Aquí no hay quien viva - 5x08 - Erase un descubrimiento macabro - HD 1080 - Vídeo Dailymotion

Aquellas_Maravillosas_Series

Los Cuesta siguen con obras en su casa y Mariano decide aprovechar también para hacer algunos arreglos en la portería. Tira un tabique y aparecen los huesos de un esqueleto humano. Se lo comunica a Juan e Isabel y, entre todos, inician una investigación. Bea, Ana y Fernando están de acuerdo en que Ezequiel debe ir a una guardería. Mauri es el único que se niega en rotundo porque de pequeño tuvo una mala experiencia con una profesora. Paco y Belén continúan su relación a escondidas. Belén quiere hacerlo público pero Paco aún no se atreve.

Transcript

00:00:00Here, here, here, no one lives! Not here! Not here! Not here!

00:00:24José María, I see it clearly today. You are my successor. One day all of this will be yours. I'm going to teach you the secrets of the art of being a goalkeeper. You're going to be my little grasshopper.

00:00:39What about you?

00:00:41Look, lesson one. Basic flattery to the owner. Good afternoon. What? Shall we have a beer on a terrace?

00:00:49What do you care? That hatch. A light bulb has burned out on the edge. Change it, one of these ladies is going to die.

00:00:55How does he piss you off? He's like Cinderella with the sisters chasing after him.

00:01:00Don't worry, it's okay. Then you tear up a couple of cards from the bank and that's it. You shouldn't keep that resentment inside.

00:01:06Look, lesson two. Renters have no rights. They're second-class tenants, perfect for letting off steam.

00:01:12Hello. Careful, dammit, don't step on me there, I'll be really screwed.

00:01:19Well, put up a sign, you idiot.

00:01:20Shh, calm down, nothing's wrong.

00:01:22Nothing happens, nothing happens.

00:01:25Forward.

00:01:26Come on.

00:01:27You're scared, aren't you?

00:01:33Don't get involved, dude, eh?

00:01:35That is my angel.

00:01:37Have you seen what eyes he has?

00:01:39They are enigmatic like mine.

00:01:41Yeah.

00:01:42José María Coñuca is a lesbian.

00:01:44And?

00:01:45I respect their hobbies.

00:01:47This doesn't satisfy me either.

00:01:49If I don't find my place in the job market.

00:01:52Dad, you've already started to look like a long-term unemployed person.

00:01:54I'm going to try painting myself completely white.

00:01:57I'm going to mime in the park.

00:01:58It's already full, damn it.

00:02:00It is called mime that babeleras.

00:02:01Yeah, but how many nudes?

00:02:03I'm going to be the nude mime.

00:02:05Clear.

00:02:06And when they give you a euro, you thank them with an erection.

00:02:08If what you have to do is stay there at home quietly,

00:02:10watching TV and calling Saber Vivir to ask questions.

00:02:14Son, I just feel a void.

00:02:16I want to work, start from scratch, start a family.

00:02:19What do you say now?

00:02:21That has given you a lot, Maria.

00:02:23You don't have to set a time.

00:02:24I want to have another child.

00:02:26Life owes me a second chance as a father.

00:02:29Now listen.

00:02:30Put yourself in the best case scenario, huh?

00:02:32Imagine you meet someone.

00:02:34Imagine you meet one of those depressed lunatics or someone.

00:02:38How were you going to have children?

00:02:40I'll explain the process to you.

00:02:41If you have already had a semen analysis.

00:02:44Dad, you don't have any sperm anymore.

00:02:45You have zombie sperm.

00:02:47They would wander around hitting the walls of the uterus until they died.

00:02:50And what are you laughing at?

00:02:52We'll have to see yours.

00:02:54What I don't understand is why we don't take the elevator downstairs like everyone else.

00:02:58Yeah, olé, you have the statutes.

00:02:59It is prohibited to use the elevator for moving, renovations, or any other activity that could jeopardize the proper functioning of its machinery.

00:03:07Mr. Juan, seeing you in this condition really makes me fall to my knees.

00:03:10And me?

00:03:11But Gini has not been left hanging with the reform.

00:03:13Someone will have to finish it, I say.

00:03:16But where are you going, comrade?

00:03:17It's the sack here.

00:03:18No, the garbage truck doesn't pick that up.

00:03:20It must be taken to the recycling center that the city council has set up for this purpose.

00:03:24And where is that recycling point?

00:03:25I think it's this way.

00:03:27Damn, Juan, I don't have any kidneys anymore, all I have are two beans.

00:03:30Oh, man, pull.

00:03:31Ah, come on, you go ahead, Juan.

00:03:34Son, if Cuesta is doing some renovations, could we take advantage and spruce up the goal a bit?

00:03:40We've been with Luke Windsor for almost a year now and I'm already tired.

00:03:44The only one I've seen live worse is the espinete.

00:03:47Since they had him locked up in a booth on a list.

00:03:50Dad, I've already asked the community in 18 languages and they've said no.

00:03:55What I do?

00:03:55What do you drug everyone in a meeting?

00:03:57We do it ourselves, if it's two pesetas.

00:03:59Of course, damn it.

00:04:01I'll help you paint.

00:04:02Hey, we can do a Venetian stucco.

00:04:05Wait.

00:04:06This partition is false.

00:04:08We throw it and gain meters.

00:04:10Trunk, you can make two rooms.

00:04:13Dad, that wall faces the bank.

00:04:14You're going to run head-on into the pension fund problem.

00:04:16No.

00:04:17I'm going to ask the kid for his money.

00:04:19Take it away.

00:04:20Come on, hey.

00:04:21As if talking to mailboxes.

00:04:22That this detergent is wrong.

00:04:23Give me another one.

00:04:24But what's wrong with him?

00:04:25In the ad, the girl wipes the tiles with a cloth and sees her reflection.

00:04:29And I don't see myself.

00:04:30You gave it to me expired.

00:04:31Paco, can you come here for a moment, I have a question?

00:04:33Vicenta, it's an advertisement.

00:04:35There's also another one of a girl who pours shampoo on her head and has an orgasm.

00:04:38And it's a lie.

00:04:39I know.

00:04:39And I haven't bought it again.

00:04:41Paco, I have a question.

00:04:43Which one do you recommend?

00:04:43This one or this one?

00:04:48Well, I don't know, because this one is very good, but this other one is too.

00:04:53So what do I do?

00:04:55Should I take both of them?

00:04:55Yes, that.

00:04:56I think he's going to do it.

00:04:57Hey, I'll be back later.

00:04:59What do I have at the doctor's now?

00:05:00They have to remove a wax plug from me.

00:05:01Okay.

00:05:02How curious, right?

00:05:04What is the human body.

00:05:05To suddenly hear something so...

00:05:07Oh...

00:05:08Yeah.

00:05:09Yeah.

00:05:16Karen, I can't go on like this.

00:05:18Yeah, yeah.

00:05:19Me neither.

00:05:20I really need to be able to hold your hand.

00:05:23Strolling through the park with melting ice cream

00:05:25while we suck each other's fingers.

00:05:27Yes, yes, yes.

00:05:28Besides, we are not doing anything wrong.

00:05:30Enough of hiding.

00:05:33That?

00:05:34Do you know that you are the most wonderful woman in the world?

00:05:37Yeah.

00:05:39Go on.

00:05:39Here, here, here, there is no one living.

00:05:42Not here, not here.

00:05:44Every day is like this.

00:05:47I couldn't imagine it when I came here.

00:05:49I was just looking for some peace.

00:05:51I wake up every day in the middle of a hurricane.

00:05:54Here, here, here, there is no one living.

00:05:56Not here, not here.

00:05:58No, no, no.

00:05:58Here, here, here, there is no one living.

00:06:01Not here, not here.

00:06:02No no.

00:06:03The house above me is collapsing.

00:06:05I can't find the goalkeeper.

00:06:07The neighbors watch me and listen to me.

00:06:10I can't stand this place.

00:06:13Put in a cocktail shaker.

00:06:16It was in an earthquake and a volcano.

00:06:20Yeah.

00:06:22And you will have this ladder.

00:06:26Here, here, here, there is no one living.

00:06:28Not here, not here, no, no.

00:06:30Here, here, here, there is no one living.

00:06:33Not here, no, no.

00:06:34Here, here, here, there is no one living.

00:06:37Not here, not here, no, no.

00:06:39Here, here, here, there is no one living.

00:06:42Not here, not here.

00:06:44Here, here, here, there is no one living.

00:06:46Here, here, here, there is no one living.

00:06:49Here, here, here, there is no one living.

00:06:51No.

00:06:52It's already up again.

00:07:04No, not in bed.

00:07:05Go away, clap.

00:07:06But.

00:07:07Go away.

00:07:08Go away.

00:07:10Oh, I love waking up in this room.

00:07:15Good morning.

00:07:16We are Philip the Handsome and Joanna the Mad.

00:07:20Vicente, at breakfast.

00:07:22Saber, please release the bell.

00:07:24But she told me.

00:07:27I can't keep living on that couch, okay?

00:07:29Smell, dog.

00:07:30Are you telling me or are you telling me?

00:07:32Good morning, girls.

00:07:34Let's have breakfast.

00:07:35That has already awakened the slopes.

00:07:37What a night you've given me.

00:07:39But you, why do you move so much?

00:07:41Because I don't rest.

00:07:42I can't find the right position.

00:07:45Concha, we are 75 years old.

00:07:48At our age there are no good postures.

00:07:52Hey, how long are those two going to stay in my room?

00:07:55Whatever it takes.

00:07:56They are my guests.

00:07:58And don't complain so much, there are many people who live more cramped lives.

00:08:01Where?

00:08:01In a submarine?

00:08:03Hey, why don't we hit the gas and go to bingo?

00:08:06How is the renovation going?

00:08:12When are you finishing?

00:08:13Well, there we are.

00:08:15No, we're not there.

00:08:18When are you finishing?

00:08:19Shell.

00:08:20Lago is already working.

00:08:21I'm getting in so this one won't mess you up.

00:08:23Shame on you for exploiting an immigrant.

00:08:26Wait, Juan.

00:08:27I'm going with you.

00:08:28Please be there.

00:08:29Hey, why don't we call a company to do it for us?

00:08:32But we've already tried it.

00:08:33They won't do it until next month.

00:08:37Do you have clothes to wash?

00:08:39Yes, I left it there for you.

00:08:41Oh, and my skirt button fell off.

00:08:43Okay.

00:08:44Then I upload snacks.

00:08:46Very good.

00:08:47These people are never going to leave here.

00:08:49You'll see.

00:08:50With the monkey's fairy godmother.

00:08:51Oh, but there's also work going on downstairs.

00:08:56Look, I don't know if it's below, in front or above.

00:09:00Damn, but the reforms are harassing us.

00:09:02What will people have against the walls?

00:09:04Yeah.

00:09:10What was I telling you?

00:09:12Was it hollow or was it not hollow?

00:09:14Look, I brought you the depressing apartments special.

00:09:17So you can see how space is used in small places.

00:09:20Ah, this is a supplement that is all about cooking.

00:09:24Well, you can't imagine all the beautiful things they make now.

00:09:27Induction glass ceramics.

00:09:29Thank you very much, Mrs. Mami.

00:09:30If it's just going to be a little painting.

00:09:32No, come on, come on, come on.

00:09:33Take advantage and thus revalue the goal.

00:09:36If it's not mine.

00:09:37But the community will end up selling this to you.

00:09:40It is of interest to all of us.

00:09:42Look, leave that wall in exposed brick, okay?

00:09:45So in an industrial design way.

00:09:48Yes, yes, yes.

00:09:49Well, come on, you'll have to do the shopping, right?

00:09:51Oh yes.

00:09:51Hey, if you have any questions, just ask me, okay?

00:09:53I'll advise you on anything you want.

00:09:55No, don't worry, don't worry, don't worry.

00:09:57See you later.

00:09:58Come on.

00:09:59What is this?

00:10:03But this is a bone.

00:10:05Where did you get it from?

00:10:07From there inside.

00:10:07Wait, I think there's more.

00:10:09What do you mean there's more?

00:10:10Stay still, don't take out any more things.

00:10:11What's more?

00:10:12What's more?

00:10:12Ah!

00:10:13Oh!

00:10:15Hosts.

00:10:16But who is this?

00:10:17The world champion of jondite.

00:10:19What do I know?

00:10:20Oh!

00:10:20Calm down, daughter.

00:10:24But how did you come up with the idea of working in your state?

00:10:27Oh!

00:10:27The noise of the drill causes fetal stress.

00:10:31I've read it, I don't know where I read it, but I've read it.

00:10:33Come on, get down there, you're eight months pregnant.

00:10:36That's why we have to hurry.

00:10:37I see that this is not moving forward.

00:10:38What do you mean it's not moving forward?

00:10:39We already have the room.

00:10:40Yesterday I spent all day laying bricks.

00:10:48What kind of botch is this?

00:10:50What have you done, Iago?

00:10:51What have you done?

00:10:52I have nothing, Juan.

00:10:54I was putting a taco for the shelf.

00:10:57You have mixed the cement wrong.

00:10:58Hey, sorry, but I downloaded the bricklayer's manual from the internet.

00:11:01and I have followed it to the letter.

00:11:02See? See how aggressive he is with me?

00:11:04He doesn't accept me.

00:11:05That I don't accept you?

00:11:06No, he doesn't accept me.

00:11:07Don't I feel at home?

00:11:08It's not your house.

00:11:09This isn't a house right now.

00:11:10Don't argue with this.

00:11:12I got into the little table and he gets angry.

00:11:14It's just that I don't believe it, come on.

00:11:17Honey, come here, this...

00:11:19I think we had to convince.

00:11:22Oh, my dear, don't let this end.

00:11:24The girl is going to fall off the ladder.

00:11:26She's going to lose the baby, like in soap operas.

00:11:28You're going to kill yourselves.

00:11:30And the pipe, well, it's having less and less of an effect on me.

00:11:33And it's all bad, bad, bad, bad, fatal, bad, bad, bad.

00:11:37Well, well, I'll try to convince him.

00:11:39Maybe he got carried away in his anger.

00:11:42Of course, if you play, it's heaven for women.

00:11:46Okay, let's go.

00:11:47Dude, you turn purple and you don't gain weight, huh?

00:11:54How do genetics show?

00:11:56I'll answer your stupidity or I'll ignore you.

00:11:58What do you prefer?

00:11:59I don't know, however you look at it.

00:12:00And Ginio, look at the time and the child hasn't returned yet.

00:12:02Yeah, yeah, yeah.

00:12:03But let's not get our hopes up too soon.

00:12:06Maybe something has happened to him, right?

00:12:07Look, I think we should start setting a time, okay?

00:12:10Mamen is 33 years old.

00:12:12What time are you going to set?

00:12:13If what you have to do is live somewhere else.

00:12:15We don't fit here.

00:12:16Let him come on Christmas Eve and give us some cologne.

00:12:19See you next year.

00:12:20Damn, what do normal children do?

00:12:22Ginio, the church says that family is the most important thing.

00:12:25Oh yeah?

00:12:26Well, the pope lives alone.

00:12:28Let's see, ask him if he has to wait in line to go to the bathroom.

00:12:31Busy, Your Holiness?

00:12:33Well no, no.

00:12:34Good morning.

00:12:36Oh, Moncho.

00:12:37Honey, you had us worried.

00:12:38Look how he comes, what a pity.

00:12:41Hey?

00:12:41Looking for a job?

00:12:42Well yes, what happens is that this morning I had the interview early and I was already hooked.

00:12:48Daddy, daddy.

00:12:52I'm going to have an hour, okay?

00:12:54Yes, come, come to my room.

00:12:55I'll make you some juice now.

00:12:57A young juice.

00:12:58Dad, Mom, thank you so much, really.

00:13:03You're helping me a lot to overcome this bad patch I'm going through.

00:13:08Calm down, honey, but that's what we're here for...

00:13:13Ah, the taxi is down there, I just don't have any spare change, you know?

00:13:16Come on.

00:13:16Nothing, nothing.

00:13:17Let's see, Ingenio, on the downside.

00:13:19Turn off the gentleman, go on.

00:13:20Sure, woman, right now.

00:13:22If a father's love knows no bounds.

00:13:25Ingenuity, Ingenuity, help us.

00:13:31You have to finish our renovation.

00:13:32Yes please.

00:13:34So put an end to this suffering.

00:13:36No, sir, I'm happy to.

00:13:37But I can't.

00:13:39Mommy is really pissed off with you guys.

00:13:41I'll pay you whatever it takes.

00:13:43I support you for the rest of your term.

00:13:44But how could you, José, give my daughter a hand in my house?

00:13:48That's what parks and gardens are for, we all pay for them.

00:13:51Man, then understand it.

00:13:53Now we won't have a child.

00:13:54So we have a bag of hormones with a device that...

00:13:58Ingenio, for the love of God, we can't stay in the first A.

00:14:01The situation with Concha and Marisa is unsustainable.

00:14:03That's like living in the Gaza Strip.

00:14:05Yes, it has its advantages.

00:14:07But it's dangerous sooner or later.

00:14:09They're going to do something to us.

00:14:12Come on, give me a key.

00:14:14I'll finish it for you, but tonight, okay?

00:14:15When you suck, he falls asleep.

00:14:17Oh, and you pay me in cash, otherwise the bank will find out.

00:14:20Thank you, thank you.

00:14:21Mr. John.

00:14:22Hey, say hello to the president.

00:14:24Hey, can you come down to the goal with me for a moment?

00:14:27We have a problem.

00:14:28Ah, well you talk to Ingenio about it.

00:14:29What are you telling me?

00:14:29I'd rather you debate it first, okay?

00:14:31But what's going on?

00:14:32Well, we've found a tenant.

00:14:34who has not paid the community for a long time.

00:14:36As?

00:14:43I see it as a bit of a delicate subject, huh?

00:14:45Let's see what you think.

00:14:51Dad, why do you put the glasses on my bed?

00:14:54To entertain myself.

00:14:55I have these two left over and I don't know where they go.

00:14:57Look, you're a nurse.

00:14:59Well, I don't know.

00:15:01Let's see.

00:15:01But don't touch that.

00:15:02They are human remains.

00:15:05Thanks for the clarification, Juan.

00:15:07We were here with doubt.

00:15:08Can you tell where they came from?

00:15:10They were there, behind that wall.

00:15:11But why do you do work without permission from the community?

00:15:13Look what you've done.

00:15:15Ah, how curious.

00:15:16Who could that man be?

00:15:17I don't know.

00:15:18The plasterer who would stay there asleep.

00:15:20Or a gay man who didn't dare to come out of the closet.

00:15:23He had no documentation.

00:15:24This is a 19th century building.

00:15:26Over a hundred years old.

00:15:27Anything could have happened here.

00:15:28Okay, but we'll have to call the police, right?

00:15:30Yeah.

00:15:31Or call a meeting and introduce that new neighbor.

00:15:34No, no, no.

00:15:35It is convenient to disturb the neighborhood order with unnecessary scandals.

00:15:38Let alone call the police.

00:15:40The only thing missing was for our homes to depreciate.

00:15:42Mr. John, I've been sleeping with a dead man at my side for ten years.

00:15:45Well, that's how I've been, talented, with your mother.

00:15:47Sorry, but Mom is alive, huh?

00:15:49Sexually he was alive.

00:15:51Oh, what do we do, Juan?

00:15:52Should we throw it away with organic waste?

00:15:54Well, poor man.

00:15:56Look, Demiro, you're going to put everything in a box,

00:15:59you have a good feeling about it and you save it somewhere.

00:16:01But, madam, when am I going to put this away?

00:16:03Why don't you take him to your house where there is more space?

00:16:04Well, in the meter room, at the back, where the stuff is.

00:16:07This is what the community was missing.

00:16:09A walled-up skeleton.

00:16:10Come on.

00:16:12Well, don't pay attention to him.

00:16:14This man has a story and we have to uncover it.

00:16:17We have a lead.

00:16:18Look at the watch he was wearing.

00:16:19We know the time he died.

00:16:22Twenty to twelve.

00:16:23Dad, that's the time he ran out of rope.

00:16:25A bestseller can come out of this.

00:16:28The Marian Code.

00:16:29Clear.

00:16:30No wonder I didn't rest well at night.

00:16:34Ezekiel.

00:16:35Nativity scene.

00:16:37Message.

00:16:39Oh, run, run, run, run, run.

00:16:41Let's see.

00:16:42How are you, chubby?

00:16:44I really crave you.

00:16:47Hey, what's up?

00:16:48My dad, how romantic.

00:16:51Yes, let him, the little devourer is excited.

00:16:53Yes, of course, of course, of course, of course.

00:16:54Well, let's see, what did you send him?

00:16:56No no.

00:16:57Give me, give me that.

00:16:59Messages sent.

00:17:00Give me the six kids, dammit!

00:17:02Here.

00:17:03Good morning, my Jedi knight.

00:17:05I've been dreaming about your lightsaber all night.

00:17:09Ah, lightsaber!

00:17:10God!

00:17:12Hey, what's up?

00:17:13What sends you into the darkness?

00:17:15Well, what's up?

00:17:16Any problems?

00:17:17We are delighted.

00:17:18Paco is a charming, friendly, affectionate, romantic boy.

00:17:22Yes, but it's Paco.

00:17:23Do you know what you're doing?

00:17:25You'll see when all the neighbors find out.

00:17:26And Emilio?

00:17:27Well, let them find out.

00:17:28What do I care?

00:17:29But Belén, you're going to look like the whore of the building.

00:17:32First the doorman, then the video store guy.

00:17:34Who's next?

00:17:35Juan Cuesta?

00:17:37Also, wait and see what happens.

00:17:38Maybe the relationship doesn't work out.

00:17:39Of course, woman, why another stain on your record?

00:17:41Paco was very much in love with Lourdes.

00:17:43Maybe he's just using you as a shoulder to cry on.

00:17:45Look, guys fuck you three times and then go back to their wife.

00:17:48and the handkerchief of tears is left sad, alone and full of snot.

00:17:51But, but, but, look how twisted you are.

00:17:53I don't care what you think.

00:17:54I am living a very beautiful moment

00:17:56and I don't have to hide it from anyone.

00:17:58Hide what?

00:17:59What's the matter?

00:18:00Ah, nothing.

00:18:01These are the ones who are determined to have me remove a varicose vein with laser.

00:18:05And I tell them no, that the varicose vein is mine, that I want to show it off.

00:18:08Daughter, you are even weirder.

00:18:10Come on, Moses, leave me the shopping in the kitchen.

00:18:12And I remind the lady that I have to wash the gentleman's car.

00:18:15Yes, but wait a moment, I have to give you something for the dye.

00:18:18My mother doesn't count, she gets very annoying.

00:18:21Belén, listen to us.

00:18:23Don't say anything yet.

00:18:24Yes, he has already talked about it with Paco and he wants to tell it too.

00:18:27But you're stupid, how are you going to tell Emilio?

00:18:30Bad.

00:18:31Bad, bad.

00:18:32Damn, he's not dating Belén anymore.

00:18:33I just don't see the problem anywhere.

00:18:35Let's see, the first commandment of the wise council.

00:18:37You shall not commit adultery with other people's novelties.

00:18:39Leave as if Pablo suddenly throws himself at the urdes.

00:18:43No, but I respect you, don't worry.

00:18:45Let's see, let's see.

00:18:46Belén and I have been together for a week, we are fine.

00:18:48If I went with her to the gynecologist yesterday, that means we're serious.

00:18:51He even checked me too.

00:18:52What did he check you for?

00:18:54It's a thing I have.

00:18:55Whatever you want, but I didn't trust Belén.

00:18:58Behind that average girl facade hides a cold and calculating woman.

00:19:01Yes, she is a neighborhood matajari.

00:19:04Wing, wing, wing, wing.

00:19:05All memories.

00:19:06She hooked up with Emilio, she went out with Carlos, she slept with Roberto.

00:19:08She married an older man and he died.

00:19:10She had an affair with his son, then went back to Emilio and they ran away.

00:19:12She hooked up with her psychologist.

00:19:13And what about those of us who don't know?

00:19:15What are you going for, nymphomaniac?

00:19:17Who's to say you're not just another one on their hit list?

00:19:19Paco, you're going to risk your friendship with Emilio for something that could last two days.

00:19:27Let's see, Fernando, theme music.

00:19:29Bodaluso orchestra that plays us one step forward Maria, one step back,

00:19:33or we go for something more original.

00:19:35Like what?

00:19:36I don't know.

00:19:37Should we call Alejandro Sanz to sing for us?

00:19:39Yes, go to their website.

00:19:40I think it has a section for weddings, baptisms and communions.

00:19:43Well, son, for trying.

00:19:45Also, the music topic is already covered.

00:19:47My father wants to perform at our wedding.

00:19:50Who committed the crime?

00:19:50Yes, yes, he's preparing a show.

00:19:53The man has been rehearsing for a month.

00:19:54And what are you going to wear? As a drag queen to the ceremony?

00:19:56No, man, no, he'll be wearing a suit.

00:19:57But she's already made up.

00:19:58Then he says it takes a long time.

00:19:59But how is he going to go to court in a drag queen costume?

00:20:03What will Marilyn Manson look like at a funeral?

00:20:07This, please, just a little while until lunch.

00:20:09It's just that my clinic is full.

00:20:10And I have two castings.

00:20:12And I'm planning the wedding to marry the man of my life.

00:20:18I'm working on four cases at once.

00:20:20But if you're playing with the roads.

00:20:21Ah, to concentrate.

00:20:23It is recommended by the Bar Association.

00:20:25Hey, there are four of us, huh?

00:20:26I know he has twice as many parents as any other child.

00:20:28You might be able to keep some of them for a while.

00:20:30We don't have many more hours.

00:20:32Yes, but you just give it to us whenever you feel like it.

00:20:34My love, we all love you so much.

00:20:37But children are a burden at first.

00:20:39Then we are the parents.

00:20:40It's the cycle of life.

00:20:41And why don't we take him to a nursery?

00:20:44Because he's only a year and a half old.

00:20:46Well, this one I found on the internet says from three months onwards.

00:20:49Fernando, I'm not going to do that to my son.

00:20:51Daycare centers are cruel and violent places where the law of the strongest prevails.

00:20:56They subject you to military discipline and force you to sing stupid things.

00:20:58And they put horrible bathrobes on you to humiliate you and make you feel inferior.

00:21:02Causing you irreversible trauma and personality disorders.

00:21:06Mauri, I said nursery.

00:21:08Not Guantanamo.

00:21:09Some childhood trauma, perhaps?

00:21:11Yeah.

00:21:12I had a teacher in first grade who traumatized me.

00:21:15Miss Marga.

00:21:17Brave son of a bitch.

00:21:19I dreamed about her until I was fifteen.

00:21:21Thank goodness Josh Michael came along and changed the content of my dreams.

00:21:24What was it that made us sing?

00:21:26Ah, yes, yes, yes, yes.

00:21:26That one...

00:21:27Last Christmas I gave you my heart.

00:21:30No, not Josh Michael.

00:21:32Miss Marga.

00:21:32Once upon a time there was a tiny little boat.

00:21:38Once upon a time there was a tiny little boat.

00:21:41That I couldn't, that I couldn't, that I couldn't navigate.

00:21:48Do you see it?

00:21:49We have all received the same psychological torture.

00:21:51I felt powerless, unable to do anything for that poor little boat.

00:21:55Mauri, calm down.

00:21:56Society has changed a lot since then.

00:21:58Yes, yes.

00:21:58Now it's not the students who are traumatized, it's the teachers who are.

00:22:01Well, guys, I think it's time for us to share our son's education with professionals.

00:22:06Votes in favor of daycare?

00:22:08Approved by absolute majority.

00:22:10Come on.

00:22:13Here.

00:22:15Antonio.

00:22:17Ezekiel.

00:22:18Gentleman.

00:22:20Villarejo.

00:22:21Hey, do they feed him too?

00:22:23Ah, ah, sign him up for tennis or help.

00:22:25Forgive them, son, for you do not know what they do.

00:22:29Mariano, how are you?

00:22:31What have they told you about the watch?

00:22:32The antique dealer says it's a model made in the early 70s.

00:22:36It's a replica of the one you had in a corner and in Goldfinger.

00:22:40Well, then the excrement can't be very old.

00:22:43Juan, you're the one who's lived here the longest.

00:22:45Didn't anyone disappear?

00:22:47There were no meetings with fatalities.

00:22:49Tell us.

00:22:49No, no, no, no, no.

00:22:51We are just making guesses.

00:22:52We have no way of finding out when these remains are from.

00:22:55Clear.

00:22:55You would have to do that carbon 14 thing.

00:22:57And those paramummies will not have life.

00:23:00These bones can be dated by DNA.

00:23:03Some unscrupulous scientist might even clone them.

00:23:07Yes of course.

00:23:08This is Jurassic Park.

00:23:09Dad, what did I tell you?

00:23:10Don't watch CSI.

00:23:12Put on the big movie.

00:23:13Already.

00:23:14I know who that man is.

00:23:17He is Concha's husband.

00:23:18Well, well, well, well, well.

00:23:20Everything fits together for me.

00:23:22Let's see.

00:23:23Concha's husband drowned in the bathtub

00:23:25and he was given a Christian burial.

00:23:27But you saw it.

00:23:28No, I haven't lived here yet, but...

00:23:30But it could perfectly be.

00:23:33Mr. Juan, there have always been rumors on Radiopatio

00:23:35that Doña Concha killed him.

00:23:37That thing about that in the bathtub seems implausible to me.

00:23:40If it tastes good, perfectly.

00:23:41Juan, he has a psychopath face.

00:23:43When he looks like that with his eyes wide open.

00:23:47Keep a little fear.

00:23:48Yes, yes, yes.

00:23:49If it's a cross between Lío Alécter and Mrs. Dufayer.

00:23:53Let's see, let's see.

00:23:53I am the first one to have problems with Concha all my life.

00:23:56But from there, to accusing her of murder by walling in.

00:23:59If we had the photo album,

00:24:01we could see if the husband was wearing this watch.

00:24:04And I know where he is crazy than I was the other day.

00:24:06That's it.

00:24:06You just have to wait for the albino to leave.

00:24:08It's over.

00:24:09We've played detective enough.

00:24:11Let's go to Techi.

00:24:12Juan, don't be boring.

00:24:14What time am I boring?

00:24:15But let's see.

00:24:16If the Loli pension is right next door,

00:24:19It is freeloading for the sake of it.

00:24:20Come on, I invited them.

00:24:23Hey, and he's sleeping in my bed.

00:24:25And they may have even made love and everything.

00:24:27No, no, I've been paying attention and I haven't heard them.

00:24:29Don't trust him.

00:24:30Juan looks like one of those who finish quickly.

00:24:32No, and the grass is getting too old, huh?

00:24:35That it's not all his fault.

00:24:38I'm going to get the key.

00:24:39Emilio, I forbid you, it is no longer the home of an owner.

00:24:42Juan, don't be a pain, you're not the president anymore.

00:24:45Honey, we need to know what happened.

00:24:47Think of it as if this were a community commission of inquiry.

00:24:51If you're scared, stay here.

00:24:52He lets us know on the intercom if he comes back.

00:24:54No, I'm scared.

00:24:56He's just out of his mind.

00:24:57Yeah.

00:25:00I don't know where that lady gets it, but I'm going to finish quickly.

00:25:03I take as long as I have to.

00:25:11He has it in the bedroom.

00:25:13Wait, I'll pay for the dishwashing gloves so I don't leave fingerprints.

00:25:17Oh, please, we don't have time.

00:25:20You realize that cross.

00:25:22Leave him, if he is happy like that.

00:25:26Well, I forgot my wallet, that's it.

00:25:29You could have paid.

00:25:31Concha, that thing about you being too old doesn't work anymore.

00:25:33It's not that your head is failing you, it's that you have a lot of nerve.

00:25:37Where are they going?

00:25:37And what do you care?

00:25:39I ask you what you are doing here.

00:25:41Occupy!

00:25:42I'll be right back.

00:25:44You see, three quarters of an hour.

00:25:45And since I took the opportunity to go to the bathroom...

00:25:48But you come up and take advantage of it too,

00:25:50that at his age he gets the urge right away.

00:25:51Oh no!

00:25:52I hold up very well.

00:25:54Well, but nothing.

00:25:56With your permission, I'm going to make a call.

00:25:58Come on, these are just shells in the Valley of the Fallen.

00:26:01Turn the page now.

00:26:02It's just that I can't do it, don't hold on, there's so much left.

00:26:05But why spend your whole life making a fool of yourself?

00:26:07It's not that I suffer.

00:26:09Leave it to me.

00:26:10Leave me, I've already touched you.

00:26:13If your thing is to erase your fingerprints with acid.

00:26:16Juan, what's wrong?

00:26:19Hey, honey, remember that thing you guys were doing that I didn't want you to do?

00:26:23Well, stop doing it, it's a bad time.

00:26:25But what are you saying?

00:26:27I don't understand you.

00:26:29Yeah, I feel you!

00:26:36But what have I done with my wallet?

00:26:39If it has to be in the living room.

00:26:53Ah!

00:26:54In Vicenta's bedroom.

00:26:56No, no, no.

00:27:13He can't be in the kitchen.

00:27:15She's talking to herself now.

00:27:21It's bad from here.

00:27:22Let's go, please!

00:27:23Clear!

00:27:24Here it is.

00:27:25Oh!

00:27:25You're really stupid, Conchita.

00:27:27Look, honey, don't touch this, it's a microphone, so we can hear how the teacher is behaving with you.

00:27:34Oh, Mauri, please take this away from the child.

00:27:36But if it's for safety, if I listen to it from the car and I can record it on the laptop,

00:27:39in case we need it later as evidence in a trial.

00:27:41But what judgment?

00:27:42It's coming to the nursery, not an operation against drug trafficking.

00:27:44I haven't had time to buy one of those camera buttons to sew onto the bib.

00:27:48And see if they give him capons, because they give me some capons with a huge ring.

00:27:52Mauri, I understand your trauma and I know that you had a very bad time as a child,

00:27:54But I'm sure there are some wonderful teachers here who will treat Ezequiel as if he were Felipe Juan Froilán.

00:28:00Hey?

00:28:01Hello.

00:28:02Ezekiel, right?

00:28:04Yes, yes.

00:28:05Honey, honey, say hello to the teacher.

00:28:08Come.

00:28:09How curious.

00:28:10I've been practicing for 33 years and this is the first Ezequiel I've had.

00:28:13It was a whim of his father.

00:28:15Miss Marga.

00:28:16Yeah.

00:28:17You are Miss Marga.

00:28:19But call me by your first name, I'm not that old.

00:28:22You are Ezequiel's parents, right?

00:28:24Yes, yes, yes, yes, I'm Bea and he's Mauri.

00:28:28Mauricio, Mauricio Hidalgo.

00:28:30Ah, very well, delighted.

00:28:32Hey, do you want to come with me to meet a bunch of friends?

00:28:36Oh!

00:28:36Yeah, well, look, on her first day of kindergarten.

00:28:40We like to call it a kindergarten, because daycare sounds a bit like a warehouse.

00:28:46Ah, yes.

00:28:48Well, see you later.

00:28:49Hey, bye.

00:28:50I'm going with Marga.

00:28:53Goodbye, my love.

00:28:54Miss Marga, look at her.

00:28:56It's her.

00:28:58And he still wears the same ring.

00:29:00Of course, not only can it be removed, it will have been removed on the finger.

00:29:02And he doesn't even remember me.

00:29:04My childhood sank and he doesn't remember me.

00:29:06Mauri, it's definitely her.

00:29:0730 years have passed.

00:29:08Yes, Bea.

00:29:09I will never forget that face.

00:29:10But you know how nice it is to have a good time, you son of a bitch.

00:29:12Well, calm down, okay?

00:29:13Come on, let's go.

00:29:14No, no, no, no, no, no.

00:29:15I can't keep this inside.

00:29:17I swore to myself that if I found her, I would get revenge.

00:29:19Mauri, what are you going to do?

00:29:20Loam!

00:29:21What are you going to do?

00:29:22Marga, Miss Marga!

00:29:25Come on!

00:29:29Forgive us, we're just new parents and a little nervous about...

00:29:32Well, you'll understand.

00:29:34Why don't you come over for dinner tonight?

00:29:36And we're getting to know each other a little, you see the family environment from here.

00:29:39Ah, well yes.

00:29:41Come on, I'm happy to.

00:29:43Okay, disappointment 21, first B.

00:29:45At 10.

00:29:45You'll see what a pleasant dinner it will be.

00:29:48Thank you so much.

00:29:48Do you want me to bring something?

00:29:49No, no, well, bring your husband if you want.

00:29:51No, no, I'm not married.

00:29:53No wonder, bitch.

00:29:54As?

00:29:55No, I say it's better, because that way you can dedicate yourself body and soul to your true vocation,

00:29:59which is teaching.

00:30:00Yes, that's right.

00:30:01My students are like my children to me.

00:30:03Yes, it shows, it shows.

00:30:05Hey, honey, let's go, we've got the minivan double-parked.

00:30:08Ah, yes.

00:30:09Well, see you later.

00:30:10Don't miss it, okay?

00:30:11No no.

00:30:12Don't miss it.

00:30:13Mauri, don't go too far.

00:30:15She looks lovely.

00:30:16Let's see how Ezequiel deals.

00:30:18Maybe the woman has changed.

00:30:19But hey, I'm just inviting her to dinner.

00:30:21Mauri, we know each other.

00:30:23Don't worry.

00:30:24Calm down, calm down.

00:30:25Come on, let's go.

00:30:26Let's go.

00:30:28Honestly, we're getting Kecio's stuff, huh?

00:30:30We can't accuse a neighbor of murder without evidence.

00:30:33That's why we're looking for them.

00:30:38You look so good, you look like a menina.

00:30:40Well, concha, that's a case, young lady, huh?

00:30:42Dad, if that's a first communion, don't you see there are 15 identical girls?

00:30:45Damn, it has a size since...

00:30:48This, this has to be the husband, what an ugly man.

00:30:53What a bummer, you can't see his watch.

00:30:54Well, case closed.

00:30:56Let's put this back where it belongs.

00:30:58Juan, we are investigating.

00:31:00This is heavy, huh?

00:31:01There is only one way to know the truth.

00:31:04Where is Concha's husband's body supposed to be?

00:31:08Where will it be?

00:31:09Well buried in the...

00:31:11No!

00:31:12Cool, trip to the cemetery.

00:31:14And what are we going to do?

00:31:15Peeking out from there...

00:31:16We open.

00:31:17And if it's inside, well, nothing.

00:31:18We cover it up again and case closed.

00:31:20Wow, great!

00:31:21Grave robbers.

00:31:22This is what you were missing.

00:31:23Well, we can pray to the man for his eternal rest, right?

00:31:27Wow!

00:31:29Adrenaline for menopause.

00:31:32Here, here we go.

00:31:38Hello darling.

00:31:39Hello.

00:31:40How are you?

00:31:41Have you sold many colognes?

00:31:42Well no, but at least now I'm not selling Dark Wonder.

00:31:45Now I'm selling Schizophrenic Pogom.

00:31:47What smells better?

00:31:48Look, I brought you a sample.

00:31:50And a purifying mask.

00:31:52And a flash effect ampoule.

00:31:54All from Schizofrenic Pogom.

00:31:56Ah, thank you very much.

00:31:58Hey, you didn't give me a kiss.

00:32:00No, no, no.

00:32:01Wait, wait.

00:32:02What do you want to do back there?

00:32:04Throw it at the closing, throw it at the closing.

00:32:05Look, that's something else.

00:32:07True, that's something else.

00:32:10Paquito.

00:32:12Well, and then you have...

00:32:13Where are you hiding, brother?

00:32:14That is about a boy who has a brother who is a real cannibal.

00:32:16He carries it hidden in a picnic basket.

00:32:18And every time he gets a girlfriend, his brother gets jealous and eats them.

00:32:21Extreme gore.

00:32:22Belén, you spend all day at the video store lately, don't you?

00:32:25How do you know you've been hanging around for a while?

00:32:27Well, better than others who hook up with a transsexual.

00:32:30You don't talk much.

00:32:31You're starting to look like a lesbian.

00:32:34Hey, maybe it's the remedy to not being alone for the rest of your life.

00:32:36Oh, what a moment.

00:32:41Well, just so you know, moron, I've been dating for a week...

00:32:45With...

00:32:47With who?

00:32:48Who have you fooled?

00:32:50With a guy who makes me very happy and who tells me I'm the most wonderful person in the world.

00:32:56Well, if you start getting involved so soon, it's bad.

00:33:00Hey, Paquito, tonight we're going to the cemetery to commemorate Concha's husband's grave.

00:33:04I'm going to open you with your camera to do the making-off.

00:33:05No, not tonight. I'm just very tired.

00:33:10But how can you miss it? If that's your plan, you can make a short film, Desecration, or Death Tomb.

00:33:15It's just that I'm not well yet and a cemetery right now is like a metaphor for my marriage.

00:33:20Ah, okay, okay, okay, okay.

00:33:22Well, give me a beer because you'd better be a little tipsy for that.

00:33:26Yeah.

00:33:28And what are you doing here? Are you leaving or not? What are you doing?

00:33:31Yes, I'm leaving, I'm leaving.

00:33:35What a bad bug he is, huh?

00:33:39How he likes to make me jealous.

00:33:42The bitch does it to make me jealous.

00:33:44Come on, man, calm down, calm down.

00:33:46You did well to separate from your wife, Paquito.

00:33:49Never fall again.

00:33:51Never!

00:33:51No, no, no, yes, not me anymore, no.

00:33:58Hello, Mr. Rafael.

00:33:59Paco, would you like to explain to me what happened in there?

00:34:02We weren't going to count since we're together.

00:34:04Uh, yes, yes, yes, yes, now I'll confirm it, huh?

00:34:06I'm going to consult the Varanes.

00:34:08No, it's just that I've become a complete idiot.

00:34:10It seemed like I was pathetically making it all up.

00:34:12Yes, honey, I'm sorry, I really am.

00:34:14But look, I've been thinking that maybe it's not such a good idea for people to find out about us so soon.

00:34:19I mean, well, yes, yes, it's a good idea, it's a great idea.

00:34:23Because I am very excited and you are very excited.

00:34:26And there's something brewing there.

00:34:28But there is no need to rush either.

00:34:29Let's enjoy this beautiful stage, of furtive morbidity, in the style of Romeo and Juliet.

00:34:34Let's... shall we?

00:34:36Look, tonight I sent Pablo to hell and we slept together in the attic, huh?

00:34:41Okay, okay, yeah.

00:34:43Give a kiss.

00:34:47I want to go back to Lourdes.

00:34:48Yes, it's very clear, you were right.

00:34:50I'm a patch, a fucking patch.

00:34:52Calm down, breathe.

00:34:54But why do you know so much about men?

00:34:57If you are lesbians.

00:34:58Okay, but let's see, Paco, what exactly did he tell you?

00:35:00So, how does he see your relationship?

00:35:02Well, there's something brewing there.

00:35:05No, no, no.

00:35:05Let's see, is Lourdes going to be pregnant?

00:35:08Girls, I'm going to Rafael's house this weekend.

00:35:11Let's try the adventure of living together.

00:35:14And you don't have much luggage for three days?

00:35:16If it works, I'm staying.

00:35:18Moses, you're very rude to me, aren't you?

00:35:20And that doesn't suit you?

00:35:22I am the housewife in training.

00:35:25Yes, ma'am.

00:35:26Good luck, Maria Jesus.

00:35:28Mom, I'll come over for a little while in the morning to see you.

00:35:33Come to the pool tomorrow, silly girls, it has a slide.

00:35:36I need to use the pool cleaner, ma'am.

00:35:39Well, very bad.

00:35:40That had to be done already.

00:35:42I'm going to start getting you going.

00:35:43That good life you're leading is over for you.

00:35:46Come on!

00:35:52Well, what?

00:35:53How do you see it?

00:35:54Oh, I don't know.

00:35:55It's just that your mother isn't easy to live with.

00:35:57No, I say my thing with Paco.

00:35:59Belén, you're grown up now, you're not up for nonsense anymore.

00:36:02Look, you have to give an ultimatum.

00:36:04Either you tell your story or it's over.

00:36:06But come on, let's see, don't confuse me.

00:36:07If this morning you told me not to say anything, to wait and see what happened.

00:36:10Yes, what happens is that he doesn't trust the relationship.

00:36:12You have to put him in his place.

00:36:14Belén, it's time to stop being towed by your uncles.

00:36:17That you have to take the helm of your sentimental sailboat.

00:36:19Get out of the storm!

00:36:20Yes, ultimatum.

00:36:21Yes, I'll tell him tonight.

00:36:23Okay.

00:36:23Before or after sex?

00:36:26Before.

00:36:27Then you'll have to see what you're missing.

00:36:29That you can't talk to a man after sex.

00:36:31They don't reason, their metabolism slows down.

00:36:34And before yes, if they are thinking with their penis.

00:36:36Well, what nonsense.

00:36:38If you have much more experience in this subject than I do.

00:36:40And what's that about now?

00:36:41Well, I'll see when I tell him.

00:36:43Oh my God, how stressful!

00:36:47Mauri, listen to me.

00:36:49I went to the nursery an hour early to see how Ezequiel was doing.

00:36:52Well, I was happy.

00:36:54He has painted, he has sung, he has played.

00:36:56He has given 20 pesos to Marga.

00:36:58Well, if he didn't want to come.

00:36:59Bea.

00:37:00Mauri, people change.

00:37:02Maybe you caught her at a bad time.

00:37:03I don't know, there's no need to...

00:37:04Bea, I don't give a damn.

00:37:05I'm going for it.

00:37:06Go away, it's better not to see him.

00:37:08But what are you doing?

00:37:09Chickpea stew with cheap steak, very energized, accompanied by indigestible puree.

00:37:14It is copied from the school menu.

00:37:16This is what Miss Marga made me eat.

00:37:19Because he not only taught me, he also supervised me in the dining room.

00:37:22She was a professional torturer.

00:37:25Hello.

00:37:27Look, do what you want, but Ezequiel is happy with her.

00:37:29And I'll just tell you one thing, that Marga doesn't have to take sick leave.

00:37:32No, woman, calm down.

00:37:35What's happening?

00:37:36Nothing.

00:37:37I've invited Ezequiel's new teacher to dinner so we can get to know each other.

00:37:40It's true.

00:37:41And what about it?

00:37:41How did it go?

00:37:42Wow, great.

00:37:43I think Miss Marga is a sight to behold.

00:37:45Very good.

00:37:45Do I have time to take a shower?

00:37:47No, it's already here.

00:37:48Wait, I'll introduce you.

00:37:49Mari, Mari, Mari, but what are you holding in your hand?

00:37:51Ah, well, one of those rings that are in fashion now, hip-hop style.

00:37:54Hip-hop.

00:37:58Good night.

00:38:00I brought some cupcakes for dessert.

00:38:02How faithful you are.

00:38:03Come in, come in.

00:38:06I introduce you.

00:38:07This is Marga, Ezequiel's new teacher.

00:38:09Delighted.

00:38:09Hello.

00:38:10I'm Fernando.

00:38:10My brother, who is going to have dinner with us.

00:38:13Hey, what about your wife?

00:38:14He just had to leave.

00:38:15A veterinary emergency.

00:38:16She has given birth to a poodle.

00:38:18Oh, are you a veterinarian?

00:38:19Yeah.

00:38:20How beautiful.

00:38:21I love animals.

00:38:22Ah, animals, yes.

00:38:24Well, come on, let's go to dinner, I've prepared a delicious chickpea stew.

00:38:28Chickpea stew?

00:38:30I haven't eaten that since I was in school.

00:38:32Yeah.

00:38:35No.

00:38:35Elbows on the table.

00:38:37No.

00:38:39Here's your napkin.

00:38:41Thank you.

00:38:43No, no, no, no, no, no, no, no, no, no.

00:38:45Not there.

00:38:46That you stain yourself.

00:38:47The napkin goes here.

00:38:51Well, then Ezequiel, they told me that very well, right?

00:38:54Yes, yes, yes.

00:38:55He is a very clever boy.

00:38:58And very sociable.

00:38:59He made friends right away.

00:39:00Hey, Mauri, okay, okay, okay.

00:39:02Yes, woman, it turned out very nice.

00:39:05Hello good.

00:39:05Come on.

00:39:06Fernando, help yourself.

00:39:08I just wanted to try it out a little bit, right?

00:39:10Well, come on, let's go have dinner.

00:39:12Okay.

00:39:12No.

00:39:14First the table is blessed.

00:39:16Bless the table.

00:39:17Lord, bless the food we are about to eat and that we receive from your generosity.

00:39:22Glory to the Father, and to the Son, and to the Holy Spirit.

00:39:26Amen.

00:39:27No, fuck it, this is my house.

00:39:29Why don't you go down to Bethlehem?

00:39:30Well, because we need privacy.

00:39:32Damn, there are her friends to go with wall.

00:39:33I cut myself.

00:39:34Trunk, I've never asked you for anything.

00:39:36Well, neither do I to you.

00:39:37We are at peace.

00:39:37But let's see, Pablo, you're resentful about something.

00:39:40I?

00:39:40No.

00:39:41What's happening?

00:39:41I have to be resentful to want to sleep in my bed.

00:39:43But you can stay in Belén's room.

00:39:45If you have a latex mattress.

00:39:46Well, don't lie to him either.

00:39:47Look, the girls already know you're going.

00:39:48Ask them to make you a steak with potatoes or whatever you want.

00:39:51But wait, wait, wait.

00:39:52That your mother will be there too.

00:39:53No, she'll be spending the weekend with Rafael.

00:39:55Take.

00:39:56Two samples of schizophrenic per gomba.

00:39:58Hey?

00:40:00Damn, thanks, man.

00:40:01No, really, you're a friend.

00:40:02Hey, if we ever have a kid, we'll name him after you.

00:40:05Hey, hey, hey.

00:40:06Wait, I have to pay off the god, huh?

00:40:07Paco, why do you always have to involve me in your affairs?

00:40:10Hey, dude, friends ask each other for these things.

00:40:12Yeah, but I'm the loser friend.

00:40:13And if Emilio finds out, I'm going to get screwed.

00:40:14And I'm not even throwing myself at anything.

00:40:15No!

00:40:29Oh!

00:40:33Hey, hi, I'm the refugee.

00:40:34Oh, come in, come in, we thought you weren't coming.

00:40:37Take.

00:40:38But what do you do?

00:40:40I've already had dinner in an aurica or yes, the slope.

00:40:42Hey, where are you going?

00:40:43We went out to the movies and for a drink.

00:40:45Thanks, huh?

00:40:46Hey, that hair looks great on you.

00:40:48But what about my steak and potatoes?

00:40:54If he tells me he's with someone else, it's to make me jealous.

00:40:57That means he still loves me, right?

00:40:58And here we go.

00:40:59But you've seen him with someone.

00:41:01Son, I don't like being talked to in graves.

00:41:03It's a mania I have.

00:41:05Oh!

00:41:06How nervous!

00:41:07I feel, Lara Croft.

00:41:09We are committing a sacrilege for no reason.

00:41:11I have a great aunt of mine buried here.

00:41:13What would you think if you saw me?

00:41:15Well, what a nephew that has to pass through your neighborhood.

00:41:17And he doesn't pay him a visit.

00:41:19Juan, shine a light here, man.

00:41:21The guard is going to catch us.

00:41:22There's bound to be someone watching here.

00:41:24Watching who?

00:41:24To the deceased so they don't have a drinking party?

00:41:26There are gangs here that steal tombstones to make them on top.

00:41:30It's here.

00:41:31Don Antonio is here.

00:41:33Juan, help us lift the lid.

00:41:35No, no, no.

00:41:36I'm leaving.

00:41:37I don't want to know anything about this.

00:41:38But, John.

00:41:39Juan, you're going to miss the best part.

00:41:43Well, are you ready?

00:41:44Yeah.

00:41:45We open.

00:41:46We left it.

00:41:47Dad, come on, damn it.

00:41:48Don't go all Mayra Gómezquén on me.

00:41:56Cicate.

00:41:58This is very tasty.

00:42:00But I just can't take it anymore, okay?

00:42:01No, of course you can.

00:42:02What else?

00:42:02Come on, yes.

00:42:03Come on, come on.

00:42:04Mauri, it's just that I eat very little for dinner.

00:42:07A yogurt, a salad.

00:42:09I don't eat much dinner either.

00:42:10You don't leave food on the plate that someone else puts for you.

00:42:13I'm going for the steak.

00:42:14When I come I want to see that plate clean.

00:42:18Fernando, I really can't take it anymore, okay?

00:42:20Come on, give me some of yours.

00:42:21Quick, quick.

00:42:24No, no, no.

00:42:27Let's see.

00:42:29The steak.

00:42:34And the puree.

00:42:35Oh, forgive me.

00:42:36What did I give you with the ladle?

00:42:37Have I hurt you?

00:42:37A bit.

00:42:39It serves you a puree that has vitamins and minerals.

00:42:42Mauri, can I go with you for a moment, please?

00:42:44No, Fernando, don't go, please.

00:42:45Don't worry, we'll be right back.

00:42:46No, but your dinner, don't let it get cold.

00:42:48Dinner.

00:42:48Now the three of us are going to sing the little boat.

00:42:54Have you voted crazy?

00:42:55What are you doing to that poor woman?

00:42:57How am I enjoying it?

00:42:58This is a prize that life has given me.

00:43:00It's Miss Marga.

00:43:01The same one that tortured me when I was little.

00:43:04Fuck.

00:43:05Do you know how much time you're making me spend?

00:43:06She's certainly having a worse time.

00:43:08Come on, let's go outside.

00:43:09I have to force her to take a nap.

00:43:11No, no, no.

00:43:12No, no, no.

00:43:12Let him go, you take a hexatin.

00:43:13Come on, Mauri, please.

00:43:14Mauri.

00:43:14Hey?

00:43:15Where are you going?

00:43:16But who gave you permission to get up from the table?

00:43:18Hey, I don't know if this is a joke or if you're not right in the head, but I just want to get out of here.

00:43:23No, you're not leaving.

00:43:26Fernando, you seem normal.

00:43:28Calm down, Marga, there's an explanation for this.

00:43:30Mauri was your student a long time ago and...

00:43:32And you screwed up my childhood.

00:43:34And you don't even remember me.

00:43:36Oh, was that it?

00:43:37And why didn't you tell me before?

00:43:39If it is not of any importance either.

00:43:41Of course not.

00:43:42Come on, a little liquor, okay?

00:43:43That it is not important.

00:43:45You humiliated me in front of the other kids, you punished me, you called me useless, you forced me to climb that knotted rope in the gym.

00:43:52But you didn't realize how scared the fucking rope was of me.

00:43:55Or a better infusion.

00:43:56Mauricio, I'm really sorry, but I just don't remember you.

00:43:59Of course, how are you going to remember?

00:44:01How many have you tortured in 30 years?

00:44:03You are a bitter and incompetent teacher who has taken out all her frustrations and complexes on the children.

00:44:08But here's a kid who's been able to give you back a little bit.

00:44:11Just a little bit of all the suffering that has been caused to so many innocent victims.

00:44:15Well, I'm telling you this isn't getting any better, huh?

00:44:17Now go home.

00:44:19And if you have a little bit of conscience, reflect.

00:44:22Damn, man.

00:44:31You'll have to give yourself a treat, won't you?

00:44:32O, o, o, o, o, o, o...

00:44:37Here, here, here are living people.

00:45:03Here, here, here there is no one who lives.

00:45:07Here, here, here there is no one who lives.

00:45:10You?

00:45:13Where are you going?

00:45:16Emilio called me and we have to close the financial year and the accounts don't add up.

00:45:22And you do the math at this time?

00:45:24Nice, we are busy people.

00:45:26Not like others who spend the day lying on the couch, touching it...

00:45:30Well, you understand me.

00:45:31Wait, wait, wait.

00:45:32Dad, where are you going?

00:45:34To the Oscars.

00:45:35This year I'm hosting the gala.

00:45:37What do you think?

00:45:38Well, leave me the keys to the van, I'm going out for a while.

00:45:43Did you just wake up now?

00:45:44Moncho, it's half past twelve at night.

00:45:46No, dad, no.

00:45:47Let me explain.

00:45:48They're going to interview me for the parking ticket holder at the plaza.

00:45:51And since it's the night shift, I'm adapting to the biorhythms, just in case they catch me, Dad.

00:45:56Yeah, yeah, yeah.

00:45:59Take it, it's third party.

00:46:01That tells you everything.

00:46:02Thanks, daddy.

00:46:03If it's just for a little while, if it's just to get some fresh air.

00:46:05Yeah, yeah, yeah.

00:46:08Well, I'm leaving.

00:46:09It might take a while, okay?

00:46:11Yes, I'm going to miss you.

00:46:14Shit.

00:46:16Aren't you asleep?

00:46:18Well no.

00:46:19And why do you come at this hour?

00:46:21Well, because I was studying at a friend's house.

00:46:25Already.

00:46:26Daughter, I don't care, but find a more credible excuse.

00:46:30That she's dating Y Casillas or that...

00:46:33Okay, okay.

00:46:36Damn, what a mess at home.

00:46:39And where does this one go?

00:46:41Let's do the math.

00:46:50Hello.

00:46:51Daughter, I have argued with Rafael.

00:47:03Yes, the older they are, the more manias they have.

00:47:07Of course I've already told you that I'm getting divorced and that nothing happened.

00:47:09And the guy, who is very proud, tells me that he comes out of two.

00:47:15And of course, I told him, well, I'm going through that door.

00:47:18Because you already know me, you know that I don't keep things to myself.

00:47:21Come on, man.

00:47:22As if I had nothing else to do at this point but put up with a man's nonsense.

00:47:26As if I didn't have enough with yours.

00:47:28Well, that's life.

00:47:32Good night, daughter.

00:47:40Oh yes, a complete skeleton appeared from behind there.

00:47:45I removed the bones with my own hands.

00:47:48And then we said to ourselves, hey, who is this guy, because skeletons are like Chinese ones, they all look the same.

00:47:54Yes, yes, no one here is saying no, but where are those remains?

00:47:57It's that my son lost them, I didn't lose them, someone took them.

00:48:03I left them here, in the TV box that they told me to keep until the warranty was sealed.

00:48:07The murderer is Concha, the first one, they are the remains of the husband.

00:48:12And how do they know that?

00:48:13Why did we go to CBT?

00:48:14Yes, well we know, and what else will he do?

00:48:17On top of that we are doing their job.

00:48:19Isabel, may I know what you're doing?

00:48:22He says they have found some remains of such a shell.

00:48:24No, from the shell, not from the husband.

00:48:27But are you listening to me?

00:48:28This is how the mafias run riot.

00:48:31Spain is different.

00:48:33Excuse me, officers, you're just very tired.

00:48:36There are several renovations going on in the building and we're all a little short on floor time.

00:48:40It's good for us to get out for a while.

00:48:42The air conditioning at the police station has broken down.

00:48:44Thank you.

00:48:45Well, thank you very much.

00:48:46You're starting to worry me, huh?

00:48:51Mr. Juan, we opened Don Antonio's grave and there was no one there.

00:48:54Yes, and as far as I know, the only dead who enter and leave their graves are those in the Mecano song.

00:48:59And what happened to Don Antonio?

00:49:01Have you done like Terminator?

00:49:02Have all the bones gathered together and he ran away?

00:49:03No, Terminator was a liquid metal mimetic polyaeration.

00:49:07I don't care what it was.

00:49:09Enough of fooling around, okay?

00:49:10You are adults.

00:49:11Come on, let's go to bed.

00:49:12Concha, he took our remains to hide evidence.

00:49:15Do you know what we're going to put on her?

00:49:17And you expect me to sleep in his bed?

00:49:19Yes, that's what I intend.

00:49:22Don't worry, Isabel.

00:49:24I'll pick you up tomorrow and we'll continue investigating.

00:49:26And you leave my wife alone.

00:49:28Have you seen?

00:49:29He's become jealous.

00:49:31He's not jealous, he's burned out.

00:49:32If it is that women have always been brought by my indomitable and adventurous spirit.

00:49:37I'm going to talk to Paquito, I need a friend's shoulder to lean on.

00:49:40What's wrong? Is your father's shoulder no good enough for you?

00:49:42Dad, you don't have shoulders.

00:49:44You go on a hike and you drop your backpack.

00:49:51Have a good trip.

00:49:53Scoundrel.

00:49:56Oh, how wonderful, darling!

00:49:58Paco, hey, look, we have to talk.

00:50:02Tell me.

00:50:03That I'm not comfortable like this anymore, I'm not calm.

00:50:07You just broke up with Lourdes and now you're telling me you want to keep hiding what we had.

00:50:11And I can't waste any more time.

00:50:13I need to know if this is going anywhere.

00:50:15Because if it isn't, I'm very sorry, but it's over.

00:50:19This is an ultimatum I give you with all the love in the world.

00:50:25Paco.

00:50:30Oh, tell me, tell me, tell me.

00:50:33Paquito.

00:50:35Are you there?

00:50:37Hide, hide.

00:50:38No, I'm not hiding anymore.

00:50:40It must be said.

00:50:41Are you crazy?

00:50:42Dress him, dress him.

00:50:43Look, if you don't tell him, I'll tell him.

00:50:45No, no, no.

00:50:45What are you doing, what are you doing, what are you doing?

00:50:48Paco.

00:50:49Emilio, what do you want?

00:50:50I'm sleeping.

00:50:51I'm really sick, I need to talk.

00:50:52I've been thinking about Bethlehem all day.

00:50:54Oh, I'm getting dizzy.

00:50:55Open up, open up.

00:50:56Let's see what it costs you.

00:50:57I hide under the bed.

00:50:59No, I'm a corpse.

00:51:00Wait.

00:51:02Wow, so much space.

00:51:03How much did it cost you?

00:51:04Come here, please.

00:51:06Careful, taking care of my feet.

00:51:08But what are you doing?

00:51:09Oh my God, you're ready to ventricularize me.

00:51:14She's with another Paquito.

00:51:23Belén has hooked up with someone.

00:51:25But no, man, she's not dating anyone.

00:51:26If he only says it to screw you over.

00:51:27No, it shows on his skin.

00:51:29His complexion improves a lot when he has sex.

00:51:31Have you seen anyone coming to look for her?

00:51:33No, no, no, no way, no way, no way.

00:51:35No.

00:51:35Hey, are you okay? You look bad.

00:51:37No, no, no, I was just having a nightmare.

00:51:39Look, let's assume Belén is with someone else.

00:51:44Assuming it isn't there.

00:51:46Well, all the better for her.

00:51:48Because you don't want to go out with Belén anymore, right?

00:51:50Well, that's not clear, huh?

00:51:52I don't know, I know it's clear.

00:51:53No.

00:51:54Yes.

00:51:55I'm telling you no.

00:51:57That there is still something here.

00:51:59What do you do with that?

00:52:00No, no, no, it's just that I keep toys here.

00:52:02With the heat they connect alone.

00:52:06Well, let's see.

00:52:08Belén has nothing.

00:52:09Because?

00:52:09What does Belén have?

00:52:09Well, nothing, nothing.

00:52:11Of course, it's just average.

00:52:12Very average.

00:52:14Well, for me it is special.

00:52:17And when we break up it's like we're not serious.

00:52:19I know we're coming back.

00:52:20Well, or not, huh?

00:52:20Or not.

00:52:21Because of course, if you've already met someone else, then no more.

00:52:23So, she's with someone else.

00:52:24No, Emilio, please, these are hypotheses.

00:52:26Look, this isn't the time to talk about these things.

00:52:28The three of us are very tired.

00:52:29What three?

00:52:30I didn't say two.

00:52:32You said three.

00:52:32I didn't say two.

00:52:33Look, do you see how we need sleep?

00:52:35Hey, let's go to bed.

00:52:36You'll see how much clearer everything will look tomorrow.

00:52:39But I still love her very much, Pacito.

00:52:40Okay, well, let's see, I've thought about it before.

00:52:41Good night.

00:52:43You said three.

00:52:49Paco.

00:52:49That?

00:52:52Watch out, I'm drowning.

00:52:59Poor thing, isn't it?

00:53:00No, poor thing, me?

00:53:10Herbs.

00:53:13Herbs.

00:53:13What do you think?

00:53:18What do you think?

00:53:18Am I stupid?

00:53:19Hey?

00:53:20No, no, no, no, no.

00:53:21Why do you stick your nose where it doesn't concern you?

00:53:23But I don't know what you're talking about.

00:53:26Peaceful.

00:53:27That it will only be a moment.

00:53:28But what does it do?

00:53:30Murderess?

00:53:31Juan, Juan, please.

00:53:33Juan.

00:53:36Juan.

00:53:38That?

00:53:40Today they are here.

00:53:41Hit me.

00:53:43Disgusting!

00:53:44As soon as they leave, I'll turn the collar around...

00:53:47I'm not staying here a minute longer.

00:53:53I'm going home to sleep.

00:53:54What are you saying?

00:53:55We are under construction.

00:53:56I don't care.

00:53:58Are you coming or are you staying here and doing what you want and not even being crazy?

00:54:02I'm staying.

00:54:04Very good.

00:54:06I will take care of your children.

00:54:16Hello.

00:54:17Good night.

00:54:18Where are you going?

00:54:20That I'm working.

00:54:21Oh ok.

00:54:22But nothing happens.

00:54:23I get annoyed.

00:54:25I'm getting in here.

00:54:27And you do, I have it.

00:54:30It's the most surreal renovation I've ever done.

00:54:36Thank you!

00:54:37Thank you!

00:54:38Thank you!

00:54:39Thank you!

00:54:40What are you doing here?

00:55:09The question is not what am I doing here.

00:55:11The question is what is that kid doing in my daughter's bed?

00:55:14And why have I not been informed of your presence?

00:55:16It's just that it's a bit of a long story.

00:55:18Oh, I love long stories.

00:55:21Where is Bethlehem?

00:55:21If it can be known.

00:55:23What can be known?

00:55:25Because I am his mother.

00:55:26It's that I was dating a new guy.

00:55:30With who?

00:55:30With one.

00:55:33I'm not going to iron another pair of your panties again, okay?

00:55:35With Paco.

00:55:36What Paco?

00:55:36Paco Paquito.

00:55:37The one from the video store.

00:55:38The one from the video store?

00:55:40I mean, a real braguetazo, right?

00:55:43What a resume my girl has.

00:55:45No, but things are looking promising, huh?

00:55:47They look very...

00:55:48Isn't it true that they...?

00:55:50Yes, yes, yes.

00:55:51Well, at least she's not alone.

00:55:53My goodness, what grandchildren are going to come out of there?

00:55:57I don't take them to the park.

00:56:01Good morning.

00:56:02Hello darling.

00:56:04Do you want breakfast?

00:56:07Well.

00:56:08Clear.

00:56:09Imagine the picture.

00:56:11Belén naked inside the sofa.

00:56:12And Emilio sitting on top

00:56:13telling me that she is the woman of his life.

00:56:15Can you think of a worse situation?

00:56:17Yeah.

00:56:17Sleep and hug Maria Jesus,

00:56:18which is what I have had to do.

00:56:20It's just that you like leaner women more and more.

00:56:22The pantumaca next to him was embolicao.

00:56:24But anyway, why does Emilio have another crush on Belén?

00:56:26Well, because they got into a fight talking.

00:56:27She let the cat out of the bag

00:56:28and told him she was dating someone else.

00:56:30Paguito, this is getting out of hand.

00:56:32Dude, you have to tell Emilio now.

00:56:35But hey, you're driving me crazy.

00:56:37If yesterday you told me to shut up.

00:56:39If he was going to find out.

00:56:40Better for you than for a third party.

00:56:42Yes, because besides being a bastard

00:56:44you're going to look like shit.

00:56:45Go talk to Emilio.

00:56:46Be brave.

00:56:47What the fuck?

00:56:47Should he take Bethlehem?

00:56:48You both have to tell each other that.

00:56:50They are more joint roles.

00:56:52Who's there?

00:57:05I'm starting to have urine leaks.

00:57:27This was very funny at first,

00:57:29But if they start with threats, I'll stand my ground.

00:57:31This has to be Doña Concha,

00:57:33that is very stupid.

00:57:34Look, he put Urgeis with H.

00:57:37It's with H.

00:57:38No, Dad.

00:57:39Yes, it is with H.

00:57:40Don't be a pain.

00:57:41Those fonts are classic

00:57:43from the gossip magazines.

00:57:45Everything fits together.

00:57:46Well, I don't know,

00:57:46we called the police

00:57:47and let them laugh at us a little bit more.

00:57:49Concha wants to make us nervous,

00:57:51but you have to make her nervous.

00:57:53Put yourself on the dead man's watch

00:57:54and calls a meeting.

00:57:56A meeting?

00:57:57So that?

00:58:00Let's see, let's start.

00:58:02First and only point.

00:58:05The goalkeeper claims some human remains

00:58:07that have been stolen from the goal.

00:58:12They were in a TV box.

00:58:14But what point of the day is that?

00:58:16What was it?

00:58:17A relative?

00:58:18No, no, no, no.

00:58:19A dead gentleman

00:58:20that was behind a wall

00:58:21in the goal.

00:58:22But what is this?

00:58:22A joke?

00:58:23Oh my God, how horrible!

00:58:25But what was he doing there?

00:58:26Wait for the bus.

00:58:27What do you think?

00:58:28Come on, man,

00:58:29Whoever it was, please return it.

00:58:30Of course!

00:58:31What do you want that for?

00:58:33Did you take me out of a meeting?

00:58:34with three bank CEOs

00:58:36for this bullshit?

00:58:37Oh, and you think it's bullshit?

00:58:40that we have dead

00:58:41sandwiched around the common areas?

00:58:43There is a murderer among us.

00:58:47But what are you saying?

00:58:48But what happened to the dead man?

00:58:49That he didn't pay his dues?

00:58:51Forgiven, Isabel,

00:58:52is that he loves it

00:58:53if you have written a crime

00:58:53and suddenly she thinks she's Mrs. Fletcher.

00:58:55No problem.

00:58:57Nobody moves from here.

00:58:58until they give me back my bones.

00:59:00We have all the time in the world, right?

00:59:02Mrs. Concha.

00:59:03And that watch?

00:59:04What's happening?

00:59:05Does this sound familiar?

00:59:07Shell!

00:59:08Confess now that you killed your husband

00:59:09and you walled him up in the goal.

00:59:13But what are you saying?

00:59:14What have you smoked?

00:59:15No, man.

00:59:16She doesn't spend money on a partition.

00:59:18If anything,

00:59:20he chops it up and goes to give it to the dog.

00:59:21Oh well,

00:59:22if I haven't killed anyone.

00:59:23Peaceful,

00:59:24if there is no evidence.

00:59:25Besides,

00:59:25possibly your crime has expired.

00:59:27Let's see why this board

00:59:28It's starting to scare me a little.

00:59:30Oh yes.

00:59:31Me too.

00:59:32Well,

00:59:33I'm going back to the meeting

00:59:34because really...

00:59:35Hey,

00:59:35but wait,

00:59:36that maybe we have to vote on something.

00:59:40And Hermas?

00:59:41I won't forgive you for this.

00:59:43I am not humiliated

00:59:44in front of the neighbors.

00:59:46Well, nothing,

00:59:47the session is adjourned.

00:59:49It seems to me that you have run out of leftovers.

00:59:51You're the one who got into trouble.

00:59:52You know the community atmosphere

00:59:53that will create this.

00:59:55Oh,

00:59:55I don't care

00:59:56because I'm not going to stay here.

00:59:57I'm going to sleep in a hotel

00:59:58and I'm not going to say which one.

01:00:00If you want something,

01:00:01I'm not going.

01:00:05Well,

01:00:06I just attended

01:00:06to the neighborhood council

01:00:07macabre evil

01:00:08since I've lived in this house.

01:00:09I'll tell you

01:00:09and you don't believe it.

01:00:12What's happening?

01:00:13Mauri,

01:00:13we have taken Ezequiel

01:00:14to kindergarten

01:00:14and Marga is not there.

01:00:16He has requested sick leave due to depression.

01:00:17They don't know if he's coming back.

01:00:18Or I don't know,

01:00:19It's just that it's a very bad age

01:00:20for depressions.

01:00:21Many things come together.

01:00:22Fuck off.

01:00:23To Ezekiel

01:00:24they have put it in

01:00:24with a teacher

01:00:25that he doesn't like.

01:00:26We've had it

01:00:26what to bring crying

01:00:27and says

01:00:28who loves Miss Marga.

01:00:30What happened last night?

01:00:31What did you do to him?

01:00:32I?

01:00:32Age?

01:00:34The inflapotage,

01:00:35he gave him a slap

01:00:35with a ring

01:00:36that almost fractured his skull,

01:00:37called her

01:00:38tormented,

01:00:39frustrated,

01:00:39torturer.

01:00:40Hey, hey!

01:00:41Say you're exaggerating?

01:00:42Don't be a movie buff.

01:00:43Really, Mauri,

01:00:43Are you so childish sometimes?

01:00:45Look,

01:00:45When I was little I swore

01:00:46by Mazinger Z

01:00:47that if I met her again

01:00:48I would take revenge.

01:00:49What's wrong with it?

01:00:50fulfill a childhood dream?

01:00:51But if she is

01:00:52nor did he recognize him.

01:00:52Yes, you are sure to have made a mistake.

01:00:53as a teacher.

01:00:54No?

01:00:54What was Miss Marga?

01:00:55if I have your face engraved here?

01:00:57Well, we asked him.

01:00:58to the nursery director

01:00:59and says that in 12 years

01:01:00who has been working there

01:01:01have not had

01:01:02not a single complaint from her.

01:01:04The other way around,

01:01:05They gave him the silver stuffed animal

01:01:06to the best early childhood educator

01:01:07two years in a row.

01:01:08Yeah,

01:01:08This is like

01:01:09Tom Hanson at the Oscars.

01:01:10I'm sure no one has achieved it.

01:01:11Well then

01:01:15childlike charm.

01:01:16Mori,

01:01:17you have a gift

01:01:18to drive people crazy.

01:01:19It's something innate.

01:01:20Surely at 6 years old

01:01:21you already had it.

01:01:22Oh,

01:01:23black shadows glide

01:01:24about our wedding.

01:01:25Look,

01:01:26I called Marga.

01:01:27I told him that Zequiel

01:01:28he misses her a lot

01:01:28and that he is very sad.

01:01:29And he's coming home

01:01:30to give him a kiss.

01:01:31And you're going to go up

01:01:32and you're going to ask for forgiveness.

01:01:33That?

01:01:34What did you say to that bitch?

01:01:35that I'm going to ask for forgiveness?

01:01:36No,

01:01:37we haven't told him

01:01:37that you are going to upload

01:01:38because then

01:01:39he doesn't come.

01:01:40But what does it cost you?

01:01:41If Zequiel makes you happy.

01:01:42Do it for your child.

01:01:43No way.

01:01:44No,

01:01:45It's not a chance,

01:01:46come on.

01:01:46You can't have

01:01:47a clear conscience

01:01:48after what you did to him last night.

01:01:49And you don't try?

01:01:50make me feel guilty now?

01:01:51Hey,

01:01:52look,

01:01:52Ana and I

01:01:52we moved with the child,

01:01:53Hey?

01:01:54I swear you'll never see him again.

01:01:55We are going to a farmhouse in Penedés

01:01:56or to a Swiss canton.

01:01:58I find you.

01:01:59Hey,

01:01:59Are you starting to talk?

01:02:00like two divorced people?

01:02:01When Marga arrives

01:02:02I'll send you a message.

01:02:03You'll see what you do.

01:02:03I'm not going up.

01:02:05Yeah,

01:02:05yes you will.

01:02:07What is a Swiss canton?

01:02:08Poor Ezekiel.

01:02:12The fund is the great victim

01:02:13of all this.

01:02:20Hey,

01:02:20yes,

01:02:20that he was right,

01:02:21that we have to tell Emilio.

01:02:22Let's tell him together.

01:02:23No,

01:02:24No,

01:02:25No,

01:02:26No,

01:02:27No,

01:02:28No,

01:02:30No,

01:02:31No,

01:02:32No,

01:02:33No,

01:02:33Why are we going to tell Emilio?

01:02:35It's like taking away all the magic.

01:02:36But you were precisely the one who said we had to count.

01:02:39Already,

01:02:39already,

01:02:40already,

01:02:40but poor thing,

01:02:42if he still loves me,

01:02:43will suffer a lot.

01:02:44I think we can find him a girlfriend,

01:02:47Hey?

01:02:48And when you are excited and happy,

01:02:50The four of us meet for dinner and give him the news.

01:02:53How do you see it?

01:02:54She's going back to Emilio,

01:02:55if I know,

01:02:55it is very clear.

01:02:56That's why he doesn't want to tell her anything now.

01:02:58This is already an important line,

01:03:00Hey?

01:03:00Clear,

01:03:00Yesterday I heard the other one say that if I love her,

01:03:02that if I still have something here.

01:03:03And it has become entangled again.

01:03:05But why did Emilio have to go up?

01:03:07Because?

01:03:07Pussy,

01:03:08because she is his daughter,

01:03:08who is suffering.

01:03:09No,

01:03:10she is not your daughter,

01:03:10it's mine!

01:03:11Hey,

01:03:11hey,

01:03:11Don't raise your voice to me,

01:03:12Hey?

01:03:13If I knew,

01:03:13Paco.

01:03:14Did I tell you this was a move or not?

01:03:15Look,

01:03:15I'm going to call Lourdes,

01:03:16let's see if he wants to come back with me again.

01:03:17Stay still,

01:03:18man!

01:03:18I don't know,

01:03:18that I'm going to be alone again,

01:03:20I can see it coming.

01:03:20Look,

01:03:21I become gay.

01:03:21Well,

01:03:22Well,

01:03:22calm down,

01:03:23Hey?

01:03:23We're all going to end up badly here.

01:03:25I'm tense,

01:03:26I'm tense.

01:03:28Take,

01:03:29call Belén

01:03:29and tell him we're going up.

01:03:30I'm talking to everyone.

01:03:31That,

01:03:31extraordinary sentimental meeting.

01:03:34Hey,

01:03:35What a breakthrough Juan made last night,

01:03:37No?

01:03:37And he's getting the hang of it,

01:03:39This wall is straight.

01:03:45Guys,

01:03:46I'm going to a hotel.

01:03:47What's the matter?

01:03:48Have you argued with Juan?

01:03:49Because?

01:03:50If you are doing very well.

01:03:51Ah,

01:03:55Now they have had a fight over the colors.

01:03:57It's that reforms cause many divorces.

01:03:59No,

01:04:00No,

01:04:00It's your father who is very aggressive.

01:04:07He is calm.

01:04:21Isabel,

01:04:30we can talk for a moment.

01:04:31Juan,

01:04:32was it you?

01:04:33Why are you hiding this man's remains here?

01:04:36Why did you have to stick your nose where it doesn't belong?

01:04:39Juan,

01:04:39I'm going to leave,

01:04:41I'm going out that door.

01:04:42Are you going to leave me?

01:04:43Wait,

01:04:44wait.

01:04:45Yeah,

01:04:45let me out.

01:04:46This apartment would be perfect for the two of us and the child.

01:04:51If my parents retired to a villa on the beach.

01:04:53Man,

01:04:54the school of rumors of early retirements.

01:04:56Maybe it's Juan's turn.

01:04:57Juan,

01:04:58let me.

01:04:59Let me.

01:05:02No,

01:05:03No,

01:05:04don't come near me.

01:05:06You were in on it from the start.

01:05:08That's why I'm not asking you to do the research.

01:05:11Correct,

01:05:12but I had my reasons.

01:05:13If you let me explain it to you.

01:05:17Herbs.

01:05:18And my photo album.

01:05:19Yeah.

01:05:22What are you doing?

01:05:25But what has he done to me?

01:05:26That I've gone blind.

01:05:27I don't see.

01:05:28No,

01:05:28don't move or you'll fall.

01:05:30It's not me,

01:05:31if I have a good environment to raise the child.

01:05:34Let's see,

01:05:35If Belén doesn't want to hurt Emilio,

01:05:37Well, everyone should keep quiet, as they have the right to do so.

01:05:39What you want is to get back with him.

01:05:40and you're using Paco to make him jealous.

01:05:42But what are you doing?

01:05:43If I'm doing very well with Paco?

01:05:44Jorge,

01:05:44So then he dissolved Emilio.

01:05:46That will ruin your life

01:05:47and you're going to have to see him every day.

01:05:49Well,

01:05:50We're going for a bit of advertising,

01:05:51we'll be right back.

01:05:52But what is this child saying now?

01:05:53For God's sake,

01:05:54Okay,

01:05:54We're all hysterical about this nonsense,

01:05:56Hey?

01:05:56The problem is that we have more advisors than shoemakers.

01:05:59The problem is that you have always been very cowardly.

01:06:01It's your father's gender.

01:06:03Hey,

01:06:03are you dating this guy?

01:06:05Well, that's it,

01:06:05you say it.

01:06:07Man,

01:06:07it is not becan,

01:06:07but it is not to hide it.

01:06:09Clear,

01:06:09It's just that from the outside things look very easy.

01:06:11But then it's Paco

01:06:12the one who has to face Emilio.

01:06:13Ah,

01:06:14No,

01:06:14but we both tell him,

01:06:15No?

01:06:16Man,

01:06:16I see this as just another thing among you.

01:06:18Oh,

01:06:19Is this going to be a bummer?

01:06:20I can think of another way to say it.

01:06:23As?

01:06:24Well, like Bin Laden.

01:06:25Hey?

01:06:26Yeah,

01:06:27how is that.

01:06:28Come on,

01:06:29are you recording?

01:06:30Yeah,

01:06:31Pussy,

01:06:31yes.

01:06:33Do you want a digital strobe effect?

01:06:35Let's see,

01:06:36menu,

01:06:36effect...

01:06:38Don't touch anything,

01:06:38you just record.

01:06:39Rewind,

01:06:40rewind.

01:06:41But what do you have engraved here?

01:06:44This is a baptism.

01:06:45Okay,

01:06:46Well then I'll take advantage of it.

01:06:48Let's see.

01:06:48Mother,

01:06:49please,

01:06:49remove.

01:06:50You have a very ugly pimple.

01:06:51Well,

01:06:52What if we put on a balaclava?

01:06:53Well,

01:06:53if you want to be warmer.

01:06:55Paco,

01:06:55It's about Emilio knowing who you are.

01:06:57No,

01:06:57Pussy,

01:06:57we're not going to be here all day for this nonsense.

01:06:59Let's see,

01:06:59action.

01:07:00No,

01:07:01No,

01:07:02No,

01:07:02No.

01:07:04Action.

01:07:06Emilio,

01:07:08hello.

01:07:10Hello,

01:07:11Emilio.

01:07:11How are you?

01:07:14We decided to record this video together because first and foremost we are your friends.

01:07:21And we want to continue being your friends?

01:07:25And secondly because Belén and I have started a...

01:07:34A...

01:07:35A relationship.

01:07:37It was not planned,

01:07:39Hey?

01:07:39We haven't slept together.

01:07:41Yeah,

01:07:41Paco,

01:07:42Yeah,

01:07:42we have gone to bed.

01:07:44Come on,

01:07:45that we are two wounded souls who have found each other and the pain and loneliness has created a bond

01:07:49that he didn't give you.

01:07:50And now,

01:07:51the weather.

01:07:51A low-pressure front will cause showers in the penicular area.

01:07:55Please,

01:07:56look,

01:07:56remove,

01:07:57remove,

01:07:57José Miguel,

01:07:57that we don't have time.

01:07:58Fuck!

01:08:00Let's see,

01:08:01take two.

01:08:04What was it about Juan who stole the bones?

01:08:07I had them hidden in our closet.

01:08:10Then he killed him.

01:08:12That's why he never let us renovate the gatehouse.

01:08:15Dad,

01:08:15don't talk nonsense.

01:08:16How is Mr. Juan going to kill anyone?

01:08:18Let me speculate,

01:08:20which is free.

01:08:22There is no need to continue speculating.

01:08:23I'm going to tell the whole truth.

01:08:25Emilio,

01:08:26calls all residents to an extraordinary information session.

01:08:29On the street?

01:08:30They've taken away the cones I used to block traffic.

01:08:32Well, at the president's house.

01:08:35But John!

01:08:36What happened?

01:08:39That,

01:08:40What happened?

01:08:44Hello,

01:08:45Loam.

01:08:45How are you?

01:08:46Well, not very well,

01:08:47the truth.

01:08:48Oh, Fiquel!

01:08:48Look who's here.

01:08:51Hello,

01:08:52precious!

01:08:53Then we played,

01:08:54Hey?

01:08:55Hey,

01:08:55sit down for a moment,

01:08:56please,

01:08:56I'm going to send a message.

01:08:57Do you want something to drink?

01:08:59No,

01:08:59thank you.

01:09:02The thing is

01:09:03I've been looking through the school yearbooks

01:09:06and Mauri is right.

01:09:08I taught him in '76.

01:09:10Look.

01:09:11Mauricio Hidalgo.

01:09:14Mauricio Hidalgo.

01:09:16That's Mauri.

01:09:17Oh,

01:09:17How awful,

01:09:18how fat.

01:09:20Expensive?

01:09:20How was I going to recognize him?

01:09:21How soon,

01:09:25look how good.

01:09:25But this child was due to go to the endocrinologist.

01:09:28It's that at that time grandmothers drooled them.

01:09:31I'm here for my son,

01:09:32not out of repentance.

01:09:34And you go,

01:09:35Maruja.

01:09:36Hey,

01:09:36I'm coming for sugar,

01:09:37Hey?

01:09:38Hello.

01:09:40I'm leaving,

01:09:41that it's getting very late for me.

01:09:42No,

01:09:42please,

01:09:42Miss Marga,

01:09:45I want to talk to you,

01:09:46one moment,

01:09:47in private.

01:09:48We can't stay.

01:09:50Yeah,

01:09:50I prefer them to be.

01:09:52No no,

01:09:52It's better if we go

01:09:53that we have no business here.

01:09:54Ann,

01:09:54please,

01:09:55take Ezequiel.

01:09:56Yeah.

01:09:57They have to fix this between themselves.

01:09:59Well,

01:09:59depending on how you look at it,

01:10:00No?

01:10:00We are talking about our son's future.

01:10:02Yeah.

01:10:10But,

01:10:10why didn't we stay?

01:10:11Aren't we going to lose it?

01:10:12No,

01:10:13I've put the child's intercom on for them.

01:10:16Can we hear it from here?

01:10:17I love seeing Mauri taking off his pants.

01:10:21You understood me perfectly.

01:10:25Okay.

01:10:26Look,

01:10:27Loam,

01:10:27I'm going to apologize to you,

01:10:29but by Ezekiel,

01:10:30and to avoid the Cold War

01:10:31with which my loved ones threaten me.

01:10:34But come on,

01:10:34I have a very important grudge,

01:10:36Hey?

01:10:36And I don't think it will disappear.

01:10:37until three or four reincarnations from now.

01:10:40Well, I do want to ask for your forgiveness,

01:10:41sincerely,

01:10:43because I have already remembered you,

01:10:44and I think you're right.

01:10:45I was too hard on you.

01:10:49No,

01:10:49more than lasts,

01:10:50cruel,

01:10:51ruthless.

01:10:52I have never been like that with my students,

01:10:55but you caught me in a bad year,

01:10:56and,

01:10:57and I think maybe I took it out on you.

01:10:59Maybe not,

01:11:00sure,

01:11:02sure.

01:11:02It's that I was very young

01:11:04and my husband abandoned me

01:11:07being four months pregnant

01:11:09and of disgust

01:11:11I stopped eating

01:11:12and I fell on the bus

01:11:15going to school

01:11:16and I lost the child.

01:11:19And that Christmas is my brother.

01:11:22He died in the village

01:11:23in a hunting accident

01:11:24and I had to bring myself

01:11:26to my mother with me

01:11:27to my house

01:11:28because

01:11:29she wasn't well.

01:11:30Hello, poor thing!

01:11:31How does anything happen?

01:11:35while you are already well?

01:11:39I'm just okay.

01:11:41Ah.

01:11:44I started dating

01:11:44with a Ukrainian,

01:11:46Jeb Gebi,

01:11:48the bus driver

01:11:49of the school children.

01:11:52But he only loved me

01:11:53for the papers.

01:11:54now I live alone

01:11:57in an apartment

01:11:5938 square meters

01:12:01in the scriptures

01:12:03because then habitable

01:12:04is much less.

01:12:08And to top it all off

01:12:09I just lost

01:12:09all my savings

01:12:10in the forum

01:12:11a philatelist.

01:12:13Come on,

01:12:14it's already happened,

01:12:15for God's sake,

01:12:16already.

01:12:17I'm so sorry

01:12:18having made you bitter

01:12:19life.

01:12:23I'm not going to do it

01:12:24never forgive.

01:12:25Oh, Marga,

01:12:25that I do forgive you,

01:12:26really.

01:12:27Yes, yes,

01:12:28Yes, really.

01:12:30Mr. John,

01:12:31we are ready.

01:12:32Only missing

01:12:33Maury and Don Rafael

01:12:34who called me

01:12:34by phone

01:12:35and he told me

01:12:36that we all go

01:12:37to take where

01:12:38we already know

01:12:39and does not delegate

01:12:40in no neighbor.

01:12:41Well,

01:12:41is recorded in the minutes

01:12:43and I admonish him

01:12:44for being rude.

01:12:45Good,

01:12:45Well, he's missing out.

01:12:46because it is important

01:12:47know the bass

01:12:48events

01:12:49that happened

01:12:50in this our community

01:12:51that unfortunate one

01:12:52November 1979.

01:12:53Wait,

01:12:53don't start yet

01:12:54I have to go to the bathroom.

01:12:56Dad,

01:12:56hold on a little,

01:12:57Pussy.

01:12:57Human remains

01:12:58that Mariano found,

01:12:59by the way,

01:12:59pecking without permission,

01:13:01do not belong

01:13:02to Mr. Antonio Rubio Cortés,

01:13:04late husband

01:13:04of Doña Concha,

01:13:05may he rest in peace.

01:13:06Of course not.

01:13:08How could I have

01:13:09There is my Antonio?

01:13:10If it is that...

01:13:11So who do they belong to?

01:13:13From Nemesio,

01:13:13former goalkeeper

01:13:14of the community.

01:13:15But,

01:13:15how about Nemesio?

01:13:16But he did not return to Soria.

01:13:18Well, it must be that it is not.

01:13:19because it is inside

01:13:19from that bag.

01:13:20What did the poor man do?

01:13:21to end up like this?

01:13:22Did you forget to take out?

01:13:23the trash or what?

01:13:24I'm sorry,

01:13:25Shell,

01:13:25but I have to tell it.

01:13:27Don't even think about it.

01:13:28Votes in favor

01:13:29that I tell it.

01:13:29That?

01:13:30Approved by majority.

01:13:33What the fuck happened?

01:13:33with Nemesio?

01:13:35Mr. John,

01:13:35declassify the files now.

01:13:37Good,

01:13:38Nemesio had

01:13:39a long idyll

01:13:39extramarital

01:13:40with the then owner

01:13:41and tenant of the third B,

01:13:43Mrs. Concha,

01:13:44present here.

01:13:44That?

01:13:45Shell?

01:13:46Were you throwing yourself at the goalie?

01:13:48You cheated on Antonio

01:13:49how nice he was.

01:13:50And why do you tell anything?

01:13:53Big mouth!

01:13:53Because the owners

01:13:54they have to know the truth.

01:13:55It is necessary to reestablish

01:13:56the community order.

01:13:57Or do you prefer?

01:13:58that I think

01:13:58in which she killed her husband?

01:14:00Okay, okay.

01:14:01He cheated on her with him,

01:14:03but what did he do?

01:14:03behind a wall?

01:14:05Like a downspout?

01:14:06Well, one fine day,

01:14:07or bad,

01:14:08depending on how you look at it,

01:14:09Don Antonio

01:14:10discovered the infidelity.

01:14:12Late,

01:14:12because they were already wearing

01:14:13deceiving him for quite some time

01:14:14to the man.

01:14:15The fact is that he asked

01:14:16explanations to Nemesio

01:14:17and after a struggle

01:14:18both fell

01:14:19up the stairs

01:14:20with bad luck

01:14:21that Nemesio

01:14:21hit the base of the skull

01:14:23with an ornament

01:14:24that was on the railing

01:14:25already removed for security reasons.

01:14:27But

01:14:27died instantly.

01:14:29Yeah,

01:14:30pot,

01:14:30How did they give before?

01:14:31the severance pay?

01:14:32To Nemesio

01:14:32he charged Antonio.

01:14:34Well, he didn't tell me anything.

01:14:36It's that there was no warning

01:14:36not even the police

01:14:37because Don Bartolomé

01:14:38Méndez

01:14:38make him a teacher and mentor.

01:14:40I had Nemesio

01:14:41without a contract

01:14:41and without social security.

01:14:44Like this man

01:14:44I had no family,

01:14:45Well, before putting in

01:14:46to the community

01:14:46in a mess

01:14:47preferred to put in

01:14:48to Nemesio

01:14:48on the wall.

01:14:49Controversial decision

01:14:50but effective.

01:14:51They got lost

01:14:52a couple of meters

01:14:52of common areas

01:14:53but it was avoided

01:14:54a big scandal.

01:14:55Those were difficult times,

01:14:56in the midst of transition,

01:14:57in the end.

01:14:57Juan,

01:14:58and why haven't you counted

01:14:59all this before?

01:15:00What do you want?

01:15:01to complicate things.

01:15:02Because I didn't want to

01:15:03stain the memory

01:15:04of Don Bartolomé.

01:15:05He asked me expressly.

01:15:06But to you?

01:15:07what do you care?

01:15:07If he is dead.

01:15:08Good,

01:15:09after this nice story

01:15:11from the deep Spain,

01:15:12if you like,

01:15:13we adjourn the session.

01:15:15One moment,

01:15:15one moment,

01:15:16that there is something here

01:15:17that doesn't fit me.

01:15:18If it wasn't

01:15:19Concha's husband

01:15:20because his grave

01:15:22was empty.

01:15:23Yeah,

01:15:23is that we profane

01:15:25a bit

01:15:25the grave

01:15:26because we had

01:15:27many doubts.

01:15:28It's that Antonio

01:15:28we did it

01:15:29because it was cheaper.

01:15:31But my mother-in-law

01:15:32she was very Christian

01:15:33and then

01:15:34So we did

01:15:35a farce

01:15:35so that the woman

01:15:36will not be taken

01:15:37a tantrum.

01:15:38How strong.

01:15:39So much calling

01:15:40slut to Bethlehem

01:15:41and you were

01:15:41throwing the Neme.

01:15:43The goalkeeper

01:15:44with the third one.

01:15:45History repeats itself.

01:15:46Well be careful.

01:15:46that looks

01:15:47how this ended.

01:15:48It's true.

01:15:48So,

01:15:49What do we do?

01:15:49with Nemesio?

01:15:50We left it

01:15:50where I was,

01:15:51No?

01:15:51Rest in peace.

01:15:53How where was I?

01:15:54I have lived

01:15:54ten years with him.

01:15:56Now that I know

01:15:56what is another's.

01:15:57Ah, well, draw.

01:15:58who raised you.

01:15:59Hey,

01:16:00And what about Don Francisco?

01:16:00do you know something?

01:16:01He retired,

01:16:02is in Malaga.

01:16:04I think he rode

01:16:04a little one

01:16:05then on the beach.

01:16:07I remember

01:16:07a lot of Mrs. Carmen

01:16:08the natural one.

01:16:09Hey,

01:16:09So we're in now.

01:16:11A little while ago

01:16:11that they have fixed it.

01:16:13Fernando,

01:16:15come on,

01:16:15we are going to enter.

01:16:16A little more.

01:16:18Yeah,

01:16:19but better

01:16:19now lean here.

01:16:20It doesn't bother me,

01:16:21Hey?

01:16:22That's why.

01:16:27Fuck,

01:16:27It's also bad luck.

01:16:28Lifetime

01:16:29without touching anything

01:16:30and now they saddle us with it

01:16:31to Nemesio.

01:16:32Well, it was a love

01:16:33very pretty.

01:16:34I don't care

01:16:35have her here with me.

01:16:37I put it on high

01:16:37and how Valentin finds it

01:16:39takes it away

01:16:40and locks him in the park.

01:16:41Pussy,

01:16:42well perfect

01:16:42to do our dirty work for us.

01:16:44What is this?

01:16:45A dog,

01:16:46No?

01:16:47So with the face.

01:16:48And how does the dog do it?

01:16:50Wow!

01:16:52Loam,

01:16:52let's color it,

01:16:53you.

01:16:54Loam,

01:16:54you are a crack,

01:16:55but how well you get along

01:16:56with Ezekiel.

01:16:57Yeah,

01:16:57if you have to start

01:16:58to come home

01:16:58in the afternoons.

01:16:59Hey,

01:17:00Do you also iron?

01:17:01Bea.

01:17:02No,

01:17:03No,

01:17:03Yeah,

01:17:03We have a lady,

01:17:04but she has a boyfriend

01:17:05and comes less.

01:17:06Well yes.

01:17:07Mauri,

01:17:08but how fat

01:17:09you were six years old.

01:17:10Look,

01:17:10you look like a turd.

01:17:12Clear,

01:17:12that's why I couldn't go up

01:17:13by the rope.

01:17:14Look,

01:17:14look,

01:17:14hey,

01:17:15do you feel like singing?

01:17:16Hey?

01:17:17Come on,

01:17:17let's all sing.

01:17:18Once upon a time

01:17:21a tiny little boat,

01:17:23once upon a time

01:17:25a tiny little boat

01:17:27that I couldn't,

01:17:29that I couldn't,

01:17:31that I couldn't.

01:17:36Dad,

01:17:36I was thinking

01:17:37what life is.

01:17:39The kings

01:17:40they end there

01:17:40in a mausoleum

01:17:41marvelous

01:17:42in the Escorial

01:17:42full of marbles

01:17:44and golden

01:17:44and a poor goalkeeper

01:17:46ends up sandwiched

01:17:47in a partition

01:17:47for getting involved

01:17:48with a neighbor.

01:17:49Hey,

01:17:49we put this one from WD,

01:17:50let's see what he wants.

01:17:52Dad,

01:17:52What have I told you?

01:17:52a thousand times?

01:17:53Don't buy

01:17:54at the Tom Manta,

01:17:55which is prohibited.

01:17:56That you haven't left it

01:17:56in the mailbox.

01:17:57It says for Emilio.

01:18:00Ah,

01:18:00Yeah?

01:18:01Well,

01:18:01Well, put it,

01:18:02that will be a bitch

01:18:02from Josemi.

01:18:03How bored are you?

01:18:04this child?

01:18:06Emilio.

01:18:07Hello.

01:18:08Hello,

01:18:08Emilio.

01:18:09This is what I guide myself,

01:18:11look.

01:18:12Are you OK,

01:18:13son?

01:18:14Emilio.

01:18:15First of all

01:18:16we are your friends.

01:18:17and secondly

01:18:19because

01:18:20Belén and I

01:18:21we have started

01:18:23a...

01:18:26a...

01:18:27a relationship.

01:18:29it was not planned,

01:18:31Hey?

01:18:32Haven't we slept together?

01:18:33Yes, Paco,

01:18:34Yeah,

01:18:34we have gone to bed.

01:18:35Yeah,

01:18:35we have gone to bed.

Aquí no hay quien viva - 5x08 - Erase un descubrimiento macabro - HD 1080

Categoría

Transcripción

Sé la primera persona en añadir un comentario

Recomendada