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BOOSCHELO
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CreativityTranscript
00:00Hotel Paris.
00:02What?
00:04Hotel Paris.
00:06The mother left testament
00:08and left Kevi Hotel.
00:10Hotel Paris?
00:12We need to see
00:14and make a plan.
00:16How is the plan?
00:18We need to see where we are
00:20in all of this.
00:22So, of course.
00:24Where are we?
00:26The logo is on to put it
00:32on and make it
00:34out.
00:36While the pan is free
00:38using the residency
00:40and theайн I was in the
00:46system of four years,
00:50uses thenya sp wieg bye...
00:54I want you to hide the knife.
00:57She killed the baby.
00:59Let's go.
01:02It's good that you're not a detective.
01:05That's a bad job.
01:08You're fine, you're fine, but listen carefully.
01:12What I'm going to say is to you.
01:15You've accepted my stupid son to stop being a ghost.
01:19And that's why today's house is your job,
01:24and cooking, and cooking, and cleaning,
01:26and cooking, and cooking, and cooking,
01:28and cooking, and cooking, and cooking,
01:29and cooking, and cooking, and cooking,
01:30and everything else that Mrs. Žanka says.
01:33I accepted the message that Mrs. Evgenija left me.
01:38We're not going to do that.
01:40I'm not going to do that.
01:42Because of the death of Evgenije Prangašović
01:45and Jane Blažić.
01:46It's a mistake.
01:49Everything you say can be used against you.
01:56Let's go.
02:16I'll see you next time.
05:34Yes, exactly?
05:36like we are born rich.
05:40No, no, no.
05:42We have to take everything that is worth it.
05:46And that's all.
05:48All.
05:50You've been in marriage with him and he's been in marriage with him.
05:54You know?
05:56And now he has come to be a special gift for that.
06:00Yes, yes.
06:02The Aussie.
06:05How many are you saying?
06:08Are you hurt?
06:10How many are you saying?
06:11If he killed his одного.
06:17He killed his temper.
06:19Joe the Renaissance.
06:26Joe the Renaissance.
06:28Don't elicit yourself, have liked it.
06:30Don't be upset yourself, everyone knows that this is wrong.
06:32He's calling boss a lot, he'll do it.
06:34He's calling me, I'll do it!
06:36I'll do it all, I'll do it all.
06:40Don't be quiet.
06:47Good to tell you, who's the last one, the most sweet one.
06:52You're so upset.
06:54I'm just losing my own duty.
06:56You're paying for it!
07:00There's a lot of reason. You're so afraid of me.
07:10Let's go. Let's go on the road.
07:13You didn't understand me.
07:16I didn't.
07:18Where will you go?
07:20If you don't go on the road, I'll call for security.
07:25What if I won't?
07:29The cameras are all recorded, so all the cameras have already gone to where they need.
07:36Blefier.
07:38Blefier.
07:40They're not the usual cameras, but the tones.
07:44So everything you've already said, someone's already heard.
07:49I'll kill you, Ander.
07:53I think that everyone heard that.
07:58We haven't finished yet, Matari.
08:11The bigger thing, the bigger thing.
08:15What's the opposite?
08:16The bigger thing?
08:17The bigger thing.
08:18You didn't know what happened to me, I didn't even know what happened to me.
08:22You have a little bit of a soup.
08:24I didn't know what happened to me.
08:26Let's go.
08:56I don't know where he is going to see the request.
08:58But now, we don't know when we are the most needed.
09:02I don't know what to say.
09:04I'm alive.
09:08I won't be there.
09:10I'll be there.
09:12I'll be there.
09:14Let me pray.
09:16They'll be there.
09:18There's no one.
09:20No way.
09:22I don't know.
09:24I don't care about Sena.
09:26We both care.
09:28I know that Sena is the last person in this world
09:32who could have thought about it.
09:34And how do I do it?
09:36Sena is certainly not a victim.
09:38We all know.
09:40But it's like a tree and a tree.
09:42She told them.
09:44But she's not normal.
09:46Well, the problem is that they were never normal,
09:48but they were not normal.
09:50Ha.
09:54And what are we doing now?
10:00I know.
10:02Let's go to the police.
10:04We can't do anything there.
10:06We need to call her children.
10:08Let's go.
10:10Let's pray.
10:12Let's not see the media.
10:14These are the media.
10:16You see?
10:18How did they just think they were such a beautiful woman.
10:20How did they tell them that
10:22there will be a deal.
10:24And so they could have died?
10:26Well, it's good to him.
10:28You're sure there was.
10:30You're someone out of here.
10:32Surely he is a real killer and tells him that he will kill his son.
10:37All of them are linked to Sreva. Mafia, police, media, all of them.
10:43Vuk Vavan, surely.
10:46I'll kill him that tycoon.
10:51Excuse me, I'll come out soon.
11:03I'll be a colleague, so you'll be lying to me.
11:07You're lying and not lying.
11:09I'm not lying.
11:10I'm not lying.
11:11I'm not lying.
11:12I'm not lying.
11:13I'm lying.
11:14What did you do?
11:15Because I saw it and told me the police.
11:17I saw it like you were on the other side.
11:19I saw it like they were on the other side.
11:21I didn't want to move myself, but...
11:23I'll do it.
11:24I'll do it.
11:25I'll do it.
11:27I'll do it.
11:28I'll do it.
11:31I saw it like a witch.
11:33I tried everything.
11:34It's like it.
11:36You're gone!
11:37You don't mean her!
11:38Even the drone was really negative.
11:40Why did you throw up there?
11:41Where did you do it?
11:43That's nice to me.
11:46It says.
11:47I'm going to run all the time.
11:49I can't imagine.
11:50You're like it.
11:51It's funny.
11:52It's not a place in the village, you're right.
11:54You know.
11:55You can't radio him.
11:56My voice will tell me.
11:57You can't radio him.
11:59But how do you kill another woman? It's absolutely no logic.
12:03That's not my problem. There's a police, but there's no way to save it.
12:07I don't think that's it.
12:09I'm going to prepare everything for you.
12:13I'm going to prepare everything for you.
12:15What are you doing?
12:17We're talking about it.
12:18We're talking about it.
12:19We're talking about it.
12:20We're talking about it.
12:21Oh, how it's gross.
12:23What's happening?
12:25I'm sorry.
12:27The woman is upset.
12:29You're happy.
12:31She doesn't like me.
12:33I'm happy because she's going to do it again.
12:37We'll see now which hotel will be.
12:39Because she won't.
12:41Wait a minute.
12:43Do you know anything?
12:57Excuse me.
12:58Excuse me.
12:59Excuse me.
13:00Excuse me.
13:01Excuse me.
13:02Excuse me.
13:03Did you see it?
13:04Yes.
13:05Yes.
13:06Yes.
13:07Yes.
13:08I really wanted to ask you something.
13:10Tell me.
13:11Tell me if I can answer.
13:14Yes.
13:15Yes.
13:16Yes.
13:17Yes.
13:18Yes.
13:19Yes.
13:20Yes.
13:21Yes.
13:22Yes.
13:23Yes.
13:24Yes.
13:25Yes.
13:26Yes.
13:27Yes.
13:28Yes.
13:29Yes.
13:30Yes, yes.
13:31Yes.
13:32No.
13:33No.
13:34Yes.
13:35That would not say it.
13:36Yes.
13:37Yes.
13:38You know what I'm saying.
13:39You're aware of.
13:40Yes.
13:41It's true.
13:42Yes.
13:43Yes.
13:46And she is now dead, like Evgenija, and she is dead.
13:51Why did you kill them?
13:54Evgeniju and Anu.
13:59You were a lover.
14:01You were a lover.
14:03You were here.
14:05Who are you?
14:06The true pain.
14:08Who are you?
14:09Someone who knows everything.
14:11And what do you want from me?
14:14For the work.
14:16For the work.
14:18For the money I need.
14:21Not just money.
14:25Maybe something else.
14:39This is a mistake.
14:41Every one is saying.
14:44Without any doubt.
14:45Every one is.
14:46I am not.
14:47I have an advocate?
14:49Where do I do my job?
14:52If not, I will do my job.
14:54If not, I will do my job.
14:56No one needs me.
14:58I am not a crime.
15:00I am not a crime.
15:02I am not a crime.
15:03What?
15:04I am not a crime.
15:05I am not a crime.
15:06I am not a crime.
15:07And Mr. Arsene, who is an advocate.
15:08Mr. Arsene, who is an advocate?
15:11He is a man.
15:13Yes.
15:14I am not a crime.
15:17I am not a crime.
15:18But you did her work together.
15:20Who is an operative?
15:22Who are you, Peris?
15:24How do you think you are fine.
15:27I really think you are a tandem.
15:30What kind of a tandem?
15:33I haven't spoken with this man with three words in my life.
15:37Three, but it's important.
15:42I, Mr. Evgenij,
15:45I haven't been up with him.
15:47I would have raised his hand on him than on her.
15:50She was like a mother.
15:55I'm sorry, I need to go.
15:58You threw me tears in my eyes.
16:02It didn't come to me.
16:05You gave her the eggs, there are witnesses.
16:08I am.
16:10And I came out immediately.
16:15You mean you promised that you would come back later to talk a little?
16:20I'm sorry.
16:21I'm sorry.
16:22I'm sorry.
16:23I'm sorry.
16:24I'm sorry.
16:25I'm sorry.
16:27Guys, I am sorry.
16:29I got married.
16:30I got married.
16:31And I got married.
16:32And then I got married and I don't know which person used to be.
16:33What happened?
16:35I went back to her.
16:37Why?
16:39She called me to talk to her.
16:43Did you want to check if she was working on her?
16:47Why?
16:49She called me to talk to her.
16:51Why?
16:53She called me to talk to her.
16:57Did you want to check if she was working on her?
17:01I told you that I didn't see anyone else.
17:09I've never seen the other woman in my life.
17:13I remember when she took me to the hospital.
17:17I remember when she took me to the hospital.
17:19Why would I...
17:21I'm going to ask her.
17:23What are you talking about?
17:25Me.
17:27Interesting.
17:31Yes?
17:33Yes?
17:35Yes?
17:37Yes?
17:39Yes?
17:41Yes?
17:42Yes?
17:43Yes?
17:44Yes?
17:45Yes?
17:46I've only been here for a minute.
17:48As I promised, I have a big guzvu guj.
17:50Yes?
17:51Yes, I have a guzvu guj in my life.
17:53Let's sit next.
17:59Let me have a hug.
18:01You'll see what you mean.
18:02You're going to be getting back to the hospital.
18:03You'll be getting back.
18:04I have a cubit.
18:05I'm so smart.
18:06And then you'll have to go back and draw your arm.
18:07I understand what's happening?
18:08Let's go to the hospital.
18:09Let's try and go back and talk.
18:10Let's go to the hospital.
18:11What do you think of your own Kabadahija?
18:15It's just a matter of children.
18:17And he can do whatever he wants.
18:19Then don't let you go to the village with your children,
18:23but it's nice to come here.
18:26No, I will.
18:29You know what?
18:31You know what? You have a very nice person,
18:33but you don't want to allow you to kill yourself.
18:37You see, you are always good for everyone,
18:43friendly, friendly.
18:45But you don't think it's time to be someone like you?
18:49I don't think so.
18:51I don't think so.
18:53I don't think so.
18:55Thank you very much.
18:59I have to start with you.
19:03I'm going to take care of this question,
19:07even if I'm going to go to the kitchen,
19:09I'm going to sit down the whole day
19:11until you don't tell me everything.
19:15When you would know how much you mean.
19:21And you are like me.
19:23You are like my dad.
19:25I know.
19:27And thank you for that.
19:29You are like my dad.
19:31You are like my dad.
19:33You are like my dad.
19:35You are like my dad.
19:37You want me to take care of yourself?
19:39This is nothing.
19:41But you know what?
19:43You know what?
19:45You know what?
19:47You know what?
19:49You know what?
19:51I'm going to take care of you.
19:53I'm going to take care of you.
19:55You are like my dad.
19:57You are like my dad.
19:59But you can still go to the doctor?
20:01You are dead.
20:03We are going to see you.
20:05We are going to see you.
20:07We are going to see you.
20:09We are going to see you.
20:11I'm going to see you.
20:13It's not.
20:14It's not.
20:15It's not.
20:16I'm going to see you again.
20:17But when you found this jabuque,
20:18I'm interested in details.
20:19Do you have a coffee?
20:21I didn't drink coffee.
20:23I didn't drink coffee.
20:25I was going to drink coffee.
20:28I was sleeping in the room.
20:31I was drinking coffee.
20:32I was drinking coffee.
20:33We will drink coffee tomorrow.
20:36I'm going to drink coffee tomorrow.
20:40Okay.
20:43When did I come back?
20:45Where?
20:47I'm here.
20:48Tomorrow.
20:49You are going to be a lie.
20:51You are a liar.
20:53You thought you were thinking about it,
20:56until you get married,
20:57and you get married?
20:59Get out!
21:01Where are you?
21:03In the house.
21:04In the hotel.
21:05I don't know.
21:35Nema tu šta da se zna.
21:37I sve se okrenuo, to više nisam bio ja.
21:43Pitanja stoje, odgovora nema.
21:49Ko sam postao kad se skida zavesa vremena?
21:54Prvi gre, prvi sneg, tajna tiha duove.
22:00Pogled sruši zid od stena, sve je novo.
22:05Nišeg više nema.
22:16Ruke su njene bile kao vatra.
22:20Spalile prošlost, ne traže vrata.
22:28Njen smeh je bio kao stari greh.
22:33Slatko i gorko, početak i peh.
22:50Nisi mogu da odaberaš neku manje ješnu, ova tri praceta za večeru pojede.
22:56Mama vole da se šale.
22:57Mama uopšte nije šaljiđija.
23:00Sedi, jedi.
23:01Hustije bre, ne mora da jede ako neći se teraš.
23:06Još u bura da je pretvarimo.
23:08Molim te.
23:12Da isto jedna, bar jednom budi muško.
23:15A sada pogledajmo ekskluzivni snimak hapšanja dvostrhu gubice, Sene Kortić.
23:21No skorašnja kubarica Sene Kortić, koja je nedavno sasvim...
23:24Moći će da mi javi kao u Portiću.
23:26Uuu, to bi bila predobro.
23:27Moći ćemo da palimo sveto iz daleka, da nas čekaju kad stignemo kući.
23:32Ali to već imamo.
23:35Wow, magija!
23:37To nije magija, to je 5G.
23:39Ali Jetel 5G mreža je tu.
23:41I uz nju sve što zamislite možete da podelite sa celim svetom.
23:45Brže i lakše nego ikad pre.
23:47Jetel.
23:49Apolon, bok kućne zabave.
23:54Kako smo na licu mesta saznali, Sene Kortić je uhapšena zbog sumlje za dvostrhu gubistvo.
24:02U skorašnje vlasnice hotela Evgenije Prangašević, ali i Jane Blažin, sekretarice u Vig kompaniji.
24:10Šta je ovo jeva ti?
24:12Je li došla kjeva?
24:13Kao što smo rekli, kuvarica Sene Kortić nedavno je postala vlasnik hotela Paris.
24:18U skradu sa atestamentom koji je ostavila pokojna Evgenija Prangašević.
24:23Šta je bre ovo?
24:24Uhapsili su je.
24:27Mora da neka greška.
24:30Tačno sam znala da je ona.
24:33Beseli pre!
24:39Jebo ti kjevo.
24:41Dej, ti nisi otrovala da ubrzaš stvari.
24:45Sram te bilo.
24:47Kako to pričaš sa majkom?
24:49Možete je balo se.
24:51Sram te bilo.
24:52Kako se očekuje?
24:55Nadležni tužilac će sutra odrediti pritvor Sene Kortić.
24:59Kako ne bi uticalo na sve dok je?
25:01Koji ti je džavo?
25:03Bogata naslednica hotela Paris, Sene Kortić, počinila je dvostruku ubistvo, a milionska imovina sadaju rukama njene dece.
25:12Pa kjeva ti bogatašica i dvostruke ubice?
25:17Pa ja sam za nju pilence.
25:19Sumnja se da je Sene Kortić dve žene ubila trovanjem, što je prema nezvoničnim informacijama pokazala i toksikološka analiza.
25:39Crvivojko, pa mogla i mene otrovati, sva štreća pa nije znala kako se zovem.
25:45Nešto, ja sam šokiran.
25:48Ti se šokiran, pa ti samo sebe gledaš i svoje dupe, stavi se malo u moju položaj.
25:52Kao što smo rekli, kuvarica Sene Kortić nedavno je postala vlasnik hotela Paris, u skladu sa testamentom koji je ostavila pokojna Evgenija Prangašević.
26:01Iako policija nema jasne motive za ubistvo vlasnice hotela od strane žene koju je sve ostavila,
26:30još veće misterije motiv ubistva, Ane Blažin, sekretarice Vuk Vavana u Big Company.
26:37Zašto je ubila moju majku? Zašto je ubila moju majku?
26:46Gleda, ljubavi, tati.
26:47Ostavi me, ostavi me.
26:49Lako, lako, sve ćemo saznati.
26:51Ništa nećemo saznati, ništa.
26:54Sine.
26:56Sine.
26:56Ovu ženu je platio Vuk Vavana dubija moju majku.
27:00Ti znaš da jeste.
27:01I ti kriješ nešto.
27:02Lea, molim te.
27:04Znaš da te varala s njima.
27:06Znaš.
27:09To nije istina.
27:12Šta onda kriješ?
27:15Šta onda kriješ?
27:17Lea, Lea!
27:34Kako se očekuje?
27:35Nadležni tužilac će sutra odrediti pritvor Senik Ortić.
27:39Kako ne bi uticala na svedoke?
27:41Evo, ja sam svedok.
27:42Na mene nije niko uticao.
27:44Ja, jedna naša Sena.
27:47Proklati bio ko je ovo smestio.
27:50Nikome nisam ništa smestila.
27:53Samo sam savjestan građanin.
27:55Nas će sada sve zatvoriti.
27:58Svi ćemo dobiti ovaj.
28:00I ja to mislim.
28:02Mi smo svima zadnja rupa nasvirali.
28:04Ja, prestanite da kukate.
28:06Pa neće se ništa desiti.
28:08Niste li se čula sa njim decom?
28:10Ustava sam malo.
28:11Eee, ko zna kako je njoj sada?
28:17Seba, moja sena.
28:20Eee, kad mi joj toži.
28:22Ili ti je hladno, sine?
28:31A šta se briga?
28:35Samo odbrinem.
28:36Ja imam čerku tvojih godina.
28:42Najmlađu.
28:44I njou stavno zapitam.
28:47A šta to mene briga?
28:52Ako mogu nešto da ti pomognem?
28:54Pa taj bre, više jebise, više šta me smaraš?
29:00Pa ti mi sebi ne možeš da pomogaš,
29:01a kamali meni ćeš.
29:03Dobro, sine, dobro.
29:05Neću više, izvini.
29:06Neću više, izvini.
29:36Neću više, paži.
29:55Majde otvare.
29:58Otvare, braša, majde odmah.
30:00Idi ugod, sis, brzo.
30:01Isi li poludala?
30:09Odmah da odblokiraš Istok i ide da pozoveš Istok trenutka.
30:12Si normalna, pa to mi je on nevijek.
30:14Majda.
30:15Šta?
30:17Radi šta sam rekla.
30:19Neću, ne pada mi na pamet.
30:21I ostalom, zašto bih to radila?
30:23Zato što je Istok postao jedan od najbogatijih ljudi u zemlji.
30:28Istok.
30:29Isi li ti naduvana?
30:30No, a jesi li ti videla ovo?
30:33Poziraj.
30:35Bogata nasledica hotela Paris, Sena Kortić, počinila je dvostruku ubistvo,
30:40a milionska imobina sadaju rukama njene dece.
30:43Ej bilo, tetka, gdje gore?
31:10E, Snaja mi je bogata, a majka ju je ubica dvostruki. Sklonila tamo.
31:14Šta pričaš?
31:17Daj me da delujem.
31:20I ništa ti ne razumio?
31:21Pa zato što ne gledaš televiziju. Ne bi znao ni da su tebe uhapsili. Daj, sklanjaj to tamo.
31:26Ajde.
31:26Ajde sad polanko.
31:30Ona moja privremena, Snaja. Nije više privremena.
31:35Jel?
31:35Da.
31:37Majka ju je dvostruki ubica.
31:41To bi trebalo da je bude plus.
31:42Ma ne, ne pusio je to što je našledila hotel u Paris, a mi smo naslednici.
31:46Jer ko će ubici da dada bilo šta ima?
31:49A ubila je još jednu nepoznatu ženu, cenim i zabave.
31:54Pa da se ti malo smiriš?
31:55Smiriću se kad ti odeš na lice mesta.
31:58Kako lice mesta?
31:59U hotel Paris.
32:00Otiš onaj moj mutevi sa ženom, ali treba mi neko.
32:03Treba mi neko da bude moje oči i uši.
32:05Ja kad bih otišla, to bi bilo se veše sumnjivo.
32:09Stani.
32:12Bože, kakav si ti car.
32:14Kako si mi ovo namistio.
32:17Prvi put u životu žanka nema ni jednu primetbu.
32:19Nemam, samo nemam.
32:20Ni jednu jedinu.
32:24Ajde, briši!
32:29Dobro, deca.
32:41Smirite se.
32:42Biće sve u redu, videće.
32:44Ne brinite, ljudi.
32:45A Sela nije nikog ubila.
32:47Ajde, pređemo mi tamo.
32:50Da nas gostine gledaju.
32:51Ajde.
32:52Pa otkud vi?
33:07Šta otkud mi je? Šta radiš ti ovdje?
33:09Pa imam pravo.
33:10Kako pravo?
33:11To nam je otac.
33:13Znači ti si ga zvala, jeli?
33:15Nije, videl sam na televiziji.
33:17Pa ne interesuje mi, gde se video izlaze napalje.
33:19Trebit ću da polažem na čune balavče jedan.
33:22U, otvori mi!
33:24Bolje ti gledaj svoju kurvu, znaš?
33:26Kako pravi majmuna o tebe.
33:29Moj idiote glupi.
33:30Ja ću reći.
33:34Šta, greši?
33:35Ej, ej, ej, ej!
33:38Dosta cirkusa!
33:40Ti si ovdje nepoželja.
33:42A ko to kaže?
33:43To je naš otec.
33:44Pa moj njesi pepudalo glup.
33:46E pa nije ni moj.
33:49Pa mi je dobra.
33:50Samo preko mene, mrtik.
33:51Ko je ovaj majmuna?
33:53Tvoj zet, ako nisi znao.
33:55Dosta!
33:56Svi zabnamo!
34:13Lači.
34:13No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
34:19Kakav ljuh imam za ublistva Astrikani.
34:32A nisi mi veralo.
34:34I don't think anyone is.
34:36I'm not sure what you're doing.
34:38I don't think anyone is.
34:40I'm not sure how you're doing.
34:42I'm not sure how you're doing.
34:44I'm not asking you.
34:46You're asking me.
34:48You're going to go through therapy.
34:50Let me see you again.
34:52I'll be right here, right?
34:54Don't worry.
34:56I want to find the right mother's mother
34:58and her mother's mother.
35:04Buče,
35:06it's not for me to say,
35:08but I really think
35:10you should have hospitalised him.
35:12I'm afraid.
35:14What do I do?
35:16I'll be right back.
35:18I'll be right back.
35:20I'll be right back.
35:22I'll be right back.
35:24I'll be right back.
35:26We'll do it.
35:27I'll be right back.
35:28We're going to do it.
35:30And we'll help Sena.
35:32We will make the right thing.
35:34We're sure she is in the right place.
35:36We're sure she's killed.
35:38No one has been killed.
35:39But she was on the news.
35:41And you're getting mad at her.
35:43I've never been on news.
35:45It was a mistake.
35:49We're going to talk about this.
35:51We don't have to talk about what we're talking about.
35:53I'm only a mother.
35:55Don't stop with these stupidities. We have a delay.
35:57Let's see what we're going to do.
36:01What do you think?
36:03You think it's a delay from the destruction of the trees?
36:05Don't you?
36:07What are you doing here?
36:09I'm asking.
36:11They're our friends.
36:13Let's go.
36:15Let's go.
36:17Let's go.
36:21I'm old.
36:23I'm old.
36:25You don't have to say anything.
36:27Tell me in your name.
36:29I'm sorry.
36:31I'm Arsene Ječmenica.
36:33I'm an advocate of Mrs. Evgenije.
36:35I'm from this hotel.
36:37Who are you calling me?
36:39They're calling me from this hotel.
36:41Thank you, Arsene.
36:43Thank you, Arsene.
36:45Good advocate for a half-and-a-half-and-a-half-and-a-half-and-a-half-and-a-half-and-a-half-and-a.
36:47I know what happened.
36:51I can't do anything at night.
36:53I can't do anything tomorrow.
36:55Tomorrow I'll definitely do it.
36:57How are you so sure?
36:59What are you doing?
37:01The reports are on our side.
37:03What reports?
37:07You are a married person.
37:11We are in the phase of the marriage.
37:13Yes, yes.
37:15Now I've come here, I told you that the Sena has already received a decision.
37:19No, no, no.
37:20That's not a mistake.
37:22Yes, yes, yes, yes, yes, yes.
37:28How can you get down to the floor?
37:30You can be a man in life, where you will be a man in the house?
37:34When he's accused and when he goes into the door...
37:38That won't happen.
37:41If he's accused, what is the case with the name of the house?
37:47Who's going to go to the hotel?
37:49How much does everyone belong to us?
37:53Is there just a hotel or something else?
37:56Yes, there is cash, a kit, anything else.
38:01We want a list.
38:03What's your fault?
38:05What's your fault?
38:08We want to know who is our part.
38:10What's your fault?
38:12What's your fault?
38:13What's your fault?
38:14You can't live with the food!
38:16What's your fault?
38:18Leo!
38:19Hey!
38:20What's your fault, brother?
38:21What's your fault?
38:22You know.
38:23You all know.
38:24You all know.
38:25You all know.
38:26You all know.
38:27You all know.
38:28You all know.
38:29What's your fault, brother?
38:30You all know.
38:31You all know.
38:32How does it happen?
38:33You all know.
38:34The kids are really giving me to me.
38:35You all know.
38:36What's your fault?
38:36What did you say? Why did this happen to me? Why did I tell you to my child?
38:53Oh, my God, you did it all until I didn't die.
39:02It was just a shame.
39:06It didn't have any luck.
39:09It was just a shame.
39:11Do you think you want to be alone?
39:28Not yet. I'm waiting for someone.
39:32That's a little bit. You've agreed with me.
39:35You're gone.
39:41Do you know what I'm doing?
40:11I'm sorry. I'm sorry, I'm sorry. You have to get out of it.
40:41Dnevna i nedeljna iznenađenja, koja doleću iz magičnog fonda, vrednog preko 50...
40:47Adem, ozbiljan spoj neodoljivih ukusa.
40:54Moja majka je ubila moju majku.
40:59A ti ćete mi stiniti, moja majka. Ona zato što je vrikovac, a ti zato što se me navrano da ti pobira.
41:05Hoću da ta bezvredna likuša dobije najveću moguću kaznu.
41:28Od koga se ti kriješ?
41:35I sada imaš veliku odgovoru.
41:40Ti si sada vlasnik hotela.
41:47Sve će ovo biti moje.
41:57Samo moje.
42:05Niko...
42:10Niko...
42:12Nisu nisam šta krijevi.
42:19Svima im treba dati otkaz.
42:21Još oni nama da plate što smo i mi gazde.
42:23Sve što sam imala da vam kažem.
42:29Osumićina si za dostruku ubistvu.
42:31Ja sam vam rekla sve što sam imala da vam kažem.
42:39Reci ti meni...
42:41šta se nalazi u Evgeninom sefu?
42:43Where did they suffer?
42:50Where did they suffer?
42:52In the castle.
42:54Because she died at the time.
43:03I want to see myself first with Sena,
43:05and then I will let you film until the end.
43:08It is clear that the face is visible.
43:13Let me see my friend.
43:16My eyes are coming.
43:18My eyes are coming.
43:20I'm going to kill this person.
43:23I've been telling you to me,
43:27let me see myself,
43:28I'm going to play the child's fortessä,
43:30but I'm going to play the child's fort and the child's fort.
43:34I'll let you turn it over again.
43:36All right, let me know it's about this.
43:39That's what I'm watching.
43:41A what?
43:43Come on, let's go
43:45Let's go
43:47Let's go
43:49Let's go
43:51There's good songs
43:53It's not a song
43:55It's a smile
43:57It's a good song
43:59The beautiful things are bad
44:01Until we're in the way
44:03There's a bad thing
44:05There's a bad thing
44:07Why don't you go
44:09The body is in the evening, you don't shake me, just tell me, baby, what would you like to do?
44:16I want you to let me in the night, I'm looking at you, you, you, you, you, you, you, you, you, you, you, you, you, you, you, you, you, you, you, you, you, you.