Don erre que erre 1970 HD 1080 Completa Paco Martínez Soria, José Sacristán

Retroscreen Movies Revival

Reparto: Paco Martínez Soria, José Sacristán, Mari Carmen Prendes, Josele Román, José Rubio, Tomás Blanco, Guillermo Marín, Valeriano Andrés, Alfonso del Real, Manuel Alexandre, Jesús Guzmán, José María Escuer, Rafael Hernández   Dirección: José Luis Sáenz de Heredia   Don Rodrigo Quesada acude al banco para cobrar una pequeña cantidad de dinero cuando se produce un atraco. En la refriega, Rodrigo pierde su dinero y pide al banco que se lo devuelva. Pero el banco argumenta que no puede devolvérselo porque ha sido a él a quien se lo han quitado. Lo que no saben los banqueros es que Rodrigo no transige y no teme enfrentarse con quien sea cuando cree que tiene razón. Es una persona de ideas fijas que no para hasta conseguir todo lo que se propone, como conseguir que su mujer Doña Luisa quede de nuevo embarazada, a pesar de la edad de ambos, o que su única hija abandone la idea de hacerse monja.

Transcript

00:00:00Music

00:00:00But what would your father have gone to do in that town?

00:00:20I don't know. See some farm. You know, he's into that sort of thing.

00:00:23Yes, what a pity.

00:00:25Poor dad. Alone and on the street.

00:00:28Well, woman, don't worry about it. Maybe the poor guy didn't even notice.

00:00:33But he was so strong. He was still there all his life.

00:00:36And look, in Albacete, when he says, there he goes.

00:00:39Uh! Ajelo!

00:00:40Look, there's the detour on the left. Let's see what it says.

00:01:0066 calamocha.

00:01:03There are still 66 kilometers left.

00:01:05Yes, apparently.

00:01:06What a barbarity.

00:01:06And what am I shortening?

00:01:08Wait, listen, good man. Please, is the road okay?

00:01:12I want some good pieces.

00:01:14I'll get gas in Vallejo 15 kilometers away!

00:01:18Ah! Thank you! Goodbye! Goodbye!

00:01:38With the chaplain of the municipal hospital.

00:01:41I couldn't delay the burial until more than five o'clock.

00:01:44Yes, yes, of course. But you see how long it took us to identify him and then find you.

00:01:49Are they still far away?

00:01:50I think it will take us at most an hour.

00:01:52Although the road is terrible.

00:01:54What I'll do then is take it to the cemetery chapel.

00:01:57You guys go straight there.

00:01:58We'll go there. Wait for us, for God's sake.

00:02:02Thank you, Father.

00:02:04What's up?

00:02:17They're waiting for us. We'll go straight to the cemetery.

00:02:20Will I be able to see him?

00:02:20Of course, woman.

00:02:22Did they buy him a box?

00:02:24Man, how else?

00:02:26Poor dad! Poor dad!

00:02:30Do you want to collect?

00:02:32Not from there.

00:02:33What do you mean, not from here?

00:02:34I don't have any change.

00:02:35Well, I don't have another one.

00:02:36Will they have change at the tavern?

00:02:38Go see, but I don't think so.

00:02:40It's me who has to go.

00:02:41Man, let's see.

00:02:42How to see?

00:02:43Your obligation is to have change, and if not, go and get it.

00:02:46That's nothing.

00:02:47What do you mean, nothing of the sort?

00:02:48Rodrigo!

00:02:50Please.

00:02:51Yes, Luisa.

00:02:51Yeah.

00:02:57If it weren't for what he is, I would have taught him what his obligation is.

00:03:01You to me?

00:03:02Well, I haven't been here for more than twenty years.

00:03:04Surely not either.

00:03:05Golas!

00:03:06That?

00:03:07Do you have change for a thousand pesetas?

00:03:09A thousand pesetas?

00:03:10Ha ha ha!

00:03:11But we look like we've beaten up someone!

00:03:14Ha ha ha!

00:03:15There is no change.

00:03:17There is no change.

00:03:18I assumed so.

00:03:19Well, here's my ticket.

00:03:20Change yourself.

00:03:21I tell myself I got it!

00:03:22It's up to you to find it.

00:03:23Oh yeah?

00:03:24Clear.

00:03:25And who told you that?

00:03:26The decree law of March 18, 1952 relating to public services.

00:03:36And he says I have to have change from the girl I want.

00:03:38I want.

00:03:39I don't know if there are trams that cost up to 100 pesetas.

00:03:41Pharmacies on duty up to 500.

00:03:44Gas stations up to 1000.

00:03:46Rodrigo!

00:03:47Is this or is this not a gas station?

00:03:50No, sir.

00:03:51Oh no?

00:03:52So what did he put in my car?

00:03:54Cider!

00:03:55Gasoline!

00:03:56Twenty liters.

00:03:57Then charge them.

00:03:58Rodrigo, please think of me.

00:04:01And dad?

00:04:02I can't think of anything.

00:04:04I'm right.

00:04:05And this boor denies it to me.

00:04:07Oh, oh, now without missing!

00:04:09Wait.

00:04:10Will there be no change in the village?

00:04:12Surely.

00:04:13Well, we'll be there in a moment.

00:04:14We change and we come back.

00:04:15If I leave, he won't see me again.

00:04:18I'll give you five minutes to decide what to bring.

00:04:22Alright.

00:04:23Come to the ticket.

00:04:24No, no way.

00:04:25First the change.

00:04:26I can see in his eyes what he wants to do to me.

00:04:29What I want to do to him?

00:04:30Yeah.

00:04:31You're going to see how I fix this now.

00:04:33Hello!

00:04:34How are you, Rodrigo?

00:04:35Don't you realize that my father?

00:04:37I'm sorry, Luisa, but I'm right and I can't give in.

00:04:40You already know me.

00:04:41So much.

00:04:42But this time I ask you to give in for me.

00:04:44Well, don't ask me.

00:04:45But who's going to find out?

00:04:46I.

00:04:47And that's enough.

00:04:48Rodrigo, I have to bury my father, who only feared me.

00:04:52I know.

00:04:53But if I give in, they'll have to bury me too.

00:04:57Because I'm going to have a heart attack.

00:05:00Look.

00:05:01Look how I am.

00:05:02Look how I am.

00:05:03Look how I am.

00:05:04Worse, worse.

00:05:05Very good.

00:05:06Calm down, we'll arrive on time.

00:05:09I've given him five minutes.

00:05:11That?

00:05:12Not yet?

00:05:13They will be here soon.

00:05:14That today is Friday.

00:05:15And?

00:05:16Man, I still haven't been to the quimiela.

00:05:17There's time, man.

00:05:18Hmm.

00:05:19Regular.

00:05:20For the last time, step aside!

00:05:21For God's sake, Rodrigo!

00:05:22Leave me alone, be quiet!

00:05:23Does it move away or not?

00:05:24Well, share.

00:05:25Stop, distribute!

00:05:26Stop, distribute!

00:05:27Stop, distribute!

00:05:28Stop, distribute!

00:05:29Stop, distribute!

00:05:30Stop, distribute!

00:05:31Stop, distribute!

00:05:32Stop, distribute!

00:05:33Stop, distribute!

00:05:34Stop, distribute!

00:05:35Stop, distribute!

00:05:36Stop, distribute!

00:05:41Enervate the guard.

00:05:42Oh my God, Rodrigo!

00:05:43I have to bury my father!

00:05:44First, that's it.

00:05:45Go for the guards.

00:05:46Save yourself the trip!

00:05:47They are here.

00:05:51What do we do, Father?

00:05:52Wait a little longer.

00:05:56And why don't we get closer to it?

00:05:58That's what we would win.

00:06:00Still ten minutes.

00:06:02And why aren't you going to change yours?

00:06:04Shut up mogelijk!

00:06:05Naturally,

00:06:07the law is on my side!

00:06:08And I don't give in, even if I get close.

00:06:10But, sir, if you give the bill to one of these people and they're going to change it, that's it.

00:06:14Of course! Of course he'll give it to him!

00:06:15I have no reason to be antithetical.

00:06:17But I don't have it, they haven't stopped with another day!

00:06:19You have all the more reason to have change, as you said.

00:06:22I?

00:06:23The decree law of these of March 18.

00:06:25Well, we're with him now!

00:06:26Forgive him, Dad. You already know him.

00:06:29That's all right, right? Should we lower it?

00:06:40Yeah.

00:06:41Come on, give it to him.

00:06:43It must have happened, I ask you.

00:06:45It's going to happen to me.

00:06:47Go on, if they don't seal it or tie it up, you're screwed.

00:06:50Come on, let's shoot. Let's go.

00:06:52Go ahead, go on.

00:06:54They're coming down!

00:06:55They're coming down!

00:06:56They're coming down!

00:06:57They're coming down!

00:06:58They're coming down!

00:06:59They're coming down!

00:07:00They're coming down!

00:07:01They're coming down!

00:07:02They're coming down!

00:07:03If I weren't right, I would keep quiet because I...

00:07:05They're coming down!

00:07:06They're coming down!

00:07:07They're coming down!

00:07:08They're coming down!

00:07:09They're coming down!

00:07:10Forgive me and listen to me.

00:07:11Listen to me.

00:07:12I am right.

00:07:13They're coming down!

00:07:14They're coming down!

00:07:15They're coming down!

00:07:16They're coming down!

00:07:17They're coming down!

00:07:18This man with the threatening finger is Don R. Kerri.

00:07:21At least that's what I call it.

00:07:23Although he must have his name.

00:07:25But I think all romantic heroes should have a nickname.

00:07:28Like our Don Quixote of La Mancha or Tartarin of Tarascon.

00:07:32And this gentleman deserves to have his because he is a champion of goodness.

00:07:37Well, I'm going to introduce him to you at his artistic glass workshop.

00:07:40founded by his great-grandfather in 1808.

00:07:43Just when Napoleon entered Spain

00:07:46and came across a village that also held R. Kerri.

00:07:53This is the old Quesada workshop.

00:08:06Installed in an old mansion in the also ancient Madrid.

00:08:09All very old really.

00:08:11But haloed by something so clean, so noble and so pure,

00:08:15like the glass that comes out boiling from its furnaces

00:08:17and that seems to have also refined the noble, transparent and... soul

00:08:22The truth is that it is very hard, from our incorruptible stubborn one.

00:08:25You shouldn't have bothered bringing this to me.

00:08:43I would have gone to the ministry.

00:08:45Well, there you have the schedules, the hotel and the ticket.

00:08:49I'm really looking forward to this trip.

00:08:51Do you already know Paris?

00:08:52No.

00:08:53Well, Paris does know you.

00:08:54Come on.

00:08:55They will also increase the order there.

00:08:57Don't pester me.

00:08:58Of the three ovens I had, one broke down.

00:09:01Well, put another five.

00:09:02I have no room.

00:09:03Well, fuck off.

00:09:04That's out of the question.

00:09:06Here I was born and here I will die.

00:09:07I know it's useless to convince him.

00:09:09Oh, by the way, I'm also bringing you a letter from the International Reis por Buró.

00:09:13Ah, yes.

00:09:14Number 5 Coggins Lane, Copenhagen.

00:09:16He knows it by heart.

00:09:17Man, you say.

00:09:18I've been harassing them for seven years over a difference of 257 pesetas in my favor on an invoice, and they say no.

00:09:27Well, he crushed them.

00:09:28Hey?

00:09:29They admit that you were right and they told you this promissory note for those pesetas.

00:09:32Hey?

00:09:33No.

00:09:36In Danish, but they agree with me.

00:09:38You are so excited.

00:09:40More than anything.

00:09:41Look at you.

00:09:42Look at you.

00:09:43Look at you.

00:09:44Yes, really.

00:09:45For me, seeing reason triumph is almost like seeing God.

00:09:50It's beautiful, yes.

00:09:51This can be collected at any of the Banco Universal branches.

00:09:54Tomorrow morning, as soon as they open.

00:09:55We'll see each other in Barajas.

00:09:56Very good.

00:09:57See you tomorrow and congratulations.

00:09:59Thank you very much, Mr. Antonio.

00:10:01See you tomorrow.

00:10:02Bye bye.

00:10:03Teacher.

00:10:04What's up?

00:10:05The technician says that what needs to be put in that oven is an anti-sulfur-hydro coating.

00:10:16I don't know what he told me.

00:10:18He has spoken to me.

00:10:25Hello, sir.

00:10:26Hello good.

00:10:27Have you told your manager yet?

00:10:29He tried, but he couldn't.

00:10:31You want to put very difficult things there.

00:10:33Modern material.

00:10:34This coating is at least of Raman quanity.

00:10:37Yeah.

00:10:38Look.

00:10:39Yeah.

00:10:40Moorish adobe.

00:10:41More in my favor.

00:10:42When they prove to me that those modern materials last a century and a half as long as this one,

00:10:47then I'll put them.

00:10:49In the meantime, if you want to make the repair, Moorish adobe.

00:10:53You'll have to ask Burguida.

00:10:55Do it.

00:10:56We are on a par with the Arab world.

00:10:58And, excuse me, I have a lot to do.

00:11:00Here he stays with my manager.

00:11:01Nice to meet you.

00:11:02Delighted.

00:11:03But what century is this gentleman from?

00:11:05He has one all to himself.

00:11:06It will have to be left as it was.

00:11:08No, man.

00:11:09I will convince him.

00:11:10Convince him?

00:11:11No one has been born yet.

00:11:12Listen to me.

00:11:13Go looking for Moorish adobe.

00:11:19Man!

00:11:20What are you doing here?

00:11:23I came to talk to you.

00:11:24About what?

00:11:25About an important matter.

00:11:27I want to be a nun.

00:11:28Is...

00:11:29What did you say?

00:11:30I have convinced myself that I was not born into this world.

00:11:33You must have been convinced last night because you went to the movies last night, right?

00:11:36Yeah.

00:11:37And that influenced you?

00:11:38At all.

00:11:39The movie was nonsense.

00:11:41My vocation has deeper foundations.

00:11:44Deeper.

00:11:45Already.

00:11:49Have you told your mother?

00:11:53Yeah.

00:11:54And what do you think?

00:11:56He didn't cry either.

00:11:57Hey?

00:11:58Ah, well, of course, understand.

00:12:00Could it have happened to him like it did to me?

00:12:01No...

00:12:02No...

00:12:03No...

00:12:04No...

00:12:06I don't know where the passport is.

00:12:11Felipe!

00:12:12Come here!

00:12:13Well...

00:12:15Well, if you don't want to tell me anything else...

00:12:16Yes, daughter, yes.

00:12:17But understand that these are not things to be dealt with with one foot in the stirrup, woman.

00:12:22I'll think about it.

00:12:23And on my return, maybe...

00:12:25Can?

00:12:26Man, it's you, Valentine!

00:12:28Yes, it's me.

00:12:29Hello, Marisa.

00:12:30Hello.

00:12:31Should I interrupt?

00:12:32Well yes, but it doesn't matter.

00:12:33One moment.

00:12:34Felipe!

00:12:35Tell me.

00:12:36Where did you put my passport?

00:12:37There, in the wallet.

00:12:38In which wallet?

00:12:39In Marina's?

00:12:40No, look, there it is.

00:12:41But, man, for God's sake.

00:12:42Things must have a place.

00:12:43A place for everything.

00:12:45You went to the movies last night, didn't you?

00:12:47We saw you.

00:12:48And I to you.

00:12:49You like me?

00:12:50Nothing.

00:12:51Neither does Piluque.

00:12:53But it does to me.

00:12:55Well, leave me alone.

00:12:57What do you want?

00:12:58Well, almost a robbery.

00:12:59You're going to Paris, aren't you?

00:13:00Yes, to a crafts conference.

00:13:02How lucky.

00:13:03Can I place an order with you?

00:13:04One more.

00:13:05It's a silly thing that almost embarrasses me, but women...

00:13:09Ah, come on.

00:13:10Can you bring this to me?

00:13:12Ah.

00:13:16Hey, gee.

00:13:19What do you want me to bring you?

00:13:21Oh, the device, of course.

00:13:23Sure, sure.

00:13:24You already have the other one, right?

00:13:26Well yes, yes, sir.

00:13:27She is precisely the one who forces me to bother him.

00:13:29Yes, man, yes.

00:13:30Peace of bourrelets.

00:13:33What are bourrelets?

00:13:35Well...

00:13:36Michelins.

00:13:37Is that it?

00:13:39You'll know.

00:13:40But what are Michelins?

00:13:42Those little rolls of fat that some people have around here.

00:13:44And what are they doing so ugly?

00:13:46Oh, yeah!

00:13:47Blood sausage.

00:13:48That?

00:13:49Yes, yes.

00:13:50But all around.

00:13:51Well, I don't think that's exactly it, but if it bothers you, well...

00:13:53No, no, go ahead and let me get it for you, man.

00:13:56But I won't be able to bring any of this to this poor girl because...

00:14:00Because I don't need it.

00:14:01And even if you needed them, she wants to leave us as a nun.

00:14:04It's a joke, right?

00:14:06It is a well-considered decision.

00:14:09I can't believe it.

00:14:10And why not?

00:14:11Aren't you going to marry Piluca?

00:14:13That's what I want.

00:14:14Well, me with God.

00:14:15That.

00:14:16With God.

00:14:17Come on, I'm in a hurry.

00:14:18I'll bring you the blood sausage remover.

00:14:19Thank you so much.

00:14:20Goodbye, Marisa.

00:14:21I can't believe it, huh?

00:14:23Well, goodbye.

00:14:30Come on, make some noise!

00:14:33Ah!

00:14:34But when does that pack go to bed?

00:14:36As they hunt them.

00:14:37Yeah, yeah.

00:14:38That's a lot of kids.

00:14:39Seven, right?

00:14:40Eight, son.

00:14:41Eight.

00:14:42And we are a nun.

00:14:43You see.

00:14:46Did Lasson get anything out of it?

00:14:47It must be what I imagine.

00:14:49And what do you imagine?

00:14:50Some boy who doesn't pay attention to her.

00:14:52Oh, yeah.

00:14:54It will pass soon.

00:14:55That one can't last three days in a convent.

00:14:58Luisa.

00:15:01What, Rodrigo?

00:15:02We need a son.

00:15:05The daughters, even if it is not a convent, leave forever.

00:15:09It's the law of life.

00:15:10Yes, but I have a workshop that my great-grandfather left to my grandfather,

00:15:13my grandfather to my father and my father to me.

00:15:15And me, who am I going to leave it to?

00:15:17Don't go back to that.

00:15:18Do you think I'm not sorry for not having given you a child?

00:15:21Turn that down a little, will you?

00:15:24A little more, woman.

00:15:28Luisa, do you think we've done everything possible to have a child?

00:15:34Man, I modestly believe so.

00:15:36Well, I don't think so.

00:15:38More can be done.

00:15:39Further?

00:15:40Yes, not us alone.

00:15:42But help yourselves.

00:15:44For whom?

00:15:45For modern science.

00:15:47I'm going to Paris now.

00:15:49Do you realize?

00:15:50Yes, so what?

00:15:51That there, they say, they have the latest for these things.

00:15:55Rather, they tend to have it for the exact opposite.

00:15:57Oh.

00:15:58Don't get bitter about it again.

00:16:00God knows what he's doing.

00:16:01What God says is, help yourself and I will help you.

00:16:05Whenever I have set my mind to something noble, I have always achieved it.

00:16:08I think that now more than ever, I must put all my effort into this.

00:16:13And you too.

00:16:14I've been putting it on for twenty years.

00:16:17Well, we have to put more.

00:16:19Oh.

00:16:25Would you mind turning off the radio?

00:16:27Does it bother you?

00:16:28Yeah.

00:16:34Are you going to read?

00:16:35No, I'm not going to read.

00:16:37Have a good night.

00:16:40I wish you the same.

00:16:44Luisa.

00:16:45That?

00:16:46These are love handles.

00:16:47Rodrigo!

00:16:48Rodrigo!

00:16:54Two hundred thousand.

00:16:55Ale, you already have clients.

00:16:56Why do they get up so early?

00:16:57Oh, that's not our problem.

00:16:58Go, go and serve them.

00:16:59Good morning.

00:17:00What do you want?

00:17:01Collect this, from Kofenage.

00:17:02It's not here.

00:17:03What do you mean it's not here?

00:17:04They told me I could cash it in at any Banco Universal branch.

00:17:07I mean the window.

00:17:08Present it at that one.

00:17:09Yeah, sorry.

00:17:10They call her right away, Mrs. Laura.

00:17:11Sit down for a moment.

00:17:12Thank you, son.

00:17:13Would you please pick up my umbrella?

00:17:14Of course, yes, ma'am.

00:17:15I just can't bend down.

00:17:16I have terrible varicose veins.

00:17:17Bad thing.

00:17:18And so bad.

00:17:19That's what children give.

00:17:20Yeah.

00:17:21I have had twelve and...

00:17:22And I have to make do with it.

00:17:23And I have to make do here.

00:17:24They told me I could cash it in at any Banco Universal branch.

00:17:26I mean the window.

00:17:27Present it at that one.

00:17:28Yeah, sorry.

00:17:29They call her right away, Mrs. Laura.

00:17:30Sit down for a moment.

00:17:31Thank you, son.

00:17:32Would you please pick up my umbrella for me?

00:17:33Of course, yes, ma'am.

00:17:34I just can't bend down.

00:17:42I can't be worth just anyone.

00:17:43Have you had twelve?

00:17:44Twelve.

00:17:45Yes sir.

00:17:46And raised by me.

00:17:47Without pelargones.

00:17:48Twelve bulls.

00:17:49And now?

00:17:52Mister.

00:17:54Sorry, this is here.

00:17:57Yes sir.

00:17:58One moment.

00:17:59Thank you.

00:18:03What is this?

00:18:04From Copenhagen.

00:18:05It is recorded.

00:18:06Let it be paid.

00:18:08Twelve children for the one with varicose veins.

00:18:10And my puny neighbor, eight.

00:18:12Wow!

00:18:13But, sir.

00:18:14It's that everyone is going to be able to have children except me.

00:18:16Because you have to see.

00:18:17The adecesio is poor.

00:18:22The two.

00:18:24It's mine.

00:18:25But you weren't there before.

00:18:26But...

00:18:27But it will still take a little while.

00:18:29Ah, come on.

00:18:38Your ID.

00:18:40No.

00:18:42Here it is.

00:18:43And the driver's license.

00:18:44All.

00:18:47How much does he charge?

00:18:48But, man, you don't know that.

00:18:49Yeah.

00:18:50But you ask yourself, sir.

00:18:51It's a control.

00:18:52Oh ok.

00:18:53Well, I have to collect two hundred and fifty-seven.

00:18:55According.

00:18:56Hundred.

00:18:57Two hundred.

00:18:58Twenty-five.

00:18:59Fifty.

00:19:00Five.

00:19:01Six.

00:19:02Twenty-five.

00:19:03Twenty-five.

00:19:04Fifty.

00:19:08Five.

00:19:09Six.

00:19:10Everyone stay still!

00:19:11Don't let anyone move!

00:19:12Raise your hand.

00:19:13Come on, hurry up.

00:19:14Close the shutters.

00:19:15If they move, I shoot.

00:19:16Please.

00:19:17No, no, no.

00:19:18Don't hurt me.

00:19:19Nobody leaves here.

00:19:20Wow, what a corner!

00:19:21Oh!

00:19:22If I can't.

00:19:23Hurry!

00:19:24He can't.

00:19:25It has barintes.

00:19:26And you?

00:19:27I don't.

00:19:28I say to the corner.

00:19:29Yes sir.

00:19:30Backs.

00:19:31Facing the wall.

00:19:32Come on!

00:19:33All!

00:19:34Give me the bag.

00:19:35And you too.

00:19:36Have you heard?

00:19:37Come on!

00:19:38Shut up and do what you're told.

00:19:40Hands up, he says!

00:19:41Careful!

00:19:44Step on the alarm!

00:19:45Get rid of that one!

00:19:51They killed that boy!

00:19:53Shut up!

00:19:54Shut up!

00:19:55Yes, I'm telling you!

00:20:11Turn your face!

00:20:23Go on!

00:20:24Put your hands up!

00:20:25Yes, yes.

00:20:39They beat him.

00:20:40Tell me, where did they find you?

00:20:41In the toilets.

00:20:42Tied up.

00:20:43You were hit on the head.

00:20:45Oh.

00:20:46As always, the last ones.

00:20:47Yes, son, the last ones.

00:20:49May I?

00:20:50Yes, yes.

00:20:51May I?

00:20:52Yes, ma'am.

00:20:53Office when the robbery occurred?

00:20:54No, I wasn't there.

00:20:55Because on Saturday mornings I stop by our headquarters.

00:20:59Where do you think the person who hit you in the bathroom came in?

00:21:01Through the back window, it had to be.

00:21:03Is it known how many robbers there were?

00:21:04Three.

00:21:05Two who came through the door and another who was in the restroom.

00:21:07Well, but...

00:21:08They've taken eight million and...

00:21:09And they have also injured one of the employees.

00:21:10This.

00:21:11His name is Joaquín Sánchez López and he is newly married.

00:21:13That.

00:21:14Thank you.

00:21:15Maybe I'll think of asking him something else later.

00:21:17Mr. Director, everything is ready.

00:21:18Funds have been replenished.

00:21:20Good.

00:21:21Return to your posts and continue working.

00:21:22Alright.

00:21:23You, Méndez, if you don't feel well, go home.

00:21:25No, no, sir.

00:21:26I feel better.

00:21:27And the American one?

00:21:28I've been loaned one by my colleagues and I think it fits me quite well.

00:21:30Good.

00:21:31Well, there's nothing else for now, gentlemen.

00:21:33If you allow me, I'll go to my office with the commissioner.

00:21:35Good morning, gentlemen.

00:21:36This way, please.

00:21:37Come on.

00:21:38Mr. Director.

00:21:39Tell me.

00:21:40Are operations resuming yet?

00:21:41Yes sir.

00:21:42Normally.

00:21:43Thank you so much.

00:21:44It's just that he ran away from me right in the middle.

00:21:46Already.

00:21:47Listen.

00:21:48Right in the middle.

00:21:49Listen.

00:21:50Please excuse me.

00:21:51Did you say you were here when he robbed you?

00:21:52Yeah.

00:21:53I was going to collect at that moment.

00:21:54Man, that's great.

00:21:55Can we ask you a few questions?

00:21:56Yes, beautiful.

00:21:57But if you don't mind, I'll cut my story short.

00:21:59because I have to take the plane to Paris.

00:22:01Dispatch.

00:22:02We'll only take two minutes off of you.

00:22:03Thank you so much.

00:22:04Two minutes only.

00:22:05Excuse me.

00:22:06Do you remember me?

00:22:08About you?

00:22:09Yeah.

00:22:10I am number two.

00:22:11You were paying me when those friends came in.

00:22:13Ah, yes.

00:22:14And what do you want?

00:22:15Pay me.

00:22:16Pay him?

00:22:17The fact that?

00:22:18The 257 pesetas of my promissory note.

00:22:20Please warn him that I am not in the mood for jokes.

00:22:22I guess so.

00:22:23Neither do I.

00:22:24But...

00:22:25You haven't paid me yet.

00:22:26What do you mean no?

00:22:27Now I remember it perfectly.

00:22:28Two hundred and fifty-seven pesetas.

00:22:30I put them here.

00:22:31What rule?

00:22:32In this I do.

00:22:33Two hundred and fifty-seven pesetas.

00:22:34And with that you want to go to Paris?

00:22:35I don't deny that I put them here.

00:22:37But I didn't even touch them.

00:22:39Because those strange gentlemen came in.

00:22:42Mister...

00:22:43Come on, man.

00:22:44Go away and leave me alone.

00:22:45What's this about getting out of here?

00:22:47Portray this for me.

00:22:48Go on.

00:22:49That he treats me like that.

00:22:50Call the director.

00:22:51I don't feel like it.

00:22:52Let's see.

00:22:53What's going on?

00:22:54Nothing.

00:22:55This gentleman wants me to pay him twice.

00:22:57Two no.

00:22:58A.

00:22:59The one who has an obligation.

00:23:00Have you noted the payment?

00:23:01Yes of course.

00:23:02Here.

00:23:03Look at it.

00:23:04Two hundred and fifty-seven pesetas.

00:23:05This is clear.

00:23:06You have collected.

00:23:07No, sir.

00:23:08The money was there when the robbers came in.

00:23:11And then?

00:23:12Afterwards no.

00:23:13They took them away.

00:23:14I saw it very well.

00:23:15Then claim it from them.

00:23:17That is.

00:23:18What a mistake.

00:23:19They haven't stolen anything from me.

00:23:20Here is my wallet.

00:23:22With thirty thousand pesetas.

00:23:24Intact.

00:23:25Of wings.

00:23:26They haven't even looked at me.

00:23:28It's clear they've come to rob the bank.

00:23:30Not me.

00:23:31But was this money yours?

00:23:32Not yet.

00:23:33When they came in and said everyone stay still,

00:23:36was there.

00:23:37It was still from the bank.

00:23:39You owe me the two hundred and fifty-seven pesetas.

00:23:42Look, sir.

00:23:43The payment is noted.

00:23:45There has been a robbery here, one person has been beaten and one person has been injured.

00:23:49And we are not here for nonsense.

00:23:51How chinchorrerías?

00:23:53It seems to me that you don't realize the seriousness of what you are saying.

00:23:56A bank cannot stop paying even if there are a thousand deaths.

00:24:00But if you want to go right now.

00:24:02I'll leave when they pay and give me my two hundred and fifty-seven pesetas.

00:24:06and an explanation for such a crude treatment.

00:24:09Blow.

00:24:10If there are any idiots here, there won't be any more once you leave.

00:24:14Go away!

00:24:15I think they're nervous about what happened.

00:24:17But I'm going to talk to the director.

00:24:20Look, sir.

00:24:23The director is with the commissioner and has more important things to do.

00:24:27This is as important as everything else.

00:24:29More than a serious injury and a robbery.

00:24:32Anyway, it's all trampling on the law.

00:24:34Understand it however you want, but go away.

00:24:36Very good.

00:24:39Here is my card.

00:24:40Give it to the director and tell him I'm going to my lawyer from here.

00:24:44That scares the hell out of you.

00:24:45Allow me.

00:24:49Yes, yes.

00:24:51Tell me, sir.

00:24:52Do you really intend to go ahead?

00:24:53I'm already going.

00:24:54He is going to sue none other than Banco Universal for two hundred and fifty-seven pesetas.

00:24:57No, sir.

00:24:58Out of respect for reason and law.

00:25:00But well, let's see.

00:25:01Do you think that...?

00:25:02Sorry, I have to do it.

00:25:04Oh.

00:25:07Good morning, sir.

00:25:08Well...

00:25:09You are sanctioned.

00:25:10Because?

00:25:11You removed the car on time.

00:25:13TRUE.

00:25:14It's not my fault, but I was wrong.

00:25:16How much is the penalty?

00:25:17Are you going to pay it now?

00:25:18Immediately.

00:25:19Two hundred and fifty pesetas.

00:25:20You're one of those who pay, eh?

00:25:22It will cost you seven pesetas less than what the bank is asking for.

00:25:24One.

00:25:25Two.

00:25:26Look, take a picture of this for me from there.

00:25:28Let the bank look good, eh.

00:25:35Here you go, sir.

00:25:36Perfectly.

00:25:37Bye bye.

00:25:40Very good.

00:25:41Could I see Don Santiago?

00:25:43He's not here today.

00:25:44There is a long weekend on Saturdays.

00:25:45Oh.

00:25:46Don't know if he'll be home?

00:25:47No, sir.

00:25:48He won't return to Madrid until Monday.

00:25:49Are you a hunter?

00:25:50And what do you hunt?

00:25:51Well, I have no idea.

00:25:53But on Monday he has it here at nine thirty.

00:25:55Monday, Monday, Monday.

00:25:58Paris.

00:26:00Plane.

00:26:01In the end.

00:26:02Thank you so much.

00:26:03Goodbye, sir.

00:26:04And I'm sorry.

00:26:05Yes, Mom, I'll be right back.

00:26:22Good morning.

00:26:23Hello, Valentin.

00:26:25Hello, Marisa.

00:26:27What's wrong with you?

00:26:28Bad news?

00:26:29A scoundrel.

00:26:30How can there be such miserable people?

00:26:31The world is dirty mud and that's what we are made of.

00:26:34Would you be able to write an anonymous letter?

00:26:35May the Lord save me.

00:26:36Well this is anonymous.

00:26:38Against you?

00:26:39No, against...

00:26:40Well, yes, against me.

00:26:41What the hell?

00:26:42He says, I have my reasons for telling you to think carefully about what you are going to do.

00:26:46Because my conscience...

00:26:48Awareness?

00:26:49How can a wretch like this talk about conscience?

00:26:50And what doesn't he want you to do?

00:26:51That you defend that taxi driver who hit a guard?

00:26:54No, I've already been sentenced to that one.

00:26:56That I get married.

00:26:57Ah.

00:26:58He says I shouldn't do it because...

00:27:00If I caught him, I would kill him.

00:27:01Are you messing with Piluca?

00:27:02Yes, it hints...

00:27:04I don't know what crap.

00:27:05Go on, don't pay attention to him.

00:27:06It's probably some spurned old boyfriend.

00:27:08Boyfriend?

00:27:09If she hasn't had another boyfriend but me.

00:27:10What do you think that is?

00:27:11I have known him at least twice.

00:27:13Ah, yes.

00:27:14At least.

00:27:16But what does that have to do with anything?

00:27:17Poor Piluca.

00:27:18I am increasingly convinced that tranquility is not of this world.

00:27:21Oh, by the way, you blew me away yesterday.

00:27:24Is it true that you're going to become a nun?

00:27:25Yeah.

00:27:26But you've thought it through.

00:27:27Deep down, I have no other way.

00:27:30What nonsense, you're becoming so beautiful.

00:27:32That must be a kindness of you.

00:27:34I appreciate it, because I have never had anyone tell me that.

00:27:38Well, but that's not why you're going to...

00:27:40Anyway, sorry, you don't have to tell me.

00:27:42You're wrong, I do have a reason to tell you that.

00:27:44And very especially.

00:27:46Because we have been neighbors since we were children and because we are very good friends.

00:27:49And for something more important.

00:27:51Because I'm in love with you.

00:27:54It is the clean truth.

00:27:56Now I can tell you because we are both firmly decided.

00:27:59Isn't that so?

00:28:00Oh yes, I do.

00:28:01And I, you are the man to whom I would have given all my dreams,

00:28:05all my tenderness, and in short, everything.

00:28:09But you're in love with a very good friend of mine, who deserves you.

00:28:13And I know I'll never be able to fall in love with someone else, that's why I'm leaving.

00:28:16Marisa, you drive me crazy, I don't know what to say to you.

00:28:18You don't have to tell me anything, everything is said clearly.

00:28:21But feeling responsible, almost like suicide...

00:28:24Don't worry about that.

00:28:26Be such a pretty boy idiot like Bernardo.

00:28:28Bernardo? Who is Bernardo?

00:28:29An old boyfriend of Piluca.

00:28:30That?

00:28:31Where are you going now!

00:28:32Hello, Dad!

00:28:33And he goes to the kiosk.

00:28:34Well, leave it for later, and let's go eat because I'm having a good day today.

00:28:37Wow man, you too?

00:28:39They've run over someone else.

00:28:41To run over?

00:28:42No.

00:28:43A whole train ran over me.

00:28:45Come on!

00:28:46Wow!

00:28:51Hello!

00:28:52Four and five!

00:28:54The mob, neighbor!

00:28:55Because this is what is called a mob.

00:28:57Sorry if this has caused you any inconvenience.

00:28:58No, this doesn't bother me.

00:29:00What bothers me is something else.

00:29:02Because there's more, right?

00:29:03Yes, the three smallest ones above.

00:29:05Be careful, Encarnita!

00:29:06Grab Kiko, so he doesn't cross alone!

00:29:07What an injustice, highlander!

00:29:08That?

00:29:09You've also dealt a blow to the parish, haven't you?

00:29:11No, this is a stabbing.

00:29:12Oh!

00:29:13Tina, take the little one and don't let him cross, there are too many cars now.

00:29:16That there is a lot of danger.

00:29:17You...

00:29:22Hey, confirmed.

00:29:23There is no other flight to Paris today than this one.

00:29:25Well, you can't see him around here.

00:29:27No, no, huh?

00:29:28There we have it.

00:29:29Where?

00:29:30There.

00:29:31Go for it.

00:29:32Go for it.

00:29:41Are you going to abandon the trip just because of that?

00:29:42Yes, yes, yes.

00:29:43Excuse me, but I have to stay.

00:29:44It's not my fault that my lawyer won't be here until Monday.

00:29:46Don't be here until Monday.

00:29:47But tell me, for God's sake.

00:29:48Do you think it's worth getting into all that trouble over such a... small thing?

00:29:52Small.

00:29:53This is as big as Gibraltar.

00:29:54You wouldn't stay because of Gibraltar.

00:29:56Accepted.

00:29:57But the same will happen in seven days with Gibraltar.

00:29:59No.

00:30:00We have been together for more than two centuries.

00:30:01Put it off until you get back.

00:30:02I couldn't.

00:30:03If you saw a girl fainting on the railway track at half past one,

00:30:07I would leave her and go quietly to eat.

00:30:09Because you know the train doesn't come until a quarter past five, right, sir?

00:30:12Well, the truth is...

00:30:13No, sir.

00:30:14He would pick it up immediately, even if his soup got cold.

00:30:17I couldn't help it.

00:30:18Well this is the same.

00:30:20Look when I have my pulse.

00:30:21Check the pulse.

00:30:22No, no, leave it, leave it.

00:30:23No, so you see that I'm not exaggerating.

00:30:24Look at you.

00:30:26Are you sure that all of this is done by your heart?

00:30:29What do you think? A compress?

00:30:30Yes, yes.

00:30:31Well no, Don Antonio.

00:30:32This is an indignant heart.

00:30:39Eight million stolen from Banco Universal.

00:30:42And two hundred and fifty-seven pesetas, it is still unknown to whom.

00:30:45Oh.

00:30:47This is how they are going to publish it.

00:30:48This is how it will be out on the street in a couple of hours.

00:30:50What do you think?

00:30:51The information is true, but the headline is not.

00:30:53Wow, it's clear who the money was stolen from.

00:30:55To the bank.

00:30:56And the bank wants to steal it from me?

00:30:58Steal?

00:30:59What do you call keeping what doesn't belong to you?

00:31:01Hey, do you have a bad opinion of banks?

00:31:03This is so bad.

00:31:04And in general?

00:31:05Of all, very bad.

00:31:06They have been infected since the Middle Ages, when they were dedicated to scraping the edges of coins entrusted to their safekeeping.

00:31:14And they were even left with the scrapes.

00:31:17Did they do that?

00:31:18And worse things.

00:31:19José María el Tempranillo stole from the rich to distribute to the poor.

00:31:23And they steal it from us poor people to distribute it among the very rich.

00:31:28So can I say it like that?

00:31:29Say it however you want.

00:31:30It's the truth.

00:31:31Perfectly.

00:31:32Let's see.

00:31:33Have you already initiated any action against Banco Universal?

00:31:35I just cancelled a very important trip.

00:31:38You have seen it.

00:31:39That gives you an idea that I want to go wherever it takes.

00:31:41Did you know it's an all-powerful bank that has branches all over the world?

00:31:44And?

00:31:45Don't you think he's too powerful an opponent?

00:31:48Bah!

00:31:49It also seemed that Goliath was going to pulverize David and that the United States was going to sweep Vietnam away and what.

00:31:54What happened?

00:31:55These are two good examples.

00:31:56If I tell you now in a few words what Banco Universal has done.

00:31:59What a mess!

00:32:00Should I publish it like this?

00:32:01Publish it however you want.

00:32:02Every thing has its name.

00:32:04Well, you'll see how long it takes our dear colleagues to ask you to resign.

00:32:08And what does this circle have to do with that bank?

00:32:12This circle has to do with all banks.

00:32:15And banks are a bad enemy.

00:32:17If I were you, I'd back down for that amount.

00:32:20I don't have that gear.

00:32:22Yeah, yeah.

00:32:23I don't give a damn if they fire me as secretary.

00:32:26There are things that matter much more to me.

00:32:27And which one?

00:32:28Those of your profession.

00:32:30Do you know this book?

00:32:31Yes of course.

00:32:32Frustrated fatherhood.

00:32:34Come on, I know all of these.

00:32:35And do they work?

00:32:36So that?

00:32:37To have a child.

00:32:39They are more likely to be used to pay for their studies later.

00:32:42Is there anyone who buys them?

00:32:43I bought it yesterday.

00:32:44But you already know what to do, don't you?

00:32:47Well, I'm not quite sure.

00:32:48Come on, brunette, but you don't have a daughter.

00:32:50Yes, but 22 years have passed without any more history and I don't want to let another day go by.

00:32:55I need a son.

00:32:57But for this afternoon?

00:32:58Don't take it as a joke, doctor.

00:33:00And how do you want me to take it?

00:33:02If they haven't repeated 22 years, there must be a reason, right?

00:33:05Or they have been distracted.

00:33:06Well, something yes.

00:33:08But we didn't give up because before it wasn't like now where there are pills for everything, right?

00:33:13And methods.

00:33:14Methods.

00:33:15How old is Luisa?

00:33:16I have never known.

00:33:17Well, of course.

00:33:18But by trial and error.

00:33:19Why do I feel around?

00:33:20For any of them.

00:33:2150?

00:33:22By trial and error.

00:33:23You can have them.

00:33:24Well, I doubt there's anything effective.

00:33:26There won't be one.

00:33:27If you go and come back to the moon, like Bilbao.

00:33:30You won't be able to have a child when you're still young.

00:33:32If the rocket fails...

00:33:33Nothing fails.

00:33:35Congratulations.

00:33:36Well, take her to my office.

00:33:41And we will see it.

00:33:42Tomorrow itself.

00:33:43I believe it.

00:33:46And for now, keep in mind that two very effective collaborators

00:33:49are the daily abdominal gymnastics...

00:33:51That?

00:33:52...and the euphoria beforehand.

00:33:53Pre-euphoria?

00:33:55May she be very happy, very amused at the right time.

00:33:58Thank.

00:33:59I?

00:34:00As?

00:34:01Tell him a funny joke when it comes up.

00:34:03I don't know jokes.

00:34:04No.

00:34:05No.

00:34:06What if it's green?

00:34:07Better.

00:34:08No, but listen, if I tell you that I...

00:34:09I don't know jokes.

00:34:10But man...

00:34:11No.

00:34:12Don't you know about catapún?

00:34:13Catapún, catapún, no.

00:34:15No, no, no.

00:34:16No.

00:34:17Well, it's very funny, I'm going to tell him.

00:34:18Yeah.

00:34:19Yeah.

00:34:20But this one...

00:34:21These were two partners named Don Ramón and Don Manuel.

00:34:23Yeah.

00:34:24Don Ramón suspected Don Manuel because Don Manuel invariably every Thursday

00:34:27he would leave the office for two hours.

00:34:29Hmm.

00:34:30So what did Don Ramón do?

00:34:31That?

00:34:32He put an employee to watch over him.

00:34:34A spy.

00:34:35That is.

00:34:36To spy on Don Manuel.

00:34:37Well, anyway, a few days later the spy comes back and tells... Don Ramón.

00:34:42Don Ramón, the matter is serious.

00:34:43Serious?

00:34:44Don Ramón says.

00:34:45Yes, yes.

00:34:46Very serious.

00:34:47Because it turns out that when Don Manuel leaves the office, he goes straight home.

00:34:50A few minutes later he comes out with his wife.

00:34:52Yeah, yeah.

00:34:53Then they get in the car, take the road, peep, peep, peep, peep, peep, peep.

00:34:56They arrive at their little mountain shelter and there...

00:34:58Catapún.

00:34:59Catapún.

00:35:00Catapún.

00:35:01Well, says Don Ramón, it doesn't seem serious to me.

00:35:02Yes, yes, yes, Don Ramón.

00:35:03This is very serious.

00:35:04But anyway, for you to understand the seriousness of this, I would have to address Don Ramón informally.

00:35:08The employee to Don Ramón.

00:35:09The employee to Don Ramón.

00:35:10To Don Ramón.

00:35:11Well, then you should be familiar with each other, eh.

00:35:12Well, look, Ramón, said the employee.

00:35:15When Don Manuel leaves the office on Thursdays, he goes to your house.

00:35:19A few minutes later he comes down with your wife.

00:35:21They get into your car, they take the road, chirp, chirp, chirp, chirp.

00:35:24They arrive at your little mountain wall and there...

00:35:26Catapún.

00:35:31Catapún.

00:35:32And that's it?

00:35:33Of course, Catapún is here.

00:35:35Othelito by Don Ramón.

00:35:36From Don Ramón!

00:35:37Don Ramón's wife.

00:35:39Don Manuel.

00:35:40Don Manuel!

00:35:42Hey, yeah, yeah!

00:35:43Hey, yeah, yeah!

00:35:44Hello, hello, hello!

00:35:46Catapun!

00:35:48Hey, yeah!

00:35:49Hey, yeah!

00:35:50Hey, yeah!

00:35:51That's just another stubbornness on your father's part; what we need to do is get it out of his head.

00:35:55If he's already gotten it, it's useless. I don't know how you don't know him.

00:35:57Well, at least not to suck him off even more, like this one wants.

00:36:00As a lawyer, Mrs. Luisa, I see this matter very clearly and I would very much like to take it up.

00:36:03It would be for me...

00:36:06I told Marisa.

00:36:07And why don't you put more effort into convincing her of this convent's insanity?

00:36:10I assure you I can't stop thinking about it.

00:36:12Oh yeah?

00:36:13I would appreciate it more if you were a lawyer for this than for that.

00:36:16Look, leaving such an important trip...

00:36:18But don't you realize that it is...

00:36:20Shut up, it's here.

00:36:22Please don't tell him you came for this.

00:36:24Put away the newspaper.

00:36:29Oh, Valentin! What are you doing here?

00:36:31He came to talk to you.

00:36:33About what?

00:36:35About the bank. He wants to be your lawyer.

00:36:37He wants to be your lawyer.

00:36:38If you'd like to do me a favor, go to the kitchen and start frying eggs until I tell you to...

00:36:42Mother!

00:36:43And why do you want to take this matter?

00:36:45You see it clearly.

00:36:46Just as Marisa explained it to me, very clearly.

00:36:48You can crush it.

00:36:49I guarantee it with the code in hand.

00:36:51Do you hear it?

00:36:52What do you say now?

00:36:53It is a lawyer who gives his opinion.

00:36:55To me this is just the upstairs neighbor.

00:36:57And he has no reason or dignity, because he promised me not to talk to you about this.

00:37:00So do me a favor, come home, we're going to have dinner.

00:37:03Excuse me, Mrs. Luisa, but it wasn't me.

00:37:04It was Marisa who...

00:37:05Well, I've already sent him packing.

00:37:07Don't get angry with me, darling, it's no good for me.

00:37:10You have to be exactly the opposite.

00:37:13Fun, euphoric.

00:37:15You'll tell me why.

00:37:16Of course, I'll tell you.

00:37:18I appreciate your offer, but I have my usual lawyer and I'm off with him tomorrow.

00:37:24I assumed so.

00:37:25Well, that being the case, I'm going home...

00:37:28Well.

00:37:29...to fry asparagus.

00:37:31Good night.

00:37:32What he said is funny.

00:37:35That?

00:37:36The thing about frying asparagus.

00:37:37I don't see the joke.

00:37:38No?

00:37:39So let's go to dinner.

00:37:41And lighting...

00:37:42Look, I've heard a joke, and it's funny, so I'm going to tell it to you.

00:37:49The one with the catapún, do you know it?

00:37:51No no.

00:37:52No, you see.

00:37:53They are two partners.

00:37:54Ramón and Manolo.

00:37:55Those with the guitar.

00:37:56No.

00:37:57No, no, no.

00:37:58They are guitar-based.

00:37:59No no.

00:38:00You see.

00:38:01Ramón distrusts Manolo, because he suspects he's having an affair.

00:38:04You understand?

00:38:05And what does he do?

00:38:06He looks for a spy to keep a close eye on Manolo's troubles.

00:38:12Very good, very good.

00:38:13No, no, wait.

00:38:14If it's not over.

00:38:15It's not over.

00:38:16And then it turns out he tells the spy.

00:38:19Hey, spy, I want to know what Manolo does on Tuesdays...

00:38:24No.

00:38:25Mondays?

00:38:26No, not on Mondays.

00:38:27Well, the day is the least of it.

00:38:28What he wants to know is what Manolo does in the afternoons.

00:38:30And two days later, the spy comes back and tells him.

00:38:34Hey, Ramon.

00:38:36No, no, no, no, no.

00:38:39First he addresses you formally.

00:38:41Listen, Don Ramón.

00:38:42Things are serious, because it turns out Don Manuel is in one of those terrible messes.

00:38:49And catapún?

00:38:51No, no, that's at the end.

00:38:53The catapún comes at the end, you see.

00:38:55So, no, no, at all.

00:38:58Ramón finds out that the woman he is leaving is leaving the beach.

00:39:03No, no, the spy's wife is from the mountains.

00:39:07No, Manolo's wife, no, the spy's mother, the one from...

00:39:14And catapun.

00:39:17I don't know, I don't think I told you well.

00:39:21Okay, but I'm going to call the doctor to tell me again, because it's well told.

00:39:26It's funny.

00:39:28Will it be by telling it well?

00:39:30I have them already written and on my desk.

00:39:34Yes, of course, that, not for the treasury.

00:39:37Tomorrow itself.

00:39:39Is eleven o'clock a good time?

00:39:41Well, I'll be waiting for you here.

00:39:43Goodbye, Marquis.

00:39:49Well, you've really crashed into a pile of straw.

00:39:51The Universal Bank.

00:39:53I didn't look for the crash.

00:39:55They were the ones who attacked me and denied me reason.

00:39:58The reason, the reason.

00:39:59But fifty duros is a reason.

00:40:01And what does reason have to do with hardliners?

00:40:03I want to sue that bank.

00:40:05And you are my lawyer.

00:40:06Yes sir.

00:40:08I still remember the last argument.

00:40:10Eleven years, eleven years of my life reporting and appealing.

00:40:13Because they didn't agree with me.

00:40:15And in the end, the Supreme Court didn't give it to us either, and we had to put up with it.

00:40:18Because then we had no beyond.

00:40:21But on this occasion, if necessary, we can go all the way to The Hague Tribunal.

00:40:26Hey?

00:40:27It's an international bank, isn't it?

00:40:29Yeah.

00:40:30Dear friend, you and I are grown up now.

00:40:32We don't have enough life to throw away like this.

00:40:34Well, Don Santiago, do you want to take care of my business, yes or no?

00:40:37I think there are other paths before reaching a lawsuit.

00:40:40The bank itself has not done anything to you.

00:40:42They were employees.

00:40:43The marquis I just spoke to is a director of that bank.

00:40:46If you want, I can talk to him.

00:40:48I'm not a fan of compromises, but I agree with what he says about the employees.

00:40:52Are you going to start tomorrow?

00:40:53He comes to this office tomorrow with other gentlemen.

00:40:55Well, what time do I come?

00:40:56Man, huh?

00:40:57Give him and me time to breathe.

00:40:59Very good.

00:41:00Call me in the afternoon.

00:41:01OK.

00:41:02See you tomorrow.

00:41:03Go with God.

00:41:04Fuguilla.

00:41:05No, not Fuguilla, not Fuguilla.

00:41:06The reason.

00:41:07What needs to be aired and always be right.

00:41:09The man, the man, the sleeve is not there.

00:41:11How about the man?

00:41:12There you have it, man.

00:41:13Oh yeah, I know.

00:41:14But not.

00:41:15No, no, I already know.

00:41:16Yes, this is it.

00:41:17But the reason...

00:41:18No, I'm not in my office yet because today was my sauna day.

00:41:21But tell me, how could this have happened?

00:41:24I know he didn't intervene and the other two were crazy, but it was certainly

00:41:27a bad attitude.

00:41:28Indeed, Mr. Director General.

00:41:31I just told him.

00:41:32But the nerves were, logically, uncontrollable and...

00:41:36Well, it's okay.

00:41:37What we need now is to fix it, okay?

00:41:39Well, call that gentleman to your office, give him explanations, pay him and even have

00:41:44pay some attention to him.

00:41:45I wouldn't want these journalists to be able to get the best of such nonsense.

00:41:49Perfectly.

00:41:50I will carry out your instructions to the letter, Mr. Director General.

00:41:55Would a box of purol sound okay to you?

00:41:58If you are a smoker.

00:41:59If you smoke, of course.

00:42:01OK.

00:42:02Well, it's done now.

00:42:04You send me, Mr. General Manager.

00:42:08What's up, Mr. Auditor?

00:42:15This falls squarely within your obligations as a married woman.

00:42:18I'm not asking you to jump off the balcony.

00:42:20No, you're asking me to squat down and start jumping.

00:42:23It is the first and simplest exercise.

00:42:26A girl does it.

00:42:27Ah, a girl yes.

00:42:29But I stopped being one a few years ago.

00:42:33How many?

00:42:34That's also very important to know.

00:42:36No, that's not it.

00:42:37I prefer to jump.

00:42:39Alright.

00:42:40Well then squat down.

00:42:41Rodrigo!

00:42:42There is no Rodrigo worth anything.

00:42:43I still haven't had the meatballs bounce yet.

00:42:45There is something more important than meatballs.

00:42:48Come on!

00:42:49And why are you so sure that I'm the one who has to jump?

00:42:51Won't it be you?

00:42:52I?

00:42:53And why not?

00:42:54Or am I Juan Palomo who does it all?

00:42:56It is natural for the car to break down, but not the driver.

00:43:00Yeah, man.

00:43:01Anyway, I have no problem jumping with you.

00:43:03Come on.

00:43:04Come here.

00:43:05Look how it is.

00:43:06So.

00:43:07Well.

00:43:08Prepared.

00:43:09Below.

00:43:10And then at night, to laugh.

00:43:12No?

00:43:13No, not all of them.

00:43:14Come on.

00:43:15Here it says, support your hands on your kidneys and keep your chest upright.

00:43:20Be content with your hands on your kidneys.

00:43:22Don't ask for sweets.

00:43:23He says, standing tall.

00:43:24They must have written that for Sophia Loren.

00:43:26Give yourself well.

00:43:27I can't take it anymore.

00:43:28Hurry up.

00:43:29Well, standing on the tips of your toes, jump fifteen times.

00:43:32Fifteen times?

00:43:33Yeah.

00:43:34It is recommended that instead of jumping in the same place, you cover a distance.

00:43:40If you like, we'll go to the door.

00:43:42From the sun?

00:43:43No, that woman.

00:43:44Hey?

00:43:45Yeah.

00:43:46One, two, and three.

00:43:47Oh!

00:43:48Oh!

00:43:49Oh!

00:43:50Oh!

00:43:51Oh!

00:43:52Oh!

00:43:53Oh, oh, oh!

00:43:54What are you doing?

00:43:55We have bet.

00:43:56Who was the biggest idiot?

00:43:57And who won?

00:43:58Me, daughter.

00:43:59I.

00:44:00Congratulations.

00:44:01Dad, they're calling you on the phone.

00:44:02From Universal Bank.

00:44:03The Universal Bank?

00:44:04Yes, the director.

00:44:05What do I say to him?

00:44:06Well, I'm going.

00:44:07I'm trying to go.

00:44:09At least give me a hand.

00:44:11Yes, yes.

00:44:12Oh!

00:44:13Oh!

00:44:14Are you sure it's the director?

00:44:16Yes, the director.

00:44:17That's my lawyer!

00:44:18Already!

00:44:19Already!

00:44:20Oh!

00:44:21So you're simple.

00:44:22You've hurt yourself!

00:44:23No, no, no.

00:44:24Do you want me to help you?

00:44:25Oh!

00:44:26The kidneys.

00:44:27This one above all.

00:44:28Oh!

00:44:29Oh!

00:44:30Oh!

00:44:31Oh!

00:44:32Well, let me.

00:44:33I can now.

00:44:34Oh!

00:44:35Oh!

00:44:36Oh!

00:44:37There!

00:44:39There!

00:44:40Ah!

00:44:41Now sitting on the snack.

00:44:43Ha ha ha!

00:44:45Ha ha!

00:44:46Tell me.

00:44:48...Don Rodrigo Quesada, huh.

00:44:50All right, man!

00:44:51And what about me?

00:44:52Can I stop by your office?

00:44:54So that?

00:44:55To pay me, eh!

00:44:57To pay me, huh?

00:45:01Look, sir, the 257 pesetas are of no importance to me.

00:45:08Exactly, reason and good deeds.

00:45:12Tomorrow at 12, I'll be there at that time.

00:45:16Why me? Do I smoke?

00:45:19Yes, unfortunately, but why?

00:45:23Well, well, you can't imagine how happy this makes me.

00:45:26See you tomorrow, Mr. Director.

00:45:30Blessed be God.

00:45:32Will I get paid?

00:45:33Yes, they say they're going to give me the money, some satisfaction, and apparently even the tobacco.

00:45:40Well, this costs me 257 pesetas.

00:45:42Oh yeah?

00:45:43Yes, Jose.

00:45:44Saint Rita offered it to them if they fixed it.

00:45:46Ah, well pay them because you've already done it.

00:45:56I would have gone with a thousand loves to where you had me...

00:46:02I would have gone with a thousand loves to where you had me...

00:46:26But this is really where...

00:46:30Naturally, this is the place, don't worry.

00:46:32Thank you.

00:46:34Well, well.

00:46:35Mr. Quesada, allow me, first of all, to offer you the name of our CEO...

00:46:42...this little gift.

00:46:44Cookies?

00:46:45No, cigars.

00:46:47Oh my God.

00:46:49But why is this?

00:46:50Because we want to be your friends.

00:46:52Accept it.

00:46:53But now I am the debtor.

00:46:55Bah, he has open credit.

00:46:57Don't worry.

00:46:57Thank you very much, thank you very much.

00:46:59A cookie, I say, one accepts me.

00:47:02Delighted.

00:47:03That is.

00:47:03We will smoke the cigar of peace.

00:47:05Of peace, that, of peace.

00:47:07They're good, huh?

00:47:08Yes sir.

00:47:09A costly investment.

00:47:12Yeah, yeah.

00:47:13Please connect me to branch 17 immediately.

00:47:15Yes, sir, right away.

00:47:20Come on, man.

00:47:21So it's a dirty trick.

00:47:23Please, with branch 17.

00:47:28Gorgeous.

00:47:28Yes sir.

00:47:29Very tasty peace.

00:47:30And now, Mr. Quesada, I'm going to bring the two officers who were involved in the incident with you to...

00:47:36But please.

00:47:37They asked me, and very voluntarily.

00:47:39Oh.

00:47:40If you try, it's a bad dice.

00:47:43Predatory instinct.

00:47:45José María el tempranillo, but worse.

00:47:47This is going to swallow him up.

00:47:49I swear.

00:47:50Okay, but what about that branch?

00:47:51Mr. Fontán, one moment, this is the general manager speaking.

00:47:57Bad days.

00:47:58You called that idiot.

00:47:59What idiot, Mr. Director?

00:48:01Top quality, I have never smoked cigars like that.

00:48:03Well yes, yes, of course.

00:48:05I did it.

00:48:07And I have it right here.

00:48:08Hey, thanks.

00:48:09God has done it.

00:48:11Have you paid him yet?

00:48:14Thank goodness.

00:48:16Then kick him out.

00:48:18It's an order.

00:48:19Did you hear me?

00:48:20By kicking.

00:48:22And you know where.

00:48:24I can imagine.

00:48:25But it's that...

00:48:27No, sir, I haven't read anything yet.

00:48:35Does that say?

00:48:36This matter is a personal one for me, but one in which you can play your position.

00:48:40You can't, Mr. Director.

00:48:42It will be as you command, Mr. Director General.

00:48:44Shoot the head.

00:48:46There is something more honest and more beautiful than recognizing one's own mistakes.

00:48:50It's true that no.

00:48:51Mr. Quesada.

00:48:53Tell me.

00:48:55Get out of this office!

00:48:57What do you say?

00:48:58Get him out of this office before I kick him out!

00:49:01Who to me?

00:49:01To you, yes, to you.

00:49:03And if there's any pig here, it's you.

00:49:05Listen.

00:49:06I don't hear anything.

00:49:07Put him on the street.

00:49:08But do I give this to you?

00:49:09Not a single fat bitch.

00:49:11Come on, take it.

00:49:12Be careful not to touch me!

00:49:13I don't know what's going on here, but I'm starting to think it's all been a ridiculous mockery that I'm not willing to tolerate.

00:49:20Neither do we!

00:49:21If you think that I'm the only one who can sink anyone, you can, so to speak, have a laugh.

00:49:27No matter how much of a universal bank they are, they are wrong.

00:49:31I have much, much more determination than you, gold.

00:49:35And I will prove it to you.

00:49:37Out!

00:49:38Hania, good!

00:49:41Listen!

00:49:42Listen!

00:49:43My cigar!

00:49:49Pure!

00:49:50Go on!

00:49:52By force!

00:49:53I have more purity.

00:49:55Much purer!

00:49:59So this article is an extension of the previous one.

00:50:03Article 52.

00:50:04The council may determine the manner and order of cancellation of obligations, etc., etc.

00:50:09This article is like article 48, but in reverse.

00:50:12This way you always have the upper hand.

00:50:15For two mangoes?

00:50:15Exactly.

00:50:18Article 53.

00:50:21You forgive me.

00:50:22I'm sorry, but it's extremely urgent.

00:50:24But by God we are together.

00:50:26Yeah.

00:50:26And when you are meeting with me and they call you on the phone?

00:50:28Suppose I am calling you on the phone.

00:50:31Excuse me, please, it's just a moment.

00:50:35Get out, get out.

00:50:36Who could this thug be?

00:50:38He must be the paranoid our lawyer told me about just now.

00:50:41The one who wants to sue our bank.

00:50:43Ah, yes.

00:50:44Well, he's given us a hard time.

00:50:45They made me go to make fun of me.

00:50:48They gave me a cigar and took it away from me.

00:50:50I have been insulted.

00:50:52And what do you think of them?

00:50:53I.

00:50:53He doesn't read the newspapers.

00:50:55The newspapers?

00:50:55Yeah.

00:50:56No one has ever said such big things about anyone.

00:50:58Bah, that's all in the past.

00:51:00Did he insist again today?

00:51:01Yeah.

00:51:01Read it and see if the person you need to sue isn't the journalist.

00:51:04If you have exceeded it, I will do it too.

00:51:06But they still owe me 257 pesetas.

00:51:10And I will sue them for being thieves.

00:51:12Please.

00:51:13There is the marquis who is a director of that bank.

00:51:15I don't care.

00:51:16Not me.

00:51:16He is a good friend and a good client.

00:51:18Better than me, right?

00:51:19It doesn't cause me that much trouble at least.

00:51:21Disturbances.

00:51:22So you refuse to take my case, don't you?

00:51:24I beg you to release me from it.

00:51:26Very good.

00:51:26And I recommend to you as a friend that you desist from violent action.

00:51:29The CEO of that bank has at least as much guts as you.

00:51:33They also need to have more of that.

00:51:36Well, we'll see.

00:51:38Stay quietly with your marquises,

00:51:41because I will never disturb him again.

00:51:46Amen.

00:51:54Good morning, sir.

00:51:57You can't park here.

00:51:58Since when?

00:51:59Since yesterday.

00:52:00Haven't you seen the record?

00:52:01I haven't even looked at it.

00:52:02And all that?

00:52:03They are all sanctioned.

00:52:05With you the blog is over.

00:52:06Your name?

00:52:08Rodrigo Quesada.

00:52:10You're not the one who started that mess with the bank, are you?

00:52:13Himself?

00:52:13In that case I'll forgive you the fine.

00:52:16No, that's not it.

00:52:17I appreciate the favor, but no.

00:52:19But nothing.

00:52:19No, no, no, no, no.

00:52:21Break it.

00:52:22No.

00:52:23Sign it because I'm going to pay it right now.

00:52:25You are right and that is why I pay for it.

00:52:28But the day they put it on me for no reason...

00:52:32We nuns should also know about this.

00:52:36And if I don't take advantage and train with you now that you have to put them on,

00:52:39Who am I going to do it with?

00:52:40With a cat it would be much more appropriate.

00:52:42Imagine if they send me to the Congo.

00:52:44I would send more than two there.

00:52:45Look at my age...

00:52:46Well, come on, lie down and make it easy for me.

00:52:48And who gives them to me?

00:52:53And what are these injections for?

00:52:55For muscle soreness?

00:52:56Don't ask me, that can't be explained to a nun.

00:52:59Come on, come on, you've been pricked once.

00:53:01Okay, but don't move too much, okay?

00:53:03Come on.

00:53:05Where did you poke me?

00:53:07Pretty close.

00:53:07From the liver.

00:53:08No, Mom, I haven't left the zone.

00:53:10Don't move, okay?

00:53:13Marisa!

00:53:14Is it dad?

00:53:15It's dad.

00:53:16And you want to be more so?

00:53:17But where are you, Marisa?

00:53:18Here, dad!

00:53:19But prick me first, you devil nun!

00:53:21Oh!

00:53:23Wait.

00:53:26Oh, sorry!

00:53:29What's up, Dad?

00:53:30Worst.

00:53:32Do you know if Valentín is at home?

00:53:34It went up five minutes ago.

00:53:35Well, go for it.

00:53:36What's up?

00:53:36But what happened to you?

00:53:37I've told my lawyer to go to hell.

00:53:39To hell with it?

00:53:40Yeah.

00:53:40Oh!

00:53:41Come on, hurry up.

00:53:42Yes, Dad, I'm going!

00:53:43But not everything was settled.

00:53:44Nothing has been fixed.

00:53:46They have insulted me, they have despised me for a marquis.

00:53:49Why marquis?

00:53:50They are all Iscariots and...

00:53:53By the way, did you take the candles to Santa Rita?

00:53:55This morning.

00:53:56And did he accept them?

00:53:57Naturally.

00:53:58Well, you're ready to take them off.

00:54:00But Rodrigo!

00:54:01And right away!

00:54:02Because if I go, I'll give Santa Rita a try.

00:54:05Everyone... to steal, for God's sake.

00:54:07But he didn't tell me on Sunday that he already had a lawyer.

00:54:09And he had it.

00:54:10But I managed to convince him to give it to you.

00:54:12You?

00:54:12Were you the one who...?

00:54:13Yes, Valentin.

00:54:14May God reward you, Marisa.

00:54:15You are a sweetheart.

00:54:17But what are you doing, Valentin?

00:54:19That I'm happy, Marisa.

00:54:19Okay, then go on.

00:54:20Should I continue?

00:54:22Come on, you've given me the greatest joy of my life.

00:54:24Don't exaggerate.

00:54:25No, it doesn't count, it certainly doesn't.

00:54:27Did he say it or did you make it up?

00:54:29I never invent what I write.

00:54:30He said it.

00:54:31Ah.

00:54:32But in a state of very excusable excitement.

00:54:34Ah, Monserga.

00:54:35Did you then worry about rectifying it?

00:54:37It is not yet offered.

00:54:38No, don't even get tired of doing it.

00:54:39Because according to what I've been told, he's a proud and stubborn person, one of those who boast of being so.

00:54:44But I also boast about the same thing.

00:54:46Look where you are.

00:54:47And that idiot is ready.

00:54:48For now, he already has a complaint in court for slander and libel.

00:54:52Do you see it?

00:54:53Yes of course.

00:54:53I read the newspapers.

00:54:55Those from here and those from abroad.

00:54:58Did you read this?

00:55:01It's from the Humanité in Paris.

00:55:05This and nothing are the same.

00:55:06But isn't this bank's headquarters in Paris?

00:55:08Yes, at the Eiffel Tower.

00:55:09Good, Mr. Briceño.

00:55:11I won't take up any more of your time.

00:55:13Delighted and thank you very much for your statements.

00:55:15Go with God.

00:55:21Hello, Marquis.

00:55:22I was waiting for him.

00:55:23Hello.

00:55:24Who was he?

00:55:25The journalist who started all this mess.

00:55:27But is that buzzing still going on?

00:55:29You see, yes.

00:55:30And not only here.

00:55:31Le Humanité has published a comment.

00:55:32How do you know?

00:55:33He showed me a clipping, that down jacket.

00:55:36But, man, no.

00:55:37Yes, imagine me.

00:55:39Well, it's that he loved me.

00:55:41Well, even though it may seem silly, I'll tell you about Mr. Quesada.

00:55:45Also?

00:55:45Yeah.

00:55:47It turns out he's my tenant.

00:55:49Oh yeah?

00:55:49My manager just told me.

00:55:53He lives and has a craft workshop in one of the seven or ten mansions I have in that neighborhood.

00:55:59Man, isn't his situation such that he could get a declaration of ruin and be thrown out on the street?

00:56:05Well, it wouldn't be difficult at all.

00:56:07They've thrown me better ones.

00:56:08Well, let's get to it.

00:56:09But what about the other tenants?

00:56:11Ah, the...!

00:56:12Conference at the Paris Central House.

00:56:13Mr. President General speaking for the International.

00:56:25Hello?

00:56:28Yes, Mr. President.

00:56:29What a pleasant surprise.

00:56:30This is a minor but annoying matter related to the robbery at our branch.

00:56:36No, no, it's not about the lead the Spanish police have already found, but about a certain incident with...

00:56:42Yes, I know it's nothing, but we don't like it.

00:56:51No, it has not been only, l'humanité.

00:56:53This had to be moved to someone who suits him for some reason.

00:56:56I would ask you to bring this matter to a close as soon as possible.

00:57:01Mr. President, this small incident has put our bank in a bad light, especially for me.

00:57:05I can't back down without my personal reputation taking a severe hit.

00:57:10Yes, Mr. President, very firmly.

00:57:12So much so that if you thought otherwise, I would have to, with great regret, resign from my position.

00:57:17Exactly, my resignation.

00:57:19Oh, no, mon cher.

00:57:20Let me tell you how far-fetched you are.

00:57:24Act as you like, but I will not hide from you that if the formula exists, which it always does,

00:57:29I would like to settle this small score.

00:57:32OK?

00:57:32Absolutely, Mr. President. Thank you for your kind words.

00:57:36Trust me. Good morning.

00:57:39Come on, man. How is it possible that I...

00:57:42You've put that chair at risk.

00:57:44What a man!

00:57:45Look how quickly you have picked up the sails.

00:57:47I understand these French people.

00:57:48But why don't you try to do something?

00:57:50The shot in the back of the head?

00:57:51No.

00:57:52Although it's also about shooting.

00:57:55I have the experience that what is not fixed sometimes in court days,

00:57:59is arranged in a hunting lodge.

00:58:00Yes, that is very true.

00:58:01But so what?

00:58:02You see, I could put pressure on that good gentleman on one side regarding the audio issue.

00:58:06and on the other hand, send him a repair cable.

00:58:10My lawyer can help me with this first move.

00:58:13The second would be to invite you to hunt on my farm and have a chance meeting.

00:58:19Come on, guys, stay still, you're going to kill me!

00:58:22Jesus, what guys!

00:58:23And what is that?

00:58:23You have not received it.

00:58:25My husband hasn't said anything to me.

00:58:26But where is your husband?

00:58:27There, in the Jarama!

00:58:29Traimundo!

00:58:30Leave your neck alone, you have a visitor.

00:58:31Let's see, what's going on?

00:58:32Communication.

00:58:34That?

00:58:34That they are going to declare this house in a state of ruin.

00:58:38Haven't you received it?

00:58:39I don't know, here as soon as the paper comes in the kids grab it to play.

00:58:43I don't know where he is.

00:58:44Oh my God!

00:58:44Let's see if this is it.

00:58:47Yes of course.

00:58:48This is it.

00:58:49Well, here it tells us that they are going to kick us out of this house.

00:58:51But what does it say?

00:58:52Come on, to Navéu's, girls.

00:58:56Wow!

00:58:56With your little brother.

00:58:57Shut up, honey!

00:58:58Come this way.

00:59:00Let's see, can you explain to me what that is?

00:59:02It's a punishment.

00:59:03But why?

00:59:04What have we done?

00:59:06Well, being neighbors of the stubborn one is.

00:59:08This is revenge for the fuss he made against the bank.

00:59:10Oh my God!

00:59:12And what are the ten of us doing in a modern house?

00:59:15And whatever comes.

00:59:15This cannot be allowed.

00:59:18If they throw us out of this house because of him, I'll shoot him twice.

00:59:20No, no, no shooting.

00:59:22You have to take things calmly.

00:59:24We called a meeting of neighbors and discussed the matter there.

00:59:27But no contrast of opinions.

00:59:29Contrast with a club if necessary.

00:59:31What if it were true that the house is in danger of collapse?

00:59:33What's it going to be?

00:59:34If this house has been standing for a century and a half,

00:59:36Why would it fall now?

00:59:40Go for it!

00:59:41I think we will save a lot of time if we skip the question of whether or not our house is in danger of ruin,

00:59:48as the administrator of the Marquis of Santórtolo tells us in this letter.

00:59:51I think that's the key.

00:59:53No sir, the bottom line is that our house is not threatened by ruin, but by you.

00:59:58That's true.

00:59:59Of course, what a ruin or what a quarter eight.

01:00:00Do you all think so?

01:00:02Yes sir, there is a quorum.

01:00:04If the owner of this house were not that Marquis,

01:00:07and that Marquis were not a director of that bank that you have insisted on butting heads with,

01:00:11I'm not going to say that instead of this letter they would have sent us a chrism.

01:00:16But we would have lasted another century and a half.

01:00:18Very pleased.

01:00:19Yes sir.

01:00:19It has all the hallmarks of retaliation.

01:00:21No more, no less.

01:00:23It's worth thinking about.

01:00:25There is ruin and meanness.

01:00:29It is possible that both things happen here together.

01:00:31No sir, just one.

01:00:33So if we are all convinced that it is a meanness,

01:00:36Are we going to make another one?

01:00:38Us?

01:00:40Which?

01:00:41The one asking me to give myself unconditionally,

01:00:43which is apparently what he intends.

01:00:45What we intend is that because of your stubbornness

01:00:47we don't have to go over the twelve hundred that we all pay

01:00:50to the eight or ten thousand we would have to pay anywhere else.

01:00:54I don't think anyone would be as disturbed by this as I am.

01:00:57that in addition to my apartment, I would also have to leave this workshop,

01:01:02which is my whole life.

01:01:04But I want to tell you one thing.

01:01:05Do you think my stance on that bank only affects me?

01:01:09Who else?

01:01:11To NATO?

01:01:12To everyone.

01:01:13I defend something more important than one floor or ten floors.

01:01:18I defend reason and law, which belong to everyone,

01:01:22without which one cannot live,

01:01:24even if they leave us a roof and walls.

01:01:27You defend two hundred and fifty-seven pesetas.

01:01:29No, sir.

01:01:30I defend you.

01:01:32To you, to you, to all of you.

01:01:35I defend all of humanity.

01:01:37But you are the UN.

01:01:38You can't expect us to see this matter of yours.

01:01:41as if it were another May 2nd.

01:01:43We all have discussions like this, every day,

01:01:46and we don't involve others in the matter.

01:01:48But this is not a discussion like that.

01:01:50Oh no?

01:01:51If the rights of the weak are violated every day,

01:01:53It is because there are very few who have the fortitude

01:01:55to confront the powerful to shout at him,

01:01:56Here is justice and here they only walk over my dead body.

01:02:00Our neighbor has done it.

01:02:02And circumstances have wanted this to become

01:02:03as in a symbol that is on the street

01:02:05and there are many who look at it with hope.

01:02:08This letter is sent to us to put pressure on the sentry

01:02:11to abandon his parapet.

01:02:13And are we going to be their neighbors, their friends,

01:02:16those of us who join in the dirty game?

01:02:19For my part, gentlemen, I will not do it.

01:02:21As a neighbor, as a friend and as a citizen I tell you,

01:02:26Mr. Quesada, count on me and thank you very much.

01:02:29Thank you, Valentin.

01:02:31This boy has said things that seem true.

01:02:33But they are not.

01:02:35If we start talking about the sentinel here,

01:02:37from the trenches and from the tatachín,

01:02:39We're going to get to July 18th again.

01:02:41and we might even get into a shootout without leaving right here.

01:02:45You have your reasons for speaking like this,

01:02:46but the rest of us have an opinion.

01:02:47The others are not you two.

01:02:49Why don't they let someone else speak?

01:02:50Hey? Let him talk, let him talk.

01:02:52Open up!

01:02:53No, I...

01:02:54Shall I open?

01:02:55Open to anyone.

01:02:59What are the urban planners doing now?

01:03:02Don't be a bore, man.

01:03:08Hello good.

01:03:08Could there be a moment for Don Rodrigo?

01:03:10He is meeting with his neighbors.

01:03:11I don't think so...

01:03:12Wait, Felipe!

01:03:14Ah.

01:03:18Good evening, Mr. Santiago.

01:03:19Sorry for coming without warning.

01:03:21Do you have a meeting?

01:03:22You see, yes.

01:03:23And I can imagine what it's for.

01:03:24I came for the same thing.

01:03:25With other communication from your client?

01:03:29Quite the opposite.

01:03:30With the intention of serving another client

01:03:32that he left me angry.

01:03:34Why don't you postpone this meeting until next Sunday?

01:03:36I think I'll be able to give you better news by then.

01:03:39What is it based on?

01:03:40How do I want to show him that I am still a good friend of his?

01:03:44Can I see you tomorrow?

01:03:45In your office?

01:03:47If you want.

01:03:48At eleven?

01:03:48OK.

01:03:50So go on to your neighbors and reassure them.

01:03:53Very good.

01:03:55Ah.

01:03:55Do you have a shotgun?

01:03:57No.

01:03:58But it's going to be necessary.

01:03:59It's going to be indispensable.

01:04:01But you can already imagine where this is going.

01:04:03Hey, the one who didn't say anything.

01:04:12We had agreed on the permanent one.

01:04:14Gentlemen, I don't know if I have good news for you,

01:04:18but it could be so.

01:04:20That guy is our landlord's lawyer.

01:04:22and mine too until...

01:04:24But anyway, he asked me

01:04:26that we postpone this meeting until Sunday

01:04:29and reassure them.

01:04:30Man, that's already reassuring.

01:04:33Not quite.

01:04:35Because he asked me if I had a shotgun.

01:04:56That?

01:04:57I want to tell you something important.

01:04:59Can you go out onto the landing?

01:05:00What's happening?

01:05:01What's happening?

01:05:02What's happening?

01:05:02Man, look how I am.

01:05:03Put on a robe, it's just a second.

01:05:06Well, come down.

01:05:07Forgive me, Marisa, but this is something serious for me.

01:05:30What's happening?

01:05:30Have you received another anonymous message?

01:05:32Anonymous?

01:05:32Oh, no, no, that's already cleared up.

01:05:34Do you know who he was?

01:05:35No, but Piluca confessed.

01:05:36She was that jerk's girlfriend.

01:05:37From Alberto?

01:05:38Alberto?

01:05:38No, Bernardo's.

01:05:39Ah, well, yes, that too.

01:05:41How so?

01:05:41She swears it was just that one.

01:05:43Jesus.

01:05:43Hey?

01:05:45Hey, I'm starting to dislike this one bit.

01:05:46Did you say Alberto?

01:05:47I haven't said anything.

01:05:48And also, leave her, poor thing, don't bother her anymore.

01:05:50No, I'll put it together tomorrow.

01:05:52Promise me you won't.

01:05:55Well, Marisa, let's talk about something else.

01:05:57You see, your father's lawyer showed up at this afternoon's meeting.

01:06:00He told us.

01:06:01I don't know what they talked about, but I'm very upset.

01:06:03He says he wanted to resolve the eviction issue, but I think he wants to revive the issue now that it's publicized and going well.

01:06:08And do you think my father would agree to that?

01:06:10No, no, not him.

01:06:11But how those belly-sick people pressure him and he has that heart.

01:06:14Like yours.

01:06:15Mine, no, no.

01:06:16Yours is solid gold.

01:06:18Dad excitedly told me what you told them and tears came to my eyes.

01:06:22Everything in you is good.

01:06:24Thank you, Valentin.

01:06:26Marisa, you really have everything good.

01:06:29I'm grateful and sensitive, that's all.

01:06:32No, no, not everything.

01:06:35Come down, what do we do?

01:06:36Well, continue as we were.

01:06:38But we had the lights off.

01:06:39So what do I do? Do I leave?

01:06:40No, no, come in.

01:06:42Okay, but are we going or not?

01:06:43Yeah, man, yeah, I'm coming.

01:06:44Always the same, we're going to miss half of it.

01:06:46We will only lose the node.

01:06:47Well, but I also like to see the node.

01:06:49But it is always the same.

01:06:50Yes, but since I'm paying for it...

01:06:53Hey.

01:06:53What's happening?

01:06:54They have left the door open.

01:06:56Then close it.

01:06:59I caught your finger.

01:07:03I must have left my nail in the shoe rack.

01:07:05Let's see...

01:07:05Ah, I don't have a nail.

01:07:07I don't see anything here.

01:07:08Let's go to my room, I'll fix it for you.

01:07:09Not to your room, no, no, no.

01:07:10But you have to put something on.

01:07:11I need another nail and I don't think you have one.

01:07:13But I have gauze and alcohol.

01:07:14Ah, alcohol, no, no, no.

01:07:15It would wake up your parents and everyone else.

01:07:16I already found something, don't worry.

01:07:19Bye bye.

01:07:19And don't forget about mine.

01:07:21I promise you.

01:07:21Cure that.

01:07:22No, it hurts less now.

01:07:24Take a rest.

01:07:24Get well soon.

01:07:25Goodbye, Marisa.

01:07:26Goodbye, Valentine.

01:07:29Now.

01:07:32But where did you get all this from?

01:07:34From a theater tailor shop.

01:07:35I already said it.

01:07:36Where did you expect me to get a stylish hunting suit?

01:07:40Elegant?

01:07:40As you told me, many hondes and marquises go on that hunt.

01:07:43Of course, and you brought up the deep Luxembourg.

01:07:47There it is, there it is.

01:07:48There.

01:07:49Well, where's the other one?

01:07:52If you wear it.

01:07:53Ah, of course, yes, to shape it.

01:07:55Clear.

01:07:56Help me.

01:07:57Pull hard, pull hard.

01:07:59Get off.

01:08:00Help me.

01:08:01Help me.

01:08:02Help me.

01:08:03He's already fallen, Rodrigo.

01:08:04He has fallen.

01:08:04No, no, don't get up.

01:08:05Stay on the ground.

01:08:05Much better, much better.

01:08:07Lift your foot.

01:08:08The other, man, the other.

01:08:09Ah, yes.

01:08:10This.

01:08:11Clear.

01:08:13Slowly, slowly.

01:08:14Yes, don't worry.

01:08:15Pull me.

01:08:17I play a sport.

01:08:17Pull me a little.

01:08:19Wait.

01:08:20Wait.

01:08:20That is.

01:08:21Now, push.

01:08:22Help me.

01:08:24Well, what?

01:08:25Yes, yes, it's mine.

01:08:25It's mine now.

01:08:26Help me, my shoe.

01:08:27What did the shoe ask you for, man?

01:08:28My shoe.

01:08:30That's it.

01:08:33Well.

01:08:34Now, let's go upstairs.

01:08:34One, two, three.

01:08:36But one, two, three.

01:08:37Here we are.

01:08:41Now, strong kicking fingers.

01:08:42That's how it is.

01:08:42To the ground.

01:08:46Like this, like this.

01:08:47Very good.

01:08:48Well, God knows, I do it for what I do.

01:08:52Come on, come get the jacket.

01:08:54If I can't.

01:08:55If I'm not going to be able to walk.

01:08:56Yes, man, yes.

01:08:56As soon as you get it.

01:08:57Come on, one step.

01:08:58Another little step.

01:08:59Other.

01:08:59This, this, this.

01:09:00Very good.

01:09:01You see.

01:09:02I hope this fits you, because it was a little tight for me.

01:09:04Put it on.

01:09:05An arm.

01:09:05That I have to dress like a clown because of...

01:09:10Nothing buffoonish, this is really nice.

01:09:12Look in the mirror.

01:09:13How are you?

01:09:14Ridiculous.

01:09:16Can we come in now?

01:09:17For me.

01:09:18No, no, no.

01:09:18Not yet, no, no.

01:09:19One moment.

01:09:21Just a moment.

01:09:22They have to see it completely finished.

01:09:23Let them come in right away, because I have three minutes left.

01:09:26We are missing the hat and the cartridge belt, because this is called a cartridge belt.

01:09:29I know.

01:09:30Do you think I'm stupid?

01:09:31Well, I didn't know that.

01:09:32But what do you do?

01:09:34What are you doing?

01:09:34It's not a scarf, man.

01:09:36The cartridge belts like that.

01:09:38So.

01:09:38What is that man waiting for you in the car?

01:09:41Immediately.

01:09:42The Tyrolean is still missing.

01:09:44What did he say?

01:09:45A Tyrolean has yet to come.

01:09:47A Tyrolean.

01:09:48I find it very good that way.

01:09:49You find everything fine.

01:09:51Devil.

01:09:51But that's how I am a mask.

01:09:53Man.

01:09:55What if we tear it off?

01:09:56No, no, no, it's rented.

01:09:58Try looking back.

01:10:01Ah, that's much better.

01:10:03This is how I am ready to be shot with a shotgun.

01:10:05You are quite the English lord.

01:10:06A lor.

01:10:07Let's see what the women think.

01:10:08A parrot.

01:10:10Forward.

01:10:10Here you have Daniel Boone.

01:10:12Oh, I find it very good.

01:10:14And you, mom?

01:10:14Me too.

01:10:15Who does it remind me of?

01:10:17To the fool of your town.

01:10:19No.

01:10:21You've already figured out who, right?

01:10:23No no.

01:10:24You don't remind me anything of that fool.

01:10:26So which one?

01:10:27No fool.

01:10:29It's just that all hunters make me laugh, man.

01:10:33Don't pay attention to him, Dad.

01:10:34You are quite an English lord.

01:10:35We have coincided.

01:10:36I told him the same thing.

01:10:37Ah, yes.

01:10:38Well, come on, give me things.

01:10:40What things?

01:10:41My handkerchief, the scarf, the gloves.

01:10:43My tobacco, the clock.

01:10:44Filling coffee with milk.

01:10:45I'm going to drink a liter.

01:10:47In the countryside and in the cold, you'll see.

01:10:49That, the handkerchief.

01:10:50The gloves.

01:10:51Ah, here they are.

01:10:52My watch.

01:10:53Okay, but what?

01:10:53Ah, yes.

01:10:56I am funny, aren't I?

01:10:58No, no, no, man, no.

01:11:00Laugh, laugh, burst.

01:11:03Oh, Mom, don't pay attention to him.

01:11:06Have you ever seen your mother laugh like this?

01:11:09No, not even with that joke about the sailor that I found so funny.

01:11:11That's why, la, la.

01:11:14No, I'm not laughing anymore.

01:11:20What nonsense, man, what nonsense.

01:11:21It's no nonsense.

01:11:23Come on, Don Rodrigo, you're going to be late.

01:11:24Never mind, there are much more important things than that.

01:11:26Go to the car, I'll be right there.

01:11:28Keep laughing.

01:11:29And you too, both of you, out onto the street.

01:11:31Oh.

01:11:31Wow!

01:11:36Keep laughing.

01:11:40No.

01:11:40Go on.

01:11:41No.

01:11:42Keep laughing.

01:11:43No.

01:11:43Please, Rodrigo.

01:11:45No.

01:11:45Hello, Sambra.

01:11:53That's a nice dog of yours, isn't it?

01:11:56Yes, too.

01:11:57Oh, sure.

01:11:58Yes, dear tenant.

01:11:59This Don Santiago is clever.

01:12:01When he brought him it was because he knew he could kill two birds with one stone.

01:12:04What me?

01:12:05No.

01:12:06My lawyer's birds are me and another guest you know.

01:12:10Dino?

01:12:10Yes, I believe so.

01:12:12Look.

01:12:13Didn't I know the one who is talking to him?

01:12:15No, I don't think so.

01:12:16Who is it?

01:12:17Don Tomás Briceño, the general manager.

01:12:19From Universal Bank?

01:12:20That.

01:12:21A good hunter.

01:12:22And very stubborn.

01:12:23Almost like you.

01:12:24No.

01:12:25And I hunted?

01:12:26No.

01:12:27I was referring to your stance against our bank.

01:12:29You've made it very difficult, haven't you?

01:12:30Excuse me, Marquis.

01:12:32What's up, haha?

01:12:32You can start hunting whenever you want.

01:12:34Well, walking.

01:12:35Walking.

01:12:36And let's see how you throw the partridges.

01:12:38Easy.

01:12:39With an eviction.

01:12:40That's clever.

01:12:41Well, do you want me to introduce you to Briceño?

01:12:43If it's going to be of any use, then come on.

01:12:46But slowly, because with these boots.

01:12:49I'll lend you some of mine later.

01:12:52Here they bring it to you.

01:12:54I don't know if I should load my shotgun.

01:12:56Temper yourself, man.

01:12:57Don't you see that you're coming to litigate because you're poor?

01:13:00Dear Briceño.

01:13:01Oh, what's up, Marquis?

01:13:03My horoscope tells me that today opens with very hopeful promises.

01:13:07Do you know this gentleman?

01:13:08Yes, I think I've seen the newspapers.

01:13:10Well now you're going to meet him personally.

01:13:13Don Rodrigo Quesada.

01:13:14Delighted.

01:13:14Don Tomás Briceño.

01:13:16My good horoscope, no doubt, has brought you together here today by pure chance.

01:13:20And I read in it that I did it to sort out some childishly tangled little things.

01:13:26You know, Marquis, that I am an open man, even on Sundays.

01:13:29And you?

01:13:32I, although not a hunter, accepted this invitation and these boots because I was willing to become a pharmacy on call.

01:13:41Great.

01:13:42Well, evidenced by both parties, good will.

01:13:45The lawyer has the floor.

01:13:47With your permission.

01:13:49Oh, sorry.

01:13:50I think fortunately there is little to talk about.

01:13:54Between the two of you, the imponderables have raised a mountain that is not even made of sand.

01:13:58Because, my friend Quesada, here, in the end, what is it that is substantiated?

01:14:01It's a small thing, give me the mouse.

01:14:03Or what is the same, give him the 257 pesetas.

01:14:06Let's put it this way.

01:14:07Well, that's all.

01:14:0850 duros and something.

01:14:10And peak.

01:14:10The peak is what has poisoned the issue.

01:14:13No, but a journalist made the point.

01:14:15No, sorry.

01:14:16The journalist did not add a single comma.

01:14:18Rather, he removed.

01:14:20What he said, I said.

01:14:21If there was excess, it was mine.

01:14:23That nobility honors him.

01:14:24And are you willing to rectify?

01:14:26I am willing to admit that I overdid it.

01:14:28If they give me my 257 pesetas.

01:14:32If you don't care, don't say my thing.

01:14:33Because?

01:14:34Because they are not theirs.

01:14:35They are mine.

01:14:36And what did I say?

01:14:37My.

01:14:38Exactly.

01:14:38But he must have said his.

01:14:40Why are yours mine?

01:14:41Because they are not theirs.

01:14:43Of course not.

01:14:44They are mine.

01:14:45Well, please, me.

01:14:45Come on.

01:14:46If you continue with yours and mine, all the dogs and even some cats will come.

01:14:50Neither his nor my.

01:14:53The.

01:14:54OK?

01:14:55For my parts...

01:14:56Oh, sorry.

01:14:58For my part, yes.

01:14:59Well, so be it.

01:15:00The.

01:15:01Well, there is no mus.

01:15:02You speak, what brother.

01:15:03I've already spoken.

01:15:04My bank will agree to pay if this gentleman publicly retracts his statements.

01:15:08We have not agreed that there are no such things.

01:15:10Well, then.

01:15:11Do you agree?

01:15:12According.

01:15:13I will speak to my journalist to rectify these statements.

01:15:17Now it is appropriate that I say my.

01:15:19Well, now I don't feel like it.

01:15:20It's fine the way you said it, man.

01:15:22That?

01:15:22Is it called peace?

01:15:24Good.

01:15:24Tomorrow is for me.

01:15:25I would order my branches and pay at my own office and...

01:15:28With my journalist.

01:15:30What is your journalist for?

01:15:31So that I can publicly attest that I have been treated.

01:15:35What did he overcome?

01:15:37That he was right.

01:15:38But you hear this.

01:15:40One moment.

01:15:40Perfectly.

01:15:41Friend Quesada, what is intended here is an intimate and friendly arrangement.

01:15:45Do you understand me?

01:15:45Yes sir.

01:15:46It can be as friendly as you want.

01:15:49This time I'm willing to provide the cigars myself.

01:15:52But not intimate.

01:15:53I did not organize or set this up to bother this gentleman or anyone else.

01:15:58But by exemplary conduct.

01:16:00The man in the street must know that when he is right...

01:16:04Enough of being more, my lord!

01:16:06I am right.

01:16:08And if I come to pay him it's because a friend asked me to and to keep the party peaceful.

01:16:12But from there to allowing you to humiliate me.

01:16:14Please be careful.

01:16:15It's downloaded.

01:16:16It doesn't matter.

01:16:16I have seen someone shoot from a broom once.

01:16:18Don't touch my shotgun!

01:16:19Come on, Triceño.

01:16:20No, we're not going.

01:16:22We're not going.

01:16:22If what he wants is for me to humiliate myself, I should pull down my pants so his photographer can take my picture.

01:16:26No way!

01:16:27Whoever asks me?

01:16:28Neither you nor the president general.

01:16:30Calm down, Triceño.

01:16:31I can't do it.

01:16:32Everything has a limit.

01:16:33And a solution?

01:16:34No, none.

01:16:35It's driven me crazy.

01:16:36Look.

01:16:37It would be bad if I didn't kill an objector.

01:16:41You have made a braid in my horoscope.

01:16:43I swear I'm sorry.

01:16:44Do you want mine?

01:16:45I'm afraid it's broken too.

01:16:48Probably because I almost never wind it up.

01:16:50Well, what do we do now?

01:16:51What are we going to do?

01:16:52Hunt.

01:16:53Didn't you come for that?

01:16:54No.

01:16:55I came to fire a single shot and it backfired.

01:16:59All he wants is to take these boots off me.

01:17:02I will provide you with others, but you still have to serve me.

01:17:05Me to you, eh?

01:17:07Serve me to serve you.

01:17:10I'm going for his boots.

01:17:12I don't understand anything.

01:17:14But thank you, Mr. Marguer.

01:17:15Again.

01:17:16Oh, sorry.

01:17:20When I tell you.

01:17:42Come on, let's go!

01:17:53I give up my position to you.

01:17:55Why's that?

01:17:56Because you're on edge and few people are going to get in here.

01:17:58The draw is the draw.

01:18:00But this is my farm.

01:18:02And here I am in charge more than the general manager.

01:18:04Hurry, they're coming!

01:18:05Is this compensation for that donkey?

01:18:09What less?

01:18:11Well, thank you very much.

01:18:14Who do I have on my left?

01:18:15To Don Santiago.

01:18:23What are you doing?

01:18:25But man, what is rented!

01:18:26Shut up!

01:18:27He has to camouflage himself.

01:18:28But if I don't have to shoot, they'll mistake him for a tree.

01:18:31What do you want, for Cinnamon to do?

01:18:33Come on, put on what they're already approaching.

01:18:34Anything for the neighbors.

01:18:36Listen, I can hardly see.

01:18:37And what does he need?

01:18:38That I have come from Mirón.

01:18:40Why don't you prune me a little?

01:18:41Well, don't touch or move until the hunt is over.

01:18:43And where are you going?

01:18:44To my post.

01:18:45Ah.

01:18:47And please be still.

01:18:48You don't want to ruin this too?

01:18:50No, no, no, don't be afraid.

01:18:52To hide.

01:18:53Oh, such a thing was brought to the poor Infanta Isabel.

01:19:05If I had my Luis now, I would...

01:19:08No, no, no, no, no, no, no.

01:19:39Back!

01:19:40Back off, don't be silly!

01:19:42We are men!

01:19:44They are hiding!

01:19:45It's that the regime is being destroyed.

01:19:47Back!

01:19:48Shut up!

01:19:48Yes, sir, yes!

01:19:50Yes sir!

01:19:52Ale!

01:19:53Release it down the path!

01:19:58Ale!

01:19:59There it goes!

01:20:02Ale!

01:20:02There it goes!

01:20:07The hare, Briceño!

01:20:09There it goes!

01:20:09Where to?

01:20:10On your left.

01:20:11There you go!

01:20:18Oh!

01:20:19Oh!

01:20:20I've been caught!

01:20:22I've been hurt!

01:20:23They've given me a pigeon like an apple!

01:20:26I've been hurt!

01:20:26Let's see, let's see what it was.

01:20:28Let's see, let's see.

01:20:28Oh!

01:20:29No, no, no, it's nothing.

01:20:30So many eyes.

01:20:31What happened?

01:20:32I've ruined it.

01:20:34At this distance.

01:20:36No!

01:20:37This man is malaria.

01:20:39Oh!

01:20:39I already knew they were bringing me here as a rabbit.

01:20:42Oh!

01:20:42No, no, don't touch it!

01:20:43Wait, I'll put something on it to stop the bleeding.

01:20:46Oh!

01:20:47Yes, cut the blood.

01:20:48But what was that, man?

01:20:49Oh, I don't know.

01:20:50He was there acting as a tree.

01:20:52And suddenly, boom!

01:20:54Snap!

01:20:54And look, Vietnam.

01:20:56Nothing, man.

01:20:57It's not fucking cool!

01:20:58But who was the animal?

01:20:59It was me.

01:21:00I apologize a thousand times.

01:21:02But, man, he has such a grudge against me.

01:21:04None.

01:21:05It was almost my fault.

01:21:06Believe me, I feel it from the bottom of my heart.

01:21:08And I'm everywhere.

01:21:09Are you going to put something on it?

01:21:10I was going to put taffeta on it, but I didn't have any.

01:21:12I'll put this on it.

01:21:12Come on, come on.

01:21:13Yeah.

01:21:13Give me something good, doctor.

01:21:16There, please.

01:21:24Wet.

01:21:25What are you putting?

01:21:27Postage stamps.

01:21:28Stamps?

01:21:29They do the same thing.

01:21:30The truth is that I didn't do it on purpose.

01:21:32Porortuna was not here that journalist.

01:21:34Yes, but he'll know anyway.

01:21:35Yeah.

01:21:37It's going to be difficult to get so many people in...

01:21:40And I warn you that they are two pesetas.

01:21:42But you are certifying me.

01:21:44It's just for me to take home.

01:21:46For that with one of about fifty...

01:21:48That was enough!

01:21:48Take it.

01:21:52Take it.

01:21:52That was enough!

01:21:53That was enough!

01:21:54That was enough!

01:21:55That was enough!

01:21:56That was enough!

01:21:57That was enough!

01:21:57Thank you!

01:22:27Mosier Bernard ha-t-il déjà telefoné?

01:22:29Oui, monsieur, positif, tout est d'accord.

01:22:31Thank you.

01:22:33There, Madrid.

01:22:35Is that you, Briseño?

01:22:36Yes, dear President. Nice to hear from you again.

01:22:40You won't be taking me to the same thing, will you?

01:22:44How is this possible?

01:22:46Those newspapers don't have any more interesting topics than this stupidity.

01:22:50It is clear that this is a sneaky campaign.

01:22:52This has to be driven by someone who is directly interested.

01:22:54Surely. But our bank has no interest in letting this continue for even one more day.

01:22:59Our council has decided to nip it in the bud, to guillotine it.

01:23:03And may I know what worthy solution the council I give you wants?

01:23:07What do you mean, I don't?

01:23:08Unfortunately, you can no longer give any.

01:23:11It has to be a new person who makes the arrangement credible. A new director.

01:23:15Are you suggesting that I should resign?

01:23:17No, he has already resigned and his replacement has been appointed.

01:23:21I understand. Tell that council from me.

01:23:24Now I know what Banco Universal's shares are like.

01:23:33My replacement has to be.

01:23:38Don Rodrigo Quesada was right.

01:23:41He was absolutely right.

01:23:42And he fought to defend that common good as our glorious sailors did in Cuba and Cavite.

01:23:50And if you ask me, also in Lepanto.

01:23:52And Banco Universal, in thanking you for your presence, also wants to paradoxically thank our former CEO and even those poor robbers,

01:24:06who, without intending to, have given us the opportunity to praise their exemplary conduct and to spread their moving lesson.

01:24:16Very good.

01:24:17Before proceeding with payment, would you like to say anything to these gentlemen of information?

01:24:26Well yes.

01:24:27I publicly withdraw my insults to this bank, which I now see were unfair.

01:24:35And proclaim that today is the happiest day of my life.

01:24:39Sure, if they finally pay me my 257...

01:24:43Right now.

01:24:46Please, Fontán.

01:24:47Would you like to accompany Mr. Quesada to the payment window?

01:24:49With great pleasure.

01:24:50Would you like to follow me, please?

01:24:51Delighted.

01:24:59Here.

01:25:00Thank you so much.

01:25:01I will make this payment personally.

01:25:03Will you change your jacket, Mr. Marquis?

01:25:05Only when necessary.

01:25:08Don Rodrigo Quesada.

01:25:11Your servant.

01:25:13How much do you charge, sir?

01:25:15257 pesetas.

01:25:17Exactly.

01:25:18One hundred, two hundred, twenty-five, fifty, fifty-five, fifty-six and fifty-seven pesetas.

01:25:33Correct, Mr. Quesada?

01:25:35No, sir.

01:25:37The Danish krone has risen these days and I owe two hundred and fifty-seven point fifty.

01:25:46Nice to meet you, nice to meet you.

01:25:47Who has two reales?

01:25:48Yes sir.

01:25:48There are, man, two reales.

01:25:49Fifty cents.

01:25:50But he has nothing.

01:25:50No, Mr. Marquis.

01:25:51I will give them.

01:25:52Do they work on these?

01:25:54Here you go.

01:25:55Correct, Mr. Quesada?

01:25:57Excited.

01:25:58Perfectly.

01:25:58Look over there.

01:25:59Hey?

01:26:00Oh, how affectionate.

01:26:02Oh, how affectionate.

01:26:02There, there, there.

01:26:09Incredible, but true.

01:26:12Against all odds, David knocked out Goliath again.

01:26:14I was happy for my hero, but not as happy as I should have been, because I was nagging at this nagging doubt.

01:26:21We can be very certain that Goliath was not killed by another Goliath, who took advantage of David's noble audacity.

01:26:29I'm tempted to look into this old news, but I have neither the courage nor the time.

01:26:33Well, at twelve they're expecting me to witness a wedding.

01:26:37You'll guess which one.

01:26:39Congratulations, great man.

01:26:41Thank you so much.

01:26:42Because of this and ours, you got everything, right?

01:26:45Not me, Don Rodrigo.

01:26:46What a guy he is.

01:26:47Where is?

01:26:48Well, he should be here already with his girlfriend.

01:26:50And not yet.

01:26:51But they left home before us.

01:26:53Oh yeah?

01:26:54Yeah.

01:26:55But who was he talking to then?

01:26:56With the doorman. He says they left half an hour ago.

01:26:57Half an hour? And how come they haven't arrived?

01:26:59Well, maybe because of the traffic.

01:27:00But they are just a step away.

01:27:01They will appear at any moment.

01:27:03A car arrived there.

01:27:05Is this yours?

01:27:06No.

01:27:08It comes in ours, which is a regular 1400.

01:27:12I think I'm eating myself sick.

01:27:14Come on, it won't be that bad.

01:27:15Yes, yes.

01:27:17I don't know if it's my pulse or my head, but something is going away.

01:27:20Bring it, let's see.

01:27:22It couldn't be missed.

01:27:23I've skipped a couple of tips, but I've done it with great pleasure.

01:27:26Thank you very much, Marquis.

01:27:27You'll give them to me for something more important, Mr. Lawyer.

01:27:31Because?

01:27:32It is possible.

01:27:37In a van.

01:27:38Man, and he's from my company.

01:27:39Forgive me.

01:27:39But he's my son.

01:27:43Yes, it seems that she is his firstborn.

01:27:47But, darling, what happened to you?

01:27:49Nothing.

01:27:50Help me.

01:27:50Take a moment.

01:27:52Just a moment.

01:27:55Be careful with the tail and the veil.

01:27:56But he's your father.

01:27:57Very well thank you.

01:27:58Come on, let's go.

01:27:59Hey, listen, listen.

01:28:00You're going to need this, aren't you?

01:28:01Me?

01:28:01Clear.

01:28:02Yes, yes, thank you very much.

01:28:03Hey, tip this man well.

01:28:05A tip?

01:28:05Oh, yes, of course, the tip.

01:28:07Hey, daughter, but how come you come like this?

01:28:09To come somehow.

01:28:10But what about your father?

01:28:11Imagine it, there's no need to wait.

01:28:12He's doing his thing.

01:28:14Valentine.

01:28:14But how about yours?

01:28:16Come on, ma'am, get over it, the first month is the most delicate.

01:28:20The first month, did I say?

01:28:21Yes, give it a try.

01:28:23But do you think that's possible?

01:28:25With a husband like yours, apparently, yes.

01:28:27Oh, oh, okay.

01:28:28Well, thank you very much and may it be for the best.

01:28:30Goodbye, nothing more.

01:28:30Bye bye.

01:28:31Now, let's go.

01:28:31But what are we going to do without your father?

01:28:33Get married.

01:28:33I'm the one getting married.

01:28:34But you'll need a godfather, won't you?

01:28:35Anything goes!

01:28:36Do you want to be one yourself?

01:28:37With a thousand loves.

01:28:38Well, come on, give me your arm and let's go inside.

01:28:40Give him your arm, Mom.

01:28:40Yes, yes.

01:28:42Come on, Mrs. Luisa.

01:28:43But that Rodrigo.

01:28:44Stay calm.

01:28:45He has already told us that he is doing his thing.

01:28:46Yes, in his own way, always in his own way.

01:28:47He is always doing his thing.

01:28:48And I'm always a victim.

01:28:50What I do?

01:28:51I am a victim.

01:28:52There you go!

01:28:52What happens now?

01:28:53What gave the driver the tip deposit?

01:28:55Oh!

01:28:55Don't worry, I'll carry a check.

01:28:57Come on?

01:28:58Come on, yeah.

01:28:59What a wedding!

01:29:00And it will be a boy.

01:29:01I'm sure.

01:29:02Child, daughter of Zota!

01:29:05Let the kitchens be silent!

01:29:07Because I don't move like what has fallen on the spit!

01:29:10No, sir!

01:29:10No, no, no!

01:29:11Pierce, Mr. Guard!

01:29:13When I'm right, I pay.

01:29:15But this time I'm right and I don't want another one.

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