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Igra sudbine Epizoda 1692,Igra sudbine 1692,Igra sudbine 1693,Igra sudbine Epizoda 1692, Igra sudbine Epizoda 1693,Epizoda 1692 Igra sudbine ,Epizoda 1693 Igra sudbine
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TVTranscript
00:00I know that you are working for Krkljana, but I don't want to do that anymore.
00:20What are you doing?
00:22You know what are you doing?
00:24Eh, eh, eh.
00:27Dovidenja.
00:29Dovidenja, srce. Ljubite panceta.
00:34A ne, ja sam veganka.
00:44Šta bi ova? Šta reće da te?
00:49Veganka.
00:52Dok god plaći najem, za mene je okej.
00:57Znači, bilo sve lagano.
00:59Ne.
01:00Čak ste uspeli i pucnjevu da zaustavite na vreme.
01:07Znači, ti tvrdiš da je Aleksa odmah odjurio kod te nesrečnice kad je čuo da se dogodila pucnjeva na toj revi.
01:19Pa, nažalost, da.
01:25Pa, dokaz?
01:27Kako misliš, to je neki snimak ili znaš ti dobro šta je dokaz?
01:31Nisam ti ja rekao da zakažeš šta snimak.
01:34Znam, ali oni se ne uklapaju našu strategiju poslovanja.
01:37Pa ti si baš rešila da to znam ibaš na žici, pa?
01:40Zvijevam se.
01:44Dobro, što se toga tiče, ne šekiraj se ja neću ništa reći.
01:47Nije onako se loša osjećam zato što deluje kao da je radi nešto iza leđe.
01:51Pa, dobro, ja mislim da nema potrebe.
01:54Slušao se srce, nisi mogao da se odupreš to oje želji.
01:58Vidi, vidi, ja mislim da ćeš ti osjetiti veliko olakšanje ako tebi priznaš da se tako osjećaš.
02:07Nešom, ako ti to raspoloženje bude i dalje pridignuto, ti mi se javi.
02:12Imaš moj broj?
02:13Imam.
02:14Ovo je privac.
02:16Zovi na njega.
02:18Aha.
02:19Ćao, momci.
02:20Iđenja.
02:21Prašina.
02:22Nije strašno, je upravo je čovjek.
02:24Ej, na ko je upravo?
02:25A što je, na što je upravo?
02:27Znaš šta, Ivče?
02:29Kad čovjek postane bogac, ovako kao ja, i uspešan, onda svi misle da si im ti nešto dožen.
02:35Da si ih ti nešto zadužio.
02:37A znaš koga sam ja zadužio?
02:39Samo samog sebe.
02:40Eto, to da znaš.
02:41Pa nije baš tako, mile.
02:43Pa nije baš tako?
02:44Nije.
02:45Ti očeš da dobiješ aktas?
02:47Ja sam, ja već nameravam dugo da te sklonim s platnom spisa.
02:51Ali te zbog Aleksa je dan.
02:53Pa nije te da kolegenicu Mašu provedeš kroz ofis i pokažeš joj sve što ima.
02:57Razumelo.
02:59Hvala.
03:00Hvala.
03:01Evo možete ovde.
03:02Sad ću ja odmah.
03:09Odmah.
03:10Rekla si ženja.
03:12Ajde da te nečekam.
03:15Išta šef je u sred Bela Dana.
03:16Da?
03:17Udrio mu pištoljem u glavo.
03:21Ko?
03:23Tambora.
03:26Suna.
03:27Aha.
03:29Šta je to?
03:30Ko je?
03:32Kancelarijski prostor nije modna pista, znaš?
03:35Ta suknja bi trebalo da je dužine ispod kolena, a ne iznad.
03:39I to baš toliko.
03:41To nije profesionalno, znaš?
03:43Znam, mislim, nisam znala, nisam vidjela jutros.
03:48Pograšno sam procenila, bit će ispravljeno sutra, stvarno.
03:51Neka bude.
03:53Koliko ovdje ima?
03:55Cela plata i trinesta u napredu.
04:01Josija!
04:02E li ti hoćeš da kažeš da moja Gabriela zapostavlja svoju bebu?
04:09Odakle je pravo jednoj služavi da uopšte komentariše tako nešto?
04:15Ne, ne, nešto mnogo bolje od toga.
04:17Šta?
04:18Da budete telehranite dirai.
04:36Odkuti.
04:48To kažu da život piše romane, kažu da život nije fel.
05:06Ponekad povodi, ali često mane.
05:11I sve je nežesno, osim sudbine.
05:17Kao u ljubavi u ratu, kuca sve nema pravila.
05:29Imaš jedan život, samo jednu šansu, da postaneš nikom, jer zvezda sve mi rad.
05:42Igra sudbine, kao kolo sreće.
05:48Nekoga hoće, nekoga baš neće.
05:53Kao na uletu, sve se obređe.
05:57A mi smo za oci.
05:59Zviđa.
06:02Zviđa.
06:03Okay-klik.
06:04Muzika stopnije.
12:34What are you doing now?
12:36With the additions.
12:38It wasn't a strange thing.
12:40I think it was a strange thing,
12:44but we've quickly solved this situation.
12:48That's why I'm looking at these pivimatic numbers.
12:52I'll solve it so I don't have any complications.
12:54That's right.
12:56Just to solve it.
12:58Hey, Alex, I'm asking you something.
13:02Sorry, I'm sorry.
13:04I didn't know we're together.
13:06No, no, no.
13:08Just leave me alone.
13:10I don't want to make it.
13:12I don't want to hear it.
13:14Lako.
13:16Lako.
13:24You're on the right time.
13:26Sorry, I'm sorry.
13:28I'm sorry.
13:30I'm sorry.
13:32Who did you save?
13:33I'm sorry.
13:34I'm sorry.
13:35I'm sorry.
13:36I'm sorry.
13:38I don't understand anything.
13:40I'm sorry.
13:53I'm sorry.
13:54There he is.
14:02You really don't feel normal.
14:05Always think about the best.
14:08When you're in trouble, it's not a surprise.
14:12No, I knew. I knew I was wrong.
14:17It was horrible.
14:20I'm stupid.
14:23Okay, don't be stupid.
14:26It's true, it's a little bit.
14:28But it's not what you're looking for.
14:32Can you tell me what you want?
14:35Come on, girl, don't be stupid.
14:37Where are you going?
14:39Relia had a little bit of trouble.
14:42That's why you're not telling me.
14:46I'm telling you.
14:48I told you.
14:50What the fuck is wrong?
14:52What the fuck is wrong?
14:53What the fuck is wrong?
14:55Oh, that's what I'm going to do!
15:02Please, I'm sorry, because of my death.
15:04Don't worry.
15:07It's all a shame. It's all a women's shame.
15:16Please, if you can stay between us.
15:21Don't worry, I've forgotten everything.
15:45What are you talking about? How can it be good for us?
15:48We've talked about how much it can be bad for us.
15:50I don't know, but...
15:51I don't know what to do.
15:52I don't know what to do.
15:53I don't know what to do.
15:54I don't know what to do.
15:55I don't know what to do.
15:56I don't know what to do.
15:57I don't know what to do.
15:58I don't know what to do.
15:59I don't know what to do.
16:00I don't know what to do.
16:01I don't know what to do.
16:03and you want to get him out of the way.
16:06I understand.
16:08Now, Mali is so much, you understand, that I just don't know how we will get out of the way.
16:15It's going to be maltreaty, it's going to be over the whole town.
16:18Okay, let's pray, let me let you say something.
16:21Okay, let me say something.
16:22Okay, I've been drinking so much.
16:24Okay, sorry, I've got to say something.
16:26All right. Listen to me, Mali.
16:29We will be constantly with Mali Relian, we will be nonstop with him.
16:33Yes.
16:34That means that we will be Grkljana in the eye.
16:37Okay, understand?
16:38How do I understand?
16:39I understand, but what is in this way, man?
16:41Yes.
16:42That's why we can show Grkljana, understand?
16:45He will see how we are doing a good job.
16:48He will be constantly watching what we are doing with Mali.
16:51And then we will not have to change more.
16:54And then, after that, he will give us a little better position
16:58and with a better position, there will be more responsibility, more love, more influence.
17:02And then there will no longer be anyone that will be in the city.
17:04Do you understand?
17:05I understand.
17:06I understand.
17:07I understand.
17:08But there is only one small problem, you know?
17:10And what problem?
17:11Relia.
17:12What with Relia?
17:13Relia is a problem, you understand?
17:15What?
17:16Because he will be maltreaty today,
17:19we will be good, loyal to Grkljana.
17:23He will see how we work around him and everything.
17:27But he will constantly kill us and constantly kill us.
17:32Okay, I know that there are many things.
17:34However, Grkljana, if you look at that,
17:37he will say that he will not allow it.
17:41Do you understand?
17:42You think?
17:43And on the other side, he will give you more responsibility,
17:48he will have a better position.
17:49He will show you.
17:51You see him, brother,
17:53when you are a little better, you are in the right place.
17:55Of course, I am in the right place.
17:57Only you have to be patient.
17:58A little bit of a grudge.
18:00So, all his needs for women,
18:04for these clinical phases.
18:07How much is the right place?
18:08You know how much is the right place?
18:09I know.
18:10But everything is the right place.
18:11Let's go.
18:12Let's go.
18:13Let's go.
18:14Let's go.
18:15Let's go.
18:16Just listen.
18:18Let me ask you something,
18:20but in other words.
18:21What do you think?
18:23Is Grkljana actually the head of the whole thing?
18:37Maybe it is not clear to you, but it is clear to me.
18:39So, I want to know you that you have done a good job.
18:42That's right.
18:43What's wrong?
18:44What's wrong?
18:45When we are done a good job,
18:47I wanted to talk about Millet.
18:49What's wrong about Millet?
18:51That's right.
18:52You can do a good job and listen to Millet.
18:55You see, you made a great success with Millet.
18:59Millet.
19:00That's right.
19:01You know that I've done a good job,
19:03I've created a good job because of my own
19:05and I can't say that I can't say that
19:07I can't say that I can't say that
19:09so that the system doesn't allow me wrong.
19:11Okay.
19:12And now, Millet is a good job.
19:14Okay.
19:15Millet is a good job,
19:16but Millet is always something else.
19:18And when he is a good job,
19:19he is on the end of our job.
19:22And Alexan, I'm really sure that I'm going to say that I'm afraid.
19:25Yes.
19:26Yes.
19:27Millet is the most valuable person who I know in my life.
19:29Millet is a change.
19:30Believe me.
19:31When I was talking about the job,
19:33I was staying responsible for the job.
19:35I don't know what I'm saying.
19:36Yes.
19:37I should have a decision for myself.
19:39I have to be a bad job.
19:40I really don't have any choice against Millet.
19:43But I have to say at the beginning,
19:45I don't want to be moved privately and I'll be able to be moved privately.
19:47I don't want to be moved privately.
19:48No, I don't want to be moved.
19:49You don't have to change, social, social, social, social, etc.
19:53I gave him the council to use his company for his company, for his job.
19:57That's a good job, right?
19:59Yes, I understand.
20:01Hey, hey, hey.
20:03What happened?
20:05Everything is fine.
20:07Yes, okay.
20:09See, I'm going to sleep.
20:11Let's go.
20:13Yes, yes.
20:15Let's go slowly, look where you go.
20:19Rendon i mili.
20:21No, please.
20:31Elenka.
20:33It's better to be something important.
20:35You're getting into the middle.
20:37You see, something really strange happened to me.
20:41What? Life can't be strange from the events on the revue.
20:44Listen, I received an email, a call for a meeting.
20:48Really? That's great.
20:50What? Some brand?
20:52No, it's an investment corporation called Krona Capital.
20:57What? I haven't heard.
21:00No, I'm not.
21:01I'm not.
21:02I'm not.
21:03I took a little to search on the internet.
21:04I believe they have only a general account and contact phone.
21:08They have any portfolio, no list of projects.
21:11They have anything.
21:12They have nothing.
21:13There's nothing.
21:14Yes.
21:15Ah.
21:16Who was signed a email?
21:17Someone with initials NG, no any too many names.
21:23They called me at the meeting.
21:25They called me in their rooms over the afternoon, I'm sure.
21:29Maybe they are new, they are looking at the market and they are looking for good projects to invest.
21:36That's right, I think that's my project.
21:39Wait, wait, tell me what they say to me, what do they need?
21:43They don't need anything, wait, I'm going to tell you exactly.
21:48You hear me?
21:50Mm-hmm.
22:03That's all that's what I wrote.
22:05Okay, I'm going to ask you in the company tomorrow.
22:08I'm going to ask you if there is a corporation or not.
22:12Okay, but I'm going to ask you in the office.
22:15I'm going to ask you in the office.
22:17I'm going to ask you in the office.
22:19I'm going to ask you in the office.
22:21But listen, these are wonderful voices.
22:24I don't know, we'll see.
22:26No.
22:27I have to go, we'll see you tomorrow.
22:29Bye.
22:30Bye.
22:31Bye.
22:32Bye.
22:33Bye.
22:34Bye.
22:45Bye.
22:46Bye.
22:47Bye.
22:48Bye.
22:49Bye.
22:50Bye.
22:51Bye.
22:52Bye.
22:53Bye.
22:54Bye.
22:55Bye.
22:56Bye.
22:57Bye.
22:58Bye.
22:59Bye.
23:00Bye.
23:01Bye.
23:02Bye.
23:03Bye.
23:04Bye.
23:05Bye.
23:06Bye.
23:07Bye.
23:08Bye.
23:09Bye.
23:10Bye.
23:11Bye.
23:12Bye.
23:13Bye.
23:14I don't have to do anything I would do for you.
23:19For my son.
23:21For our son.
23:24That's right.
23:29Sorry, but I really have to ask you,
23:35what are you looking for here?
23:39I just wanted to see how I was.
23:43Okay.
23:45What do you say?
23:47It's not so important.
23:50I wanted to talk about something with you.
23:53Tell me.
23:55Do you want me to do something?
24:00Do you want me to do something?
24:03Yes.
24:04I think I would be a great mother at Lulet.
24:07And then we'll do some complications because of the baby.
24:14Okay.
24:28Hey.
24:29Hey.
24:30You're a good mother?
24:32Yes.
24:33What are you doing?
24:34How many hours are you?
24:37I'm not afraid.
24:39What are you doing?
24:40What are you doing?
24:42I'm thinking about you.
24:45I'm thinking about you.
24:46I'm thinking about you.
24:48I'm afraid I'm not afraid of you.
24:50I don't have to do that.
24:52You don't have to do that.
24:53You don't have to do anything.
24:55I'm going to use, but don't work.
24:59I do not need to beอน дов bonne.
25:01I don't need to stay in love of time.
25:03Okay.
25:04I understand.
25:05Obviously, I need help out.
25:07Man of interest to help?
25:08Yes.
25:09To only need help.
25:10Okay.
25:11einemmer to communicate?
25:12Maybe I could expect other choices?
25:14Many things can I do.
25:15Maybe I'll feel the right about each other.
25:16It doesn't help to try?
25:17There's a need to help on.
25:19I will let you have it.
25:21Just love to me.
25:23We are just talking about logistical,
25:26and you are selling marketing.
25:28Yes, I don't want to.
25:30Okay.
25:31We are just talking about it.
25:35We are talking about it.
25:39We have...
25:41...I want to help you in a different way.
25:48I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry.
26:18And that's why we decided that this will be the main part of Gift Corps.
26:24Okay, I'll just add to the end,
26:28what represents that we present...
26:32Through the main color, blue and green.
26:35Yes, with our team.
26:37Super!
26:38We've removed it.
26:42We'll put Gabriela on the way to find out that we'll find out that we'll find out.
26:46Come on, don't be afraid.
26:48I'm afraid, I'm afraid.
26:51See, she'll try to catch us,
26:54but we'll be sure to be sure to ourselves.
26:57Good.
27:11Why don't you get us?
27:13To what I'm going to get, I'm going to hear my voice again.
27:16I'm going to stop to panic when I don't see her.
27:19I'm sure something needs to be.
27:22They need to be able to get some cold water on the head.
27:27And to be careful.
27:32She knows that she's a girl.
27:35But she's a girl.
27:36She's getting hurt.
27:38But she knows she'll be afraid of being.
27:43I can't see her.
27:44I'll see her.
27:46Yes, I can't see her.
27:47Yes.
27:49She's mean her.
27:52But she's like, she's a baby.
27:54She's my girlfriend.
27:55She's a good mom.
27:56Mm-hm.
27:57It's a little difficult.
28:00He's good in his heart, but in his head it's a little difficult.
28:04I would like him to go the world, but he will be able to continue to fight for everything that is female and that has two legs.
28:13What's funny?
28:15Nothing, we just had something.
28:27What's funny?
28:31These two are very funny.
28:34They are very happy to be with us.
28:37Good to see you.
28:39There are some people who have seen them before.
28:41What did they come before?
28:43They came before, because Alex would like to see you with Milet, to talk to you on the other side.
28:50I knew I would like to listen to me.
28:53No.
28:54Let's go with them a little bit.
28:55No.
28:56Let's go with them.
28:57Let's go with them.
28:58Okay.
28:59I just wanted to say that the young people have their own job, their own skills, their own rules.
29:04In the end of the day, they have their own rhythm, which we don't have to understand.
29:09My friend, I'm sorry that I have to understand you more and more.
29:16Ivana, what are you doing?
29:18Mariana, here I am.
29:20In the case, I didn't see it.
29:22Aha.
29:23I don't know.
29:24I'm going to set everything up here.
29:28Maybe I'm going to take a look at some time.
29:31It's not the first time.
29:41Did you say something wrong?
29:42Did you say something wrong?
29:43Maybe I don't feel like I did.
29:45There's a lot of people that are telling me.
29:47Maybe they didn't see them if I did.
29:48Maybe they're just looking at them if I did.
29:49Maybe they're just thinking wrong.
29:50You really did.
29:51Only they didn't see them this way.
29:52They said nothing.
29:53You're right there.
29:54They thought there was a lot of countries.
29:55You don't know if they're not.
29:57But they turned behind them.
29:58It's not the same time.
30:00You're really doing so.
30:01It's not the same.
30:02You know the others.
30:03You're just looking at them.
30:04And they saw them too.
30:05It's not the same.
30:06That's not the same.
30:07You know the second time.
30:08Look at them.
30:09Look at who my parents are doing my work.
30:17Is it to Lesi back home or after his death?
30:23I don't know why I'm going to buy a coffee.
30:27I'm going to buy a coffee.
30:29I'm going to buy a coffee.
30:31I'm going to buy a coffee.
30:33What do you say?
30:35Gorane.
30:37Ajda ja tebe nešto kažem.
30:39Ajda, spori malo.
30:41Spori malo ka Boga te molim.
30:43Izroni malo.
30:45Čisto onako vazduha da uzbiješ.
30:49Šta pričaš tom, Ido?
30:51To što si čuvao ja da ne bije.
30:53Pa nemaš ti pištolju ga će da pucaš na svaku, ostaćeš bez municije.
30:57Vidi, Ido, ja svoj život, ti svoj život.
31:00Ja municiju imam koliko ti god treba i ne brini.
31:03Ozbiljno.
31:05Dobro, Gorane.
31:07Ali nemoj da kažeš posle da ti ja nijesam savjetovo, da ti nijesam rekao.
31:12A tu smo znači, jel?
31:14Tu smo, džesmo, Gorane.
31:16Nemoj da kažeš da ti na vrijeme nijesam rekao.
31:19Znam iz iskusti.
31:21Ajmi, da sad mi pričajš šta je moja majka sprema za me.
31:24Eto vidiš kako si pametan.
31:26Sve si pokljuvio na vrijeme.
31:28I vjeruj mi sad nema nikakve potrebe da te opterećujem detaljima.
31:33Nido, nemoj da okolišaš, nego pjevaj.
31:37Da pjevam?
31:38Mhm.
31:39Izvidjeli da sam gusle opračio.
31:42Aj šta radi i vidiš što me za baš cijelo jutro da naprate.
31:45Daj, reci mi šta mi majka sprema za mene da sam sprema da se spremi.
31:48Inčuječ.
31:49Ma jel to moj Sinčić došao?
31:52Majka, nisime vidio.
31:54Ajde, vrši.
31:56Vrši.
32:02Aha!
32:04Aha!
32:06Ništa, samo smo nešto časkale.
32:18Nadam se da ste uspjela u tog časkanja da završite za data koji vam je data.
32:22Da, jesmo, sve smo završile.
32:24Bravo, odlično.
32:25Čekamo vas u sali za sastanke.
32:27Mhm.
32:28A dje ćeš ti?
32:30Mislile smo da povežemo laptop na ekran.
32:32Nema u sali za sastanke, ekran, odštampaj se tu i požurite.
32:37Ajde požurite, Gabriela da se čeka.
32:39A dje je štampač?
32:41Štampač, štampač.
32:44Ok, ajde, da, odštampajte.
32:46Ajde.
32:47Ajde.
32:48Ajde.
32:49Ajde.
32:50Ajde.
32:51Ajde.
32:52Ajde.
32:53Ajde.
32:54Ajde.
32:55Ajde.
32:56Ajde.
32:57Ajde.
32:58Ajde.
32:59Ajde.
33:00Ajde.
33:05Evo izvolite čaj.
33:07Hvala.
33:17Ja stvarno ne mogu da razumem na što ovo liče.
33:19Šta evo?
33:20Jel sve u redu?
33:22A čemu se ovde radi?
33:24Jel je to toliko teško?
33:26Jel jel treba na neki test inteligencije, možda?
33:29I'm wrong.
33:31Of course.
33:33Sorry, I'm sorry.
33:35What is happening?
33:37I'm sorry.
33:39I'm very sorry.
33:41I'm sorry.
33:43I'm sorry.
33:45What is this?
33:47Sorry.
33:49You're right with me.
33:51I'm sorry.
33:55God, I'm not expecting that.
34:01I'm not expecting that.
34:03I'm not expecting that.
34:05I'm not expecting that.
34:07I'm not expecting that I'm going up.
34:09I'm expecting that I'm going up.
34:11You know?
34:13You're looking for a little bit and talking.
34:15My dear,
34:17I didn't want to be able to get anything.
34:21I'm very stressed.
34:23and she doesn't do her job as she needs.
34:26And how much she does her nose
34:29there where she doesn't have a place,
34:31I don't want to talk about it.
34:33You see, Mariana has been working very long with us
34:35and we didn't have any issues for her work.
34:38Of course, we have some other problems,
34:41but we are very hard to accept new people
34:44in our surroundings.
34:46But of course, it doesn't have to be on you and Gabriel,
34:51you are really a good one.
34:55I think I'm good at all.
34:58I'm going to go ahead and go ahead.
35:13Let me hear what you want to say
35:16that you don't want to get hurt.
35:19What are you doing?
35:21What are you doing?
35:22What are you doing?
35:23I'm not going to get hurt.
35:24I'm going to get hurt.
35:26You don't want to get hurt until tomorrow.
35:30I hear you.
35:31What is your head?
35:33I'm going to sit down.
35:35I'm playing!
35:37What are you doing?
35:38Everything is going to be playing in the morning.
35:40I don't need a break.
35:42I don't need a break!
35:43I can run away!
35:44I don't need a break!
35:46I do not need a break!
35:47I'll do something out of the avant,
35:48I'll have to do the first day!
35:49I do not forget that the Compostible.
35:51It is
36:08Let's go, mother, healthy, and when will die the pain of the pain of the pain?
36:15What do you think of it?
36:17You think it's normal to be like this one,
36:20a little bit more than a woman?
36:22You'll never do that.
36:24What do you think of it?
36:26What do you think of it?
36:29What do you think of it?
36:31What do you think of it?
36:33What do you think of it?
36:35What do you think of it?
36:37What do you think of it?
36:39You're thinking of it.
36:41You're saying that you're going to look like a bitch.
36:45Then don't ask why you're a bitch, bitch!
36:50Don't you think of it like that?
36:53I'm so sorry, I'm going to think of it.
36:55Don't you think of it?
36:56I think of it.
36:57And what do you think of it?
36:58I think of it, you know?
37:00You know how I've been doing it, you know?
37:02I've done everything I did, I've done everything I've done,
37:05but I've done nothing to do with my own peace,
37:09and I've found peace and peace,
37:10I've found my own panchets.
37:13Let me see something.
37:14Let me see something.
37:15Let me see something.
37:17I've got a voice, my voice!
37:22I've heard it.
37:23I've heard it.
37:24I've heard it.
37:25What did you do before I've heard it?
37:28I've heard it.
37:29I've heard it.
37:30You passed it.
37:31I've heard it.
37:32You have a woman.
37:33That's how it sounds.
37:34I've heard it.
37:35I've heard it!
37:36I've heard it!
37:37I've heard it!
37:38I've heard it!
37:39I've heard it!
37:40I've heard it!
37:41I've heard it.
37:42You know!
38:13on the screen, and then we realized that we should have to stamp it.
38:16Sorry.
38:17We needed a little time when we had to stamp it.
38:20Yes, stamp it was the most important problem.
38:23Me vaši problemi ne zanimaju.
38:26First, we will never tolerate it.
38:30Second, we will never be your answers.
38:35Do you understand?
38:37Yes.
38:38Third, we will never be your answers.
38:42There are no other answers.
38:45Do we understand now?
38:47Yes, we understand.
38:49We thought it would be easier.
38:51I did not finish.
38:53I would like to look at it now.
38:59Okay.
39:05There is nothing wrong.
39:08First, it is not good.
39:10These graphics do not work.
39:12It does not have any connection with our brand.
39:15We thought we would fit in the colors of the brand.
39:19As a metaphor.
39:20And a slogan.
39:21You should know that this company does not think metaphorically.
39:27Yes.
39:28Not very specifically.
39:30We expected more than you.
39:32I did not expect anything.
39:34But I was disappointed.
39:37Good day.
39:38Good day.
39:39Good day.
39:40Good day.
39:41Good day.
39:42Good day.
39:43What do you think?
40:04Excuse me.
40:06Hello.
40:08I would like to take this Argentine wine.
40:11What's my bouquet?
40:13I wouldn't know.
40:15You don't know what's my bouquet?
40:19Who's everything in this fame?
40:21I think I'll come back here again.
40:24I don't understand.
40:26Excuse me, just a second.
40:29Hello, Lovey.
40:31Listen, it's quick.
40:33Excuse me, just a second.
40:36Excuse me.
40:38You can give me a bottle of wine.
40:42And since you don't know what bouquet is,
40:44this Argentine wine,
40:46give me this.
40:48And I ask you to hurry up.
40:51Hurry up.
40:53Hello, Lovey.
40:54Yes.
40:56Yes, it was English.
40:58Tell me.
41:00You're right.
41:01I just told you to eat it.
41:02Yes, I just told you.
41:03I just told you to tell you that we won't come here.
41:06I mean, this really doesn't mean it.
41:08These people have changed so much,
41:10and they don't have a connection with us.
41:11People like us,
41:12on this place, they don't need to go.
41:13Just to tell you.
41:14Let's go.
41:15Let's go.
41:16Let's go.
41:17Let's go.
41:18Let's go.
41:19Let's go.
41:20Let's go.
41:21What are you doing?
41:22Lovey, I thought we'll go shopping later.
41:25Yes, girl.
41:27You'll go shopping later.
41:29Let's go.
41:30Let's go.
41:31Let's go.
41:32Let's go.
41:33Okay, Lovey.
41:34I'll do everything for you.
41:35Let's go.
41:36Let's go.
41:37Let's go.
41:39Love you.
41:40Bye.
41:41Bye.
41:42Bye.
41:44Bye.
41:45And now, I'll do it for my time and half.
41:49ios.
41:50I can't help.
42:10Moon.
42:11Oh, where are you? I don't care.
42:15Hello, Chef.
42:16How are you, I don't care?
42:18Well, what do you know?
42:20I'm sitting in the evening.
42:21I'm sitting in the evening.
42:22I'm sitting in the evening.
42:26What is this for you? What is this for you? Are you satisfied?
42:29I'm satisfied.
42:31I'm okay.
42:32Yes, yes.
42:33Tell me...
42:36How do you sleep?
42:41I sleep, Chef.
42:43I'm normally sleeping.
42:45That's a good idea.
42:47Tell me, is there something new in your life
42:51or is it just a business, a house, a culture, a house?
42:55I don't have any women.
42:57I don't have any women.
42:59I don't care.
43:00I like to know what happens in your life.
43:03It doesn't mean anything new.
43:05More or more.
43:06Everything is old.
43:08More or more.
43:11And the house is in the local of your dad's house?
43:14Or is it a little bit more?
43:17You don't want to thank you for that, to bring yourself to yourself?
43:20I think that...
43:22Eh?
43:23Chef, you know that the house was not a house.
43:28Even the house was not published.
43:31It was not from you.
43:33I was in the tambour.
43:34He doesn't say anything.
43:35He's trying to hear it.
43:36He's trying to hear it.
43:37He's trying to hear it.
43:38He's trying to hear it.
43:39He's trying to hear it.
43:40He's trying to hear it.
43:41You know why he's trying to hear it?
43:42I don't know.
43:43But why?
43:44Why?
43:45And that's why I don't care that he was sent to his local police.
43:55Do you know his body sounds like a tunnel?
44:00I don't know.
44:02The body of his body, the former, the homeless, he didn't know how to swim.
44:15Sorry, I didn't introduce myself.
44:24Relia, I like it.
44:26Kaja, I like it.
44:28If I remember, I saw the night when I was there.
44:32I thought about it when I said the place of torture.
44:36Yes, yes, I was there.
44:38I saw how everything was amazing and phenomenal,
44:40but I didn't see it.
44:42I can't believe how many people have.
44:44I can't believe it.
44:46That's why I'm sitting here.
44:48That's why I don't sit here.
44:49Who knows how many people come here?
44:51Aha.
44:53Sit, free.
44:55I can't afford to see such a beautiful woman sitting alone.
45:01Thank you for compliment.
45:03What do we say?
45:05But I'm not alone.
45:07I don't see anyone else.
45:10I don't see anyone else.
45:12Yes, I'm currently alone.
45:14I'm alone.
45:15I'm not alone.
45:16I have a husband.
45:17What?
45:18What?
45:19What?
45:20What?
45:21What?
45:22What?
45:23What?
45:24What?
45:25What?
45:26What?
45:27What?
45:28What?
45:29What?
45:30I wouldn't let you see it.
45:34Okay, I'd have to go now. I'm going to find myself with him.
45:40As I said, I wouldn't let you see it.
45:44You wouldn't let you see it.
45:46If you understand.
45:48Yes, it was nice to see you.
45:51Yes.
45:53Konobar!
45:55Can I ask you to make it?
45:58Immediately.
46:00What is this?
46:06A Uroševa partner.
46:08What do you want?
46:10I want something from her.
46:12What is it?
46:14To buy it.
46:16What do you want?
46:18For you.
46:21For me?
46:23What is it?
46:25It's an accident.
46:28My husband.
46:29My husband.
46:30My husband.
46:31My husband.
46:32My husband.
46:33My husband.
46:34My husband.
46:35My husband.
46:36My husband.
46:37My husband.
46:38My husband.
46:39My husband.
46:40My husband.
46:41My husband.
46:42My husband.
46:43My husband.
46:44My husband.
46:45My husband.
46:46My husband.
46:47My husband.
46:48My husband.
46:49My husband.
46:50My husband.
46:51My husband.
46:52My husband.
46:53My husband.
46:54My husband.
46:55My husband.
46:56My husband.
46:57My husband.
46:58My husband.
47:00My husband.
47:02So wimy.
47:03My husband.
47:04My husband.
47:06His student.
47:08Good.
47:09My husband.
47:11Yes.
47:12The logo, the logo, the logo, everything is great.
47:15Good graphic design.
47:17We all are present here. We know that it is not the most important in this world in this world.
47:22You know that I always love your son, but this is really quality.
47:28So, I would like to invite you to leave us and talk about it.
47:32Of course, we will be happy if something needs to happen.
47:42If you want to leave me, I will talk to Gabriel.
47:47Of course, if you want to leave me, I will talk to Gabriel.
47:51Yes, of course.
47:53Do you know who is Regin's father?
48:12Some criminalist, the academic is not sure.
48:15Some.
48:18He is a criminalist, but he is not someone there.
48:23He is a fellow Velibor.
48:26And that is not something that is known.
48:29Yes, yes.
48:30He is a old man.
48:33I know how such an organization is.
48:36Of course, we were non-stop with him.
48:39We did not have to leave him.
48:42He did not want to leave him.
48:44He did not want to leave him.
48:46And you know why he came to the end?
48:49What?
48:50He was unstopped.
48:53And he and his wife.
48:55This way.
48:56Ah, you can see what is your life.
48:59After that kind of life, there is a unstopped unstopped unstopped.
49:04If that unstopped unstopped unstopped?
49:07It was a coincidence, as we know.
49:11After his death, what was always happened in such situations.
49:16One of them was not.
49:18The head was that a big player,
49:19and one of them was 10 people,
49:21who wanted to destroy the entire body.
49:25One of them was not.
49:27And the other two were 10 people.
49:29But the Velibor clan was not.
49:31Yes.
49:32Yes.
49:33Yes.
49:34And you want to say that that little son will follow the empire?
49:37Yes.
49:38Yes.
49:39Yes.
49:40Yes.
49:41Yes.
49:42Yes.
49:43Yes.
49:44And now, in the story,
49:45comes Grkljan,
49:47Arsad Dančić.
49:49He is the chief of the clan.
49:53And the young Relian must follow all of this.
49:56Yes.
49:57Okay.
49:58Where are we here?
49:59Where are we here?
50:00What are we here?
50:01You are now at the front of the investigation about the wounded bodyguard.
50:06Yes.
50:07Yes.
50:08And you have to know everything about the relationship between this Relian and Grkljan.
50:15Dančić?
50:16Yes.
50:17Yes.
50:18Yes.
50:19Arsad Dančić.
50:20Yes.
50:21And what I want to say is that you have to know all the details,
50:24the most difficult,
50:26about their relationship,
50:28to know who the wounded bodyguard put to the Relian.
50:35We have to know everything.
50:37We have to know everything.
50:38We have to know everything.
50:39We have to know everything.
50:40Because the least thing we need in this moment is the investigation of the mafia on the streets of Belgrade.
50:45I understand.
50:46Yes.
50:47If you understand, I ask you.
50:48I ask you.
50:49For the heads.
50:51It's not hard.
50:54We'll see you.
51:05You can't.
51:06It's not impossible.
51:07You have to know everything.
51:08It's not impossible to do.
51:09You have to know everything.
51:10You pay the меня to believe that I'm not of chi.
51:11Well, it's not possible.
51:12No, it's impossible.
51:13It's impossible.
51:14It's impossible to do that.
51:15I have to know everything.
51:16Youби my doctors.
51:17You have to know everything.
51:18But it's impossible.
51:19Because of course there's procedure.
51:20It's impossible to do.
51:21Two weeks.
51:22Yes.
51:23Yes.
51:24I have to have to talk with a complainer.
51:25What I already said.
51:26and then we'll get into the room.
51:30It's great, we'll hear you.
51:50There's no point in that...
51:51What is there?
51:52There's no point in that...
51:56Do you want something important to tell me?
52:14Yes, I have thought about something of a radical thing.
52:19I'm listening.
52:21guitar solo
52:51Thank you, Gergiru.
53:02Maybe this could be a little more elegant.
53:17Pijunu, what are you, Bremile?
53:19Provocator, isn't it?
53:21Get out of here.
53:22Peto, who is our one?
53:34Let us ask something here.
53:37We won't be able to send credit.
53:41Now we are setting up a position that will ensure us a whole future.
53:44What do you think, Grkljan is the main type of the whole story?
54:14It's possible that it will change, but I won't.
54:21Let's go.
54:23Let's go.
54:25Let's go.
54:41I'll be right back.
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