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00:00Transcription by CastingWords
00:30CastingWords
01:00CastingWords
01:29CastingWords
01:59CastingWords
02:29O majku, ujdem uveč, meni ti oprosti svet, svet je náš, ty seben se je náš,
02:51samo ljubav je isti ne znaj, samo ljubav je isti ne znaj.
03:05Jebote, vladane, nacrtanu ovcu čovek da ti daje dočuvaš.
03:09Znači će.
03:12Nedostupno, i dalje nedostupno.
03:15Ko je?
03:16Ne poznam broj. Alo?
03:20Je, tata, ja sam.
03:21Mila, ti si?
03:22Mila, stavi na spiker, stavi na spiker, molim te.
03:24Sačekaj me.
03:25Mila, Mila, gde si? Zašto nam ovo radiš?
03:27Mama, smiri se sve uopće...
03:29Ne mogu da se smiri, mi ništa, nije okej, zašto nam ovo radiš?
03:33Dobro, okej, evo, ne drame, jebote možda bolje da vas nisam ni izvala.
03:38Ala.
03:40Mila, prestani da nas zajebavaš. Kaži gde si, ja dolazim po tebe.
03:44Reci je da se smiri, stvarno preteroji.
03:46Kaži gde si, dolazim po tebe.
03:48Tata, stvarno ne očekujem da razumeš baš sve.
03:51Mila, tim ljudima ne možeš da veruješ. Oni znaju da si moja čerka, kako ti to nije jasno?
03:56Ali, tata, nema sve veze sa tobom.
03:59Samo mi veruj da znam šta radim.
04:01Slušaj, ko je to?
04:05Ko je to, pitam?
04:07Daj mi Batu, hoću i ja da razgovaram sa njim.
04:10Žurim, tata, ajdem.
04:11Mila, nemoj da se glupiraš!
04:13Stvarno se, čao.
04:20Ti se gledeš?
04:21Tis vredaš?
04:22Tis vredaš?
04:24Tis vredaš?
04:25Tis vredaš?
04:26What do you think, doctor?
04:30What do you think, doctor?
04:34What do you think?
04:36You're sure you said you did well, right?
04:38Yes. I'm just telling them.
04:40What do you think, doctor?
04:46What do you think, doctor?
04:48What do you think?
04:50You said you did well, right?
04:52Yes. I'm just telling them.
04:56You remember, it's clear that you're alive.
05:00Why don't you talk about everything?
05:04Look, here's a little motivation
05:08if something stupid doesn't fall back.
05:12Do you want to have a problem?
05:14No.
05:16That's right.
05:20It's time to go somewhere
05:22to rehabilitation from the city.
05:26From the city, doctor.
05:30Let's go.
05:32Let's go.
05:34Let's go.
05:38Let's go.
05:40Let's go.
05:42Let's go.
05:43The legs are all in the legs. You have to cover them more.
06:13First of all.
06:15Look.
06:22And then you push yourself slowly.
06:29Do you want one on one?
06:31Did you see it?
06:33I'm an NBA scout.
06:35I'm going to block, I'm looking for talent.
06:38Yes.
06:40You're from the end.
06:41I'm not.
06:42Let's go, 21.
06:44Let's go, 21.
06:46Let's go.
06:53What do you want me to catch?
06:54We watch all the trips.
06:56When I reach, we'll see who's left in the corner, who's going up.
07:00Then we'll block the cameras and shoot shots.
07:03That's good.
07:04Then the boys will open the tables from their car and throw the car on the road.
07:09Now, Dane.
07:12I hope that it's clear that there isn't any option for us.
07:15Of course, there isn't any option for us.
07:17Of course, there isn't any option, Dane.
07:19I'm going to get to the door.
07:20I'm going to get to the door.
07:21I'm going to get to the door.
07:22I'm going to get to the door.
07:23I'm going to get to the door.
07:24Okay.
07:25Are we all going to?
07:26Yes.
07:27I don't know.
07:28Sarah.
07:29Now, go ahead.
07:30Go ahead.
07:31Go ahead.
07:32Go ahead.
07:33Go ahead.
07:34Go ahead.
07:35Go ahead.
07:36Go ahead.
07:37Go ahead.
07:38Go ahead.
07:39Go ahead.
07:40Come ahead.
07:41Go ahead.
07:42Go ahead.
07:43As soon as we'll be active,
07:44all the time to work with people with others.
07:46Now, we'll get ready for a moment.
07:47What do we mean?
07:48When will he leave, go ahead?
07:49We'll see.
07:50We'll see.
07:51We'll see it.
07:52I can't expect anything.
07:53But I think that even that day is not coming.
07:56That day is not far away.
07:58What did I say?
08:00Mrcina is a man who wants to catch him.
08:03Don't worry about panic when it happens.
08:06Who will it be?
08:08I have to tell you something.
08:12A man came and asked for Todor.
08:16He was like a friend of Todor.
08:20A friend?
08:22I don't have a brother.
08:24I don't think so.
08:26How did it look?
08:28High, low and very long.
08:32What did you say?
08:34No, of course not.
08:36If anyone else comes to us,
08:38please go back to the hospital.
08:42Of course not.
08:54That's right.
08:56That's right.
08:58Bravo, maestro.
09:00I'm going to go to the hospital.
09:02I'm going to go to the hospital.
09:04Can I take a selfie with the future?
09:08Let's go.
09:10Let's go to the hospital when I'm a MVP.
09:12I'm going to get one.
09:14It's a message for the hospital.
09:16From the hospital.
09:18Peter, I'm coming over.
09:20Let me get the help from the hospital.
09:22And I'm going to take some help in the hospital.
09:24To get the help of the hospital,
09:25I'm going to get the help of the hospital.
09:26That's it.
09:27I'm sorry.
09:44Thank you, Kristina.
09:47I'm sorry, I'm sorry.
09:51Who are you?
09:53I'm sorry.
09:55I'm sorry.
09:57I'm sorry, I'm sorry.
09:59I'm sorry, I'm sorry.
10:01I'm sorry.
10:03Mr. Balaban,
10:07I'm sorry.
10:09Good.
10:11Why do they celebrate? Where are they left?
10:23The collective year of war.
10:25Well, I'm good. I'm going to watch my people.
10:28I'm proud of them.
10:30I'm going to have one year of war.
10:32I'm not sure.
10:41Let's go. I was in the hospital with Tudora.
10:46The doctor tells me that he will be in his home.
10:49He could be in his home.
10:51That's nice to know.
10:53It's like the sun is burning, as I said.
10:56But...
10:58Is it then?
11:00Or the next time?
11:01Then he won't go.
11:03I didn't call you because of the job, Kosta.
11:06I pray for you.
11:09It's that's in the hospital.
11:39Good luck.
11:41I thought I might be hungry.
11:43I have to come.
11:45This is the hospital.
11:47Alright.
11:48You're welcome.
11:49People look for your children,
11:50like me.
11:52I'm sorry.
11:54This has been a lot of work.
11:56This is the hospital.
11:58I'm sorry.
11:59This is the hospital.
12:00I don't know.
12:02What is happening?
12:09Nothing's okay.
12:14Nothing's okay.
12:17What's happening, Kosta?
12:20What's happening, friend?
12:23What's happening?
12:25What's happening?
12:26Nothing's okay.
12:27Nothing's okay, Kosta.
12:30What's happening, friend?
12:32Friends?
12:34We're really friends, Kosta.
12:38Stay here!
12:40Stay here!
12:42Let's go!
12:44What's happening?
12:46Let's go!
12:48Let's go!
12:50Let's go!
12:52Let's go!
12:54Let's go!
12:56What are you doing?
12:58Kosta, sit!
13:00Kosta, sit!
13:02Let's go!
13:04Let's go!
13:06What?
13:08You know what it looks like when someone hit you? I'm a hearty sicker. You could kill me.
13:29But what do you do?
13:32Simonović stands for everything. He's only killed him. I was sure that he killed Todor.
13:37They killed the photographer. He killed the woman who wanted to kill him.
13:41Don't hurt, kurvetino!
13:45You have to kill me, Kosta.
13:51You didn't want to let me let me let you.
13:55Because I have to kill you now.
13:57I'm going to kill you, Kosta!
13:59Who is this? I'm going to let you go!
14:01I'm going to let you go!
14:03I'm going to let you go!
14:05What did you do?
14:07I'm going to let you go!
14:09I'm going to let you go!
14:11I'm going to let you go, Todor.
14:13I don't know what it is.
14:15I'm going to let you go.
14:17I'm going to let you go.
14:19I'm totally alone.
14:20I don't know what I'm going to let you see.
14:25Delete his other day if you think I'm wrong.
14:31You should die!
14:35Give me all you think I'm wrong.
14:38I don't know what to do.
15:08No, I'm sorry, I'm sorry.
15:10I'm sorry, I'm sorry.
15:12Don't kill him.
15:14I'll just push him back to you.
15:16I'm sorry.
15:18I'm sorry.
15:20It's not real, Kosta.
15:22It's not real.
15:24What would you do in this place?
15:26I'd certainly hit him with these hands.
15:28But I'm sorry, I'm sorry.
15:30I'm sorry.
15:32I'm sorry.
15:38I'm sorry.
15:46Turn it down.
15:54I don't believe there's only one person in the world
15:58that I would have done this as Kosta.
16:04Thank you, friend.
16:06I'm your partner.
16:08You're right.
16:10Remember that.
16:12Let's go.
16:14Let's go.
16:28Let's go.
16:30Let's go.
16:32Let's go.
16:36Joraine
16:44군
16:48Sabina
16:50Baraka
16:52Kosta.
16:54Kosta.
16:56Kosta.
16:58Kosta!
17:00Let's give advice.
17:02I can give the advice to him.
17:04Let's give the advice to him.
17:06I'll kill you!
17:12I'll kill you!
17:14Do you hear me?
17:20Where were you guys?
17:22Come up!
17:30Yes, that's right.
17:32Yes, no, but...
17:34What are our projections for the last quarter?
17:36Because we don't have...
17:38Sorry, we have only 5 minutes left.
17:40No, sorry, you're just working.
17:42I'll go a little bit. Let's go.
17:44Wait, is everything okay?
17:46Yes, yes. We'll see you in the evening.
17:48Let's go.
17:50I'm here.
18:02Good morning, Joenat. How are you?
18:08Um...
18:10You've got a penkala tomorrow.
18:14Here we go.
18:16Very quickly.
18:18Please.
18:20Please.
18:24Black celluloza.
18:26144 grams.
18:28From 1963.
18:30Polusavitljivo.
18:32Pero.
18:3414-karatno zlato.
18:36With a middle top.
18:38I think that it's a class.
18:42Only if...
18:44No, no, no.
18:46Good.
18:48We'll pack it.
18:50We can.
18:55Good.
18:56Good.
18:57Good.
18:58Good.
18:59Good.
19:00What?
19:01I'll be the mother, you know?
19:03Where will I see?
19:05What are you talking about?
19:09You have to be quiet, you know?
19:14Really.
19:18Good.
19:19Mhm.
19:27Good.
19:28Good.
19:29Good.
19:30Good.
19:31Right, guys?
19:33We can get once again.
19:35Okay.
19:36Good.
19:37I was a kid.
19:38We have...
19:40...
19:42...
19:43I was generation six years ago.
19:44I must like Mr.
19:45I will talk to you.
19:46Let's go.
19:55Let's go.
20:00What are we doing?
20:03Let's go. Why are you worried?
20:05Call her.
20:08Manja!
20:10Call her Kosta.
20:13What are you doing now?
20:17Manja!
20:19Manja!
20:20Just come and talk.
20:22I won't.
20:23Why won't you?
20:25It's not when you laugh at me.
20:27It's time for me to think about it.
20:29Let's tell me now.
20:31Why did you tell me?
20:33I've asked you so many times,
20:36and you've said everything,
20:37and you've never heard of me!
20:39You've never heard of me!
20:41You've never heard of me!
20:43Everyone who's doing what he needs,
20:45I've heard of you,
20:47and you've made me believe.
20:49But it's not like that.
20:50You've also organized everything
20:51in the mother's house.
20:53I've had to find you many days.
20:55I've had my daughter,
20:56and they've found me.
20:57He's hit me.
20:59I'm sorry.
21:01Don't give me anything.
21:03I'm sorry.
21:04Don't be a child, I'm sorry.
21:06I'm sorry.
21:07I'm sorry.
21:08Shut up!
21:09Shut up!
21:10Shut up!
21:11Shut up, shut up!
21:13Shut up!
21:14Shut up!
21:15Shut up!
21:17Let me be a wife anducky!
21:32I don't wanna take a break.
21:34I don't wanna take a break.
21:36You don't wanna take a break.
21:38You don't want to take a break.
21:40Why should I move?
21:42It's very much easier than that way.
21:43I have time for the first time.
21:44I'm ready to move.
21:45I'm ready to move.
21:46Why it's only this?
21:49How are you doing?
21:50I'm ready to move.
21:52To me now, I'm ready to move.
21:53I'm ready to move.
21:54I'm ready to move.
21:55I'm ready to move.
21:56I'm ready to come with my family.
21:57I'm ready to move.
21:58Let's go.
21:59I'm ready to move.
22:00I hope you're pulling me the back.
22:01On the next time,
22:02you're coming.
22:03You're coming to a break.
22:04Yeah?
22:05And I'm ready to move.
22:06You're coming.
22:07I'm ready to move.
22:08What's going on?
22:12Okay, I'm going to ask you my left if you need.
22:15Let's go.
22:17What's your left?
22:19You're one of the ones I can believe.
22:22That's not the case today.
22:27That's it.
22:29I'll stop.
22:31You won't have any contact with Sigmund.
22:35And for that time, listen to Balabanova.
22:40I don't believe anything.
22:43Okay?
22:47And listen to me again.
23:05Good morning, sir.
23:08Good morning, sir.
23:11Thank you so much for stopping me.
23:15Okay, good.
23:17Tell me.
23:19What are you doing?
23:21Zor Karajić.
23:23What's your name?
23:26And she contacted me while I was in the hospital.
23:30She proposed to come and work with you.
23:36And not only with you, but with Balaban and Taddin.
23:41What's wrong with you?
23:44My thing was to bring it to you when your job is done and nothing else.
23:56What's wrong with you?
23:58I don't know. I don't know.
24:00I'm telling you everything I know.
24:04I didn't tell you anything that I didn't know.
24:08How do you understand?
24:10I didn't have anything to do with you.
24:12Nothing important.
24:14All the time I worked for you, sister.
24:16Radoje, I honestly remember the day when I got to go.
24:22I didn't have to do it.
24:25I know that you're not.
24:27I'll do it again for you.
24:29But I don't want to take the benefits.
24:33See you today.
24:35And then, I'm getting out of my heart, she came to go.
24:37And I didn't have to leave the heartache, I remember seeing you and me.
24:41I didn't miss her.
24:43I didn't miss her.
24:44I didn't miss her.
24:45I didn't miss her.
24:46I didn't miss her.
24:47I didn't miss her.
24:48So I did not miss her.
24:49I have to miss her.
24:50the first day in the door.
24:52So it will be better to not be able to do much
24:58on the family's memories.
25:01However, if you really want to do something
25:06for the family,
25:08now we will be able to do it.
25:10Vladane, I will immediately be able to do it.
25:12No, no.
25:14First of all,
25:16continue to work for him.
25:18They provide all the information,
25:20freely talk about everything.
25:22It is important to receive her confidence
25:26and to know who she is working.
25:28That is the most important thing.
25:30Is it clear?
25:32Yes.
25:34The gentleman, go ahead.
25:38Let's go.
25:48Let's go.
25:50Let's go.
25:52Let's go.
25:54Let's go.
25:56Good morning.
26:22Good morning.
26:24Good day, good day.
26:26Do you want some coffee?
26:28No.
26:29Do you want some coffee?
26:33How are you?
26:35Fine.
26:38I really don't want you to get into it.
26:41It really isn't really serious.
26:45Would you like me to speak to you?
26:47We haven't heard from last week.
26:50Do you know Batu?
26:57Have you heard about her?
27:00No, I don't know who she is.
27:02I don't know who she is.
27:04You?
27:05No, I don't believe.
27:06I know that she's a bad boy.
27:08I know everything.
27:10So, I ask you to tell us all you know.
27:20Excuse me, but we are not so close to Milo.
27:23We love each other and love each other.
27:25Yes, I understand.
27:29I know that you are young and that you are almost children.
27:33But it is so serious that someone can suffer.
27:39The lives of some people are affected.
27:43So, if there is something that you know and I don't know,
27:47I ask you to tell me that I will tell you immediately.
28:02Milo has another profile of the phonogram.
28:07Don't say Milo that I am I am.
28:09It's really scary to me.
28:11I am sorry for you.
28:26What's that?
28:28What would you say?
28:29They don't have a great time.
28:30I feel like they don't have a great time.
28:32I think it's not a moment.
28:35Maybe it's another time.
28:38No, it's not.
28:44Allow me.
29:02This was released in a week, when Slavko Tomović died.
29:13And this is your car here,
29:17which comes from Petlje Nadi.
29:22What does it mean?
29:26What does it mean that you were lucky in the moment when Tomović died?
29:32What does it mean?
29:37What does it mean that you were only a few minutes after Tomović died here?
29:45And after you left him?
29:52I see my car on this photo.
29:58I don't know if I was there.
30:01What is it?
30:02What?
30:03I don't know if you have a photo on him.
30:07I don't know if you have a photo on him.
30:09There you go.
30:16What? You don't have it?
30:20I wouldn't be so sure that I was at your place.
30:23You will never be at my place.
30:26And you, Nikola, have you as the main man of my boss,
30:29Zvezdana Ostojić.
30:32You have to have to be wrong again.
30:34Not only that you have to be wrong,
30:36but you have to share this information with the lawyer of Koste Balaban.
30:42That's why you are unprofessional.
30:45You work on your hands.
30:47You have to get your colleagues.
30:50And that's all because you are so upset
30:53that you will know me.
30:57That's why you leave me with a dog
31:00so you won't be a mother.
31:03What's going on?
31:08Nikola.
31:11Nikola, stop!
31:13What happened?
31:14Is this true?
31:16Really?
31:17What do I want to tell you?
31:20I will have to tell you this.
31:33Please do not.
31:42Good evening, Doctor.
31:43How did I get to know?
31:45To prevent!
31:46Quiet, you can see?
31:50You're a talented son.
31:51He can be able to represent his ownŵ.
31:55He depends on his mother, of course.
31:58I don't know.
32:08I'm going to go to the bathroom.
32:22I'm going to go to the bathroom.
32:23I'm going to go to the bathroom.
32:28I don't know how much I will see him.
32:34I don't know how much I felt.
32:42Is everything ready?
32:46Did you go to the bathroom?
32:48I'm going to the driveway from the hospital.
32:50It didn't happen to me since we were told for us two.
32:57Your voice deserved me.
33:00I had to tell him that the government is better than me.
33:04How did the soul react?
33:07Dostoevsky.
33:14Okay.
33:20Tijana.
33:24It's better for the soul.
33:27It's better.
33:30I have something for you.
33:32Allow me.
33:37I found an ancient trustee for important answers.
33:47Gladane.
33:55I can't anymore.
33:58I can't.
34:02I don't want anyone more than you.
34:05I don't think anyone understands me better than you.
34:08I can't.
34:10I pray for you now.
34:13I understand.
34:15I can't.
34:19Tijana.
34:23I pray for you.
34:26Don't leave now.
34:28I pray for you.
34:33I can't.
34:36I can't.
34:37I can't.
34:39I pray for you.
34:40I pray for you.
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