41Have a good week.
03:44Crackley, you're free from this lesson, aren't you?
03:46I've got an appointment with the police about Plot.
03:48Hi.
03:51You've got your year tens, haven't you?
03:54Uh-huh.
03:55Double up.
03:56Hang on a minute.
03:57I've got admin up to here.
03:59So it's either that, or you have to wait till lunchtime.
04:02Apparently.
04:04Oh, it's all right, Tom.
04:06I'll do it.
04:07It's not a problem.
04:08Clothes the most important thing here.
04:10I owe you.
04:12Yeah.
04:16Mr. Clarkson's class, you're gonna answer questions in all of our twists.
04:19Hand these out, please.
04:21Quiet!
04:22There's too much noise.
04:23Quiet!
04:24I can't hear myself think.
04:28Right.
04:28We are going to finish off our work on Much Ado About Nothing.
04:31Oh, no, miss!
04:33Can we not do something that good, miss?
04:35No, we've got to get through these set scenes, okay?
04:38Oh, no!
04:39What about our twist, miss?
04:40Come on, miss, come on!
04:42Right!
04:43Okay!
04:44Okay!
04:44Yeah!
04:47We can slant!
04:49Yeah!
05:16Yes!
05:17On a bit of a roll of some, on a bit of a roll.
05:28I know you're going through hell, but the best thing for you to do is to sit it out.
05:32Can we not do more off the back of the press appeal or something?
05:34No, not for a young adult who's made her own choice.
05:37Sorry!
05:38But you might just have to accept that Chloe's doing what she wants.
05:42You've been a great help.
05:50Yes!
05:50There's a lot of people in the room.
05:51Let's go.
05:52Come on!
05:54Come on!
05:55Come on!
05:57Come on!
05:58What's the point?
06:00There was just too many of them.
06:02You're doing great.
06:04The elusive Mr Budget.
06:06Any ideas?
06:07Hey, sir!
06:08Who's the second man on the moon?
06:10Buzz Aldrin.
06:11Yes!
06:25Year nine sats.
06:29Oh, I hope you've come to help me with this lot.
06:31You've dumped Tom's class on Jasmine.
06:34You say dumped, I prefer to use the word placed.
06:40Grantley, give me ten minutes.
06:41Now, please.
06:55When you're choosing a hat, it's very important.
06:57See if she'd wear that.
06:58I'd never buy a hat like that.
07:00So you don't look too top-heavy if it balances you out.
07:03Oh, now, this is an interesting hat.
07:05Basically, perhaps you do have to get what you pay for.
07:07All right.
07:08Oh, Kyle, I'm starving.
07:10What?
07:11Yetta.
07:13How are you doing, kid?
07:14All right.
07:15Do you want the flat?
07:16Yeah.
07:17It's banging.
07:18Thanks for letting me stay in that.
07:20No problem.
07:22Stay as long as you like.
07:23Well, the invitation's arrived.
07:25I've been invited to Nusser's restaurant for a special lunch.
07:29What do you want your bacon signing, Chloe?
07:31Red or brown?
07:32Red tar.
07:34How are you?
07:34I'm fine, thank you.
07:35Do you actually own this flat?
07:37No.
07:37No, I co-rent it with Lucy's sister.
07:41I don't look so worried.
07:42She's never here.
07:43Like I said to Lucy, you can stay as long as you like.
07:46And I'll be honest, I've never ever wore or wore a hat for a special occasion, so I'm
07:50totally in your hands.
07:51OK?
07:53PHONE RINGS
07:53They're in there.
07:54Who is it?
07:54Mrs Cheater and Mrs.
07:59Ria.
08:00Sorry I'm late.
08:01Eddie, this is Rachel Mason.
08:04Eddie Larson.
08:04Hi.
08:05Hi.
08:06Rachel's the new head teacher.
08:09Sorry?
08:11Of Waterloo Road.
08:15She's taking over from Jack.
08:20Ria has spoken really highly of you.
08:22I'm glad to have you as my deputy.
08:24I'm sure you two have a lot to discuss, so good luck.
08:33Ria.
08:35I just don't...
08:37Nigel as good as told me that I'd be acting head.
08:39Sorry Eddie.
08:40LEA decision.
08:42Rachel's going to see this to him and next to him out.
08:46She'll explain her plans.
08:55So these plans are yours?
08:57Care to expand?
08:59Yeah.
09:01It's all in here.
09:02As of today I'll be changing the curriculum.
09:05In five weeks Waterloo Road will have business and enterprise college status.
09:09In 12 months this place will be transformed.
09:11Vocational courses, specialist staff and IT infrastructure, dedicated facilities and an extended school.
09:16Hang on a minute. Where's the money coming from to pay for all this?
09:18Oh, I wonder if I accepted the job without the promise of hard cash.
09:2415, 20 pounds. No, it's 50 pounds. Because of the quality of cinema they've used. If they've only used two
09:31sheets, it's very, very see-through.
09:35So, landed on your feet here, aren't you, Clo?
09:38Listen, I'll get a job. Pay your rent and that. I don't want a sponge off you.
09:44I'm only winding you up, Clo.
09:46No, he's right. I need to do something to pay my way.
09:50Well, it's 460 a month. We take all major debit and credit cards.
09:55460?
09:56Yeah.
09:58You could always do a little bit of work for me.
10:01Yeah?
10:02We could sort something out. Luce will show you how, won't you, Luce?
10:05How to what?
10:07It's all right, chill out. I'm not gonna settle into sex slavery or nothing.
10:20So, as you can see, you and I have got one hell of a task in front of us.
10:25Don't tell me. The staff won't like it.
10:28I think you'll find it's the kids who won't want to be patronised by a load of old numpty courses
10:31like travel and tourism.
10:34Which, by the way, we've got no one to teach.
10:36Though, having said that, I don't suppose you need teachers to show someone how to carry a rucksack?
10:41For the majority of the kids in this school, academic courses provide no useful function.
10:46And you know so much about the kids in this school, with all your ten minutes' experience.
10:52I'm a very fast learner.
10:54Hmm.
10:55I need to meet the staff. Set up a meeting. Break time. And I want everybody there.
11:00Sure.
11:20There's about 500 calories in them things.
11:26Um, listen, me and Maxine were wondering if you'd like to come out with us tonight,
11:29going to that new place. It's, er...
11:32It's like a pound to get in for a half-night and then buy one, get one for you after
11:35that.
11:36Oh, we'll be well away by ten.
11:38Go out and enjoy myself. Like I don't feel guilty enough.
11:43Don't go blaming yourself. It's not your fault Claude ran away, isn't it?
11:48I think I said, I don't ever want to see you again, don't ever come home, ever.
11:54Claude will know you didn't mean it.
11:57How would you know what Claude thinks? It's not as if she's here to ask, is it?
12:01Well, if you don't want to go out, you could come to mine.
12:03Instead, Miss Haydon won't mind.
12:06What is it about the word no that's so difficult to understand?
12:09I don't want to go out. I don't want to do anything.
12:13My mum was trying to cheer you up. I don't want cheering up. I just want Claude back.
12:28Hello? Can I help you?
12:31Er, no. I'm a teacher here.
12:33Can I ask you where you've been?
12:36Er, yeah. If it's any of your business.
12:39Well, it is actually. I'm Rachel Mason. I'm the new headteacher.
12:44What do you mean?
12:45I've taken over from Jack Rimmer.
12:48Er, oh. Right. Congratulations.
12:53Er, you still haven't told me where you've been.
12:58Eddie gave me permission to go to the police.
13:01My stepdaughter's gone missing. Ran away two weeks ago.
13:05That's where I've been.
13:06I'm sorry. I didn't know.
13:22Any joy?
13:28Look, Tom.
13:31Have you thought about taking some time off?
13:34With all the stress you're under.
13:36I don't want Mika to think that I can't cope.
13:38She's already on the verge of losing it herself.
13:41OK. Come on. Let me do that.
13:45Come on.
13:52Thanks for that.
13:54The bollocking I got from Eddie Lawson.
13:58There were 36 kids in that class.
14:01Shouldn't matter whether there's 36 or 136.
14:05Teaching's a skill you can't water down if you've got it in the first place.
14:10Look, Crantly, if you've got a problem with my teaching, just say...
14:16Let's just say that you are to teaching what lockdown is to conversation.
14:25Ladies and gentlemen, if I can have your attention for a moment, please.
14:29My name's Rachel Mason.
14:31I've been appointed head teacher at Waterloo Road.
14:34With immediate effect.
14:41I don't think I can do this, Luce.
14:43You've got nice clothes.
14:44Nice flat, yeah?
14:46Rent money.
14:47You could always work.
14:49Oh, I can make more in a day than I can working in a gotti bar for a week.
14:53Look, for six months when I've got a bit of money, I'm off. Spain, Greece, wherever.
15:02What is it?
15:05Sean might look dead nice, but he's got a vicious temper.
15:10I need you.
15:12Why don't you just leave him?
15:14And go where?
15:16Besides, I love him.
15:19I'm only doing this to help you out, yeah?
15:21Come on, you're a doll.
15:23Come on, we're a team.
15:25Oh, look after you.
15:27And why should 15-year-olds be forced into taking subjects that they have absolutely no interest in?
15:32Oh, no.
15:34How am I going to cope without me daily dose of Bolton Smiley?
15:38That's Bolton as in conceived in Bolton.
15:42Well, fine by me, as long as I get to teach the bright kids.
15:46I think you might find, Miss Haydock, that your conditions of employment require you to teach all children, irrespective of
15:53ability.
15:56I know the last thing you'll all be looking forward to is more change, but given the mess my predecessor
16:01left behind, change it's got to be.
16:04Oh, here we go again. Fasten your suit belts, et cetera.
16:09Now, I have five weeks to deliver business and enterprise college status, so I hope you'll all get behind the
16:16bid.
16:17And I want to start the ball rolling with a sixth form, so today they will be entrepreneurs.
16:22With £200 of gift vouchers for the people with the best pitch, and £100 for the runners-up.
16:27What about our classes?
16:30Classes are cancelled for today.
16:42Looking nervous is the worst thing you can do.
16:44How can I help it? I feel like pussy now.
16:48If you hunch yourself, it helps.
16:54See? It's a piece of cake.
16:57I need some receipts in case you get stopped.
17:00I never look at them that closely.
17:03You're dead good at it.
17:05Why do you need me?
17:07What if I get caught?
17:08It's your first time. They'll let you off.
17:13Look, I really don't... I don't want to do this.
17:17That's fine, Chloe. I'll just tell Sean Chloe didn't want to do it.
17:21OK.
17:22OK.
17:23I'll try.
17:47Yeah, Paul, check this out, man.
17:48What?
17:49It's the casino site, innit?
17:51Oh, sick or what?
17:54Oh, man. It's Budgins.
17:56That's his password.
17:58Oh, right.
18:01I'm almost certain that's not part of the ICT curriculum, boys.
18:06It's not as much as long as we came in.
18:17Yeah, you're in the right place for the Enterprise Initiative.
18:20Get your notebooks out if you need them.
18:24What's all this about?
18:26Didn't have.
18:26Steps says there's a new-eyed teacher.
18:29Who cares?
18:30Anyone fancy coming into town?
18:32Can't be dealing with this.
18:35Especially if he's in there.
18:40Fine.
18:41See you later, then.
18:46Writer materials are on the desk.
18:47Use what you like.
18:48Only brilliant ideas, please.
18:53Listen.
18:54Grantley Badger.
18:55I'm gonna wish it him on the written warning.
18:56He's been using school computers to gamble.
18:59Yeah, I'll deal with that.
19:00I found him in a computer room this morning.
19:01What, you caught him gambling?
19:03No.
19:03Look, I said I'll deal with it.
19:04No, I will, given this and his performance in the staff room.
19:08He's not gonna last long under me.
19:11That's your stuff from my office.
19:12You know, it's gonna finish.
19:17Good, yes, indeed.
19:23You are you ta cult from my office.
19:33I can get into that, if he caught you in front of my house.
19:36But at least he was the rest of me.
19:36OK.
19:42Here some teeth made possible.
19:42That's only a lotta tea.
19:49Can I help you, Miss?
19:52No, I'm just looking, thanks.
20:21Excuse me, Miss, excuse me, Miss, would you be interested in my store card, 20% of all first-time
20:29purchases?
20:31Oh, no, thank you.
20:44I'm just going to chuck these at them, and then at least if she pops in, they'll look like they're
20:48occupied.
20:48Well, she won't get any singing and dancing from me. I'm not changing my plans to suit her.
20:56Miss Haydark, can I see you a minute?
20:58Mika, I'm already late for my lesson. Can we catch up later?
21:12Good girl. Nice bit of gear there. It's 115 quid's worth.
21:17You know, a few more troops, we'll be able to be next month to rent and all.
21:21You should take us halfway there.
21:27A leather jacket?
21:29Just act confident no one's going to stop you.
21:31Even if you do, you've got the receipt.
21:34And this time I'll be with you.
21:39Loose.
21:41If I do get all the money, that's it, innit?
21:50I don't dislike coloured squiggles, but it's not very constructive, is it?
21:53Think. Come on.
21:57Yeah, well, you need to target your customers, so you think about their age range,
22:01their interests, you know, that sort of thing.
22:03It's a really excellent idea, Celine.
22:06School newspaper. Anyone interested?
22:09I'll take that as a no, then.
22:16A whole day's lessons.
22:19Hey, they can cope without Pythagorean identities for one day.
22:22Yeah. Makes to go out with a maths teacher.
22:25It's dull as stitch water.
22:30What about catering?
22:31School dinners. We're not going to be cooking for the pupils, are we?
22:35It's too much like hard work, something easier.
22:38School photos?
22:40Nah. I suppose they only do that once a year.
22:43But then that's great, innit? All we have to do is just click that little button just using one finger.
22:47How easy is that?
22:49Point, click, point, click.
22:52School photos are crap, though.
22:54So we'll tart them up a bit, brush people's spots.
22:57Yeah.
22:59Maxine and Janice, isn't it?
23:01How's it going?
23:02All right, yeah. We're thinking about setting up a photography company.
23:05Ooh, that sounds good.
23:07Well, you'll have to think about overheads, um, equipment, access to ICT.
23:12Right, let's do a list. We're going to need a digital camera.
23:15One of them things for the computer that lets you change the picture in that.
23:19Make sure you cost your idea properly, yeah?
23:23Thanks, Miss.
23:24So tell me, Eddie, um, Steph Haylock, what does she do?
23:30Teach his French.
23:31I mean, what does she contribute?
23:33How does she lead the staff? What initiatives is she running?
23:38So you didn't get round to staff appraisal?
23:40That's OK. I'll see her straight after budging.
23:44Don't call Kevin the teenager on me, Eddie.
23:48Maria Cheatham didn't want me to say anything, but you are my deputy.
23:52If we get to college status, the LEA is going to insist on a full-scale staff restructuring.
23:57All posts, from me right down to the assistant groundswell.
24:03Will any of the kids here want to read a school newspaper?
24:05I had in with our student Mac.
24:07We had this lecturer, and he was claiming expenses for fat on campus,
24:11but he was renting it out to students, so we ran the story, and he got the boot.
24:16Well, we've had our fair share of financial chicanery here, too.
24:19Oh, not anymore.
24:19Oh. Mr Budgen?
24:21Ten minutes.
24:25Remember the old newspaper, Max?
24:28Never let the truth get in the way of a good story.
24:30That is hardly one I heard mistress could endorse.
24:32If it bleeds, it leads.
24:34No.
24:35Everyone has a story to tell.
24:40How would you two like to be top feature writers for my new school newspaper?
24:44Why us?
24:45Well, it'll help you tell the difference between a verb and a noun, for a start.
24:48Stuff like that's kind of important to a writer.
24:50I need a couple of new sounds to sift out a good story.
24:54Investigative piece.
24:55You know, skeletons in closets, etc.
24:57Could be a laugh.
24:58I want them queuing up for a copy every Friday.
25:01Must read articles, must see photographs, must laugh jokes.
25:05Interviews with the teachers?
25:06Is there anybody really interested?
25:08A bunch of cheesy teacher platitudes.
25:10Well, unless, of course, you get a real expose.
25:12Like, er, Lawson's Love Child or Haydoc's Toyboy Shock.
25:17Well, you come to the right people.
25:19Noses for a story, us.
25:20Great.
25:21Now, I want to win this.
25:23So, see Miss Mason.
25:24Tell her you're working on the newspaper.
25:25She'll get you out of lessons.
25:27Let's go get our notebooks.
25:48For seeing me so soon.
25:51I know you'll be busy.
26:10You're not the most enthusiastic member of staff, are you, Mr Budgen?
26:14From what I've heard.
26:16Well, that's like the polls, isn't it?
26:20You set the questions to get the answers you want.
26:23Suggesting?
26:24You've got it in for me.
26:27Well, I've certainly got it in for lazy teachers
26:30who don't want to give their all to the kids.
26:32Yeah?
26:34I do what I get paid for.
26:36Not a penny more, I presume?
26:44Well, that's...
26:45That's not good enough for me.
26:48Sadly, that's not going to keep me awake at night's end of conversation, I presume.
26:52Not quite, no.
26:54So, there's a small matter of you using school time and property to gamble online.
27:01I do have an online betting account, yes, but I wouldn't use it in a school.
27:07It's not secure.
27:08Anyone could hack in, find my username.
27:11OK, OK, let me stop you there.
27:15You logged on to the school network after 9.43 this morning.
27:20And those are the sites you visited.
27:23I'm issuing you with a formal written warning to go with the verbal warning that Mr Lawson gave you this
27:29morning.
27:30And I'm quite certain that sometime this week I'll have a third and final warning to add to the pile.
27:38Even if I have to make it up.
27:42And if anyone asks, I never said that.
27:50Bridget, can I dictate something, please?
27:52Yeah, no problem.
28:13Lookin' in my rays
28:19All the dreams we have
28:27Every single day
28:33Try to find out why
28:39The world outside is changing
28:43It's a nightmare
28:45The world outside is changing
28:49It's a nightmare
28:52It's a nightmare
28:57It's a nightmare
28:59It's a nightmare, it's a nightmare
29:02In my dreams you're near me
29:08Only thing that's real
29:11Tomorrow and forever
29:16In my dreams you're near me
29:21Only thing that's real
29:24It's a nightmare, it's a nightmare
29:37Walking in my way
29:44All the dreams we have
29:51Every single day
29:57Try to find out why
30:03The world outside is here
30:07It's a nightmare
30:10The world outside is here
30:14It's a nightmare
30:27In my dreams you'll hear me
30:32All will be that thrill
30:35Tomorrow and forever
30:44During my kids empire
30:46There's nothing to say
30:47There's nothing to say
31:07All I hope we can reach out
31:08Under arms
31:38Sean, you never guess what's happening now.
31:42Are you all right?
31:46So, a bit of a shock appointment, I do tell.
31:50Not really.
31:51LAs often appoint associate heads in situations like this.
31:57Treating myself to a candy special.
32:00Soak up last night.
32:01Well, you know, give myself a bit of an energy boost for the afternoon.
32:05So, have you had a chance to see what the sixth formers are doing?
32:09No.
32:10No, I've been, um, up to my ears.
32:14Probably need a little more non-contact.
32:17Actually, I've been dealing with Aaron Poole.
32:19He's a particularly disruptive year eight pupil.
32:22Is he on a PSP?
32:26Um, a pastoral support programme?
32:29Oh.
32:30Probably been on one of them since the day he was born.
32:34So, I assume you've arranged a meeting for him and, um, notified the LEA?
32:40Yeah.
32:41Naturally.
32:45Kids at risk of exclusion are a high priority for me, Steph.
32:51We need a meeting.
32:5320 minutes?
32:54Is there a problem?
32:56No, no, no.
32:56I just need to hammer down your management role and make sure of your performance objectives.
33:00Okay?
33:08Enjoy your candy special.
33:22Look, I've got a member here who's been using the school computers to gamble.
33:26And, uh, I just wanted to know, well, where we stood, he stood with the union.
33:33Straight to dismissal.
33:56Crap.
33:58Crap.
34:00Crap.
34:01Crap.
34:02Crap.
34:02Oh, God.
34:03I've been trying to see her, that.
34:05Yeah, that's proper fun, yeah?
34:06Hey, it's the best one we've taken all day.
34:08It's like one of them ones in Heat magazine, you know, when the celebrities don't know it's
34:10been took.
34:11We can do that with all of them.
34:13Think up on the teachers.
34:14We can still them on the net.
34:28Oh, this one's not playing at it, Steph.
34:31Watch your back.
34:51Miss Mason.
34:53Yeah.
34:54Um, I can show you that to strategic direction of colleagues.
34:59And do me two copies.
35:00Okay.
35:00Thanks, Bridget.
35:03Yeah.
35:04About earlier, um, Jack never really outlined my responsibilities.
35:09It was more make-do-and-men kind of thing.
35:12He didn't really go in.
35:14You're supposed to be a professional, a leader.
35:17Excuse me.
35:19Oh, great, thank you.
35:20Now, this is the start of a formal procedure to monitor and evaluate your professional performance.
35:27I'm doing this to support as well as to warn.
35:30I won't have lazy, incompetent people on my management team.
35:46I've seen enough.
35:47No, you've not.
35:47Not by a long chalk.
35:49Now, you're not a non-intelligent woman.
35:50I can see that.
35:51But what are you trying to prove?
35:54Steph, eh, Doc?
35:55Grantley Budgen?
35:56They're not the greatest in the world, but they've clocked up more teaching years than you've had a life.
36:00Well, so what?
36:01Tell me I'm not right.
36:02You better know what you're doing, because...
36:05I know exactly what I'm doing.
36:07Oh, such confidence.
36:10How long are you staying here?
36:12Oh, I don't know.
36:14My first task is to get college status.
36:16College status, yeah.
36:17Yeah, we know.
36:18After that.
36:20It's just that you're doing all this bomb-up-the-backside stuff as if it means something to you.
36:26You're an associate head.
36:28You'll be gone in six months.
36:39Yes, sir.
36:41Right.
36:43We're giving you this caution on account that this is your first offence,
36:46and we're confident that you won't be so flaming stupid again.
36:49It will remain on your record,
36:50and it can be disclosed for certain types of employment.
36:53Do you understand?
37:04Anybody you'd like to call?
37:05Family.
37:06They're not too ashamed of you.
37:09Oh, yeah.
37:11Can I ring my sister?
37:13Can I ring my sister?
37:22Come on.
37:23Look out, do you mean, look?
37:24Didn't see anything, did you?
37:26No, of course not.
37:27Come on.
37:29Can I ring my sister?
37:31Yeah.
37:47Come on.
38:00What are we waiting for?
38:09Hey, kid. You're free.
38:14Never said a word. She's a good girl.
38:17Yeah, nice one.
38:18I think we might have to find a different kind of job for you, Chloe.
38:23Do you think, Luce?
38:24Yeah.
38:37Miss, we're doing interviews for the New School magazine.
38:40Mm-hm. Shouldn't you two be in lessons?
38:43Miss Mason give us permission.
38:47She said you'd be a great subject.
38:49Did she?
38:51We're thinking of putting you on the front cover as well.
38:53The first ever school magazine.
38:56Well, as it's for such a good cause.
39:10I'm not sure I'd like the idea of you two running amok with a camera.
39:13Oh, sir, it's a proper business.
39:15Miss Mason said it's got to be a real business, so we're putting our portfolio together.
39:19Yeah, we're what, going to competition with the school photographers
39:21because they take crap pictures and charge a fortune.
39:24They have all them little passport pictures of me.
39:26Who's gonna buy a frame saying Merry Christmas from Ginny's?
39:28Not with your face, anyway.
39:29You two certainly caught the enterprise bug.
39:32See you later.
39:46Right.
39:47Miss, what's your favourite colour?
39:50Amongst all the other hair dad use.
39:53I suppose there's no point pretending I'm a natural.
39:57I'm an ash blonde girl, actually.
40:00I think that's what gentlemen prefer.
40:03Favourite colour, ash?
40:04Blonde.
40:05What's your favourite colour of wine?
40:08If I do have the odd tipple, I like a small glass of red wine.
40:14We heard that you drink 12 bottles a week.
40:16Mm-hmm.
40:17What did you say?
40:18You had a fling with Mr Rimmer?
40:21Hang on a minute.
40:22Is it true that you don't actually have a degree in French?
40:24Who told you that?
40:26I am fully qualified, thank you very much.
40:28I gave you a Lonely Hearts agency.
40:29Lonely Hearts?
40:30Me?
40:31No, I have plenty of male friends.
40:33And I think that you two are bang out of order.
40:36And that's enough.
40:36Just one last question.
40:38How many hours a week, on average, would you spend on lesson planning?
40:41Where do you see yourself in five years' time?
40:44Interview over.
40:45Mr Wilding next, I think.
40:47Well, I hope you're gonna give him the going over you've given me.
40:51Can you just take a picture?
40:54Thanks.
40:57Uh, Chloe, you found her?
41:00No, Mr Clarkson.
41:01It appears she was arrested.
41:03She was issued with a formal caution and released about three quarters an hour ago.
41:07Uh, what, released?
41:08Well, is she all right?
41:09I don't know if she...
41:11What do you mean you don't know?
41:12What station?
41:13South Manchester.
41:14Right.
41:15Thanks.
41:16Right.
41:16I'll be, er...
41:23Listen, it's not up to me if I stay here or if I move on.
41:26I just wanna know, how are you really hooked to get people working with you when we all
41:30know you're leaving at the end of the year?
41:33It's not my system, Eddie.
41:35No.
41:35But it serves you pretty well, though, doesn't it?
41:43You're a dinosaur.
41:45I'm not surprised they never offered you Jack Rimmer's job.
41:49Listen, you've been here ten minutes, you've thrown a grenade into the curriculum, and you've
41:52upset every single teacher in this school.
41:54All I'm asking for is a little more subtlety.
41:56I will give my all to this school, however long I stay.
42:00Well, Miss Mason, I just...
42:06I'm sorry about my attitude earlier.
42:10Please, rest assured, it won't happen again.
42:14Mm, I must say, I'm very impressed, er, at what they've done.
42:19You don't mind if I have a look-see, do you, er...
42:21Go ahead.
42:25Apology from Grantley Budgeon.
42:27You went to Blackmagic or something.
42:30Five minutes, everybody.
42:31Oh, Rachel.
42:32Hiya.
42:33Listen, I've just had a call from the police.
42:35Closed.
42:35She's been arrested.
42:36Is there any way I can go?
42:37Go, go.
42:37I'll cover your lesson.
42:40No makeup?
42:42Well, if you see her, will you let her know?
42:44Of course.
42:44Thanks, Eddie.
43:04At first, we was dead stuck cos school photos are rubbish.
43:08But then, erm, we realised there was, like, a gap in the market.
43:13So...
43:13Jan-Max photographer looking to break into the school photograph market.
43:18But we're looking at changing the type of photographs that get taken.
43:24Oh, but we haven't actually decided on Jan-Max photography.
43:30It might be Max-Jan.
43:32Yeah, we have a museum.
43:33We'll call Stan's camera.
43:36That's it.
43:37Brilliant.
43:42OK, I think it's the newspaper, guys.
43:47Next.
43:47Woo!
43:48Woo!
43:49Woo!
43:52Woo!
43:53Woo!
43:55Woo!
43:57Woo!
43:58Woo!
43:58Woo!
44:11Woo!
44:16Woo!
44:29Woo!
44:30Woo!
44:30Woo!
44:32Posh egomaniac screws girlfriend sister
44:34I'll deal with this
44:36My sister's missing because of you
44:37She could be dead
44:39And all you care about is showing how clever you are
44:41With a poxy school newspaper
44:44Who the hell are you?
44:45I am your headmistress and you are next pupil
44:47I'll sort this, I know the history
44:49Come on
44:54Let's get out
44:54Let's get some fresh air
44:58Chloe hasn't got a sister called Lucy
45:01And you don't know where she went
45:03You've no address
45:04You'd better speak into a missing person in the agency
45:06I've got some leaflets
45:07I've been hearing that for the last two weeks
45:09What's it going to take?
45:10Mr Clarkson
45:12Look
45:13We can have a look at CCTV
45:15And see if this Lucy character's known to us
45:17Yeah
45:36What the hell were you playing at?
45:38Don't ever undermine me in front of pupils
45:39I am perfectly capable of handling...
45:41Listen, that girl lost her mother six months ago
45:43She's Chloe Granger's sister
45:45I know the background, that's all
45:47Nobody's trying to undermine you
45:50Sorry
45:55Mika, love, can you hear me?
45:57Hmm?
45:58What have you had to drink?
46:00Paule vodka
46:03I'll ring Tom
46:04Thanks
46:05Listen, I'm going to stay here
46:06Can you sort out the prize giving?
46:08Yeah, of course
46:08And I'll leave you to decide the winners
46:14You'll be all right, my love
46:16Come on
46:18Might have a sore head in the morning
46:20But we've all been there
46:22I'm so sorry
46:23Hey, chalk it up to experience
46:26Always feel better after being sick, eh?
46:28Oh, I can't believe
46:30Hey, you made a mistake
46:33But you're going to get through
46:36I've got some good news for you
46:38Clos been found
46:44Right, are you aware
46:46Just what kind of a force Rachel has unleashed to you?
46:49I mean, look, that pair have got me down
46:50As some kind of alcoholic nymphomaniac
46:53It's my musical and I'll cancel it if I want to
46:56Janice and Maxine are a couple of little fascists
46:59That is out of order
47:00Is it?
47:02Eddie, you can't put a musical on if no one wants to be in it
47:05Then get your finger out and sort out your casting problems
47:08Is she going to be here for good?
47:10Don't worry, Steph
47:11She'll be gone by the end of next term
47:15Well done
47:16It's really good
47:18OK
47:24First prize
47:26A gift voucher for £200
47:27Brett Aspinall and the newspaper team
47:41Well done, everyone
47:44I'll see you tomorrow
47:54Still awesome, is me coming in?
47:55Yeah, she's fine
47:56Miss Mason's with her now
47:58She'll go and ask if you can see her
48:00Say Mr Clarton's going to go mad
48:02They said we'd look after him
48:04I don't think he will be that bothered somehow
48:06He's gone to pick up Chloe
48:09Oh, come here
48:13You see what?
48:15Well, I don't care if you've got an appointment
48:16Cancel it
48:17Yeah, we'll be there at five
48:19And you might be ready
48:24What are we doing here?
48:26It's me mates
48:28You two go in
48:29I've got another call to make
48:53Yeah, about some now, mate
48:56And I've followed it up
49:00And I've followed it home
49:04And I bleed to the water
49:07And I fall to the ghost
49:10John?
49:11Hey, Luce
49:15Hey, sweetheart
49:16This is my mate, Chloe
49:18This is John
49:21Good to meet you, Chloe
49:23Nice name
49:26Shall we?
49:30Who is this guy?
49:31How do you know him?
49:32It's fine
49:32Can yourself
49:39Oh, John, I love these
49:40Can I borrow it?
49:41I'll copy it for you
49:43Have a seat, Chloe
49:47Can I get you a drink?
49:49No, I'm alright, thanks
49:56Any room?
49:57Always
49:58With Coke
50:00Chloe?
50:01You sure you don't want one?
50:09Relax, for God's sake
50:10He's a dead nice guy
50:12I am relaxed
50:13I am relaxed
50:26Easy as 100 quid I'll ever make
50:29Look, Luce, what's going on?
50:31Nothing you don't want
50:3320 quid for a kiss
50:37I think I can stretch to that
50:42Cloak, for God's sake
50:43It's 20 quid
50:44You don't even have to do tongues
51:09About this morning
51:11Leaving you with Tom's lot
51:15Just wanted
51:18Well, I thought you handled them really well
51:23Anyway, you've done me a favour, so
51:26I won't forget
51:28And if ever you want any non-contact time
51:31Just give me a shout
51:35Oh, er, and if you, er, wanted to mention to Miss Mason about our little chat
51:45Yeah, of course
51:52See? How easy is that?
51:59Clump
52:00You're gorgeous
52:02Really, really gorgeous
52:04Come on
52:06We'll go up
52:13Come in
52:15Luce, can I talk to you?
52:17Don't you like him?
52:18I don't even know him
52:19Look, you go up and do whatever
52:22I'll wait here
52:23Just come up with us
52:24You don't have to do anything
52:26I promise
52:32Erm, I need the loo
52:34Top of the stairs
52:35To be continued...
52:38To be continued...
53:18Tom, it's me.
53:20Chloe.
53:22Chloe, look, where are you?
53:25Look, I can hardly hear you, darling.
53:31Yeah?
53:34Look, just get out of the house.
53:36Just go out the door.
53:37We're on our way. We'll be five minutes.
53:39All right, darling.
53:53Hurry up, Chloe!
54:02Where are you going?
54:03Nowhere, I was just...
54:04You OK, Luce?
54:05Yeah, it's Chloe!
54:09Go on, then.
54:11Hand us some money.
54:15She'll be back with you.
54:32Luce, get out!
54:33No!
54:41Hello?
54:44Are you OK?
54:46Hey, did they hurt you?
54:49Oh, it's OK.
54:52It's OK.
54:54Thanks for everything, Bess.
54:56It's OK.
54:59Steph, are you still here?
55:02Oh, is that the time?
55:05Blimey, I've never stopped all day.
55:08Right, better get home, start preparing for tomorrow.
55:11Yeah, let's see how you do in the morning.
55:12Senior management briefing, 8.15.
55:15Right.
55:18So who did you decide was the winner?
55:21Guess.
55:23Good choice.
55:27Listen, I've got to get up an hour earlier every day until she leaves.
55:31At least your trip's a one-off.
55:33Trip?
55:33Hmph.
55:34It's a flown-in boot camp
55:36for every maladjusted male pupa in the school.
55:44Let's go.
56:16Let's go home.
56:18I would have signed these risk assessment forms myself, but being as you're the new boss.
56:24So are there no girls going on this trip?
56:27It's my way of tackling boys under achievement.
56:30Discipline, team bonding, focused competition.
56:33It's a way of getting these lads to learn a little bit of self-respect.
56:36It makes them more... more amenable to learning.
56:40Well, it's a good job this trip's bought and paid for, because there won't be another one like it.
56:46You see, that's where you went wrong today.
56:49It's in the assumption that traditional education has nothing to offer a certain type of kid.
56:54They all need qualifications, even if they're going to do something more vocational.
56:59Brett Aspinall won your little competition today.
57:02Not one of the kids you were really targeting.
57:04But you were the judge.
57:06He was the best.
57:07I'm not into positive discrimination.
57:09What was today about for you, Rachel?
57:12Proving that you can throw the baby out with the bathwater.
57:15Hardly.
57:16Well, that's what it seems like to me.
57:19I do know what I'm doing.
57:20Trust me on this one, Eddie.
57:24So can I count on your support?
57:27I don't know what I'm doing.
57:30I don't know what I'm doing.
57:35I don't know what I'm doing.
57:36I don't know what I'm doing.
57:37I don't know what I'm doing.
57:40I don't know what I'm doing.
57:40I don't know what I'm doing.
57:40I don't know what I'm doing.
57:42I don't know what I'm doing.
57:43I don't know what I'm doing.
57:43I don't know what I'm doing.
57:44I don't know what I'm doing.
57:44I don't know what I'm doing.