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00:22Oh, you are getting so heavy, aren't you?
00:27Heavier and heavier and heavier and heavier.
00:30Well, that's nice to see.
00:32And how's my little fobbing?
00:35You wouldn't have been saying that at 3 o'clock this morning
00:37when she was screaming the house down and telling you.
00:39Oh, did Gracie have a nasty dream walking you up?
00:41More like a car alarm going off. I'd look out. There was no one there.
00:46Not that I was looking for anybody. I was expecting anyone to be there.
00:49Good, because that's all in the past.
00:51I know.
00:52And I've been wrapped up in all this for too long.
00:53It's about to have a concentrate on what we pay you to do.
00:56Yes, it is.
00:57But don't overdo it.
00:59I don't want you showing up the rest of us.
01:05Come on, Claude.
01:07What else are you going to do? Sit at home and mope?
01:09I'm not moping.
01:11Don't you throw on in the sulk?
01:13He's not even been in touch.
01:15He makes out how he's so grown up.
01:17I know, but...
01:18Well, it wouldn't hurt to listen to what he wants.
01:20I know what he wants, Tom.
01:22Well, anyway, if you're so set on uni, then you can't afford to miss school now, can you?
01:27Look, Claude.
01:29Well, I didn't mean it like that.
01:31Claude!
01:36Yeah, well, I've been hearing great things.
01:39You, gum, in the bin, now.
01:41Yeah, all we've got left to do is put the song together.
01:43There is the, erm, tiny matter of money for costumes.
01:47Yeah, well, you'll have to see Rachel about that.
01:50So, thanks for the lend.
01:51Oh, cool. What did you make of it?
01:52That was good, yeah, really good.
01:53Great.
01:54Right, Philip.
01:57So, that's what he's had on his headphones all week, is it?
01:59African choir collection.
02:00I thought he'd enjoy it.
02:01He's a good singer, you know.
02:02Really keen.
02:03Yeah?
02:07Ooh, hey!
02:08How's the song going?
02:09Do you want, Philip?
02:11I was just trying to be nice.
02:12I thought, cos we're in the choir together,
02:14I'd make an effort, but we'd just forget about it.
02:16Everything okay?
02:17Yeah, miss.
02:18It is now.
02:22He's not bothering you again, is he?
02:24Molly!
02:25I swear no!
02:25Molly!
02:26It's not worth it!
02:27Flick!
02:28Hi, erm, those lyrics.
02:30We really need to hear them.
02:32Maybe we can put them with the music later?
02:34Erm...
02:34You have written them, haven't you?
02:36I mean, time's getting pretty tight.
02:38Of course.
02:38Erm, and I have.
02:39Just want to get them perfect, that's all.
02:41Just want to do a few more tweaks.
02:42OK.
02:43But we can do that together right now.
02:44We just need a song.
02:46Sure.
02:47Erm, get it to you by lunch?
02:49Great.
02:50It's all so fine, cos they're looking at you.
02:54It's no surprise, cos you want them to.
02:58Fix your hair, paint your face, put your high heels on, bring the stairs...
03:04Smell nice.
03:07They've left the cluster powder off again.
03:09I'll get onto them.
03:10Yeah, you do that.
03:11And, erm, when you're putting this on, make sure you put it on nice and tight,
03:15because you want gravy stains all down your nice new front, would you?
03:26Dad gave you my message there.
03:29I'm glad.
03:31Come on in.
03:41So?
03:42What'd you want to talk to us about?
03:44Dante, thinking that I'm the villain in all this isn't gonna help.
03:47Alright, I'm not.
03:49Yeah, I know that.
03:50Still, shouldn't have told Chloe having my baby adopted was OK, should you?
03:55No, I gave her the options.
03:57She made her own decision, that's me job.
03:59Oh, yeah.
04:00Sorry, miss.
04:01Pastoral care, right?
04:03Only I don't remember any of that coming my way, do you?
04:07Then let me.
04:08OK.
04:10Right, well, why don't you start on telling me how I'm supposed to feel
04:13when my baby's being brought up calling some other bloke Dad?
04:17Or on its birthday?
04:19What am I supposed to do then, Miss Campbell?
04:21I don't know.
04:24And you've got every right to feel bitter about it.
04:27Thanks.
04:28But that's not gonna help resolve matters, is it?
04:31So let's find another way.
04:34I want to get everybody involved to come and sit down
04:38and try and find some answers.
04:40I know that's not gonna be easy, so I've asked someone to come and help.
04:45A lawyer who works with us.
04:48He'll advise us on the facts, let everyone know where they stand legally.
04:53Meet him.
04:55Let's see if we can get this sorted out.
04:57Eh?
05:02OK.
05:04And Dante said he'll come?
05:06Yep.
05:07He's angry and he's digging his heels in, but I think underneath he does want to resolve things.
05:11Don't we all?
05:13I'm walking on eggshells in our house.
05:16Which is no good for Chloe, or the baby.
05:19Lunch time then?
05:19Yeah, sure.
05:21I'll talk to her.
05:22The way she's been, it's probably best coming from me.
05:24OK.
05:25Thanks.
05:27I know it's their life, Kim, but I just don't get how any mum can give away her baby.
05:34I just didn't think she had it in her.
05:36Well, unless Chloe thinks that she's acting it in the best interests of her baby.
05:41Tom, what are you doing?
05:43Well, what's it look like?
05:44Yeah, since when did you become the kitchen assistant?
05:47Yeah, well, no-one else can be asked, can they?
05:49It's ridiculous how much stuff ends up here.
05:52I'm amazed there are any plates left in the canteen.
05:57Most of them will be Grantley's.
05:58I swear every time he goes to a wedding he gives a set of school crockery he's filched.
06:03I could clear them out most days.
06:05No, you don't need to go skivvy in on us.
06:10And, er, let's get back.
06:15Hey, we're looking for a new washer-upper, so if you're interested, just, you know, let us know.
06:25Hey, don't get lazy on me, you lot. No lopping off corners.
06:29We need full area capacity.
06:35You can tell I'm dead keen, can't you?
06:37It'd be well weird if you moved in with us, though.
06:40I wonder whether to call him Dad or Mr Clarkson.
06:44So, when were you gonna tell me about him?
06:46There's nothing to tell. Tom came round. He was pleased to have passed my exam, that's all.
06:50And now he's acting like a lovesick puppy, and all because you're not the thicko you make out you are.
06:55Passing an exam hardly makes me clever.
06:58Yeah, but nabbing Tom Clarkson does.
07:01Well, he's not gonna fancy a flippin' dinner lady, is he?
07:04Well, I'm just saying, I mean, if it were me, I'd have me closing in before anyone else could. Dinner
07:09lady or not.
07:15OK, I don't want you to think of it as an object.
07:18OK, the whole point of the impressionist was to capture a visual image, but not by the way you see
07:23it, but the way you experience it.
07:25There. Miss, I don't get it.
07:28Paint the whole moment. The smell, everything.
07:31I should have brought some fruit in from my half-ridge, some of that smells right-minging.
07:34OK, yeah, well think of that, and then transfer it to the paper.
07:40All right, everyone, work quietly, and I'll come round, OK?
07:47So this is where you tell Lou Rochdale's down to the bank's here, is it?
07:51Thank you for coming, I know it was short notice.
07:53Ah, forget it.
07:54I just want Dante to feel like he's been taken seriously.
07:57You know, we try and drum responsibility into the boys, we can't then ignore them when they do.
08:01Well, he's got you working for him. I hope he appreciates that much.
08:05Miss, is it all right if I just do it in, like, one colour but loads of different shades of
08:08it?
08:08Yeah, that's absolutely fine, that's exactly what I'm talking about.
08:11I'll leave you to your bloody moneys.
08:13OK, see you later on.
08:16So what, you and Campbell just arrange something and expect me to come?
08:20No-one's expecting anything. We're trying to help.
08:25Oh, come on, Chloe. Can we just stop it with the hostilities?
08:27Cos, to be honest, I'm just about sick of them.
08:30Well then, stop treating me like I don't know what I'm doing.
08:33I've read up on adoption, Tom. I know what it means.
08:36Yeah, you probably do. That doesn't stop me from trying to help.
08:41Kim wouldn't arrange something like this unless she thought it was going to be worthwhile.
08:45And maybe she's right.
08:47Well, what do you mean?
08:49Well, think about it. I mean, why would Dante say yes unless he was prepared to give ground?
08:54What? Like, agree to the adoption?
08:56Well, why else would he want to talk?
08:59And if he's done that, you've got to help him out, Chloe.
09:04Now, I'm here in a totally neutral capacity.
09:06But Miss Campbell has told me you feel your side of the argument hasn't been properly considered.
09:10Well, if she means how she said it was alright for Chloe to have my baby adopted without asking me,
09:15then yeah, I do.
09:17And what if she had asked you?
09:18I would have said no.
09:19Even though your wife feels unable to bring it up.
09:21Yeah, but that's my wife. Not me.
09:25Now, Campbell never even asked me once about what I wanted.
09:27Which is? What other option is there?
09:30I don't know. Maybe that I bring it up. On my own.
09:35Have you thought through what that means?
09:38What? You think I'm just saying it?
09:41Then why the hell am I here if you're just going to think I'm some kid?
09:44Dante, wait. It's not what I said. You have rights.
09:48Come on. Sit down.
10:00You're the father.
10:02Legally, Chloe can't force you to agree to this.
10:04But you have to bear in mind that this will have ramifications for your relationship with Chloe.
10:09And the question is, Dante, are you willing to put your marriage at risk for this?
10:15Duh-duh!
10:16Duh-duh!
10:17Oh, you're a lifesaver!
10:21Oi! Put him down. You don't know where he's been.
10:26Little bird tells me that you've got a full day, not least with Tom's handful.
10:30Yeah, that's right. So, I was wondering if you maybe fancied doing something tonight.
10:34Well, if you mean a drink over the road then, yeah.
10:35Actually, I was thinking of something a little bit more than that.
10:39I owe you.
10:40I do. And, you know, you stuck your neck out for me, and not just with Miss Mason.
10:45Don't forget about her. She hasn't asked about that certificate for ages.
10:48I'm being serious.
10:49Right, I want to say thank you.
10:51And it just so happens that I've got a little bottle of bubbly in the fridge waiting for an occasion.
10:55Ooh, a little champagne.
10:57Help me in.
10:58Okay, it's a date. I'm gonna get on.
11:01No rest for the wicked, eh?
11:04Do you know what? I'm really enjoying myself at the moment.
11:07It's the first time in ages that I've really felt like I'm back in the saddle.
11:12I'll see you in a bit.
11:29They're in the school. Tell social services I need the man now.
11:33Not one thing, we get rid of the people in football.
11:34Mmm.
11:55Tell the plug.
11:55Marley.
11:56D'you reckon you've got nothing to your mum and Mr Clarkson.
11:59Aye.
12:00D'you reckon you love each other?
12:02Come here.
12:04Hey, that is none about business, OK? You haven't been shooting your mouth off, have
12:08you not? No. Good. You don't, right? You've seen
12:12how she is? Yeah, so? Well, it's Mr Clarkson that's making
12:15her happy, isn't it? And he's a damn sight better than most of the rubbish she's wrought
12:18on before, innit? So, do you reckon they're gonna get together,
12:22then? I don't know. OK, and I don't want you
12:25getting your hopes up, either. But it does stand more of a chance if after school
12:29I think that's been OK, so keep that short, all right? I'm not sure how the kids would take it.
12:37Me and one of the teachers. It seems daft. What's daft about it?
12:43I mean, you're not that bad looking at that life. Well, compared to the oil painting you are.
12:49No, I mean, one minute he's got me down as an alky, shouting from the rooftops.
12:52And the next, it answers you. But he's never said that. Not in those words.
12:59So, who needs words? I think you want it, but you don't.
13:04Well, what if you just saw the rebound from Davina? I mean, she's more his type.
13:08Yeah, and then how come she ain't around any more, hm? If you ask me, you need to stop
13:13looking for reasons not to get involved and just get stuck in there, girl.
13:30Can we talk?
13:33Yeah. What about?
13:35Tom mentioned about the meeting. I really do want to get this sorted, Donny.
13:40I'm just really glad that you think we're worth fighting for.
13:44Even if you do have to let some things happen that you don't want.
13:48And who says I am?
13:49Well, Tom said...
13:51Yeah, well, maybe we should wait until the meeting, eh?
14:07The Great Gatsby. A novel about the American dream, as personified by Jade Gatsby.
14:15He's a man obsessed, and Daisy becomes part of that obsession. The romantic ideal. The idea that it's all there
14:23for the taking.
14:27Felicity. Not boring you, am I?
14:30Sorry, miss.
14:31It's alright. I get bored listening to the sound of my own voice as well.
14:36So why don't we take a break from it for a while, and you can read out what you've been
14:40writing.
14:42It's nothing.
14:43Doesn't look like nothing to me.
14:49Hmm. Coim or song?
14:51Sung. The Skull Choir.
15:00Right.
15:03Well, back to F. Scott Fitzgerald, everyone.
15:06Get into groups, fours and fives.
15:10You've still got a chance to give it another go, haven't you?
15:14I look forward to reading it when you do.
15:18Cock chalk, everyone. Come on.
15:21Bye.
15:22Bye, lady.
15:23Bye, lady.
15:25So what's the next move?
15:27Where do I go?
15:28Where do I stay?
15:29Where do I work?
15:30Where do I rest?
15:31Where do I play?
15:32It feels as though I've been up in this gridlock for days.
15:35Still I'm hoping that this sh-it stops, but hey.
15:37Whatever happened to the hip-hop parades?
15:40It ain't funny, I could get shot today.
15:43Mans hold bunkies and the chicks clock at the graves.
15:45I wish it wasn't the case, but to them it's not and it's okay.
15:48This world seems far from genuine.
15:51Seeing all this almost makes it hard remembering.
15:53Times when my mind was occupied with computer games.
15:56It's all changed and I couldn't tell you who's to blame.
15:59Move again, I'm just hoping I might bust.
16:01Maybe then there'll be no need catching a night bus.
16:04This means a lot to me, I never just ride stuff.
16:06It's funny what you see along the road.
16:10I'm trying to figure what might be the best route.
16:14But every time I get next to what I'm seeking, all I find is the next route.
16:19The next route.
16:28The next route.
16:30Already twenty years old, now that can't be right.
16:33Why do I feel like I've already lived half my life?
16:36People telling me that death is a part of life.
16:38But they get lost for words when I ask them why.
16:41Too many things on my mind, so I start to write.
16:44Wondering if in this battle I'm a last to fight.
16:46Me and my brother, my uncle, then my heart, we're tight.
16:49We convert.
16:49We'll rush through the night till the spark of light.
16:52Nowadays chicks damn name hard as bright.
16:53I do the same as well.
16:55Cutting up their chests for a larger size.
16:57The kind of man you will attract in the parking guys.
17:00The kind of man that will approach you with a masking knife.
17:02I don't laugh or cry, these are the hardest times apart from my heart.
17:05A few ground rules, this isn't about judging anyone.
17:08All we want to do is find a way to move forward.
17:11So why not start by asking Khloe and Dante what they're thinking?
17:20But why don't you tell Dante what you told me?
17:25I just don't feel we're ready for this yet.
17:28Either of us.
17:29You might not be.
17:30I'll let Chloe speak, Dante.
17:32It's just that having somebody need you, it's a big thing.
17:38And I don't think we've thought about what that means.
17:40Meaning I haven't but you have, right?
17:43Okay, yeah.
17:44And I don't know if I can do that.
17:45In fact, I know I can't.
17:48Not being able to give this baby the love my mum gave me.
17:53I just can't.
17:55Dante, look at us.
17:57We're kids.
17:58What can we give it?
18:00Until we've done something with our own lives, what can we offer it?
18:05And I'm scared.
18:08I'm scared if I don't do things now, I'll resent it.
18:14I think you should consider this, Dante.
18:17Giving up this baby doesn't mean that you can't go on to have children in the future.
18:22And that's how you'd feel, is it, miss?
18:25If someone was giving your baby up?
18:28No.
18:29Well, how come I'm supposed to?
18:31See, the thing is, yeah, I've not been about uni and big IQs.
18:39But nor is my dad, and I haven't done so bad out of him.
18:43So, Chloe, if you want to go to London, if that's more important to you, fine.
18:48You don't want to bring this baby up.
18:51But I will.
18:53On my own.
18:56That's not very practical.
19:00Have you advised this?
19:02Of course not.
19:03What?
19:04It's not my role to tell Dante what he should and shouldn't do.
19:07He understands what's at stake.
19:09What, exactly?
19:11He's determined to stop his child being put up for adoption.
19:33Hi.
19:35Well, it's lunchtime, so I suggest we wait till we've got less of an audience.
19:39Okay.
19:40You asked me to mediate.
19:42I can't not tell Dante he has rights too.
19:44Like what?
19:45Chloe, the law insists that there's a six-week delay between birth
19:48and the child being placed with another family.
19:51During that time, a hearing takes place.
19:53What sort of hearing?
19:54It's to help the birth parents understand what's happening.
19:58I don't understand what does that...
20:01Both parents have to consent to the adoption.
20:03If Dante refuses, which I do,
20:06then the hearing has to take that into consideration.
20:10So, what you're saying is,
20:12they can force me to keep the baby even though I say I don't want to?
20:16Let me finish.
20:18Obviously the hearing could still overrule Dante.
20:20It wouldn't be in the baby's interest to be in a home where only one marriage partner wants it.
20:24Which is why it's not going to be.
20:25Now, if the hearing reckons that it's unfair for Chloe to bring it up, then I'll tell them that she
20:31doesn't have to.
20:33What does that mean?
20:35It means...
20:38It means I'll divorce you.
20:40Leaving me the only person that'll have custody of our child.
20:43Dante...
20:43You forced me into this, babes.
20:45Dante...
20:46You don't mean that.
20:47Admittedly, it would make the hearings decision easier.
20:49Then you'd really do that?
20:51I mean...
20:53How?
20:54A close got a point, Dante.
20:57Think about it.
20:59You know, a baby needs full on care.
21:02So?
21:03So do you really think you're capable of doing that on your own?
21:06Well, that is something the hearing would need to be persuaded of.
21:10Well, he wouldn't be.
21:12On his own, I mean.
21:14Look, erm, I've been trying to keep out of this, but Dante's right.
21:19Why shouldn't he bring up his own child?
21:23You can stay at ours, I'll help you out.
21:26What, Tom?
21:28There'll be, er, two waiters coming in, and I'm sure we can sort it.
21:31So one of us is always there, and other people manage it, so why can't we?
21:35Tom, I...
21:36How could you?
21:38Look, Chloe, this isn't about hurting you, or going against what you want.
21:43Look, do you think your mother would want her grandchild palmed off onto strangers?
21:48You see?
21:49I'm not the only one that thinks it.
21:52Now, I'll be keeping our baby, whether you like it or not, Chloe.
21:58And you'd both really put me through all that?
22:02Really?
22:06Help me decide
22:11Wherever to climb a hill
22:13Wish you for the moon
22:17Look, please!
22:19And what about what you're doing to me, eh?
22:21What's going on, eh?
22:23The sound of what I've done is so wrong.
22:24I never said that you had!
22:26There must be something.
22:28Otherwise, how come giving our baby to some other couple is better than letting me bring it up?
22:32I have told you why!
22:33So you're giving up your baby?
22:35And you, what? It's my mum.
22:39See, now look what you've done.
22:41No, Chloe.
22:42It's not always everyone else's fault.
22:45I thought you loved me.
22:47Yeah, I did.
22:49Until you made me choose.
22:51Now, if you can't handle bringing up our baby or letting me, then yeah.
22:55I choose our baby.
23:00You and me are finished, Chloe.
23:02I'll survive.
23:08Kidding right?
23:10I'll survive.
23:20I'll survive.
23:24I'll survive.
23:27I'll survive.
23:37I'll survive.
23:40I'll survive.
23:40I'm tin' in front of them.
23:40No, the door isitä here.
23:41She's vulnerable enough as it is.
23:42Sam, have you seen Chloe on your travels?
23:44Oh, lookitung.
23:51Oh, come on, Chloe.
23:52Come out, now!
23:54Is Chloe in there?
23:56All right, can you just wait outside? Give us a minute, please.
24:01Chloe? Chloe, it's Miss Campbell.
24:04Go away.
24:07Chloe, look, I'm sorry.
24:12I just, I wanted Dante to feel involved.
24:14I did not know it was going to happen like that.
24:17Why not?
24:19Don't tell me you're not thinking the same as everyone else.
24:23Even my mum, if she was here...
24:25I only want what's best.
24:27But he's right.
24:29I am being selfish.
24:32What has he ever done?
24:36All I'm worried about is me.
24:38Now everything's just falling apart.
24:40No, sweetheart, no.
24:43So what, you think what I'm doing's all right?
24:46Giving away my baby?
24:51I think that what you're doing is one of the hardest things.
24:57I know someone who had to make a similar decision.
25:00But if this is the best way to give your child everything that you want,
25:05then who are we to say that that's wrong?
25:12Chloe, you OK?
25:14Miss?
25:15You OK, what's up?
25:16I don't know.
25:22Chloe, open the door.
25:24Open the door.
25:28Call an ambulance, Chloe.
25:29Granger's collapsed.
25:34Chloe, just remind me, exactly when is the baby due?
25:37It's gone for another six weeks.
25:38OK, Chloe, there's an ambulance on its way.
25:40You're going to be absolutely fine.
25:43Chloe, Chloe, Chloe, I need you to breathe.
25:45Breathe in and out.
25:47Really deep breath.
25:47That's it.
25:48Breathe through the pain.
25:49That's it.
25:50That's it.
25:52If it's what you think, then that's what you've got to say.
25:55I still feel like I'm letting her down.
25:58Well, I've just got visions of her coming back first.
26:00All it is, finding out that Uni's not all it's cracked up to be.
26:04Realising what she gave up for it.
26:06But that's her decision.
26:07Mr Clarkson, quick hits plot.
26:26Is she OK?
26:27Tom, it's a wooden hand.
26:28Don't worry about it.
26:28There's an ambulance on its way, and we'll cover you so if you'll ever put it.
26:31You think your baby's coming?
26:32It's...
26:33Chloe?
26:39It's going to be all right.
26:41People are on their way over, all right?
26:44I'll, um...
26:45I'll go and make sure they know where to come.
26:46Oh.
26:49Rachel, she's in pain at all of them what to do.
26:51Just don't panic, OK?
26:52Get these kids out of here, and then go and meet the ambulance.
26:54I'm sorry.
26:55Right!
26:56Everybody want you clear out of this area!
26:58Come on!
26:59There's nothing to say no!
27:00No!
27:05Don't you, what are you doing?
27:06It's all like I'm doing.
27:08I'm getting far away from her as I can.
27:09You can't.
27:10I've always had a turn.
27:12And I'm just supposed to come running, am I?
27:14Jan, she's putting it on just to make me feel bad.
27:16We can tell her it ain't working.
27:18Don't you, she's having the baby.
27:20Until further notice, this whole area is out of bounds.
27:23Am I talking to myself?
27:25Shift!
27:25Come on!
27:26Anyone still here in one minute, go to the cooler!
27:29Shift it!
27:30What?
27:33Uh, excuse me, can I help you?
27:35Um, is this somewhere less public?
27:37I'm afraid not right at the moment, no.
27:40We're looking for a Miss Mason.
27:43Uh, that's me, but I'm afraid we've got a situation going on here.
27:46I'll have to excuse me.
27:47This is important.
27:50OK, let's go to my office.
27:52Come on.
27:54What's going on?
27:56I think those babies coming.
27:58Well, who are they?
27:59They've searched me, some sort of officials.
28:08Look, if you want me to go, I...
28:11No, don't I, please?
28:12Only what I said, I meant, and I can't take you back, look, none of which matters now, but
28:15Chloe does, OK?
28:17OK, shh, it's all right, it's all right, it's all right.
28:20I'm here for you now, baby, all right?
28:22Just hold on in there.
28:25Shh, it's all right, it's all right, you're doing great, OK?
28:30OK, what was so important that it couldn't wait?
28:35Miss Mason, I'm from the Home Office Immigration Department.
28:37We're here to collect a child that's been staying in the UK illegally.
28:40One of my pupils?
28:42Name is Grace Medar.
28:44Name doesn't ring a bell, but I'll check the registers.
28:45Well, maybe you know the infant as Grace Campbell.
28:49Kim's baby?
28:50I'm afraid not.
28:51Miss Campbell appropriated the baby after a stay in Rwanda.
28:55She's not the mother.
28:57Sorry, that is absolutely absurd.
29:00Kim's one of my most respected members of staff.
29:02And we don't make mistakes.
29:04We believe Miss Campbell paid for the true mother to come to the UK,
29:08then purchased the baby to bring up as her own.
29:10That is ridiculous.
29:12I'm sorry, but whoever spun you that story...
29:14The complainant is the child's father.
29:17So why don't we put this to Miss Campbell?
29:19We know she's here.
29:22What happened to the ambulance?
29:23It's on route, but I'm a qualified midwife.
29:25Where is she?
29:26Through here.
29:30Hey, you lot, you shouldn't be here.
29:32Get back to Mr Wilding's class.
29:33So, is she having a baby?
29:35Denzel.
29:39Brilliant.
29:41Hello, love.
29:42She'll be all right, Clarke.
29:43It's Chloe, yeah?
29:45My name's Helen.
29:46Soon I'll get more comfortable.
29:48So, what say I take a look?
29:50Right.
29:51It's not going to be long now.
29:52We're going to get you to hospital.
29:53It's OK, I'm scared.
29:54It's just not me.
29:55Don't be, OK?
29:56There's no need to be.
29:57You're doing great.
29:58Isn't she, miss?
29:59Brilliant.
29:59You're doing absolutely brilliant, Clarke.
30:01Tell me, love, in your last scan,
30:03did they say anything about how baby was lying?
30:06Hi, what's wrong?
30:07What's wrong?
30:08Nothing's wrong.
30:08Tell me what's wrong.
30:09Nothing, nothing.
30:10You're doing amazing, all right?
30:11Darling, you're doing amazing.
30:12Shh, shh.
30:14That's it.
30:15The baby is breech.
30:17We're going to have to get that baby out here.
30:19You're doing great, man, honestly.
30:21Come on.
30:23Do you believe him?
30:24I don't want to.
30:24Kim's a friend, but, I mean, how much do we actually know about Grace?
30:28Yeah, well, I just assumed that she was Kim's.
30:31Er, what part of out-of-bounds do you lot not understand?
30:35Eddie, there's no one here to teach them.
30:37I've been running between Kim's art class,
30:39ye the English, and my own class.
30:40Oh, this is crazy.
30:41Eddie, can I leave it to you?
30:43I can take mine if you want.
30:44In your state.
30:45Mr. Wilding, are you free?
30:47Er, yes.
30:47Listen up, everybody.
30:48All those in the choir, extra practice, music room now.
30:51What?
30:52All those that aren't.
30:53That includes Mr. Clarkson's class, Miss Campbell's class,
30:55and my year nines, in the hall with Miss Qureshi.
31:18Hey, you lot, move out of the way of the ambulance.
31:22Just get yourself to class as you've been told where to go.
31:26Less of your lip, Brooks.
31:29Come on, babes.
31:30I can't.
31:31Chloe, you can, okay?
31:33You can do this, all right?
31:34Ah!
31:37What's wrong?
31:38What's wrong?
31:39There's something wrong.
31:40Have some cousin here, Chloe.
31:41Nothing to worry about.
31:42Why do you keep saying that, man?
31:43She knows we should just tell her.
31:44We're doing everything we can,
31:46but the baby is breech, and it's early.
31:48It's not happening, Kim.
31:50I'm scared.
31:51Dante, listen.
31:52Chloe needs your support right now.
31:54I need you looking after her.
31:56Come on, babes, right?
31:57We're going to pull through this.
31:58Ah!
31:59Me and you till the end of the earth, remember?
32:02Okay?
32:03The baby's coming down now.
32:05I can't feel it moving.
32:08Ah!
32:09Come on, man.
32:10She's hurting.
32:11She's in pain.
32:12Do something.
32:12I have to balance things, Dante.
32:14We can't risk calming baby.
32:15Yeah, and what about my wife, eh?
32:17Just hang on in there.
32:18Come on.
32:19You can do it.
32:19Chloe.
32:20Thank God.
32:20We can, we can.
32:21Come on, come on.
32:22Keep on going.
32:22We can, we can.
32:23That's it.
32:24Good girl.
32:25If you've got classes, go to see Miss Koreshi in the hall.
32:27If not, use the corridor upstairs, okay?
32:29This corridor's out of bounds, all right?
32:32Ah!
32:33No, it's out of bounds now.
32:35Have you got classes?
32:36Ah!
32:37It's coming.
32:39Come on.
32:39As you can see, the baby's not on front.
32:42Jump him off.
32:43Body's down.
32:45Ah!
32:46Ah!
32:48What's that?
32:48No!
32:49Ah!
32:51Ah!
32:52Ah!
32:52Ah!
32:53Ah!
32:56Ah!
32:57Ah!
32:59Ah!
33:00Ah!
33:02Ah!
33:09Ah!
33:11Ah!
33:30Kim, should we just give him a bit of space?
33:36You look brilliant.
33:57What's happening, is she alright?
33:59She's done brilliant, she's got a little girl.
34:02That's fantastic.
34:04Thank you so much.
34:05Well done, Chloe.
34:08Oh, little girl.
34:11Woo!
34:12Congratulations, granddad.
34:13Oi!
34:15Just a word with you.
34:20There's some people here from the Home Office about Grace.
34:25Oi, come on!
34:26I wasn't expecting this either, alright?
34:30Oi, so it's gonna be like our nephew, right?
34:33I thought I'd just shut up about them two.
34:35Yeah, but if Mum and Mr Clarkson do get married, that's making Chloe like our sister.
34:40Making me Uncle Denzel.
34:42Oh, Uncle Idiot, alright?
34:43Shut up about them.
34:44Come on then, sir.
34:45What are we gonna do?
34:48Okay, tell you what, why don't we turn this to our advantage and put the song together?
34:53Yay!
34:54Right, so we've got Marley's melody.
35:01Very good.
35:02Very good.
35:03Okay, and lyrics?
35:04We can't, sir.
35:05We can't, sir.
35:05They're not done.
35:07What?
35:07I tried finishing them, but he was there.
35:12What?
35:12I can't think when he's there.
35:15Why not?
35:15You are kidding me.
35:16Because he's stalking her.
35:17That's why.
35:18Oi!
35:19Pack it in!
35:19He's curious that everywhere I go, he's there.
35:21Like, really creepy.
35:22Well, that's rubbish.
35:23You know that's rubbish.
35:24Right, I think it's best if we split you two up.
35:27Philip, go and join Miss Qureshi in the hall.
35:29Bye-bye, loser.
35:31What if I don't?
35:31Look, it's just for now, okay?
35:33Which gives you time to finish the lyrics.
35:34You can use my office.
35:35The rest of us will do exercises.
35:37If it's all the same, sir, it'll be easier in the library.
35:40Okay.
35:44Dante.
35:47It's a girl.
35:49It's a little girl, Tom.
35:51And she's perfect like you wouldn't believe her.
35:54I mean, she's got these tiny little toes and fingers, man.
35:56It's unreal.
35:57The house closed, you alright?
35:59She's great.
36:02Dante.
36:03Her daughter.
36:07This is silly.
36:09They're saying that you bought Grace from her family in Rwanda.
36:11No!
36:12You can't believe him.
36:19I'm assuming Miss Campbell hasn't told you she's been under investigation for several weeks.
36:24No, she hasn't.
36:27I visited her house myself.
36:29No toys.
36:30Nothing to suggest a child was there.
36:33In fact, Miss Campbell denied point-blank she had a child.
36:36So which is it?
36:37Is Grace yours or not?
36:40Kim?
36:40You paid for Kahika Meda to come here, whilst here you purchased her baby.
36:45Your credit card was then used to buy a flight for Mrs. Meda to leave the UK.
36:49She left alone, using a different airport to confuse immigration.
36:55Is that true?
36:58It wasn't.
36:59It wasn't.
37:00It wasn't.
37:00That isn't how it was.
37:01You trafficked a child and passed her off as your own, yes or no?
37:07Kim, answer. Did you take someone else's baby?
37:16But it's not how we were saying.
37:18It's true.
37:22In which case we have a warrant to take Grace into care.
37:26She's been made a ward of court.
37:28What?
37:29Once the preliminaries have gone through, she'll be deported back to Rwanda.
37:34But Kahika wanted her here with me.
37:37Whether she did or did not, Grace's father doesn't.
37:40Or maybe you didn't consider you had an opinion.
37:42No!
37:43He's the father.
37:44You had no right simply ignoring that.
37:47Where's Grace?
37:48No.
37:50You're in a lot of trouble. I think that you need to cooperate now.
37:54I feel faint.
37:55I need some air.
37:56Where's the baby?
38:01They're here. They've got to take Grace.
38:03Right, get in there.
38:05Whoa! You lot are in a hurry.
38:07It's never seen Kim.
38:09Kim?
38:10Yeah, yeah, she just went downstairs.
38:20Kim.
38:21It's all right. I've seen them and I've sent them the wrong way.
38:23Hello, darling.
38:25Look, I want you to go to mine, okay?
38:27And as soon as I can, I'll be there.
38:29Then we'll go.
38:30Kim, come on. You can't afford to hang about.
38:32Maybe Kim's wondering how long she can keep running, Steph.
38:39I've asked them to wait outside.
38:41We need to do this sensibly.
38:43No one wants to make it any worse than it has to be.
38:45Worse than what? Worse than them sending this little one back?
38:48Look, Steph, I will talk to you later.
38:50Right now, I need to talk to Kim.
39:05You know it's over, don't you?
39:08You can keep fighting it or you can...
39:11You can do what's right by Grace.
39:12You can...
39:14It's your choice.
39:18Oh, Kim.
39:19Why would you do this?
39:21You, of all people, you've thrown away everything you had.
39:24They're talking about arresting you.
39:26And I'd do it again.
39:30I would do it again.
39:33Doesn't matter what happens.
39:37Well, I can't keep on waiting for long, so...
39:41Take a moment and say goodbye.
39:43Take a moment and say goodbye.
40:09Yeah.
40:09Yeah, I'm fine.
40:11I've just got to sort things out.
40:14Make her a need to know.
40:16Means telling her about the adoption.
40:18Do you think that might be best left to close?
40:21Yeah.
40:22I guess when she's done that, the worst of it's over.
40:25Still, it isn't going to be easy.
40:27It's a decision she's got to live with forever.
40:30Anyway, I'd better pack her back.
40:32Tom, do you know what to pack?
40:34Do you want a hand?
40:37I mean, no, I didn't mean to.
40:39I just...
40:39No, you should come.
40:41I want you to.
40:42You'll be a lot more useful than I will.
40:44Come on.
40:47Hey, you.
40:50What are them nasty people running around for, eh?
40:54Grand Mummy all in her tis.
40:58But you have got nothing to worry about, okay?
41:02Nothing.
41:09It's just...
41:10Mummy's not going to be here tomorrow.
41:13Not this mummy anyway.
41:15But that does not mean that I don't love you, alright?
41:20Because that would be impossible.
41:25You've just got to be with your other mummy now.
41:28And she is going to love you every bit as much as I do.
41:36And when you're older...
41:39Don't suppose you'll even remember this, will you?
41:42Or me.
41:45I want you to know that you are my special little angel.
41:53You are so special.
42:02Okay.
42:32It's better not to.
42:42It's better not to.
42:44We need to go through some details about Grace for the care authorities.
42:47No!
42:49No!
42:56Sorry.
42:58Not to register and everything.
43:00Don't I?
43:04How are you feeling?
43:06Tired.
43:07How is she?
43:09Yeah.
43:10Yeah.
43:10She's doing alright.
43:17Listen, um...
43:18Babes, I'm sorry for what I did.
43:20What have you got to be sorry for?
43:22Just for getting this all wrong.
43:24It's just I wanted our baby so much.
43:28And I thought of it growing up not knowing us.
43:31I was just...
43:32I was just doing my head in, you know?
43:35I know.
43:37But seeing you hurting in there...
43:42It just made me realise that...
43:46It just made me realise that I can't live without you, Chloe.
43:52I know.
43:53And if that means giving her up...
43:56Then that's what I'm gonna do.
43:58Hi, you two.
44:00You recovered yet?
44:01Just been down to see our baby scrubbed up.
44:03It says you can come up in a bit.
44:05No.
44:07I mean, erm...
44:08Chloe's a bit whacked on that, you know?
44:10But er...
44:11I just wanna say thanks for what you did in there.
44:13No.
44:15I wanna see her.
44:23The care authorities will need access to Grace's medical records.
44:28Inoculations she's had, etc.
44:30We've also an order giving us access to your financial records.
44:33Which should help trace any agents you've used.
44:35Agents?
44:37Trafficking babies is a lucrative trade, Mr Lawson.
44:40We've had reports of young girls held and made pregnant simply for profit.
44:44Extension 214.
44:48Kim, why?
44:50This just isn't you.
44:51I don't understand why.
44:55I just wanted to help.
44:57And that's helping?
44:59Rachel.
45:00No, Eddie, I need to know.
45:02You owe us an explanation.
45:05Kim.
45:09I'm sorry.
45:11So the consequences for the rest of us and on this school, they didn't matter.
45:15As long as you got the baby that you wanted.
45:16No.
45:17But that is how it looks.
45:19Other people get hurt and what do you care?
45:21It wasn't like that.
45:25What do you know?
45:27What do you know about the world she's going back to, eh?
45:29Well, I know that's where her family is.
45:33And do you want me to tell you about her family?
45:37A mum, Kahika.
45:38She's 31 years old.
45:40When she was barely 12, her entire family was massacred.
45:45She was left with nothing.
45:48All she could do was hope that a decent man had come along and look after her.
45:55When I met her, she was pregnant for the fifth time with his child.
46:00She cried when she told me.
46:02Because she thought it was going to be another girl.
46:07All it had to look forward to was what she'd been through.
46:10None of that changes the fact you committed a crime, Miss Campbell.
46:14I'd like you to come to Rochdale Police Station.
46:16You'll be charged then released pending further investigation.
46:20Do you understand?
46:47Oh, Miss, any word on Chloe?
46:49Sorry, Janice.
46:50No one flaming tells me anything.
46:51They text her when they make you turn your phone off in the hospital, don't they?
46:54Look, I'm sure she's fine, OK?
46:57Shall we be in touch?
47:03Say, what's up with Miss Campbell?
47:05Go home, San Luca.
47:07It's been a long day.
47:54I don't know what it is, but there's something dead weird going on with Campbell.
47:59Hello?
48:00Ground control to Nerdoid.
48:01Anyone in there?
48:02Sorry for thinking.
48:05Can't get through to Chloe, Eva.
48:07Is she okay?
48:08I said, didn't I?
48:09I can't get through.
48:10Right.
48:11Give up.
48:13What are you up to anyway?
48:14This thing for Wilding.
48:15I didn't think it was that bad, but then Koreshi basically said it was crap.
48:19Now my brain's frozen and it's too late to say I can't do it.
48:23You know what to do, don't you?
48:25What?
48:30Cheat?
48:31Why not?
48:32You wouldn't have invented the web if you weren't supposed to use it.
48:35Alright, let's try it too.
48:36Let's try it too.
48:38We have to.
48:38Let's try it too.
48:42Let's try it too.
48:42You haven't done that.
48:44OK.
48:55But I can't do that too.
49:02Here she is.
49:04After that is gone!
49:05A bit more time.
49:28We could call her, isn't he?
49:31Mum would have liked that.
49:33Carl.
49:35What are you saying?
49:37After I got pregnant, all I kept thinking about was what Mum would have said.
49:42All she ever wanted was for me and Mika to make something of ourselves.
49:46I just kept thinking I was letting her down.
49:48Hey, you could never do that.
49:50Yeah, but that's the thing.
49:52What she wanted most of all was for us to be happy.
49:57And I am.
49:59With you and with our baby girl.
50:13Here they are.
50:14Tom.
50:23Well, they look pretty sorted to me.
50:30Listen, thanks for today, Rose.
50:32I don't think I could have got through it without you.
50:34No.
50:35No, I mean it.
50:45Look, I don't know the full consequences.
50:47As it stands, Kim is still a member of staff.
50:49Well, the governors will accept that.
50:51It's a different matter, isn't it?
50:52Hold on.
50:53You're saying she stole a child?
50:55Surely that's obvious?
50:56Someone like that can't be in a school.
50:58Oh, I thought you might get on your high heels.
51:00All right, that's enough.
51:01Come on, we're all really tired, aren't we?
51:04I prefer to reserve judgment until the full facts are known.
51:08And on a lighter note,
51:10Claude Charles and her baby are doing really well.
51:11I'm going to send flowers for the sort.
51:13Okay.
51:19Reserve judgment.
51:20All your mind was made up.
51:24That was a bit snappy.
51:26Well, what does she know about anything?
51:28Are you saying you know something?
51:30And what if I did?
51:32Look, if a friend came to you in trouble,
51:34what would you do?
51:34Turn your back?
51:36Anyway, I don't think that Kim's done anything wrong.
51:39Oh, come off it, Steph.
51:40Well, are you trying to tell me
51:41that you think that baby Grace
51:43wouldn't have been better off here?
51:45Right.
51:45I've got to get on to my choir at Loggerheads.
51:48Who?
51:49Philip Ryan, Felicity Mellor.
51:52Why'd you say that?
51:53Well, Rachel Mason might not think so,
51:55but anybody that takes someone else's lingerie
51:57and puts them in a girl's bag as a come on.
51:59I mean, what, so this is part of a pattern?
52:02Yeah, but I've got more important people
52:03to worry about than creepy Philip Ryan.
52:08There's no way around here.
52:09We have to suspend Kim or the governors will go ape.
52:12There's going to be enough flack as it is,
52:14not least of all from the newspapers.
52:15It's all the more reason to wipe our hands of her.
52:22Can't.
52:22I'm going to get her a lawyer.
52:26I mean, she risked everything.
52:28What makes someone do that?
52:29Look, while you're doing that,
52:31I'll round Philip up and we can get out of here.
52:33Yes, hello, it's Rachel Mason.
52:35Can I speak to Daniel Porter, please?
52:37Might even buy you a drink later.
52:39That's all you could do with one.
52:51Oh, oh, oh, check me.
52:53That was a little girl, I'm men.
52:55Oh, my God.
52:58It's what's like, flowed, aren't you?
53:00Yeah.
53:00Philip, can I have a word, please?
53:02Yeah, sir, about today.
53:05Um, it wasn't my fault, but I'm sorry.
53:08That's not exactly true, is it?
53:10What?
53:13Look, I was going to tell you tomorrow,
53:14but I might as well tell you now.
53:16I'm afraid I'm going to have to ask you to leave the choir.
53:20But I love it.
53:22Yeah, well, you should have thought about that
53:23before you used it as a chance to chase Felicity.
53:27That's not what I'm doing, sir.
53:28Well, that's what I'm hearing.
53:30Look, I've got a competition to prepare for, OK?
53:33And I can't have you spoiling it for the others.
53:38Sorry.
53:40Sorry.
54:05I can't have you spoiling it for the others.
54:08See you soon.
54:08Bye.
54:12Bye.
54:19Bye.
54:24Bye-bye.
54:26Bye.
54:26Bye.
54:27Bye.
55:02Kim, I thought you might want to come and stay at my place.
55:06I've got a cab waiting.
55:07All we have to do is pack you a bag.
55:18Kim, please answer the door.
55:56Kim, please answer the door.
56:08Kim, please answer the door.
56:29Kim, please answer the door.
56:36Kim, please answer the door.