- hace 1 semana
Marisa y Concha deciden abandonar a Vicenta e irse a una residencia, que ahora tienen de todo. Mientras tanto, a Vicenta le han colado un billete falso de cincuenta euros. En la peluquería se lo rechazan y cuando llega al banco con la intención de que se lo cambien por otro, Mariano le aconseja que elija entre las dos opciones: "ser buena ciudadana, dárselo al banco y perder cincuenta euros, o encasquetárselo a alguien...". Tanto Belén, como Ana y Bea, echan de menos a María Jesús, aunque por distintos motivos. Belén se siente culpable y deciden prepararle una fiesta de cumpleaños. Candela quiere una scooter, pero sus padres no se la compran. José Miguel, que escucha la conversación, ve la oportunidad y se ofrece a darle una vuelta en su moto. El problema es que no tiene y tendrá que conseguir una como sea. Paco se separa de Lourdes y Pablo se ve obligado a hacerle un sitio en el ático. Rafael abandona la comunidad, ya tiene su spa terminado y regresa a su chalet.
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00:00:30Good evening, sir.
00:00:31Good night.
00:00:33It seems unbelievable to me that you use this guy to do your job.
00:00:36No, Mr. Juan, I'm currently a goalkeeper instructor in a marginal integration course.
00:00:41They send me kids with problems, and I tutor them. It's a new thing from the city council.
00:00:46But I don't like him wearing my shirt. He associates my image with marginalization.
00:00:50But if that print is a chestnut with two more washes, they'll mistake you for Bin Laden.
00:00:55What do you think? That he's doing the washing?
00:00:56Ah!
00:00:59Watch out, damn it! You can't walk on the sidewalk!
00:01:02Oh, sure, sure!
00:01:04Huh? Where are you going?
00:01:05To install air conditioning. What do you think?
00:01:08Hey, watch out, okay? I'm the doorman, and I'm the law here on these stairs.
00:01:12What about you?
00:01:13If you wear a cap, you might respect yourself more.
00:01:16Come on, don't stop or you'll catch cold.
00:01:18But why do you think they dress the parking meter attendants like cops?
00:01:21Well, so they don't get hit.
00:01:24There it is.
00:01:26Vicenta, let's go out for a moment.
00:01:28Take Valentin out, let him do his thing!
00:01:32Yes, yes, okay.
00:01:39Hello. A Hawaiian relative?
00:01:41No. An aunt in Huelva is the most tropical thing I have.
00:01:44Madam, I'm in a hurry.
00:01:46Look, it's 15 and 40.
00:01:49Yes, but we haven't asked for anything here.
00:01:51Well, this is disappointment 21 second A.
00:01:54Yes, but no, really.
00:01:56Well, no problem. We'll keep it, right?
00:01:58We're not going to keep a pizza that isn't ours.
00:02:01And if we already have dinner ready, you know?
00:02:03No, man, no.
00:02:04This then cools down and has to be thrown away.
00:02:06It's a shame there are so many people starving in the world.
00:02:08Pizza, how delicious.
00:02:10Hey, let's each take the pieces, Mom doesn't take them.
00:02:12But, man, don't keep it, there will be other people waiting.
00:02:15Well, well, but has anyone paid me for it?
00:02:18Do you see how you have to call at one end?
00:02:20Today we have three to choose from.
00:02:22Ladies, please be a little bit, the boy will be a poor student.
00:02:25that he will have to pay for it out of his own pocket.
00:02:27I'll tell you my life, because it's also very sad.
00:02:29No, no, not this one, because this one has mushrooms.
00:02:31It smells so good, let's see.
00:02:33Yes, it could be Peroni's.
00:02:36Marisa! What are you doing?
00:02:38Come on, decide quickly that it's going to go down.
00:02:41Close the chest now.
00:02:43What are you doing?
00:02:43Wait, wait, I saw a chicken wing in the background.
00:02:47But if we don't have any sauce or anything, leave it there.
00:02:49Come on, take it.
00:02:57But what did I tell you about stealing all day, huh?
00:03:00You are both sick.
00:03:02And for the adrenaline rush, I'm not even hungry today.
00:03:04The fault lies with society, which parks its elders as if they were old junk.
00:03:09When we were the ones who built this country.
00:03:12And what have you done to lift the country?
00:03:14Hey, well, things.
00:03:15And don't make me think I'm eating.
00:03:17Well, this house is mine, I'm throwing away this pizza, because I've already battered the anchovies.
00:03:23You know what I'm telling you?
00:03:24I'm fed up with spending all day with my house up and my house down.
00:03:28Mom would leave it to you, but this house belongs to both of us.
00:03:31I would discuss that with a lawyer.
00:03:33But shut up!
00:03:34That I welcomed you with all my love when your son abandoned you and you have never contributed a penny for anything.
00:03:38Sorry.
00:03:39But who bought the parcheesi?
00:03:41And who pays for the water, electricity and gas?
00:03:43Man, you, but why are you stupid?
00:03:44Well, the fool has gotten tired.
00:03:46And from now on, what I say will happen here.
00:03:49Come on, man.
00:03:52And what happened to this one?
00:03:54I can't stand Lady Bow anymore, okay?
00:03:56Yes, concha, it's time to emancipate yourself.
00:04:00And where are we going?
00:04:01Damn, to a residence, if they already seem to be inigol of things they have.
00:04:04Hey, but it's a very bad time to find a place.
00:04:07What's up?
00:04:08If nursing homes are like gyms, there's always someone dropping out.
00:04:12Here, here, here there is no one who lives, not here, not here.
00:04:16Every day is like this, I couldn't imagine it when I came here.
00:04:21I was just looking for some peace.
00:04:23I wake up every day in the middle of a hurricane.
00:04:26Here, here, here there is no one who lives, not here, not here.
00:04:30Here, here, here there is no one who lives, not here, not here.
00:04:35That envelope starts collapsing, I can't find the goalkeeper.
00:04:39The neighbors visit me and listen to me.
00:04:42I can't stand this place.
00:04:45Put in a cocktail shaker.
00:04:48Here, here, here there is no one who lives, not here, not here.
00:05:01Here, here, here there is no one who lives, not here.
00:05:05Here, here, here there is no one who lives, not here.
00:05:10Not here, here, here, there is no one living here, not here, not here, here, here, there is no one living here, here, here, here, there is no one living here, here, here, here, there is no one living here, no.
00:05:27Okay, Mauricio Hidalgo has the floor. First, go. He called this meeting to tell us something, I imagine.
00:05:34I protest vigorously and insist that the street is not the place for a meeting.
00:05:39Watch out, car, car.
00:05:40No, man, for God's sake, are we going to be putting up with this little joke every day?
00:05:50Watch out in the middle, damn, this laceration went up.
00:05:53Excuse me, excuse me.
00:05:54Get out of the car, I'll give a shit.
00:05:56Mariano, you're right, we're invading the road.
00:05:58What if we put on reflective vests?
00:06:01Let's see, let's see, I just want to say that I love you all.
00:06:09We like you too, the session is adjourned.
00:06:12No, wait a minute, wait for me to explain.
00:06:14It's that I have had an experience that has changed me forever.
00:06:18I prayed to avoid the disaster of Ana having a child with this man and someone higher up detached that embryo.
00:06:25Well, there's something up there.
00:06:29Call it God, call it energy, which is with us.
00:06:34And with your spirit.
00:06:35Give one another peace fraternally.
00:06:37I'm serious, I was selfish and I was punished.
00:06:40I repented from my heart and was forgiven.
00:06:43Cause, effect.
00:06:44Mauricio, it's all very well that you live your faith with such joy, but...
00:06:47Let's see, what do you want to sell us?
00:06:48Nothing.
00:06:49But I'm just saying that we have to get along better.
00:06:52Why do we do badly in life?
00:06:54Because we deserve it.
00:06:55We are not good people.
00:06:56Sorry, it worked out very well for me.
00:06:58Mamen, you are dissatisfied and a coward.
00:07:01You're more concerned about the color of your carpet than analyzing what's happening to your family.
00:07:06And look at John.
00:07:07His wife falls on his patio.
00:07:09He doesn't get along with his children.
00:07:10No progress at work.
00:07:11How could the world not come crashing down on him if you take away the presidency?
00:07:14If you have nothing else...
00:07:16The models.
00:07:18But hey, at least they have something resembling a family.
00:07:21Which is something that neither Vicenta, nor Concha, nor Marisa, nor Rafael have been able to retain.
00:07:25Why are you alone?
00:07:27Why aren't you happy?
00:07:29Have you stopped to think about it?
00:07:31First point of the day.
00:07:33Moral collapse of the owners.
00:07:36Excellent.
00:07:36He hasn't said anything about me.
00:07:38No, no, no, no.
00:07:39If I'm not mistaken, really.
00:07:40We are neighbors, for God's sake.
00:07:42If we see each other daily, we have more contact than with our family.
00:07:45Why don't we try to be better people to each other?
00:07:49Make your coexistence more beautiful.
00:07:52What does it cost us?
00:07:53Well, if life is very fair, it will give us back.
00:07:56Well, votes in favor of this beautiful initiative.
00:08:01I don't know what we're voting for.
00:08:03What do you care if we leave?
00:08:04Well, it is approved by majority.
00:08:06So, go on, be good to everyone.
00:08:09Prayers and questions and brothers.
00:08:10I just want to say that I'm leaving this community.
00:08:14Why, Brother Rafael?
00:08:15Don't screw it up this time.
00:08:17They've already finished renovating my chalet.
00:08:18I already have the spa ready.
00:08:19So, nothing, it's been a pleasure.
00:08:22And what do you plan to do with the apartment?
00:08:23Are you selling it?
00:08:24No, no, I rent it.
00:08:25An agency is already in charge.
00:08:26I don't like rented ones.
00:08:28Me neither.
00:08:28They feel no attachment to the building.
00:08:30Let's see, come on, we were doing well.
00:08:33Of course, as a sign of affection,
00:08:35I give you an elevator key
00:08:36so that you can all make a copy.
00:08:38Damn, Batman decodes our elevators.
00:08:43No, you see how good it is?
00:08:46Another community is possible.
00:08:48Alleluia.
00:08:51Oh, we're not going to buy you a motorcycle.
00:08:53That is extremely dangerous.
00:08:54But why not?
00:08:55Give me an objective reason.
00:08:57Genius, give him an objective reason.
00:09:00There is no money.
00:09:01Ah, not for the scooter.
00:09:03But for Raúl to change his sex, there is more than enough.
00:09:05No, no.
00:09:06I've already told you that without a wedding there is no vagina.
00:09:09Oh, that's different.
00:09:10Look, your aunt feels like a woman.
00:09:12Well, and I feel like a biker.
00:09:14I want to run the world championship.
00:09:15Yes of course.
00:09:16And I want to be a talk show host wherever you are, sweetheart.
00:09:19Daughter, the beautiful thing in life is to have frustrations.
00:09:23Right?
00:09:25Ah, yes, yes.
00:09:26It's great.
00:09:28And you could put the table here, right?
00:09:30For example.
00:09:31That president is tiring, huh?
00:09:33You wouldn't believe how they grind the joints.
00:09:37Hey, if you like motorcycles I have a scooter.
00:09:40You?
00:09:41What are you saying?
00:09:42Yes, I'm just waiting for him to come out of the workshop.
00:09:44They are preparing him to shoot more.
00:09:46Well, you could leave me someday, right?
00:09:48No, no, for that we have to know each other better.
00:09:51If you want, I'll give you a ride.
00:09:52When?
00:09:53When I leave the workshop.
00:09:55I have to call.
00:09:56Are you anxious?
00:09:58Hey, and since when have you had a motorcycle?
00:10:00Since never.
00:10:01I'll see where I can get one.
00:10:02José Miguel, you win a girl over for who you are,
00:10:05not for what you have.
00:10:06Yes, yes, of course, of course.
00:10:07If not, how do you think I won your sister over?
00:10:09Man, there's not much you have to do with it.
00:10:11José Miguel, you've caused enough trouble in this house, huh?
00:10:13Look who went to talk.
00:10:16Hey, hey, hey, where are you going?
00:10:17Hey, I'm going to the library, I have to study for a project.
00:10:20Okay, but don't take long, you're grounded.
00:10:22Juan, leave him, he's studying.
00:10:25No, no, if I let him.
00:10:27He is now more focused.
00:10:29Juan, hey, did we run out of sandwich bread?
00:10:31And this one is already eating.
00:10:32That the Grellis exist.
00:10:37Jesus, an Australian monkey, I saw him in a documentary.
00:10:40José María was a doll.
00:10:42If he moved, worse than my mosín.
00:10:43How could it be a monkey?
00:10:44If he sang and drove a toy car.
00:10:46Sorry, the monkeys went to space.
00:10:48before the human being, huh?
00:10:49If they have a planet to themselves, damn it.
00:10:51If Charlton Heston went to see them.
00:10:53You guys really have some conversations that...
00:10:56Where has Paquito gone?
00:10:57That should have opened already.
00:10:59Hey, what if he doesn't show up, where do we go?
00:11:00Well, I don't know what's going on around here.
00:11:08Hello good.
00:11:09Hello.
00:11:11Hello good.
00:11:16How do I like that girl? She's an angel.
00:11:19It's that inga is a lot of inga.
00:11:21No, no, no, not the blonde, damn it.
00:11:23The other one, the pretty one.
00:11:25What if I invite her to eat at my Aunt Gachoni's house?
00:11:27José María is a lesbian.
00:11:29He has a girlfriend and a one and a half year old boy.
00:11:32It's not that it has accessories, it's Pinipón's farm.
00:11:35She is a veterinarian.
00:11:36Get yourself a bug and you have an excuse.
00:11:38to go see it as often as you want.
00:11:41I'm going to the neighborhood.
00:11:43You're going to steal someone's dog, huh?
00:11:47Really.
00:11:48Man.
00:11:50Paco, dude, this has a schedule.
00:11:52You can't leave us here on the street.
00:11:53Where were you?
00:11:54It's over.
00:11:56Lourdes and I are separating.
00:11:58I've left home.
00:11:59Well, come on, open up, let's celebrate.
00:12:00Emilio, I'm sick.
00:12:02What's the matter?
00:12:03Damn, he's breaking up with Lourdes, he's telling you.
00:12:05We've been arguing all night.
00:12:07Look at my face.
00:12:09Well, console yourself by thinking about what she will have.
00:12:12If I have nowhere to go.
00:12:14I'm paying half the mortgage on a broken home.
00:12:16Calm down, damn it, Paquito.
00:12:17That's what friends are for.
00:12:19To help you, to welcome you.
00:12:20Of course, of course.
00:12:22Come on, get up to the attic.
00:12:24Hey?
00:12:24Will you read that for me?
00:12:26Yes, yes, of course, we are friends.
00:12:28Let's see.
00:12:29You go up, rest and repose your pain.
00:12:33I'll take care of the video store.
00:12:35Thanks, guys.
00:12:36It's wonderful, really.
00:12:38I don't know what's up with you guys.
00:12:39Come on, come on.
00:12:41Come on, cheer up, Paquito, you're not alone.
00:12:43Well, I'm going to sunbathe.
00:12:45But you weren't going to open the video store for him.
00:12:47It's just that I've suddenly felt very lazy.
00:12:54Hello, I'm María Jesús and I'm not here.
00:12:56Call me later.
00:12:57And where do I give it, daughter?
00:12:58Mom, press square.
00:13:00Mom, I know you're angry,
00:13:02But at least tell me where you are so I can rest easy.
00:13:04Good morning, Mrs. Belén.
00:13:09Don't call me Mrs. Belén.
00:13:10Well then, Mrs. Lopez,
00:13:12How is your mother? I haven't seen her for a couple of days.
00:13:14Well, he's not there, he's gone.
00:13:15Normal, if you're going to end up alone and bitter.
00:13:17It's got me worried, huh?
00:13:19And how are you with your man?
00:13:20You've had some problems, haven't you?
00:13:22At least we ended up as friends,
00:13:25which is more than I can say for other owners.
00:13:29Good morning, Raquel.
00:13:33Yes, yes, yes.
00:13:34It looks like a tremendously good vibe, huh?
00:13:36I'm so jealous of you.
00:13:38Be careful not to slip on the stairs,
00:13:40that at your age your bones no longer heal the same.
00:13:46Slut, where's the French toast?
00:13:48It's just that we don't see her anymore.
00:13:49He's gone, he doesn't live here anymore.
00:13:51They miss her, she was so nice.
00:13:53But what are you telling me if they hit each other?
00:13:55Yes, but always with love.
00:13:58Yes, I have saved the hairs I pulled out.
00:14:00Hey, where did he go?
00:14:02Well, I don't know, I've spoken to her.
00:14:04What a daughter you are.
00:14:06You do mine to me and I won't speak to you again.
00:14:09But they put you in a residence.
00:14:11That's why I haven't called him.
00:14:15Hello, Belén.
00:14:16And your mother, how are you?
00:14:18Phenomenal, on vacation in Thailand.
00:14:20Oh, it's just that Moses asked me about his lasagnas.
00:14:25But what did you do to the chicken?
00:14:26He looks like a plane crash victim.
00:14:28The girl scratches it a little and is in her cluster.
00:14:30But what are you doing?
00:14:31An Ana specialty, Windsor chicken.
00:14:34It was so comfortable when your mother cooked for us.
00:14:40And I scrubbed.
00:14:41And she made us juice in the morning.
00:14:42And who was he calling her?
00:14:43Yaya?
00:14:44I don't know, now it turns out that everyone loved her very much.
00:14:47Man, he got quite attached to it.
00:14:50What if you call her and tell her to come back?
00:14:52Ah, maybe not to live, but come for a couple of hours in the mornings.
00:14:55But it was you who were happy when he left.
00:14:58Belén, even you're missing her.
00:15:01Normal.
00:15:02If he went to the meetings for me.
00:15:03There is no need for more things.
00:15:04Look at you, you're not okay.
00:15:06Yeah, I feel like a fucking selfish person.
00:15:09Belén, you always do the same thing.
00:15:11You push away all the people who truly love you.
00:15:13Emilio, your mother.
00:15:14It's like you're bringing your own misfortune on yourself to justify how unhappy you are.
00:15:18Ah, thank you so much, girls. I feel much better now.
00:15:24Mother!
00:15:25I just came to pick up my half-liter Tupperware.
00:15:27But where were you? We were so worried.
00:15:31Well, where I am wanted.
00:15:33At your brother's house.
00:15:34The girls are delighted with me, huh?
00:15:36Mom, we miss you.
00:15:39Yes, I've already seen the kitchen.
00:15:40No, no, no.
00:15:41And for more things.
00:15:44Daughter, you have hurt me a lot.
00:15:46I have a little pain here.
00:15:51Here it doesn't go away.
00:15:53And until he leaves...
00:15:57Ah, clean the oven now, as soon as it dries you'll see.
00:16:00Hello, Maria Jesus.
00:16:11Hello.
00:16:12No, no, wait, wait.
00:16:15I wanted to apologize to you.
00:16:17I understand that Belén and you had an argument over a conversation I had with her.
00:16:21Woman, there's no need to exaggerate things either.
00:16:23Ah, no.
00:16:25You called me an old, ancient, unpleasant, and annoying lady.
00:16:28No, no, no, Moses, when have I ever said that?
00:16:30The other day, sir.
00:16:32You're fired.
00:16:34Well, no.
00:16:35You have to move me.
00:16:36Will you let me invite you to dinner to smooth out my laziness?
00:16:40Rafael, you've hurt me a lot.
00:16:44Look, I have...
00:16:45I have a little pain here.
00:16:48That doesn't go away.
00:16:51And until he leaves...
00:16:53Maria Jesus, now I'm being honest.
00:16:54Do you want to have dinner with me?
00:17:03Pick me up at ten.
00:17:05Damn, that's tense.
00:17:07Sir, you haven't told him where to pick her up.
00:17:09Well, come down, come down and ask him.
00:17:10Come on, come on, wake up, Moses, come on.
00:17:13Oh, well, this woman has her point.
00:17:16I already know what I'm going to do.
00:17:17Tomorrow is his birthday.
00:17:19We're going to throw him a surprise party.
00:17:21Oh yes!
00:17:23And we bought her something nice.
00:17:24That she wanted a lettuce spinner.
00:17:27Can you call your father and your brother?
00:17:29No, not my brother.
00:17:30That girls are meant to be killed.
00:17:31Hey, same thing until we make peace.
00:17:33Does your father miss her?
00:17:35I don't know.
00:17:37Dad!
00:17:38Hey, what are you doing tomorrow?
00:17:40You can't get in the way here.
00:17:42This is the historic center.
00:17:43For God's sake, there are tourists around here.
00:17:46I don't mind being photographed.
00:17:48But you can't stay in the yard
00:17:49If we are all used to it.
00:17:51There's no air flowing there.
00:17:53That looks like a horse mackerel drying rack.
00:17:55The gentleman always has to be causing problems.
00:17:58Juan.
00:18:03Vicente, can you give me some cream on my back?
00:18:05No, not now.
00:18:06I have a problem.
00:18:08Look, they gave me a fake 50 euro bill.
00:18:10and I went to pay at the hairdresser's.
00:18:12And they've made me blush.
00:18:14Damn, that's well done.
00:18:16No, but hold it up to the light.
00:18:17It's bad.
00:18:18The king does not come out.
00:18:19Vicente, the king no longer comes out.
00:18:23He's very busy with so many grandchildren.
00:18:26Well, I'm going to the bank to get another one.
00:18:28Stop!
00:18:29And during life, they take it away from you.
00:18:31Yes, but they give me a good one.
00:18:33They have an order from the Bank of Spain.
00:18:35They are withdrawn from circulation.
00:18:36But what is my fault?
00:18:37that they gave me a counterfeit bill?
00:18:39None.
00:18:40You are a victim of the system.
00:18:42Since I see two options.
00:18:43Or be a good citizen, give it to the bank
00:18:47and lose 50 euros.
00:18:49Or stick it on someone.
00:18:52You'll see.
00:18:53Look, wash it and cut its nails, please.
00:18:57Charge me, I'm in a hurry.
00:18:58Wow!
00:18:59Don't you have anything smaller?
00:19:00No.
00:19:02Well, leave it then, woman.
00:19:03You pay me another day, okay?
00:19:04No no.
00:19:05Today.
00:19:06Look, give me some cookies.
00:19:08Some anti-tartar biscuits.
00:19:10A deodorant and an anti-parasite collar.
00:19:14How much is everything?
00:19:15Let's see.
00:19:1652 euros.
00:19:17Ah!
00:19:18Ah!
00:19:18Very good, very good.
00:19:19Well, I owe you two.
00:19:22Well, I'll come for him later, okay?
00:19:24Ah!
00:19:24No, woman, I'll bring it to you, okay?
00:19:25Oh!
00:19:26Oh, how short you are!
00:19:28Hello.
00:19:29Bea, Bea, look.
00:19:32I found a sick little bird.
00:19:34Let's see if we need surgery or something.
00:19:35José María is dead.
00:19:38What are you telling me?
00:19:39Yes, and it's not from today, right?
00:19:41Ah.
00:19:43Well, I tried.
00:19:44But no, man, no, don't throw it at me.
00:19:46Would you like to have a coffee?
00:19:49I can treat you, look.
00:19:5150, 60, what the fuck is this?
00:19:54No, no, José María, really, thank you very much.
00:19:56And I can't leave the clinic alone.
00:19:58Ah.
00:19:59Well, another day, that's it.
00:20:01Yes, better.
00:20:03Well, I'm going now, you're very busy, aren't you?
00:20:08You tell me.
00:20:11Yes, yes, yes, calm down.
00:20:13Bye bye.
00:20:14Bye bye.
00:20:14But hey, why haven't you cleared the table?
00:20:35Because we're leaving.
00:20:37Where to?
00:20:37Are we coming?
00:20:38Yes, of course, with the suitcase.
00:20:40We have found a place in a residence.
00:20:43You have driven us out with your fascism and your intolerance.
00:20:47Why do you take the Parcheesi?
00:20:49There you will have the one.
00:20:50I don't trust it, it's probably rigged.
00:20:52How the hell do you rig a Parcheesi game?
00:20:55All right, then don't come back here, okay?
00:20:57I don't need you, I have Valentín and many friends at the hair salon.
00:21:00We're not saying goodbye to anyone.
00:21:03Ah, no, no, I'm going with a high perm.
00:21:07And I also have a radio.
00:21:11Hey, she's leaving, although they're leaving her alone, poor thing.
00:21:14Mario, it really depresses me to see you peering through the peephole.
00:21:17Fernando, loneliness is the most terrible thing that can happen to an older person.
00:21:21You'll see how long it takes for her to start talking to herself.
00:21:23You've been a bit mystical lately, haven't you?
00:21:25I'll be on the lookout in case you need anything.
00:21:28Well, not me.
00:21:32Look at it carefully because tomorrow at 12 I want it just like I'm leaving it to you.
00:21:35And if you stick together, well.
00:21:36But what the hell.
00:21:37Who do you think you're talking to, kid?
00:21:39And with soup, huh?
00:21:40With a full tank.
00:21:43Come on.
00:21:43Wow!
00:21:45Let's have fun, okay?
00:21:50Josemi, who are those?
00:21:52Nothing, just some colleagues.
00:21:53Damn, life looks different from here, huh?
00:21:55Hey, do you have a license to carry this?
00:21:58No, I'm neither old nor have a driver's license.
00:22:00But Candela wants me to give her a spin.
00:22:02You didn't do anything stupid to lose your virginity?
00:22:05Well yes.
00:22:06I tried to have phimosis surgery myself the day before,
00:22:08but of course, it didn't work out for me.
00:22:10This is the night.
00:22:11I'm watching it.
00:22:13But hey, don't leave it in the middle of me here.
00:22:14Fuck, get me in the tunnel portal.
00:22:16It's just that I can't handle her.
00:22:18Poor Mr. John.
00:22:19He is doomed to have a stroke.
00:22:22Valentin, how handsome he is.
00:22:30Vicenta, look, the 50 euro bill you gave me before,
00:22:35Well, it turns out it's false.
00:22:36No, no, no.
00:22:38Yes, yes, yes.
00:22:40They ran it through the detector at the supermarket and it's not valid.
00:22:43If you could give me another one.
00:22:45No, daughter, no.
00:22:46How do I know that ticket is mine?
00:22:48Because I tell you so.
00:22:49If they haven't given me more today.
00:22:51Bea, it's very wrong to try to deceive older people.
00:22:54You know I can't see well up close.
00:22:57But madam, what do I do with this bill now?
00:23:00Well, I see two options here.
00:23:02That is, good citizen, give it to the bank and lose 50 euros,
00:23:05or foist it on someone.
00:23:07You'll see.
00:23:07Silly, if I am silly.
00:23:16I've been like this all my life.
00:23:17Son, your mother is stupid.
00:23:19Well, don't worry, it's not a problem either.
00:23:21But how come not?
00:23:22Vicenta has taken the piss out of me.
00:23:23Vicenta, it is very serious.
00:23:25But I don't have the personality to say things,
00:23:28to grab him and tell him,
00:23:30crazy old lady, or give me a good bill right now,
00:23:32or I'll grab you by the hair and smash your whole mouth against the railing.
00:23:37Come on, we'll break it and that's it.
00:23:41No, no, no, no.
00:23:42What are you saying? We'll pin this on someone, man.
00:23:44To whom? He already has those detectors everywhere.
00:23:48Hello.
00:23:50Hello.
00:23:53Melen.
00:23:55Take.
00:23:56The rent money.
00:23:57But you always put it into my account.
00:23:59Yeah, but we're changing banks, right?
00:24:02Uh, yeah, yeah.
00:24:04They give us a beautiful set of dishes.
00:24:07Yes, with a soup tureen, a salad bowl, a square bowl, a Japanese bowl, very, very Zen, very...
00:24:12Hey, don't bring any more junk into my house, okay?
00:24:14No, no, don't worry if it's for my mother.
00:24:16Damn, let's see, what do I do with this now?
00:24:18More are small.
00:24:20Well, now you have cash, silly.
00:24:24But a guide, what a laugh.
00:24:25Our friend.
00:24:26And our landlady, who sticks a stick through our room,
00:24:28that is not normal.
00:24:29No, this ticket is no good.
00:24:34What do you mean it's not good?
00:24:35This one is more fake than Fernando Alonso tap dancing.
00:24:38Look, it doesn't have a watermark.
00:24:41And what is that?
00:24:42A little drawing they put on banknotes.
00:24:45Sorry chata, but so deceived.
00:24:46But what kind of friends are you who would slip me a counterfeit bill?
00:24:52But no, Belén, no.
00:24:54We had no idea.
00:24:55That Ana took that out of an ATM.
00:24:57No, I think you got it.
00:24:59Come on, come on, I've seen your true colors.
00:25:01Give me a real one.
00:25:02And how do I know that ticket is mine?
00:25:04Oh, but you have nerve.
00:25:06How many people do you think give me these bills a day?
00:25:10Look, Belén, I see two options here.
00:25:12Or be a good citizen, give it to the bank and lose 50 euros.
00:25:15Or foist it on someone, you'll see.
00:25:18How strong.
00:25:19But how strong.
00:25:21Strong.
00:25:22Man, that's strong.
00:25:23How strong.
00:25:32Hello, Iginio.
00:25:34Look, I'm bringing you this month's community fee.
00:25:36No, that's opposite.
00:25:37Second A, treasury.
00:25:41Hello, handsome.
00:25:43Give this to your father, it's the community fee.
00:25:45Okay, pretty.
00:25:46I'll give it to you now.
00:25:47Bye.
00:25:49Wow, this is a great way to end the month.
00:25:52I'm going to school.
00:25:53And this is because he treats me like I'm four years old.
00:25:56I could get her pregnant.
00:25:57Hey, José, what a beast you are.
00:26:00Look, man, thanks.
00:26:07Thank you so much for truly welcoming me.
00:26:09And we're going to have a great time.
00:26:10Well, we're going to be like Epi Blas, like Oliver and Benny, like Hanson and Chehuaca.
00:26:14Hey, maybe you should talk to Lourdes.
00:26:16You can't end something so beautiful because of a silly argument.
00:26:19No, no, no, I'll never live there again.
00:26:20No, never, never.
00:26:22You can't imagine what it was like to live with that witch.
00:26:24It was the dictatorship of terror.
00:26:26You know what a mess I could have gotten into just for doing this.
00:26:28Yes, women are sometimes very fussy.
00:26:35Oh, man, sorry, I'll pick it up for you right now.
00:26:39What was that noise?
00:26:41Why don't you wait for me to break everything?
00:26:44Hello.
00:26:45Hey, hey.
00:26:47Hey, even though I'm living here, if you need a moment of privacy, just let me know and I'll go for a walk in the park, okay?
00:26:52With complete confidence.
00:26:53No, thank you, thank you.
00:26:54Honey, can you come here for a second?
00:26:58He just broke up with his wife.
00:27:02But you told me we couldn't live together because you needed your space.
00:27:06No, no, no, no, he's only going to stay a couple of days.
00:27:07It's just that it's in tatters and has fallen apart.
00:27:14It's all a facade, huh?
00:27:15Paco internalizes pain a lot.
00:27:20José Miguel, how come you didn't realize it was a counterfeit bill?
00:27:22Because in your life you have never given me one in 50, and I know what they are like.
00:27:25Look, look, what a botched intaglio printing.
00:27:27And the hologram doesn't change color.
00:27:29God, let it toast.
00:27:30No, not that it toasts.
00:27:32We are not in a position to lose this much money now.
00:27:34Thank goodness your mother noticed.
00:27:35No, not her, the herbalist, who wanted to spend it.
00:27:39I needed dandelion.
00:27:40But I'm swollen.
00:27:42How could you possibly think of spending a landlady's money?
00:27:45So then the numbers don't add up.
00:27:46And why do you have to do them?
00:27:48Well, let the president do it.
00:27:50If he has appointed me treasurer.
00:27:52Oops!
00:27:53Spokesman!
00:27:54Treasurer!
00:27:55Son, you have more titles than the Dochess of Alba.
00:27:57What's the deal for a ticket?
00:27:59Come on, I'll put it on some loser.
00:28:01No, no, no.
00:28:01This must be returned to its owner.
00:28:02There has been bad faith here.
00:28:04Belén has acted with malice.
00:28:05Oh, but is he dating someone?
00:28:08Okay, but listen to me.
00:28:09How do I know that ticket is mine?
00:28:11Because Juan Cuesta, former president of the community, tells you so.
00:28:14Look, I see two options here.
00:28:16Be a good citizen, give it to the bank and lose 50 euros.
00:28:20Or foist it on someone.
00:28:22You'll see.
00:28:25No, and you'll still sleep well at night.
00:28:28I, like a queen.
00:28:30Juan.
00:28:32Don't stress.
00:28:33Give me the ticket and I'll pay for it.
00:28:35What are you going to do?
00:28:36Mommy!
00:28:39Mommy!
00:28:40Mommy!
00:28:41Mommy!
00:28:43Thank you.
00:28:44What's happening?
00:28:45Yard!
00:28:47Hello!
00:28:48Oh!
00:28:49How cute you look!
00:28:50Hey, would you mind changing this 50 bill for me?
00:28:53It's that José wants to take me to the movies.
00:28:54And if I give him more than 10, he'll gobble up my popcorn.
00:28:57I think so.
00:28:58Wait.
00:29:00It worked! It worked!
00:29:02Isabel, they're the neighbors across the street, for God's sake.
00:29:04And new ones.
00:29:05We are laying the foundations for our coexistence.
00:29:09Are two 20s and one 10 ok for you?
00:29:11Phew!
00:29:12Great!
00:29:14Put them there.
00:29:15In the teleclamp.
00:29:17Hey, you let the kid stay out really late, don't you?
00:29:21Look, there is a study that says that children under 15 years old, who go out until after 12,
00:29:27Well, they have a 35% higher chance of falling...
00:29:31Well, thank you very much, Mamen.
00:29:33A kiss!
00:29:34Thank you.
00:29:35Bye, bye.
00:29:35Hello.
00:29:38Hello.
00:29:39Marisa Benito, Conception of the Source.
00:29:41We have a reservation.
00:29:43Very good.
00:29:44Normal bathroom or adapted for a disabled person?
00:29:47No, no, whoever is bigger.
00:29:49Hey, what are your spa hours?
00:29:51Ma'am, there is no spa here.
00:29:53Dad!
00:29:53Concha, that one's for you.
00:29:56Good afternoon and welcome to the Valleluz Residence.
00:29:59Hello.
00:29:59Would you like to take a walk around the facilities before your medical exam?
00:30:03Well yes, because that's how I see myself.
00:30:05Yes, I'm Marisa.
00:30:06Nice to meet you.
00:30:06And this is my mother.
00:30:08But what are you saying?
00:30:09Do you need a chair or a walker?
00:30:11Come on, I'm fine.
00:30:14She is older than me.
00:30:16But you don't equal this.
00:30:21Ole, ole, conera.
00:30:22Okay, so whenever you want, okay?
00:30:30This is the main living area on level one.
00:30:33Here you have the board games, the TV...
00:30:35Look, Miguel has the remote control, so there are no fights.
00:30:39Hello, Miguel, how are you?
00:30:41Sevilla wins.
00:30:42And Barcelona too.
00:30:44And who is that?
00:30:45That sounds very familiar to me.
00:30:47It's Amancio García.
00:30:48The one from the travel agencies.
00:30:50He was the inventor of all-inclusive resorts in the Caribbean.
00:30:53He was the first to put colorful bracelets on tourists.
00:30:56Where is it?
00:30:57They are loaded.
00:30:58Poor.
00:31:00In his state, money is almost the least of his concerns.
00:31:02He's 82 years old, has had 3 heart attacks, and has 10 million euros in the neighborhood.
00:31:05Damn, that's all I ask for in a man.
00:31:08And what are you doing here?
00:31:09Problems with the family.
00:31:10They must be angry because they never come to see him.
00:31:13He is very lonely.
00:31:15Well, it's a good match.
00:31:18I believe that we will find love here.
00:31:21In a little while we'll tell you a joke to make you laugh.
00:31:24Let's see if it has teeth.
00:31:26Shall we go out to the garden?
00:31:27Yes, yes, yes.
00:31:28Well.
00:31:28Well.
00:31:28Well.
00:31:28Well.
00:31:29Well.
00:31:30Well.
00:31:30Today, when I don't have my friends and I'm so bored, I appreciate the good times.
00:31:45Today, when my dog doesn't look at me and doesn't share the day, I appreciate the little things.
00:32:00I live in disappointment, it's not a coincidence, I'm just looking for my opportunity.
00:32:10Today, I don't want to be a golden girl.
00:32:26Vicenta, are you okay?
00:32:27I just can't figure out how much for just one person. Look at all the croquettes I'm making.
00:32:33Calm down, woman, leave that. If what you have to do is get out of the house.
00:32:37Where am I going to go alone? Are they going to break my bag?
00:32:40No, you'll see, get dressed up, we're going to bingo.
00:32:43No, Mauri, really, I don't want to bother you. You have your own lives and a lot of work to do.
00:32:47I do, but Fernando is free, so he'll go with her. He loves bingo.
00:32:52Oh yeah? Okay, okay, I like it, but not...
00:32:55Okay, come on, I'll be three minutes.
00:32:59See how easy it is to make someone happy?
00:33:01Yes, but what are you up to?
00:33:03It's just that I can't take it, I have to finish the article.
00:33:05Stop, stop, stop. I love that you want to suck up to a higher being by seeking the happiness of others.
00:33:10But why does it have to be at my expense?
00:33:12Fernando, I saw her crying in the kitchen while she was making croquettes.
00:33:15Normal. Making croquettes is depressing. Ask a psychologist. It's the first thing they take away from you.
00:33:19Plus, whenever we've needed Vicenta, she's been there.
00:33:22Yes, and whenever we haven't needed it, it's been there too.
00:33:25I don't want to take him to bingo. Damn, that's absurd. As if I have nothing else to do.
00:33:29Fernando, it's a spiritual investment. Then life returns it to you.
00:33:32You'll see how something wonderful will happen to you tomorrow.
00:33:34Oh, yeah. He might as well get a lint roller in the flush he wins at the supermarket.
00:33:38But don't you realize that selfishness leads nowhere?
00:33:41I do many more favors for you than you do for me.
00:33:43I took your father out, drag queen. I took your Japanese clients to hookers.
00:33:47Imagine what your life would be like if you didn't have me.
00:33:50Would you be alone? Or worse, with a woman?
00:33:53Fernando, you have to learn to give thanks for everything life has given you.
00:33:57That there have been many things.
00:33:58Okay, yes, I'll take it. Okay.
00:34:00Of course, darling. You'll see how good you'll feel when you get back.
00:34:03I don't argue with that.
00:34:06And how's this bingo thing going? Because I've never heard of one in my life.
00:34:09Oh, it's very complicated. They give you a cardboard box full of numbers.
00:34:11A man calls them out loud. And you cross out the ones you have.
00:34:14Oh, and if you cross them all off before anyone else, you get to shout.
00:34:17And what's so funny about that?
00:34:18I don't know at your age, but at 70 I think he's the bomb.
00:34:23Look, your girl is here.
00:34:27I'm not okay, daughter. Why should I lie to you?
00:34:34I tried to rebuild my life with Daniela, the Chilean woman I have at the clinic doing periodontal cleaning.
00:34:41But it was just sex.
00:34:43There, in the dentist's chair, he was ugly, with the spittoon next to him.
00:34:48Dad, Dad, don't tell me those things.
00:34:50I've missed your mother so much. So much.
00:34:52And you. You just have to find the time.
00:34:56I'll never find a woman like her.
00:34:58We fit together so well.
00:34:59We knew each other so well. Every detail, every gesture.
00:35:03Look, I'm organizing a surprise party for him tomorrow, it's his birthday.
00:35:07Oh yeah? But it's not in November.
00:35:09Well, whatever. Just buy her something nice.
00:35:12Not the lettuce spinner, I ordered that one myself.
00:35:16I don't know, a little summer dress.
00:35:19Or some shoes.
00:35:20I don't know what size he is.
00:35:23But you didn't say you knew her that well.
00:35:25Hey, how long has it been since you went for a consultation?
00:35:29Come on, open your mouth.
00:35:30No, Dad, not here.
00:35:31Open, open, open.
00:35:35He's pushing the trial rock.
00:35:38You have to get braces.
00:35:40Yeah, man. I wasn't missing anything.
00:35:43But what's wrong with this? Is it perfect?
00:35:4650 euros?
00:35:47Well, you told me about gasoline that it's false.
00:35:49Who gave it to you?
00:35:50The herbs. She asked me for change for the child, for the playground.
00:35:53Of course, he placed it on you.
00:35:54Seriously, mamen, you have little time left over.
00:35:57But how is Isabel going to do something like that to us?
00:35:59Man, poor thing.
00:36:00She, who is all day long, wing, smoking the pipe.
00:36:02No, man, he won't have noticed.
00:36:04Oh, I'll tell you.
00:36:05Genius, for God's sake, no, I'm so ashamed.
00:36:08We are the presidents, son, for God's sake.
00:36:10Don't be cheap.
00:36:11Tasty?
00:36:11That's 50 euros.
00:36:13That's one square meter of good floating flooring.
00:36:16He's always so deep.
00:36:17And why don't you change it, huh?
00:36:18Even something, damn it.
00:36:19Go to the pharmacy and buy hormones.
00:36:21Let's see if it works.
00:36:22Don't mess with my sister, she has depression.
00:36:24No, now you'll tell me what we do with this.
00:36:27I'm going for a walk.
00:36:28Can you give me money?
00:36:29Yes, here, here, go on, 50 euros.
00:36:31Let them change it for you there.
00:36:32Genius, for God's sake.
00:36:33I'll take care of the ticket.
00:36:34What's wrong with you?
00:36:36Here, go on.
00:36:37I want you home at 11, okay?
00:36:39Well, well, I'll try, okay?
00:36:40But it all depends on the bus.
00:36:43But why do I have to be the one to tell him the time?
00:36:46It's just that I'm always the bad guy.
00:36:48No, no, I can't keep up.
00:36:50President, father, husband.
00:36:51But how could I not like my job?
00:36:54It's far away, I'm alone, there's no one.
00:36:57And let's see, who do I give this bill to?
00:36:59But there's still no one I don't like.
00:37:02Can you give ideas?
00:37:06Emilio, man, do you have any condoms?
00:37:08Josemi, please, you're taking all the fun out of it.
00:37:11Don't skip steps.
00:37:12Look, I'll tell you the order.
00:37:14Kiss without tongue, kiss with tongue,
00:37:16external leaning, internal leaning,
00:37:18rubbing and then a big premiere,
00:37:20in summer to the dolls.
00:37:21Yeah, that's nice, but it's just in case.
00:37:24Just in case.
00:37:25Look, here comes your petit suite.
00:37:27Good thing, because I'm almost gone.
00:37:29It's just that my parents are arguing again.
00:37:30My school psychologist says
00:37:32that I have a dysfunctional family.
00:37:34Well, like everyone else.
00:37:35Hey, Candela, how is your aunt?
00:37:37Are you still mad at me?
00:37:38No, no, calm down.
00:37:39He says you're an asshole and shit.
00:37:41Ah, okay, okay, okay.
00:37:42So it's happening to him.
00:37:44Hey, be careful, okay?
00:37:45That you are the future of this community.
00:37:47Emilio, my mother.
00:37:49Look, look.
00:37:52Tell me, Ms. Mommy.
00:37:53Here, look, go to the supermarket to do my shopping.
00:37:55Hey?
00:37:56Ah, no, no, no, no, no.
00:37:58Sorry, but my jurisdiction ends there.
00:38:00Where is the streetlight?
00:38:01It's that I can't leave the house.
00:38:03I have my sister very depressed.
00:38:04Because of you.
00:38:05So make the purchase by phone.
00:38:06If they bring it to your home for six euros.
00:38:09And it's also very ugly.
00:38:10take the job away from an undocumented immigrant.
00:38:12Look, we do one thing.
00:38:14I'm going shopping
00:38:15and you while you go up
00:38:16to comfort Rachel.
00:38:18Let's see,
00:38:19what do you have to buy?
00:38:20But by God bless you
00:38:21don't let the word get around, okay?
00:38:22Yogurts,
00:38:23You take these from the bottom, okay?
00:38:24Because...
00:38:25Let's see, the peaches
00:38:25that they are not too soft
00:38:27because if not...
00:38:27Well, bye.
00:38:28Listen,
00:38:29a little thing and the money.
00:38:31Go on.
00:38:32Oh, I've left it
00:38:33the bag at home.
00:38:34Well, look,
00:38:35then you go
00:38:36because if not
00:38:36They're going to close you down
00:38:37and then I'll give it to you, okay?
00:38:38Wow!
00:38:38Dad, I'm leaving.
00:38:43What has he sent me?
00:38:43to the super Mrs. Mamen.
00:38:45Now it turns out
00:38:45that I am also
00:38:46the errand boy.
00:38:47No, man,
00:38:47that now
00:38:48It's called super staff.
00:38:50Do they all have it?
00:38:51Hollywood stars?
00:38:52Well, that's it.
00:38:54What am I going to do?
00:38:54the purchase from Julia Roberts.
00:38:57Hello.
00:38:58That you get together.
00:39:01It is very nice
00:39:02this syndrome.
00:39:03You like it, huh?
00:39:04Yes a lot.
00:39:04I had never been there.
00:39:05Well, if I don't go out.
00:39:06Well, we have to go out, woman.
00:39:07We have to go out.
00:39:07Oh, where am I going to go?
00:39:08with that daughter I have?
00:39:09Me with Belén
00:39:10I have never understood myself.
00:39:12Hey, and look
00:39:12that I have tried
00:39:13may he be happy,
00:39:14to do things.
00:39:16Look, I wrote it down.
00:39:17to rhythmic gymnastics.
00:39:19Well, totally uncoordinated.
00:39:21I'm going to scout her
00:39:22and they stung her
00:39:23all mosquitoes.
00:39:25Then to swimming
00:39:25synchronized.
00:39:26Well, he says that it entered him
00:39:27water through the nose.
00:39:29Do you believe?
00:39:29that has given me
00:39:29thanks for something?
00:39:31What's up?
00:39:32Maria Jesus
00:39:32with the children.
00:39:33You get what you get.
00:39:35Look at mine.
00:39:36The eldest,
00:39:37Marica, the little one,
00:39:37an unbalanced one
00:39:38and Lucia,
00:39:39an unconscious one.
00:39:41He's going to Somalia
00:39:42with an NGO,
00:39:43he kidnaps her from the guerrillas,
00:39:44I pay the ransom
00:39:45and you think he called me
00:39:46to thank me.
00:39:47Or I don't know,
00:39:47to have a little detail,
00:39:48I don't know,
00:39:48a figurine
00:39:49of local crafts.
00:39:52Excellent.
00:39:53Well that's ugly, huh?
00:39:54And what do I do?
00:39:56Send her more money.
00:39:57We brought them into the world
00:39:58and we must take care of them.
00:40:00No, but Jorge the eldest
00:40:02he doesn't need me at all.
00:40:03He has his life made.
00:40:05But Bethlehem is
00:40:06so lost the poor thing
00:40:08no,
00:40:09I don't know.
00:40:10So go back to her,
00:40:11women,
00:40:11put it on track.
00:40:12If you still have time.
00:40:15Oh, really,
00:40:16Rafael,
00:40:16thank you so much
00:40:17for your advice,
00:40:18Hey?
00:40:19It's noticeable
00:40:20that you are a great dad.
00:40:21You are welcome,
00:40:23women.
00:40:26Rafael,
00:40:26you're holding my hand.
00:40:27Hey?
00:40:29Or does it bother you?
00:40:32No, no, no.
00:40:34It's that still
00:40:34I haven't finished
00:40:35of peeling the shrimp.
00:40:36Oh, sorry.
00:40:37No, no, no.
00:40:38But wait.
00:40:39I suck the head, huh?
00:40:41Oh ok.
00:40:44No, love,
00:40:45we'd better go out another day.
00:40:46It's that we are already
00:40:47a little coupled
00:40:47and Paco is not well.
00:40:51No.
00:40:52Okay, better.
00:40:53See you tomorrow.
00:40:54Yes, me too.
00:40:56Hey?
00:40:58Paco, what are you doing?
00:40:59Uncle,
00:41:00Have you tried?
00:41:01bite your nails
00:41:01of the feet?
00:41:03Are you not arriving?
00:41:04No, I don't think so.
00:41:06You see, these are the things
00:41:07that I couldn't do
00:41:08with Lourdes.
00:41:08It's that if I'm going to think
00:41:09that I'm crazy.
00:41:10As if we hadn't done it
00:41:11tried them all at some point.
00:41:13Well, I've been doing it for a while
00:41:14I already left it, huh?
00:41:15Hey, are you sure you don't want to?
00:41:16nothing for dinner?
00:41:17No.
00:41:17Do you know what we're going to do?
00:41:18We're going to go out
00:41:19to celebrate freedom.
00:41:21I'm going to take a shower, okay?
00:41:22Well, there is no shower.
00:41:23You'll have to go down to the goal.
00:41:24Hey, Paco,
00:41:25I don't know if in your state
00:41:26It's best if we go out
00:41:27over there to...
00:41:27But why?
00:41:28Uncle, I'm fine.
00:41:30How do you see me?
00:41:32Good.
00:41:32Of course, because I'm perfectly fine.
00:41:35I just want to go out with a friend
00:41:36to have a drink
00:41:37instead of staying here at home
00:41:38thinking about the axis
00:41:39of the great whore
00:41:39that has ruined my life
00:41:40and to which I am paying
00:41:41half a house.
00:41:43Okay, okay.
00:41:44This is how the air gives us.
00:41:46Very good.
00:41:47Come on, let's go!
00:41:48Thank you very much, Emilio.
00:41:54You are a sweetheart.
00:41:55Let it be known that I do this
00:41:56because it's you
00:41:56the first lady, huh?
00:41:58Mr. President.
00:42:02Hello, Raquel.
00:42:08You have to give it time.
00:42:09I was very hurt.
00:42:11Well,
00:42:12at least he exercises.
00:42:14Every time you see yourself
00:42:14I'll be running.
00:42:15It was 46 euros
00:42:19with three cents.
00:42:20The three cents
00:42:21They charge them for touching noses
00:42:22because if not I don't understand it.
00:42:23Here, 50.
00:42:24Keep the change, okay?
00:42:26Wow!
00:42:27What a tip, huh?
00:42:28Yes, yes, yes, yes, yes.
00:42:29I put this in
00:42:30as an extraordinary contribution
00:42:31in my pension fund
00:42:32and I transcribe it, okay?
00:42:33That.
00:42:34We must think about the future.
00:42:40Well, have you seen?
00:42:41what coconut do I have?
00:42:42Yes, take advantage of the goalkeeper.
00:42:43A stroke of genius.
00:42:44Beam.
00:42:46Yes, it's me.
00:42:48Yes, yes, yes.
00:42:49Okay, okay.
00:42:50Now someone is going there.
00:42:51No problem.
00:42:57Who was he?
00:42:59The police station.
00:43:00That the girl has been arrested.
00:43:01What have they arrested?
00:43:02But why?
00:43:02Why have they arrested her?
00:43:03I don't know, they've caught her.
00:43:04with another boy
00:43:05on a stolen motorcycle.
00:43:06God!
00:43:07Come on,
00:43:08come on, get up,
00:43:08let's go.
00:43:10Oh well,
00:43:10We'll have to have dinner first, right?
00:43:12That's where they always make you wait.
00:43:13Why is it that every time I'm with you
00:43:16Does something bad have to happen to me?
00:43:18Well, I don't know,
00:43:19but at least you're not bored.
00:43:21There you have it.
00:43:22Well, Miguel,
00:43:25But how could you think of stealing a motorcycle?
00:43:26I didn't steal it,
00:43:27A friend lent it to me.
00:43:28I had no idea.
00:43:30You see, calm down,
00:43:31It wasn't him,
00:43:32have been his criminal friends.
00:43:34But you don't realize it
00:43:35that if you are charged with any crime,
00:43:36that remains forever
00:43:37on your resume
00:43:38and older
00:43:38you cannot exercise
00:43:39no public office.
00:43:40I don't think he cares too much,
00:43:42you have to put pressure.
00:43:43On the other hand.
00:43:44Candela, daughter.
00:43:45Man, Juan!
00:43:46Do you want something?
00:43:47I'm going to come closer for a moment
00:43:48to the burger.
00:43:49So it was your son.
00:43:51It's that I had it
00:43:51than to have imagined.
00:43:52But what about you?
00:43:53Why did you have to
00:43:54to get on a motorcycle
00:43:54with the heifer?
00:43:55What did you call me?
00:43:57Mame,
00:43:58peaceful,
00:43:59but if it's already...
00:43:59You shut up,
00:44:00because since I'm here
00:44:00I might report you anyway.
00:44:02You tried me
00:44:03place a counterfeit bill.
00:44:04I haven't tried,
00:44:05I haven't succeeded,
00:44:07but without any malice.
00:44:09Candela, let's go.
00:44:10Our friendship
00:44:10It's over, huh?
00:44:11Mame, please,
00:44:12let's talk.
00:44:13Well,
00:44:14It's not that we lose either
00:44:15big deal.
00:44:16Eugenio, let's go.
00:44:20Look,
00:44:21I think this one
00:44:22I fixed the kitchen for him.
00:44:24José Miguel, son,
00:44:25what have I done wrong?
00:44:26Where did I go wrong with you?
00:44:31Do you want an amelete?
00:44:32so that you get over my taste?
00:44:34But how is it false?
00:44:35If it can't be.
00:44:36Everything is in its place.
00:44:37Clear,
00:44:38it's the same
00:44:38that the andilla
00:44:39not Vicenta.
00:44:40It has already happened
00:44:41to go through all
00:44:42the community
00:44:42and in the end it's over
00:44:44where it had to end.
00:44:46Well, I don't see the joke.
00:44:48What do you want me to say?
00:44:49Pussy,
00:44:49because her fairy
00:44:50come and tell him
00:44:50put it in
00:44:51wherever it fits.
00:44:52But how am I doing?
00:44:53to say that?
00:44:53Dad is the lady
00:44:54of the president.
00:44:55Son so deceived
00:44:56like a Chinese.
00:44:58Come on,
00:44:59look,
00:45:00I'm running out
00:45:00of an idea occurring.
00:45:02Who are you calling?
00:45:05Bitch,
00:45:05happy,
00:45:06tell me.
00:45:06Yeah,
00:45:07Look,
00:45:07was to do
00:45:08an order.
00:45:09Two rolls
00:45:10of spring.
00:45:11Further.
00:45:11Rice,
00:45:12three delights.
00:45:13Further.
00:45:13Chicken with almonds.
00:45:15Further.
00:45:15No,
00:45:15nothing else.
00:45:16I'm not doing well.
00:45:17Ask me for a soup
00:45:18bittersweet.
00:45:1821 with 40.
00:45:22It needs change.
00:45:23Yeah,
00:45:23Yeah,
00:45:23Yeah,
00:45:23Yeah,
00:45:23I have a ticket
00:45:24of 50.
00:45:25Motorcycle over there.
00:45:26That?
00:45:28What did he say?
00:45:30You see?
00:45:30How easy.
00:45:32That's it.
00:45:33Well,
00:45:33what are you looking at so much?
00:45:34Turn me around now
00:45:34that they are going to get cold
00:45:35the rolls.
00:45:36No,
00:45:37this is not good.
00:45:37But,
00:45:38What do you mean it's not good?
00:45:38If it's 50 euros
00:45:39of the European Central Bank.
00:45:41That's good,
00:45:41Well.
00:45:42No,
00:45:42do you want to deceive me?
00:45:43Hey,
00:45:44be careful,
00:45:44that nobody here
00:45:45wants to deceive anyone.
00:45:47Son,
00:45:47be careful
00:45:48that has the face of a hand
00:45:49from a Jackie Chan movie.
00:45:50You can't person,
00:45:51you bale
00:45:52or you move food.
00:45:53Hey,
00:45:54It is disrespectful,
00:45:55I still send you
00:45:56for a leaf
00:45:56of claims.
00:45:58I call the police.
00:45:59No,
00:45:59No,
00:46:00No,
00:46:00brings.
00:46:01Let's see if I have anything loose.
00:46:04Dad,
00:46:04Do you have 20 euros there?
00:46:06Man,
00:46:06I'll leave it to you,
00:46:07but you have to start
00:46:08to wash the tea
00:46:08by yourself.
00:46:09Come on,
00:46:09bring it now.
00:46:11Take.
00:46:12Fair,
00:46:13Hey?
00:46:13You will be happy,
00:46:14No?
00:46:15Thank you.
00:46:16Cagüiche.
00:46:17Cagüiche,
00:46:18cagüiche,
00:46:19what a bastard.
00:46:20It's already very difficult
00:46:21deceive them.
00:46:22They are a power
00:46:23emerging world.
00:46:25Well, I'm not staying.
00:46:25with this.
00:46:27Who do I put it on?
00:46:28The basis of capitalism
00:46:29is to deceive
00:46:30to good people.
00:46:31Choose well
00:46:32to your victim.
00:46:37Hello,
00:46:38Mauri,
00:46:38how are you?
00:46:38Did he see you busy?
00:46:39Yeah,
00:46:40I'm working,
00:46:41but nothing happens.
00:46:42Do you need anything?
00:46:42Yeah,
00:46:43look,
00:46:43is that I have
00:46:43a romantic dinner
00:46:44at home.
00:46:45I have known
00:46:45to an installer
00:46:46of antennas
00:46:47and it turns out
00:46:48that I have realized
00:46:48that I don't have
00:46:49no bottle of wine.
00:46:50Let's see if you
00:46:50I'm going to stop by
00:46:51a couple of them
00:46:52to see if I succeed
00:46:53and...
00:46:53Emilio,
00:46:54that my wine
00:46:54is very special,
00:46:55that is not three euros
00:46:56the liter.
00:46:56No,
00:46:56No,
00:46:56No,
00:46:57No,
00:46:57No,
00:46:57No,
00:46:57No,
00:46:57Yes, I already know,
00:46:58I'll pay you.
00:46:59No,
00:46:59that I give them to you,
00:47:00It was a joke,
00:47:01man,
00:47:01but how am I going to do it for you?
00:47:02to collect?
00:47:03No,
00:47:03Mauri,
00:47:03really,
00:47:04really,
00:47:05that later if I don't sit down
00:47:05I'm very bad,
00:47:06charge me something.
00:47:07Have you fallen
00:47:08to you the ticket?
00:47:10Miss Lopez,
00:47:11please,
00:47:11circulate,
00:47:11don't be funny.
00:47:13What a prince,
00:47:13They've been cheating on you lately
00:47:14yet,
00:47:15with the tickets,
00:47:16with penises.
00:47:17But,
00:47:17What happened to your mouth?
00:47:18that you have had a stroke.
00:47:20Take,
00:47:20I give you two reservations.
00:47:21No,
00:47:22but Mauri,
00:47:22for God's sake,
00:47:23charge me something,
00:47:23even if it is a symbolic amount.
00:47:25Come on,
00:47:25give me a euro.
00:47:27Take,
00:47:27do you have change?
00:47:28Fuck,
00:47:30wait,
00:47:32I don't know,
00:47:3220,
00:47:3330,
00:47:3440,
00:47:3445.
00:47:34No,
00:47:35that's it,
00:47:35that's it,
00:47:35that's it,
00:47:36really,
00:47:36thanks a lot,
00:47:37if it has saved my life.
00:47:39I'll pick you up this week
00:47:39household garbage.
00:47:40If we are
00:47:41like a big family,
00:47:42we have to help each other.
00:47:43Clear,
00:47:44clear,
00:47:44it is very pretty
00:47:44that there are good people in the world.
00:47:46Good night.
00:47:47Hello,
00:47:47Emilio.
00:47:48Hello.
00:47:49Mauri,
00:47:50How did we spend our time at bingo?
00:47:51Vicenta,
00:47:52excellent,
00:47:52I'm very happy to hear it.
00:47:54Come on,
00:47:54good night.
00:47:57Listen,
00:47:58And Fernando?
00:47:58He told me he was staying a little while,
00:48:00that was coming now.
00:48:01Where?
00:48:01At bingo?
00:48:03For me there comes a time
00:48:04that the numbers are adding up
00:48:05and I start crossing out anything.
00:48:07We laughed so much.
00:48:08He told me
00:48:09when you went to Ibiza,
00:48:10where your erection
00:48:11on the nudist beach
00:48:12and you had to stay
00:48:13seven hours
00:48:13face down on the towel.
00:48:15It happens to you a lot,
00:48:17Hey?
00:48:17Yeah,
00:48:18it is a congenital problem
00:48:19that I have.
00:48:20Hello,
00:48:21take a rest.
00:48:22Likewise.
00:48:28Where were you,
00:48:29nona fish?
00:48:30Had you stayed
00:48:30with someone
00:48:31and you kept quiet about it?
00:48:32He's leaving.
00:48:33My father,
00:48:33that has found me
00:48:34a cavity,
00:48:35He took me to the clinic
00:48:36and they have passed the tooth to me.
00:48:37It still lasts for me
00:48:38anesthesia,
00:48:39Hey?
00:48:39What was I saying?
00:48:40that I noticed you
00:48:41something strange in your mouth?
00:48:42I'm going to bed
00:48:42that tomorrow
00:48:43I have a very long day ahead of me.
00:48:44No,
00:48:44No,
00:48:44No,
00:48:45No,
00:48:45wait,
00:48:45wait.
00:48:46No,
00:48:46you enter your room.
00:48:47Because?
00:48:49Your mother has returned.
00:48:51I'm going to say hello.
00:48:52No,
00:48:53is that she is not alone.
00:48:55What do you mean she's not alone?
00:48:57He's with Batman.
00:48:59Uncle,
00:48:59Rafael has brought it.
00:49:02Clear,
00:49:02clear.
00:49:03What have you been up to?
00:49:04Dining on the grass?
00:49:05Oops!
00:49:07Open up,
00:49:08No!
00:49:08Hosts,
00:49:14love has triumphed.
00:49:15Tomorrow he won't get up
00:49:16to make juice.
00:49:21I am Fernando Navarro
00:49:22and I'm very busy.
00:49:24Leave me a message.
00:49:25Dear,
00:49:26I don't want to be
00:49:26the typical annoying boyfriend
00:49:27because it reminds me
00:49:28to my mother,
00:49:28but now
00:49:29do you think you'll get there?
00:49:31That you will come later
00:49:32wanting sex
00:49:32and not,
00:49:33that at two o'clock
00:49:34I close the bar.
00:49:36I'm going to bed,
00:49:37a kiss.
00:49:5076,
00:49:5176,
00:49:5178,
00:49:524,
00:49:5475,
00:49:5575,
00:49:5644,
00:49:57what are you doing?
00:49:58Shut me up, there was one!
00:50:00Shut me up, it was a 46!
00:50:02Bingo!
00:50:03What a son of a bitch!
00:50:04Fernando Alcártono
00:50:05which has already been there for three years.
00:50:06This is rigged!
00:50:07Hey,
00:50:08are you OK?
00:50:10No,
00:50:10we are not going home
00:50:11It's two in the morning.
00:50:12These people will have families.
00:50:13Wait, wait,
00:50:14the last one.
00:50:14Miss,
00:50:15five for me
00:50:15and five for my friend,
00:50:16please.
00:50:17Do you have money?
00:50:19One and we're off, huh?
00:50:20Yes, yes.
00:50:21Fuck,
00:50:21if I'm the only one
00:50:22who has not sung a line.
00:50:23Even the employees
00:50:24they laugh at me.
00:50:25No!
00:50:26Look at that one.
00:50:26And what are you looking at, huh?
00:50:27Please,
00:50:28please.
00:50:30Sorry,
00:50:30This bill is counterfeit.
00:50:32What do you mean it's fake?
00:50:33Well, give him another one,
00:50:34come on,
00:50:34that starts now.
00:50:34I have no more.
00:50:35Do you accept cards?
00:50:37Give him the card,
00:50:37come.
00:50:39What a bastard,
00:50:39friend!
00:50:41Take a marker.
00:50:42You have to put it like this
00:50:42and you have to look
00:50:43those above,
00:50:44below.
00:50:44Yes?
00:50:45Come on,
00:50:45that begins.
00:50:46You seem like you to me,
00:50:47Hey?
00:50:47Yeah,
00:50:4754.
00:50:48Are you 54 here?
00:50:49I'm crossing it out now,
00:50:51already.
00:50:5157,
00:50:5137.
00:50:53Cuban Cancellor,
00:50:54Cuba,
00:50:55Cuba!
00:50:55Cuban Cantillero!
00:50:56Cuban Cantillero!
00:50:57Cuban Cantillero!
00:50:57Cuban Cantillero!
00:50:57Or change the song,
00:50:58at least.
00:50:59La, la, la!
00:51:00La, la, la!
00:51:02Oh,
00:51:03I'm in such bad shape, man!
00:51:04I'm going to the bathroom.
00:51:05Oops!
00:51:06No,
00:51:06is busy.
00:51:07I'll be right back.
00:51:07Dear,
00:51:09you have a curious concept
00:51:11of what it is to be
00:51:11leveraged at home.
00:51:12What are you doing here?
00:51:14Well, I've become
00:51:14a copy of the keys.
00:51:16I'm your girlfriend.
00:51:17Is there any problem?
00:51:18because I have
00:51:18some keys of yours?
00:51:19No, no, no,
00:51:20but...
00:51:22Dear,
00:51:23where is this relationship going?
00:51:25If in the end
00:51:25Paco cheers up a little
00:51:26and we have left
00:51:27and...
00:51:28Uncle,
00:51:30but you don't put me
00:51:30on the landing,
00:51:31Pussy.
00:51:32Pablo,
00:51:33come here
00:51:33what are we talking about,
00:51:34Hey?
00:51:35Marten,
00:51:36look,
00:51:36I don't think so either
00:51:37very healthy for the couple
00:51:38that you sneak into my house
00:51:39and wait for me in the dark
00:51:40here in Osferatu style.
00:51:41Ah,
00:51:41I mean,
00:51:42already,
00:51:43I see how much you care about me.
00:51:44Dear,
00:51:45don't be immature,
00:51:46let's talk.
00:51:47No no,
00:51:47let me,
00:51:48that is that you and I
00:51:49we're done.
00:51:52Oh!
00:51:52Well, for God's sake,
00:51:53Disgusting.
00:51:56I'm going to call Lourdes
00:51:57so you can see how happy I am.
00:51:59Paco,
00:51:59Paco,
00:52:00It's two in the morning
00:52:01this car,
00:52:01this car.
00:52:02Bitch!
00:52:03Daughter of a...!
00:52:03Mother?
00:52:05Mother?
00:52:06Sorry,
00:52:06I was wrong.
00:52:08Trunk,
00:52:09uncle,
00:52:09I'm playing in the background.
00:52:10My wife has ruined me
00:52:11in life,
00:52:12uncle,
00:52:12I don't have anything.
00:52:13I'm fed up
00:52:13as a human being!
00:52:14Paco,
00:52:15Paco,
00:52:15come on,
00:52:16take a little bit,
00:52:16Hey?
00:52:17Look,
00:52:17lie down on the bed here,
00:52:18lie down like this,
00:52:19very good,
00:52:20very good.
00:52:20And rest,
00:52:21Hey?
00:52:21To sleep,
00:52:22Okay?
00:52:22Go to sleep.
00:52:23Good night,
00:52:24Lourdes.
00:52:25Good night.
00:52:28It's incredible.
00:52:30Emilio knew
00:52:30that this ticket
00:52:31it was fake
00:52:31and he cheats on me with all his nerve
00:52:33and I go
00:52:33and I give him two bottles of wine
00:52:35and it is that...
00:52:35That?
00:52:36Haven't you heard?
00:52:37They are singing numbers,
00:52:3952 have said.
00:52:40Are you listening to me?
00:52:41Yeah.
00:52:41I'm saying that our goalkeeper
00:52:42he is a scumbag
00:52:43and on top of that, tomorrow I have to go down to the bank
00:52:45to return this.
00:52:47It cannot remain in circulation.
00:52:49What do you think,
00:52:49that the Bank of Spain
00:52:50will give you a medal
00:52:50or what will make you citizen of the year?
00:52:52Sorry,
00:52:53is civic conscience.
00:52:54I don't intend for them to put it on you
00:52:55my name to the street.
00:52:56Maybe they put it on.
00:52:58Pringado Avenue
00:52:58or Pardillo Walk.
00:53:00What are you saying?
00:53:01What do I have to do?
00:53:01the same thing they did to me?
00:53:02No,
00:53:02I'm just saying
00:53:03that right now you are the idiot
00:53:04who has kept the ticket.
00:53:05There you go,
00:53:06good night.
00:53:07Tomorrow itself
00:53:07I call a meeting
00:53:08to kick out Emilio.
00:53:09Let's see,
00:53:09please,
00:53:10how well we are
00:53:11now in the community,
00:53:12you have to be there and suffer from cancer.
00:53:1775,
00:53:187,
00:53:195.
00:53:20To sleep,
00:53:21dear,
00:53:21please,
00:53:21already.
00:53:27I already know
00:53:28that I have little left.
00:53:31What's up,
00:53:31man,
00:53:31if you are made
00:53:32a kid.
00:53:33Come on,
00:53:34take a sip
00:53:35from chinchón.
00:53:36And I have achieved it
00:53:37almost everything in life.
00:53:39The only thing I regret
00:53:40is from not having found
00:53:42true love.
00:53:44Boy,
00:53:44it's never too late.
00:53:45The crush arrives
00:53:46when you least expect it.
00:53:47Right?
00:53:48Completely.
00:53:50Oh,
00:53:51And what do you think?
00:53:52if we do something crazy
00:53:53and you and I get married?
00:53:54You dress
00:53:55of Elvis
00:53:55and I from Pantoja.
00:53:58Amancio.
00:54:00I always said
00:54:00that on the Mayan route
00:54:01was going to give a lot of money.
00:54:05Cancun,
00:54:05Guanajuato,
00:54:07Chichicastenango,
00:54:09Palenque...
00:54:09What does it say?
00:54:11This guy is going crazy.
00:54:12I see it as an egg
00:54:13for a flashy wedding.
00:54:18Amancio,
00:54:19let's go for a little walk
00:54:20through the garden.
00:54:20Why are you taking it?
00:54:22if we were talking?
00:54:23Have you believed it?
00:54:24that I'm an idiot?
00:54:25I've been taking care of him for five years.
00:54:26Amancio's money
00:54:27it's for me.
00:54:28I have earned
00:54:29every euro you have.
00:54:30You don't know
00:54:30that love
00:54:31has no barriers.
00:54:32Look,
00:54:33if you have believed
00:54:33that you are going to come here
00:54:34and you're going to take it away from me
00:54:34from one day to the next,
00:54:35you are very wrong.
00:54:37Here's the one in charge
00:54:38it's me.
00:54:39And be very careful.
00:54:41Don't make a mistake
00:54:42with your medicines.
00:54:44Fuck.
00:54:45This is war.
00:54:47We must hurry.
00:54:48Call Father Miguel.
00:54:49Well,
00:54:50I'll help you.
00:54:51But let's go halfway, okay?
00:54:53Since yes.
00:54:54No,
00:54:55I'm just worried.
00:54:55Paco is not well.
00:54:56Already,
00:54:57but you are a friend
00:54:58and friends are
00:54:58to lean on.
00:54:59No, no, no,
00:55:00that is not right here.
00:55:01Suddenly he gets a rush
00:55:02or suddenly sinks
00:55:03or tries to eat
00:55:04toenails
00:55:05or put on the bathrobe
00:55:06with the hood
00:55:06and start training
00:55:07with the broom
00:55:07in Jedi style.
00:55:09Oops, oops, oops, oops.
00:55:10Clear,
00:55:10if he spends a lot of time alone.
00:55:12He's in his own world
00:55:12like Pocholo.
00:55:13And he married Lourdes.
00:55:14That has to be left alone.
00:55:15fixed strains.
00:55:16It's that last night Marta
00:55:16She left me because of him.
00:55:17Ah, it's free now.
00:55:19That's good to know.
00:55:20And today it's my turn
00:55:20I suck the video store
00:55:21because this is between the hangover
00:55:22and the slump does not go away
00:55:23until eight in the evening.
00:55:24Who am I left with?
00:55:25I am very silent.
00:55:27What's up, people?
00:55:28Hey, Pablo,
00:55:29I'm going to stop by home
00:55:29to pick up the rest of my things
00:55:30So I'm done settling in, huh?
00:55:32Ah, I'm going to the closet, dude.
00:55:33Have you told them?
00:55:34to last night's party?
00:55:35I was on it.
00:55:36Ah, I'm throwing up on the landing, huh?
00:55:38You have to tell me.
00:55:39If no one goes up there,
00:55:40That's your business, right?
00:55:42Well, this is going to be
00:55:42the best stage of our life,
00:55:44you'll see.
00:55:44We're going to get through it.
00:55:48It seems like it's staying, right?
00:55:49Well, but what will they be?
00:55:50just a few days
00:55:51until the kid rents something.
00:55:53What are you going to rent?
00:55:54With the salary you have?
00:55:55If you are paying
00:55:55half a mortgage to the other.
00:55:56If it is that Lourdes
00:55:57and he made such a good match.
00:55:58Well, wait.
00:55:59He went to see her.
00:56:00Maybe they'll make up or something.
00:56:01Yes, by God,
00:56:02may love triumph.
00:56:03Josemi,
00:56:03Can you come out for a moment?
00:56:04Yes, yes.
00:56:09My motorcycle?
00:56:10That it was stolen.
00:56:11He stopped me at the police station
00:56:12and took it away from me.
00:56:13Damn, I got screwed.
00:56:14because of you.
00:56:15What are you telling me?
00:56:16I want my motorcycle.
00:56:16Well, go to the police station.
00:56:18Maybe they'll give it to you.
00:56:19But you,
00:56:20who do you think you are?
00:56:20What are you talking about, kid?
00:56:21Look, they'll give me tomorrow.
00:56:22the 1,500 euros it's worth
00:56:23or you're going to have problems, okay?
00:56:25Yeah.
00:56:25Hey, hey, hey, what's up?
00:56:27What's wrong with you here?
00:56:27Already.
00:56:29Come on, come on.
00:56:29Good vibes, good vibes.
00:56:31Well, the topic is pretty cool.
00:56:32TRUE?
00:56:45And they leave without the helmet.
00:56:47The assholes.
00:56:49They won't crack their heads open, will they?
00:56:50Those kids are tough, huh?
00:56:53I know the neighborhood,
00:56:54They are mafias.
00:56:55José Miguel,
00:56:56why do you get together
00:56:57with those people
00:56:57having normal friends
00:56:59like us?
00:57:00Hey,
00:57:01Don't you have 1,500 euros?
00:57:02to leave me, right?
00:57:06Nativity scene,
00:57:06gets up.
00:57:07Let's have breakfast.
00:57:09Who toasts?
00:57:12Nativity scene.
00:57:13Move over there, man,
00:57:16move over there.
00:57:17We made you a juice
00:57:18multifruits
00:57:18to start your day
00:57:19with energy.
00:57:21How much vitality
00:57:21in the morning.
00:57:23What is this?
00:57:23A telepromotion.
00:57:25It's that morning
00:57:25looks interesting.
00:57:27Your mother continues
00:57:28in the room
00:57:29with Batman.
00:57:31Let's see,
00:57:31If I already thought
00:57:32that I had dreamed of it.
00:57:37I bring little things
00:57:38for the birthday.
00:57:40I was going to come
00:57:40a patient of mine,
00:57:42a Moorish,
00:57:42but yesterday I did it
00:57:43three root canals
00:57:44and they can't understand each other anymore
00:57:45nothing the jokes.
00:57:46Hello.
00:57:46Hello,
00:57:47We are Bea and Ana,
00:57:48of the wedding,
00:57:49do you remember?
00:57:49Clear.
00:57:49But, dad,
00:57:50you don't have to stay
00:57:51and we already organized it all.
00:57:52No, man,
00:57:53no, no,
00:57:53no,
00:57:53that makes me excited.
00:57:55Today I reconcile
00:57:56with your mother
00:57:56and look
00:57:57what shoes I bought him.
00:57:59Oh, how delicious.
00:58:00Everyone
00:58:01to inflate balloons
00:58:02and the child too.
00:58:03Come,
00:58:04to the.
00:58:06God exists.
00:58:08He came to see me.
00:58:09Well, he's not the only one.
00:58:12Maria Jesus,
00:58:14I didn't know you were here.
00:58:17Oh,
00:58:18what a surprise,
00:58:19Hey?
00:58:21Happy Birthday.
00:58:24Tea,
00:58:24I bought you
00:58:25a little thing,
00:58:27but what
00:58:28I have to wrap it.
00:58:30Already.
00:58:31The girl and I
00:58:32let's go to the kitchen
00:58:33to make a coffee,
00:58:34Hey?
00:58:35And you
00:58:35stay here
00:58:36talking to the girls,
00:58:38Hey?
00:58:39Tell him things
00:58:40of lesbians.
00:58:44Well.
00:58:46Throw it to me in balloons.
00:58:48Sorry,
00:58:49you
00:58:49you have a smile
00:58:51very pretty,
00:58:52but
00:58:53a bit
00:58:54overbite.
00:58:55Thank you.
00:58:56Let's see,
00:58:56open your mouth.
00:58:59But you can know
00:58:59what your father has had.
00:59:00Mother,
00:59:01really,
00:59:01yours is very strong,
00:59:02It's just that it's very strong.
00:59:03Hey,
00:59:03hey,
00:59:03hey,
00:59:03hey,
00:59:04hey,
00:59:04you didn't want
00:59:04to come back and live with you?
00:59:05Well yes,
00:59:06but don't put me in
00:59:07Batman in bed.
00:59:08But why haven't you gone?
00:59:09to your house?
00:59:10Son,
00:59:10if it was not planned.
00:59:11He brought me here
00:59:12and when it's time to say goodbye
00:59:13so we left
00:59:14carried away by passion.
00:59:16How are we going to leave?
00:59:17to the chalet
00:59:17what's in the fifth pussy?
00:59:18No,
00:59:18not to the chalet,
00:59:19to the third A
00:59:20which is in front.
00:59:21No,
00:59:21that is going to rent it
00:59:22who no longer has the keys
00:59:22and has given them to you
00:59:23to an agency.
00:59:24Well,
00:59:24Well, to Jorge's house,
00:59:25what do I know.
00:59:25Well yes,
00:59:25clear,
00:59:26there with the girls.
00:59:27That grandma goes there
00:59:28to carry candy,
00:59:29not to have sex.
00:59:31And it's already done,
00:59:32what does it matter?
00:59:32No,
00:59:32what does it matter?
00:59:33No,
00:59:33what does it matter?
00:59:34No,
00:59:34that you have dad
00:59:35and out inflating balloons
00:59:36looking forward to fixing things between you.
00:59:38Hey?
00:59:39Well yes,
00:59:40that we are organizing for you
00:59:40a birthday party.
00:59:42That's it.
00:59:42But,
00:59:42since when have I celebrated
00:59:43birthdays?
00:59:46Oh!
00:59:48You have to see it,
00:59:49Hey?
00:59:49Let's see,
00:59:50for once,
00:59:50for once
00:59:51what occurs to me
00:59:51whoop it up.
00:59:53Go and bring me your father.
00:59:55What do I put in you?
01:00:01Your daughter and I
01:00:02let's make the bed
01:00:03just a moment.
01:00:04Yeah,
01:00:04between the two
01:00:05we do it faster.
01:00:06Yeah.
01:00:06Moses,
01:00:12breakfast.
01:00:13No,
01:00:13get up,
01:00:14that we have a problem.
01:00:15That my husband is here
01:00:15out there.
01:00:17Hey?
01:00:17My husband.
01:00:18And what are you doing here?
01:00:20My daughter,
01:00:21that is silly.
01:00:21Mother,
01:00:22I just wanted to help.
01:00:23That you are of no use
01:00:23to help,
01:00:24that only serves
01:00:24to help you.
01:00:25But,
01:00:26calm down,
01:00:26I'm going to talk to you.
01:00:27Yeah,
01:00:27man,
01:00:28so that he accuses me of adultery
01:00:29and I kept the house.
01:00:30No,
01:00:30you stay here
01:00:31until he leaves.
01:00:32But I have a meeting.
01:00:33Well,
01:00:33Well, you wait,
01:00:34Rafael,
01:00:34you wait.
01:00:35Because Aguir brings me
01:00:35breakfast,
01:00:36at least.
01:00:38Sorry,
01:00:39who called Emilio
01:00:40that there is an urgent meeting.
01:00:41Hey,
01:00:42They are my daughter,
01:00:43you come down,
01:00:43I look at how I am.
01:00:44No,
01:00:44all the time,
01:00:45all the time.
01:00:46Come on.
01:00:46How are you?
01:00:51All good,
01:00:51No?
01:00:52Yeah,
01:00:53big-eyed.
01:00:54Yeah.
01:00:57I have coconut,
01:00:57cut pineapple,
01:00:58gui,
01:00:59gui,
01:00:59gui,
01:00:59gui.
01:01:00Gregory,
01:01:00please,
01:01:01wait for the pleas
01:01:01and questions.
01:01:02Well,
01:01:03the word has already spread
01:01:03and they have been assembled
01:01:04side businesses,
01:01:05as in the doors
01:01:05of the football fields.
01:01:06Yeah,
01:01:07We have more and more audiences.
01:01:09Hello.
01:01:10Mauri,
01:01:10It is the second meeting
01:01:11that you summon in two days.
01:01:13You have to control yourself a little.
01:01:14Yeah,
01:01:15that the sun is beating down here today
01:01:16that you don't see.
01:01:16What happened now?
01:01:18Has he appeared to you?
01:01:18the virgin in the bathroom?
01:01:20No,
01:01:20if you're going to understand me right away.
01:01:22I want to ask for dismissal
01:01:23Emilio's
01:01:23as a goalkeeper
01:01:24from this farm
01:01:24for being a scammer.
01:01:25Last night I got it
01:01:26a counterfeit 50-dollar bill
01:01:28knowing it was false.
01:01:29No,
01:01:29careful,
01:01:30Hey?
01:01:30Let's see if I'm going to pay
01:01:31I now for everyone.
01:01:32The ticket to me
01:01:33he gave it to me
01:01:33Mrs. Mamen,
01:01:34that humiliated me
01:01:35as a goalkeeper
01:01:36and forced me
01:01:36to do her shopping.
01:01:37Clear,
01:01:38because he placed it on me
01:01:38the herbs.
01:01:39And what about us, Belén?
01:01:40That he tricked us
01:01:41at its community level.
01:01:42Well,
01:01:42because Bea and Ana
01:01:43they paid me with that
01:01:44the rent.
01:01:45Hey,
01:01:45Vicenta gave it to me
01:01:46for washing the dog
01:01:47that never brings it.
01:01:48Come on,
01:01:48if we have full boxes.
01:01:50The ticket to me
01:01:51I think Juan gave it to me.
01:01:52Me of what?
01:01:53Lady,
01:01:53don't invent.
01:01:54Well,
01:01:54it doesn't matter.
01:01:56I mean,
01:01:56that we have all been scammed
01:01:57to everyone.
01:01:58We have thrown to the ground
01:01:59good intentions
01:02:00to live together in peace
01:02:00for 50 lousy euros.
01:02:02Hey,
01:02:03I am a poor pensioner
01:02:04and that's the fifth part
01:02:05from my pension.
01:02:06For me that's two days
01:02:07spraying cologne on people.
01:02:08Mauri,
01:02:09Do you know what Paloma did?
01:02:10with 50 euros?
01:02:11We ate for a week
01:02:12and bought us clothes.
01:02:13Yeah,
01:02:14all top brands.
01:02:15Well,
01:02:16I assume I have some neighbors
01:02:17that they are rabble,
01:02:18but this ticket
01:02:19you have to take it to the bank
01:02:19to have it removed
01:02:20of circulation.
01:02:21Mauri,
01:02:21don't be a fool.
01:02:23According to the internet
01:02:23There are 30,000 tickets
01:02:24of 50 fake ones
01:02:26circulating
01:02:26by the euro zone.
01:02:28I don't care,
01:02:28there will be one less.
01:02:29Mauri is right.
01:02:31Bring,
01:02:31come on.
01:02:31I am the president.
01:02:33I'll take care of it.
01:02:33to carry it.
01:02:35You have disappointed me.
01:02:36All.
01:02:37What do you want me to say?
01:02:39It seems silly to me
01:02:39lose that money
01:02:40being able to put it on
01:02:42to anyone
01:02:42who is not a neighbor.
01:02:43I tried it
01:02:44with a Chinese delivery man,
01:02:45but there was no way.
01:02:46Well,
01:02:46some form
01:02:47will have to get him out of here.
01:02:49Or are we the only building?
01:02:50of city fools?
01:02:51300,000 euros
01:02:53can play today.
01:02:55I bring luck.
01:02:57300,000 euros
01:02:58Man,
01:02:58well, to the touch
01:02:59smells perfect.
01:03:00No, no, no, be careful,
01:03:02that these people
01:03:02is very trained.
01:03:04300,000 euros
01:03:06to the coupon.
01:03:07Hello hello.
01:03:09How much is the coupon today?
01:03:10Two euros.
01:03:11Well, here you go,
01:03:12give me twenty-five.
01:03:13Fuck,
01:03:14Has he read your palm?
01:03:15a gypsy?
01:03:16It's for a gift
01:03:16to colleagues.
01:03:18We must be generous
01:03:19in life.
01:03:20Well, well, well.
01:03:21This is the last straw.
01:03:22Are we going to abuse?
01:03:23of a disabled person?
01:03:24Juan,
01:03:24in this society
01:03:25there are no offenses
01:03:26nor guilty,
01:03:28only strong ones
01:03:28and weak.
01:03:29Valen,
01:03:30You are a young idealist,
01:03:31you have nothing to say.
01:03:32Ah,
01:03:32and ends in five
01:03:34has none.
01:03:35And I in eight,
01:03:36please.
01:03:37No,
01:03:38he is right.
01:03:38This is unfixable.
01:03:40There are no principles anymore,
01:03:41nor moral,
01:03:42neither...
01:03:42Well,
01:03:43we smoked a pipe
01:03:44and it passes us by.
01:03:45Not here,
01:03:48not here,
01:03:50there is no one living here.
01:03:52Hello,
01:03:52I go to the gym.
01:03:53Wait,
01:03:53wait,
01:03:54wait,
01:03:54what are you doing?
01:03:58Fernando,
01:03:59What is this?
01:04:00It's to put a little mark
01:04:01on the bike seat.
01:04:02It's just that they are always asking me
01:04:03going up,
01:04:04going down.
01:04:05Well,
01:04:06Okay,
01:04:06is that the markers
01:04:07what's in the room
01:04:08are dry,
01:04:09they don't cross out numbers well.
01:04:10Fernando,
01:04:10you're getting hooked on bingo,
01:04:11that's how it starts.
01:04:13Mario,
01:04:13please,
01:04:13I'm not a magnifying glass,
01:04:14Hey?
01:04:14Oh!
01:04:14That's the classic phrase
01:04:16of the compulsive gambler.
01:04:16What's happening?
01:04:17What am I not going to be able to do?
01:04:17go out on the street
01:04:18never again in my life,
01:04:19or what?
01:04:19No,
01:04:19not alone,
01:04:20and with markers less.
01:04:21Come on,
01:04:21keep Vicente company,
01:04:22here we are alone.
01:04:23Well,
01:04:23Can I take the computer?
01:04:24at least,
01:04:25because I can work,
01:04:25No?
01:04:26Yeah,
01:04:27Yeah.
01:04:27But leave your ID there.
01:04:28and the wallet.
01:04:29Fuck.
01:04:30And the driver's license?
01:04:31Yes,
01:04:31that everything is here.
01:04:32Okay.
01:04:33Well, let's see,
01:04:34sometimes,
01:04:34Hey?
01:04:35Wait.
01:04:36That?
01:04:36Raise your arms.
01:04:37That?
01:04:37Hey?
01:04:39Already,
01:04:40Hey?
01:04:40Already.
01:04:42What are you?
01:04:43He tells you,
01:04:43peaceful.
01:04:46Paco,
01:04:46aren't you coming?
01:04:46Why does it take so long?
01:04:48Well,
01:04:48calm down,
01:04:49that's a good sign,
01:04:50there has also been
01:04:50beautiful reconciliation
01:04:52with tears and sex.
01:04:53Now they will be in the post-coital,
01:04:55thinking about the name
01:04:56of the child
01:04:56that they are going to have.
01:04:57The child,
01:04:58trunk,
01:04:59is giving me
01:05:00that bitch has a lot of garlic.
01:05:02That's for
01:05:02professionals.
01:05:04Let's see,
01:05:04José Mari,
01:05:04we are friends
01:05:05or we are not friends.
01:05:07Pussy,
01:05:08don't let me down.
01:05:14Paquito,
01:05:15you had us
01:05:15in a state of restlessness.
01:05:16Where were you?
01:05:17And your luggage?
01:05:18Have you fixed it?
01:05:19with Lourdes?
01:05:21Lourdes is with someone else.
01:05:25She's with someone else!
01:05:27And he got caught
01:05:27on the couch
01:05:28watching my TV!
01:05:30On
01:05:30he hasn't loved me
01:05:31give the clothes.
01:05:32Man,
01:05:32there is always a broken one
01:05:33for a tear.
01:05:34My mother,
01:05:35Paquito,
01:05:35calm down
01:05:36that something is going to happen to you,
01:05:37Hey?
01:05:37Sit down,
01:05:38that the force
01:05:38is with you.
01:05:40But nothing happens.
01:05:42I have your dog.
01:05:46I have adapted it
01:05:47by the clothesline.
01:05:50But that's a dog.
01:05:54Lourdes,
01:05:55Yeah,
01:05:55I have Zinedine here.
01:05:57Yeah,
01:05:57Yeah,
01:05:57Yeah,
01:05:57Yeah,
01:05:58here it is.
01:05:59Here it is.
01:06:00Since you don't give me up
01:06:00clothes in 24 hours
01:06:02I'm going to send it to you
01:06:02in pieces.
01:06:03and tomorrow
01:06:04I'm going to start you
01:06:04for a little hoof.
01:06:05Do you see how bad it is?
01:06:06I'm going to do like Seven.
01:06:07The last installment
01:06:08is going to be the head.
01:06:09No, Paquito.
01:06:11No,
01:06:11no,
01:06:11that's a joke.
01:06:12If they don't give me the clothes
01:06:12Well, we didn't keep it.
01:06:13You don't care,
01:06:14TRUE?
01:06:14Man,
01:06:16this is very small.
01:06:17Zinedine is going to get stressed,
01:06:19we're all going to get stressed.
01:06:20No,
01:06:21I'm going to buy it
01:06:21a little bed
01:06:22and I think,
01:06:23Hey?
01:06:24Oh,
01:06:24look at this cheesy girl,
01:06:25Hey?
01:06:25Have you seen
01:06:26what macos
01:06:26They are friends
01:06:27daddy's?
01:06:29Zinedine,
01:06:29you have a problem
01:06:32Serious,
01:06:33buddy.
01:06:34No,
01:06:34is that I'm going to have
01:06:35to talk to him.
01:06:37Amancio,
01:06:38excellent
01:06:38that we got married,
01:06:39Hey?
01:06:39What's wrong with him?
01:06:45It has gotten worse,
01:06:46Hey?
01:06:46I think it's the nurse
01:06:47that is sedating him.
01:06:49Hello,
01:06:50Good afternoon.
01:06:50Sorry for the delay,
01:06:51that I'm preparing
01:06:54the tour and...
01:06:54But,
01:06:56in the end,
01:06:56what we're getting at.
01:06:58My son,
01:07:00my son,
01:07:01you are going to undertake
01:07:02a long journey,
01:07:03but it is a journey
01:07:04towards the light.
01:07:05God is up there
01:07:06waiting for you
01:07:07with open arms
01:07:08because he
01:07:08in his omnipotence...
01:07:10Father,
01:07:10father,
01:07:10that it's a wedding.
01:07:14Sorry,
01:07:14it is the custom.
01:07:16Come quickly,
01:07:17that there is a hurry.
01:07:17You entertain the nurse.
01:07:19Marisa,
01:07:20like a wedding?
01:07:21Have you thought it through?
01:07:22Father,
01:07:23we are no longer old
01:07:23to give it a lot of thought.
01:07:25Already,
01:07:25but for this,
01:07:26witnesses are needed for this.
01:07:28There you have them.
01:07:30But if they're not looking,
01:07:31they are watching TV.
01:07:33Marisa,
01:07:33call a witness
01:07:34to someone
01:07:35that is to what is not
01:07:36It is a linguistic inconsistency.
01:07:38I'll buy you
01:07:38the entire discography,
01:07:40but give it your all.
01:07:42Oh,
01:07:43how sick I am.
01:07:46What's wrong with him?
01:07:48Daughter,
01:07:49I see that I'm leaving.
01:07:52I'm seeing a tunnel.
01:07:54Well, put on the low beams,
01:07:55I'm going to see Mancio.
01:07:56No, no, no,
01:07:57wait, wait.
01:08:00The thing is,
01:08:01take me to the bathroom.
01:08:02But yesterday I could go alone.
01:08:04No,
01:08:05not alone,
01:08:06that I have fallen.
01:08:12Oh,
01:08:12how bad.
01:08:16Come on,
01:08:16come on,
01:08:17come.
01:08:19Maria Luisa,
01:08:20Do you want Mancio?
01:08:25as your lawful husband?
01:08:27Yeah,
01:08:27I love everything,
01:08:29all.
01:08:29Amancio,
01:08:31Do you love María Luisa?
01:08:32as your lawful wife?
01:08:34He's saying no.
01:08:36Ask him again,
01:08:37he won't have understood you.
01:08:38Come on.
01:08:39Amancio,
01:08:40Do you love María Luisa?
01:08:41as your lawful wife?
01:08:43Yeah,
01:08:43is that he is saying no.
01:08:45You see?
01:08:46Now he has said yes.
01:08:47No,
01:08:47No,
01:08:48No,
01:08:48has done so with his head
01:08:49because he has died.
01:08:50Nurse?
01:08:51Nurse?
01:08:51Amancio,
01:08:52you couldn't do that to me.
01:08:54Amancio,
01:08:54wake up.
01:08:56Amancio,
01:08:56you can't do that to me.
01:09:01José Miguel,
01:09:02but where am I going to get it from?
01:09:02I 1,500 euros?
01:09:04You know how we are
01:09:04economically.
01:09:05But what if I don't pay him?
01:09:06everything the motorcycle is worth
01:09:07I'm going to have problems.
01:09:08What a nerve,
01:09:09will be stolen.
01:09:10What kind of problems
01:09:11are you talking?
01:09:12Man,
01:09:12I don't think it refers to
01:09:13to the prostate.
01:09:15But let's see,
01:09:15what do you take from
01:09:16are we talking?
01:09:17Of the one who goes to school,
01:09:17from the fourth year of secondary school?
01:09:18That.
01:09:21José Miguel,
01:09:22that kid is very dangerous.
01:09:23I think that even
01:09:23has dealings with the Latin Kings.
01:09:25Ah,
01:09:25that sings!
01:09:26Well,
01:09:27that's ok,
01:09:27then it won't be so bad.
01:09:29Isabel,
01:09:29The Latin Kings
01:09:30They are an urban band.
01:09:32Sure?
01:09:33They are not the reggaeton ones.
01:09:36Doña Isabel,
01:09:37it has touched us
01:09:37a coupon
01:09:3830,000 euros.
01:09:40We could do it
01:09:40having remained silent,
01:09:41but instead
01:09:42we have come
01:09:42to share it
01:09:43so that later he can say
01:09:44to Mauri
01:09:44that we are bad neighbors.
01:09:46we touched 5,000 euros
01:09:48per beard.
01:09:49We have excluded
01:09:49to Rafael
01:09:50for millionaire.
01:09:51Oh, Juan!
01:09:52Look at José's,
01:09:53my...
01:09:54But I think that
01:09:55Mauri is right.
01:09:57That money
01:09:58is the result of a deception.
01:09:58I think we should
01:09:59donate everything
01:10:00to a good cause
01:10:01beneficial.
01:10:02And do you consider that there are
01:10:03a better cause
01:10:04what to avoid
01:10:05that they break him
01:10:06your son's face?
01:10:07Mr. John,
01:10:08But if that is a sign,
01:10:09yin and yang,
01:10:10the butterfly effect,
01:10:12something.
01:10:12But don't put
01:10:13sad face,
01:10:14don't be pathetic.
01:10:15Alright.
01:10:16I propose the creation
01:10:17of a commission
01:10:18neighborhood toll collection
01:10:19that is...
01:10:19Juan,
01:10:20it's me,
01:10:21president.
01:10:22I propose the creation
01:10:23of a commission
01:10:24neighborhood toll collection
01:10:25that...
01:10:25that I collect this.
01:10:27Hey,
01:10:29Juan,
01:10:29the guard
01:10:30has to be
01:10:30a little stressed,
01:10:31No?
01:10:31Yeah,
01:10:32but it is for that
01:10:32don't let me get carried away.
01:10:34Happy Birthday!
01:10:38Happy Birthday!
01:10:42We all wish you!
01:10:48Happy Birthday!
01:10:53But how many candles
01:10:54there is here!
01:10:55This is not a cake,
01:10:56it's a concert
01:10:56by Alejandro Sanz.
01:10:57Mom, 51
01:10:58and I have removed 5
01:10:59the way you like it.
01:11:00Blow, darling,
01:11:01blow!
01:11:03Ole!
01:11:09I'm sorry,
01:11:09but I'm already
01:11:10fed up
01:11:11of being in there.
01:11:12Pussy!
01:11:13Rafael!
01:11:14Man, Arthur!
01:11:15What is this?
01:11:16Who do you know?
01:11:17Clear,
01:11:18yes he is my dentist
01:11:19for 15 years.
01:11:21Well, look how good!
01:11:22that you know each other
01:11:23because dad is my boyfriend.
01:11:24So that is
01:11:27is coming out
01:11:28with my daughter.
01:11:30Yeah...
01:11:30Well,
01:11:31we are just getting started.
01:11:32Yeah,
01:11:33that's why go
01:11:33that magic
01:11:34it gets lost very quickly.
01:11:35Leave it, leave it, leave it, leave it.
01:11:37No,
01:11:37that which is coming out
01:11:38with Rafael
01:11:39it's me.
01:11:42Hey?
01:11:43Well, that's it,
01:11:44that we went out to dinner
01:11:46and...
01:11:47and what we have been through
01:11:48the night together.
01:11:52Well, Jesus,
01:11:54I had come
01:11:55to fix things with you.
01:11:56Oh, Arthur,
01:11:58but if ours
01:11:58it is beyond repair.
01:12:00If this is totally sinister.
01:12:09Hey,
01:12:10the real what...
01:12:11And what about you?
01:12:13have you called me?
01:12:14To humiliate me?
01:12:15Dad, I swear that I
01:12:16I have nothing to do with it...
01:12:18It's the last molar
01:12:19I'll fill you up for free.
01:12:23You see?
01:12:23Now I feel bad.
01:12:25He is a friend.
01:12:26And on top of that
01:12:26I have to change
01:12:27of dentist.
01:12:28Anyone dares now.
01:12:29Hey, Rafael,
01:12:30that this does not affect
01:12:31to our...
01:12:31whatever we have
01:12:32that we haven't talked about it.
01:12:33It's what you do
01:12:34every nonsense, daughter.
01:12:36Rafa!
01:12:36If I only wanted
01:12:42fix things.
01:12:43Scrum,
01:12:43it's not your fault.
01:12:45Do good
01:12:45It is a gift.
01:12:47Yeah,
01:12:47That's what it's for
01:12:48you have to be worth it.
01:12:51But this boy
01:12:52is going to come
01:12:52so we can talk or what?
01:12:53Yes, yes, yes.
01:12:54It's that it has gone
01:12:54to an exchange.
01:12:55He has kidnapped you
01:12:55the dog to his wife
01:12:56to return the clothes.
01:12:57Oh yeah?
01:12:59And are you very good friends?
01:13:00No,
01:13:00I say it to start with
01:13:01to worry.
01:13:02Totally stupid!
01:13:04He has capitulated
01:13:05no strings attached.
01:13:06Well,
01:13:06it has been a movie.
01:13:08Lourdes and I
01:13:08a hundred meters away
01:13:09face to face
01:13:10while his father
01:13:11was getting closer
01:13:11step by step
01:13:12there with my suitcases.
01:13:13And I was letting it go
01:13:14little by little
01:13:14to Cinedine
01:13:15who looked at us
01:13:15without realizing anything.
01:13:16Paco,
01:13:16we have to talk.
01:13:17Fuck,
01:13:18if I didn't feel so good
01:13:19since Frodo Baggins
01:13:20threw the one ring
01:13:21of Lord Darksauros
01:13:22in the mountain calderas
01:13:23of destiny
01:13:24to the earth that gnaws.
01:13:24Stop, stop.
01:13:27Look,
01:13:28Paco,
01:13:28the thing is...
01:13:29Look,
01:13:30Pablo and I
01:13:30we're back
01:13:31and then you
01:13:32you can't stay
01:13:33Hey?
01:13:33That's it.
01:13:35It's that easy.
01:13:36Ah.
01:13:37Okay.
01:13:38Well,
01:13:39well...
01:13:39Well, nothing.
01:13:41No,
01:13:42Yeah...
01:13:42If I understand,
01:13:43really,
01:13:44I understand.
01:13:45Yeah...
01:13:46Well,
01:13:46I'm used to it now
01:13:48there to sleep
01:13:50in the third
01:13:51from the video store
01:13:52with the cold and such.
01:13:55Alright,
01:13:55it doesn't happen.
01:13:57The only bad thing
01:13:58it is loneliness.
01:14:00But...
01:14:00Hey,
01:14:01I'm very glad
01:14:01for you,
01:14:02Hey?
01:14:03Take care of your love.
01:14:08Thank you.
01:14:10Wait,
01:14:10Paco,
01:14:10wait.
01:14:13Dear,
01:14:14He is my friend,
01:14:14I can't leave
01:14:15that he leaves.
01:14:16And it does to me.
01:14:17Ah,
01:14:18because I'm going to leave.
01:14:21Marten,
01:14:22the couples go
01:14:23and they come
01:14:23and a friend
01:14:24it's forever
01:14:24and he doesn't force me
01:14:25to choose from.
01:14:26Oh,
01:14:26how beautiful.
01:14:28Well,
01:14:28whatever you want.
01:14:33Let's see if he
01:14:34it turns out so well
01:14:34oral sex
01:14:35like me.
01:14:37Man,
01:14:38you'll continue there
01:14:39losing,
01:14:39male,
01:14:40that's total,
01:14:40let's not earn it.
01:14:41But listen,
01:14:46we are going to establish
01:14:47operating rules,
01:14:48you have to live in a storage room
01:14:49it's never easy.
01:14:49Jotiego,
01:14:50we are both single,
01:14:51do you realize?
01:14:51It's worth celebrating.
01:14:52We're going down
01:14:53and we warn
01:14:54and we played in the dark.
01:14:55But what darkness,
01:14:56Paco,
01:14:56if this is dwarf,
01:14:56Here's the difficult part
01:14:57is not to meet.
01:14:57Well,
01:14:58Well, a farting contest.
01:14:59Let's see what starts
01:14:59more hair is a leg
01:15:00at one blow.
01:15:01Look,
01:15:01come on,
01:15:02a,
01:15:03a,
01:15:04six,
01:15:04six,
01:15:05come on,
01:15:05proof,
01:15:05proof.
01:15:06Come on,
01:15:07that there are no eggs.
01:15:09Two,
01:15:10I'm missing two,
01:15:11now yes, yes.
01:15:13No.
01:15:15No!
01:15:17Shit!
01:15:18If this is that,
01:15:19it's almost worse than the real thing,
01:15:20because you can't see his face
01:15:21to whom it touches,
01:15:22to hate him,
01:15:23say.
01:15:24No,
01:15:25No,
01:15:25No,
01:15:25Vicenta,
01:15:25but don't sink.
01:15:26No,
01:15:27Yes, it's sure to happen to us.
01:15:28Come on,
01:15:28let's throw
01:15:29another little game,
01:15:30Hey?
01:15:30Come on,
01:15:31six cartons,
01:15:32the whole series.
01:15:33I don't want to play anymore.
01:15:35I feel very alone,
01:15:37I feel very scared.
01:15:39Yeah,
01:15:40Yeah,
01:15:40come on,
01:15:40be quiet,
01:15:41be quiet, I've started.
01:15:41Come on.
01:15:43Now then.
01:15:44Six,
01:15:45Yeah,
01:15:45I have it.
01:15:47No!
01:15:50Look,
01:15:51look,
01:15:51look,
01:15:51look,
01:15:51look.
01:15:55Six!
01:15:57Six,
01:15:57seven!
01:15:57Poor Amancio,
01:16:00How did he know he was leaving?
01:16:03If he told us.
01:16:04I shit in ten.
01:16:06That was a perfect shot in extra time.
01:16:10A golden goal.
01:16:12You have killed him.
01:16:14I've wasted five years of my life.
01:16:15Hey,
01:16:16That happens to philology students too and they don't protest as much.
01:16:19One moment,
01:16:20please,
01:16:20a respect,
01:16:22that we are in mourning.
01:16:24You'll get the blues.
01:16:25Already.
01:16:26And I'll be here to take care of you.
01:16:29It's okay, it's for us,
01:16:30Hey?
01:16:33Tell me.
01:16:34Marisa,
01:16:35it's me.
01:16:37I miss you so much.
01:16:39Who would have told you that you would take off your panties at your age,
01:16:41Hey?
01:16:42Why don't you go back home?
01:16:44I'm not coming home until you put the apartment in both of our names.
01:16:48Never!
01:16:49Mom left it for me!
01:16:50Well, see you later,
01:16:51Luke.
01:16:51Wow!
01:16:53Wow!
01:16:53But we are not going back.
01:16:56We are in no hurry,
01:16:57we have the month paid.
01:16:59Chan, chan, chan, chan, chan, chan!
01:17:01No!
01:17:01Oh, 5,000 euros!
01:17:05How exciting!
01:17:06I already have one for the Rolstock chair
01:17:07and for the Brunklonk dresser.
01:17:09It's all Swedish design.
01:17:11I'm going to get full laser hair removal.
01:17:14and I'm going to take off the bags.
01:17:16I'm going to get boobs and change the kitchen.
01:17:18I'm going to redecorate my life.
01:17:20Wait,
01:17:20don't do the math yet,
01:17:21that they are taking a long time to come.
01:17:23Let's see if they've escaped to Brazil.
01:17:25No, no, look,
01:17:26that's where they come from.
01:17:27That?
01:17:28Have you already received your payment?
01:17:29What are we going to charge?
01:17:30It turns out this coupon is fake.
01:17:33What do you mean it's fake?
01:17:34What have they told us?
01:17:35who are having problems
01:17:36with blind people who are not blind,
01:17:37that sell coupons
01:17:38that are not coupons.
01:17:39But you have to look closely, man,
01:17:41that there are many scoundrels.
01:17:42I told you,
01:17:44that life then gives it back to you,
01:17:45that one receives what one gives,
01:17:47that there is something up there
01:17:48that balances everything.
01:17:50Oh!
01:17:51Oh my God,
01:17:52Reverend Mauri is here
01:17:53with his humility.
01:17:54Son, but you're right.
01:17:56This is a lesson
01:17:57that has given us life.
01:17:58And for what?
01:17:59If to this going
01:18:00are no longer retained
01:18:01things are the same.
01:18:03Hey, Dad, what do I do?
01:18:04It's that this guy
01:18:05he's coming for the money.
01:18:07Champion!
01:18:08Do you have the money?
01:18:09No, leave it to me.
01:18:11I am José Miguel's father
01:18:12and spokesperson for this
01:18:14our community.
01:18:15My son will not access
01:18:16to your blackmail
01:18:16He won't even pay you a euro.
01:18:17for a stolen motorcycle.
01:18:18If you go back the way you came,
01:18:20we promise not to report.
01:18:20But you with whom?
01:18:21You think you're talking, huh?
01:18:22Refrigerator?
01:18:23What did he call you?
01:18:24Juan, it's pricking you!
01:18:26If you want me to leave
01:18:27to intimidate with your knife,
01:18:28I'll tell you that the weapon
01:18:29more powerful
01:18:30is the word
01:18:31and dialogue.
01:18:32And...
01:18:33If you had to talk...
01:18:36Come on, what's up with you, huh?
01:18:38Come on, everyone up.
01:18:41Oh, look how good!
01:18:41this comes to me
01:18:42to peel kiwis.
01:18:44Dad, and you?
01:18:45why can't you do that?
01:18:46Son, why are you stopping me?
01:18:47the mood.
01:18:50Hey, haven't you played?
01:18:52Basque pelota or something, right?
01:18:53Fuck!
01:18:56What the fuck did he put in?
01:18:585,000 euros.
01:19:00For once
01:19:01that something touches us,
01:19:02they scam us.
01:19:03Oh!
01:19:04These paintings
01:19:05they don't look good here.
01:19:06They need to be moved.
01:19:07Mamen,
01:19:07are you listening to me?
01:19:08But when has he ever listened to you?
01:19:10Well, you weren't depressed.
01:19:11Depressed people don't talk.
01:19:13Oh, ingenuity!
01:19:14Son, don't be anxious.
01:19:15If we have always come out ahead.
01:19:17The important thing
01:19:17is that we are together.
01:19:19That's what's most expensive
01:19:19it comes out to us.
01:19:21Hello, Dad.
01:19:23Moncho!
01:19:24Egenio, that's the boy!
01:19:25Get out of the way, get out of the way, get out of the way!
01:19:26Don't open, don't open!
01:19:27Let's see if it goes away.
01:19:29Come on, dad,
01:19:29that I'm very tired.
01:19:31Oh, but darling!
01:19:33Dad!
01:19:34Oh, what joy!
01:19:35But what are you doing here?
01:19:36Well, nothing, mom,
01:19:37I'm coming home.
01:19:38I've missed you so much.
01:19:39No, no, no, no.
01:19:40That's no good, huh?
01:19:41If you had gone,
01:19:42you can't go back.
01:19:43The son who leaves,
01:19:44doesn't come back.
01:19:44Come on, dad,
01:19:45that my business has gone under.
01:19:46What's my fault?
01:19:47Things have gone better for me,
01:19:48It's not my fault.
01:19:49You're thinner, aren't you?
01:19:50Yes, yes, I'm terrible.
01:19:51It's as if the prince
01:19:52suddenly returns to the garden.
01:19:53Well, no, this is worse,
01:19:54because there at least
01:19:55there is room.
01:19:56And genius, we have to make reforms,
01:19:57another room must be taken out.
01:19:59But what if we hang it from the balcony?
01:20:00with a sleeping bag,
01:20:02like those of Arfilo of the Impossible?
01:20:03Do you want to eat something?
01:20:04Well, well, well,
01:20:06Well, what do you have?
01:20:07Man, of everything, of everything,
01:20:09say yes,
01:20:10you start spending.
01:20:11Keep going, keep going in good spirits, okay?
01:20:12Who lives?
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