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00:21Where are you?
00:24I can't see you!
00:32Jack!
00:38Jack?
00:46It's just a drink.
00:50No.
00:53The counsellor said you could go back.
00:58Whenever you wanted to.
01:00But I don't want to.
01:05Today's your lucky day, Paul.
01:07Get the first one for free.
01:08So come on.
01:08Nah, mate.
01:09That's not going to do it.
01:09Is it?
01:10Come on, man.
01:11You're going to have to do better than that.
01:12Come on.
01:13Come on.
01:18This way.
01:19This way.
01:20Never.
01:22You're pathetic, man.
01:23You are pathetic, man.
01:24You're just pathetic, man.
01:25You're a fuck.
01:27That's more like it.
01:30Fight!
01:31Fight!
01:32Fight!
01:43TJ!
01:44Come on.
01:45Fight!
01:46Fight!
01:48What party?
01:50Teacher.
02:03You all right, sir?
02:11Hey there.
02:13When's this, Mr Wilder?
02:14End of term.
02:15For auditions today.
02:17Oh, it's like the X Factor, innit?
02:18I sung a chair at me uncle Stan's wedding.
02:20No one's fine.
02:21I'd like to proceed, eh?
02:22Yeah, I'm on stuff as a post, Mr Wilder.
02:25Sign up.
02:26See how you get on, yeah?
02:31Can you hold us to the corner?
02:32Yeah.
02:35You don't waste much time, do you?
02:37Sorry?
02:38Already putting on a musical.
02:40Very ambitious.
02:41Well, just starting as I mean to go on.
02:43And you've roped in the lovely Jasmine to help.
02:46Oh, only with the posters.
02:47I mean, I'm happy to muck in, but I've got a bit of a tenure.
02:51Oh, dear.
02:52That's a shame.
02:54Whereas musicality runs in my family.
02:57My nephew actually auditioned for Grease Is The Word.
03:00Yeah.
03:01Anyway, pop by later, eh?
03:03See how you're getting on.
03:06Hey, there's no point in you lot signing up.
03:08It's when they've heard me.
03:10Wait on, sign up for what?
03:11Musical.
03:12My world debut.
03:13Stars in the Rise and all that.
03:15Yeah.
03:15Tonight, Matthew, I'm gonna be deluded.
03:18Er, no thanks.
03:19Not really my scene.
03:20No offensive.
03:21Yeah, none taken.
03:22What about you, Dante?
03:24You'll have a great chance at a park.
03:25I tend to find that the girls outnumber the boys as well.
03:28Yeah?
03:29Wiki, sign me up then.
03:31Yeah, me too.
03:33Er, do you think that's wise?
03:35Maybe you should hold back on your extracurriculars
03:36until you get a better handle on your schoolwork.
03:39Well, I could handle both.
03:42The French homework that you struggled through last night suggests otherwise.
03:51Sorry.
03:52It's okay.
03:53What about you, Mika?
03:55Oh, I can't really sing.
03:57Who was that in the bathroom this morning, then?
04:00It's all right.
04:00You've got a great voice.
04:02Yeah?
04:05Okay.
04:05Put me down.
04:07Cool.
04:13Who's that pretty boy, then?
04:14Son of a idiot.
04:16You got in a couple of good dicks.
04:17So you really gonna do it, then?
04:19Yeah.
04:23Yeah.
04:24Yeah.
04:28Mate, I don't think that you could.
04:30Come on!
04:31Just come at me!
04:32I can take it!
04:33I can take anything.
04:35You can take anything!
04:36Come at me with a chair!
04:39Anything!
04:39Are you?
04:40Come on!
04:42Shut up!
04:49We wait for banking!
04:51We wait for banking!
04:51Come on, come on and run for now!
04:53Come on, Charlie, you're banking!
05:12Hey, Simon Cowell. How's it going? Got many sign-ups?
05:18Quite a few, actually. I'm pleasantly surprised.
05:20Well, let's have a look.
05:21On the piano?
05:28Janice Bryant. Oh, my God.
05:30And I don't know what he's put his name down for.
05:32He couldn't carry a tune in a bucket.
05:35Mind you, I always suspected that he had a liking for musical theatre,
05:40if you know what I mean.
05:42Well, it's quite a mixed bag.
05:44Well, it's supposed to be.
05:46You know, this musical is for everyone.
05:50I want to see the kids that don't usually get the chance to shine as well, you know.
05:53Shine? Haven't you heard? You can't polish a...
05:56Music brings out the best in some kids.
05:58Well, they do say that it soothes the savage beast, which might come in handy round here.
06:04Actually, Matt, I admire your enthusiasm.
06:09I just think you could do with a bit of help, so consider me at your disposal.
06:14Oh, I see.
06:15Erm, I think I've got it under control.
06:18Oh, I'm sure you have.
06:19It's just that as Head of Pastoral Care, I feel that I ought to keep a weather eye on this
06:24sort of project.
06:26You do?
06:27Absolutely.
06:28I mean, it ticks all the right boxes, doesn't it?
06:31Extracurricular, non-academic means of expression.
06:33I'm all over it.
06:35Now, you have got a second period free, haven't you?
06:38So, why don't I pop in then and we can sort out all the details?
06:43Fine.
06:44Wonderful.
06:52Paul Langley?
06:56Paul?
06:58Yeah.
06:59Carla Bentham?
07:00Yes.
07:01Alicia Dillon?
07:02MS.
07:03And Chelsea Woods?
07:05She's away today.
07:06Thanks, Danielle.
07:08Right.
07:09It's only one announcement for today.
07:11Mr Wilding would like me to remind you about the auditions for the school musical at lunchtime.
07:16Apparently, it's not too late to put your name down.
07:19Paul!
07:20Bring that magazine here.
07:22Let's see what's so interesting.
07:25Now!
07:30I bet it's a porn mug.
07:31Gross!
07:32Is it, miss?
07:33Is it pornography?
07:35Quiet!
07:40Can I have it back, please, miss?
07:43At the end of the day.
07:48Right, up you go.
07:49Quietly, please.
07:55Hope.
07:57I don't think you should be bringing things that listen to school.
08:01Why?
08:03Well, because I don't think it's appropriate.
08:17So, erm, what are you going to sing for your audition?
08:19Oh, I've got a song.
08:20Well, let's hear it then.
08:23Not here.
08:23Oh, come on!
08:24No!
08:25You don't mind if you want.
08:28Your song, The Audition.
08:31Off you go.
08:36Dance there, wherever you may be, I am the lord of the dance, said he, and I'll lead you
08:41all, wherever you may be, and I'll lead you all in the dance, said he.
08:48Is that it?
08:51Is it okay?
08:54It's great, really.
08:57Got unusual.
08:57Yeah, yeah, that's a good word for Alicia.
09:00Not unusual.
09:03Right, can you all listen, please?
09:06I said, can you listen, please?
09:09I'm going to start taking in your homework.
09:13So, has anybody got any problems, excuses, barefaced lies as to why you can't hand yours
09:18in?
09:19No?
09:20Good.
09:21Then all this marking will keep me out of mischief.
09:24Although, let's hope that there's a big improvement in some people's work.
09:29Otherwise, I shall have to hit the bottle to get me through it.
09:36Page 29 of your reading books.
09:42Sorry, Miss Haydock.
09:43Could I have a word?
09:44Yeah.
09:45Get on with your reading.
09:47Kayleigh, that includes you.
09:49And I'll be back in a minute.
09:57I'm really sorry to bother you about this.
09:59It's probably nothing.
10:02Well, come on, Jasmine.
10:03Spit it out.
10:05I confiscated this from Paul Langley this morning.
10:09A kung fu magazine.
10:11It's quite graphic.
10:13The stuff about weapons and what have you.
10:16Well, I suggest you give it back to him at the end of the day and tell him to leave
10:20it at home in future.
10:22It's not just about the magazine.
10:24He's been very keyed up and scruffy.
10:27Well, that wouldn't surprise me, but I don't see what...
10:30Do you know about Paul's problems at home?
10:34Something about his mum?
10:35She killed herself.
10:38Oh, yeah.
10:39Yeah, I remember that.
10:41Very sad.
10:43She'd been suffering from depression for years.
10:45And now Paul lives with his mother's brother.
10:49It's Uncle Dermot.
10:50Hang on, hang on. How do you know all this?
10:52Well, I've read his file.
10:54I've read all the files of my form group.
10:57Haven't you?
10:59Yeah.
11:00And I just think something like this could leave Paul very vulnerable to bullying.
11:07I just had a bad feeling.
11:10Well, you've come to the right person.
11:13Because I think you're being just a little bit hysterical.
11:17But we've all been there, haven't we?
11:19It's a learning curve.
11:20You know, putting two and two together, coming up with five.
11:22Look, I'll have a word with him when I next see him, but I suspect it's nothing.
11:28Maybe I did get a bit carried away.
11:30Yeah.
11:30But I'm glad he felt you could come to see me.
11:32I mean, after all, that's what I'm here for.
11:34I mean it, Jasmine.
11:36My door, always open.
11:52I'm sorry I'm late, Mr. Budge.
11:53You know I was out.
12:00What have you done?
12:02It's called an exclusion zone.
12:05You can't do that.
12:07If I'm forced to have her in my class, then I'm forced to take certain precautions.
12:13She's a teenage girl, not a prisoner.
12:15You can't put her in solitary.
12:20Are you speaking to Jack about this?
12:22Oh, I don't doubt it.
12:23But in the meantime...
12:42Not teaching?
12:43No, a few periods.
12:45Can I ask you something?
12:48Of course.
12:51What do you think of this?
12:53Oh, didn't know you were into martial arts.
12:55No, I'm not.
12:55I'm joking.
12:56Who did you confiscate it from?
12:58Paul Langley.
13:01I think I overreacted.
13:02No!
13:03I'm not a big fan of this sort of thing.
13:04I'd rather not see it in school.
13:06Have you noticed anything off about Paul lately?
13:08Such as?
13:09Well, him being distracted.
13:12Scruffy.
13:13A wee bit aggressive.
13:14You've just described every teenage boy I've ever taught.
13:18That's what Steph said.
13:19I was worried about Paul when I spoke to her.
13:22And?
13:23Well, she said she'd look into it.
13:25You did the right thing, though.
13:26Going with your instincts.
13:27Never worry about talking to your colleagues.
13:29That's what we're here for.
13:30And I'm sure Steph will handle it the right way.
13:33Yeah.
13:34I'm sure she will.
13:37From the extract, can anyone identify the main themes in Lord of the Flies?
13:43It's okay.
13:45Right.
13:46Let me make this easier for your addled minds.
13:51What was the extract we just read about?
13:57Oh, come on.
13:59There must be someone in here with a brain.
14:01There is.
14:02Over here.
14:03Excuse me.
14:06Carla would like to answer the question.
14:08I'm sure she would, but I am looking for someone with something constructive to add to the discussion.
14:12I'm sorry.
14:13Danielle.
14:14Come on.
14:15Usually we can't shut you up.
14:17I'm sorry, sir, but I think Miss Shackleton's right.
14:25Do you now?
14:27Yes, sir.
14:28In fact, I think you're pressing Carla's right to freedom of expression.
14:32Isn't he?
14:34Being cooped up with you lot day after day, that's oppression for you.
14:37What about my rights?
14:38Danielle's made a valid point.
14:40Oh, well, I expect Amnesty International would be sending in a squad of social workers before the morning's out.
14:46There's no need to be like that.
14:48I just think you should...
14:48I don't believe you're paid to think.
14:51In fact, at this moment, I can't remember what you are paid for.
14:55My favourite sound.
14:57Pack your bags, leave quietly.
15:00Not her.
15:01She can wait.
15:07Steph?
15:09Sorry to interrupt.
15:11That's all right.
15:11Just doing a bit of maintenance.
15:13You've just had Chloe in your class, haven't you?
15:15Yeah.
15:16How's she doing?
15:19That's what I thought.
15:20She's just not concentrating, Tom.
15:23I mean, I don't blame her.
15:24I'd be a bit distracted if I'd just lost my mum and gained a husband.
15:28She's not thick.
15:29She just needs to buckle down.
15:31Yeah, try telling her that.
15:33Listen, you couldn't give her a bit of extra tuition, could you?
15:36Oh, Tom, I've got so much more on this year.
15:39I mean, I didn't realise how being head of pastoral care would take it out of me.
15:43I know I'm asking a lot.
15:45I mean, if she wanted to come in here on a break and do a bit of extra work in
15:48peace and quiet, that's fine.
15:50Or I could give her some more homework assignments.
15:52Yeah, I don't think that's going to go down a bundle.
15:54It needs to be one-on-one at this stage.
15:57Well, like I said.
15:59I wouldn't expect you to do it for nothing.
16:02I mean, I'd pay.
16:03Oh, I see.
16:06Well, maybe I could free up a bit of time.
16:10You're a star.
16:14It's not catching, you know.
16:16Hmm?
16:17What are you on about?
16:18Well, there's no need to quarantine, Carla.
16:21It's for her own good.
16:23How do you work that out?
16:24My understanding is she doesn't deal well with high-stress situations.
16:30That's when she gets violent, so I'm keeping her in a stress-free environment.
16:35And don't you think it's stressful for her to be singled out?
16:38I'm made to feel like a problem and not a pupil.
16:40She is a problem.
16:43My room fairway, 12.30.
16:45She wouldn't need you otherwise.
16:47She didn't even kick off today.
16:49We probably had a peep out of her.
16:51Exactly.
16:52It worked.
16:53And it will continue to work for as long as I am the teacher.
16:57She is the pupil and you are merely the teaching assistant.
17:02Whatever one of those is.
17:05Come on.
17:06Whisk, whisk.
17:08Okay, then.
17:08Round here.
17:10No, didn't it, bro?
17:11No, we're not.
17:12It's you.
17:12You dance like an elephant.
17:13You sing like a strangled chicken.
17:15Yeah, I do.
17:16No, you're singing that loud.
17:17Yeah, it's an audition.
17:18You're meant to project to be heard.
17:19Well, Mr Wilding will need to hear us, too.
17:21Won't be so sure of that.
17:22And what's that meant to mean?
17:23Means I'm going solo.
17:28Just do it.
17:29Just give me your best shot.
17:30Give it a rest, Paul.
17:31I don't know me.
17:35Come on.
17:36Give him a dick.
17:37Come on.
17:38Come on.
17:38Give him a dick.
17:38Some of you says he's ready.
17:40Go on.
17:40Come on.
17:41Finish him up.
17:42Come on, boy.
17:50You said to give him a best shot.
17:52Come on, man.
17:52You'll be okay.
17:53Just give me a minute.
17:55There'll be no time outs tonight.
17:57You'll be okay.
17:58Nah, mate.
17:59You're going to get your arse kicked.
18:01You need a plan B.
18:11Blankly.
18:13You all right?
18:16All I want to do is sort the wheat from the chav.
18:20Don't you mean the wheat from the chavs?
18:22There's a lot of talent out there.
18:24Do you think Waterloo Road might be harbouring our next Robbie Williams?
18:28I hope not.
18:28There's only room for one massive ego around here.
18:30Not yours, surely.
18:32You haven't seen me in full flight yet.
18:34No, but I'm looking forward to it.
18:37Cause I feel like I belong.
18:42You really love all this stuff, don't you?
18:44Yeah.
18:46Yeah.
18:46Yeah, I do.
18:46I do.
18:47I just...
18:47I just want the kids to love it as well, you know?
18:50Play something I might know.
18:52Er...
18:52Okay.
18:56Oh, I love this song.
18:58Have you ever seen Cabaret?
19:00Three times.
19:00Divine Decadence.
19:02Right.
19:02Come on then.
19:03I see you.
19:03No, I'm not singing.
19:05Oh, go on then.
19:06What good is sitting alone in your room?
19:12Come hear the music play.
19:17Life is a cabaret, old chum.
19:22Come to the cabaret.
19:26Hey, hey, slowly, slowly.
19:29Just throw it straight back up again.
19:34I think you can talk now?
19:38Yes, sir.
19:41So...
19:42Who did this to you?
19:47You never did it to yourself, did you?
19:52Paul.
19:58Wait here.
20:23Oh, what?
20:24Well, I've got some great news, Clare.
20:26I've had a word on this, eh, Doc?
20:27And she's agreed to give you some excellent advice.
20:29Have you asked her to us?
20:30Why?
20:30Well, why do you think?
20:31She's coming round tonight.
20:32No, she's not.
20:33Yeah.
20:34We might have plans.
20:35Such as.
20:36I don't know.
20:37Maybe I'm taking Clare out or something.
20:39Oh, I'm sorry.
20:39I didn't...
20:40I didn't realise you were taking her out.
20:41Where are you going?
20:45That's what I thought.
20:45Look, why didn't you go out, eh?
20:47That was half the place to ourselves for a change, eh?
20:49What?
20:49I missed the pleasure of your scintillating company.
20:51Why?
20:52I wouldn't dream of it.
20:53Stemp will be over at six.
20:56Oh, my God.
20:57Oh, my God.
21:00Oh, my God.
21:04Oh, my God.
21:06Oh, my God.
21:10Oh, my God.
21:15Oh, my God.
21:17Oh, my God.
21:20Hey.
21:24Fancy you singing a song?
21:30At last.
21:32I'm starving.
21:34I was wondering where you got to.
21:35I had to make a couple of phone calls.
21:38Mm-hm.
21:39Look, Jack, I haven't grown to work with Carla.
21:42I need more training.
21:44So I can do my best for her.
21:46OK.
21:48And?
21:48Well, there's this course I want to go on. Asperger's in the classroom. I've got a few
21:54places left.
21:56Okay. I think we can find the funding. When is it?
22:03Next week, in Birmingham. It's a residential course. Look, and then the timing isn't great.
22:12And if you really don't want me to go, then just...
22:14Why wouldn't I?
22:19Flaming hell. I'm a little old to be sleeping with a light on. I'll be fine.
22:24Are you sure?
22:25Yeah. I'd probably sleep better without you there. Tossing and turning next to me.
22:31Alright.
22:38I understand Jasmine came to you this morning with some concerns about Paul Langley?
22:42Yes, and I set her straight.
22:44Did you now?
22:45Well, you know what these newly qualified ones are like. Every kid's a trauma case. There's nothing to worry about.
22:51But did you follow it up?
22:53Well, I was going to.
22:56I found Paul Langley staggering outside the boys' loo's at break.
23:00Hardly able to breathe, having been punched in the stomach.
23:03Is he okay?
23:04He'd be bruised for a couple of days. We were lucky. I could have been taking him after casualty with
23:08a broken rib.
23:09So it could have been worse?
23:11It could have been avoided. Look, I don't care if you thought Jasmine was being over-cautious. You still should
23:17have checked things out.
23:18I was going to.
23:19Well, what were you waiting for? The interval?
23:20Excuse me. I don't know what you're suggesting.
23:25Still see you at last time?
23:27Yeah, of course you will.
23:30Yeah, I can see you're very busy. Did you even look at Paul's file?
23:36Yes, I did. And I know all about his mother's death. And what have you. I could go and speak
23:44to him now if you like.
23:45Don't bother. I'm dealing with this from now on.
23:48Well, what am I supposed to do?
23:50The sound of music. That's always a crowd of reason.
23:57You guys still come to the auditions with me, aren't you?
24:02Please.
24:04Of course. I wouldn't miss it.
24:08You never guess what Tom's gone and done. You still haven't been round again, have you?
24:12Well, he's started it.
24:13Oh, great. Another night with you and Tom galaring at each other.
24:17What's he done now?
24:18He's arranged for me to have extra French lessons.
24:21Swine?
24:22Yeah, I know, but at home with Haydock.
24:25Well, don't you need the help?
24:28Yeah, but not from her.
24:29Didn't I tell you catch up?
24:30God knows how long that's going to take.
24:33I didn't know a level would be so hard.
24:34Something to be ashamed of. I struggled at first. I bet even Brett did.
24:38Yeah, well, we can't all be geniuses.
24:42No, but...
24:43Well, you could shoot a close head of staff, couldn't you?
24:45Oh, yeah, that'd be brilliant.
24:48Er, I don't know.
24:49Oh, go on, Brett, please. You'll be saving my life.
24:53Go on.
24:57Bradley Mitchell!
25:01Come with me!
25:08Lee Paxton.
25:12Wayne Barker.
25:15Bolt Smiley.
25:17With me now.
25:20I said stand in line, Paxton.
25:28Well, you lot have been in the wars, haven't you?
25:31Paxton's eye.
25:33Barker's chin.
25:35You with them sore knuckles, Smiley.
25:38How to do that, then?
25:39Don't shrug at me, son.
25:42I know you're behind all of this.
25:43And the longer you keep quiet about it, the worse I'm gonna make it for you.
25:47All of you.
25:48Do you two think this is funny?
25:53I will not tolerate intimidation or bullying in this school.
26:00Stand up, Mitchell.
26:07Fine.
26:09Well, let the police handle this, then.
26:14They don't call it zero tolerance for nothing.
26:21He asked for it.
26:22Who?
26:23Paul.
26:24Yeah?
26:24You're the one that hit him.
26:26Like I said, he asked for it.
26:27What's that even supposed to mean?
26:37I was only helping him out, innit?
26:39What?
26:40By smacking him around?
26:41No.
26:42By showing him how to stop getting smacked around.
26:47He asked me to teach him how to fight.
26:50Why?
26:51We promised.
26:53Do what you like.
26:54I ain't telling you anything.
26:58Well, maybe he'll tell someone else.
27:00Do you think Mr. Rumor frightens me?
27:06Are you listening?
27:07The police!
27:08I promised to keep my gob shut, didn't I?
27:10Yeah, and you promised me you were done with court appearances and as-buzz.
27:14I told you, I warned you what would happen if you started with this crap again.
27:18I know, Mum, but I can't.
27:20I see.
27:21So your mates are more important, Tommy.
27:24It's not like that.
27:25It's alright.
27:26I get it.
27:29It's alright, Candice.
27:31Kids today.
27:32Right and grateful little sods.
27:34Mum, don't.
27:37It's alright, man.
27:39Alright.
27:41Paul needed to know how to fight because of his Uncle Dermot.
27:44He's been smacking him around.
27:46So we was toughening him up.
27:49Only he wasn't as tough as he thought he was.
27:52It's true.
27:54Paul's uncles are right.
27:56Well, you know, not just smacking him round either, he's right cruel to him.
28:01Knocks him up in cupboards and that.
28:03I swear it's the truth.
28:05Alright, Paul. It's enough.
28:09Mum, don't cry, man.
28:12I see.
28:14That's what it takes, eh?
28:15I have to be in tears.
28:18Can you send me to the cooler now?
28:20Please.
28:27My uncle's never laid a finger on me.
28:30I don't believe you, Paul.
28:32Bone didn't make all this up.
28:34I've got the brain power for a start.
28:36You're right.
28:37He didn't.
28:41I wanted to join the fight club.
28:43But he wouldn't let me.
28:45So I made up a load of lies.
28:47Lies?
28:49Bone seemed pretty convinced.
28:51Like you said, brain power.
28:57Well, no more lies.
28:59No more fight club or martial arts magazines in school.
29:04I'm warning you, Paul.
29:06Either you find a better way of working out your aggression
29:08or you and I will be seeing a lot more of each other, understand?
29:11Yes, sir.
29:12As it is, you'll be spending the rest of the weekend after school detention with Bolton.
29:15There'll be a letter for your uncle at afternoon registration.
29:19Go on, get some lunch.
29:24Hey.
29:24Maybe.
29:25Maybe give the red meat a bit of a swerve, eh?
29:34What are you supposed to do with that?
29:36Dish it up.
29:37Push-ins, Lewis.
29:38Push-ins.
29:39All right, up the top.
29:40Oh, your pants start in it.
29:42Keep your hair on.
29:48What's in that pile there?
29:50Mushrooms.
29:51Oh, mushrooms.
29:53Oh, is that anywhere?
29:54Yeah, we always do.
29:55Hey, pushing it.
29:56I'm going to have a shower.
29:58I'm going to have a shower.
30:00I'm going to have it.
30:01I'm going to have a shower, and have it, and drop the glass, and have it.
30:02Yeah.
30:10Matt.
30:12I was wondering if you needed any help with the auditions.
30:15The steps are beating you to it, I'm afraid.
30:18She's been at my Elber ever since.
30:20Really?
30:24I shouldn't be so grateful.
30:25I'm sure she's got more important things to do.
30:28Yeah.
30:29She'd imagine she has.
30:31See you later.
30:44Guys, sit down, please.
30:46Sit down.
30:46Come on, come on.
30:47Let's get cracking.
30:48We haven't got long.
30:48Listen.
30:50Okay.
30:51Good turnout.
30:53Right.
30:53Today, I just want to get a general idea of what I've got to work with.
30:58I won't be handing out any parts yet, but everyone who's turned up today will be involved.
31:03I promise you that.
31:04So, just enjoy it.
31:06Alright?
31:06Relax.
31:07And let's see how it goes.
31:08And remember, smile, eyes and teeth.
31:11Right.
31:12Who have we got first?
31:14Dante Charles.
31:15Woo!
31:22Here we go.
31:23Yo, miss.
31:24You better lose yourself in this music.
31:26This moment.
31:27You better never let it go.
31:28Cause you only get one shot now.
31:30Do not miss your chance to blow.
31:31This opportunity comes once in a lifetime.
31:34Yo!
31:40Yeah, man!
31:41Yes!
31:42Good work, Joe!
31:43I'm Janice Bryan, and I'm singing Hips Don't Lie by Shakira, and I'm singing it solo.
31:48Okay!
31:51Oh, baby, when you talk like that, you make a woman go mad.
31:55To be wise and be strong, seeing in the signs of my body.
32:00Now, I'm on tonight, you know my hips don't lie.
32:02I'm starting to feel as part of the perception.
32:05The tension.
32:06Can't you see, baby?
32:07This is perfection.
32:09Woo!
32:15People always talk about, ay-oh, ay-oh, ay-oh.
32:19All the things they're all about, ay-oh, ay-oh, ay-oh.
32:23Write it on a piece of paper.
32:26I got a feeling I'll see you later.
32:30Woo!
32:35He met mama live down in old Boulin Rouge.
32:40Strutting her stuff on the street.
32:43She said, hello, hey, Joe.
32:46You wanna give it a go?
32:47Oh, oh, oh.
32:48Getcha, getcha, ya, ya, ta, ta.
32:52Goochie, goochie, ya, ya, hey.
32:56Moco chocolate, ya, ya.
33:00Criol lady mama live.
33:07Underneath the starlight, starlight.
33:11There's a magical feeling, so right.
33:15Someone's been hiding the light under a bushel.
33:18Yeah, she's not bad.
33:19Try to resist, try to hide from my kiss.
33:24Don't you know, don't you know that you...
33:26How's she doing?
33:27Fine.
33:28Best of the bunch.
33:29Do you not fancy having a go?
33:32You should.
33:33Bet you've got a great voice.
33:34But you know that you can't fight the moonlight.
33:38No.
33:39No.
33:40You can't fight it.
33:42It's gonna get to your heart.
33:50No.
34:00No.
34:14Maybe кажется.
34:43Alright guys, I just want to thank you for today.
34:45We've, erm, heard some very interesting auditions.
34:49Er, but sir, you've missed someone out.
34:55There's no-one on the list?
34:57Carla wants to have a go.
35:01In other words, you have to let her have a go.
35:04It's equal opportunities.
35:05Yeah, it's alright, Danielle.
35:06Nobody's suggesting otherwise.
35:08Er, okay.
35:09Er, what's your song?
35:10I don't want you to play piano.
35:12Okay, we can sing a cappella, if you like, er, in your own time.
35:25I danced in the morning when the world was begun.
35:27I danced in the moon and the stars and the sun.
35:30And I came down from heaven and I danced on the earth at Bethlehem.
35:33I had my birth.
35:36Oh, Carla, that was lovely.
35:39I'm staying wherever you may be.
35:41I am the lord of the dancing.
35:41Carla, you're gonna have to stop now.
35:42It's lesson time.
35:43Well, there's more.
35:45Well, we've heard enough and it was lovely.
35:47But I need to sing it to the end.
35:48There are more words, lots more.
35:50I know, Carla, but we haven't got all day.
35:51But I need to finish.
35:52I should be allowed to finish.
35:53Hey, Carla, you're gonna have to calm down.
35:54I was told I'd be able to finish.
35:55Okay, finish.
35:58I can't, I can't remember where I was now.
36:01Right, well, if you can't remember where you were, let's go.
36:04Don't touch me, please.
36:06For God's sake, calm down.
36:08I'll get back.
36:10What?
36:18Carla!
36:21Have they gone?
36:22No, not at all.
36:30I think we've got a problem.
36:33Missing?!
36:33How does a bloody great knife go missing?
36:36Well, it's been nicked, obviously.
36:37I've got no kids today, but it's not glued down.
36:39Yeah, thanks, Lewis.
36:41Get back to work now, please.
36:44Right, I want a full bag search.
36:46No child leaves the premises until that knife is back in the kitchen.
36:49Too late.
36:50Somebody's already gone.
36:51Paul Langley didn't turn up for registration this afternoon.
36:55Oh, no.
36:57Something you want to tell me?
37:01Erm...
37:06Hello, what are you up to?
37:09I don't have a choice, Eddie.
37:11I'm calling the police.
37:12You don't even know if Paul has the knife.
37:13Well, that's not a chance I'm willing to take.
37:15Or if he's willing to use it on his uncle.
37:17I couldn't give a stuff about his uncle.
37:19It's Paul that's a risk.
37:20I'm calling the cops.
37:21Now, Jack, think about it.
37:23Paul's the victim in all of this.
37:25If the police catch him with a knife, they have to arrest him.
37:27Zero tolerance.
37:28I know.
37:28Listen.
37:30Earlier today, I think he was on the verge of telling me what's been going on.
37:35But he doesn't trust me enough.
37:37If we set the police on him now, he'll never trust anyone ever again.
37:40He won't get the chance if he's lying in a pool of blood.
37:42Lads like Paul and Bolton, they're in crisis.
37:45And we write off their behaviour.
37:47Say it's just boys being boys.
37:49That's what I did to Paul.
37:51I told Jasmine their behaviour was just to be expected, but I was wrong.
37:56I just think we've got a chance here.
37:57But not if Paul disappears into the criminal justice system.
38:11I don't know what we mean.
38:12There we are.
38:30Anyway.
38:34Go on. I know these are your favourite. Look, don't have them are broken, cos I know it freaks you
38:41out.
38:43Go on. Fill your boots.
38:57Paul?
39:05Paul, I know you're here, so you might as well come out.
39:11How many times, eh? How many times am I going to have to drag you back to that school?
39:18I warned you what would happen if you started this bunking off crap again.
39:23I mean, what did you think, eh? That I didn't mean it.
39:27I can tell you that I didn't. I haven't got all day to play hide and seek.
39:33See, you know what you're doing!
39:36You know, but you're still out, I can't help you!
39:41Sometimes, I wonder why I bother.
39:46I mean, I talk.
39:49I talk.
39:51But not a word if it goes into that stupid little Eddie Morse.
39:56So you've been like this with your mother.
40:00No wonder she topped herself.
40:09Can I help you?
40:11We'd like to see Paul.
40:12Oh, sorry mate, he's at school.
40:14No, he's not.
40:15We're from the school.
40:16I'm Mr Rimmer, the head.
40:18Look, we really need to speak to Paul.
40:20Why, what's going on here?
40:21Nothing.
40:21We just need to know he's safe.
40:25What's he been saying?
40:26Nothing.
40:27Look, I know what you're getting at.
40:28I'm not stupid.
40:29Come back when you know the full story.
40:30Why don't we just go inside and we can talk about this, yeah?
40:32Talk?
40:32That's all you people can do.
40:33Sad thing is you really think it helps while it doesn't.
40:35Listen, I know you've had a rough time since your sister died.
40:37Oh, I just leave it alone.
40:38I don't think I can do that.
40:39I can do that.
40:40I won't tell you again!
40:40Get out of my bloody hands!
40:44Watch him.
40:49Paul, say...
40:55Put it down.
41:00Jack.
41:01I'll handle this.
41:04Jack.
41:06Yeah?
41:07I'm okay.
41:15It's okay.
41:17We know what's been going on.
41:18Get up!
41:21Get off me!
41:22Get off me!
41:23It's alright.
41:24He can't hurt you.
41:26Not whilst we're here.
41:29Why don't you give me the knife?
41:32Look, Paul.
41:34You're not in trouble.
41:36Not if this stops right now.
41:40You're safe.
41:41I don't want to end up like me mum.
41:44I had to make it stop.
41:45I know.
41:46Put this in the way.
41:49Not even your job to make it stop.
41:52It's ours.
41:53We're the grown-ups.
41:55And we're here now.
41:57Okay?
41:59Hand it over.
42:07Yeah.
42:08Hey.
42:13What?
42:13Well, everybody else manage with just a verse and a chorus.
42:16Yeah.
42:17Well, everybody else doesn't have Asperger's.
42:19Carla!
42:20Look, Carla takes comfort in repetitive behaviours.
42:24Little rituals.
42:25She's probably practised that song over and over, but always finishing it.
42:29So when she hasn't been able to...
42:30Alright, alright.
42:30I get it.
42:31I've screwed up again.
42:33If you want to have a go, join the queue.
42:35Steph, I'm not having a go.
42:36I just need you to understand.
42:38Look, Carla's perfectly capable of functioning in this school.
42:42If only everyone would give her a chance.
42:45No, it's okay.
42:47I'll deal with this.
42:50Any news on Paul?
42:53I'm sorry?
42:54Paul Langley.
42:55I just wondered if...
42:56Well, I wouldn't know, would I, Jasmine?
42:57Because you kept me out the loop by going to Eddie, didn't you?
43:00I didn't go behind your back, Steph.
43:02I just needed to...
43:03Anyway, it's not your fault, Jasmine.
43:04You've got a lot to learn.
43:06I know.
43:07But...
43:08But what you have to realise is that you shouldn't stab your colleagues in the back.
43:11We have to stick together and support each other.
43:14Understand?
43:18Like you supported me?
43:21I'm sorry.
43:22Did you say something?
43:26It's just...
43:27I came to you with a genuine concern.
43:29And you gave me the brush off.
43:31Yes, because you didn't have any evidence.
43:33I had my instincts.
43:34And if I had trusted you, I would never have listened to them again.
43:37I don't call that support.
43:46Yeah, you're all so flaming boggered about him, aren't you?
43:50Whatever the kid's for.
43:51He's 14!
43:53Yeah, and who do you think's got him this far, eh?
43:56It's not like his bunkers.
43:57He's six feet under, lucky cow.
44:01See, me who found her.
44:04Just hanging there.
44:06Beautiful.
44:07She had this...
44:09Weird smile on her face.
44:11Like she was free.
44:14Because I'm not, am I?
44:16So you're angry at your sister.
44:18There's no reason to use him like a punch bag.
44:21I'm left having to do everything to that kid.
44:24No-one ever asked for that.
44:28And he don't make it any easier!
44:32Sometimes...
44:35Sometimes I lose it, I can't control it.
44:37I've just gotta get it out!
44:45What you need is help, mate.
44:51You two seem to be getting on with Carla at the moment.
44:53Do you have any idea where she might have gone?
44:56I'm sorry, miss.
44:57She was never so upset.
44:59So we're here.
45:00It was so tight of Miss Haydock not to, like, finish her song.
45:03I mean, I didn't think she was that bad of a singer.
45:05Me neither.
45:08You know, you're right.
45:09People can be thoughtless.
45:11Even cruel.
45:13Is it you that's looking for that asparagus girl?
45:19Why didn't you tell someone what was going on?
45:21I did.
45:23Okay.
45:24Why didn't you tell someone with more intelligence than Bolton Smiley?
45:31There's so much help for you out there, Paul.
45:34Doctors.
45:35Social services.
45:36They never helped Mum.
45:37I bet they tried.
45:41Look what nearly happened here today.
45:45What if Bolton hadn't told me what was going on?
45:48What if Lewis hadn't told me about the knife?
45:50Don't know!
46:03Police have called in the mental health unit.
46:04I told him that Paul's family has a history of acute depression.
46:08What about Paul?
46:10To call social services.
46:12Get some emergency foster care.
46:14Do you want to go and pack a few things?
46:19Emergency foster care?
46:20I know. I know.
46:21It's not ideal.
46:22He needs counselling, therapy, something.
46:26Either that or he goes down the same way as his mum and his uncle.
46:28We just have to keep an eye on him.
46:30It's not enough, Jack.
46:31And you know it.
46:34Let me call a mate of mine.
46:36She was behind the bins.
46:38Saw a boat star.
46:39How?
46:40Well, she likes potato waffles.
46:42Even with her little squares.
46:43I think it's cos it's symmetrical.
46:45That's very clever.
46:48Can you give us a minute, Lewis?
46:50No.
46:52It's OK, Carla.
46:54Come on.
46:56Take some deep breaths.
46:59In and out.
47:02In and out.
47:04In and out.
47:05We'll keep things nice and quiet.
47:09Nobody's going to bother you.
47:11You can take as long as you want.
47:31I don't get it.
47:33Neither do I.
47:40I don't get it.
47:42Neither do I.
47:42Hey!
47:45Hey!
47:53Mr Chris.
47:54Eddie Lawson.
47:55This is Paul.
47:56Jack Rimmer called you about him.
47:57Right, Paul.
47:58I'm the youth worker.
47:59I thought you were the Kung Fu teacher.
48:01It's Taekwondo, actually.
48:03Oh, sorry.
48:04It's all right.
48:06I teach martial arts to kids who've had problems with violence and control.
48:09Through Taekwondo, I show them how to channel their aggression.
48:12Turn it into something positive.
48:14Something disciplined.
48:16Damn sight better than Bolt and Smiley's break time fight club then, eh?
48:23Carla.
48:25I know you've had a horrible day.
48:27Week.
48:29I'm sorry?
48:31Horrible week.
48:33Ever since I came here.
48:35Yeah.
48:36I can see that.
48:39You know,
48:41I think it's gonna take a lot of time for you to get used to this place.
48:45And I think it's gonna take a while for this place to get used to you.
48:50But you know what?
48:52I'm going to help as much as I possibly can.
48:56I can't promise you that you'll never have a bad day again.
49:00But I can promise you that it will never be as bad as what it was today.
49:08How does that sound?
49:12Better.
49:18I've had a tooled up kid ready to stab his mental uncle.
49:23I've had Carla Bentham going postal.
49:26I've had Eddie Lawson telling me how to do my job again.
49:30And what have you been doing?
49:32A performance of a chorus line.
49:35It was cabaret, actually.
49:37I didn't think you were the musical theatre type.
49:39It's not bloody funny, Steph.
49:41I gave you the pastoral care job because I thought I could trust you.
49:45No, you didn't.
49:46You gave me the pastoral care job because no bugger else applied.
49:50I'm not stupid, Jack.
49:51I know I wouldn't have been your first choice.
49:53You wouldn't have been my 50th choice after today.
49:56Look, I don't want to be a screw up.
49:58I'm doing my best.
50:00Are you? Really?
50:01Yes.
50:03Everybody makes mistakes.
50:04Everybody deserves a chance.
50:06You've been saying that for years.
50:10Look, I'll do whatever it takes.
50:12Hard work, training courses, performance enhancing drugs...
50:18Enough!
50:39You can keep your pastoral care job.
50:46You won't regret it.
50:47I better not.
50:48Because I tell you this, it's the last time I put my neck on the line for you.
50:53I promise, I won't let you down.
50:55Just go, Steph.
50:59And you best stay out of Eddie Lawson's way as well.
51:02You're not his favourite person at the moment.
51:16Don't know whether you heard.
51:17We found Paul.
51:19Thank God. How is he?
51:21Well, you'll have to keep an eye on him, but I think he's gonna be okay.
51:26Thanks, Eddie.
51:28For listening.
51:30No, thank you.
51:31You did good today.
51:34So good, I'm gonna break the habit of a lifetime and actually buy you a drink.
51:41Wait!
51:41Hey!
51:42Don't tell everyone.
51:44They'll all want one.
51:45You were fantastic.
51:48All right.
51:49Wasn't that good?
51:50Yes, you were.
51:51You're gonna get the lead.
51:52You were the best there.
51:53Oh, the best!
51:54What about me?
51:55Oh, you did good too.
51:57Cheers, babe.
51:58Don't strain yourself.
51:59Well, don't worry, mate.
52:00Some people don't recognise true talent even when it's right under their nose.
52:03You're just ahead of your time.
52:06Cheers, mate.
52:07You know, if Dante ever worked out how much Brett takes the mickey out of him,
52:10he'd better end up with a fat lick to go with his fat ego.
52:15He's all right, though.
52:16You know, helping me out on my friendship now.
52:19Yeah, I talked him into that one.
52:20Are you two gonna spend all day gossiping, or are you coming?
52:33I need a drink.
52:35Sorry, but I need to get home.
52:37But you're abandoning me in the hour of need.
52:39I've had a terrible day.
52:41Yeah, I heard.
52:41But?
52:42And after I've given you the benefit of my expertise, my time, my energy.
52:48One drink.
52:49All right.
52:50Then home.
52:51Promise.
52:53I gave Steph a good telling-off.
52:56But I don't know what good it'll do.
52:57You know what she's like, in one ear, out the other.
52:59Yeah.
53:01Do you think I should've sacked her?
53:04What?
53:04What are you reading?
53:06Oh.
53:07It's, um...
53:08It's the suggested reading list for the course.
53:11I think I know what I'm doing this weekend.
53:15Great.
53:16It's all worth it, though, you know?
53:18Having a better level of communication with Carla.
53:21Although I think today was a breakthrough.
53:24Even if I do say so myself.
53:26So we're here.
53:27No, I'm really happy for you.
53:30Really?
53:31Really.
53:33And, er...
53:34Since you're gonna be away for the weekend,
53:36then maybe we should just go home and make the most of each other while we can.
53:40Great.
53:43What?
53:46I promised I'd go round to Carla's house tonight.
53:49What for?
53:50Well, she missed two lessons this afternoon when she went to AWOL.
53:54Don't help her catch up.
53:56You don't mind, do you?
53:57Would it matter if I did?
54:01Janice?
54:02No, it wasn't.
54:02The worst audition was Dante.
54:04Oh, come on.
54:06You looked as if you didn't want him to get past the first line.
54:08Oh, what, and you did?
54:10No.
54:13Right.
54:14Lie round.
54:15Er, I think you remember saying something about just one drink.
54:19Did you?
54:20Don't remember that.
54:21Then again, I do drink to forget.
54:25Same again, please.
54:46There you go.
54:47Lovely, lovely.
54:49Cheers.
54:50Cheers.
55:03It looks to me like you need to work on your grammar, but it's not that bad.
55:06It is.
55:07I'm rubbish at French.
55:08No, you're not.
55:09I've just been told you are by people like Steph Haydock.
55:11Well, she's the teacher.
55:13Yeah, a crap one.
55:15Look, I know I was joking earlier, but I reckon I could get you that B.
55:19Maybe even an A.
55:20Shut up.
55:21It'd take a bit of work, but I'm up for it if you are.
55:24Plus, I would love to see the look on Haydock's face when she has to give you top marks.
55:28Are you two nearly done yet?
55:30No, not really.
55:31We've just got started.
55:32We've got loads of stuff to get through.
55:34See, why bother, alright?
55:36I mean, if you're that crap at French, might as well save you energy, innit?
55:41Come on, babes.
55:41I ain't been stuck in there with Tom.
55:43He keeps looking at me like I'm stuffing off his shoe.
55:49Right.
55:50So, er, where were we before we were so rudely interrupted?
55:53Maybe he's right.
55:55Don't listen to him, Chloe.
55:57I have to.
55:58He's my husband.
56:00So?
56:02We all make mistakes.
56:05I can't believe you just said that.
56:08You should have a higher opinion of yourself, Chloe.
56:11You're great.
56:18Anyway, verbs.
56:21Yeah.
56:22Verbs.
56:23windfry to take some Shakira's time himself.
56:29Hey.
56:30Hey.
56:34Hey.
56:43Hey.
56:46Hey.
56:47Hey, hey.
56:48Hey.
56:50Hey, hey, let's get this phase.
56:52Hey, hey, hey.